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Title: Snuffbox with Portrait of Benjamin Franklin
Description: Tortoiseshell snuffbox with a portrait of Benjamin Franklin on the lid. Miniature portrait is framed with a simple ovolo moulding of gold. It was commissioned by Franklin as a gift to Georgiana Shipley (1756-1806), the daughter of Jonathan Shipley, bishop of St. Asaph. Georgiana Shipley wrote to Franklin on May 1st requesting a portrait miniature, “Numberless are the prints & medals we have seen of you, but none that I quite approve, should you have a good picture painted at Paris, a miniature copied from it, would make me the happiest of beings, & next to that, a lock of your own dear grey hair would give me the greatest pleasure…” Franklin sent the snuffbox and lock of hair to which Shipley replied on Feb. 3, 1780, “How shall I sufficiently express my raptures on recieving (sic) your dear delightfull & most valuable present. The pleasure I felt was encreased if possible at the sight of the beloved little lock of Hair, I kissed both that & the picture 1000 times: the miniature is admirably painted, the Artist (whose name I wish to learn) appears inferior to none we have in England: as for the resemblance, it is my very own dear Doctor Franklin himself…”, Gift of Stuart Karu, 2009., Exhibited in: University of Pennsylvania's exhibition, The Intellectual World of Benjamin Franklin (1990); Benjamin Franklin: In Search of a Better World (2005-2007); Patriots and Presidents: Philadelphia Portrait Miniatures, 1760-1860 (April 2009).
Creator: Dumont, François, 1751-1831
Date: 1779
Location: OBJ 879

Title: To a Volunteer.
Description: A Union soldier puts snuff in his nose and leans his rifle against his arm. Dead soldiers lie around him, and cannonballs are in the air and on the ground., Text: To make folks think you're bold and brave, / You swear your country you will save, / And fiercely charge upon her foes, / But first you'll stop to charge your nose; -- / Like the dog that lost the rabbit. / When taken short, -- as was his habit; / This application suits me fine, / That I can't be your Valentine., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [1861-1865?]

Title: Old Maid.
Description: A woman with the face of an ape hunches forward to use snuff. She has a monkey on her back. The text references the adage that a woman who does not marry leads apes into hell., Text: Snuffy, soiled, a slouchy slattern, / You've become a complete pattern; / Old and ugly, but with care, / And taking apes to ---- you know where., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Life in Philadelphia. Dark conversation
Description: Circa 1833 racist caricature about the "disagreeableness" of the growing community of middle-class African Americans in Philadelphia. Depicts an African American man greeting an African American man-woman couple on a windy street corner, near the shop of a print dealer and where several fashionably-attired African American men and women are walking and standing. A river is visible below. In the left, the solitary man dressed in equestrian costume, including a white riding hat, green coat, and white ruffled shirt, holds a walking cane and comments about the "Black looking day." He extends a snuff box, with his ungloved left hand, to the man who is a part of the couple. The man, attired in a blue waistcoat and black pants, accepts the box with his ungloved right hand while holding a green umbrella under his left arm. He agrees about the stormy condition and that "De Blacks flying about so make it Petickly Disagreable." His woman partner, stands beside him and with her right hand under the elbow of his extended arm. She is attired in a white bonnet and a white shawl over a pink long-sleeved dress. She also wears white gloves, holds a black purse in her right hand, and her bonnet is adorned with a feather that blows in the breeze. Behind them, the African American men and women on promenade are similarly attired in waistcoats and pants; equestrian costume; and long-sleeved dresses and bonnets. Shadowy depictions of several prints are visible in the print dealer’s large display store window. Also shows in the far right, a river, bridge, and landscape. Figures are portrayed with oversize and exaggerated features and their skin tone is depicted with black hand coloring., Title from item., Date inferred from content and name of publisher., Charles Hunt was a respected 19th century London engraver and etcher known mostly for his prints of sporting subjects., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Summers, William, artist
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9710.1]

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