The signature on the stretcher indicates that the painting was a New Year's present to Dr. James Rush's wife, Phoebe. Dr. Rush was the Peale family physician, as well as a friend, and the painting might have been payment for medical services., Bequest of Dr. James Rush, 1869., Exhibited at the Philadelphia Museum of Art's Bicentennial exhibit, Philadelphia: Three Centuries of American Art (1976). Exhibited in the Library Company's exhibition, Quarter of a Millennium (1981).