Genre scene in a semi-dilapidated setting showing an older couple and younger couple near a stove covered in pots and a kitchen table adorned with a bottle, pitcher, and cup. The older woman sits near the table and sews as her husband sleeps in a rocker near the stove, with his pipe in his mouth, and a newspaper in his lap. The younger couple stand and cuddle in the background, possibly the "delusion" of the husband., Photographer's imprint printed on verso., Warped pink mount with rounded corners., Negative number printed on mount: 7521., Gift of Jesse Randall., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Kilburn, successor to stereograph publisher Kilburn Brothers in 1877, broadened the firm's portfolio from White Mountain scenery to include genre and comic subjects and international views.
Creator
Kilburn, B. W. (Benjamin West), 1827-1909
Date
c1892
Location
Library Company of Philadelphia | Print Department stereo - Kilburn - Genre [P.2005.19.7]
Genre scene from a comic stereograph series satirizing the exploits of an adulterous husband. Shows the lady of the house confronting the servant in the kitchen. The cook rolls pie dough on a table under which boxes of flour have fallen and spilled. The husband peers from around the corner. Scene also includes a calendar on the wall illustrated with the portrait of a bare-shouldered woman., Copyrighted by B. L. Singley., Additional places of publication printed on mount, including Louisville, Mo.; San Francisco; New York; and London., Warped pink mount with rounded corners., Title printed on mount., Gift of Jesse Randall., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Keystone View Company
Date
c1903
Location
Library Company of Philadelphia | Print Department stereos - Keystone View Company - Genre [P.2005.19.6]
Three genre scenes set in a well-decorated parlor from a comic stereograph series satirizing the exploits of an adulterous husband. Scene 6 shows the wife exclaiming "Hands! Hands" What does she mean!" as she discovers floured hand prints on the back of her husband's coat. Scene 7 shows the wife pointing to the shocked cook in the corner as her husband looks in dismay at the back of his stained coat that he has removed and exlaims "Good Heavens!" Scene 10 shows "And they lived happily ever after" as the husband embraces his wife from behind as she sits on a loveseat., Negative numbers: 7258; 7259; and 7262., Additional places of publication printed on mount, including Louisville, Mo.; San Francisco; New York; and London., Warped grey mount with rounded corners., Printed on mount: Works and Studios. Arlington, N.J. Westwood, N.J. Washington, D.C., Sun sculpture trademark printed on mount., Titles printed on mount., Titles printed on verso in six different languages, including French, German, and Spanish., Gift of Jesse Randall., Complete set reproduced in William C. Darrah's The world of stereographs (Gettysburg: William C. Darrah, 1977), p. 66-68., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Underwood & Underwood
Date
c1900
Location
Library Company of Philadelphia | Print Department stereos - Underwood & Underwood - Genre [P.2005.19.12-14]
Separately issued print., Attributed to Francis Kearny, who engraved the portrait of Andrew Jackson that Joseph How published (as a companion piece?)., Full-length portrait of the First Lady seated in an armchair, holding a fan and a book.
In Jones, A.D. The illustrated American biography (New York, 1853), v. 1, p. [31]., In 1657, Penelope Winslow married Josiah Winslow (1629-1680), the Governor of Plymouth Colony., Another portrait appears in Jones, A.D. The American portrait gallery (New York, 1855), p. [31]., Bust-length portrait of the English colonist.
In Jones, A.D. The American portrait gallery (New York, 1855), p. [344]., Deborah Franklin was the common-law wife of Benjamin Franklin., Waist-length portrait of the Philadelphia native., Another portrait appears in Franklin, B. Works of Benjamin Franklin (Boston, 1840), v. 7, frontispiece.
In The national portrait gallery of distinguished Americans (Philadelphia 1840), v.4, plate opposite entry. Also appears in other editions of this title. Note that by the 1852 edition fewer portraits of women are included. This portrait is included., Facsimile signature: Louisa Catherine Adams., Three-quarter length portrait of Mrs. Adams, wearing necklace and decorative hair comb, holding glove, with draped lace shawl; seated by window., Another portrait appears in an untitled plate containing five separate portraits, Godey’s lady’s book 45 (August, 1852), frontispiece.
In The gift (Philadelphia, 1842), plate opposite p. 152., Waist-length portrait of Mrs. King wearing a lace bonnet., Sitter identified as Sarah Rogers Gracie King, the wife of James Gore King, on the basis of a portrait by Thomas Sully; the painting is now located in the Nelson-Atkins Museum of Art, Kansas City, Missouri.
Comic genre scene showing a mother and father finding their daughter and her suitor, seated and asleep, in a dining room. Shows the young woman resting her head on the chest of the young man; her father wearing a robe and holding a poker; and the mother looking for the time on a grandfather clock., Tan mount with rounded corners., Gift of Jesse Randall., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1870]
Location
Library Company of Philadelphia | Print Department stereo - Unidentified - Genre [P.2005.19.16]
Genre scene satirizing the "new woman" and the role of women in the home. Shows the lady of the house dressed in bloomers (bicycle garb), telling her husband to do the sewing while she goes out for a ride. The husband is seated with their daughter next to him as his wife, who hovers above them, gives the order with his shirt in her outstretched hand., Date from copyright statement: Copyright 1896 by B. L. Singley., Title printed on mount., Publisher's imprint printed on mount., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See related: stereo - Keystone View Company - Portraits and genre [P.2017.3.3] and stereo - Keystone View Company - Portraits and genre [P.9897]
Creator
Keystone View Company
Date
1896
Location
Library Company of Philadelphia | Print Department stereo - Keystone View Company - Portraits and genre [P.2003.21]
Comic genre photograph set in a kitchen, showing a family gathered around, as the father, with soot all over his face, tries to fix a problem with the stove. His wife stands nearby and holds a flue pipe and their daughter kneels near the stove and watches her parents., Additional places of publication printed on mount, including Chicago; London; Hamberg, Ger.; and Milan, Italy., Title printed on mount., Publisher's imprint printed on mount., Distributor's imprint printed on mount., Gray curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Col. Gatter.
Date
c1901
Location
Library Company of Philadelphia | Print Department stereo - Griffith & Griffith - Portraits and genre [P.9319.5]
Comic genre photograph set in a kitchen, showing a man who has just fallen off of the stool he was standing on as he tried to fix the stove. His wife and daughter reach to help him up., Additional places of publication printed on mount, including Chicago; London; Hamberg, Ger.; and Milan, Italy., Title printed on mount., Publisher's imprint printed on mount., Distributor's imprint printed on mount., Gray curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Col. Gatter.
Date
c1901
Location
Library Company of Philadelphia | Print Department stereo - Griffith & Griffith - Portraits and genre [P.9319.4]
Includes "Yes, Mr. Caught a-tarter! The time is coming when--," "No longer be the poor down-trodden--," "Oppressed," "Weak and helpless being now she is." Scenes depict a stern-looking woman scolding and attacking a cowering, man, presumably her husband, in their living room. Scenes include overturned chairs and broken flower pots and vases on the floor., Title supplied by cataloger., Additional places of publication printed on mounts include: London; Toronto-Canada; Ottawa-Kansas., Printed on mounts: Works and studios. Arlington, N.J.; Littleton, N.H.; and Washington, D.C., Sun sculpture trademark printed on mounts., Copyrighted by Strohmeyer & Wyman., Titles printed on mounts., Publisher's imprint printed on mounts., Titles also printed on versos in five other languages., Buff curved mounts with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
c1900
Location
Library Company of Philadelphia | Print Department stereo - Underwood & Underwood - Portraits & genre [P.9964.3-6]
Album page containing an ornately calligraphed transcription of an excerpt from the Irving sketch in "The Sketch Book of Geoffery Crayon, Gent" about the wife as a helpmate to her husband. The sketch first published in 1816 was widely reprinted in periodicals during the 1830s, including in "The Ladies Garland" in 1838. Transcription contains multiple styles of handwriting and is enclosed within a border comrpised of swirls., Title from item., Date from item., Transcription of calligraphic text: AS THE VINE WHICH HAS/ long twined its graceful/foliage about the oak and/ been lifted by it in sunshine will when/ THE HARDY PLANT IS RIFTED/ By the thunderbolt cling round it with its caressing tendrils and bind up its shattered boughs so/BEAUTIFULLY so it is ORDERED BY/ PROVIDENCE/ THAT WOMAN who is the mere DEPENDENT/ And ornament of man in his happier hours should be his stay and solace when/ SMITTEN WITH SUDDEN/ calamity WINDING herself INTO the rugged/ recesses of his nature tenderly/ supporting the drooping head/ and binding up/ THE BROKEN HEART, RVCDC, Description revised 2022., Access points revised 2022., Reason, born in New York and one of the few known 19th-century Black engravers and lithographers, was also an anti-slavery and voting rights activist. He spent much of his career, which began when he was a teen in the 1830s in New York, before relocating to Cleveland in the late 1860s.
Creator
Reason, Patrick Henry, 1816-1898, artist
Date
[January 1839]
Location
Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.25]
The farmer's wife stands next to a large pig. A butter churn is behind her. The valentine mocks her for being overweight., Text: A charming life is a farmer's life; / And ain't you in luck to be his wife? / He feeds and fats you just like his pig, / And loves as much when you're twice as big., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Waist-length portrait of Mrs. Sears, seated next to a table on which there are books., In Hamline, Melinda. Memoirs of Mrs. Angeline B. Sears, with extracts from her correspondence (Cincinnati, 1851), frontispiece., Facsimile signature: Your affectionate Angeline., Mrs. Sears was the wife of the itinerant Methodist minister Clinton W. Sears. As the wife of a minister, she had occasion to aid others, especially the sick and the poor, before her death at a young age from consumption (the disease known as tuberculosis today).
In Griswold, R.W.The Republican Court, or, American society in the days of Washington. New and rev. ed. (New York, 1856), plate preceding p. 69., Three-quarter length portrait of Mrs. Madison standing in front of a curtain., Another portrait appears in Hunt, L. The American biographical sketch book (New York, 1848), plate opposite p. 339.
In Griswold, R.W. The Republican Court, or, American society in the days of Washington. New and rev. ed. (New York, 1856), plate preceding p. 27., Three-quarter length portrait of "Lady Kitty" holding a folded fan and standing in front of an open window, surrounded by foliage, with a distant landscape in the background.
In Griswold, R.W. The Republican Court, or, American society in the days of Washington. New and rev. ed. (New York, 1856), plate preceding p. 155., Original oil painting by Lawrence Kilburn painted in 1761; James Beekman's records indicate that the painting was later retouched by John Durand. Cf. White, Philip L. The Beekmans of New York in Politics and Commerce, 1647-1877 (New York, 1956)., Engraved by William Henry Mote?, Three-quarter length portrait of Mrs. Beekman, standing in front of a curtain, wearing a pearl necklace, her raised right hand holding a flower.
In Park, R. Jerusalem; and other poems juvenile and miscellaneous (New York, 1857), frontispiece., Facsimile signature: Mary B Park., Mary Park, the beloved wife of the Rev. Roswell Park, president of Racine College, died in childbirth., Waist-length portrait of Park, wearing a shawl and ornamental bow.
In Griswold, R.W. The Republican Court, or, American society in the days of Washington. New and rev. ed. (New York, 1856), plate opposite p. 183., Three-quarter length portrait of Mrs. Otis wearing a pearl necklace, standing with her right arm propped on an architectural element.
In Garrison, E.W. Memoir of Mrs. Rebekah P. Pinkham (Portland, Me., 1840), frontispiece., Facsimile signature: R.P. Pinkham., Mrs. Pinkham was the wife of the Rev. Ebenezer Pinkham., Waist-length portrait of Mrs. Pinkham, wearing bonnet.
In Griswold, R.W. The Republican Court, or, American society in the days of Washington. New and rev. ed. (New York, 1856), plate preceding p. 355., Three-quarter length portrait of Mrs. Carroll standing in front of an architectural element and drapery, holding a flower in her left hand.
In Griswold, R.W. The Republican Court, or, American society in the days of Washington. New and rev. ed. (New York, 1856), plate preceding p. 333., Daughter of Pennsylvania Gov.Thomas McKean; wife of Carlos Martinez de Yrujo y Tacon, the Marques de Casa Yrujo (1763-1824)., Three-quarter length portrait of the Marchioness d'Yrujo, seated, wearing a pearl necklace and hairpiece, also in a dress adorned with pearls. Her hands are folded in her lap and her right hand holds a closed fan.
In Henry, G.W. Trials and triumphs (for half a century) in the life of G.W. Henry (Oneida, 1856), frontispiece., Mrs. Henry was the wife of the blind Methodist minister George W. Henry (b. 1801). In the 1875 New York State census, the Rev. Henry is listed as living with his wife Susan C. Henry., Three-quarter length portrait of Susan C. Henry (?) seated next to her daughter Florence. Mrs. Henry holds her son George Wesley on her lap.
In Wisner, B.B. Memoirs of the late Mrs. Susan Huntington. 2nd ed. (Boston, 1826), frontispiece., Facsimile signature: Adieu, beloved friend – S. Huntington., Waist-length portrait of Mrs. Huntington.
In Griswold, R.W. The Republican Court, or, American society in the days of Washington. New and rev. ed. (New York, 1856), plate preceding p. 139., Waist-length portrait of Mrs. Izard, wearing a pearl necklace, with pearls in her hair, holding a basket of flowers.
In Griswold, R.W. The Republican Court, or, American society in the days of Washington. New and rev. ed. (New York, 1856), plate preceding p. 97., Waist-length portrait of Mrs. Jay in profile.
In Phelps, A.A. The life of Mrs. Fanny L. Bartlett (Boston, 1860), frontispiece., Facsimile signature: I remain yours truly F.L. Bartlett., Mrs. Bartlett was the wife of Dr. Oliver C. Bartlett, a physician and lay preacher in the Methodist Episcopal Church. Cf. Widmann, R.D. "'Lost in the immensity of God': A pre-Civil War Methodist woman's experience of the presence and power of God," Methodist history 25:3 (April 1987), 164-75., Three-quarter portrait of Mrs. Bartlett, seated, wearing a bonnet and a shawl.
In The Mothers' journal, and Family visitant, v. 14, no. 3 (March, 1849), plate opposite p. 69., Facsimile signature: With very great respect Sir, Truly Yours Eliza C. Allen., Waist-length portrait of Mrs. Allen, wearing bonnet; with a bookcase in the background.
In Griswold, R.W. The Republican Court, or, American society in the days of Washington. New and rev. ed. (New York, 1856), plate opposite p. 169., Three-quarter length portrait of Mrs. Adams seated in front of a fireplace mantel and vase filled with flowers, holding flowers in her right hand, wearing a full dress and pearl necklace.
In Griswold, R.W. The Republican Court, or, American society in the days of Washington. New and rev. ed. (New York, 1856), frontispiece., Three-quarter length portrait of Mrs. Washington, standing outdoors, surrounded by foliage.
In Griswold, R.W. The Republican Court, or, American society in the days of Washington. New and rev. ed. (New York, 1856), plate preceding p. 113., Three-quarter length portrait of Mrs. King seated in front of drapery and architectural elements.
In Griswold, R.W. The Republican Court, or, American society in the days of Washington. New and rev. ed. (New York, 1856), plate preceding p. 295., Cornelia Clinton Genet was the daughter of New York Gov. George Clinton (1739-1812) and the wife of Edmond-Charles Genêt (1763-1834)., Three-quarter length portrait of Mme. Genet standing standing in front of a natural landscape, her arms folded at her waist.
In Bouton, N. Memoir of Mrs. Elizabeth McFarland. 3rd ed. (Boston, 1839), frontispiece., Waist-length portrait of the clergyman's wife, wearing a bonnet and shawl., Facsimile signature: Your affectionate friend Eliza'h MFarland.
In Griswold, R.W. The Republican Court, or, American society in the days of Washington. New and rev. ed. (New York, 1856), plate preceding p. 55., Three-quarter length portrait of Mrs. Hamilton, seated in front of a curtain, holding a folded fan, hands resting in her lap., Another portrait appears in Hunt, L. The American biographical sketch book (New York, 1848), plate opposite p. 326.
In Griswold, R.W. The Republican Court, or, American society in the days of Washington. New and rev. ed. (New York, 1856), plate preceding p. 345., Three-quarter length portrait of Mrs. Goodrich in profile, with a ribbon in her hair, standing in front of architectural elements with a distant landscape visible in the background.
In Breckinridge, J. A memoir of Mrs. Margaret Breckinridge (Philadelphia, 1839), frontispiece., Facsimile signature: Marg't Breckinridge., Bust-length portrait of Mrs. Breckinridge, with lace shawl.
Comic genre scene showing a shrewish woman attacking her hen-pecked husband at a wash tub to satirize the New Woman. In a semi-dilapidated kitchen setting, the woman stretches over the tub and grabs her grimacing husband by his hair. Wash lays on the floor near a small heating stove. The walls are adorned with a rolling pin, clock, birdcage, portrait prints, and placard reading "Home & Mother.", Photographer's imprint printed on verso., Warped pink mount with rounded corners., Negative number printed on mount: 12263., Companion stereograph to 1897 Kilburn stereogaph, #12262, "Woman's Rights," showing a New Woman at leisure as her husband does laundry at a washtub., Gift of Jesse Randall., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Kilburn, successor to stereograph publisher Kilburn Brothers in 1877, broadened the firm's portfolio from White Mountain scenery to include genre and comic subjects and international views.
Creator
Kilburn, B. W. (Benjamin West), 1827-1909
Date
c1897
Location
Library Company of Philadelphia | Print Department stereo - Kilburn - Genre [P.2005.19.8]
Genre scene satirizing the "new woman" and the role of women in the home. Shows the lady of the house dressed in bicycle garb with her bicycle at her side pointing her finger and instructing her husband on how to do the laundry. The husband stands in front of the wash tub, article of clothing in hand, with dirty laundry piled in the baby's cradle next to him., Title printed on mount., Photographer's imprint printed on verso., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Erika Piola., Kilburn, successor to stereograph publisher Kilburn Brothers in 1877, broadened the firm's portfolio from White Mountain scenery to include genre and comic subjects and international views.
Creator
Kilburn, B. W. (Benjamin West), 1827-1909
Date
c1897
Location
Library Company of Philadelphia | Print Department stereo - Kilburn - Portraits and genre [P.2003.32.3]
Genre scene satirizing the "new woman" and the role of women in the home. Shows the lady of the house dressed in bicycle garb with her bicycle at her side, telling her husband to do the sewing while she goes out for a ride. The husband is seated with their daughter next to him as his wife, who hovers above them, gives the order., Copyrighted by B. L. Singley., Title printed on mount., Publisher's imprint printed on mount., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See related: stereo - Keystone View Company - Portraits and genre [P.2003.21] and stereo - Keystone View Company - Portraits and genre [P.2017.3.3].
Creator
Keystone View Company
Date
c1899
Location
Library Company of Philadelphia | Print Department stereo - Keystone View Company - Portraits and genre [P.9897]
Genre scene satirizing the "new woman" and the role of women in the home. Shows the lady of the house sitting at a table reading a newspaper as her husband stands in the kitchen dryng dishes. With a confused look, he peers at her from the other room. She is dressed in bicycle garb with her bicycle resting in the doorway nearby., Copyrighted by B. L. Singley., Title printed on mount., Publisher's imprint printed on mount., Printed text in six languages on verso: Die "moderne frau."; La 'donna nuova."; La femme nouvelle."; La Nueva Mufer."; Den "ny kvinde."; and Des "na kvinnan.", Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Erika Piola.
Creator
Keystone View Company
Date
c1899
Location
Library Company of Philadelphia | Print Department stereo - Keystone View Company - Portraits and genre [P.9964.2]
Genre scene satirizing the role of the "new man" in relation to the "new woman". Shows the lady of the house sitting with her feet propped and reading a newspaper as her husband washes and hangs the laundry nearby., Copyrighted by B. L. Singley., Title printed on mount., Publisher's imprint printed on mount., Printed text in six languages on verso: Es ift blauer Montag; L'"Uomo Nuovo" in Blue Monday.; Le "Nouvel homme" le lundi; El lúnes del "Nuevo Hombre"; Den "ny mand" på en blå Mandag; Den nykomne på blåmåndag., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
c1901
Location
Library Company of Philadelphia | Print Department stereo - Keystone View Company - Portraits and genre [P.2004.5.2]
Genre scene satirizing the "new woman" and the role reversal of men and women in the home. Depicts a woman attired in bloomers and gloves (bicycle garb), with one foot propped on a chair as she smokes. Her husband bends over the wash tub and wrings an article of clothing as he does her laundry, some of which dries above their heads on a line. The woman's bicycle is propped near the door., Additional places of publication printed on mount include: London; Toronto-Canada; Ottawa-Kansas., Printed on mount: Works and studios. Arlington, N.J.; Littleton, N.H.; and Washington, D.C., Sun sculpture trademark printed on mount., Copyrighted by Strohmeyer & Wyman., Title printed on mount., Publisher's imprint printed on mount., Title also printed on verso in five additional languages., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Erika Piola.
Date
c1897
Location
Library Company of Philadelphia | Print Department stereo - Underwood & Underwood - Portraits & genre [P.2004.5.1]
Faded genre scene satirizing the "new woman" and the role reversal of men and women in the home. Shows the woman of the house, shawl draped over her arm, who has just entered the room from outside. Her husband sits on a stool doing housework near the fireplace. Their pet cat sits on the floor near his feet., Copyright 1889 by Littleton View Co., Title printed on mount below image., Publisher's imprint printed on mount., Distributor's imprint printed on mount: Sold only by Underwood & Underwood, Baltimore, Md., Ottawa, Kan., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Erika Piola.
Creator
Littleton View Co.
Date
c1889
Location
Library Company of Philadelphia | Print Department stereo - Miscellaneous - Littleton View Co. [P.2003.32.1]
In Ellet, E.F. The women of the American revolution (New York, 1848) v.1, plate opposite p. 36., Facsimile signature: E. DeBerdt., Bust-length portrait of Mrs. Reed., Another portrait appears in Jones, A.D. The American portrait gallery (New York, 1855), p. [361].
In Ellet, E. The women of the American Revolution (New York, 1848), vol. 1, plate opposite p. 202., Waist-length portrait of Mrs. Morris, wearing bonnet, ribbon necklace, and flower brooch.
Genre scene satirizing the "new woman" and the role of women in the home. Shows the lady of the house dressed in bloomers (bicycle garb) with her back to her children who play with toys on the floor. With her bicycle by her side, she tells her husband, who is washing clothes, to have dinner ready by one., Copyrighted 1897 by William H. Rau on negative., Additional places of publication printed on mount, including Chicago; Hamburg, Germany, and Milan, Italy., Title on negative., Distributor's imprint printed on mount., Buff curved mount with rounded corners., Griffith & Griffith, established in Philadelphia in 1896, expanded in 1908 to included offices in St. Louis and Liverpool. The non-Philadelphia offices were relocated in 1910., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Erika Piola.
Creator
Rau, William Herman, 1855-1920, photographer
Date
c1897
Location
Library Company of Philadelphia | Print Department stereo - Rau - Portraits & genre [P.2003.32.2]
