Search results

Title: Dancing for eels at Catharine [sic] Market N.Y A scene from "New York as it is" as played by Chanfrau and Winans, at the Chatham Theatre N.Y
Description: Print after the theatrical advertisement published by Eliphalet Brown, Jr. and James Brown depicting the most popular scene from the mid-19th century play about the lives of the New York city lower classes. Shows an African American boy, attired in torn and worn clothes, street dancing while surrounded by a crowd of spectators. Spectators include an African American man, boy, and woman marketer with a basket; Mose, the central character of a fireman b'hoy, and a white man fish monger, attired in torn and worn clothes. Also shows a white woman vendor near a broadside titled "Mose" to the right of the image and the slip in the background. From the 18th century, Long Island enslave people would cross the East River to sell produce or to street dance to earn money, fish, or eels at the Catherine Slip Market. The performances transformed into impromptu dance contests paid for by market customers., Title from item., Date from copyright statement: Entered according to act of Congress in the year 1848 by J. Baillie in the Clerk's Office of the District Court of Southn Dist of N.Y., Created postfreeze., Purchase 2005., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Baillie, James S., active 1838-1855
Date: 1848
Location: Library Company of Philadelphia | Print Department *GC - Entertainment [P.2005.10]

Title: Pulling down the statue of George III "By the Sons of Freedom." At the Bowling Green City of New York, July 1776
Description: Print commemorating American independence after the painting by religious and historical artist, Johannes A. Oertelat, at the New York Historical Society. Depicts white men attempting to topple the equestrian statue of King George following the reading of the Declaration of Independence at the foot of Broadway. At the base, men pull on ropes wrapped around the sculpture while men from behind use rods to knock it over. In front of the pedestal, an African American man has fallen over on the ground. An excited crowd of spectators, including well-to-do and working class men, women, and children cheer, point, hold torches and mallets, and trample upon the broken fence once surrounding the statue. In the left is a Native American man attired in a feather headdress and carrying a spear. Several dogs run in the foreground. In the background, ships in New York harbor are visible., Gift of Mrs. Francis P. Garvan, 1978., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: McRae, John C., engraver
Date: c1859
Location: Library Company of Philadelphia | Print Department **GC-American Revolution [8384.F.11]

Title: [Entry of Washington into New York, after the city was evacuated by the British in 1783, Nov. 20th]
Description: Print after the painting displayed at the National Academy of Design in New York by native Philadelphian and prolific 19th-century book illustrator, Felix Octavius Carr Daley. Depicts the historic scene at the close of the American Revolution showing General Washington, his hand on his hip and his face turned to the left, on horseback and triumphantly parading his troops through a crowded New York City street on November 25, 1783. Exuberant spectators, some running and some held back by uniformed guards, line both sides of the thoroughfare and cheer from balconies, roofs, and windows. Spectators include many parents with children. In the left foreground, an African American man servant or waiter, attired in hoop earrings, a white collared shirt, a bow tie, a jacket, breeches with white stockings, and buckled shoes, carries a serving tray under his arm and stands and peers into the street to watch Washington. Three dogs run in the foreground., Title from: Illustrated by Darley: an exhibition of original drawings..., May 4- June 18, 1978 (Delaware Art Museum. Wilmington: The Museum, 1978). (LCP Print Room Yb A2696.O)., Alternate title from 1863 artist's proof at the Museum of the City of New York., Manuscript signature of engraver in lower right corner., Gift of Dr. Anthony N.B. Garvan, 1981., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Ritchie, a New York painter and prolific engraver of portraits and genre scenes, produced at least three engravings after the works of F.O.C. Darley.
Creator: Ritchie, Alexander Hay, 1822-1895, engraver
Date: c1858
Location: Library Company of Philadelphia | Print Department **GC - American Revolution [P.8646.3]

Title: To the people of America, this engraving of "First in Peace," from the original painting, is respectfully dedicated, representing the arrival of General George Washington at the Battery, New York, April 23rd, 1789, previous to his inauguration as the first president of the United States of America, April 30, 1789
Description: Print after the design of painter Henry Brueckner of Washington's arrival by barge to New York (the nation's capital) for his inauguration depicting a large crowd welcoming the newly-elected president. Shows Washington, at the head of the barge, raising his hat to New York Governor George Clinton standing within a heavily decorated "Welcome" canopy on the wharf. Clinton stands next to his wife, daughters, and white men envoys, all finely attired. On the heavily-decorated barge, containing a red canopy, Washington is surrounded by white men envoys and oarsmen. The envoys are finely attired and the oarsmen wear matching tan suits and black caps adorned with ribbons. The ribbons contain the names of the U.S. states. Throngs of men, women, and child spectators stand along the wharf and upon sailing vessels on the river. Spectators include an African American man cheering with his hat in the air (right); white women in gowns; a white sailor hanging from a rope ladder attached to a ship (right); and an Indigenous man, woman, and baby seated in a canoe by the barge (center right). The man claps and the woman holds the baby in a cradleboard to her chest., Title from item., Place of publication and date from copyright statement: Entered according to Act of Congress A.D. 1867 by John C. McRae, in the Clerk's Office of the U.S. District Court for the Southern District of New York., Name of artist and engraver from earlier state in collections of the Library of Congress., See also Scottish American Journal, April 21, 1866, p. 5 and Vermont Chronicle, May 19, 1866, p. 3 for articles that describe the engraving as representing "Washington after the proclamation of peace with Great Britain." Articles also note that McRae was occupied on the work for nine years., Gift of David Doret, 1994., In poor condition. Stained and tears., Cataloged 2021.
Creator: McRae, John C., engraver
Date: 1867
Location: Library Company of Philadelphia | Print Department ***GC - Washington [P.9472]

Title: Washington's triumphal entry into New York, Nov. 25th, 1783
Description: Historic scene from the close of the American Revolution depicting General Washington, carrying his hat in his right hand and holding the reins in his left hand, on horseback and triumphantly parading his troops through a crowded New York City street on November 25, 1783. Following him closely on horseback are his principal officers: Governor George Clinton, General Frederick William Augustus, Baron von Steuben, General Thaddeus Kosciusko, General Gilbert Motier De La Fayette, Alexander Hamilton, General Henry Knox, General Israel Putnam, General Nathaniel Greene, and General Horatio Gates. Army personnel in the back carry the St. George cross flag, the New England Pine Tree flag, and the Washington life banner. The exuberant spectators, comprised of prominent figures and everyday citizens, line both sides of the thoroughfare and cheer from the street, balconies, and windows and include: Martha Washington; the society ladies of the Republican Court including Mrs. Cornelia [Tappan] Clinton, Mrs. Anne Willing Bingham, Mrs. Elizabeth [Schuyler] Hamilton, Mrs. Sarah [Livingston] Jay, Mrs. Polly Caton, and Mrs. Abigail Adams; Native Americans of the Six Nations including Chief Thayendanegea (Joseph Brant); General Benjamin Lincoln; Thomas Mifflin; John Marshall; Reverend David Jones; Stephen Hopkins; Miss Bingham; Miss J. Marshall; Mrs. Hamlin; the personification of a free press as an older white man reporter; continental guards; an African American woman peddler seated and holding a basket of grapes; and an older white man veteran with a crutch., Title from item., Date from copyright statement: Entered according to Act of Congress in the Year 1860 by Geo T. Perry in the Clerk’s Office of the District Court of the Eastern District of Pennsylvania., Copyrighted by George T. Perry., Pamphlet titled Description of the print entitled Washington's triumphal entry, New York, November 25th, 1783 (Philadelphia: George T. Perry, 1861) describes and provides a key to figures in the engraving. Copy of Library of Congress original housed with print. Link to digital version below in Koha Catalog., Peter C. Marzio's Chromolithography 1840-1900: The democratic art, pictures for 19th-century America (Boston: David R. Grodine, 1979), p. 27 and 283., Lib. Company. Annual report, 1973, p. 44-45., Accessioned 1979., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Inger, Christian, lithographer
Date: 1860
Location: Library Company of Philadelphia | Print Department ***GC-American Revolution [P.2279], https://www.loc.gov/item/10031942/

Main menu