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Title: Room in house
Description: View depicting an interior of the Lincoln House in Springfield, Illinois. A framed print commemorating the Emancipation Proclamation hangs on the wall-papered wall. Also includes a table adorned with a silver tray, pitcher, and goblets and a chair., Title from accompanying label: No. 21. Room in house., Date from copyright., Unmounted stereograph., Originally part of a McAllister, Hart, and Phillips Civil War scrapbook., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Schreiber & Glover
Date: [May 22, 1865]
Location: Library Company of Philadelphia | Print Department stereo - Schreiber & Glover - Lincoln [(13)1540.F]

Title: [Cliveden, Benjamin Chew residence, 6401 Germantown Avenue, Germantown, Philadelphia, Pa.]
Description: Exterior detail view of the front doorway of the colonial residence built 1763-1767 by master carpenter Jacob Knor for Philadelphia attorney Benjamin Chew at 6401 Germantown Avenue. Shows the pediment over the front door, which is flanked by shuttered windows. Chew House, also known as Cliveden, was the site of the turning point in the Battle of Germantown in 1777. The Chew family enslaved people of African descent in the city of Philadelphia and in Germantown during the 18th and 19th centuries. The estate was the Chew family residence until 1972 when it was acquired by the National Trust for Historic Preservation., Title supplied by cataloger., Reproduced in Kenneth Finkel's Nineteenth century photography in Philadelphia (New York: Dover Publications in cooperation with the Library Company of Philadelphia, 1980), entry# 118., Originally part of a McAllister scrapbook of views of Philadelphia. McAllister Collection, gift, 1886., Description revised 2022., Access points revised 2022., Retrospective conversion record: original entry, edited.
Date: [ca. 1867]
Location: Library Company of Philadelphia | Print Department photo - unidentified - Residences - C [(6)1322.F.120b]

Title: Janet Johnson's house, Germantown, 1867
Description: Exterior view of east front and north side of the former residence of John Johnson built 1765-1768 by master builder Jacob Knor at 6306 Germantown Avenue, Philadelphia, PA. Shows the front door with a shingled awning. The first story has shuttered windows. Residence has dormers and chimneys on the roof. A picket fence lines the left and right grounds of the property. Trees grow in the sidewalk, and a dirt road is visible. John Johnson resided in the house during the Battle of Germantown. The dwelling sustained damage including a hole in the parlor door caused by a cannon ball and a chipped corner. It served as a station on the Underground Railroad. The Johnson family owned the house until 1908. The Woman's Club of Germantown purchased the house in 1917, and in 1980, gifted the house and its contents to the Germantown Mennonite Historic Trust to operate as a house museum. In 2002, the deed of ownership was transferred to the Johnson House Historic Site, Inc., Originally part of an album of seventy eight views by John Moran entitled "A collection of photographic views in Philadelphia & its vicinity taken in the year 1868-1869" (Philadelphia, 1870)., Purchase 1870., Description revised 2022., Access points revised 2022., Retrospective conversion record: original entry, edited.
Creator: Moran, John, 1831-1903, photographer
Date: 1867
Location: Library Company of Philadelphia | Print Department Moran album [1717.F.115], http://www.brynmawr.edu/iconog/mrn/m115.jpg

Title: [Cliveden, Benjamin Chew residence, 6401 Germantown Avenue, Germantown, Philadelphia, Pa.]
Description: Exterior view of the colonial residence built 1763-1767 by master carpenter Jacob Knor for Philadelphia attorney Benjamin Chew at 6401 Germantown Avenue. Shows the facade of the two-story stone building with a pediment over the front door, shuttered windows, and dormers and chimneys on the roof. Chew House, also known as Cliveden, was the site of the turning point in the Battle of Germantown in 1777. The Chew family enslaved people of African descent in the city of Philadelphia and in Germantown during the 18th and 19th centuries. The estate was the Chew family residence until 1972 when it was acquired by the National Trust for Historic Preservation., Title supplied by cataloger., Originally part of a McAllister scrapbook of views of Philadelphia. McAllister Collection, gift, 1886., Description revised 2022., Access points revised 2022., Retrospective conversion record: original entry, edited.
Date: [ca. 1867]
Location: Library Company of Philadelphia | Print Department photo - unidentified - Residences - C [(6)1322.F.57b]

Title: Chew house, Germantown, 1867
Description: Exterior view of the colonial residence built 1763-1767 by master carpenter Jacob Knor for Philadelphia attorney Benjamin Chew at 6401 Germantown Avenue. Shows an African American man, James Smith, posed near the front door of the home. He is attired in a hat, a white collared shirt, white gloves, a dark-colored jacket, pants, and shoes. A smaller building used as a kitchen or for laundry is visible in the rear (left). Smith was enslaved in Chestertown, Maryland before buying his freedom. He began work for the Chews as a coachman in 1819 and later worked as a general servant until his death in 1871. Chew House, also known as Cliveden, was the site of the turning point in the Battle of Germantown in 1777. The Chew family enslaved people of African descent in the city of Philadelphia and in Germantown during the 18th and 19th centuries. The estate was the Chew family residence until 1972 when it was acquired by the National Trust for Historic Preservation., Title and date from inscription on mount., Originally part of an album of seventy eight views by John Moran entitled "A collection of photographic views in Philadelphia & its vicinity taken in the year 1868-1869" (Philadelphia, 1870)., Retrospective conversion record: original entry, edited., Photograph pasted on verso: Stenton 1900., See website "Cliveden. Know it. Feel it. Share it." (link above)., Purchase 1870., Description revised 2021., Access points revised 2021.
Creator: Moran, John, 1831-1903, photographer
Date: 1867
Location: Library Company of Philadelphia | Print Department Moran album [1717.F.123], http://www.cliveden.org/

Title: [Demolition of Burd Mansion, s.w. corner Ninth and Chestnut streets]
Description: Exterior view depicting the gutted mansion of deceased Philadelphia lawyer, Edward Shippen Burd, built 1801-1802 after the designs of Benjamin Henry Latrobe at 900-906 Chestnut Street. Shows the walls covered with broadsides, including playbills for "Carncross & Dixey's Minstrels." As stipulated in Burd's will, following the death of his wife, Elizabeth Sims Burd in 1861, the residence was razed and replaced by storefronts, the revenue given to remaining Burd heirs. Mrs. Burd was the grandniece of Joseph Sims, the original owner of the mansion., Title supplied by cataloger., Date based on demolition of the depicted mansion., Originally part of a McAllister scrapbook of engravings relating to Philadelphia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1862]
Location: Library Company of Philadelphia | Print Department photo - unidentified - residences [(6)1322.F.49e]

Title: [Demolition of Burd Mansion, s.w. corner Ninth and Chestnut streets]
Description: Exterior view depicting the gutted mansion of deceased Philadelphia lawyer, Edward Shippen Burd, after the designs of Benjamin Henry Latrobe at 900-906 Chestnut Street. Two men stand in front of the former residence covered with broadsides, including playbills for "Carncross & Dixey's Minstrels." As stipulated in Burd's will, following the death of his wife, Elizabeth Sims Burd in 1861, the residence was razed and replaced by storefronts, the revenue given to remaining Burd heirs. Mrs. Burd was the grandniece of Joseph Sims, original owner of the mansion., Title supplied by cataloger., Date based on demolition of the depicted mansion., Originally part of a McAllister scrapbook of engravings relating to Philadelphia. McAllister Collection, gift, 1886., Reproduced in Kenneth Finkel's Nineteenth century photography in Philadelphia. (New York: Dover Publications, 1980), p. 181., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 24., Arcadia caption text: The Burd mansion on the south side of the 900 block of Chestnut Street became a casualty of the commercial push westward in 1861, when the house was demolished to make way for a row of storefronts. When it was constructed sixty years earlier for Philadelphia lawyer Edward Shippen Burd, after designs by Philadelphia architect Benjamin Latrobe, the house sat on the western edge of the developed city, and the site was surrounded by undeveloped or only partially developed lots., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1862]
Location: Library Company of Philadelphia | Print Department photo - unidentified - residences [(6)1322.F.55d]

Title: [African American waiters in the large dining room, Great Central Fair of 1864, Philadelphia, Pa.]
Description: Depicts the African American men waiters posed amongst the dining room tables of the patriotically decorated dining room of the Fair's restaurant department. The waiters, attired in white collared shirts, bowties, white or black jackets, and pants, stand around and in between the tableclothed dining tables facing the viewer. American flags decorate the wall in the background and hang on the pillars. The Great Central or Sanitary Fair of June 1864, displayed art, craft, and historical exhibits to benefit the soldier relief organization, the U.S. Sanitary Commission., Unmounted carte-de-visite photograph., Title supplied by cataloger., Date inferred from content., Probably by Philadelphia photographer A. Watson., Originally part of McAllister scrapbook on the Sanitary Commission. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Watson, A., photographer
Date: [1864]
Location: Library Company of Philadelphia | Print Department cdv - Watson - Great Central Fair [5781.F.156g]

Title: [Early model for Freedmen's Memorial by Thomas Ball]
Description: Front and oblique views with a dark background, likely photographed in Thomas Ball's studio, showing his model for a design later proposed and adapted for the Freedman's Memorial to Lincoln (erected 1876, Washington, D.C.) that was first discussed as a Lincoln monument in the later 1860s. Shows the model composed of a figure of Abraham Lincoln (left) and a kneeling, emancipated, enslaved Black man figure (right). The Black man figure, is portrayed in left profile, looking out toward the vista, and with his left knee to the ground and his right knee bent. His left foot is arched up from the ground. He holds his left hand with his knuckles to the ground and his right hand across his waist and resting on the inner elbow of his left arm. The figure has curly hair and wears a Liberty cap and a loin cloth. Broken shackles adorn his wrists. The Lincoln figure, attired in a suit with a long coat, stands, looks down on the Black man figure, and holds out his left hand above the kneeling man, while his right hand holds the Emancipation Proclamation (semi-rolled) on a plinth decorated with patriotic symbols. Symbols include a profile portrait of George Washington, the fasces of the U.S. Republic, and a shield adorned with the stars and stripes. The base of the plinth is inscribed "T. Ball 1865." The figures rest on a base marked "And upon this act-I invoke the considerate judgment of mankind and the gracious favour of Almighty God.", A national monument project sponsored by the Western Sanitary Commission of St. Louis was initiated after formerly enslaved Charlotte Scott of Marietta, OH pledged $5 for a monument to Abraham Lincoln following his assassination in 1865. Donations from formerly enslaved persons grew to $20,000 within months of Scott's original donation. After years of competing projects, designs, and sponsoring agencies, on April 14, 1876, Ball's sculpture adapted from the model depicted, the "Emancipation Memorial," and designed without the input of the formerly enslaved donors was erected in Lincoln Square, Washington, D.C. on an eastern edge of Capitol Hill., Title supplied by cataloger., Photographer's imprint stamped on mount., Manuscript note on verso of verso of P.2023.32.1: Florence March 15th 1872. Emancipation Proclamation. T. Ball of Boston., Manuscript note on verso of verso of P.2023.32.1: Florence March 15th 1872. Emancipation Proclamation. T. Ball of Boston. Sculptor in Florence., Date from manuscript note on verso., Thomas Ball (1819-1911), sculptor, focused his career on the portrayal of statesmen and historical figures. He located to Florence to study sculpture in 1854. Between 1857 and 1865, he worked in Boston before returning to Florence until 1897. Ball was part of an expatriate community of artists and sculptors, including Hiram Powers, father of Longsworth Powers., See Kirk Savage, Standing soldiers, kneeling slaves: Race, war, and monument in nineteenth-century America (Princeton: Princeton University Press, 1997), p.77-83 and 114-123., RVCDC, Longsworth Powers (1835-1904), son of sculptor Hiram Powers, lived in Florence with his family in the 1830s and returned in 1860 and began a career as a sculptor and photographer. Powers photographed prominent men and women in the city.
Creator: Powers, Longsworth, 1835-1904, photographer
Date: [1872]
Location: Library Company of Philadelphia | Print Department photo - Powers [P.2023.32.1-2]

Title: [Building of the Supervisory Committee for Recruiting Colored Troops, 1210 Chestnut Street, Nov. 1864]
Description: View of the Philadelphia building decorated in celebration of the military progress of African American troops and the abolition of slavery in Maryland on Nov. 1, 1864. A gaslight sign on top of the building declares, "God Save the Republic." A large transparency of vignettes with mottoes and quotes supporting the Union and emancipation covers the front of the building including a representation of the symbolic Federal Arch adorned with an inscription; a battle scene with African American soldiers; an auction of enslaved people; and an African American mother sending her child to school. The bottom of the transparency announces, "Emancipation Proclaimed," and contains portraits of President Lincoln, Vice-President Johnson, and prominent abolitionists, as well as words of appreciation for prominent Union Generals including Grant. A sign for the "Free Military School" to train commanders of "Colored Troops" is visible in the doorway., Title supplied by cataloger., Date inferred from content., Reproduced in Kenneth Finkel's Nineteenth century photography in Philadelphia (New York: Dover, 1980), plate 176., LCP holds related broadside: "Emancipation in Maryland" (#Am 1864 Phi Sup (6)5777.F.40h)., Accessioned 1978., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1864]
Location: Library Company of Philadelphia | Print Department photo - unidentified - events [P.2000]

Title: [Building of the Supervisory Committee for Recruiting Colored Troops, 1210 Chestnut Street, Nov. 1864]
Description: View of the Philadelphia building decorated in celebration of the military progress of African American troops and the abolition of slavery in Maryland on Nov. 1, 1864. A gaslight sign on top of the building declares, "God Save the Republic." A large transparency of vignettes with mottoes and quotes supporting emancipation covers the front of the building including a representation of the symbolic Federal Arch, a battle scene with African American soldiers, an auction of enslaved people, and an African American mother sending her child to school. The bottom of the transparency announces, "Emancipation Proclaimed," and contains portraits of President Lincoln, Vice-President Johnson, and prominent abolitionists, as well as words of appreciation for prominent Union Generals including Grant. A sign for the "Free Military School" to train commanders of "Colored Troops" is visible in the doorway., Title supplied by cataloger., Date inferred from content., Reproduced in Kenneth Finkel's, Nineteenth century photography in Philadelphia. (New York: Dover Publications Inc., 1980), plate 176., LCP holds related broadside: "Emancipation in Maryland" (#Am 1864 Phi Sup (6)5777.F.40b)., McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1864]
Location: Library Company of Philadelphia | Print Department photos - unidentified - Events [(6)5777.F.40a]

Title: Union Volunteer Refreshment Saloon and Hospital
Description: Series of titled views of the exterior and interior of the facilities of the Civil War volunteer relief agency near the Navy Yard at Swanson and Washington Avenues in Philadelphia. Predominately shows the patriotically adorned refreshment saloon with male and female members of the working committee, staff, and a patient in a robe posed among rows of tables set for a dining service. Also includes a view of patients posed near beds and a model ship in a ward at the hospital and a large crowd of men and boys standing in front of the hospital and saloon. Exterior also shows a parital view of the cannon, known as "Fort Brown." Situated at the transportation hub between the North and the South on land leased en gratis from the Philadelphia, Wilmington & Baltimore Railroad, the agency in operation between 1861-1865 provided meals, hospital care, washing, sleeping, and writing facilities to military personnel, refugees, and freedmen., Yellow mounts with square corners., Accompanied by publisher's labels inscibed with titles., Created postfreeze., Originally part of a McAllister scrapbook of materials related to the Cooper and Union Shop Volunteer Saloons and Hospitals., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Newell, Robert, 1822-1897
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department stereo - Newell - Associations [5778.F.26b & c; 27a, ax, bx & c]

Title: [Caricature of the capture of Jefferson Davis May 10, 1865]
Description: Photographic reproduction of a caricature satirizing the unusual circumstances of the capture of the Confederate president, detained by Union cavalry troops on May 10, 1865, while wearing his wife's overcoat and shawl as a disguise. Depicts Davis being inspected by Union soldiers as he emerges from a tent, holding a basket, while attired in a hood and skirt. His wife, Varina Davis, stands next to him and an African American servant, portrayed in racist caricature with grotesque features, peers from behind the tent flap. Bottles and a case marked "Silver Spoons, C.S.A." (an allusion to Jefferson's safeguarding of the remaining Confederate treasury) lay on the ground in front of the tent. Also shows a saddle hanging in a tree to the right of the tent., Title supplied by cataloger., Date from copyright statement: Entered according to act of Congress, in the year 1865, by Francis Hacker, in the Clerk's Office of the District Court of Rhode Island., Originally part of a McAllister scrapbook of Jefferson Davis and Confederate material. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., See related carte de visite: cdv - miscellaneous - Civil War - Caricatures & cartoons - [P.2016.63].
Creator: Hacker, Francis
Date: 1865
Location: Library Company of Philadelphia | Print Department photo - Hacker [5795.F.15a]

Title: Croquet
Description: View showing a white woman standing with a croquet mallet on a lawn in front of a residence obscured by trees. An African American woman, possibly a nanny, sits nearby on a bench with three white children sitting at her feet on the lawn., Title and date from manuscript note on verso., Yellow mount with square corners., Purchase 1995., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Bartlett, George O., photographer
Date: 1866
Location: Library Company of Philadelphia | Print Department stereo - Bartlett - Recreation [P.9486.6]

Title: Croquet
Description: View showing a white woman standing with a croquet mallet on a lawn in front of a residence obscured by trees. An African American woman, possibly a nanny, sits nearby on a bench with three white children sitting at her feet on the lawn., Title and date from manuscript note on verso., Yellow mount with square corners., Purchase 1995., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Bartlett, George O., photographer
Date: 1866
Location: Library Company of Philadelphia | Print Department stereo - Bartlett - Recreation [P.9486.6]

Title: View in the Park
Description: Exterior view of the colonial residence built 1763-1767 by master carpenter Jacob Knor for Philadelphia attorney Benjamin Chew at 6401 Germantown Avenue. A white man, attired in a top hat and suit, stands and looks at the viewer with a dog on the front lawn. A white boy lies in a hammock, and another white boy stands beside him. Chew House, also known as Cliveden, was the site of the turning point in the Battle of Germantown in 1777. The Chew family enslaved people of African descent in the city of Philadelphia and in Germantown during the 18th and 19th centuries. The estate was the Chew family residence until 1972 when it was acquired by the National Trust for Historic Preservation., List of titles printed on verso., Title from verso., Yellow mount with rounded corners., Gift of Raymond Holstein, 2011., Description revised 2022., Access points revised 2022.
Date: [ca. 1868]
Location: Library Company of Philadelphia | Print Department Holstein stereo - Germantown [P.2011.47.1302]

Title: The Echo at Riverton, N.J
Description: Depicts a sailboat with the sail up on the Delaware River. Six passengers, including an African American man, sit within the boat. Trees are visible along the shoreline in the background., Green mount with square corners., Title from manuscript note on paper label on verso., Manuscript note on verso: Fred S. Wiese No. 33., Purchase 2002., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Newell, Robert, 1822-1897, photographer
Date: [ca. 1868]
Location: Library Company of Philadelphia | Print Department stereo - Newell [P.2002.4.3]

Title: The Echo at Riverton, N.J
Description: Depicts a sailboat on the Delaware River with a two-men crew. At the bow, a white man leans his right hand on the boom, which the sail is rolled around. Behind him, an African American man leans his right elbow on the boom and stands with his left hand on his hip. Trees along the shoreline are visual in the background., Green mount with square corners., Title from manuscript note on paper label on verso., Manuscript note on verso: Fred S. Wiese No. 34., Purchase 2002., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Newell, Robert, 1822-1897, photographer
Date: [ca. 1868]
Location: Library Company of Philadelphia | Print Department stereo - Newell - Views [P.2002.4.4]

Title: [Duff's Mercantile College, Pittsburgh, Pennsylvania.]
Description: View showing the oldest U.S. business school, established by Peter Duff in 1840, on Fifth Street in Pittsburgh, Pennsylvania. View also shows adjoining businesses, including: Pennsylvania Insurance Company, Allegheny Insurance Company, and the Morning Post stationery and printing shop. The Morning Post building is adorned with a playbill advertising a minstrel show. Pedestrians walk on the sidewalk., Title supplied by cataloger., Date inferred by content., Yellow mount with rounded corners., Gift of Ivan Noble, 1971., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Education [7992.F.15]

Title: [Springbrook, garden estate of George H. Stuart, Frankford Road]
Description: Views of the garden and greenhouses on the forty acre estate of Stuart, a Philadelphia philanthropist. Shows a gravel path in the garden near the rear of a building; the interior of a greenhouse filled with potted plants; and the exterior of a greenhouse. Exterior views include a man possibly, Stuart; African American gardeners, including one with a wheelbarrow; and potted plants lining the edge of a lawn. Stuart bought the estate from Caleb Cope, a collector of botany, in 1857 and sold the property in 1866., Attributed to John Moran., Title supplied by cataloger., Pale yellow or cream paper mounts with square corners., Originally part of a McAllister scrapbook of views of Philadelphia. McAllister Collection, gift, 1886., For a description of the estate, see clipping in Poulson's scrapbook, vol 1, p. 73., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Moran, John, 1831-1903
Date: [ca. 1862]
Location: Library Company of Philadelphia | Print Department stereo - Moran - Residences [(8)1322.F.39a, f, & h]

Title: Chew house, Germantown
Description: Exterior view of the colonial residence built 1763-1767 by master carpenter Jacob Knor for Philadelphia attorney Benjamin Chew at 6401 Germantown Avenue. Shows an African American man, attired in a hat, a white shirt, and overalls or a waistcoat, possibly a groundskeeper, posed near a tree holding a walking stick or a tool. Chew House, also known as Cliveden, was the site of the turning point in the Battle of Germantown in 1777. The Chew family enslaved people of African descent in the city of Philadelphia and in Germantown during the 18th and 19th centuries. The estate was the Chew family residence until 1972 when it was acquired by the National Trust for Historic Preservation., Attributed to John Moran., Title from manuscript note on mount., Yellow paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Moran, John, 1831-1903
Date: [ca. 1867]
Location: Library Company of Philadelphia | Print Department stereo - Moran - Residences [(8)1322.F.41a]

Title: Chestnut Street from the State House Philadelphia
Description: View looking west on Chestnut Street from the State House (520 Chestnut). Includes Kelly's Hotel; Joseph Steppacher's Orleans Hotel; Charles Laing & Co., shirt manufacturer; T. & J.W. Johnson, publishers and importers of law books; the Public Ledger building; and a billiard saloon. The Masonic Hall (713-721 Chestnut) is visible in the distance. American flags and signage adorn many of the buildings. Pedestrians, including an African American boy, line the street traveled by several horse-drawn carriages., Title from accompanying photographer's label., Yellow mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Newell, Robert, 1822-1897
Date: April 1865
Location: Library Company of Philadelphia | Print Department stereo - Newell - Streets [(8)1322.F.23c]

Title: 24th Regiment, U[nited] S[tates] C[olored] T[roops] at Camp W[illia]m: Penn
Description: View showing the African American 24th Regiment standing in ranks at Camp William Penn, Cheltenham Township. Two white officers stand in front of the regiment gathered next to the camp's barracks. Begun in 1863 with the support of the Union League, Camp William Penn was the first Pennsylvania camp for volunteer African American regiments. Eleven regiments were formed at the camp, including the 24th. Camp William Penn was the largest existing camp for the training of officers to lead African American troops., Accessioned 1981., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - military [P.8687.6]

Title: Slave pen on Whitehall Street, Atlanta, Ga
Description: View of a dilapidated building with a sign, "Auction & Negro Sales," on Whitehall Street in Atlanta. A man attired in a brimmed hat sits on a wooden chair with a rifle leaning beside him against the front of the building. Several cigar and cigarette manufactories and tobacco stores, including "F. Geutebruck Tobacco," line the dirt street., Title from item., Issued as #3608 in E. & H.T. Anthony Catalog "War of the Union" series., Original negative in the collections of the Library of Congress, Washington, D.C., Originally part of a McAllister scrapbook of Civil War views. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1861]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Non-Philadelphia-Georgia [5779.F.8h]

Title: [Mount Pleasant mansion, Fairmount Park, Philadelphia]
Description: View shows Mount Pleasant mansion in Fairmount Park, Philadelphia flanked by outbuildings. The view is somewhat obscured by trees. The Middle-Georgian country house was built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil on Mount Pleasant Drive in Fairmount Park, Philadelphia, Pa. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Title inferred from manuscript note on verso., Date inferred from type of mount., Yellow mount with rounded corners., Gift of Raymond Holstein, 2011., Description revised 2021., Access points revised 2021.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department Holstein stereo - Fairmount Park [P.2011.47.954]

Title: Uncle Ned's school
Description: View, photographed with a black background, showing a small narrative plaster after the John Rogers' bronze sculpture patented in 1866. Sculpture is comprised of the figure of an African American girl, an older African American cobbler, an African American boy, and a ramshackle cabinet. All the figures are barefoot. In the left, the young female charge of the cobbler stands, holds a book, and points to a page that she has been reading. In the center, the cobbler, his hair receded, leans over, and looks at the book as he has one leg swung over a rickety cabinet and the other behind it. He holds a shoe buffer in his right hand that rests on the book and a boot over his left hand and forearm that rests on his hip. A second boot stands at the base of the cabinet near the girl's feet. In the right, the cobbler's male charge reclines next to the cabinet. He has his left hand behind him and his left leg outstretched, as his right hand touches the base of the foot of the hanging leg of the cobbler. An open book rests in the boy's lap. The girl is attired in a straight neck, off-the-shoulder dress that is cinched at the waist. The cobbler wears rolled-up shirt sleeves, pants, and an apron at his waist. The boy wears shirt sleeves and pants with a hole at the knee. Rogers' original sculpture "Uncle Ned's School" was exhibited at the National Academy of Design in 1866. Rogers mass produced and sold tens of thousands of plaster sculptures after his bronzes 1859-1893., Title from title carved in base of depicted sculpture., Date inferred from style of mount and 1866 patent of sculpture., Yellow mount with rounded corners., John Rogers (1829-1904), a New York sculptor and artist, specialized in sculpted narrative group scenes beginning in the late 1850s. He established a workshop for the mass production of his sculptures at affordable prices that were marketed as "Rogers' Groups." Rogers retired in 1893., Gift of David Long., RVCDC, Description and access points reviewed 2022.
Date: [ca. 1868]
Location: Library Company of Philadelphia | Print Department stereo - unid. photo. - Monuments and Statues [P.2018.16.12]

Title: [Headquarters Lafayette - Headquarters Gen'l Porter. Farinholt's house and York River in the distance.]
Description: View from the Civil War showing the headquarters of General Lafayette and General Porter near Yorktown, Virginia during General McClellan's Campaign on the Peninsula. Depicts white Union soldiers, and African American men and a boy, probably freedom seekers, posed before Farinholt's dilapidated house supported by a large log. Several camp tents and the York River are seen in the background., Title from cdv photograph, Brady's Album Gallery, no. 370., Photographer given in Gardner catalogue (see LCP research file)., Date from copyright statement: Entered according to act of Congress, in the year 1862, by Gardner & Gibson, in the Clerk's Office of the District Court of the District of Columbia., During the Civil War, the U.S. government declared African American freedom seekers as "contraband of war.", Alexander Gardner was a respected photographer, businessman, and former manager of Mathew Brady's Washington, D.C. Gallery who produced the acclaimed "Photographic sketchbook of the Civil War.", Originally part of a McAllister scrapbook of Civil War views. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., James F. Gibson was a prominent Civil War photographer and one-time manager of Mathew Brady's Washington, D.C. gallery who also provided images for photographer Alexander Gardner's "Catalogue of photographic incidences of the war..." and "Photographic sketchbook of the Civil War."
Creator: Gibson, James F., 1828-, photographer
Date: 1862
Location: Library Company of Philadelphia | Print Department Small Civil War Photograph Collection - stereos - identified photo. [5779.F.6h]

Title: Rev. Alexander Crummell
Description: Three-quarter length portrait of Rev. Crummell, the African American Episcopal priest, educator, missionary, and Black nationalist. Crummell is attired in his clerical robes, over a vest, long sack coat, and trousers. He wears eye glasses, a beard, and holds his right hand up to his chest, holding what is possibly a pipe. Crummell, born in New York and the first African American graduate of the University of Cambridge, lived as a missionary and educator in Liberia between 1853 and 1873. He returned to the U.S. and located to Washington, D.C. where in 1875 he and his congregation founded St. Luke's Episcopal Church, the first independent Black Episcopal church in the city. He spoke before the "Philadelphia Library Company" in St. Thomas's Episcopal Church about "The Natives of Africa, their Habits, Customs, Religion, and Characteristics" on December 10, 1861. Presumably, the portrait photograph was taken around this time., Reproduced in Kenneth Finkel, Nineteenth-Century photography in Philadelphia (New York: Dover Publications in cooperation with the Library Company of Philadelphia, 1980), 9., Originally part of a McAllister Scrapbook of Portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Gutekunst, a premier Philadelphia photographer, in business from 1860 until 1917, was known as a specialist in portraiture and celebrity portraiture.
Creator: Gutekunst, Frederick, 1831-1917, photographer
Date: [1862]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Crummell [5750.F.122]

Title: Young Africa Or the bone of contention
Description: Bust-length portrait of an African American toddler, attired in a plaid top, as a representation of slavery and the cause of the Civil War., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1862, by E. Anthony, in the Clerk's Office of the District Court of the U.S. for the So. District of New-York., Publisher's imprint printed on verso. Includes image of publisher's building facade engraved by Snyder, Black & Sturn N.Y., Distributor's label pasted on verso: McAllister & Brother 728 Chestnut Street Philadelphia., Gift of David Long., Duplicate of carte-de-visite in a McAllister Scrapbook., See related carte de visite "Young Africa" (cdv - Misc. - Civil War Caricatures (5780.F.52e)], Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1862
Location: Library Company of Philadelphia | Print Department cdv - photographer - Anthony [P.2002.5]

Title: Pavillion [sic], George's Hill
Description: Promotional stereograph depicting the bandstand, built in 1872, on George's Hill near Fifty-Second Street in West Fairmount Park. The hill was given to the city by siblings Jesse and Rebecca George in 1868. Shows a crowd of men and women, including two African American men, possibly carriage drivers, posing in front of the pavilion. In the foreground, a coach is parked., Title from manuscript note on verso., Date inferred from content and the people's attire., Buff mount with rounded corners., Contains label posted on verso promoting Young's Favorite Blue Grass Rye and Wheat Whiskies distributed by New York wine shop, Acker, Merrall & Condit, and distilled by Philadelphia distiller Alexander Young & Co., Purchase 2000., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Parks [P.9774.2]

Title: [Group portrait including photographer W.L. Germon on the porch of the hotel Long Beach House]
Description: Group portrait of over thirty men, women, and children posed sitting and standing on the veranda and the ground in front of the Long Beach House. Group includes an African American man and a African American woman servant. Germon, a Philadelphia photographer and engraver, stands second from right attired in a hat and collared shirt with white trim. The resort hotel was located opposite Tuckerton, N.J., Title supplied by cataloger., Date from manuscript written on mount, Aug. 14th, 1868., Purchase 1985., Description revised 2021., Access points revised 2021.
Creator: Germon, W. L. (Washington Lafayette), 1822-1877, photographer
Date: August 14, 1868
Location: Library Company of Philadelphia | Print Department *photo - Germon [P.9101.2]

Title: David Paul Brown
Description: Full-length portrait of the Philadelphia lawyer, orator, dramatist, and a president of the Philadelphia Anti-Slavery Society. Brown, attired in a white collared shirt, a black bowtie, jacket, pants, and shoes, stands facing slight left near a drape, urn, and balustrade., Title and date from manuscript note on verso: David Paul Brown. Taken 1861; Wm Rawle Brown., Purchased 1994., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861
Location: Library Company of Philadelphia | Print Department cdv portraits-sitter-Brown [P.9459.1]

Title: Parson Brownlow
Description: Three-quarter length portrait of William Gannaway Brownlow, the Tennessee journalist, itinerant preacher, and politician. Brownlow, attired in a white collared shirt, a black bowtie, a patterned waistcoat, a black jacket and pants, sits on a wooden chair looking slightly left with his right hand tucked in his waistcoat and a newspaper in his lap. Brownlow, although an advocate of slavery, actively opposed Southern secession and was subsequently exiled from the Confederacy during the Civil War., Accessioned 2001., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Gutekunst, a premier Philadelphia photographer, in business from 1860 until 1917, was known as a specialist in portraiture and celebrity portraiture.
Creator: Gutekunst, Frederick, 1831-1917, photographer
Date: 1862
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Brownlow [P.9896]

Title: [Parson William Gannaway Brownlow]
Description: Three-quarter length portrait of the Tennessee journalist, itinerant preacher, and politician. Brownlow, attired in white collared shirt, a black bowtie, a patterned waistcoat, and a dark-colored suit, sits with his right hand tucked in his waistcoat. In the right is a side table covered in a patterned tablecloth with a book on top. In the background is a floral patterned drape. Brownlow, although an advocate of slavery, actively opposed Southern secession and was subsequently exiled from the Confederacy during the Civil War., Title supplied by cataloger., Dated based on the presented age of the sitter., Accessioned 2001., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1862]
Location: Library Company of Philadelphia | Print Department Portrait Photographs-Misc.-B [P.9901]

Title: [Lucretia Mott]
Description: Three-quarter length portraits of the Quaker abolitionist and reformer. Mott, attired in a white cap, a dark-colored, long-sleeved dress, and a white shawl, is seated on a wooden chair with an ornate back beside a drape with tassels., Title supplied by cataloger., Date based on presented age of sitter., Accessioned 1999., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department portrait photographs-M [P.9679]

Title: [Lucretia Mott]
Description: Three-quarter length portraits of the Quaker abolitionist and reformer. Mott, attired in a white cap, a dark-colored, long-sleeved dress, and a white shawl, is seated on a wooden chair with an ornate back beside a drape with tassels., Contains third partial photographic print upper left corner., Title supplied by cataloger., Date based on presented age of the sitter., Probably from a McAllister scrapbook of portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department portrait photographs-M [8313.F.96c]

Title: [African American waiters in the large dining room, Great Central Fair of 1864, Philadelphia, Pa.]
Description: Depicts the African American men waiters posed among and seated at the dining room tables of the patriotically decorated dining room of the Fair's restaurant department. The waiters, attired in white collared shirts, bowties, white jackets, and pants, sit at the tableclothed dining tables and look at the viewer. Nine waiters, attired in white collared shirts, black bowties, black jackets, and pants, stand in a line in the middle of the room facing the viewer. American flags decorate the wall in the background and hang on the pillars. The Great Central or Sanitary Fair of June 1864, displayed art, craft, and historical exhibits to benefit the soldier relief organization, the U.S. Sanitary Commission., Title supplied by cataloger., Date inferred from content., Probably by Philadelphia photographer A. Watson., Originally part of a McAllister scrapbook on the Sanitary Commission. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Watson, A., photographer
Date: [1864]
Location: Library Company of Philadelphia | Print Department cdv - Watson - Great Central Fair [5781.F.165f]

Title: [Construction at Ninth and Sansom streets]
Description: Depicts four African American men construction workers on the framework of store fronts (i.e., Burd Building) under construction on the former grounds of the Shippen Burd mansion, demolished in 1861. In the background stands the hippodrome-shaped auction house of "Alfred M. Herkness Philadelphia Horse & Carriage Bazaar," in operation from around 1848 until 1913., Title supplied by cataloger., Date from manuscript note on verso., Reproduced in Kenneth Finkel's Nineteenth-century photography in Philadelphia (New York: Dover Publications, 1980), p. 180., Originally part of a McAllister scrapbook of engravings relating to Philadelphia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Broadbent & Co., photographer
Date: September 6, 1862
Location: Library Company of Philadelphia | Print Department cdv - Non-Portraits - Broadbent & Co. [(8)1322.F.47f]

Title: Libby Prison The only view of this notorious prison made during the Rebellion. Dick Turner stands in the foreground
Description: Exterior view of the notoriously inhumane Confederate Prison, previously a warehouse. Depicts Turner, the former commandant of the prison, standing with a small group of white people including a child, in front of rows of tents. African Americans look on from a nearby hill., Title from label mounted on verso., Date from copyright statement: Entered according to Act of Congress in the year 1865, by Levy & Cohen in the Clerk's Office, of the District Court, for the Eastern District of Pennsylvania., Gift of Elinor Solis-Cohen, 1980., Forms part of small Civil War Photograph Collection, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Levy & Cohen was a partnership between two Jewish Philadelphia photographers who in 1865 published a series of views of occupied Richmond at the end of the Civil War. The partnership dissolved in 1865 after the unexpected death of Cornelius Levy.
Creator: Levy & Cohen, photographer
Date: 1865
Location: Library Company of Philadelphia | Print Department small Civil War photo collection - cdvs - Levy & Cohen [P.8532.2]

Title: Freedman's National Monument
Description: Interior view showing the plaster model for the proposed design of the Freedman's Memorial to Lincoln by expatriate sculptor Harriet Hosmer when on display in the Boston Athenaeum, likely statuary gallery, in 1866. Shows, from an oblique angle, the model on top of a draped table and in front of two archways. The model of the Memorial design was composed of mutiple tiers on the top of which lied a figure of Lincoln in a sarcophagus within an open temple. An edited version of the words of the Emancipation Proclamation adorned the temple which stood on a base with a frieze designed with thirty-six female allegories representing the states of the Union during Lincoln's presidency. On the base below the temple was a sculptural cycle of African American history to that period. Four standing Black male figures on pedestals surrounded the base at each corner. The figures portrayed included a seminude, enslaved man, with his head down, and his wrists manacled; a soldier in uniform with a forward gaze and a bayonetted rifle in his hands that was pointed to the ground; an enslaved man who rests on a hoe with his head bowed down; and a soldier, looking ahead, and holding a gun. On the four outside corners were "Mourning Victories" with their trumpets reversed. The angle of the image shows a view of the model that includes the Lincoln figure, three of the African American men figures, and three of the "Mourning Victories.", Hosmer designed the Memorial in response to a monument project sponsored by the Western Sanitary Commission of St. Louis after formerly enslaved Charlotte Scott of Marietta, OH pledged $5 for a monument to Abraham Lincoln following his assassination in 1865. Donations from formerly enslaved persons grew to $20,000 within months of Scott's original donation. Hosmer later altered the design and an engraving of her new proposal appeared in the Art Journal (London), January 1, 1868. Hosmer's model, purported to cost over $100,000 to be executed, was never sculpted. After years of competing projects, designs, and sponsoring agencies, on April 14, 1876, a sculpture by Thomas Ball, "Emancipation," designed without the input of the formerly enslaved donors was erected in Lincoln Square, Washington, D.C. on an eastern edge of Capitol Hill., Title printed on mount., Date from copyright statement: Entered according to Act of Congress, in the year 1866, by Harriet G. Hosmer, in the clerk's office of the District Court of the District of Massachusetts., Harriet Hosmer (1830-1908) was a lesbian, expatriate neoclassical sculptor, who was one of the most famous artists of her time. Hosmer had her own studio and her work often focused on idealized mythological female figures associated with strength and courage. Hosmer was also a women's rights activist and an inventor., Purchased with the Louise Marshall Kelly fund., See Kirk Savage, Standing soldiers, kneeling slaves: Race, war, and monument in nineteenth-century America (Princeton: Princeton University Press, 1997), p.89-128., John B. Heywood (d. 1870) operated a photographic studio in Boston circa 1858-circa 1870, when he then appears to have relocated to Chicago per 1870 census records. He may also be the J.B. Heywood who advertised a photographic studio in New Bern, N.C. in 1866. Between 1869 and 1870, he is listed in Boston at 25 Winter, the address of photographer and publisher Frank Rowell, who established a branch of his photographic studio in Chicago in 1867.
Creator: Heywood, John B., -1870, photographer
Date: 1866
Location: Library Company of Philadelphia | Print Department cdv - Heywood - Monuments & statues [P.2022.28.1]

Title: [Unidentified African American man in militia uniform]
Description: Full-length portrait photograph by African American photographer Gallo W. Cheston depicting an African American man in a light-colored militia uniform. The man stands, turned slightly toward the right. He holds a long rifle in front of himself with his gloved hands. His left foot is slightly in front of his right. His uniform includes a Shako cap; jacket with epaulettes, buttons, and service stripes; shoulder strap marked "4"; belt; and pants with a dark vertical stripe down the leg. The tip of a rifle and holster is seen below his back. Portrait also includes, to the man's left, a pulled-back drape propped up on a pedestal. Following the Civil War and during Reconstruction (1865-1877), several African American militia units formed, particularly in the South., Title supplied by cataloger., Name of photographer from photographer's label pasted on verso: Cheston's 227 Lombard St., between 2d and 3d, Philadelphia. All the various styles of pictures known to the art, made in a manner as near perfection as possible; and all Improvements or additions introduced as soon as made and perfected. Your patronage is solicited. N. B. Old pictures copied to any size, in an artistic manner., Date inferred from tenancy of the photographer at the address listed on his label pasted on verso., Photograph mounted on board, rounded at the corners, and with a printed oval-shaped, frame-like border surrounding the image. Border adorned with ornaments and filigree., Photograph altered with ink and watercolor details highlighting parts of the sitter's uniform, including his cap, epaulettes, service stripes, shoulder strap, belt, and buttons, as well as his eyes, eyebrows, and sideburns. The pull of a drape included in the studio setting is also hand colored., Purchased in part with the Davida T. Deutsch African American History Fund., Description reviewed 2022., Access points revised 2022., Gallo W. Cheston (ca. 1846-1882) served as a private of the Pennsylvania National Guard 1871-1873.
Creator: Cheston, Gallo W., approximately 1846-1882, photographer
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department portrait photographs - photographer - Cheston [P.2018.3]

Title: Lucretia Mott's home
Description: View showing Roadside, the three-story stone residence with an ivy-covered porch of Quaker abolitionist and reformer Lucretia Mott, in Cheltenham Township. Mott sits in a chair on the front lawn. A woman, attired in a dark-colored dress, possibly her daughter Marie Mott Davis or Elizabeth Mott Cavender, stands to her right and touches the back of her chair. Another woman, possibly her daugher Marie Mott Davis or Elizabeth Mott Cavender, attired in a dark-colored dress sits on the grass to her left. A child sits to the left of the seated woman. A child's hand cart lies in the grass next to them. Trees, mostly free of foliage, line the property. Mott and her husband James moved from their Philadelphia city residence to Roadside in 1857. The residence was used for the Underground Railroad and was part of an estate acquired by Mott's daughter Marie and her real estate developer husband Edward M. Davis known as Old Farm. Old Farm comprised land between Old York Road, Penrose Avenue, Cheltenham Avenue (City Line Avenue), and Beech Avenue. Mott's daughter Elizabeth lived at Roadside in 1865 before passing away from cancer., Title from manuscript note on verso., Photographer's imprint printed on verso. Illustrated with an ornament shaped as a circular frame and surrounding the imprint. Garland and ribbon adorns the outer edge of the frame., Date inferred from format, active dates of photographer, and attire of sitters., Description and access points reviewed 2022., John W. Hurn (182-1887) was born in England and worked as a book keeper in upstate New York by 1850. A radical abolitionist, he worked as a photographer in Philadelphia by 1860 and operated a studio at 1319 Chestnut Street through the 1870s.
Creator: Hurn, J. W. (John White), d. 1887
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department cdv - Hurn - Residences [P.2016.22.5]

Title: Cartes de visite reproductions of Civil War era sketches by H.C. Bispham
Description: Collection of fifteen cartes de visite of sentimental, satiric, and racist Civil War era scenes, predominately depicting white men soldiers, by Philadelphia artist Henry Collins Bispham. Includes scenes of soldiers flushing out a sharpshooter, engaged in battle, wielding a knife, being thwarted from stealing a chicken and honey, dozing on watch, and confronted on horseback by a growling dog, as well as contrasting views of a Union and Confederate amputee soldier returning home. Racist caricatures show an ape walking with a cane, Lincoln spoon feeding a white man soldier the "Black Draft," and a downtrodden Southern white woman on the defense with an enslaved African American man on crutches and an African American boy. Other images show Abraham Lincoln as a dog confronting opossum Jefferson Davis on a tree and an itinerant white man musician with a monkey and dog. One scene includes a zouave., Two of the images signed by artist., Thirteen of the images attributed to Bispham., Created postfreeze., Originally part of a McAllister scrapbook of humorous caricatures and photographs. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv - miscellaneous - Civil War - Caricatures & cartoons - Bispham [5780.F.51 a, d, & h; 52a, l, p & q, u & v; 53 a,c, l&m, o&p]

Title: [Two African American men advertising Higgin's German laundry soap]
Description: Portrait photograph showing two African American men, side-by-side, attired in suits, as well as top hats with advertising text for Charles S. Higgins Company soap. One hat reads "Try it" and the other reads "Higgins German Laundry soap is the best." One man holds a swagger stick and the other a walking cane, and both stand in front of a backdrop depicting a bucolic mountain scene. Charles S. Higgins Company, established by Higgins's father W. B. Higgins in Brooklyn in 1846, manufactured "German Laundry soap" beginning around 1860, when Charles assumed the business. The laundry soap was packaged in a wrapper illustrated with an African American woman washing in a tub. By the early 1890s Charles S. Higgins left the firm still operated under his name and formed Higgins Soap Company. Court proceedings over trademarks and tradenames ensued and Higgins Soap Company became insolvent by the mid 1890s., Title supplied by cataloger., Photographer's imprint printed on verso. Includes illustration of a paint palette., Purchased with funds from the Albert M. Greenfield Foundation.
Creator: Block, B., photographer
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department cdv portraits - group - advertisements - Higgins [P.2013.26]

Title: South
Description: Photographic reproduction of a racist caricature showing an African American boy as a visual metaphor for the South, i.e., the Confederate States. Shows a raggedly dress boy holding a banjo and the Emancipation Proclamation, while standing on the Confederate flag. Face of toddler after carte de visite photograph showing a bust-lenth portrait of an African American toddler titled "Young Africa, Or the Bone of Contention" issued by E. Anthony in 1862., One of two companion cartes de visite titled "North" and "South." LCP holds "North." [5780.F.52r], Originally part of a McAllister scrapbook of humorous caricatures and photographs., Created postfreeze., See LCP copy "Bone of Contention" (cdv - Anthony [P.2002.5])., Duplicate listed in Early American Historical Auctions Catalog (April 2014) contains stamp on verso: A.M. Bailey agent for American Photography.
Date: [ca. 1863]
Location: Library Company of Philadephia | Print Department cdv - miscellaneous - Civil War - Caricatures & cartoons [5780.F.52e]

Title: Facsimile of the Emancipation Proclamation
Description: Photographic reproduction of a lithographic facsimile of the original draft of the proclamation printed and sold as a fundraiser for the Soldiers Home of Chicago. Facsimile includes a portrait of Lincoln and patriotic vignette. Lincoln gave the draft to the organizers of the 1863 Northwestern Sanitary Fair to be sold at auction and then donated to the Chicago Historical Society. Draft was bought by Thomas B. Bryan and given to the Soldiers Home before its display at the historical society., Originally part of McAllister scrapbook of materials related to Abraham Lincoln., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv - misc. - Civil War - Genre & sentimental [5792.F.4j]

Title: [Satiric stereograph showing an African American dandy receiving a shoe shine from a white shoe shine boy]
Description: Stereograph, possibly published in London, depicting a scene satirizing race relations in America. Shows the dandy standing and with one foot on the boy's shoe shine box in front of a back drop depicted as a wall adorned with broadsides referencing abolition, slavery, and emancipation. The dandy is attired in striped and checkered pants, a jacket with tails, a ruffled shirt, and top hat. He holds a walking stick under one arm and a cigarette in his other hand. The boy kneels and shines the dandy's shoes with his shining supplies and tools by his box. Broadsides include a "playbill" reading "Adelphi. Tonight The White Slave. Octoroon Farce" and an advertisement for "Fast Clipper. Clyde. For New Orleans." Other posts read "No Slavery. Freedom" and "Great Meeting. Negro Emancipation. Poor Slaves.", Place of publication and date inferred from image content containing a reference to the "Octoroon" at the "Adelphi." Adelphi is a London theater where The Octoroon was performed 1861-1862., Grey mount with square corners., Purchased with the Davida T. Deutsch African American History Fund., See similar visual trope "I say Billy, do you know why I'm doing this? Cause, I'm going to run for Congress soon!" [Political cartoons - 1863-13W, 8033.F.3]
Date: [ca. 1862]
Location: Library Company of Philadelphia | Print Department stereo - unid. photo - Genre - African [P.2014.29]

Title: I wish I was in Dixie
Description: Photographic reproduction of a racist and anti-abolition caricature of Abraham Lincoln showing Lincoln as a banjo playing Southerner with a copy of the Emancipation Proclamation in his pocket., Title from item., Date inferred from content., Originally part of McAllister scrapbook of materials related to Abraham Lincoln. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv - misc. - Civil War - Caricatures and cartoons [5792.F.4f]

Title: Views of the Wilson family on their estate
Description: Views show the Wilson family recreating on their estate. Depicts the family reading, picnicking, sitting and lounging in their yard, walking and working in their gardens, harvesting corn, playing with family dogs, posing near a small footbridge, and eating on their porch. Several members of the family are seated on their horses in a few of the images. One image includes an African American man, attired in a white chef’s hat and apron, overseeing a meal under a tent. Also shows exterior views of the family's two-and-a-half story residence with porches on the first two levels, a stone barn, and outbuildings. American flags are included in several of the images., Title supplied by cataloger., Date based on content and attire of the people., Photographer's labels pasted on versos., Stereograph [P.9439.17] contains manuscript note on verso: "For Mr. Wilson with compliments of the artist.", Contains twenty-two photographs, seventeen printed on yellow mounts with square corners and five printed on mint green mounts with square corners., Purchase 1993., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Newell, Robert, 1822-1897
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department stereo - Newell - Residences [P.9439.1-22]

Title: D.P. Brown
Description: Bust-length portrait of the Philadelphia lawyer, orator, dramatist, and a president of the Philadelphia Anti-Slavery Society. Brown, attired in a white collared shirt, a black bowtie, and a black jacket, sits facing slightly left., Title from manuscript note on mount., Date based on depicted age of the sitter., Originally part of a McAllister scrapbook of portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1861]
Location: Library Company of Philadelphia | PRINTS cdv portraits - sitter - Brown [(1)5750.F.59e]

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