The South East Prospect of the City of Philadelphia is the oldest surviving oil painting that depicts a North American city. A key at the bottom numbers and identifies landmarks. The arms of William Penn and the City of Philadelphia appear in the top corners. In the lower left corner the artist has depicted himself sketching the scene., LCP Minutes vol. 7, February 5, 1857, p. 92-93: "Mr. Hutchinson read the following letter from Hon. George M. Dallas (Minister to Great Britain), dated London, January 12, 1857 and laid on the table the painting therein mentioned. `I will send for the Phila Liby an antique daub painted as is believed here in 1720 purporting to be "The South East prospect of the city of Philadelphia by Peter Cooper, painter." It is on torn canvas some 8 feet long by 1 1/2 wide. One of the members of Parliament in looking over the rubbish of a City curiosity shop picked it up and brought it to me. The principal buildings of the City at that day are pointed out & 24 good old Philadelphia Householders are named in the margin. Although worthless on any score but that connection with Auld Lang Syne it presents at half a glance so strong a contrast to the Consolidated City of 1857 that it has its interest for a corner of the Phila Library'. Whereupon the following Resolution was unanimously adopted:`Resolved that the Directors of the Library Company of Phila having received from the Hon. George M. Dallas a picture of Phila. by Peter Cooper do return him their grateful thanks for his attention and kindness in procuring & transmitting to them a most interesting & valuable Record of the appearance of our City as it was upward of a century & quarter ago, with a reference to the public buildings & private residences of many of our earliest and most remarkable citizens.'", Gift of George Mifflin Dallas, 1857., Exhibited in: Great Central Fair in Philadelphia, in the "Wm. Penn Parlor" (1864); Pennsylvania Museum of Art's exhibition, The Sea (1935); Metropolitan Museum of Art's exhibition, Franklin and His Circle (1936); Corcoran Gallery's exhibition, American Processional, 1492-1900, (1950); University of Pennsylvania's exhibition, Benjamin Franklin Winston Churchill (1951); Library Company's exhibition, Quater of a Millennium (1981).
Image shows the plan of an African slave ship. From left to right, the ship is divided into the following compartments: men's room, boy's room, women's room, and girl's room. It also includes two small store rooms. Hundreds of human figures illustrate the extent to which the slaves were crowded on board, and suggest the conditions under which they made the passage., Illustration for Remarks on the Slave Trade, Extracted from the American Museum, for May, 1789. And published by order of the Pennsylvania Society for Promoting the Abolition of Slavery, &c. (Philadelphia: s.n., 1789)., A caption at the head of the engraving reads: "Plan of an African ship's lower deck, with Negroes, in the proportion of not quite one to a ton.", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date
[1789]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1789 Rem 8645.F broadside, https://digital.librarycompany.org/islandora/object/Islandora%3A2682
Green mount with rounded corners., Attributed to Robert Newell., Title supplied by cataloguer., Originally part of a McAllister scrapbook of American views., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Newell, Robert, 1822-1897, photographer
Date
[ca. 1870]
Location
Library Company of Philadelphia | Print Department stereo - Newell - Transportation [5739.F.61a]
Plate includes three diagrams of a slave-ship. Top diagram is a cross-section of the ship's hold, viewed from the side. The small, shallow space in which slaves were transported lies between the deck and the main body of the hold. Diagram at the left is a detail of this space with its dimensions. (It was 3 feet, 5 inches in height.) Detail illustrates the manner in which slaves were packed into the ship, one next to another, with barely enough room to sit upright. Bottom diagram is an aerial view of the ship's deck with its dimensions., Plate at the front of Matthew Carey's Letters on the Colonization Society: And on its Probable Results; under the Following Heads . . . Addressed to the Hon. C.F. Mercer (Philadelphia: E.G. Dorsey, printer [May 30, 1838])., The caption below the image reads: "From Walsh's Notes of Brazil.", Fels Afro-Americana Image Project, Scenes from the Slave Trade
Date
[1838]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1838 Car 75256.O plate I, https://digital.librarycompany.org/islandora/object/Islandora%3A2769
Image depicts a revolt aboard a slave-ship. Having broken free of their shackles and chains, the slaves use them to attack the ship's crew. The crew members fight back with daggers and hatchets., Engraving in Albert Laporte's Récits du vieux marins (Paris: Librairie Théodore Lefèvre et cie 2, rue des Poitevins, 1883?), p. 267., Fels Afro-Americana Image Project, Scenes from the Slave Trade.
Date
[1883?]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1883 Lap 7206.Q (Lewis) p 267, https://digital.librarycompany.org/islandora/object/Islandora%3A2834
Letter sent to John A. McAllister accompanied the relic, “Poughkeepsie, N.Y. Oct. 21, 1858 My Dear Friend, On my return home I found a piece of wood that has been sent to me from Mr. John Laird, of Quebec, which he assures me is a well authenticated piece of the Petite Hermine, one of Jacques Cartier’s vessels which he abandoned there in the spring of 1536. It was brought up from about ten feet below the surface of the mud, and with it was an ancient ‘chain plate’ such as has now been used in modern vessels. From the character of Mr. Laird, I am convinced that it is what it purports to be. I thought you might be willing to accept a small piece of such a curious relic, so I send it to you with the kindest regards of myself, Mrs. L. and Miss L. Yours very truly, Benson J. Lossing.”, Gift of John A. McAllister, 1866.
Originally part of a McAllister scrapbook of Civil War miscellanies., Trimmed., Sheet music cover showing two sailors hoisting an American flag over a cannon on the deck of a ship. A third sailor watches and cheers.
Date
[ca. 1861]
Location
Library Company of Philadelphia Print Dept. GC - Civil War [(2)5786.F.146b]
Harbor scene showing steamships traveling the river. Includes a partial view of the sails of a ship in the foreground., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator
W. & F. Langenheim (Firm), photographer
Date
ca. 1860
Location
Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.11f]
Harbor scene showing steamships traveling the river. Includes a partial view of the sails of a ship in the foreground., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator
W. & F. Langenheim (Firm), photographer
Date
ca. 1860
Location
Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.11f]
Harbor scene showing steamships traveling the river. Includes a partial view of the sails of a ship in the foreground., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator
W. & F. Langenheim (Firm), photographer
Date
ca. 1860
Location
Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.11f]
Harbor scene showing a sailing ship with masts down and billowing smoke. Also shows nearby sailing vessels. View does not include ice., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Reproduced in Kenneth Finkel's Nineteenth-century photography in Philadelphia (New York: Dover Publications, Inc., in cooperation with The Library Company of Philadelphia, 1980), entry # 223., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator
W. & F. Langenheim (Firm), photographer
Date
ca. 1860
Location
Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.13c]
Harbor scene showing a sailing ship with masts down and billowing smoke. Also shows nearby sailing vessels. View does not include ice., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Reproduced in Kenneth Finkel's Nineteenth-century photography in Philadelphia (New York: Dover Publications, Inc., in cooperation with The Library Company of Philadelphia, 1980), entry # 223., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator
W. & F. Langenheim (Firm), photographer
Date
ca. 1860
Location
Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.13c]
Harbor scene showing a sailing ship with masts down and billowing smoke. Also shows nearby sailing vessels. View does not include ice., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Reproduced in Kenneth Finkel's Nineteenth-century photography in Philadelphia (New York: Dover Publications, Inc., in cooperation with The Library Company of Philadelphia, 1980), entry # 223., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator
W. & F. Langenheim (Firm), photographer
Date
ca. 1860
Location
Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.13c]
Image is set below the decks of a slave-ship during the middle passage. Most of the slaves wear chains and shackles on their wrists. Some try to sleep on the floor; others simply wait. In the center of the scene, a mother holds her infant child. The father buries his face in the mother's hair, and rests his hand on the shoulder of his older daughter., Engraving in Albert Laporte's Récits du vieux marins (Paris: Librairie Théodore Lefèvre et cie 2, rue des Poitevins, 1883?), p. 238., Fels Afro-Americana Image Project, Scenes from the Slave Trade.
Creator
Trichon, engraver
Date
[1883?]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1883 Lap 7206.Q (Lewis) p 238, https://digital.librarycompany.org/islandora/object/Islandora%3A2833
Bill of lading dated December 16, 1841 containing a vignette view showing a man standing near a pile of crates, barrels, and packed goods on a pier in front of which a ship sails in the distance. View also includes a rowboat., Not in Wainwright., Manuscript notes on recto and verso. Includes: Invoice of corn purchased and shipped by Soutter & Bell on board the Sch: Armida, by order of Capt. Frisbee, for account risk of consigned to Capt. Thomas E. Oliver, Portsmouth, N.H., Philadelphia on Stone, POSP 216, American Antiquarian Society: Graphic Arts Lithf Duva Ship
Date
[ca. 1840]
Location
American Antiquarian Society AAS Graphic Arts Lithf Duva Ship
Illustrated label, probably for textiles, for the Philadelphia dry goods firm containing a vignette showing two sailing ships on the ocean. Also contains the text "Yds.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Forms part of Scrapbook of Ephemera [8608.F].
Date
c1858
Location
Library Company of Philadelphia | Print Department albums - Scrapbook [8608.F.14b]
Block numbered in two places: 8008, also 1843 on small adhesive label on back of block., Image of boats departing for a ship offshore, while a seated man appears to be releasing a rope attached to the dock; other small boats are in the distance, and a large crowd waves from the shore. In an 1877 issue of Child's World the standing man is identified as "John Alasco [i.e., Jan Laski], the Polish Reformer," as part of the periodical's series on Reformation figures., Signed: V sc. [?], Joints not visible on sides of composite block., Illustration appears in Child's world, v. 16, no. 21, p. 1.
Depicts a large crowd of people gathered near the beached SS Morro Castle on the coast of the Atlantic Ocean in Asbury Park, New Jersey. People inspect the right flank of the burned and abandoned ship facing the land., The SS Morro Castle was a cruise ship built in 1929 for the New York and Cuba Mail Steamship Company, also known as the Ward Line, to operate between New York City and Havana, Cuba. On September 8, 1934, the ship caught fire on its way to New York and beached at Asbury Park, New Jersey., Gift of Emily Riese., Retrospective conversion record: original entry, edited.
Creator
Davis, Eugene H., photographer
Date
ca. 1935-1936
Location
Library Company of Philadelphia | Print Department photo - Davis [P.9332.8]
Shows ships docked at piers with warehouse sheds holding lumber. Also shows men in rowboats in the distance., Photographer's imprint stamped on mount., Title printed on mount., Buff paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator
W. & F. Langenheim (Firm), photographer
Date
ca. 1860
Location
Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.13a]
Shows ships docked at piers with warehouse sheds holding lumber. Also shows men in rowboats in the distance., Photographer's imprint stamped on mount., Title printed on mount., Buff paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator
W. & F. Langenheim (Firm), photographer
Date
ca. 1860
Location
Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.13a]
Shows ships docked at piers with warehouse sheds holding lumber. Also shows men in rowboats in the distance., Photographer's imprint stamped on mount., Title printed on mount., Buff paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator
W. & F. Langenheim (Firm), photographer
Date
ca. 1860
Location
Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.13a]
Engraving shows two slave-traders as they throw a slave overboard. Two other slaves struggle in the ocean. This woodcut is a slightly altered version of the same scene appearing in "The Liberator," January 7, 1832. The original text notes the ship is a Brazilian slaver. Brazil collected duty on all imported slaves, and slave ship captains tossed sickly and likely unsalable slaves overboard before arrival to avoid paying the duty on them., Illustration in the Slave's Friend (New York: Published by R.G. Williams, for the American Anti-Slavery Society, 1836), vol. 1, no. X (1836), p. 14-15., Image is accompanied by a poem, which begins as follows: "Oh! I have don a cursed deed, / The wretched man replies, / And night and day, and every where, / 'Tis still before my eyes.", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date
[1836]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Per S 63 54051.D v 1 n X p 14-15, https://digital.librarycompany.org/islandora/object/Islandora%3A2887
Yarrima, an African mother, watches in despair as her son, Yazoo, is whisked away on the white man's boat., Illustration in Lydia Childs's the Oasis (Boston: Benjamin C. Bacon: Tuttle and Weeks, printers, No. 8, School Street, 1834), p. 28., Caption underneath the illustration reads: "Yarrima climbed to the highest rock, and saw the white man's boat moving rapidly over the waves.", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Creator
Hall, John H., engraver
Date
[1834]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1834 Chi 70173.D.5 p 28, https://digital.librarycompany.org/islandora/object/Islandora%3A2734
Views showing tracts of land near the Delaware River in Camden, New Jersey originally established as a ferry port by William Cooper circa 1689. Includes a marsh, the river bank, and a docked ship near piles of lumber. Also shows men posed on and in front of the ship., Attributed to John Moran., Yellow paper mounts with square corners., Title from labels pasted on mounts., Originally part of a McAllister scrapbook of views of New Jersey., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Moran, John, 1831-1903
Date
[ca. 1861]
Location
Library Company of Philadelphia | Print Department stereo - Moran - Views [5742.F.3c; 5742.F.6c]
Three illustrations accompanying Taylor's discussion of Guinea. In figure 34, two Europeans try to kidnap an African family to sell them into slavery. Of this practice, Taylor wrote: "they [the Europeans] lie in wait near a village during the day, and catch any stragglers; but at night they come and set fire to their huts in several places; when the poor creatures run out in terror and confusion, then the soldiers seize upon all they can catch, and hurry them away to the sea-side, to sell them." (p. 62) Figure 35 shows the plan of a slave ship. Taylor described the conditions on board as follows, "only sixteen inches each, in width, are allowed for the men, and less still for women and children. There they lie, so close, that it is impossible to walk among them, without treading upon them." (p. 63) Figure 36 depicts slaves being sold at auction. Each slave, Taylor explained, was forced to stand on a hogshead, for easier inspection, while the planters offered their bids., Page of illustrations in Isaac Taylor's Scenes in Africa , for the Amusement and Instruction of Little Tarry-at-Home Travellers (New York: W.B. Gilley, 94 Broadway, 1827), p. 60., Fels Afro-Americana Image Project, Images from the Slave Trade.
Date
[1827]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1827 Taylor 101580.D p 60, https://digital.librarycompany.org/islandora/object/Islandora%3A2729
Lithograph was copied from an engraving originally published in Carl Bernhard Wadstrom's Essay on Colonization (London: Printed for the author, by Darton and Harvey, Gracechurch-Street, 1794-95). As the title suggests, the lithograph shows an insurrection aboard a slave ship. From the vantage point of a raised barricade near the ship's stern, the crew fires upon (what looks to be) hundreds of slaves crowded upon the deck. A number of slaves jump overboard. A cloud of smoke hovers over the British vessel., Illustration in William Fox's A Brief History of the Wesleyan Missions on the Western Coast of Africa (London: Printed for the author, published by Aylott and Jones, 8, Paternoster-Row: sold also by John Mason, 66, Paternoster-Row, MDCCCLI [1851]), p. 116., Fels Afro-Americana Image Project, Scenes from the Slave Trade.
Creator
Walton, W. L., lithographer
Date
[1851]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1851 Fox 12623.O p 116, https://digital.librarycompany.org/islandora/object/Islandora%3A2786
Engraving shows the manner in which hundreds of African slaves were crowded on the deck of the "Wildfire," an American vessel captured off the northern coast of Cuba in April 1860. According to the accompanying text, the ship had left the Congo River thirty-six days before her capture, and had roughly five hundred Africans on board. The capture of the "Wildfire" was led by Lieutenant Craven of the United States steamer Mohawk. His experience was recounted in Harper's Weekly as follows: "Soon after the bark was anchored we repaired on boad, and on passing over the side saw, on the deck of the vessel, about four hundred and fifty native Africans, in a state of entire nudity, in a sitting or squatting posture, the most of them having their knees elevated so as to from a resting place for their head and arms. They sat very close together, mostly on either side of the vessel, forward and aft, leaving a narrow open space along the line of the centre for the crew of the vessel to pass to and fro. About fifty of them were full-grown young men, and about four hundred were boys aged from ten to sixteen years. It is said by persons acquainted with the slave-trade and who saw them, that they were generally in a very good condition of health and flesh, as compared with other similar cargoes, owing to the fact that they had not been so much crowded together on board as is common in slave voyages, and had been better fed than usual." (p. 344), Illustration in Harper's Weekly, vol. IV, no. 179 (June 2, 1860), p. 344., Caption underneath the image reads: "The slave deck of the bark 'Wildfire,' brought into Key West on April 30, 1860. -- [From a Daguerrotype.]", Fels Afro-Americana Image Project, Scenes from the Slave Trade.
Date
[June 1860]
Location
Library Company of Philadelphia | Books & Other Texts | Rare **Per H 1529.F v IV n 179 June 2 1860 p 344, https://digital.librarycompany.org/islandora/object/Islandora%3A2651
Receipt for the metal house containing a vignette view of a sailing ship on torrent waters. Also contains an anaglyptographic background., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Leonhardt relocated his establishment to 114 South Third Street in 1868.
Date
[ca. 1868]
Location
Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.133b]
Illustrated trade card depicting two ships on the ocean and crashing waves in the foreground., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Misson [1975.F.633]
Billhead containing a vignette showing sailing ships on a rough sea., Completed in manuscript to Mr. Isaac S. Steler[sic] on September 23, 1852 for "1 1/2 Eng hook [?], 2.00, $70, 1.75; 1 x 7/16 [?] Slit Roas, 2.00, $70, 1.75: $3.50. [?] Off 3, 10: $3.40., Manuscript note on recto: Recd Payment for Potts & Roberts, E. [Bertobl?]., Contains columns labeled: Bars. Bundles. Description. T. Cwr. Qr. Lbs. Price. Dollars. Cents., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler., Isaac Stetler worked as a cordwainer in Philadelphia in the 1850s.
Date
[ca. 1850]
Location
Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Receipts [P.2011.10.143]
Billhead containing two vignettes. Vignette in left shows "Blue Points. Cracker in Shape of an Oyster Patented." Image also contains text dating the patent and trademark to 1883 and 1884. Vignette in right shows a sailing ship at sea captioned "Pilot, Ship and Navy Bread A Specialty.", Completed in manuscript to Mr. J. B. Bechtel, Allentown L.V.R.R. on October 4, 1886 for "1 Bbl Acme Cr 70#" @ $.06, $4.20; "12 Tin Trunks Extra La" 56 1/2# @ $.095, $5.37; "12 Glass Front & Extra Asst 72 1/2#" @ 13, $9.42; "2 Crates of Tin Trunks" @ 3.75, $7.50; "2 " " Glass Fronts" @ 3.50, $7.00: $33.49., Manuscript note on recto: Cans & cases off $14.50 to be returned: $18.99. Recd Payment J. Hartman Per M 14.50, Stamped on recto: Terms - 30 Days, Subject to Sight Draft Without Notice. One Per Cent. Discount if Paid Within 10 Days., Printed on recto: No Boxes Received unless Freight Prepaid. All Claims To Be Made in Five Days. Highest Premium Awarded By United States Centennial Commission For Extent Of Variety and Superior Manufacture of Biscuits. Long Preserved Excellence., Accompanied by corresponding envelope illustrated with "Cracker in Shape of An Oyster Patented." Illustration duplicates illustration on billhead. Envelope contains postmarks and two-cent stamp depicting George Washington. [P.2011.10.136a], Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date
[ca. 1884]
Location
Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Receipts [P.2011.10.136 & 136a]
Abolitionist book illustration used to illustrate the inhumane transit conditions for enslaved people during the midddle passage across the Atlantic. Depicts aerial, horizontal, and vertical cross sections of the multi-decked ship tightly packed with prostrate enslaved figures. The proportional diagram, based on the dimensions of the English slave ship, "Brooke," and space calculations, based on a report to the House of Commons in London in 1798, contains fewer figures than the number of humans routinely transported on the actual ship., Title from earlier plate in C.B. Wadstrom's An Essay on Colonization (London: C.B. Waldstrom, 1794). (LCP *U Afr Wads, 728.Q)., Plate from Thomas Clarkson's The History of the Rise, Progress, & Accomplishment of the Abolition of the African Slave-Trade, by the British Parliament. Vol. II (Philadelphia: James P. Parke, 1808). (LCP Am 1808 Clar, 1934.D)., Originally part of a McAllister scrapbook of Civil War portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Kneass, William, 1780-1840, engraver
Date
[1808]
Location
Library Company of Philadelphia | Print Department *GC-Slavery [5755.F.11]
Block numbered in two places: 875., Image of many boats in a harbor in the midst of a battle; the boats in the foreground are all powered by many rowers; some of these boats have sails and some do not; several boats and a tower crowded with man figures fly a flag with three crescents (i.e. the flag of the Ottoman Empire); ships with several sails are visible in the distance; possible a crusade scene., , Provenance:, , Variant:
Views showing the iron arch bridge built over the Schuylkill River between 1861-1866 after the designs of Strickland Kneass. Also shows a sailing ship with her masts down, a pier loaded with lumber, a reinforced ditch filled with water, and cityscape in the background. The bridge, partially funded and utilized by the Chestnut and Walnut Streets Passenger Railway Company, was demolished in 1958., Stereograph on yellow mount with square corners., Title from manuscript note on on mount., One of images originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Bartlett & Smith, photographer
Date
ca. 1867
Location
Library Company of Philadelphia | Print Department stereo - Bartlett & Smith - Bridges [(8)1322.F.11e; P.2004.22]
Harbor scene during the winter showing ships docked at piers on the frozen river. Also shows people ice skating in the background., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 67., Arcadia caption text: Mother Nature suspended commercial and passenger activity on the Delaware River in this c. 1860 winter image. Bare-masted schooners and small boats are docked along the snow-covered piers of Philadelphia harbor in the foreground as people ice skate on the frozen river in the background. Ice skating was a common activity on the impenetrable river before the use of steam-powered icebreakers. Organizations such as the Philadelphia Skating Club and Humane Society provided skating instruction and rescued people who broke through the ice., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator
W. & F. Langenheim, photographer
Date
ca. 1860
Location
Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.13d]
Harbor scene during the winter showing ships docked at piers on the frozen river. Also shows people ice skating in the background., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 67., Arcadia caption text: Mother Nature suspended commercial and passenger activity on the Delaware River in this c. 1860 winter image. Bare-masted schooners and small boats are docked along the snow-covered piers of Philadelphia harbor in the foreground as people ice skate on the frozen river in the background. Ice skating was a common activity on the impenetrable river before the use of steam-powered icebreakers. Organizations such as the Philadelphia Skating Club and Humane Society provided skating instruction and rescued people who broke through the ice., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator
W. & F. Langenheim, photographer
Date
ca. 1860
Location
Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.13d]
Harbor scene during the winter showing ships docked at piers on the frozen river. Also shows people ice skating in the background., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 67., Arcadia caption text: Mother Nature suspended commercial and passenger activity on the Delaware River in this c. 1860 winter image. Bare-masted schooners and small boats are docked along the snow-covered piers of Philadelphia harbor in the foreground as people ice skate on the frozen river in the background. Ice skating was a common activity on the impenetrable river before the use of steam-powered icebreakers. Organizations such as the Philadelphia Skating Club and Humane Society provided skating instruction and rescued people who broke through the ice., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator
W. & F. Langenheim, photographer
Date
ca. 1860
Location
Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.13d]
Shows ships docked at piers with warehouse sheds near loading docks cluttered with crates and barrels., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator
W. & F. Langenheim (Firm), photographer
Date
ca. 1860
Location
Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.11n]
Shows ships docked at piers with warehouse sheds near loading docks cluttered with crates and barrels., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator
W. & F. Langenheim (Firm), photographer
Date
ca. 1860
Location
Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.11n]
Shows ships docked at piers with warehouse sheds near loading docks cluttered with crates and barrels., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator
W. & F. Langenheim (Firm), photographer
Date
ca. 1860
Location
Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.11n]
Engraving shows instruments of restraint and torture used during the Middle Passage. From top to bottom, it includes: iron hand-cuffs, iron shackles, a thumb press, and a speculum oris, an instrument originally used to open the mouths of lock-jaw patients. On slave-ships, it was used to force-feed slaves who refused to eat. The bottom diagram shows a cabin space that is 3 feet, 3 inches high; it shows manner in which enslaved Africans were forced to sit during the passage., Illustration in Lydia Childs's An Appeal in Favor of that Class of Americans Called Africans (New York: Published by John S. Taylor, 1836), p. 21., Opposite page includes the following text: "The engraving on the next page will help to give a vivid idea of the Elysium enjoyed by negroes, during the Middle Passage. Fig A represents the iron hand-cuffs, which fasten the slaves together by means of a little bolt with a padlock. B represents the iron shackles by which the ancle [sic] of one is made fast to the ancle [sic] of his next companion. Yet even thus secured, they do often jump into the sea, and wave their hands in triumph at the approach of death. E is a thumb-screw. The thumbs are put into two rounds [sic] holes at the top; by turning a key a bar rises from C to D by means of a screw; and the pressure becomes very painful. By turning it further, the blood is made to start; and by taking away the key, as at E, the tortured person is left in agony, without the means of helping himself, or being helped by others. This is applied in case of obstinancy, at the discretion of the captain. I, F, is a speculum oris. The dotted lines represent it when shut; the black lines when open. It opens at G,H, by a screw below with a knob at the end of it. This instrument was used by surgeons to wrench open the mouth in case of lock-jaw. It is used in slave-ships to compel the negroes to take food; because a loss to the owners would follow their persevering attempts to die. K represents the manner of stowing slaves in a slave-ship.", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date
[1836]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1836 Chi S49622.D p 21, https://digital.librarycompany.org/islandora/object/Islandora%3A2746
View depicting a congested scene of several closely docked sloops and shipping boats., Yellow mount with rounded corners., Title printed on mount., Gift of Saul Koltnow., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
ca. 1880
Location
Library Company of Philadelphia | Print Department stereo - unid. - non-Philadelphia - New York [P.9022.22]
Advertisement showing the bakery house at 90 S. Wharves, i.e., 412 S. Delaware Avenue. Signage adorning the building advertises "Crackers, Sugar & Soda Biscuit, Pilot, Ship & Navy Bread Wholesale & Retail." Employees and patrons enter and exit the building past stacks of barrels and are visible through the open entranceways and receiving windows, climbing stairs, discussing business, and inspecting barrels. In front of the business, under a large store banner, a patron and clerk converse and employees load a horse-drawn cart with provisions. At the side of the building, a driver with a horse-drawn cart is stopped in the alley to receive a barrel to be hoisted down from the third floor of the bakery. Also shows a sailor standing at the opposite street corner, and in the distance, part of a docked square-rigged ship., Title supplied by cataloguer., Date from Poulson inscription on recto: Aug. 1847. Penn Street., Wainwright suggests date of circa 1846., Philadelphia on Stone, POS 396, Wainwright retrospective conversion project, edited., Trimmed.
Creator
Rease, W. H., artist
Date
[August 1847]
Location
Library Company of Philadelphia | Print Department *W191 [P.2054]
In the central foreground, a female slave is purchased by a European planter (left), who completes the transaction by giving a sack of coins to a slave merchant. Chained and shackled, the slave leans over and covers her face in despair. Behind her, several Europeans congregate in the tropical landscape. A vessel, presumably a slave-ship, is docked in the background., Frontispiece for Guillaume-Thomas-François Raynal's Histoire philosophique et politique des établissements & du commerce des Européens dans les deux Indes (A Maestricht: Chez Jean-Edme Dufour & Philippe Roux, imprimeurs & libraires, associés, M.DCC.LXXVII [1777])., Fels Afro-Americana Image Project, Images from the Slave Trade.
Creator
Delaunay, Nicolas, 1739-1792, engraver
Date
1773
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1777 Ray 62416.D frontispiece, https://digital.librarycompany.org/islandora/object/Islandora%3A2679
Set on the coast of Haiti, the image shows a slave-trader branding a female slave on the shoulder. The unclothed slave kneels on the sand with her hands chained behind her back. Other slaves await their turn, covering their eyes or looking away. In the lower right-hand corner, a second slave-trader sits on a barrel with a rifle resting on his knee. A slave-ship is visible in the background., Plate in John W. Cromwell's The Negro in American History: Men and Women Eminent in the Evolution of the American of African Descent (Washington, D.C.: The American Negro Academy, 1914), p. 2., Fels Afro-Americana Image Project, Scenes from the Slave Trade.
Date
[1914]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1914 Cromw 78796.O p 2, https://digital.librarycompany.org/islandora/object/Islandora%3A2671
As the title suggests, the engraving shows the hold of the Gloria, a Brazilian slave-ship upon which the author travelled. In Chapter XV of his Revelations, Drake described the conditions on board: "our slaves," he wrote, "were crammed in hold, cabin, and peak, and packed like herrings, on the shelves, around our vessel's sides; and what was worse, gratings were kept down half the time." (p. 88-89) Continuing to describe the "horrors of this dreadful passage," he added, "The sick and dying were chained together. I saw pregnant women give birth to babes, whilst chained to corpses, which our drunken overseers had not removed. The blacks were literally jammed between decks, as if in a coffin; and a coffin that dreadful hold became, to nearly one-half of our cargo, before we reached Bahia." (p. 89) In the engraving, Ruiz, the ship's captain, has entered the hold with one of his mates. In addition to a lantern, the captain carries a large sword, while his mate carries a rifle. A cat-o'-ninetails can be seen on the floor., Fold-out plate in Richard Drake's Revelations of a Slave Smuggler: Being the Autobiography of Capt. Rich'd Drake, an African Trader for Fifty-Years from 1807 to 1857; during which Period He Was Concerned in the Transportation of Half a Million Blacks from African Coast to America (New York: Robert M. De Witt, publisher, [c1860]), p. 28., Fels Afro-Americana Image Project, Scenes from the Slave Trade.
Creator
Andrew & Filmer, engraver
Date
[c1860]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1860 Dra 72735.O p 28, https://digital.librarycompany.org/islandora/object/Islandora%3A2806
Depicts people walking along the beach near a three-masted sailing ship, identified as the "Robert Morgan" from New Haven, Connecticut. The ship came ashore at Atlantic City on January 9th, 1884, during the Great Storm, and passed within a few inches of the immense frame work of Applegate's Ocean Pavilion, making a narrow escape from a total wreck and now lies high and dry uninjured on the beach. In 1883 J.R. Applegate purchased 100 feet of beach property in Atlantic City at the foot of Tennessee Avenue, next to his "picture galleries." He built a two tier pier extending 625 feet beyond the boardwalk with an amusement pavillion at the outer end. Although Applegate's pier was not damaged by the "Robert Morgan," the outer pavillion of another pier was damaged., Title supplied by cataloguer., Gift of Albert L. Doering.
Creator
Doering, William Harvey, 1858-1924, photographer
Date
ca. 1895
Location
Library Company of Philadelphia | Print Department lantern slides - Doering [P.9453.136]
Anniversary reproduction of the contracted Scull & Heap panoramic cityscape view originally published by London engraver Thomas Jeffreys in 1756 showing Philadelphia from across the Delaware River. Depicts the riverfront (South to Vine streets) developed with residential and mercantile buildings, piers and wharves, and major landmarks. Landmarks (numbered in the print) include Christ Church, the State House, Presbyterian Church, Dutch Calvinist Church, the Court House, Quaker Meeting House, High Street Wharf, Mulberry, Sassafrass, Vine and Chestnut streets, the drawbridge, and "cornmill" on Windmill Island. Pedestrian traffic is visible along the riverfront and heavy maritime traffic, including a ferry transporting cattle to New Jersey, dominates the foreground. Also contains insets of "The Battery" (built 1747 at the foot of Wharton Street), "The State House," and "A Plan of the City of Philadelphia" (street grid); "A description of the situation, harbour &c of the city and port of Philadelphia" with a legend corresponding to the numbered landmarks; and text and charts explicating "Philadelphia in 1854" that expand upon the original description. The descriptions detail the topography of the city and include statistics about population (1683-1850) and exports in addition to statements about the improvement of manufacturing and industry, particularly the railroads, in the city during the 19th century., Not in Wainwright., Philadelphia on Stone, POS 198, Historical Society of Pennsylvania: Bc 864 H 4345, One of the three prints is varnished.
Creator
Sherwin, John H., b. 1834, artist
Date
[1854]
Location
Historical Society of Pennsylvania HSP Bc 864 H 4345
