Detailed view of an urn, showing an unidentified mythological scene. Possibly used as a model for an ornament in the Capitol., Inscribed in negative: (Edne. Alinari) P. 1. N. 1324. Firenze - R. Galleria Uffizi. Vase Mediceo. La parte ove e Diomede. (Scultura antica.), Gift of Mr. and Mrs. Maro S. Hunting. Mrs. Hunting was the granddaughter of Joseph M. Huston, the architect of the Capitol., LCP AR [Annual Report] 1979, pp. 42, 47-48., Forms part of the Pennsylvania Capitol Photograph Collection.
Date
ca. 1880
Location
Library Company of Philadelphia | Print Department Pennsylvania Capitol Photograph Collection [P.8479.78]
Interior view of the office of the Grand Union Hotel in Saratoga Springs, N.Y. showing two employees at the front desk. An African American man, attired in a suit, stands and leans his left elbow on the desk. A white man, attired in a suit, stands behind the desk with a large book opened in front of him. Architectural details of the large space include columns draped in flower garlands, a tiled floor, and a large clock hanging above the desk. Built originally as Gideon Putnam's tavern and boarding house in 1802, the hotel formed through many expansions and additions. The name of the hotel as it appears on the stereograph was adopted in 1869. Demolished 1852-1853., Title supplied by cataloger., Yellow mount with rounded corners., Advertisement printed on verso printed by Wm. Miller Co., 57 Cedar, N.Y.: J.H. Irish & Co., druggists and apothecaries, dealers in drugs, medicines, chemicals, fancy and toilet articles, school books, stationery, periodicals, etc., Gorham, Maine. Physicians' prescriptions carefully compounded., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand., Description revised 2021., Access points revised 2021.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department *Helfand Patent Medicine Trade Card Collection - Pharmacists - I [P.9828.6186]
Full-length portrait of an African American man, wearing a mustache and attired in a white collared shirt, a waistcoat, a jacket, a riding coat, and pants, standing in front of a backdrop adorned with ornate decorative columns. He holds a walking stick, crosses his right leg over his left, and leans on a balustrade on which a top hat rests. A white and brown spaniel dog lies in the foreground., Photographer's imprint printed on verso., Title supplied by cataloger., Purchase 2001., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Parlor Gallery, operated by Lewis Horning, was in business at 523 South 9th Street from around 1876 until 1885.
Creator
Parlor Gallery (Firm), photographer
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department cabinet card portraits - photographer - Parlor [P.9981.7]
Bust-length portrait of the Philadelphia Quaker orator, lecturer, author, abolitionist, and women's rights activist. Dickinson, wearing her hair tied back with curls around her face and attired in a patterned dress with a white lace collar, a brooch, and drop earrings, faces slightly left., Title from manuscript note on verso., Probably by Philadelphia photographer Peregrine Cooper., Gift of Richard P. Morgan, 1996., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department cabinet card portraits - sitter - Dickinson [P.9516.3]
Bust-length portrait of the abolitionist and author of "Uncle Tom's Cabin." Stowe, wearing her hair in in a bun with curls around her forehead and attired in a headband, a dark-colored dress with a white, ruffled collar around the neck, a brooch, and a necklace, faces slightly right., Title from manuscript note written on recto., Date inferred from presented age of sitter., Mount contains red border., Gift of Dr. Milton and Joan Wohl, 1991., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Sarony, the leading photographer of celebrity portrait cabinet cards in the 1870s and 1880s, paid the highest sitter fees of the time and often acted as artistic designer rather than technician of the portraits.
Creator
Sarony, Napoleon, 1821-1896, photographer
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department cabinet card portraits - sitter - Stowe [P.9363.12]
Racist scene showing an African American family of a mother, father, and four children seated on the porch to a wooden dwelling. In the left, the mother breastfeeds her youngest child, a baby. She is seated next to her three older, but young children. The father sits to the right on the other side of the children who sit and stand. He has his arm behind the next to youngest child. The mother is attired in a kerchief, plain shirtwaist, and long, plain skirt. The father wears a vest, shirt sleeves, pants, and work boots. The children are attired in worn shirts and the oldest also in worn pants., Title printed on negative., Yellow mount with curved corners., Date inferred from format of stereograph., Gift of Ivan Jurin., RVCDC, Description revised 2022., Access points revised 2022.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department stereo - unid. photo - Portraits & Genre [P.2019.2.2]
Reproduction of a drawing of a racist, comic scene showing an African American waiter serving a bearded, white man seated at a restaurant table. The African American waiter is depicted with exaggerated features, including an oblong-shaped head. He wears a black suit, a white shirt with a high collar, and an apron around his waist. The waiter stands beside the table that is covered in a tablecloth. He rests his left hand on it and holds a bowl of soup on a saucer in his right. The customer, attired in a tuxedo, rests his left arm near a pitcher, glass, napkin and condiment display on the table. In the background, a bald man, sits and eats at a nearby table. Paneling adorns the walls of the restaurant on which the morphed shadow of the waiter is visible., Title printed on negative., Yellow mount with curved corners., Date inferred from attire of depicted figures., Gift of David Long., RVCDC, Description revised 2022., Access points revised 2022.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department stereo - unid. photo - Portraits & Genre [P.2018.16.8]
Shows the Philadelphia engineer and noted coaching enthusiast and his wife Rebecca in the cab of a four-in-hand coach in a landscape setting. Several young ladies from prominent Philadelphia families sit on the deck behind the couple. Two African American groomsmen stand near the horses. Rogers was the founder of the Philadelphia Coaching Club and the first person in Philadelphia to drive a four-in-hand, which was painted by Thomas Eakins., Title supplied by cataloger., Manuscript note on verso: Saturday May 10, 1879. Mr. & Mrs. Rodgers [sic]; Hattie Meigs; Annie Williams; Lily Sturgis; Marian Rawle; Emily Newbold; Maidie Hart; Maud Potts; May McMichael; Mrs. Dick; Harriet Etting., Purchase 2010., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Schreiber & Sons
Date
May 10, 1879
Location
Library Company of Philadelphia | Print Department photo - 5x7 - Schreiber (by photographer) [P.2010.18.1]
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[1878]
Location
Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.44]
Group portrait of male students, attired in suits and most with hats and canes, including an African American man, posed on the steps of College Hall. According to the University's history, the first African American student matriculated in 1879., Title from mount., Manuscript note on verso: Prichett. Probably, Thomas Barclay Prichett, University of Pennsylvania, class of 1878., Purchase 1980., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Suddards & Fennemore, a partnership between Philadelphia photographers William L. Suddards and George H. Fennemore from around 1870 until 1879, specialized in portraiture.
Creator
Suddards & Fennemore, photographer
Date
[1878]
Location
Library Company of Philadelphia | Print Department *group portrait photographs - education [P.8612]
Three-quarter length portrait of the African American Methodist evangelist preacher, missionary, and temperance advocate who was born to enslaved parents in Maryland. Shows Smith, standing, slightly turned to her right, and attired in medium-colored, Quaker-like garb including a shawl, shirtwaist with an upright lace collar adorned with a pendant, skirt, and scoop bonnet. She holds a book, possibly a Bible, in her right hand, top edge down, and with her fingers interspersed between a few pages. A chair is partially visible in the right of the image and dark-colored drapery serves as the backdrop. Smith, her freedom bought by her father when a child, entered preaching in 1869. Known as a compelling speaker and singer, she preached at Methodist Episcopal churches throughout the East and Midwest, including Philadelphia. In 1878 she felt called to travel to Keswick, England for a Methodist convention and remained in the country to minister and then worked as a missionary in India (1879-1881) and West Africa (1882-1890). In 1890 she returned to the United States and settled in Chicago where she was also a prominent member of the Women's Christian Temperance Union (Smith joined in the 1870s). In 1893 her "Autobiography" was published, from which she began to raise funds for an orphanage for African American children. 1n 1899 the Amanda Smith Orphan's Home, later the Amanda Smith Industrial Home opened in Harvey, Il. The home was razed by fire in 1918., Title from manuscript note on verso., Photographer's imprint printed on mount., Publisher's imprint printed on verso. Also includes a vignette depicting the British coat of arms., Mount designer's imprint printed on verso., Lib. Company. Annual Report, 2018, p. 59 - 60., RVCDC, Description reviewed 2022., Access points revised 2022.
Creator
Pettitt, Alfred, -1880
Date
[1878]
Location
Library Company of Philadelphia | Print Department cdv portraits - sitter - Smith [P.2018.13]
Reproduction of a sketch by G. W. Leonard depicting an African American shoeshine boy dancing to the musical accompaniment of a white boy and girl, while a white boy mocks him in the background. The smiling African American boy, portrayed in racist caricature with exaggerated features, is in the center of the image. He is attired in a white, long-sleeved open neck shirt, baggy striped pants with suspenders, and a hat with turned up brims, his hands at his side, and mid step. To his right, stand a white boy playing a concertina and a white girl playing the violin. The boy is attired in a newsboy's cap, a jacket, and pants with patches at the knees. The girl is attired in a short-sleeved, calf-length, light-colored dress, with a sash draped over her right shoulder (the one on which she plays the violin). A shoeshine box marked (with the letter s's backwards), "t. Smith. Boss Shine, 5 cts.," rests near the feet of the trio of children. In the background, a white boy, attired in torn and worn clothes and with mop-like hair, appears in a clomping stance with his arms raised to his shoulders, his back leg bent at the knee, and his other leg kicked out. His hat lays on the ground near him., Date from copyright statement: Copyright 1877, by J. P. Soule., John P. Soule was a Boston photographer who also published stereographs and cartes de visite. He served in the Ancient and Honorable Artillery Company of Massachusetts at the end of the Civil War., Purchased with the Davida T. Deutsch African American History Fund and funds for the Visual Culture Program., RVCDC, Description revised 2021., Access points revised 2021.
Date
[1877]
Location
Library Company of Philadelphia | Print Department cdv - misc. - caricatures and cartoons - G [P.2015.63]
Photographic reproduction of a racist and whimsically absurd advertisement, including an African American shoe shiner, to promote the premier manufactory of blacking established in 1832 by James S. Mason. Depicts the shoe-shiner "blacking" a boot near a white shoe-shine boy with a puppet and a dog. The shoe-shiner, portrayed with grotesque features, holds a brush overhead in his right hand and a boot over the hand of his other arm. He wears a button-down shirt with an open collar, suspenders, and breeches. To his right, is an oversize boot on which the boy has a propped a puppet. The puppet is an African American dandy-like character. The puppet attired in a jacket and high collar shirt holds an umbrella above his head. A dog, as he looks behind, flees from the puppet. The dog's face is reflected in the foot of the boot. The young shoe-shiner, attired in a cap, jacket, and breeches, smiles and points toward the dog. Scene also includes an oversize opened tin of blacking in the foreground. Following the death of Mason in 1888, his son Richard assumed the business which was in operation into the 20th century., Date inferred from address of engraving firm., Advertising text printed on verso: July 15th, Reduced prices Mason's Challenge Blacking. Net prices, ornamental cases, adapted for display in retail stores, or shipping, without re-packing, holding three dozen each. No. 1, or Small Size, per doz. 25 cts. " 2, or N. Medium Size, " 30 ." " 4, or Large Size, "50." To obtain this Blacking in the original Show Cases, not less than three dozen of a kind should be ordered. The American News Company, New York.
Date
[ca. 1877]
Location
Library Company of Philadelphia | Print Department cdv - unid. photo. - Advertisements - M [P.2016.65]
Interior view of Machinery Hall along North Avenue. Shows railroad track along the entire isle. A railcar is positioned on the tracks. Depicted on either side of the rail tracks are machine parts and tools.
Exhibit title: Kiriu-Kosho-Kuwaisha, First Japanese Manufacturing & Trading Co., Tokio, Exhibit #286, Main Exhibition Building, Bldg.
Three ornate bronze vases.
View of guns, cannons, and various artillery along road in front of U.S. Government Building. Depicted in the scene are people partaking in tasks and a horse tied to a fence. Also shown are many trees in the background.
Interior view showing two women spinning wool. Also shows a large spinning wheel, two chairs, a desk with a plant and teacup. A clock, framed pictures, two silhouettes are mounted on the wall.
Free-standing hand and torch from the Statue of Liberty mounted on subscription kiosk. A small crowd at the base of structure and two men at the hilt of the torch. In background is New York 'Tribune' Building, Women's Pavilion, and Drinking Fountain. The 'Liberty' hand and torch was designed by Fridiric Bartholdi; the Drinking Fountain was erected by the Sons of Temperance of Pennsylvania.
Exterior view with the words, "Butter & Cheese Factory" and "Butter & Cheese Exhibition" prominently displayled and a porch running along the side of the building.
Interior view of Horticutural Hall showing arches and a staircase. Also shows two boilers under the staircase indicated by a sign, "Smith and Lynch, Manufacturers, Greenhouse Return Flue Boiler, Boston, Mass."
View of The 20 Ton Rodman Gun in front of the U.S. Government Building. The background depicts a grassy area surrounded by trees, in the center of which a statue sits atop a pedastal.
Artist: The Mott Fountain -- J.L. Mott Iron Works, New York. Exterior of Horticultural Hall with the Mott fountain and a horse and carriage in front. Sculptures of children, angels, and women decorate the fountain. Item is identical to P.9037.13.
Exterior view of front of building including a portion of the grounds. Depicts gardens, grass, shrubs, urns, and two women and one man standing on walkways.
Exterior view of Agricultural Hall, American Restaurant (architect Schwarzmann) in its foreground, taken from Horticultural Hall. Depicts people on walkway and footbridge between the buildings and distinctive fence in foreground.
Architects: Connecticut Building -- D.R. Brown, from a design by Donald G. Mitchell.
Four state buildings, Massachusetts, Connecticut, New Hampshire, and Michigan, in the background. In the foreground are roads filled with people, and railroad tracks.
Interior view of Machinery Hall. Shows the exhibit by the American Steamship Company. Depicted is a display featuring several model ships, along with paintings and an architectural drawing of ships. Two benches are seen in front of the exhibit where viewers could sit to contemplate the display.
Exhibit titles: Schaffer & Budenberg, Buckau, Exhibit #3a; Krupp, Fried., Essen, Exhibit #49, Machinery Hall, Bldg. #2.
Interior of Machinery Hall, view of South Avenue looking west. In the forefront are two large Krupp guns. The sign for Great Britian and Ireland section visible.
Interior view of Machinery Hall. Depicts the section referred to as the Pump Annex. Shows a large, pooled area of water with raised pumps shooting water in a fountain-like display. Also portrays crowds of people sitting on benches watching the display.
View of Centennial grounds with the lake and several buildings, including the Main Building, Machinery Hall, the Pennsylvania State Building, visible. In the foreground is a cart with a tower topped by a flag. Two men on platform at top of tower, one man climbing up the tower, and three seated on the cart.
Interior view of the Gloucester, Massachusetts Fishery Exhibit in the Agricultural Building. The exhibit displays fishing gear, along with other objects pertaining to the fishing industry including ropes, knives, bottles, and general equipment.
Interior view of Machinery Hall along South Avenue looking East. Depicts locomotives and machine parts. Shown in the foreground is the exhibit by Lovegrove & Co. of Philadelphia.
Interior view of the Swedish School House. Depicts a classroom with individual desks and chairs arranged in multiple rows facing the teacher's podium. Also shown are maps and graphs, as well as illustrations of various people from history posted on the walls of the classroom.
