Block numbered in two places: 6595, also 368 on small adhesive label on back of block., Image of a woman wearing a headscarf; she sits cross-legged outdoors with one knee slightly raised; behind her there appears to be some sort of stone structure., “N.J. Wemmer. 215 Pear St. Phila.” – Back of block. Boxwood dealer Nelson J. Wemmer is listed at this address in Philadelphia city directories from 1861 to 1876., “Am.S.S.U.” – Back of block.
Block numbered in one place: 3594, also 1383 on small adhesive label of back of block., Image of two women; one stands outdoors, just a few steps from a doorway; she wears a bonnet and an apron and crosses her arms while looking downward; the other woman stands inside, resting her hand on a railing and looking to her side.
Block numbered in three places: 6866., Image of one woman holding a basket, speaking to two other women over a fence; a third looks on from the door of a house., “Waiting for the Morning p. 15” – Inscribed on side of block.
Block numbered in two places: 8541, also 1222 on small adhesive label on back of block., Image of a woman reaching into a compartment of a writing desk; the woman holds a candle aloft with her other hand and looks over her shoulder., Signed: H.O. [?], “V. Grottenthaler Phila.” – Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) in Philadelphia city directories from 1867 to 1876., “’Stanfield Manor’ No 2 page 259.” – Inscribed on back of block.
Block numbered in two places: 6917., Image of a standing woman and an older seated woman; the two women are separated by a round table; an arch and curtains or drapes are in the background., Signed: VIS (i.e. Van Ingen & Snyder?). Van Ingen & Snyder, a partnership between William H. Van Ingen and Henry M. Snyder, was active between 1853 and 1871., "V. Grottenthaler, 110 S. 8 St. Phila."– Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) at this address in Philadelphia city directories from 1867-1868., “Twin Roses” – Inscribed on back of block.
Block numbered in one place: 6591, also 1164 on small adhesive label on back of block., Image of women outdoors around two wide trees; most appear to be wearing headscarves or other caps; one prepares something in a bowl, a few other women sit cross-legged; other women stand up, one reaching for something beside a small child and another holds something in the air with one hand., “N.J. Wemmer 215 Pear St. Phila” – Back of block. Boxwood dealer Nelson J. Wemmer is listed at this address in Philadelphia city directories from 1861 to 1876., “Am.S.S.U” – Back of block., Wood blocks (Printing blocks), Wood engraving (Process), End-grain blocks.
Block numbered in two places: 6096., Image of a woman and one girl, with a second girl sitting at a desk in the background., “The Two Hermits Frontispiece” -- Inscribed on side of block., “N.J. Wemmer. 5 Pear St. Phila.” -- Back of block. Nelson J. Wemmer is listed (as an artist) at this address in Philadelphia city directories from 1848 to 1856., Side of block partially obscured by pasted-down paper.
Die-engraver's imprint stamped on lower left corner of case: C. Loekel Phila., Cased photographs retrospective conversion project., Pad: Red velvet. Urn in center, fancy scrolls all around., Mat: Double elliptical. Label on mat: Collins, 3d & Chesnut., Case: Leather. One rose, buds and leaves in a scalloped border. The design of the case is called Forget Me Not and is plate 174 in American Miniature Case Art by Floyd and Marion Rinhart (Cranbury, New Jersey: A. S. Barnes and Co. Inc., 1969.) Rare. Highly prized by collectors. A token of remembrance. The die-engraver was Charles Loekle, Phila., ca. 1855. Geometric design of interlocking scrolls on verso.
Creator
Collins, photographer
Date
ca. 1850
Location
Library Company of Philadelphia | Print Department Cased photos [P.9584]
Waist-length portrait of a seated young woman facing forward. She wears a bonnet on her head and her dress is adorned with a large lace collar and cuffs. Her right arm rests on a table., Cased photographs retrospective conversion project. Hand colored pink on cheeks., Pad: Red velvet embossed "Willard Market St. Ab 16th Philada." Geometric border., Mat: Fancy nonpareil., Case: Leather. Geometric design with a small oval surrounded by fanciful leaves within four scrolls. Same design on verso.
Creator
Willard, Oliver H., d. 1876, photographer
Date
ca. 1860
Location
Library Company of Philadelphia | Print Department Cased photos [P.9636.2]
Lyricist: Florence Percy (pseudonym of Elizabeth Allen)., Number 2 1/2 in 6 pointed star on tp; 3 additional verses printed on page 5., Another version of this is listed in "Early American Sheet Music" by Dichter and Shapiro, p.150., Song for piano., In poor condition: torn and discolored., Retrospective conversion record: original entry., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
Mack, Edward, d.1882, cmp
Date
c1861
Location
Library Company of Philadelphia | Books Rare Sheet Music Rock (2) 7594.F.14
Block numbered in two places: 6132., Image of a woman and child walking; woman gestures to a building in the distance., "The Dark Places Frontisp."—Inscribed on side of block., “N.J. Wemmer 215 Pear St. Phila” – Back of block. Boxwood dealer Nelson J. Wemmer is listed at this address in Philadelphia city directories from 1861 to 1876., Side of block partially obscured by pasted-down paper.
Block numbered in two places: 7172, also 987 on small adhesive label on back of block., Image of a woman wearing a veil and sitting or standing behind a pile of some kind of objects outdoors, perhaps in a marketplace; she looks forward and pulls her veil over the lower half of her face with one hand; behind her are a figure and a pack animal, and a building with a dome and a spire or minaret., Signed: B.R. [?], "V. Grottenthaler, 402 Library St Phila." – Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) at this address in Philadelphia city directories from 1869 to 1876.
Block numbered 6253 in two places., Image of a woman and a man seated at a table; the man has a book in front of him; a mantelpiece is in the background., “The Young Wife, p. 89 [illegible] ‘He bent over the little book’”—Inscribed on side of block.
Block numbered in two places: 8280, also 1207 on small adhesive label on back of block., Image of two women and a man standing indoors; one woman extends her hand toward the man, who holds a top hat in his hand, as the other woman looks on., Signed: Dalziel & Markley., “Dalziel & Markley [?]ers and [?] Wood and Metal Book Illumination And [?] 706 Arch [St. Philadelph]ia” – Back of block., “[Laura’s?] [?]” – Back of block.
Block numbered in one place: 7166, also 1080 on small adhesive label on back of block., Image of women indoors; the three near the door wear hats, bonnets, and shawls, and one places her hands on the shoulders of a girl; facing this group are two standing women and one seated women who all regard the girl., Signed: B [?], Back of block obscured by pasted-down piece of paper.
1 wood block ; 8.5 x 6.7 x 2.3 cm., Block numbered in two places: 6993, also 1250 on small adhesive label on back of block., Image of a woman sitting on a chair beside a girl on a smaller chair; the woman is holding a plate with what appears to be round fruit on it, and what may be a knife in her other hand; at the girl’s feet is a ball of yarn; two other women sit at a table behind them in the same room., Signed: Longacre Phila. [i.e., James B. Longacre?], “N.J. Wemmer & Son. Philada 215 Pear St.” – Back of block in two places. Nelson J. Wemmer is listed at this address in Philadelphia city directories from 1861 to 1876., Illustration appears in Child's world, v. 10 no. 21 (Nov. 1871), p. 3.
Block numbered in one place: 7221, also 970 on small adhesive label on back of block., Image of a woman standing on the stoop of a house beside a man sitting on a bench or chair; another man faces them, holding one hand toward them and holding a pair of scissors in his other hand., Back of block partially obscured by pasted-down piece of paper.
Block numbered in one place: 4634, also 1610 on small adhesive label on back of block., Image of a woman sitting or leaning against a cast iron fence enclosing a courtyard with leafless trees; the woman wears a bonnet and rests one hand on her neck.
Block numbered in two places: 3546, also 1213 on small adhesive label on back of block., Image of a man and a woman indoors; the man sits in a chair beside a table and regards the woman, who stands leaning toward him and rests one hand on the top of his chair., “[?] p. 7 [?] – Inscribed on side of block., Signed: HD [i.e., Henry Dacre?]
Block numbered in two places: 6600, also 1197 on small adhesive label on back of block., Image of three women sitting around a bowl or basin; one places her hands in the bowl, another looks into the distance, and a third, older woman tilts her head to the side and looks downward; a plate and two other vessels sit in front of the basin; two other women stand in the background holding infants, and another woman climbs a ladder to a doorway, balancing a full basket on her head; all the women wear veils covering their hair, and the woman in the foreground appears to be wearing a bracelet or bangle., “N.J. Wemmer 215 Pear St. Phila” – Back of block. Boxwood dealer Nelson J. Wemmer is listed at this address in Philadelphia city directories from 1861 to 1876., “Am.S.S.U” – Back of block.
Block numbered in two places: 3719, also 21 on small adhesive label on back of block., Image of a woman in a dress with a large skirt holding an infant high in the air and gazing at it., Illustration appears in Rhymes for the nursery (Philadelphia, 1865), opp. p. 53.
Block numbered in two places: 7019, also 1263 on small adhesive label on back of block., Image of a barefoot boy with his hat in his hand facing a woman at the threshold of a building; the woman wears a bonnet and carries a folded parasol; behind the woman are hats and a coat, which may hang on pegs near the entrance; a second woman stands beside and slightly behind the boy, with one hand placed on a doorknob and the other holding something loosely at her side., Signed: SBR., “V. Grottenthaler, 402 [Library St Phila.]” – Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) at this address in Philadelphia city directories from 1869 to 1876., “Twenty-Five cents or The Grateful Irish Boy” – Inscribed on back of block.
Block numbered in two places: 7841, also 1625 on small adhesive label on back of block., Image of a man in a long coat and a hat with a wide brim standing behind a slightly couching woman wearing flowing robes, bangles, and an elaborate head piece; she looks over her shoulder at the man; it is unclear whether he is restraining her or whether they are moving in a direction together., “[?]ntispiec” – Obscured, inscribed on back of block., “La[uder]bach [obscured] 4 Phila” – Inscribed on back of block., Signed with unidentified monogram.
Block numbered in one place: 6888., Image of a woman holding a bundle of sheaves of grain on her head with one hand and a small child’s hand in the other; the landscape appears to be hilly or mountainous and a spire or tall tent is visible in the background., Back of block obscured by pasted-down paper.
Block numbered in two places: 7262, also 1096 on small adhesive label on back of block., Image of a woman wearing a dress and long cloak regarding a boy; the woman rests one hand on a table or desk and the boy looks down at his palm or something in his hand., Signed; Vaningen-Snyder [i.e. Van Ingen & Snyder]; Van Ingen & Snyder, a partnership between William H. Van Ingen and Henry M. Snyder, was active between 1853 and 1871., “N.J. Wemmer 215 Pear St. Phila” – Back of block. Boxwood dealer Nelson J. Wemmer is listed at this address in Philadelphia city directories from 1861 to 1876.
Block numbered in two places: 7061, also 1329 on small adhesive label on back of block., Image of a woman and a girl facing each other at a low gate; the girl looks downward and holds a bag behind her back., "V. Grottenthaler, 402 Library St Phila." – Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) at this address in Philadelphia city directories from 1869 to 1876., “[?] [Ch]ris[t]mas [T]ree p. 2” – Inscribed on back of block.
Block numbered in two places: 7094, also 1453 on small adhesive label on back of block., Image an older woman outside leaning or stooping toward the ground in front of a tree; three girls facing her looking on, one reaching out hands, perhaps to assist her., “N.J. Wemmer 215 Pear St. Phila” – Back of block. Boxwood dealer Nelson J. Wemmer is listed at this address in Philadelphia city directories from 1861 to 1876., Back of block partially obscured by pasted-down piece of paper.
Block numbered in one place: 3229, also 163 on small adhesive label on back of block., Image of two girls looking over their shoulders at a woman entering the room., Illustration appears in The Book of one hundred pictures (Philadelphia, between 1861 and 1907?), p. 81.
Block numbered in two places: 6646., Image of a girl holding out a bowl to a sated woman; a boy stands behind the girl, holding a basket., “…Phila.” – Back of block. Full address covered., Back of block partially obscured by pasted-down paper.
Block numbered in two places: 8143, also 1907 on small adhesive label on back of block., Image of a girl supporting or holding the shoulder of what appears to be a smaller girl in front of her; the smaller girl holds an umbrella; a seated woman holding a muffler sits on a chair facing the girls, and another woman stands and rests one hand on a chair., Signed: Lauderbach [i.e., James W. Lauderbach?]
Illustration: Large eagle, wings outspread, with rippling American flag in its mouth., Engraver: Crap., Number 2 us1/2 inside a 6 pointed star on tp.; Publisher's Plate# 8241.4., Civil War song., "Inscribed to the Pennsylvania Volunteers.", Badly stained., Retrospective conversion record: original entry., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
Lady of Philadelphia, cmp
Date
c1861
Location
Library Company of Philadelphia | Books Rare Sheet Music Onf 11351.F
Lyricist: Mrs. E. Coleman., "Dedicated to the choirs of the United States.", Electrotyper: Lucas' Baltimore Type Foundry., Advertisement for piano instruction books is printed on last page; price: five cents., Civil war song., Retrospective conversion record: original entry., Digitized by Alexander Street Press for Images of the American Civil War.
Date
c1861
Location
Library Company of Philadelphia | Books Rare Sheet Music Pray 5782.F.5
Comic genre scene set at a shoemaker's shop depicting a cobbler's assistant measuring the stocking foot of a woman, who is seated with her skirt slightly raised. Her female companion and the shoemaker, who has stopped work on a boot, watch with concern. Also shows a painted backdrop adorned with shoes and cobbler's tools., Distributor's imprint printed on mount: Sold by Underwood & Underwoood, New York, London, Toronto Canada, Ottawa Kansas., Buff mount with rounded corners., Negative number printed on mount: 337A., Title printed in six different languages on verso., Gift of Jesse Randall., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Littleton View Co.
Date
c1893
Location
Library Company of Philadelphia | Print Department stereo - Underwood & Underwood - Genre [P.2005.19.10]
Music Stereotyper: Warren, 43 Centre St., New York., "To the Patrons of the Brooklyn Fair.", Retrospective conversion record: original entry., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
Parkhurst, E. A., Mrs., cmp
Date
c1864
Location
Library Company of Philadelphia | Books Rare *Sheet Music San 5781.F
Lyricist: Mrs. C. Sterett., Illustration: color engraving of waving American flag., Engraver: Geo. Swain., "To Our Brave Volunteers.", This piece is a reply to a popular Confederate song entitled "Bonnie Blue Flag;" 3 verses for chorus are printed on page 5; number 2 1/2 in 6 pointed star on tp., M. H. Frank is listed as the "Author of the Burnside Expedition" on tp., Civil War song for piano., Retrospective conversion record: original entry., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
Frank, M. H., cmp
Date
c1862
Location
Library Company of Philadelphia | Books Rare Sheet Music Reply 7594.F.22
Diamond-shaped advertisement with ornamental border containing a vignette-size, waist-length portrait of a young lady stroking her hands through her long tresses., Leonhardt operated from 114 So. 3rd Street circa 1868-1871., Philadelphia on Stone, POSP 202, Gift of Margaret Robinson.
Date
[ca. 1870]
Location
Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.46]
Letters CXC and CXCI only, removed from the whole work, describing London in a cold and snowy winter., Library Company copy is tipped at p. 683 of Peter Collinson's copy of William Maitland's The history of London (London: Samuel Richardson, 1739); followed by a leaf of Collinson's MS. notes.
Creator
Newcastle, Margaret Cavendish, Duchess of, 1624?-1674
Date
1664
Location
Library Company of Philadelphia | Books & Other Texts | Rare *U Eng Maitland (bw) 12049.F.13
In Young, A. Madame Young's Guide to health; her experience and practice for nearly forty years; a true family herbal (Rochester, N.Y., 1858), frontispiece., Young was a practicing physician who authored Madame Young's Guide to health, a manual intended to instruct women in the use of herbal and family medicine., "Of all men, the physician should be a liberal-minded man-- ever anxious to learn all that will enable him to be of benefit to his suffering fellow-creatures. He should never conclude that he has nothing more to know, or that he can find all knowledge in any one system, or theory, of practice; he should ever be ready to learn, from every body. He who expects to find out all that can be known, in one train of reasoning, or round of study, is like a man traveling upon a circle"--P.146-147., Bust-length portrait of Madame Young, wearing a bonnet, eyeglasses, and a cross necklace.
Waist-length seated portrait of Mrs. Benjamin wearing bonnet, holding staff., In The American phrenological journal, vol. 20 (Nov., 1854), p. 101., "She was with the army all through the Revolutionary War. She was in Albany during the hard winter of 1780, and at West Point two or three years, while the army was stationed there ; and when it left under General Washington, she followed. Her business was cooking and washing for her husband and other soldiers. She speaks distinctly of riding horseback through the streets of Philadelphia on the way to Yorktown and also of embarking on board ship at the head of Elk river, and of cruising down Chesapeake Bay, and landing (I think) at James River.”--P. 101., Also known as Sarah Osborn.
Waist-length portrait of the writer wearing a locket containing the portrait of her husband and holding a small portrait of her three sons., In Corwin, Jane H. The harp of home (Cincinnati, 1858), frontispiece., Facsimile signature: Yours with respect Jane H Corwin., Mrs. Jane H. Corwin was a newspaper writer who frequently published pseudonymously. Two letters attached to the Library Company copy reveal that, in the years following the book’s initial publication, her husband died and her three surviving sons fought in the Civil War, and the losses suffered rendered her penniless.
Waist-length portrait of Mrs. Cunningham, seated., In Frank Leslie’s illustrated newspaper, vol. 3, no. 63 (Feb. 27, 1857), p. 192., Mrs. Emma Augusta Cunningham was accused of murdering Dr. Harvey Burdell, a wealthy dentist from whom she rented a suite of rooms and with whom she was romantically involved. The murder and subsequent trial caused a media frenzy and, though she was ultimately acquitted of the crime, her innocence came into question when it was found that she was neither married to Burdell nor pregnant with his child, as she initially claimed. The murder remains unsolved.
In: Comfield, A.S. Alida, or, Miscellaneous sketches (New York, 1849), frontispiece., “Optimum vitae genus eligito nam consuetudo faciet jucundissimum.”, Amelia Stratton Comfield was the wife of John F. (or John L.?) Comfield., Waist-length portrait of the writer wearing a short-sleeved dress; based on oil painting by David Rogers., For image of painting of Mrs. Comfield, press link below.
In Trial of Mrs. Margaret Howard, for the murder of Miss Mary Ellen Smith (Cincinnati, 1849), title vignette., Mrs. Margaret Howard was tried for stabbing her husband’s mistress to death; she was acquitted on grounds of insanity., Bust-length portrait of the murderess, wearing a bonnet or head scarf.
Full-length portrait of the singer holding a fan and wearing a full-skirted tiered dress., In Frank Leslie’s illustrated newspaper, vol. 4, no. 91 (Aug. 29, 1857), p. 193., Miss Juliana May was an American opera singer who first achieved fame in Europe.
Full-length portrait of a woman [i.e., Mrs. Morley?] wearing an off the shoulder evening dress, pearl strands around her head, elbow length gloves, and earrings. Holding a fan in one hand and a handkerchief in the other, she stands beside a harpsichord before an open balcony., In Day is closing o’er the billow (New York, [1834-1839?]), cover., “Sung by Mrs. Morley. The words by Jonas B. Phillips Esq. Arranged from a popular Italian aria and dedicated to Mrs. Habicht of Boston by Clerc W. Beames”., “Mrs. Morley contributed to the entertainment and gave satisfaction. Her voice appears to be a mezzo-soprano of considerable power and flexibility, with good intonation.” -- Ives, E. Musical review and record of musical science, literature, and intelligence (New York, 1839), p. 375.
Waist-length portrait of Miss Helen Cunningham, wearing necklace., In Frank Leslie’s illustrated newspaper, vol. 3, no. 63 (Feb. 21, 1857), p. 192., Miss Helen Cunningham was the daughter of Mrs. Emma Augusta Cunningham. Miss Cunningham was a tenant in Dr. Harvey Burdell’s mansion and a witness at the sensational trial of his murder.
Waist-length portrait of Miss Augusta Cunningham, seated., In Frank Leslie’s illustrated newspaper, vol. 3, no. 63 (Feb. 21, 1857), p. 192., Miss Augusta Cunningham was the daughter of Mrs. Emma Augusta Cunningham. Miss Cunningham was a tenant in Dr. Harvey Burdell’s mansion and a witness at the sensational trial of his murder.
In Read, T.B. Female poets of America (Philadelphia, 1849), plate opposite p. 225, Facsimile signature: Amelia B. Welby, Waist-length portrait of the writer.
In Hale, S.J. Woman's record (New York, 1853), p. 828. "Illustrated by two hundred and thirty portraits, engraved on wood by Lossing and Barritt.", Bust-length portrait of the writer., Another portrait appears in Kirkland, C.M. The book of home beauty (New York, 1852), plate opposite p. 48.
Album with locks of hair sewn onto the pages in loops of stylized flowers with colored drawings of flowers. The hair was assembled by Margaret Williams. Family names contained in the book are: Williams, Barmore, Mary, Washburn, Lee, Holden, Pullen, Armstrong, Darlen, Underhill, McIntyre, Rasnell, Halsted, Marshall, Philips, and Smith., Exhibited in: the Library Company's exhibition, Picturing Women (2004) ; and the Living Book: New Perspectives on Form and Function (2017-2018).
