Search results

(1 - 4 of 4)

Title: "The Sabbath among slaves"
Description: Engraving depicts the author's experience of the Sabbath among slaves. As Bibb explained, having no moral or religious instruction, slaves generally "resort to the woods in large numbers on that day to gamble, fight, get drunk, and break the Sabbath." This behavior, Bibb noted, was encouraged by the slaveholders, who viewed the slaves' activities as a form of entertainment, and who liked to watch them fight, "dance, 'pat juber,' sing, and play the banjo." To this end, the slaves were often provided with whiskey. Accordingly, the illustration shows a slaveholder pouring a libation into a slave's glass. In the background left, a group of white men and women observe the Sabbath festivities., Illustration in Henry Bibb's Narrative of the Life and Adventures of Henry Bibb: an American Slave (New York: Published by the author, 5 Spruce Street, 1849), p 23., Fels Afro-Americana Image Project, Scenes of Slave Life.
Creator: Strong, Thomas W., engraver
Date: [1849]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1849 Bibb 65732.D p 23, https://digital.librarycompany.org/islandora/object/Islandora%3A2778

Title: Who shall be vice-president? Shall he be a loyal or a disloyal man? Past experience shows that the choice of vice-president of the United States is almost as important as that of president. In case the latter dies or becomes unable to perform the duties of his office, they devolve to the former
Description: Text printed in two columns., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: National Union Executive Committee (U.S.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare #Am 1864 Nat Union 5793.F.39a (McAllister)

Title: [Prodigal Son series, 1775]
Description: Six prints based upon Sebastian Le Clerc II's 1751 series, "L'Histoire de l'enfant prodigue," depicting the Prodigal Son parable of sin, penitence, and salvation. Includes two Black characters: a prostitute and a male servant. The six scenes titled: La Enfant prodigue exigeant sa Legitime; Le depart de l'Enfant prodigue; Vie debauche de l'Enfant prodigue; L'Enfant prodigue dans la plus grande Misere; L'Enfant prodigue reclamant la bonte de son Pere; Rejouissances pour le Retour de l'Enfant prodigue depict the white son claiming his patrimony, taking leave of his father, living a debaucherous life with prostitutes, in misery as a swineherder, returning penitent to his father, and celebrating his return with a feast., "Vie debauche de l'enfant prodigue" shows the prodigal son engaged in immoral behavior. Depicts the young white man, attired in a white wig, a jacket, breeches, white stockings, and buckled shoes, seated at a table with three prostitutes. He leans over and gropes the breast of the white woman, who touches his face with her left hand and raises a glass in her right hand. The Black woman sits in the left and holds a glass in her left hand. The women are attired in wigs in high hairstyles ornamented with ribbons, bows, and feathers, dresses, and heeled dress shoes. The table has plates of food, cutlery, and glasses set upon it. On the floor is a tub filled with bottles. Several bottles are knocked over at the man’s feet, including one that is spilling out alcohol. In the right, a servant woman, attired in a white cap, a plain dress, and an apron, bends over a gambling table to tidy up the cards and chips., "Rejouissances pour le retour de l'enfant prodigue" shows the celebration of the prodigal son’s return with a feast. Depicts four white men and two white women seated at the dining table. The men are attired in wigs, white shirts, jackets, breeches, white stockings, and buckled shoes. The women are attired in wigs in high hairstyles ornamented with ribbons and bows and dresses with bows at the neck. The feasters eat and drink at the table, which has glasses, plates, and cutlery set on it. Two white men servants, attired in wigs, white shirts, and uniform jackets, stand behind the diners and serve food on a plate. In the left, a Black man servant, attired in a wig, a white shirt, a uniform jacket, breeches, white stockings, and buckled shoes, crouches behind a chair to hide and drinks from a bottle. The man seated in the chair turns around to look at him. At his feet is a tub filled with bottles, one bottle knocked over, and an additional bottle by his chair. In the top right background is a balcony where four white men musicians play, including two violinists and possibly an oboe player., Prints numbered 1-6 lower left corner., Series title supplied by cataloger., Publication information inferred from name of engraver and the attire of the depicted figures., See Ellen G. D'Oench's Prodigal Son narratives, 1480-1980 (Connecticut: Yale University Art Gallery and Davison Art Center, Wesleyan University, 1995)., Purchase 1971., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Haid, Johann Elias, 1739-1809, engraver
Date: [ca. 1775]
Location: Library Company of Philadelphia | Print Department *Prodigal Son-1775 [7943.F.1-6]

Title: Wearing the Breeches.
Description: A woman wears plaid breeches, smokes a cigarette, and looks in the mirror., Text: Wearing the breeches, wearing the breeches! / Know that all our experience teaches, / A woman, forgetting what's due her sex, is / Ready for vice and all it annexes., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Main menu