Search results

Title: ASSU Illustration 8206
Description: Block numbered in two places: 8206., Image of a boar [?] in a natural setting.
Date: [s.a.]
Location: ASSU Woodblocks -- Box 2

Title: ASSU Illustration 3396
Description: Block numbered in one place: 3396., Image of a pig.
Date: [s.a.]
Location: ASSU Woodblocks -- Box 5

Title: Take a 'poon piggie
Description: Genre view of a barefoot girl, seated and holding a spoon, as a pig eats from a bowl in front of her., Copyrighted by Melander & Bro., Title printed on mount., Photographer's imprint printed on mount., Distributor's label pasted on verso: James Cremer, publisher of stereoscopic views, 18 South Eighth St., Philadelphia. Stereoscopes and views, wholesale and retail., Manuscript note on verso: Muschamp, 21, Buff mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Melander, L. M.
Date: c1876
Location: Library Company of Philadelphia | Print Department stereo - Melander - Genre [P.9022.16]

Title: [Woman feeding pigs.]
Description: Depicts a woman feeding three pigs that are leaning on a whitewashed fence in anticipation., Title supplied by cataloguer., Gift of Albert L. Doering.
Creator: Doering, William Harvey, 1858-1924, photographer
Date: ca. 1895
Location: Library Company of Philadelphia | Print Department lantern slides - Doering [P.9453.7]

Title: [English farm with a pig]
Description: Depicts a pig passing a gate near a cluster of stone, thatch-roofed barn buildings., Forms part of the Robert S. Redfield collection., Gift of Alfred G. Redfield.
Date: [ca. 1895]
Location: Library Company of Philadelphia | Print Department photo - Redfield [P.8983.51]

Title: Alms House in Spruce Street Philadelphia
Description: Street scene on Spruce Street between Tenth and Eleventh streets with a view of the Almshouse and House of Employment, built after the designs of Philadelphia architect Robert Smith, in 1767. In the foreground, three men capture a pig escaped from a nearby horse-drawn cart transporting swine. The Alms House provided shelter to indigents incapable of labor, while the House of Employment housed the poor able to work. The inmates predominately manufactured textiles. The houses were razed in 1835, superseded by the Blockley Almshouse in West Philadelphia., Retrospective conversion record: original entry, edited., Illustrated in S. Robert Teitelman's Birch's Views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000), pl. 25.
Creator: W. Birch & Son
Date: 1799
Location: Library Company of Philadelphia | Print Department Birch's views [Sn 25/P.2276.58]

Title: Alms House in Spruce Street Philadelphia
Description: Street scene on Spruce Street between Tenth and Elevenths streets with a view of the Almshouse and House of Employment, built after the designs of Philadelphia architect, Robert Smith, in 1767. In the foreground, three men capture a pig escaped from a nearby horse-drawn cart, transporting swine. The Alms House provided shelter to indigents incapable of labor, while the House of Employment housed the poor able to work. The inmates predominately manufactured textiles. The houses were razed in 1835, superseded by the Blockley Almshouse in West Philadelphia., Print trimmed., Retrospective conversion record: original entry, edited., Illustrated in S. Robert Teitelman's Birch's Views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000), pl. 25.
Creator: W. Birch & Son
Date: [179[9]
Location: Library Company of Philadelphia | Print Department Birch's views [Sn 25/P.2276.59]

Title: Grand celebration of the Battle of Buena Vista! Come see it. Come see it. The slaughtering of a mammoth hog which is supposed by many good judges to wiegh 800 pounds! will take place at the house of W.S. Sager, Willow Grove on Monday, Feb. 23d, 1863, at 10 o'clock, A.M. Gentlemen, this hog is pronounced by all who have seen her, to be the best proportioned big hog exhibited to the public this season; we therefore invite you, one an all, to be in attendance on that day, as we expect to have a good time any how. The hog to be sold to the hihgest [sic] bidder after slaughtering
Description: Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Clayton, C. S.
Date: [1863]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 2# Am 1863 Clayton (1)1322.F.277 (McAllister)

Title: [Prodigal Son series, 1775]
Description: Six prints based upon Sebastian Le Clerc II's 1751 series, "L'Histoire de l'enfant prodigue," depicting the Prodigal Son parable of sin, penitence, and salvation. Includes two Black characters: a prostitute and a male servant. The six scenes titled: La Enfant prodigue exigeant sa Legitime; Le depart de l'Enfant prodigue; Vie debauche de l'Enfant prodigue; L'Enfant prodigue dans la plus grande Misere; L'Enfant prodigue reclamant la bonte de son Pere; Rejouissances pour le Retour de l'Enfant prodigue depict the white son claiming his patrimony, taking leave of his father, living a debaucherous life with prostitutes, in misery as a swineherder, returning penitent to his father, and celebrating his return with a feast., "Vie debauche de l'enfant prodigue" shows the prodigal son engaged in immoral behavior. Depicts the young white man, attired in a white wig, a jacket, breeches, white stockings, and buckled shoes, seated at a table with three prostitutes. He leans over and gropes the breast of the white woman, who touches his face with her left hand and raises a glass in her right hand. The Black woman sits in the left and holds a glass in her left hand. The women are attired in wigs in high hairstyles ornamented with ribbons, bows, and feathers, dresses, and heeled dress shoes. The table has plates of food, cutlery, and glasses set upon it. On the floor is a tub filled with bottles. Several bottles are knocked over at the man’s feet, including one that is spilling out alcohol. In the right, a servant woman, attired in a white cap, a plain dress, and an apron, bends over a gambling table to tidy up the cards and chips., "Rejouissances pour le retour de l'enfant prodigue" shows the celebration of the prodigal son’s return with a feast. Depicts four white men and two white women seated at the dining table. The men are attired in wigs, white shirts, jackets, breeches, white stockings, and buckled shoes. The women are attired in wigs in high hairstyles ornamented with ribbons and bows and dresses with bows at the neck. The feasters eat and drink at the table, which has glasses, plates, and cutlery set on it. Two white men servants, attired in wigs, white shirts, and uniform jackets, stand behind the diners and serve food on a plate. In the left, a Black man servant, attired in a wig, a white shirt, a uniform jacket, breeches, white stockings, and buckled shoes, crouches behind a chair to hide and drinks from a bottle. The man seated in the chair turns around to look at him. At his feet is a tub filled with bottles, one bottle knocked over, and an additional bottle by his chair. In the top right background is a balcony where four white men musicians play, including two violinists and possibly an oboe player., Prints numbered 1-6 lower left corner., Series title supplied by cataloger., Publication information inferred from name of engraver and the attire of the depicted figures., See Ellen G. D'Oench's Prodigal Son narratives, 1480-1980 (Connecticut: Yale University Art Gallery and Davison Art Center, Wesleyan University, 1995)., Purchase 1971., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Haid, Johann Elias, 1739-1809, engraver
Date: [ca. 1775]
Location: Library Company of Philadelphia | Print Department *Prodigal Son-1775 [7943.F.1-6]

Title: [African American man on a mule-drawn plow]
Description: Racist, trade card specimen depicting a caricature of an African American man on mule-drawn plow. Shows the African American man, attired in a hat and a blue, plaid jacket and pants, sitting on top of a plow. He holds the lever to the plow in his right hand and the reins to the mule pulling the plow in his left hand. The mule is kicking its back legs into the air because three pigs are running around it. Trees are visible in the background., Title devised by cataloger., Date deduced from the visual content., Series number printed on recto: 468., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. 15 [P.2017.95.226]

Title: H. Jahke, wholesale & retail dealer in all descriptions of fresh & salt pork, hams, lard, tongues, &c. 130, 131, 132 & 133 Nineteenth St. market, residence, cor. Baring & Sloan Sts., West Phila
Description: Racist, trade card promoting butcher John Henry Jahke and depicting a caricature of an African American man on mule-drawn plow. Shows the African American man, attired in a hat and a blue, plaid jacket and pants, sitting on top of a plow. He holds the lever to the plow in his right hand and the reins to the mule pulling the plow in his left hand. The mule is kicking its back legs into the air because three pigs are running around it. Trees are visible in the background. John Henry Jahke (1835-1919) was a prominent butcher who owned a slaughtering and packing plant in West Philadelphia on Baring and Sloan Streets., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Emily Phillips, 1883., Digitized., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department trade card - Jahke [P.9766]

Title: The White Turtle & the Red Crab of Philadelphia
Description: Showing the Northern Liberties Hose Company (White Turtle) and the Lafayette Hose Company (Red Crab) racing to a bonfire near Eastern State Penitentiary on July 25, 1852 during a weekend of fires throughout the city. Men from each company run side-by-side and pull the ropes hooked to their companies' hose carriages. One man from each company stands at the front of their crew and plays a bugle or yells at the team to push forward. Dogs and pigs run beside the companies, flee the scene, and get caught under the wheel of the hose carriage. Includes a view of the buildings along the street, showing people running in the distance and a sign reading "coal." The "winning" Northern Liberties Hose Company (White Turtle) had a fire house at New Market Street above Coates Street, just a few blocks from the "losing" Lafayette Hose Company (Red Crab) at Fourth Street above Brown Street. The hose companies often fought each other including at this "race" where a Northern Liberties member was stabbed., Title from item., Date inferred from content., Not in Wainwright., "Jonas" and "Priff" are pseudonyms., Philadelphia on Stone, POS 836
Date: [ca. 1852]
Location: Library Company of Philadelphia | Print Department *BW – Fires & Firefighting [P.2008.34.17]

Title: [Double-sided proof print containing a racist caricature of an African American mother and her children and a comic genre scene with a bookmaker]
Description: Left panel depicts an African American mother, portrayed in racist caricature, with her three children in the doorway of a home in the country. The mother, attired in a red headkerchief with white polka dots, a white shirt with pink polka dots and the sleeves rolled to the elbows, a green skirt, and a white apron with blue stripes, stands smiling with her arms crossed. Sitting in front of her are three young barefooted children attired in pink short-sleeved dresses. The children suck on the tubes of their nursing bottles. A small black dog, a cat with two kittens, and a pig gather and watch children. At the right of the door, a barrel rests under a drain pipe. A food tray lies nearby, and a horseshoe hangs above the door. The right panel shows "Joe McK.. Bookmak[er]" accepting bets, seated at his table, outside a stadium. The older white man bookie, attired in a gray bowler hat, a white collared shirt, a red polka dot vest, blue and white striped pants, and yellow shoes, smokes a cigar and accepts money from a young white man waiting at the head of the line. Also shows the backs of men leaving the bookie and headed toward the "Grand Stand" visible in the background., Title supplied by cataloger., Date from copyright statement: Copyright 1905 by J. Hoover & Son Phila., Printed lower left corner: 2039., Gift of S. Robert Teitelman, 2007., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Hall, Bernhard, 1859-1935, artist
Date: 1905
Location: Library Company of Philadelphia | Print Department political cartoons - 1905 Proof [P.2007.23.8]

Title: Josh educating a pig
Description: Racist periodical illustration that illustrated the James Fenimore Cooper serial "The Islets of the Gulf, or Rose Budd" in the January 1847 issue of Graham's Magazine. Depicts the scene from the story set during the Mexican-American War aboard a sailing ship when the character Josh, an older Black man cabin hand, teaches a pig "to know their place"-- not to be on the quarter-deck--with scalding water. Shows, in the right, on a ship deck, Josh, attired in a blue-checkered shirt, red vest and tie, yellow pants, and boots, standing with his legs apart, and holding a cloth in his right hand and a kettle in his left hand. He pours "scalding" water from the kettle onto a squealing pig by his feet. He is portrayed with a smile and steam rises from the back of the pig. To the left are a young Black man, attired in a brown broad-rimmed hat, shirt, pants, and boots and an older white man with a chin-beard and attired in a brown jacket, white vest, blue pants, and shoes. The younger man stands with his feet crossed and leans on the ship railing behind him. The older man is portrayed with a rotund midriff and holds his left hand in his vest pocket and his right hand on the railing on which he leans. A lantern-like object is visible in the left foreground and sailing line and a rope ladder are visible in the right background. Scene also includes a cloudy sky, the ocean, and distant sailing ships in the background. Josh and the white man character are portrayed with exaggerated features and/or manners., Title from item., Date from item., Originally published in Graham's Magazine, January 1847, aft. p. 54., Hand-coloring probably added after removal from publication., RVCDC
Date: 1847
Location: Library Company of Philadelphia | Print Department GC - Fictional Characters - J [P.2022.17]

Title: G.F.H. Guth, dealer in first class pianos, organs, sewing machines and musical merchandise
Description: Racist trade card promoting G.F.H. Guth's musical instruments retail store and depicting a caricature of an African American man on a farm with a plow driven by hogs. Shows an African American man, attired in a hat, an orange shirt with black polka dots, blue plaid pants, and black shoes, behind the plow and guiding it by the handles. In the right a team of three pigs pulls the plow. An African American woman, attired in a white head kerchief, a blue dress, and an apron, watches the scene with alarm. She throws her hands up in the air and opens her mouth in exclamation. In the right background, a white house is visible. Granville Francis Hiram Guth (1860-1939) owned a store in Allentown, Pa. selling pianos, organs, and musical instruments and also worked as a job printer. His store appears in the directories in the late 1880s to 1890s., Title from item., Publication information and date from the copyright statement: Copyright 1884 by J.H. Bufford's Sons., Guth's imprint is stamped on recto: G.F.H. Guth, Music dealer, 830 Hamilton St., Allentown, PA., Distributor’s imprint printed on verso: D.D. Halman, Salesman., Series number printed on the recto: 468., Advertising text printed on verso: G.F.H. Guth, Dealer in first class pianos, organs, sewing machines and musical merchandise. Only first-class makes on hand. No poor ones in stock. Specialties. Behr Bros. Pianos. Farrand & Votey Organs. Standard Rotary Shuttle Sewing Mach’s. 830 Hamilton St. Allentown PA., Gift of David Doret.
Date: 1884
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Guth [P.2017.95.77]

Title: Hoyer & Milnor, great 99¢ store, 29 N. Third St., Harrisburg, PA
Description: Racist trade card promoting Hoyer & Milnor’s retail store and depicting a caricature of an African American man on a farm with a plow driven by hogs. Shows an African American man, attired in a hat, an orange shirt with black polka dots, blue plaid pants, and black shoes, behind the plow and guiding it by the handles. In the right a team of three pigs pulls the plow. An African American woman, attired in a white head kerchief, a blue dress, and an apron, watches the scene with alarm. She throws her hands up in the air and opens her mouth in exclamation. In the right background, a white house is visible. George Hoyer and George W. Milnor (1856-1925) established the firm Hoyer & Milnor in 1884 and opened a store selling furnishings and fancy goods in Harrisburg Pa. The firm dissolved in 1896., Title from item., Publication information and date from copyright statement: Copyright 1884 by J.H. Bufford's Sons., Series number printed on the recto: 468., Gift of David Doret.
Date: 1884
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Hoyer [P.2017.95.87]

Title: [Scraps no. 3 for 1832]
Description: Plate one from the 1832 edition of, "Scraps," Johnston's popular satirical series of societal caricatures published between 1828 and 1840, and in 1849. Depicts a montage of nine scenes lampooning contemporary social issues and every day life such as corporal punishment, public drunkenness, popular fashion, marital relations, and libraries. Includes "Lock on the Understanding in two Toms bound in boards" depicting two "Toms" locked in a stockade without refreshment discussing their "Dry Goods" & "Stationary" business;" Heavy Wet" depicting a white man homeowner shocked to see a bank of snow fall from his roof unto a passerby's head; 'What a piece of work is a Man...." depicting hogs ashamed to be seen with a white man drunkard unconscious in their slop near a distillery; "Cowed Down" depicting a white wife upset about her cow's well-being as she watches her "mischievous" white husband being gored by it; "The Menagerie" depicting a confused African American man witnessing children mistaking a white man dandy and white woman dandiette for wild creatures at an animal menagerie; "Bullying Up" depicting a white farm boy haranguing a bull in front of his angry mother; "The Cat Doth Play & After Slay" depicting a picture "copied from an innkeeper's sign in Jugtown, N. Jersey" showing a cat playing a fiddle in front of a horse-drawn sleigh; "The Library" depicting the interior of a library where a foppish white woman, a Frenchman, and white men librarians misinterpret and misunderstand comments about popular literature; and "A Soporific" depicting an ailing white man unaffected by "laudanum opium" requesting his Reverend to preach a sermon in order to put him to sleep., Title supplied by cataloger., Printed in upper left corner: Plate 1., Published in D.C. Johnston's Scraps No. 3 1832 (Boston: D.C. Johnston, 1832), pl. 1., Retrospective conversion record: original entry, edited., Accessioned 1893., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Johnston, David Claypoole, 1799-1865
Date: [1832]
Location: Library Company of Philadelphia | Print Department political cartoons - 1832 Scr (a) [5656.F.25]

Title: Five Points, 1827
Description: Chaotic street scene after the 1827 painting Five Points by George Catlin depicting the early 19th-century New York City lower income area east of City Hall. Shows several white and Black men and women, individually, as couples, and in groups at the crossroads of Orange, Anthony, and Cross Streets. The streets are lined with places of "entertainment," "lodgings," and grocery stores primarily selling liquor. Amongst the melee on the streets, a large brawl and several small fights occur, people are knocked over, "couples" of men and women stroll and engage in conversation, peddlers sell their goods, a white woman pumps water, and pigs roam free., Title from item., Inscribed lower right corner: For Valentine's Manual., Plate from D.T. Valentine. Manual of the corporation of the city of New York for 1855 (New York: New York Common Council, 1855) (LCP Am 1855 New Yor Com)., Original painting in the collections of the Metropolitan Museum of Art, bequest of Mrs. Screven Lorillard (Alice Whitney), from the collection of Mrs. J. Insley Blair, 2016., Gift of Mrs. S. Marguerite Brenner, 1984., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., McSpedon & Baker, the New York lithographic partnership of Thomas McSpedon and Charles W. Baker, primarily performed stationery work. Illustrative plates executed by the partnership are rare.
Date: [1855]
Location: Library Company of Philadelphia | Print Department GC - Views - New York - New York City [P.9057.8]

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