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Title: Civil War stationery collection
Description: Collection of stationery containing patriotic designs often used on patriotic envelopes, with a majority including a title, slogan, and/or verse. Designs predominately include views of regiment camps; images of soldiers, including battle and camp life scenes; patriotic symbols including flags, eagles, bells, shields, stars and the figure of liberty; portraiture of historic and military figures; and basic designs including stripes, colored edges, and lined borders. Unique designs with assigned LCP numbers include an untitled regiment view showing the soldiers playing baseball, possibly at Abner Doubleday's camp (RE-LCP 35); a view of Poughkeepsie from 1854 (SC-NW-LCP-3); the New York funeral procession for Abraham Lincoln on April 25, 1865 (SC-NW-LCP-4); two designs published by J.W. Barber of New Haven showing bars of music from "My Country Tis of Thee" (O-M-LCP-8) and an allegorical scene of Liberty fighting treason, rebellion, tyranny, and oppression (F-P-LCP-1). Collection also contains a series of seven Charles Magnus hand-colored designs containing birds-eye views and military maps. Views show Fortress Monroe, Old Point Comfort and Hygeia Hotel, Va. and the Capitol. Military maps shows Maryland and Virginia; Virginia between Washington and Manassas Junction; Richmond and Alexandria; Fortress Monroe and Richmond; and the southern coast between Fortress Monroe and New Orleans. Collection also includes a small number of Confederate stationery. Confederates designs include a view of enslaved African American people driving a wagon of supplies to a battlefield and a satire of Abraham Lincoln as an Native American chief. Portraits include George Washington, George McClellan, and Elmer Ellsworth. Three uncut printed proof sheets of patriotic stationery used as ream wrappers and the first style of U.S. postcard (circa 1872) also included as part of the collection., Some copyrighted., Some contain manuscript notes., Various publishers including Philadelphia publishers James Magee and L. N. Rosenthal as well as New York publisher Charles Magnus., Title supplied by cataloger., See William R. Weiss, Jr.'s The catalog of Union Civil War patriotic covers (Bethleham, Pa.: William R. Weiss, 1995). LCP copy annotated to show collection holdings., See the George Walcott collection of used Civil War patriotic covers (New York: Robert Laurence, 1934)., Originally part of a McAllister scrapbook of materials related to the Civil War. McAlliser Collection, gift, 1886., Reproduced in Erika Piola, "For the millions: Civil War stationery for women and children in the McAllister Collection at The Library Company of Philadelphia," The Ephemera journal 13 (2010), [32]., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-1865
Location: Library Company of Philadelphia | Print Department Civil War Stationery [various], Library Company of Philadelphia | Print Department *GC - Civil War - Ream Wrappers [P.2006.1.30a-c]

Title: Civil War military campaign and battle maps
Description: Maps show troop movements; fortifications and battlegrounds; routes to and from sites of military engagements; headquarters and camps; local architecture; topography, including railroads, rivers, and roadways; state and county lines; towns, cities, and capitals; and vegetation. Two of the maps also include remarks by military surveyor T. Ditterline describing troop movements during the Battle of Gettysburg. Two maps contain portraits of prominent political and Union military figures including President Lincoln, William H. Seward, General George McClellan, General Winfield Scott, and General Robert Anderson., Includes Maps of the District of Columbia, Baltimore with Ft. McHenry, Ft. Monroe and the Atlantic States, with their Rail Road Connections, Coast Lines, &.; A Correct Map of Pensacola Bay Showing Topography of the Coast, Fort Pickens, U. S. Navy Yard and all other Fortifications from the latest Government Surveys; Sketch of Vicinity of Fort Fisher; Plan and Sections of Fort Fisher carried by assault by the U. S. Forces, Maj. Gen. A. H. Terry, Commanding, Jan. 15th, 1865; Colton’s United States Shewing(sic) the Military Stations, Forts &.; Map of the Seat of War, Supplement to P. S. Duval & Son’s Military Map showing the location of the present Military Operations (1861); Map of the Battlefield of Antietam; Battlefield of Chattanooga with the operations of the National Forces under the command of Maj. Gen. U. S. Grant during the battles of Nov. 23, 24 & 25, 1863; Field of Gettysburg, July 1st, 2nd & 3rd, 1863; Map of the Battle Ground of Manassas [i.e., Bull Run] from Actual Surveys by an Officer of Genl. Beauregard’s Staff Shewing [sic] the exact position occupied by Federal & Rebel forces in the battle of 21st July 1861; Battle of Gettysburg Showing the Position of the Two Contending Armies During the First, Second & Third of July 1863; Map of the Southern States including rail roads, county towns, state capitals, county roads, the southern coast from Delaware to Texas, showing the harbors, inlets, forts and position of blockading ships; and Part of Charleston Harbor: embracing Forts Moultrie, Sumter, Johnson, and Castle Pinckney, also Sullivan, James and Morris Islands and showing the position of the Star of the West when fired into from Morris Island. A Civil War era political map of Pennsylvania for the 1863 Governor's race and a Map of The Grounds and Design for the Improvement of The Soldiers’ National Cemetery, Gettysburg, Pa. 1863 also included as part of the collection., Various publishers and lithographers including W. Boell; J.H. Colton; P.S. Duval & Son; Engineer Bureau, War Dept.; Charles G. Kreb; Lithographers' Association of New York; E. Molitor ; L. Prang & Co.; George T. Perry; T.B. Pugh; J.G. Shoemaker; Jacob Weiss; and Benjamin Wrigley., Various surveyors and engineers including Brvt. Brig. Gen. C. B. Comstock; T. Ditterline; William Saunders; Private Otto Julian Schultze; Lt. Wm. H. Willcox; and members of the U.S. Coast Survey, including Captains F. W. Dorr and J. W. Donn, Maj. Morhardt, Capts. Ligowsky, McDowell, Jenney and Lts. Boeckh and Dahl, and U. S. Vol’s. Capt. Preston and C. F. West., Relief shown pictorially and by hachures., Majority of maps include a scale and a compass., Several maps include key to Union and Confederate troop positions., Two maps [5779.F.79a & 80a] contain insets. Insets show Washington, D.C.; Baltimore south to Annapolis, Maryland; Cairo, Illinois to Memphis, Tennessee; Pensacola Bay and the Gulf of Mexico; and the area from Winchester, Virginia to Morgantown, Maryland., Manuscript note on map 5779.F.107a: John A. McAllister from [D. McCoughy?], Originally part of McAllister scrapbooks containing Civil War views and Robert Anderson material., Digitized by Alexander Street Press for Images of the American Civil War.
Date: 1861-1865
Location: Library Company of Philadelphia | Print Department **maps - Civil War military campaign and battle [5779.F.76b; 79a; 80a; 81b; 82a; 83a; 84a; 85b; 86a; 97a; 99a; 107a; 108a; 121a; 5794.F; P.2006.1.28]

Title: Journey of a slave from plantation to the battlefield
Description: Collection of twelve titled album (carte-de-visite size) cards depicting the evolution of the life of an African American man from enslavement to a Union soldier. "In the Cotton field" and "The Christmas Week" show his life on the plantation from which he is sold and separated from his family in "The Sale" and "The Parting: 'Buy us too'." His new enslaver whips him in "The Lash," for which he then retaliates in "Blow for Blow." He hides "In the Swamp" and is finally "Free!" to become a Union soldier and "Stand up a Man" to fight in the battlefield to "Make Way for Liberty!" He is struck down in "Victory!" for Liberty, depicted as a white woman, who states as she mourns over his body, "He Died for Me!", Title from series title., Publication information inferred from copyright statement: Entered according to the act of the year 1863 by William A. Stephens in the Clerks' Office of the Dist. Court of the U.S. for the E. Dist. of Pa., Attributed to James Fuller Queen after Henry Louis Stephens., Henry Louis Stephens was a native Philadelphia caricaturist, book, and magazine illustrator who worked in New York in the mid-19th century for the periodical "Frank Leslie's." His brother William Allen Stephens served as his business manager., Described in Gathering history: The Marian S. Carson Collection of Americana. (Washington, DC: Library of Congress, 1999), p. 26., Original wrapper for the card set held in the collections of the Library of Congress, Washington, D.C. [LOT 5174], Originally part of a McAllister scrapbook of humorous caricatures and photographs. McAllister Collection, gift, 1886., Copyright by William A. Stephens, 1120 Girard Avenue, Philadelphia., Description revised 2023., Access points revised 2023., Queen, a Philadelphia lithographer and pioneer chromolithographer known for his attention to detail, served in the Civil War militia from 1862 until 1863, and created several lithographs with Civil War subjects.
Creator: Queen, James Fuller, 1820 or 21-1886, artist
Date: 1863
Location: Library Company of Philadelphia | Print Department Henry Louis Stephens Collection [(5)5780.F.56m-p; (5)5780.F.57a-h]

Title: Our relations at home and abroad.
Description: Stephen's album drolleries no. 1., Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War. First nine cards show the British "surly lion" giving a "generous roar," (i.e., the recognition by Great Britain of the Confederacy); which "temporarily astonishes" the "Gallic Cock"; who eventually overpowers the lion; who later weeps "is he not a bird and brother" for a crow, (i.e. a slave of the South) at Exter Hall; "which he forgets in the embrace of the "Belligerent Wolf of the C.S.A." while stepping on the crow; which leads to his "arming of the wolf"; while the Mexican vulture is garroted by the Gallic cock (i.e., French intervention in Mexico); causing the lion to protect his rams with the introduction of the "Swamp Angel" and Greek fire,( i.e. the bombing of Charleston) by the American eagle; which causes the "grand combat" between the eagle and the wolf. Last three cards predict "to consult history" to see the Union victory of the eagle over the wolf; the eagle vindicating the Monroe Doctrine in Mexico by overthrowing the Gallic cock; and the little child Liberty leading the supplicant British lion and Gallic cock., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55a-l]

Title: Exeter Hall. The Lion weeps: "Is he not a bird and a brother?" [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the lion who weeps "is he not a bird and brother" for a crow, (i.e. a slave of the South) at Exter Hall. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55i]

Title: Grand tableau of the future. The little child, Liberty, shall lead them. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the little child Liberty leading the supplicant British lion and Gallic cock. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55a]

Title: For the precise period at which this occurred, consult history. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the victory of the eagle over the wolf. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55c]

Title: The Eagle vindicates the Monroe Doctrine in Mexico. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the eagle vindicating the Monroe Doctrine in Mexico by overthrowing the Gallic cock. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55b]

Title: Introduction of Master Swamp Angel: the Lion pockets his Rams. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the lion protecting his rams with the introduction of the "Swamp Angel" and Greek fire, ( i.e. the bombing of Charleston) by the American eagle. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55e]

Title: Grand combat between the Eagle and the Wolf. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the eagle and the wolf fighting. The lion hangs out of a window above the fight scene, near the words "police ; murder". Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55d]

Title: The arming of the Wolf by his faithful squire. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the lion arming the wolf. The wolf stands with one foot on the lap of the lion, who is fixing his boots. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55g]

Title: Which temporarily astonished even the Gallic Cock. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the British lion roaring and astonishing the Gallic cock. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55k]

Title: Who responded with warlike vigor when the Lion caved. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the Gallic cock overpowering the British lion. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55j]

Title: The Mexican Vulture garroted by the Gallic Cock. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., The Gallic cock is strangling the Mexican vulture and has his knife raised, about to stab him in this scene (i.e., French intervention in Mexico). Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55f]

Title: On England's muggy shore a surly lion gave a grievous roar! [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the British lion roaring from the coast of England, with the "Trent" (RMS Trent of the Trent Affair) steamship afloat in the background. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55l]

Title: Which he forgets in the embrace of the belligerent Wolf of the C.S.A. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the lion and the wolf shaking hands, and stepping on the crow. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55h]

Title: Stephens' album drolleries no. 1 Our relations at home and abroad
Description: Collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War. First nine cards show the British "surly lion" giving a "generous roar," (i.e., the recognition by Great Britain of the Confederacy); which "temporarily astonishes" the "Gallic Cock"; who eventually overpowers the lion; who later weeps "is he not a bird and brother" for a crow, (i.e. an enslaved person of the South) at Exeter Hall; "which he forgets in the embrace of the "Belligerent Wolf of the C.S.A." while stepping on the crow; which leads to his "arming of the wolf"; while the Mexican vulture is garroted by the Gallic cock (i.e., French intervention in Mexico); causing the lion to protect his rams with the introduction of the "Swamp Angel" and Greek fire, (i.e. the bombing of Charleston) by the American eagle; which causes the "grand combat" between the eagle and the wolf. Last three cards predict "to consult history" to see the Union victory of the eagle over the wolf; the eagle vindicating the Monroe Doctrine in Mexico by overthrowing the Gallic cock; and the little child Liberty leading the supplicant British lion and Gallic cock., Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Date from copyright statement by William A. Stephens., Originally part of a McAllister scrapbook of humorous caricatures and photographs. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Queen, a Philadelphia lithographer and pioneer chromolithographer known for his attention to detail, served in the Civil War militia from 1862 until 1863, and created several lithographs with Civil War subjects.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer
Date: 1863
Location: Library Company of Philadelphia | Print Department Henry Louis Stephens Collection [5780.F.55a-l]

Title: The adventures of a conscript as told by himself
Description: Collection of twelve numbered and captioned comic cards using humanized animals to portray domestic and military scenes in the life of a conscripted rabbit. Includes cards showing the rabbit reviewing a "Draft" poster and declaring himself a patriot if drafted; the rabbit receiving the "agonizing fact" of his draft notice; his failed attempt to employ a substitute - a "Quack" of a duck rejected by a donkey of a surgeon (Dr. Donkey); his farewell to his love; his "fearful carnage" of the foe; his retreat to make "a sturdy rebel fly"; his successful "perilous duty" to deliver "despatches" to an owl general, including a confrontation by "a band of Gorillas," portrayed as racist caricatures, and his beheading of the Gorilla Chief; his promotion to Brigadier General; and his release from duty to "crown his glory with love" in wedded bliss., Attributed to James Queen after Henry Louis Stephens., Title from series title., Date from copyright statement by William A. Stephens., Originally part of a McAllister scrapbook of humorous caricatures and photographs. McAllister Collection, gift, 1886., Described in Gathering history: The Marian S. Carson Collection of Americana. (Washington, DC: Library of Congress, 1999), p. 91., RVCDC, Description revised 2021., Access points revised 2021., Queen, a Philadelphia lithographer and pioneer chromolithographer known for his attention to detail, served in the Civil War militia from 1862 until 1863, and created several lithographs with Civil War subjects.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer
Date: 1863
Location: Library Company of Philadelphia | Print Department Henry Louis Stephens Collection [5780.F.56a-l]

Title: Bann[er of] the sea. National song and chorus. [graphic].
Description: Originally part of a McAllister scrapbook of Civil War miscellanies., Trimmed., Sheet music cover showing two sailors hoisting an American flag over a cannon on the deck of a ship. A third sailor watches and cheers.
Date: [ca. 1861]
Location: Library Company of Philadelphia Print Dept. GC - Civil War [(2)5786.F.146b]

Title: Union and Liberty
Description: Sheet music cover including a figure of Liberty surrounded by an ornamental border containing an eagle. Liberty depicted attired in a liberty cap, holding a shield and American flag adorned with a laurel wreath, and flanked by an eagle, lyre, globe, and artist's palette., Probable publication information supplied by Reilly., Originally part of a McAllister scrapbook of Civil War miscellany., Trimmed and altered., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Whateley, H., artist
Date: [1861]
Location: Library Company of Philadelphia | Print Department political cartoons 1861 - 19 variant [5786.F.127a]

Title: Great Central Fair buildings, Philadelphia
Description: Souvenir card after the chromolithograph of the exhibition grounds at Logan Square printed and for sale daily at the fair. Shows the square from the northwest, including the Cathedral of Saints Peter and Paul in the background. The Great Central or Sanitary Fair of June 1864, displayed art, craft, and historical exhibits to benefit the soldier relief organization, the U.S. Sanitary Commission., Philadelphia on Stone, POS 66 variant, Originally part of McAllister scrapbook on the Sanitary Commission., Housed with chromolithograph 5781.F.1.
Creator: P.S. Duval & Son
Date: [1864]
Location: Library Company of Philadelphia | Print Department **W35 (variant) [(2)5781.F.53c]

Title: [Trade cards for Ehrgott, Fobriger & Co.]
Description: Series of illustrated trade cards for the Cincinnati lithographers, engravers, and printers. Imagery includes an allegorical female figure seated near objects symbolic of the arts and sciences, including a paint palette, compass, globe, and books and scenes of a farmer at his plow, a traveling locomotive, and sailing vessels on the ocean. Other pictorial details include ornate frames surrounding advertising text. Frames contain scrolls and bunches of grapes. The premier firm established in 1856 operated as Ehrgott, Fobriger & Co. between 1860 and 1869., Title supplied by cataloger., Color lithographs printed in either blue, green, or violet ink., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [1860-1869]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.146e, h, j- l & o]

Title: [Trade cards for Ehrgott, Fobriger & Co.]
Description: Series of illustrated trade cards for the Cincinnati lithographers, engravers, and printers. Imagery includes an allegorical female figure seated near objects symbolic of the arts and sciences, including a paint palette, compass, globe, and books and scenes of a farmer at his plow, a traveling locomotive, and sailing vessels on the ocean. Other pictorial details include ornate frames surrounding advertising text. Frames contain scrolls and bunches of grapes. The premier firm established in 1856 operated as Ehrgott, Fobriger & Co. between 1860 and 1869., Title supplied by cataloger., Color lithographs printed in either blue, green, or violet ink., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [1860-1869]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.146e, h, j- l & o]

Title: Abraham Lincoln
Description: Proof of a bust-length portrait of the sixteenth president of the United States. Lincoln, attired in a white collared shirt, a black bowtie, waistcoat, and jacket, faces right. Also contains a color bar., Title and date from duplicate in the special collections of the Grand Valley State University, Allendale, Michigan., Originally part of a McAllister scrapbook of materials related to Abraham Lincoln. McAllister Collection, gift, 1886., Created postfreeze., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wynkoop, John J.
Date: [1865]
Location: Library Company of Philadelphia | Print Department *portrait prints - L [5792.F.85]

Title: P.S. Duval, Son & Co. Designers & lithographer Philadelphia Portraits & all subjects of fine arts executed in chromo
Description: Frontispiece advertisement containing a Western-themed scene set within a mirror-shaped panel with Victorian details. Scene shows a canyon valley in which miners prepare to depart from their log cabin base. The men sit on logs and a wagon loaded with small crates, carry picks, and engage in discussion. In the background, miners pick at rocks near a waterfall emptying into a stream within the valley. The oval-shape image is bordered by the figure of a Native American man holding a gun and a pipe, and an African American man holding a hoe, smoking a pipe, and seated next to a plant on the base of the panel. Floral details and an American flag adorn the upper frame of the oval. The Duval firm operated under the name P.S. Duval & Son or P.S Duval, Son & Co. circa 1857-circa 1879., Not in Wainwright., Published in Edwin Freedley's Philadelphia and its manufactures: a hand-Book of the great manufactories and representative mercantile houses of Philadelphia, in 1867 (Philadelphia: Edward Young & Co., 1867(Philadelphia: Edward Young & Co., 1867), frontispiece., Philadelphia on Stone, POSA 71
Creator: P.S. Duval & Son
Date: [1867]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1867 Free 55213.O.frontispiece

Title: [Advertisement calendar for printer]
Description: Advertisement calendar for 1858 containing classical figures, patriotic imagery, and scenes of a printer's establishment. Imagery includes the allegorical figures for art, music, prosperity, commerce, and time; the American eagle, shield, and flag; birds; cherubs; water sprites; and floral ornamentations. Scenes show artisans at work at lithographic and printing presses, a woman colorist, an artist at his drawing table, and a printer choosing typeface. Other pictorial elements depict symbols of art, trade, and industry, including a palette, globe, and bust. Filigree borders several of the images., Not in Wainwright., Name of possible printer from manuscript note on verso., Inset cut in upper portion of print., Philadelphia on Stone, POSA 3, Originally part of Charles A. Poulson's scrapbooks of illustrations of Philadelphia.
Date: [1858]
Location: Library Company of Philadelphia | Print Department *BW - Advertisements - C [(2)1525.F.3]

Title: Hall & Carpenter. Tin plate & metals. 709 Market St. Philadelphia
Description: Advertisement calendar for 1873 promoting the tin plate firm founded in 1867 by Augustus R. Hall and George W. Carpenter. Products advertised include spelter, antimony, pig copper, pig lead, pig tin, sheet iron, sheet zinc, sheet copper, bolt copper, rivets and brass, copper, iron, and steel wire. Contains filigree accents. Firm continued after the death of Carpenter in 1883., Not in Wainwright., Philadelphia on Stone, POSP 104, Gift of Helen Beitler.
Date: 1873
Location: Library Company of Philadelphia | Print Department *BW - Advertisements - H [P.2002.67.72]

Title: Entered apprentice. Fellow-craft. Master mason
Description: Print containing masonic iconography to depict the three degrees of Freemasonry. Shows emblems and vignettes representing the benevolent fraternal organization, including the "Three Graces" of Faith, Hope, and Charity; the "Three Pillars," i.e., Ionic, Doric, and Corinthian columns of ancient Greek architecture, representing wisdom, strength, and beauty; allegorical figures and symbols of time, justice, and truth; the theological ladder; mosaic pavement; the masonic charter, by laws, constitution, apron, plumb, square, level, and compass; the Holy Scripture and eye of God; the high hill and low vale; symbols of industriousness; and tools of masonry. Also includes a lamb (i.e., innocence), the three steps of life, a coffin, and pot of incense (i.e., pure heart)., Philadelphia on Stone, POSP 65, Gift of David Doret.
Creator: Rosenthal, L. N. (Louis N.), lithographer
Date: c1864
Location: Library Company of Philadelphia | Print Department *BW - Organizations [P.2006.31.12]

Title: [Proofs after plates from McKenney and Hall's "History of the Indian Tribes of North America"]
Description: Series of three proof, possibly trial, prints after plates from the seminal work about early 19th-century Native American culture containing 117 portraits, several after paintings by Charles Bird King. Depicts No. 3 "Mo-Hon-Go, An Osage Woman"; No. 4 Shar- I-Tar-Ish, A Pawnee Chief; and No. 6 "Se-Quo-Yah, Inventor of the Cherokee Alphabet." Plates possibly trials for the Rice & Rutter edition published 1865-1870., Title supplied by cataloger., Contain registration marks., Contain plate numbers., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.63a & 64a&b]

Title: [Proofs after plates from McKenney and Hall's "History of the Indian Tribes of North America"]
Description: Series of three proof, possibly trial, prints after plates from the seminal work about early 19th-century Native American culture containing 117 portraits, several after paintings by Charles Bird King. Depicts No. 3 "Mo-Hon-Go, An Osage Woman"; No. 4 Shar- I-Tar-Ish, A Pawnee Chief; and No. 6 "Se-Quo-Yah, Inventor of the Cherokee Alphabet." Plates possibly trials for the Rice & Rutter edition published 1865-1870., Title supplied by cataloger., Contain registration marks., Contain plate numbers., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.63a & 64a&b]

Title: John H. Pray, Sons & Co. Importers of and dealers in carpetings oil cloths, &c. Nos 192 Washington, 23 Franklin & 63 Hawley sts French & English carpets of the choicest style and manufacture constantly on hand. Best American goods viz: "Lowell" "Hartford" "Bigelow" "Roxbury" and other leading manufactures at agent prices. An extensive assortment always in stock at the lowest trade prices
Description: Advertisement calendar for the year 1870 containing a whimsical tromp l'oeil design composed of ornate carpets and rugs. Rolled and partially rolled carpets surround the calendar and advertising text. Two rugs adorn the lower corners. Patterns and scenes decorating the floor coverings include flowers, cherubs, vinery, geometric shapes and scenes showing a hunted elephant and a lounging dog. Pray, Sons & Co. was established in 1817., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1869]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.96]

Title: [Biblical animal collecting cards]
Description: Series of six titled collecting cards depicting views of animals cited in the Old Testament of the Bible. Includes "The Bear"; "The Lion"; "The Wild Roe"; "The Wild Ass"; "The Blackbird"; and "The Wild Goat". Views contain landscape settings, including ledges, mountains, and trees. Blackbird view includes a bird's nest and lion view includes cubs. Majority of the cards also contain the Biblical passage referencing the animal depicted., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.58a-f]

Title: Jacob Haehnlen's lithographic and steam power letter press printing rooms. Goldsmith's Hall, Library Street, opposite post office, Philadelphia. 1867-1868 All kinds of commercial & fancy printing executed promptly. Keep in stock the largest & most varied assortment of wine, liquor, druggists, perfumery & fancy labels and show cards in the United States. Several styles of pharmacy & physicians labels kept on hand of the latest publications, importer, dealer & manufacturer of fancy paper, ornaments, sachets &c. All kinds of materials for printers & lithographers
Description: Advertisement calendar for 1867 and 1868 containing a filigree border surrounding a view of the exterior of the six-story brownstone and print shop owned by lithographer Haehnlen at 420 Library Street. Signage advertising the "lithographic establishment" adorns the doorway, front, and side of "Goldsmith's Hall." Building also adorned with large display windows and an American flag. View includes street and pedestrian traffic. Pedestrians walk and stand on the sidewalk. Horse-drawn wagons and drays pass in the street. Shop included salesrooms and offices, a machine shop, a drying room, lithographic presses, and card, handbill, and pamphlet printing presses. Haehnlen established his own studio at Goldsmith's Hall in 1866 and operated his business from all but the first floor. He sold his shop to the firm Lehman & Bolton in 1873. Building destroyed by fire on December 20, 1882., Not in Wainwright., Manuscript note on recto: Manuscript note on recto: Gold Smith Hall erected by L.J. Dreer 1851., Philadelphia on Stone, POSA 44, Smithsonian Institution NMAH H&CL - Harry T. Peters America on Stone Collection [DL *60.3090]
Date: [1866]
Location: Smithsonian Institution | NMAH Home and Community Life Collection SI NMAH H&CL - Harry T. Peters America on Stone Collection [DL *60.3090]

Title: [Label specimens]
Description: Series of labels, primarily textile (wool, silk, mohair), containing allegorical, patriotic, and nationalistic vignettes and pictorial details. Vignettes and details depict Vice Admiral Cuthbert Collingwood, coats of arms, the female allegorical figure of Columbia, and a view of a flock of sheep among a grove of trees. Brands represented include Bradford Make, Collingwood Brand, Favorite Ottoman Reversible, Lady Washington, and Royal Shawl., Title supplied by cataloger., Print P.9399.285 stamped on recto: Wm. S. Skinner. David M. Test., Originally part of Specimens Album [P.9349]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1860-ca. 1870]
Location: Library Company of Philadelphia | Print Department Specimens Album Loose Prints Collection - Label Specimens [P.9349.275, 285-286, 289, 322, 337, 355, 420 & 435]

Title: Atlantic Petroleum Storage Company for refined oil. Empire stores for crude oil Warehouse: Point Breeze. Office: 115 Walnut Street} Philadelphia
Description: Advertisement containing a view of the company's oil storage facilities at Point Breeze on the Schuylkill River, a plan of the grounds by Hexamer, and text describing the facilities. View depicts sailing ships docked at the wharves adjoining the "refined" and "crude" oil warehouses. Horse-drawn carriages travel on River Road toward the wharves. Individuals mill along the banks and on the wharves. The "Garden Farm" is visible in the background. Hexamer plan contains 7 numbered buildings, including the oil warehouses, crude oil wharf, and office in addition to cooper shops, crude oil tanks, and the railroad. Also identifies the surrounding plots of land including, the Garden Farm, Empire Stores for Crude Oil, Farmland of the Atlantic Petroleum Storage Co., and B.J. Crew's Atlantic Petroleum Refinery. Advertising text promotes the experience and care of the "those having charge of the business" and the erection of "large and commodious" warehouses and docks. It describes the warehouses and docks of the "Crude and Refined Oil Departments," including their length, capacity, and construction. Text also describes the safety of the property from fire due to the separation of the warehouses, tanks and docks in addition to the beneficial proximity of the warehouses to the Pennsylvania Central, and Philadelphia and Erie railroads in allowing a direct connection to the oil regions of the West as well as preventing the loss and destruction of oil from leaks and the sun., Also contains a list of the company's board of directors and officers for 1866. Philadelphia members include James A. Wright, Wm. G. Warden, and Clement A. Griscom. Atlantic was founded by Charles Lockhart and William Warden in 1866 and renamed Atlantic Refining in 1870. The firm was purchased by John D. Rockerfeller in 1874 for incorporation into Standard Oil., Not in Wainwright., Digitized for AMD: Global Commodities., Philadelphia on Stone, POS 31, Reproduced and described in Edwin Wolf 2nd and Marie Lena Korey, eds. Quarter of a Millennium (Philadelphia: The Library Company of Philadelphia, 1981) entry #178., Free Library of Philadelphia: Oversize Philadelphiana - Refineries, Oil, Possibly Wainwright 295.
Date: [1866]
Location: Library Company of Philadelphia | Print Department **BW-Industries [P.2145]

Title: Birds-eye view of property on Alleghany Avenue Philadelphia 25th Ward formerly 19th looking S.E. from Frankford Road
Description: Bird's eye view designed as a grid plan looking southeast from Frankford Road (Northeast Philadelphia) toward the Delaware River showing the city between Westmoreland Street and a few blocks south of Columbia Street. Predominately depicts the open land surrounding the Aramingo Canal, Reading Railroad Depot between Lehigh Avenue and Somerset Street, and the Philadelphia, Trenton, and New York Railroad line. A few dwellings, churches, and other structures comprise the landscape with clusters and heavier congestion of buildings visible near Columbia Street. In the foreground, dwellings, most with plots of ground, a church, and the "Second & Third Street Passenger Railway Depot" line Frankford Road. Two street cars, one marked "Second & Third St.," travel in the street. In the background, congested blocks of buildings forms the majority of the cityscape. View also includes the Port Richmond railroad terminus; a train traveling on the Philadelphia, Trenton and New York Railroad line; locomotives pulling coal cars on the Reading Railroad line; industrial buildings; a small number of trees; and street names. The 25th Ward comprised of parts of the 19th and 23rd wards was formed in 1861. View possibly related to the Junction project, a project commissioned by the Philadelphia, Wilmington and Baltimore, the Pennsylvania, and the Reading Railroad to create a non-stop route between New York and Washington. By 1863, a stop gap all-rail passenger service through Philadelphia had been initiated., Copyrighted by R. Weir., Publication information supplied by duplicate in the collections of the Historical Society of Pennsylvania., Philadelphia on Stone, POS 54, Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania:
Creator: Boell, William
Date: [c1863]
Location: Library Company of Philadelphia | Print Department **W29 [P.2013]

Title: Home run quick step Respectfully dedicated to the members of the Mercantile Base Ball Club of Philada. by John Zebley, Jr
Description: Sheet music cover containing a view of a baseball game surrounded by an ornate border. View shows six players on the field, possibly during practice, as a group of male and female spectators watches the action from under and near a tent adorned with a "M. B. B. C." flag. Border contains two baseball players, one holding a ball and the other holding a bat; baseball paraphernalia including balls, bats, a cap, and belt; mountain ranges, trees, and vines. Mercantile Base Ball Club was organized circa 1859 with its playing ground at 18th and Master streets., Price printed on recto: 4., Philadelphia on Stone, POS 356, Historical Society of Pennsylvania: Bb 07 B 291
Date: [1861]
Location: Historical Society of Pennsylvania HSP Bb 07 B 291

Title: In defence [sic] of the Union and the Constitution. [certificate]
Description: Certificate, containing an allegorical scene, issued in recognition of the military service of Pennsylvania volunteers during the Civil War. Shows the female allegorical figure of Columbia (i.e., United States), her head covered by the American flag, holding laurel wreaths and the Constitution in her outstretched hands, as she stands over a woman huddled on the ground with her children. To the left, a soldier, holding a rifle, stands on his guard, in front of them, while at his feet lay the ruins of a cannon. In the background, Independence Hall, cityscape, and the masts of ships are visible. Also includes a gold border with ornamental details, American eagles, and a variation of the Pennsylvania state seal., Philadelphia on Stone, POS 371, Historical Society of Pennsylvania: Bc 525 S 395, Muringer, a French-born lithographer, was probably the father-in-law of Christian Schussele who was married to still life artist Cecelia Muringer Schussele.
Creator: Muringer, Caspar, artist
Date: c1861
Location: Historical Society of Pennsylvania HSP Bc 525 S 395

Title: Buildings of the Great Central Fair, in aid of the U. S. Sanitary Commission Logan Square, Philadelphia, June 1864
Description: Bird's-eye view of the exhibition grounds at Logan Square that was printed and for sale daily by P.S. Duval's establishment at the fair. Shows the square and surrounding cityscape from the northwest, including the Cathedral of Saints Peter and Paul. Trees are visible beside the buildings and line the outside of the square where throngs of people walk the sidewalk and crowd the fair entrances. Horse-drawn vehicles, including carriages and omnibuses travel the streets and park along the grounds. Also shows deer and a peacock grazing in a pasture near the tented rotunda of the Horticultural Department. American flags labeled "U.S.S.C." adorn all of the buildings. Wrigley designed the majority of the fair buildings except for the central thoroughfare, which was designed by Strickland Kneass. The Great Central or Sanitary Fair of June 1864, displayed art, craft, and historical exhibits to benefit the soldier relief organization, the U.S. Sanitary Commission., Philadelphia on Stone, POS 66, Accompanied by souvenir card (2)5781.F.53c., Originally part of a McAllister scrapbook about the Sanitary Commission., Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Bc8 D983., Free Library of Philadelphia - Oversize Philadelphiana - Fairs, festivals (4 copies)
Creator: Queen, James Fuller, 1820 or 21-1886, artist
Date: 1864
Location: Library Company of Philadelphia | Print Department **W35 [5781.F.1]

Title: Buildings of the Great Central Fair, in aid of the U. S. Sanitary Commission Logan Square, Philadelphia, June 1864
Description: Bird's-eye view of the exhibition grounds at Logan Square that was printed and for sale daily by P.S. Duval's establishment at the fair. Shows the square and surrounding cityscape from the northwest, including the Cathedral of Saints Peter and Paul. Trees are visible beside the buildings and line the outside of the square where throngs of people walk the sidewalk and crowd the fair entrances. Horse-drawn vehicles, including carriages and omnibuses travel the streets and park along the grounds. Also shows deer and a peacock grazing in a pasture near the tented rotunda of the Horticultural Department. American flags labeled "U.S.S.C." adorn all of the buildings. Wrigley designed the majority of the fair buildings except for the central thoroughfare, which was designed by Strickland Kneass. The Great Central or Sanitary Fair of June 1864, displayed art, craft, and historical exhibits to benefit the soldier relief organization, the U.S. Sanitary Commission., Philadelphia on Stone, POS 66, Originally part of a McAllister scrapbook about the Sanitary Commission., Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Bc8 D983.
Creator: Queen, James Fuller, 1820 or 21-1886, artist
Date: 1864
Location: Library Company of Philadelphia | Print Department **W35 [5781.F.2]

Title: Buildings of the Great Central Fair, in aid of the U. S. Sanitary Commission Logan Square, Philadelphia, June 1864
Description: Bird's-eye view of the exhibition grounds at Logan Square that was printed and for sale daily by P.S. Duval's establishment at the fair. Shows the square and surrounding cityscape from the northwest, including the Cathedral of Saints Peter and Paul. Trees are visible beside the buildings and line the outside of the square where throngs of people walk the sidewalk and crowd the fair entrances. Horse-drawn vehicles, including carriages and omnibuses travel the streets and park along the grounds. Also shows deer and a peacock grazing in a pasture near the tented rotunda of the Horticultural Department. American flags labeled "U.S.S.C." adorn all of the buildings. Wrigley designed the majority of the fair buildings except for the central thoroughfare, which was designed by Strickland Kneass. The Great Central or Sanitary Fair of June 1864, displayed art, craft, and historical exhibits to benefit the soldier relief organization, the U.S. Sanitary Commission., Philadelphia on Stone, POS 66, Gift of E. Perot Walker., Historical Society of Pennsylvania: Bc8 D983.
Creator: Queen, James Fuller, 1820 or 21-1886, artist
Date: 1864
Location: Library Company of Philadelphia | Print Department **W35 [P.8695]

Title: Union Volunteer Refreshment Saloon and Hospital. [graphic] / F.J. Queen, del. & lith.
Description: P.2002.50.4 issued October 4, 1862 for one box of lint. Signed by F. B. Wade, Secretary., Inscribed on recto of 5778.F.24c: Over 10,000 of these issued to children & others for lint & sanitary stores, bandages, etc. Sam B. Fales., Inscribed on verso of 5778.F.24c: John A. McAllister, Esq. from S.B. Fales., Created postfreeze., One of the images originally part of a McAllister scrapbook of materials related to the Cooper Shop and Union Volunteer Saloons and Hospitals., Certificate containing an exterior view of the buildings of the Civil War volunteer relief agency and an interior scene with an injured soldier. View shows soldiers arriving and departing from the saloon and hospital near the waterfront. Scene shows a soldier seated on his bed receiving boxes of lint from a girl and boy who are attired in red, white, and blue. A picnic-like display of fruit, jars of jams, and a basket of bottles lays on the floor. Also includes the names of the committee members.
Creator: Queen, James Fuller, 1820 or 1821-1886, lithographer., creator
Date: [ca. 1862]
Location: Library Company of Philadelphia Print Dept. Philadelphia certificates - Hospitals - Union [5778.F.24c: P.2002.50.4]

Title: Citizens Volunteer Hospital. Corner of Broad St. and Washington Avenue. [graphic] / Drawn & lith. by James Queen, Philada.
Description: Wainwright retrospective conversion project., Historical Society of Pennsylvania: Bc 15 C 581, Originally part of a McAllister scrapbook of material concerning Civil War volunteer saloons and hospitals., Fundraising certificate containing views of the exterior and interior of the volunteer hospital opened September 5, 1862 opposite the Philadelphia, Wilmington, and Baltimore Railroad depot. Exterior view shows civilians and a troop of Union soldiers standing in front of the hospital as a train arrives. Interior view shows rows of beds lining a central hallway. Women volunteers attend to bed-ridden soldiers and set a long table for a meal. Framed by decorative motifs including the seal of Philadelphia; angels hovering above an able-bodied and an injured soldier in front of columns inscribed "The Glory of the Volunteer"; American flags; and floral elements. The hospital provided care to the most seriously injured before their reassignment to other hospitals. Closed on August 11, 1865.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator
Date: [1862]
Location: http://www.lcpgraphics.org/wainwright/W068.htm, Library Company of Philadelphia Print Dept. *W68 [5778.F]

Title: Patriotic souvenir pies.
Description: Originally part of a McAllister scrapbook of Civil War miscellanies., Series of four, titled military-themed souvenir pies containing eight panels printed with illustrations corresponding to verse printed on the verso that promotes patriotism, bravery, honor, chivalry, duty and piety. Contains "History of The Soldier Lad Folded in What He Best Loves, The Stars and Stripes, Red, White, and Blue" depicting a soldier's tour of duty including his farewell to his family, his fighting in battle, his promotion to Captain, and his celebrated return home; "The Sailor Boy" depicting the life of a powder boy including a farewell to his mother, nightly prayers, performing bravely during battle, and a hero's welcome home; "The Soldier Boy" depicting a boy's life before and after entering the military including school studies, his father questioning his future profession, his joining the army as a drummer boy, and his father recognizing the honor in his son's brave service to protect his country; and "The Union Forts" depicting and describing the location of Fort Sumter, Fort Morgan, Fort Lafayette, Fort Wagner, Roanoke Island, Fort Donelson, and Fortress Monroe.
Creator: Strong, Thomas W., creator
Date: c1864.
Location: Library Company of Philadelphia Print Dept. *GC - Civil War [(2)5786.F.7a&b; 9a&b]

Title: Independence Square recruiting camps. [graphic]. James Queen del.
Description: Printed on recto: Childrens Central Clothing Emporium. M. Shoemaker No. 2 North Eighth Street Philadelphia., Wainwright retrospective conversion project., Select link below to view a digital image., Originally part of a McAllister scrapbook of Civil War miscellanies., Tradecard depicting well-dressed children on the central promenade of Independence Square when used as Camp Independence, Civil War recruitment camp, in September and October 1862. Tents manned by soldiers line the promenade and the children who carry drums, flags, and a hoop, walk between a group of men and a mother and son. Mary Shoemaker operated from 2 North Eighth Street circa 1862-circa 1864.
Creator: Queen, James Fuller, 1820 or 21-1886 lithographer., creator
Date: 1862.
Location: http://www.lcpgraphics.org/wainwright/W183.htm, Library Company of Philadelphia Print Dept. W183 [(2)5786.F.138b]

Title: Citizens Volunteer Hospital. Corner of Broad St. and Washington Avenue. [graphic] / Drawn & lith. by James Queen, Philada.
Description: Wainwright retrospective conversion project., Historical Society of Pennsylvania: Bc 15 C 581, Originally part of a McAllister scrapbook of material concerning Civil War volunteer saloons and hospitals., Fundraising certificate containing views of the exterior and interior of the volunteer hospital opened September 5, 1862 opposite the Philadelphia, Wilmington, and Baltimore Railroad depot. Exterior view shows civilians and a troop of Union soldiers standing in front of the hospital as a train arrives. Interior view shows rows of beds lining a central hallway. Women volunteers attend to bed-ridden soldiers and set a long table for a meal. Framed by decorative motifs including the seal of Philadelphia; angels hovering above an able-bodied and an injured soldier in front of columns inscribed "The Glory of the Volunteer"; American flags; and floral elements. The hospital provided care to the most seriously injured before their reassignment to other hospitals. Closed on August 11, 1865.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator
Date: [1862]
Location: http://www.lcpgraphics.org/wainwright/W068.htm, Library Company of Philadelphia Print Dept. *W68 [5778.F]

Title: Independence Square recruiting camps. [graphic]. James Queen del.
Description: Printed on recto: Childrens Central Clothing Emporium. M. Shoemaker No. 2 North Eighth Street Philadelphia., Wainwright retrospective conversion project., Select link below to view a digital image., Originally part of a McAllister scrapbook of Civil War miscellanies., Trade card depicting well-dressed children on the central promenade of Independence Square when used as Camp Independence, Civil War recruitment camp, in September and October 1862. Tents manned by soldiers line the promenade and the children who carry drums, flags, and a hoop, walk between a group of men and a mother and son. Mary Shoemaker operated from 2 North Eighth Street circa 1862-circa 1864.
Creator: Queen, James Fuller, 1820 or 21-1886 lithographer., creator
Date: 1862.
Location: http://www.lcpgraphics.org/wainwright/W183.htm, Library Company of Philadelphia Print Dept. W183 [(2)5786.F.138b]

Title: P.S. Duval & Son's lithographic establishment, s.w. corner of 5th & Minor sts. (near Chestnut.) Philadelphia
Description: Advertisement containing a view of a chemistry laboratory during the middle ages. Shows the chemist and his assistants performing experiments surrounded by flasks of chemical solutions, books, a cauldron, and a fish hanging from the ceiling. Scene surrounded by an ornate border containing flags, flowers, chemical packets, and equipment used in chemistry including flasks, mortars, and burners. Also contains advertising text lithographed on the verso announcing the employment by Duval & Son of James Queen as superintendent of their drawing department. Text also promotes the ability of the firm to "execute any style of work" including portraits, anatomical and engineer drawings, views of factories, show cards, bill heads, and circulars., Originally part of a McAllister scrapbook of Civil War miscellanies., Philadelphia on Stone, POSA 121
Creator: P.S. Duval & Son
Date: [ca. 1861]
Location: Library Company of Philadelphia | Print Department BW - Advertisements - D [(2)5786.F.121a]

Title: Grand Union ball in honor of the recent brilliant victories achieved by the land and naval forces of the United States, at the Academy of Music, Tuesday evening, March 4, 1862
Description: Advertisement containing a gothic-style ornamental border surrounding text providing the date of the ball, names of sponsors, ticket information, and entertainment details. Border includes vignettes of cherubs; allegorical figures representing the arts including painting, sculpture, and music; a portrait of George Washington; a mythical scene; and a view. Scene shows a bare-chested woman on a horse being attacked by a tiger surrounded by symbols of industry, science, and the humanities. View shows a seventeenth-century landing party aboard a skiff. Sponsors include Alexander Henry, Commodore C.J. Pendegrast, and Capt. W.S. Ogden. Master of Ceremonies was M[iecislaw] Hlasko (a dancing and gymnastics teacher who offered drill classes at his physical institute) and music was under the direction of the Hassler Brothers., Philadelphia on Stone, POSP 97, Originally part of a McAllister scrapbook of Civil War miscellanies.
Creator: Weeber, L., lithographer
Date: [1862]
Location: Library Company of Philadelphia | Print Department *BW - Advertisements - A [(2)5786.F.147a]

Title: French spy
Description: Label, possibly for tobacco, containing a scene showing a white man with sword in hand threatening a black man on the ground, his sword laying at his side. The men wear Arabian and Middle Eastern- looking garb, including turbans, tunics, and sandals. Imagery possibly alludes to the J. T. Haine's play "The French Spy" first performed circa 1860., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Labels [P.2011.10.169]

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