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- Title
- All together! Enlist in the Navy
- Description
- World War One recruitment poster for the United States Navy and depicting a white man American sailor standing among five other men sailors from allied countries. Flags are underneath each sailor to denote their nationality (left to right): Japan, France, United States, White Ensign of the Royal Navy used for the British Commonwealth, Russia, and Italy. In the left, the Japanese sailor, depicted with a dark-colored skin tone and attired in a blue uniform, holds his cap in his right hand. Next to him, the brown-haired, white French sailor with a mustache, attired in a blue shirt with two medals, a black utility belt, white pants, and black shoes, carries a rifle and bayonet in his left hand. He holds his cap up in the air with his right hand. The blond-haired American sailor, attired in a white cap and a blue uniform, stands in the center with his left arm around a sailor of the British Commonwealth. The British Commonwealth sailor, depicted with a light-brown color skin tone, is attired in a brimmed, straw sennet hat and a white sailor’s uniform (possibly to be portrayed from the Caribbean). He holds a telescope under his left arm and smiles at the American. The Russian sailor beside him with a mustache and attired in a white cap, a white shirt, and black pants, puts his arm on his back and on the back of the Italian sailor. In the right, the black-haired Italian sailor with a mustache and his face depicted with dark tones, is attired in a white cap, a blue shirt, and white pants. He stands and holds a rifle and bayonet over his right shoulder. In the background, battleships with Allied flags on the masts are visible on the water., Title from item., Publication information inferred from the content., Date from the artist's signature on recto: H. Reuterdahl, U.S.N.R.F. ’17., Accessioned 1980., Description revised 2022., Access points revised 2022., Henry Reuterdahl was a Swedish-born painter and illustrator who was well-known for his paintings of ships and nautical scenes. He served as artist-correspondent during the Spanish-American War and went on to develop a close association with the United States Navy.
- Creator
- Reuterdahl, Henry, 1871-1925, artist
- Date
- [ca. 1917]
- Location
- Library Company of Philadelphia | Print Department WWI Posters Drawer 2 Folder 12 [P.2284.191-204]
- Title
- [Scraps no. 3. for 1832]
- Description
- Plate four from the 1832 edition of "Scraps," Johnston's popular satirical series of societal caricatures published between 1828 and 1840, and in 1849. Depicts a montage of nine scenes lampooning contemporary social issues and everyday life such as fashion, religious hypocrisy, ignorance, vanity, country life, class inequities, the military, and higher education. Includes 'The Glass of Fashion & The Mould of Form' depicting a white man sales clerk falsely flattering a white man dandy trying on a puff-sleeved coat; "Faith and Works" depicting a hypocritical white man Deacon, near a fireplace, reneging the shelter that he promised to a cold, poor white woman outside his door while his African American servant offers her money; "Arrival of a Country Cousin" depicting a snobby, white, city gentleman snubbing his country cousin; "About to be Astonished" depicting a dimwitted gloating white man farmer about to intentionally kill a sleeping "varmint" and unintentionally kill his friend with a sickle; "Champagne [Campaign] or the Fatigues of Modern Camp Duty" depicting a grossly intoxicated troop of white military officers toasting their intellect and patriotism; "A Body Coat & A Coat of Arms" depicting a rotund and thin "John Smith" exchanging wrongly delivered coats; "The Able-Bodied Man & The Exempt" depicting a scraggly white soldier encountering an "exempt" hardy white gentleman; "Symptoms of Extravagance" depicting a white man, attired in rags, debating the necessity to "dress better on Sunday"; "College Acquirements" depicting an African American man and woman, portrayed in racist caricature and speaking in the vernacular, discussing 'de college for de colour'd circles' based on the beneficial effects of college on "Massa Bob," including his staying out later, no longer reading, and drinking champagne., Title supplied by cataloger., Printed in upper left corner: Plate 4., Published in D.C. Johnston's Scraps No. 3 1832 (Boston: D.C. Johnston, 1832), pl. 4., Retrospective conversion record: original entry, edited., Accessioned 1893., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Johnston, David Claypoole, 1799-1865
- Date
- [1832]
- Location
- Library Company of Philadelphia | Print Department political cartoons - 1832-Scr (d) [5656.F.24]