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Title: Frances Wright
Description: Half-length portrait of the British suffragist and abolitionist. Wright, wearing her hair parted in the middle in curls and attired in a long-sleeved dress with a white shawl and belt, rests her left elbow on a table and touches her left hand to her face., Title from printed signature of sitter below image., Published as frontispiece in Elizabeth Cady Stanton, Susan B. Anthony and Matilda Joslyn Gage, eds. History of woman suffrage (New York: Fowler & Wells, 1881). (LCP Am 1881 Sta, 23781.O)., Gorbitz was a 19th-century Norwegian portrait painter., Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator: Buttre, John Chester, 1821-1893, engraver
Date: [1881]
Location: Library Company of Philadelphia | Print Department portrait prints - Wright [P.8911.1069]

Title: Miss Fanny Kemble in the character of Portia The original miniature in the possession of Mrs. C. Kemble
Description: Waist-length portrait showing the abolitionist, actress, dramatist, and author, seated and in the costume of the heiress character from Shakespeare's "The Merchant of Venice." Kemble is attired in a large feathered hat, long earrings, a pearl necklace, and an elaborate ruffled dress adorned with pearls and jewels. In 1829, Kemble made her debut performance as Portia, her favorite Shakespearean character that represented her ideal of perfect womanhood. Her memoir, "Residence of a Georgian Plantation (1863)," described the degradation and inhumanities of slavery witnessed by Kemble while living at the plantation of her Philadelphian husband, Pierce Butler, from 1838 until 1839., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Access points revised 2021., Description revised 2021., Accessioned 1893., Sartain, a premier 19th-century Philadelphia portrait engraver, was also a member of the Pennsylvania Anti-Slavery Society.
Creator: Sartain, John, 1808-1897, engraver
Date: [ca. 1835]
Location: Library Company of Philadelphia | Print Department portrait prints - K [5658.F.36]

Title: H.B. Stowe
Description: Half-length portrait of the abolitionist and author of "Uncle Tom's Cabin." Stowe, wearing her hair in ringlet curls and attired in a long-sleeved dress with a white lace collar, faces slightly right., Title from printed signature of sitter below image., Date inferred from presented age of the sitter., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Buttre, a prolific New York portrait painter and engraver, published later in his career, a three volume set of celebrity portraiture, "American Portrait Gallery," in 1877, which was reissued from 1880-1881.
Creator: Buttre, John Chester, 1821-1893, engraver
Date: [between 1850 and 1890]
Location: Library Company of Philadelphia | Print Department Portrait Prints - S [P.8911.918]

Title: H.B. Stowe
Description: Bust-length portrait after a daguerreotype of the abolitionist and author of "Uncle Tom's Cabin" Stowe, wearing her hair in ringlet curls and attired in a long-sleeved white dress with a lace collar and a dark-colored shawl, tilts her head down and rests the left side of her cheek and chin on her left hand., Title from printed signature of sitter below image., Date inferred from medium and content., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [between 1870 and 1900]
Location: Library Company of Philadelphia | Print Department Portrait Prints - S [P.8911.919]

Title: H.B. Stowe
Description: Bust-length portrait of the abolitionist and author of "Uncle Tom's Cabin" as a young woman. Stowe, attired in a dress with a white neckline, looks at the viewer., Title from printed signature of sitter below image., Dated based on the presented age of the sitter., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Wilcox, an engraver and portrait painter, was active in Boston from 1860 until the early 20th century.
Creator: Wilcox, John Angel James, 1835-, engraver
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department portrait prints - S [P.8911.920]

Title: H.B. Stowe
Description: Three-quarter length, left profile portrait of the abolitionist and author of "Uncle Tom's Cabin." Stowe, wearing her hair in ringlet curls with a headband and attired in a long-sleeved, dark-colored dress with a shawl, holds a pencil in her hands, which rest on an open book in her lap., Title from printed signature of sitter below image., Date from copyright statement: Entered according to act of Congress AD 1872 by Johnson, Fry & Co., in the office of the Librarian of Congress at Washington., Published in Evert Duyckinck's Portrait gallery of eminent men and women in Europe and America:... (New York: Johnson, Wilson, & Co, 1872-1874), vol. 2, p. 434. (LCP Uz 1,4915.Q), Originally part of a McAllister Scrapbook of portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Chappel painted a majority of the portraits published as engravings in biographer Evert Duyckinck's, "Portrait Galleries," of the 1860s and 1870s. He often copied the subject's faces from photographic portraits and placed them on generic bodies in more decorative surroundings than the original photograph.
Date: 1872
Location: Library Company of Philadelphia | Print Department Portrait Prints-S [(1)5750.F.235b]

Title: Mrs. H. Beecher Stowe
Description: Bust-length portrait of the abolitionist and author of "Uncle Tom's Cabin." Stowe, wearing her hair in in a bun with curls around her forehead and attired in a headband, a dark-colored dress with a white, ruffled collar around the neck, a brooch, and a necklace, faces slightly right., Title from manuscript note written on recto., Date inferred from presented age of sitter., Mount contains red border., Gift of Dr. Milton and Joan Wohl, 1991., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Sarony, the leading photographer of celebrity portrait cabinet cards in the 1870s and 1880s, paid the highest sitter fees of the time and often acted as artistic designer rather than technician of the portraits.
Creator: Sarony, Napoleon, 1821-1896, photographer
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - sitter - Stowe [P.9363.12]

Title: Fanny Kemble
Description: Photographic reproduction of a portrait painting by Thomas Sully of the abolitionist, actress, dramatist, and author early in her marriage to Philadelphian Pierce Butler in 1834. In her work, "Residence of a Georgian plantation (1863)," Kemble described the degradation and inhumanities of slavery witnessed by her while living at the plantation of her husband from 1838 until 1839. Kemble, wearing her hair up and attired in a high collar, looks slightly right., Title from manuscript note on mount., Date based on photographic medium., Originally part of a McAllister scrapbook of portraits. McAllister Collection, gift, 1886., Description revised in 2021., Access points revised in 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Kemble [2(5750.F.67e]

Title: [Lucretia Mott]
Description: Three-quarter length portraits of the Quaker abolitionist and reformer. Mott, attired in a white cap, a dark-colored, long-sleeved dress, and a white shawl, is seated on a wooden chair with an ornate back beside a drape with tassels., Title supplied by cataloger., Date based on presented age of sitter., Accessioned 1999., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department portrait photographs-M [P.9679]

Title: [Lucretia Mott]
Description: Three-quarter length portraits of the Quaker abolitionist and reformer. Mott, attired in a white cap, a dark-colored, long-sleeved dress, and a white shawl, is seated on a wooden chair with an ornate back beside a drape with tassels., Contains third partial photographic print upper left corner., Title supplied by cataloger., Date based on presented age of the sitter., Probably from a McAllister scrapbook of portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department portrait photographs-M [8313.F.96c]

Title: Fanny Kemble
Description: Bust-length portrait of the abolitionist, author, dramatist, and actress in the character of Julia, written specifically for her by Sheridan Knowles for his play "The Hunch Back." Her memoir, "Residence of a Georgian Plantation (1863)," described the degradation and inhumanities of slavery witnessed by Kemble while living at the plantation of her Philadelphian husband, Pierce Butler, from 1838 until 1839., Title from manuscript note on verso., Date from copyright statement: Entered acccording to act of Congress in the year 1833 by Childs & Inman in the Clerks Office of the District Court of the Eastern Distrcit of Pennsylvania., Original painting by Sully located at the Rosenbach Museum & Library in Philadelphia., Sully, a respected Philadelphia portrait painter and friend of Kemble, painted thirteen portraits of the actress, the majority by recollection., Originally part of a McAllister scrapbook of portraits., Description revised 2021., Access points revised 2021., McAllister Collection, gift, 1886.
Date: 1833
Location: Library Company of Philadelphia | Print Department *portrait prints - K [5657.F.25]

Title: Lucretia Mott
Description: Three-quarter length portrait of the Quaker abolitionist and reformer. Mott, attired in a white cap, a dark-colored, long-sleeved dress, and a white shawl, is seated on a wooden chair facing slightly left., Title from printed signature of sitter below image., Published as frontispiece in The Liberty bell (Boston: Massachusetts Anti-Slavery Fair, 1844). (LCP Am 1844 Lib,68635.D)., Purchase 1976., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Sartain, the premier 19th-century Philadelphia portrait engraver, was also a member of the Pennsylvania Anti-Slavery Society.
Creator: Sartain, John, 1808-1897, engraver
Date: [1844]
Location: Library Company of Philadelphia | Print Department Portrait prints-M [8198.F.2]

Title: Lucretia Mott
Description: Three-quarter length portrait of the Quaker abolitionist and reformer. Mott, attired in a white cap, a dark-colored, long-sleeved dress, and a white shawl, is seated on a wooden chair facing slightly left., Title from printed signature of sitter below image., Published as frontispiece in The Liberty bell (Boston: Massachusetts Anti-Slavery Fair, 1844). (LCP Am 1844 Lib 68635.D)., Accessioned after 1870 and before 1900., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Sartain, the premier 19th-century Philadelphia portrait engraver, was a member of the Pennsylvania Anti-Slavery Society.
Creator: Sartain, John, 1808-1897, engraver
Date: [1844]
Location: Library Company of Philadelphia | Print Department Portrait prints-M [1885.F.60]

Title: [Lucretia Mott]
Description: Three-quarter length portrait of the Quaker abolitionist and reformer. Mott, attired in a white cap, a dark-colored, long-sleeved dress, and a white shawl, sits on a carved wooden chair with her left elbow on a side table covered in a patterned cloth., Photographer's imprint and advertisement stamped on verso., Title supplied by cataloger., Gift of Manuel Kean, 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Henszey & Co., photographer
Date: [ca. 1866]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Mott [P.8752.6a]

Title: Lucretia Mott
Description: Three-quarter length portrait of the Quaker abolitionist and reformer. Mott, attired in a white cap, a dark-colored, long-sleeved dress, and a white shawl, sits holding a book, her elbow resting on a side table, a drape with tassels in the background., Title from manuscript note on mount., Date from duplicate in private collection., Attributed to Wenderoth, Taylor & Brown from inscription in modern hand on verso., Originally part of a McAllister scrapbook of portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Frederick A. Wenderoth, William Curtis Taylor, and Frederick Brown, a Philadelphia photographic firm established in 1865, operated until around 1884. Wenderoth, a technician in the studio of Samuel Broadbent starting around 1860, assumed the business of his employer, with his first partner Taylor, around 1863.
Creator: Wenderoth, Taylor & Brown, photographer
Date: photographed December 1860, printed ca. 1875
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Mott [(2)5750.F.150c]

Title: Anna Dickinson
Description: Bust-length portrait of the Philadelphia Quaker orator, lecturer, author, abolitionist, and women's rights activist. Dickinson, wearing her hair tied back with curls around her face and attired in a patterned dress with a white lace collar, a brooch, and drop earrings, faces slightly left., Title from manuscript note on verso., Probably by Philadelphia photographer Peregrine Cooper., Gift of Richard P. Morgan, 1996., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - sitter - Dickinson [P.9516.3]

Title: [Plates from "Sketches supposed to have been intended for Fanny Kemble's journal"]
Description: Series of eight prints satirizing journal entries published in 1835 that were written 1832-1833 by the British-born actress during her American tour. Includes citations to the lampooned "Journal" entries from the two-volume Philadelphia edition published by Carey, Lea & Blanchard in 1835. Plates 1 and 2 depict scenes from her sea voyage. The first shows her "embroidering one of [her] old nightcaps" in "sea sickness" surrounded by a "Bible Cover," Dante's "Opera," a journal page, and a basin as she is a "Dear Good Little Me" and an "Angel." The second shows Kemble being served dinner by a caricatured African American servant as she is "lying on [her] back" surrounded by "[her] dinner followed [her] thither" above quotes comparing her appetite to "Danaides' tale of credilable [sic] memory" and her being as fat as an "overstuffed pin cushion." The African American figure is portrayed with exagerrated features.[Plate 3?] satirizes a poem "To bed - to sleep - To sleep -perchance to be bitten!" she wrote about the onslaught of insects at night in her New York hotel room. Shows Kemble aghast as she raises her blanket inscribed with the names of New York newspapers in her attempt to get into a bed swarmed by bed bugs, ants, and mosquitoes. [Plate 4?] caricaturizes her actor father, Charles Kemble, as a stumbling drunk "who a little elated made me sing to him" while muttering "To be or not to be that is the q-q-qu-question" in a parlor near his consternate daughter beside a piano above her quote about his "gallant, graceful, courteous, deportment.", [Plate 5?] shows a small-framed "interesting youth" delivering "a nosegay as big as himself" to Ms. Kemble who reflects "How they do rejoice my spirit." [Plate 6?] depicts the death scene from a December 1832 performance of Romeo & Juliet when the prop dagger was misplaced and Kemble improvised 'Why were the devil is your dagger.." as she rummages the body of the prostrate Romeo in front of the Capulet mausoleum. [Plate] 7 " A Funny Idea of My Father's" shows another caricature of Charles Kemble as a drunk satirizing her entry about a playful moment during a walk past kegs on Market Street in Philadelphia when her father joked 'How I do wish I had a gimlet. What fun it would be to pierce every one..." An illusion of a gimlet floats in front of her father as she cowers behind him beside the kegs. [Plate] 8 mocks the horsemanship of Kemble who criticized Americans' abilities and wrote of an impromptu jaunt on a cart horse in Lockport, NY Niagara where she 'got upon the amazed quadruped and took a gallop..' Shows she and her mount in a barnyard being chased by a dog and trampling ducks as she exclaims "Go it, old fellow" in front of her "father and good old D." in the background., Title supplied by cataloger., Published as Sketches supposed to have been intended for Fanny Kemble's journal (New York: Endicott, 1835). [LCP *Am 1835 7196.F]., Four of the eight prints contain plate numbers: 1, 2, 7, and 8., [Plate 5?] inscribed: G.H.B. [P.2006.17.3], Gift of Michael Zinman, 2006., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Access points revised 2021., Description revised 2021.
Date: [ca. 1835]
Location: Library Company of Philadelphia | Print Department GC - Kemble [P.2006.17.1-8]

Title: Eminent women Mary A. Livermore. Sara Jewett. Grace A. Oliver. Helen Hunt. Nora Perry. Lucy Larcom. Frances Hodgson Burnett. Elizabeth Stuart Phelps. Louise Chandler Moulton. Louisa M. Alcott. Julia Ward Howe. Harriet Beecher Stowe
Description: Composite photograph created through the "paste-up" technique of cut-up negatives that are arranged, pasted together, and then rephotographed to present a realistic scene. Depicts a group of eminent Victorian women, including authors, writers, and women's rights, temperance, and abolitionist movements advocates, "posed" in the Montreal residence of railway financier George Stephens. Sitters (left to right), in the background, and standing, include: Mary A. Livermore; Sara Jewett; Grace A. Oliver; Helen Hunt; Nora Perry; Lucy Larcom; and Frances Hodgson Burnett. Sitters (left to right), in the foreground, and seated, include: Elizabeth Stuart Phelps; Louise Chandler Moulton; Louisa M. Alcott; Julia Ward Howe; and Harriet Beecher Stowe. Backdrop interior imagery shows parts of the reception hall, drawing room, stairwell, and conservatory of the Stephens' residence. Vases, a mantel, light fixtures, drapery, and a fountain are included in the backdrop. Pictorial details of foliage and a pond surround the portrait within a circular frame. Canadian photographer William Notman created the original portrait negatives used in the composite created by L'Africain. Notman was known for his innovative photography and his studio specialized in composite photographs by the 1870s. This image was also distributed "compliments" of the Travelers Insurance Company of Hartford, CT., Title from item., Date in negative in lower right corner., Name of photographer and publisher from imprint in negative and printed on mount and verso., Name of artist in negative in right corner., Sitter's names in title depicted with a single dot between first, middle, and last names and with double dots between full names., Copyrighted., Photographer and publisher's illustrated imprint printed on verso: W. Notman. The Notman Photographic Co. Limited. 3 Park Street, Boston, Mass. Also at 48 North Pearl St. Albany, N. Y. Saratoga, N. Y. Newport, R. I. Illustration depicts an objet d'art composed of a crown, foliage, banners, scrolls, coat of arms, and exhibition medals, including from the Centennial Exhibition of 1876. Image also contains text, including: "Honi Soit Qui Mal [Y Pens]e. Photographer to Her Majesty. Montreal." Imprint surrounded by ornately-designed border including lavishly-ornamented cornices., Purchased with the Davida T. Deutsch Women’s History Fund., Lib. Company. Annual report, 2016, p. 64-66., Description reviewed 2022., Access points reviewed 2022.
Creator: Notman Photo Co. (Boston, Mass.)
Date: 1884
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photo - Notman [P.2016.73]

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