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Title: A Booby.
Description: The "booby" looks down and holds his head. He has a round stomach, bald patches on his head, and long feet., Text: Search through the world above, below, / None half so senseless, well we know, / Can e'er be found, take every pains-- / For all things else have got some brains., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: A Nincompoop.
Description: The nincompoop smiles, holds a ball, and plays a whistle. His eyes are crossed, his knees turn in, and his ears are elfin., Text: Now, really, my kind sir, d'ye think I'd stoop / To have a man who's such a nincompoop? / 'Twere better far if single I'd remain, / Than wed a man who had so little brain., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: To a Machinist.
Description: The machinist has a red, porcine nose. He hammers at a piece of metal to make a cog., Text: I'd go without beaus all the days of my life, / And die an old maid, before I'd be the wife / Of such an old hammer as you, you old fool; / You're a piece of pig-iron-- a miserable tool; / For your head's like an anvil with about as much brains, / And you don't know enough to come in when it rains., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Ostler.
Description: The bow-legged ostler stands in a stable in front of a donkey in a stall. He holds a girth and wears riding breeches and a vest., Text: Chuckle head, stupid, / Just like your brother there; / Faith, it's a puzzle, / To tell one from t'other there., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: A Dough-head.
Description: A young man sits in a chair., Text: You sleepy headed numskull, go home and take a snooze, / When you go to see the girls, they think you’re full of booze. / As vain as any weather-cock, you know not how to talk, / Nor can you take a slight hint, when you’re told it’s time to walk. / You ought to be a baker’s boy, for now wherever you go, / The girls all laugh at such a calf, and say your head is dough., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Emptyheaded and Lazy.
Description: An elaborately dressed man leans back in a chair and smokes a cigar. The word 'empty" is written over his head. His clothes and the position of his hand suggest he is a dandy. The sender mocks the recipient's concentration on outward appearances., Text: The reason why you don't get on in life-- / Is the Sending of the Valentine to you a hollow mockery?, Cf. Valentine 14.41., Provenance: Helfand. William H..
Date: [between 1840 and 1880?]

Title: A Machinist.
Description: A machinist wearing an apron stands at his work bench. A variety of tools are visible on his bench and on the wall behind him. The sender suggests the recipient does shoddy work., Text: Folks say, Sir Machinist, who have your course watched, / That no job you e’er tackled came from you unbotched. / If you’re really an expert, a machine I can mention / To which it would pay you to give your attention; / I mean your own head; for, to this I would swear, / Its wheels must be terribly out of repair., Provenance: Helfand, William H..
Date: [between 1840 and 1880?]

Title: Old Coachee, mounted on your box,
Description: A coachman in an elaborate uniform sits on the box of a carriage and holds a whip. "Spooney" means foolish or sentimental., Text: Old Coachee, mounted on your box, / You look as stupid as an ox; / The coach of Wedlock, do not strive, / With me old boy you ne’er shall drive / So all your views at once resign, / You spooney looking Valentine., Provenance: Helfand, William H..
Date: [between 1840 and 1880?]

Title: Your soul is in a fiddle-case.
Description: A man has a stringed instrument for a body. The valentine compares him to a broken fiddle., Text: Your soul is in a fiddle-case, / Yourself a half-cracked fiddle; / To find your beauty, sense, or wit, / Would be a monstrous riddle., Provenance: Helfand, William H..
Date: [between 1840 and 1880?]

Title: Near a fire. Say! Just hold this while I fetch another section, will you. (Likely?)
Description: One of a series of satires mocking the ineptitude of Philadelphia volunteer firefighters. Shows a volunteer, in full uniform, offering a flowing fire hose to an unsuspecting gentleman on a street corner. The gentleman whose hands are occupied with a cigar and a cane looks aghast at the firefighter. A woman watches the scene from the window of her dwelling. Additional streetscape, including a storefront, is visible in the background, Philadelphia on Stone., POS 253b, Retrospective conversion record: original entry, edited., Harrison & Weightman was a partnership between Henry G. Harrison and William N. Weightman., Variant of P.8970.12., Free Library of Philadelphia: Philadelphiana - The Fireman (Cartoons)
Date: c1858
Location: Library Company of Philadelphia | Print Department *BW - Fires and Firefighting [P.8970.13]

Title: Near a fire. Say! Just hold this while I fetch another section, will you. (Likely?)
Description: One of a series of satires mocking the ineptitude of Philadelphia volunteer firefighters. Shows a volunteer, in full uniform, offering a flowing fire hose to an unsuspecting gentleman on a street corner. The gentleman whose hands are occupied with a cigar and a cane looks aghast at the firefighter. A woman watches the scene from the window of her dwelling. Additional streetscape, including a storefront, is visible in the background., Philadelphia on Stone., POS 253c, Retrospective conversion record: original entry, edited., Harrison & Weightman was a partnership between Henry G. Harrison and William N. Weightman., Variant of P.8970.13., Free Library of Philadelphia: Philadelphiana - The Fireman (Cartoons)
Date: c1858
Location: Library Company of Philadelphia | Print Department *BW - Fires and Firefighting [P.8970.12]

Title: Shadows of the times
Description: Series of three Civil War satires containing captioned vignettes utilizing shadow figures to cynically depict the threat of a European intervention; the prowess of the military; and the exploitation of war news. Plate 1 contains two scenes foreshadowing possible British, French, and Prussian invasions. Shows Queen Victoria, on the shore of Britain, accompanied by demons and restraining the British lion while she threatens Columbia, "I will sink your ships and burn your factories they are a perfect nuisance." Columbia, atop a globe flanked by warships, holding an American flag and shield, and with a man at her feet thumbing his nose at Britain, replies, "You don't say so!! Very glad to see you." Second scene shows Emperor Napoleon III, and probably, Prussian commander Otto Von Bismarck conversing in a parlor in front of framed paintings of Napoleon I in exile and Frederick the Great commanding his army. Bismark points to the Napoleon painting and comments "General. St. Helena is not forgotten." Plate 2 includes "Good Bye to the Lager" showing male civilians and a soldier at a saloon; the disorganized and distracted "Jeff. Davis' Body Guard"; soldiers chasing, bayoneting; and roasting pigs for "Pig duty in the Sacred Soil"; and "Rather moist" showing a military caravan crossing a river. Plate 3 includes "Somerset Polka (Quick Step)" depicting the death and chaos of a military battle; newsboys hawking the "Evening Bulletin. Capture of Fort Pulsing" to a crowd of eager pedestrians; a soldier, "One of the Chivalry in excitement," stretching from a nap; overweight and doddering soldiers "Going to play the Yankee Doodle down South"; an officer in a huff demanding "Why didn't you call when you saw me coming?" to a lieutenant who responds, "Senty. Beg pardon Sir, I thought you was an animal."; and infantrymen threatening a cow "Surrender or you are a dead Man.", Plate numbers printed upper right corner., Originally part of McAllister scrapbooks of Civil War materials and Civil War caricatures and photographs., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Kramer, Peter, 1823-1907, artist
Date: c1862
Location: Library Company of Philadelphia | Print Department political cartoons 1862-3 [(10)1540.F; 5780.F; 5780.F.32-34]

Title: Shadows of the times
Description: Series of three Civil War satires containing captioned vignettes utilizing shadow figures to cynically depict the threat of a European intervention; the prowess of the military; and the exploitation of war news. Plate 1 contains two scenes foreshadowing possible British, French, and Prussian invasions. Shows Queen Victoria, on the shore of Britain, accompanied by demons and restraining the British lion while she threatens Columbia, "I will sink your ships and burn your factories they are a perfect nuisance." Columbia, atop a globe flanked by warships, holding an American flag and shield, and with a man at her feet thumbing his nose at Britain, replies, "You don't say so!! Very glad to see you." Second scene shows Emperor Napoleon III, and probably, Prussian commander Otto Von Bismarck conversing in a parlor in front of framed paintings of Napoleon I in exile and Frederick the Great commanding his army. Bismark points to the Napoleon painting and comments "General. St. Helena is not forgotten." Plate 2 includes "Good Bye to the Lager" showing male civilians and a soldier at a saloon; the disorganized and distracted "Jeff. Davis' Body Guard"; soldiers chasing, bayoneting; and roasting pigs for "Pig duty in the Sacred Soil"; and "Rather moist" showing a military caravan crossing a river. Plate 3 includes "Somerset Polka (Quick Step)" depicting the death and chaos of a military battle; newsboys hawking the "Evening Bulletin. Capture of Fort Pulsing" to a crowd of eager pedestrians; a soldier, "One of the Chivalry in excitement," stretching from a nap; overweight and doddering soldiers "Going to play the Yankee Doodle down South"; an officer in a huff demanding "Why didn't you call when you saw me coming?" to a lieutenant who responds, "Senty. Beg pardon Sir, I thought you was an animal."; and infantrymen threatening a cow "Surrender or you are a dead Man.", Plate numbers printed upper right corner., Originally part of McAllister scrapbooks of Civil War materials and Civil War caricatures and photographs., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Kramer, Peter, 1823-1907, artist
Date: c1862
Location: Library Company of Philadelphia | Print Department political cartoons 1862-3 [(10)1540.F; 5780.F; 5780.F.32-34]

Title: [Scraps no. 3. for 1832]
Description: Plate four from the 1832 edition of "Scraps," Johnston's popular satirical series of societal caricatures published between 1828 and 1840, and in 1849. Depicts a montage of nine scenes lampooning contemporary social issues and everyday life such as fashion, religious hypocrisy, ignorance, vanity, country life, class inequities, the military, and higher education. Includes 'The Glass of Fashion & The Mould of Form' depicting a white man sales clerk falsely flattering a white man dandy trying on a puff-sleeved coat; "Faith and Works" depicting a hypocritical white man Deacon, near a fireplace, reneging the shelter that he promised to a cold, poor white woman outside his door while his African American servant offers her money; "Arrival of a Country Cousin" depicting a snobby, white, city gentleman snubbing his country cousin; "About to be Astonished" depicting a dimwitted gloating white man farmer about to intentionally kill a sleeping "varmint" and unintentionally kill his friend with a sickle; "Champagne [Campaign] or the Fatigues of Modern Camp Duty" depicting a grossly intoxicated troop of white military officers toasting their intellect and patriotism; "A Body Coat & A Coat of Arms" depicting a rotund and thin "John Smith" exchanging wrongly delivered coats; "The Able-Bodied Man & The Exempt" depicting a scraggly white soldier encountering an "exempt" hardy white gentleman; "Symptoms of Extravagance" depicting a white man, attired in rags, debating the necessity to "dress better on Sunday"; "College Acquirements" depicting an African American man and woman, portrayed in racist caricature and speaking in the vernacular, discussing 'de college for de colour'd circles' based on the beneficial effects of college on "Massa Bob," including his staying out later, no longer reading, and drinking champagne., Title supplied by cataloger., Printed in upper left corner: Plate 4., Published in D.C. Johnston's Scraps No. 3 1832 (Boston: D.C. Johnston, 1832), pl. 4., Retrospective conversion record: original entry, edited., Accessioned 1893., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Johnston, David Claypoole, 1799-1865
Date: [1832]
Location: Library Company of Philadelphia | Print Department political cartoons - 1832-Scr (d) [5656.F.24]

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