[Sailing ship near an ocean coast]
Title
[Sailing ship near an ocean coast]
Description
Green mount with rounded corners., Attributed to Robert Newell., Title supplied by cataloguer., Originally part of a McAllister scrapbook of American views., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Newell, Robert, 1822-1897, photographer
Date
[ca. 1870]
Location
Library Company of Philadelphia | Print Department stereo - Newell - Transportation [5739.F.61a]
John H. Brown & Co. No. 307 Market St.
Title
John H. Brown & Co. No. 307 Market St No. 76 Trade mark
Description
Illustrated label, probably for textiles, for the Philadelphia dry goods firm containing a vignette showing two sailing ships on the ocean. Also contains the text "Yds.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Forms part of Scrapbook of Ephemera [8608.F].
Date
c1858
Location
Library Company of Philadelphia | Print Department albums - Scrapbook [8608.F.14b]
Ice scene on the Delaware, Philadelphia
Title
Ice scene on the Delaware, Philadelphia
Description
Harbor scene showing a sailing ship with masts down and billowing smoke. Also shows nearby sailing vessels. View does not include ice., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Reproduced in Kenneth Finkel's Nineteenth-century photography in Philadelphia (New York: Dover Publications, Inc., in cooperation with The Library Company of Philadelphia, 1980), entry # 223., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator
W. & F. Langenheim (Firm), photographer
Date
ca. 1860
Location
Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.13c]
Ice scene on the Delaware, Philadelphia
Title
Ice scene on the Delaware, Philadelphia
Description
Harbor scene showing a sailing ship with masts down and billowing smoke. Also shows nearby sailing vessels. View does not include ice., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Reproduced in Kenneth Finkel's Nineteenth-century photography in Philadelphia (New York: Dover Publications, Inc., in cooperation with The Library Company of Philadelphia, 1980), entry # 223., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator
W. & F. Langenheim (Firm), photographer
Date
ca. 1860
Location
Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.13c]
Ice scene on the Delaware, Philadelphia [graphic] / Langenheim.
Title
Ice scene on the Delaware, Philadelphia
Description
Harbor scene showing a sailing ship with masts down and billowing smoke. Also shows nearby sailing vessels. View does not include ice., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Reproduced in Kenneth Finkel's Nineteenth-century photography in Philadelphia (New York: Dover Publications, Inc., in cooperation with The Library Company of Philadelphia, 1980), entry # 223., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator
W. & F. Langenheim (Firm), photographer
Date
ca. 1860
Location
Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.13c]
Bought of Potts & Roberts, importers and dealers in foreign and American iron & steel and heavy hardware. Warehouse, Third & Willlow Sts.
Title
Bought of Potts & Roberts, importers and dealers in foreign and American iron & steel and heavy hardware. Warehouse, Third & Willlow Sts
Description
Billhead containing a vignette showing sailing ships on a rough sea., Completed in manuscript to Mr. Isaac S. Steler[sic] on September 23, 1852 for "1 1/2 Eng hook [?], 2.00, $70, 1.75; 1 x 7/16 [?] Slit Roas, 2.00, $70, 1.75: $3.50. [?] Off 3, 10: $3.40., Manuscript note on recto: Recd Payment for Potts & Roberts, E. [Bertobl?]., Contains columns labeled: Bars. Bundles. Description. T. Cwr. Qr. Lbs. Price. Dollars. Cents., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler., Isaac Stetler worked as a cordwainer in Philadelphia in the 1850s.
Date
[ca. 1850]
Location
Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Receipts [P.2011.10.143]
To John Hartman, dr. East End Steam Biscuit Work, No. 412 South Wharves, and 413 Penn St. Plain & fancy biscuit & crackers
Title
To John Hartman, dr. East End Steam Biscuit Work, No. 412 South Wharves, and 413 Penn St. Plain & fancy biscuit & crackers Established 1826
Description
Billhead containing two vignettes. Vignette in left shows "Blue Points. Cracker in Shape of an Oyster Patented." Image also contains text dating the patent and trademark to 1883 and 1884. Vignette in right shows a sailing ship at sea captioned "Pilot, Ship and Navy Bread A Specialty.", Completed in manuscript to Mr. J. B. Bechtel, Allentown L.V.R.R. on October 4, 1886 for "1 Bbl Acme Cr 70#" @ $.06, $4.20; "12 Tin Trunks Extra La" 56 1/2# @ $.095, $5.37; "12 Glass Front & Extra Asst 72 1/2#" @ 13, $9.42; "2 Crates of Tin Trunks" @ 3.75, $7.50; "2 " " Glass Fronts" @ 3.50, $7.00: $33.49., Manuscript note on recto: Cans & cases off $14.50 to be returned: $18.99. Recd Payment J. Hartman Per M 14.50, Stamped on recto: Terms - 30 Days, Subject to Sight Draft Without Notice. One Per Cent. Discount if Paid Within 10 Days., Printed on recto: No Boxes Received unless Freight Prepaid. All Claims To Be Made in Five Days. Highest Premium Awarded By United States Centennial Commission For Extent Of Variety and Superior Manufacture of Biscuits. Long Preserved Excellence., Accompanied by corresponding envelope illustrated with "Cracker in Shape of An Oyster Patented." Illustration duplicates illustration on billhead. Envelope contains postmarks and two-cent stamp depicting George Washington. [P.2011.10.136a], Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date
[ca. 1884]
Location
Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Receipts [P.2011.10.136 & 136a]
The Echo at Riverton, N.J.
Title
The Echo at Riverton, N.J
Description
Depicts a sailboat with the sail up on the Delaware River. Six passengers, including an African American man, sit within the boat. Trees are visible along the shoreline in the background., Green mount with square corners., Title from manuscript note on paper label on verso., Manuscript note on verso: Fred S. Wiese No. 33., Purchase 2002., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Newell, Robert, 1822-1897, photographer
Date
[ca. 1868]
Location
Library Company of Philadelphia | Print Department stereo - Newell [P.2002.4.3]
The Echo at Riverton, N.J.
Title
The Echo at Riverton, N.J
Description
Depicts a sailboat on the Delaware River with a two-men crew. At the bow, a white man leans his right hand on the boom, which the sail is rolled around. Behind him, an African American man leans his right elbow on the boom and stands with his left hand on his hip. Trees along the shoreline are visual in the background., Green mount with square corners., Title from manuscript note on paper label on verso., Manuscript note on verso: Fred S. Wiese No. 34., Purchase 2002., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Newell, Robert, 1822-1897, photographer
Date
[ca. 1868]
Location
Library Company of Philadelphia | Print Department stereo - Newell - Views [P.2002.4.4]
[J. Hartman's biscuit bakery, No. 90 Penn Street, Philadelphia]
Title
[J. Hartman's biscuit bakery, No. 90 Penn Street, Philadelphia]
Description
Advertisement showing the bakery house at 90 S. Wharves, i.e., 412 S. Delaware Avenue. Signage adorning the building advertises "Crackers, Sugar & Soda Biscuit, Pilot, Ship & Navy Bread Wholesale & Retail." Employees and patrons enter and exit the building past stacks of barrels and are visible through the open entranceways and receiving windows, climbing stairs, discussing business, and inspecting barrels. In front of the business, under a large store banner, a patron and clerk converse and employees load a horse-drawn cart with provisions. At the side of the building, a driver with a horse-drawn cart is stopped in the alley to receive a barrel to be hoisted down from the third floor of the bakery. Also shows a sailor standing at the opposite street corner, and in the distance, part of a docked square-rigged ship., Title supplied by cataloguer., Date from Poulson inscription on recto: Aug. 1847. Penn Street., Wainwright suggests date of circa 1846., Philadelphia on Stone, POS 396, Wainwright retrospective conversion project, edited., Trimmed.
Creator
Rease, W. H., artist
Date
[August 1847]
Location
Library Company of Philadelphia | Print Department *W191 [P.2054]
Chestnut St. Bridge, Philada. [graphic].
Title
Chestnut St. Bridge, Philada
Description
Views showing the iron arch bridge built over the Schuylkill River between 1861-1866 after the designs of Strickland Kneass. Also shows a sailing ship with her masts down, a pier loaded with lumber, a reinforced ditch filled with water, and cityscape in the background. The bridge, partially funded and utilized by the Chestnut and Walnut Streets Passenger Railway Company, was demolished in 1958., Stereograph on yellow mount with square corners., Title from manuscript note on on mount., One of images originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Bartlett & Smith, photographer
Date
ca. 1867
Location
Library Company of Philadelphia | Print Department stereo - Bartlett & Smith - Bridges [(8)1322.F.11e; P.2004.22]
[Ships departing from California](Amerikashū Karuharunoyakō shuppan no zu) [graphic].
Title
[ Ships departing from California](Amerikashū Karuharunoyakō shuppan no zu)
Description
Left sheet of a triptych depicting an American ship leaving the “port of California,” (probably San Francisco) bound for Japan. Shows the ship sailing in the water. A number of sailors stand on the deck and three sailors climb on the ship’s rigs. An American flag flies on the mast. In the right foreground, two white men stand on rocks and watch the ship. The print was produced shortly after Japan’s first diplomatic embassy was sent to the United States in 1860., Title and date based on similar copies held at the Harvard Art Museum and Metropolitan Museum., Printed signature reading "Gountei Sadahide ga.", Gift of Davida Deutsch in memory of Molly Roth., Sadahide Hashimoto or Sadahide Utagawa (1807-1873) was a Japanese artist active in Yokohama and known for his renderings of foreigners, especially Westerners. He was selected as part of the Japanese delegation to the Paris International Exposition of 1867.
Creator
Utagawa, Sadahide, 1807-1873, artist
Date
1862
Location
Library Company of Philadelphia | Print Department *GC - Transportation [P.2016.35]
Whann's Super Phosphate Manufactory. Walton, Whann & Co., proprietors. Wilmington, Delaware, office, Front & Market sts.
Title
Whann's Super Phosphate Manufactory. Walton, Whann & Co., proprietors. Wilmington, Delaware, office, Front & Market sts Daniel Fields, general agent for the Southern states
Description
Billhead containing a view of the multi-building manufactory on a pier along the riverfront. Shows laborers transporting goods across the factory grounds with hand and horse-drawn carts. Others stand and depart from entryways to the buildings. At the end of the pier, sacks are piled near docked and approaching ships., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1866]
Location
Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.135b]
Whann's Super Phosphate Manufactory. Walton, Whann & Co., proprietors. Wilmington, Delaware, office, Front & Market sts. [graphic] : Daniel Fields, general agent for the Southern states.
Title
Whann's Super Phosphate Manufactory. Walton, Whann & Co., proprietors. Wilmington, Delaware, office, Front & Market sts Daniel Fields, general agent for the Southern states
Description
Billhead containing a view of the multi-building manufactory on a pier along the riverfront. Shows laborers transporting goods across the factory grounds with hand and horse-drawn carts. Others stand and depart from entryways to the buildings. At the end of the pier, sacks are piled near docked and approaching ships., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1866]
Location
Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.135b]
S.E. view of Philadelphia
Title
S.E. view of Philadelphia
Description
Panoramic view looking from Camden, New Jersey showing the Delaware riverfront and harbor. Includes cityscape; docked ships; boathouses; Spark's Shot Tower; Smith and Windmill Island; and several sailing vessels and a steamboat traversing the river. Also shows two men near grazing horses on the riverbank in the foreground., Not in Wainwright., Philadelphia on Stone, POS 667, Originally part of a McAllister scrapbook of views of Philadelphia., Retrospective conversion record: original entry, edited.
Creator
Kollner, Augustus, b. 1813, artist
Date
[ca. 1860]
Location
Library Company of Philadelphia | Print Department BW - Rivers - Delaware [(7)1322.F.19]
[Group in a sailboat, Chesapeake Bay.]
Title
[Group in a sailboat, Chesapeake Bay.]
Description
Depicts a group of men and women sitting on a sailboat in the Chesapeake Bay. Includes the photographer, William H. Doering (left), and his wife Catharine Rupp Doering (second woman from the left). The boy in the middle is one probably of their sons, Albert or Karl., Title supplied by cataloguer., Gift of Albert L. Doering.
Creator
Doering, William Harvey, 1858-1924, photographer
Date
ca. 1898
Location
Library Company of Philadelphia | Print Department lantern slides - Doering [P.9453.111 & 112]
Hibernian Society for the Relief of Emigrants from Ireland [membership certificate] [graphic] / J. J. Barralet invet. et delt.; H. Houston sculpt.
Title
Hibernian Society for the Relief of Emigrants from Ireland [membership certificate]
Description
Membership certificate for the relief society, later the Friendly Sons of St. Patrick, organized in Philadelphia in 1771. A large central oval contains an allegorical scene showing the classical figures of Hope, Columbia, and Concordia near a column marked "Hibernian Society." The women welcome immigrants disembarking from a sailing ship on long boats. Hope leans on an anchor; bare-breasted Columbia (i.e., United States) holds a shield; and Concordia, a bag of money in her hand and an Irish harp resting behind her, reaches out to an allegorical female arrival. An American eagle with a shield, and tools and symbols of agriculture and industry border the oval., Illustrated seal of the society blindstamped on recto., Title supplied by cataloger., Date inferred from active dates of the artist and engraver., Signed by Hugh Holmes, president., Holmes, a founder of the society, served as its president 1800-1817., Gift of David Doret., Houston worked as a engraver in Philadelphia in the late 1790s.
Creator
Houston, H. H., engraver
Date
[ca. 1797]
Location
Library Company of Philadelphia | Print Department *Philadelphia certificates - Organizations [P.2006.28.12]
Use the agate iron ware, as it never rusts or leaks, and loudly are its praises sung by every tongue that speaks. [graphic].
Title
Use the agate iron ware, as it never rusts or leaks, and loudly are its praises sung by every tongue that speaks
Description
Trade card promoting Weber & Bro. and depicting a caricaturized Chinese man sailing in a pot and a duck sailing in a kettle. In the left, the man, wearing his hair in a queue and attired in a red cap and long-sleeved, yellow tunic with red polka dots, holds an oar as he sails in an oversized handled pot with a shirt as the sail. The pot reads, "For China." In the right, a yellow duck, attired in a red cap and shirt, looks through a telescope as it sails in a kettle that reads, "For Europe, Asia, Africa." A ship is visible in the left background. George and William Weber founded Weber & Bro. in 1881. They sold hardware, cutlery, and tools at their store located at 2230 North Front Street., Title from item., Date inferred from active dates of the advertised business., Advertising text printed on verso: Weber & Bro., 2230 North Front Street, Philadelphia, PA., RVCDC
Date
[ca. 1885]
Location
Library Company of Philadelphia | Print Department Berman Trade Card Collection - Weber & Bro. [P.2015.56.928]
A view of Point Airy opposite South Street, Phila. [graphic]: Persons visiting this delightful resort during the summer season will find the bar supplied with a variety of suitable refreshments for the season. Every facility is afforded at this place for
Title
A view of Point Airy opposite South Street, Phila. [graphic]: Persons visiting this delightful resort during the summer season will find the bar supplied with a variety of suitable refreshments for the season. Every facility is afforded at this place for enjoyment & recreation. Visitors have also an opportunity of enjoying as delightful a bath as can be had at any point on the Delaware. The boat leaves the first wharf above South Street every few minutes. D. Warren, Proprietor L. Haugg del.
Description
Date supplied by Wainwright., Retrospective conversion record: original entry, edited., Advertisement showing dock and hotel of resort located on the southern end of Windmill Island, a summer resort area popular in the 19th century before the removal of the island in 1897. View shows a wide variety of river traffic including ferries, sailboats, rowboats, and sailing ships. View of New Jersey waterfront visible in background.
Creator
Haugg, Louis, artist., creator
Date
[ca. 1855]
Location
http://www.lcpgraphics.org/wainwright/W007.htm, Library Company of Philadelphia Print Dept. **W7 [P.2003]
A view of Point Airy opposite South Street, Phila.
Title
A view of Point Airy opposite South Street, Phila Persons visiting this delightful resort during the summer season will find the bar supplied with a variety of suitable refreshments for the season. Every facility is afforded at this place for enjoyment & recreation. Visitors have also an opportunity of enjoying as delightful a bath as can be had at any point on the Delaware. The boat leaves the first wharf above South Street every few minutes. D. Warren, Proprietor
Description
Advertisement showing the "Point Airy Hotel" and dock operated by David Warren at the resort located on the southern end of Windmill Island, a summer resort area popular in the 19th century before the removal of the island in 1897. Trees surround the resort. In the foreground, a wide variety of river traffic including ferries, sailboats, and rowboats traverse the river. A man attired in a suit and top hat helps row one of the vessels. In the background, sailing ships and a ferry are visible in front of the New Jersey waterfront., Date supplied by Wainwright., Philadelphia on Stone, POS 789, Retrospective conversion record: original entry, edited., Haugg worked in Philadelphia 1856-1894.
Creator
Haugg, Louis, 1827-1903, artist
Date
[ca. 1856]
Location
Library Company of Philadelphia | Print Department **W7 [P.2003]
Scenery on the Pennsylvania Railroad Album
Title
Scenery on the Pennsylvania Railroad Album
Description
Album of photographs documenting the Philadelphia, Middle, and Pittsburgh divisions of the Pennsylvania Railroad, incorporated in 1846. The consolidated company sought to build a trunk route from Philadelphia to Pittsburgh through the Allegheny mountains in order to compete with the Erie Canal for freight traffic. In 1854, rail passage through the Alleghenies via the "Horse Shoe Curve" was achieved and spurred the establishment and growth of the several towns depicted along the route.
Date
1874
Scenery on the Pennsylvania Railroad
Title
Scenery on the Pennsylvania Railroad
Description
Album of photographs documenting the Philadelphia, Middle, and Pittsburgh divisions of the Pennsylvania Railroad, incorporated in 1846. The consolidated company sought to build a trunk route from Philadelphia to Pittsburgh through the Allegheny mountains in order to compete with the Erie Canal for freight traffic. In 1854, rail passage through the Alleghenies via the "Horse Shoe Curve" was achieved and spurred the establishment and growth of the several towns depicted along the route., Photographs depict stations, sites, landmarks, and landscape and townscape views along the Pennsylvania Railroad. Titles include No. 1 Ardmore Station ; No. 2 Bryn Mawr Station; No. 3 Bridge at Conways at Conewago; No. 5 Mount Union; No. 6 Susquehanna Bridge at Rockville (i.e., first bridge replaced in 1877); No. 7 Track Tank; No. 8 Jack Narrows; No. 9 Triple Track; No. 12 Bryn Mawr Hotel; No. 13 Coatesville Bridge; No. 16 Powers Run Allegheny River; No. 21 Sample track near Harmersville; No. 25 East from Harmersville; No. 26 Butler; No. 29 On the Kiskimenitus below Leechburg; No. 36 Greensburg near Huffs; No. 39 Hawkins; No. 40 West of Derry; No. 41 East of Morgan; No. 42 West of Beattys Station; No. 43 Monastery West of Latrobe; No. 44 1 1/2 miles East of S. W. Penna.; No. 46 Westmoreland Coal Co.; No. 47 Braddocks, Port Perry and Steel Works; No. 48 Westmoreland Landscape; No. 49 Stewarts Sample Track; No. 50 Section of Y at Walls; No. 51 Greensburg Station ; No. 53 West of Pack Saddle; No. 55 Lockport; No. 56 Below Conemaugh Furnace; No. 58 Cresson (Panorama); No. 61 Allegheny Tunnel , Galitzen; No. 64 Soap Fat; No. 57 Cresson (Panorama); No. 59 Kittanning from McGarveys; No. 65 Pulpit Rock; No. 67 From McKees Gap; No. 76 Bellefonte; No. 78 Mill Hall; No. 79 Birmingham; No. 80 Union Furnace and Station ; No. 81 Spring Creek; No. 82 Allegheny Tunnel; No. 83 Tyrone and Clearfield; No. 84 Grade on the Tyrone and Clearfield; No. 85 Bellefonte Gap;, No. 86 Mule Shoe and Deep Fill; No. 88 Pack Saddle East; No. 90 Logan House, Altoona, Pa.; No. 96 Jack Narrows, Mapleton; No. 97 Entrance to Jack Narrows; No. 98 Reservoir; No. 99 Bedford Springs; No. 100 View from Bedford Springs; No. 101 Bedford from Wickershams; No. 102 Below Bedford, Devils Backbone; No. 103 Bedford; No. 104 McVeytown Station; No. 105 Mount Dallas; No. 106 Mapleton; No. 107 Huntington; No. 108 Tuscarora Valley; No. 109 Sentinel Rock; No. 110 Tyrone Forges; No. 113 Standard Track, Lewistown Narrows; No. 114 From Centre of Susquehanna Bridge; No. 115 Terrace Mountain, Mill Creek; No. 116 From West End of Susquehanna Bridge; No. 117 Upper Mann’s; No. 118 Lewistown Narrows; No. 119 Susquehanna Bridge; No. 121 Standard Track at Newport; No. 123 Across the Allegheny; No. 127 General View of Bryn Mawr; No. 124 Saltzburg; No. 130 Bryn Mawr; No. 131 Bryn Mawr; No. 138 Irwin Station; No. 139 Sample Track, Wynnewood Station ; No. 140 Haverford College; No. 142 Haverford College Station; No. 147 Bridge at Columbia [Wrightsburg?] Pa.; No. 148 Wayne Station; No. 151 Terminus at Delaware City; No. 154 Harrisburg from Fort Washington ; No. 150 Chiques (i.e., Chickie’s Rock); No. 153 Henry Clay, Chiques and Marietta; No. 158 Landenburg; No. 159 Columbia Tunnel; and No. 162 Louella Residence of J. Henry Askin., Photographs include railroad tracks, locomotives and railcars, railroad equipment, bridges, tunnels, rock formations, mountains, passes, mills, furnaces, coal and steel works, hotels, Victorian-style residences, wooden dwellings and sheds, canal houses and canals, telegraph poles, townscape, farmsteads, marshland, rivers, and wooden fences. Several images, particularly views of stations, also depict posed figures, including an African American man at the Haverford College Station (No. 142). Details in other photographs include rail tracks with a water trough (No. 7); amateurishly hand-painted advertising text on a wood fence (No. 36); the "Exchange Hotel" near the Allegheny Tunnel in Galitzen (No. 61); men seated on the cow catcher of a partially visible locomotive at the grade on the Tyrone and Clearfield (No. 84); a gazebo-style pavilion at Bedford Springs (No. 199); oil tanks and drums (No. 123); the Pennsylvania Gas Coal Co. Office, a pedestrian bridge crossing over a creek, and the “Tom Smith Peanut Man” shed near Irwin Station (No. 138); the “Columbia” barge (No. 147); a "Water-Line of Boston" sailing vessel at the terminus at Delaware City (No. 151); the Martin Landenburger mill in Landenburg (No. 158); and the greenhouse attached to the residence on the Louella estate in Wayne (No. 162)., Photographer’s imprint inscribed in negative of several of the photographs: F. Gutekunst, Philada. or F. Gutekunst, Photogr., Philada., Date inferred from publication date of stereographs with similar content by the photographer. See stereo - Gutekunst - Views [P.9058.1-.142]., Photograph No. 4, 10-11, 14-15, 17-20, 22-24, 27-28, 30-35, 37-38, 45, 52, 54, 60, 62-63, 66, 68-75, 77, 87, 89, 91-95, 112, 120, 122, 125-126, 128-129, 132-137, 141, 143-146, 149, 152, 155-157, 160-161 not included in album., Inscribed in pencil upper right corner on mount of photograph No. 1: 40 guards., Inscribed in pencil below image on mount of photograph No. 1: about 1876., Inscription in pencil below title on mount of photograph No. 147: Wrightsburg. “Columbia” in title circled., See Gutekunst (Pennsylvania Railroad) research file., Gift of the Greer family in memory of David St. John Greer who after starting as a co-op student at Drexel University spent his working life with the Pennsylvania Railroad with the exception of a period of service with the U.S. Navy during WWII., Lib. Company. Annual report, 2014, p. 49-50., Description revised 2021., Access points revised 2021., Gutekunst, a prominent Philadelphia photographer, published a series of Pennsylvania Railroad views stereographs in 1875.
Creator
Gutekunst, Frederick, 1831-1917, photographer
Date
[ca. 1875]
Location
Library Company of Philadelphia | Print Department albums [P.2014.74]
Engravings by William Humphrys Scrapbook
Title
Engravings by William Humphrys Scrapbook
Description
Scrapbook of print specimens and proofs engraved by Philadelphia and London engraver William Humphrys. Contents include postage stamp proofs, book and periodical illustrations, tile pages, portrait prints, advertisements, and cut outs of banknote and certificate vignettes. Majority of graphics depict allegorical imagery or illustrations of genre, religious, sentimental, and literary scenes, some from the plays of Shakespeare. Illustrations include scenes of courtship; female friendship; children with animals; a ghoulish-looking woman with a torch; a European man smoking a hookah; Jesus Christ; Adam & Eve; and imagery from Edmund Spencer's "Faery Queen", John Milton's "Palemon's Story," and John Gay's "Thursday: or The Spell." Allegorical works depict the figures of Columbia, Minerva, Mercury, Neptune, Bounty, Agriculture, Commerce, Justice, Hope, and Apollo, as well as scenes with the American eagle; caducei for the "Liverpool Apothecaries Company"; citizens fighting a fire; cherubs charting a globe; Native Americans; a family; sailing ships; and symbols of farming, trade, and industry. Vignettes also show a portrait of Benjamin Franklin; Pocahontas saving John Smith; and a female warrior slaying a man of royalty captioned "Sic Semper Tyranus."
Engravings by William Humphrys
Title
Engravings by William Humphrys
Description
Scrapbook of print specimens and proofs engraved by Philadelphia and London engraver William Humphrys. Contents include postage stamp proofs, book and periodical illustrations, tile pages, portrait prints, advertisements, and cut outs of banknote and certificate vignettes. Majority of graphics depict allegorical imagery or illustrations of genre, religious, sentimental, and literary scenes, some from the plays of Shakespeare. Illustrations include scenes of courtship; female friendship; children with animals; a ghoulish-looking woman with a torch; a European man smoking a hookah; Jesus Christ; Adam & Eve; and imagery from Edmund Spencer's "Faery Queen", John Milton's "Palemon's Story," and John Gay's "Thursday: or The Spell." Allegorical works depict the figures of Columbia, Minerva, Mercury, Neptune, Bounty, Agriculture, Commerce, Justice, Hope, and Apollo, as well as scenes with the American eagle; caducei for the "Liverpool Apothecaries Company"; citizens fighting a fire; cherubs charting a globe; Native Americans; a family; sailing ships; and symbols of farming, trade, and industry. Vignettes also show a portrait of Benjamin Franklin; Pocahontas saving John Smith; and a female warrior slaying a man of royalty captioned "Sic Semper Tyranus.", Portrait prints, some probably from the British periodical "Fraser's Magazine for Town and Country," depict Israel Putnam; George Washington; Gustavus Adolphus; Mrs. Sloman, of Covent Garden Theatre in the Character of Baltimore; Thomas Carlyle; William Dunlop; Letitia Elizabeth Landon; D. M. Moir; and Henry Purcell. Scrapbook also contains an 1844 banknote specimen of "La Provincia de Buenos Aires" illustrated with vignettes of ostriches; ca. 1845 postage stamp proof depicting Queen Victoria after the Chalon portrait; a full-length portait of an unidentified man, possibly Humphrys; and an advertisement for the Philadelphia artist Joshua Shaw showing a man leading his horse down a bucolic path, as well as engravings after his work of a landscape and an advertisement for Cohen's Lottery Exchange Office, Baltimore., Title from stamp on spine., Morocco binding., Various American and British artists, including W. Chatfield, John Opie, Joshua Shaw, Robert Smirke, C. R. Leslie, Charles L. Eastlake, W. E. West, George Smithard, Carlo Dola, A.E. Chalon, J. Wood, J. Stephanoff, Pastorini, Alfred Croquis (i.e., Daniel Maclise), A. F. Tireggi, John James Barralet, J. Banks, J. M. Wright, Thomas Stothard, P. Williams, Camille Roqueplan, and R. Westall., Various American and British printers and publishers, including H. S. Singleton, J. P. Davis, and James Fraser., Manuscript letter by Humphry completed January 10, 1865 to Anna Holloway pasted on opening page to scrapbook. Letter details his ill health, which in spite of, he still appreciates "the brightness of the sun, the greeness of the earth, and the beauty of extreme nature.", Some scrapbook pages contain manuscript notes identifying the genre of the specimen., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Lib. Company. Annual report, 1967, p. 55., William Humphrys (1795-1865), born in Dublin, immigrated to the United States early in his life and studied engraving under George Murray in Philadelphia. He worked as an engraver in the city circa 1815-1823 producing book illustrations, advertisements, and banknote and certificate vignettes. He also served as secretary for the Association of American Artists. Relocating to England, he produced similar work before returning to the United States in 1843. In 1845, he moved to Dublin to engrave "The Reading Magdalene" for the Royal Irish Art Union before returning to England where he worked as an engraver for the firm Perkin, Bacon, and Co. During this employ, he was noted for his re-engraving of the head of Queen Victoria for the 1 d postage stamp. Humphrys retired from engraving in his later years and worked as an accountant for the printing firm Novello & Co. He died at the Novellos' Genoa villa on January 21, 1865.
Creator
Humphrys, William, 1795-1865
Date
[ca. 1817-ca. 1845]
Location
Library Company of Philadelphia | Print Department albums - Humphrys [7607.F]
Memories of the home of Grandma Lewis Scrapbook
Title
Memories of the home of Grandma Lewis Scrapbook
Description
Memory album compiled by Lewis containing written narratives, photographs, watercolors, textiles, drawings, prints and ephemera documenting her marriage, early married life, households and residences, and family events and excursions between 1851 and the 1890s. Specific narrative topics include the Lewis's honeymoon to Niagara; the death of their parents the Larcombes and John F. and Eliza Lewis; the birth of grandchildren; the method and style of interior decoration of their residences at Sixteenth and Walnut streets (1851-1855), 325 South Eighteenth Street (1855-1874), and 1834 DeLancey Place (1874-1915); the Civil War, Sanitary Fair, and Centennial Exhibition (1876); their religious life in the First Baptist Church; club meetings of the Lewis children when older and parlor "teas"; recreational activities, including sailing and skating on the Schuylkill River, carriage and horse back rides, excursions to Broad Top Mountain House (Pa.), and visits to their summer residences in Wallingford and the Bryn Mawr Hotel; boarding near Bryn Mawr ("Eachus Place") and the Delaware Water Gap ("Mr. Croasdale"); Anne and G. Albert's European trip (1891); and family pets.
Memories of the home of Grandma Lewis
Title
Memories of the home of Grandma Lewis
Description
Memory album compiled by Lewis containing written narratives, photographs, watercolors, textiles, drawings, prints and ephemera documenting her marriage, early married life, households and residences, and family events and excursions between 1851 and the 1890s. Specific narrative topics include the Lewis's honeymoon to Niagara; the death of their parents the Larcombes and John F. and Eliza Lewis; the birth of grandchildren; the method and style of interior decoration of their residences at Sixteenth and Walnut streets (1851-1855), 325 South Eighteenth Street (1855-1874), and 1834 DeLancey Place (1874-1915); the Civil War, Sanitary Fair, and Centennial Exhibition (1876); their religious life in the First Baptist Church; club meetings of the Lewis children when older and parlor "teas"; recreational activities, including sailing and skating on the Schuylkill River, carriage and horse back rides, excursions to Broad Top Mountain House (Pa.), and visits to their summer residences in Wallingford and the Bryn Mawr Hotel; boarding near Bryn Mawr ("Eachus Place") and the Delaware Water Gap ("Mr. Croasdale"); Anne and G. Albert's European trip (1891); and family pets., Album also contains several captioned and dated graphic and ephemeral materials, including family portraiture, views of residences and summer lodgings, clothing and upholstery scraps, tickets, invitations, calling cards, and watercolors and drawings by G. Albert Lewis. Lewis's works depict sailing trips; interiors and exteriors of their residences, including during the Civil War; home furnishings, including a pier table (Eliza Lewis's); lodgings, sites, and flora from family excursions; family souvenirs, memorabilia, and crests, including a Chinese pipe, John F. Lewis's "Little Chair" as a child, Anne's life membership badge in the Philadelphia Skating club, a family clock (Mrs. John F. Lewis estate), and "Indoor amusements of G.A.L." Other imagery includes photographs of Broad Top Mountain House, Bryn Mawr Hotel, Devon Inn, Eastwick Park, St. Johns Evangelical Lutheran Church, First Baptist Church, views of European churches, including St. Michael Church of Schwabisch., and the interior (parlor, dining room, library, front rooms) and exterior of the Delancey Street residence. Portraits, predominantly photographs and photographic reproductions, depict G. Albert and Anne C. Lewis (including in the second story front room on Delancey); Alberta and Hermann Lewis and their spouses Frederick B. Allen and Sally Draper Lewis; grandchildren Hidegard, Frederick ("Fritz"), Barbara, George, and Margaret; John F. and Eliza Lewis; Thomas and Anna Larcombe; and family pets. Also contains pictorial details by Lewis incorporated at the end of narratives and as frames around portraits, as well as a memento "To our dear Papa, July 3, 1863" adorned with two, small circular works of handcrafted art, possibly with flower petals (p.80a)., Ephemera includes mementoes from trips, including pressed flowers; tickets to the Sanitary Fair (1864) and Eastwick Park; scraps of ribbons, collars, and clothing worn by Anne as a child, at her wedding, and during her honeymoon; upholstery and fabrics from the China trade and home furnishings; newspaper clippings of marriage announcements, obituaries, and poetry; wedding invitations and after cards; and a University of Pennsylvania graduation program for Hermann Lewis. Manuscript material contained in the scrapbook includes a letter by Anne to her mother during her honeymoon captioned "First 'Lewis' signature of A.C.L" and a letter of introduction from the Department of State for the Lewises., Vignette photograph after a daguerreotype portrait of Anne Lewis as a young woman pasted and set within a watercolor frame on title page, Wm. F. Murphy's Sons, Co. Makers stamped on spine., Red leather binding with gold lettering., Inscribed on front free end paper: Tender regards, old memories, blossom in pages such as these, Voices that speak from heart to heart, When hands and lives lie far apart. The thought of our past years, in me, Doth breed perpetual benediction., Dedication: "These memories I dedicate to my dear husband G. Albert Lewis whose thought inspired the writing of this simple story. Indeed, it would be of little interest without his numerous and varied illustrations, many of which are his own design and handiwork. A number of the photographs are copied of absolutely correct watercolor sketches, made by him; the whole being a mutual work of love, for our dear grand-children.", Photographers include the Langenheims and William H. Rau., Gift of Oliver Allen., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Transcription and inventory available at repository., One of six Lewis Family albums held in the Print Department., See Sarah Weatherwax, "The Lewis Albums," The Magazine Antiques (August 2006), 116-121., See Oliver H. Allen, "The Lewis Albums," American Heritage 14 (December 1962), 65-80., Housed in clamshell box., Anne Cornelia Larcombe Lewis, born in Connecticut, was daughter of Rev. Thomas Larcombe (1791-1861) and Anna S. Larcombe (1794-1872), president of the board of the Baptist Home. She relocated with her family to Philadelphia in 1835 and married George Albert Lewis, a Philadelphia banker, artist, and genealogist descended from a family involved with the China trade on July 1, 1851. During her married life, Lewis resided in the Rittenhouse Square neighborhood, was active in genealogy, and a member of the Philadelphia Skating Club and Humane Society. She and Lewis had two children Alberta (1854-1934) and Hermann (b. 1863) and grandchildren Hildegarde Allen (b. 1885), editor and publisher Frederick Lewis Allen (1890-1954), Barbara Lewis [Shepperd] (b. 1885), Margaret Lewis [Browne] (b. 1886), and George Draper Lewis (b. 1888).
Creator
Lewis, Anne C., 1831-1898
Date
1896
Location
Library Company of Philadelphia | Print Department albums [P.9829.1]
[Thomas Richardson and American Bank Note Company scrapbook]
Title
[Thomas Richardson and American Bank Note Company scrapbook]
Description
Scrapbook compiled by Philadelphia banknote printer Thomas Richardson containing proofs of illustrations after the work of F. O. C. Darley from Susan Fenimore Cooper's "Pages and Pictures from the Writings of James Fenimore Cooper" (New York, 1861); portrait illustrations, some from J. B. Longacre's "National Portrait Gallery" (probably 1854 edition); and vignette specimens of the American Bank Note Company and their predecessor companies. Cooper illustrations depict scenes on the frontier and ship decks, with Native Americans, and of battles; deathbeds; and of informal meeting from his works The Oak Openings, The Redskins, The Chainbearer, The Pathfinder, The Red Rover, The Monikins, Deerslayer, Homeward Bound, Lionel Lincoln, The Pilot, Last of the Mohicans, The Wept Wish-ton Wish, The Spy, and Wing and Wing. Several also contain animals. Sitters in portrait illustrations include Lewis Cass, Giuseppe Garibaldi, David Ramsay, James Kent, Thomas C. Pope, John McLean, Stephen Decatur, Samuel Rogers, Rev. William Capers, John Binns, Washington Irving, and Noah Webster., Specimen subjects include portraits of prominent government officials, Civil War figures, businessmen, clergymen, royalty, and "fancy heads" of named and unnamed women and children; allegorical figures and scenes, including Bounty, Liberty, Arts, Agriculture, and Commerce; state and symbolic seals and insignia; naval and maritime imagery, including sailors, sailing vessels, and wharf and dock views; modes and venues of transportation, including steamboats, trains, streetcars, and rail stations; white and Black men artisans, laborers, and tradesmen, including drivers, farmers, sheep shearers, and furriers; industrial views of factory workers, mineworkers, and female loom workers, as well as mills and factories along canals and riverfronts; women at work feeding livestock, milking cows, and at a sewing machine; municipal buildings and storefronts; southern imagery, including enslaved people at work, palmetto trees, plantations, and ports; patriotic, historical, military, and scenic imagery; frontier views and scenes with Native Americans; and animals. Specimens with titles include Star of Empire (Princess Eugenie of Sweden) River Source, The Guardian, Locomotive, Autumn Fruit, Sheep Feeding, The Yarn, Trusty, Picking Grapes, The Sickle, The Death Blow, and Propeller Loading. Some specimens used as the backs of national currency., Title supplied by cataloger., Date based on publication date of specimens., Manuscript notes on front free end paper: Aunt Tillie Richardson (cousin Florence's aunt) in pencil; Scrapbook No. 3 in ink., Lincoln Monument Association of Philadelphia certificate pasted on inside front cover and issued to Thos. Richardson on July 4, 1865, signed C. J. Stille, Secy; Alex. Henry, Prest.; and James L. Claghorn, Cashr. Certificate number 6004 and illustrated with bust-length portrait of Lincoln. Charles J. Stillé, was a Philadelphia lawyer who served on the United States Sanitary Commission, and was later Provost of the University of Pennsylvania. Alexander Henry was the mayor of Philadelphia. James L. Claghorn was president of the Commercial National Bank in Philadelphia and an art collector., Stationer's label pasted on back cover: John Alexander, Stationer and Printer, 52 South Fourth St., Various artists, engravers, and printers including F.O.C. Darley, G. H. Cushman, J. Hamilton, Asher B. Durand, C. Schussele, John Sartain, Samuel Sartain, Jas. D. Smillie, E. Prudhomme, H. B. Hall, T. Phillibrown, R. Whitechurch, J. M. Butler, James Bannister, Charles Kennedy Burt, Louis Delnoce, W. W. Rice, American Bank Note Company, Toppan, Carpenter & Co, Baldwin, Bald & Cousland, and Bald, Cousland & Co., Several of the specimens contain a specimen number and/or title., Few of the specimens contain a copyright statement., Specimen #312 (p. 81) and specimen #280 (p. 71) after the work of Emanuel Leutze., Inventory of portrait sitters housed at repository., Identity of several of the artists and engravers supplied by Gene Hessler, The engraver's line: an encyclopedia of paper money & postage stamp art (Port Clinton, OH: BNR Press, 1993)., RVCDC, Accessioned 2012., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Thomas Richardson (b. ca. 1802) was a Philadelphia plate printer who served as the foreman of printing at the Philadelphia branch of the American Bank Note Company formed in 1858. He retired from the trade by 1880.
Creator
Richardson, Thomas, 1802-approximately 1881
Date
[ca. 1854-ca. 1861]
Location
Library Company of Philadelphia | Print Department *albums (flat) [P.2012.6]