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Title: Buildings of the Great Central Fair, in aid of the U. S. Sanitary Commission Logan Square, Philadelphia, June 1864
Description: Bird's-eye view of the exhibition grounds at Logan Square that was printed and for sale daily by P.S. Duval's establishment at the fair. Shows the square and surrounding cityscape from the northwest, including the Cathedral of Saints Peter and Paul. Trees are visible beside the buildings and line the outside of the square where throngs of people walk the sidewalk and crowd the fair entrances. Horse-drawn vehicles, including carriages and omnibuses travel the streets and park along the grounds. Also shows deer and a peacock grazing in a pasture near the tented rotunda of the Horticultural Department. American flags labeled "U.S.S.C." adorn all of the buildings. Wrigley designed the majority of the fair buildings except for the central thoroughfare, which was designed by Strickland Kneass. The Great Central or Sanitary Fair of June 1864, displayed art, craft, and historical exhibits to benefit the soldier relief organization, the U.S. Sanitary Commission., Philadelphia on Stone, POS 66, Originally part of a McAllister scrapbook about the Sanitary Commission., Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Bc8 D983.
Creator: Queen, James Fuller, 1820 or 21-1886, artist
Date: 1864
Location: Library Company of Philadelphia | Print Department **W35 [5781.F.2]

Title: Buildings of the Great Central Fair, in aid of the U. S. Sanitary Commission Logan Square, Philadelphia, June 1864
Description: Bird's-eye view of the exhibition grounds at Logan Square that was printed and for sale daily by P.S. Duval's establishment at the fair. Shows the square and surrounding cityscape from the northwest, including the Cathedral of Saints Peter and Paul. Trees are visible beside the buildings and line the outside of the square where throngs of people walk the sidewalk and crowd the fair entrances. Horse-drawn vehicles, including carriages and omnibuses travel the streets and park along the grounds. Also shows deer and a peacock grazing in a pasture near the tented rotunda of the Horticultural Department. American flags labeled "U.S.S.C." adorn all of the buildings. Wrigley designed the majority of the fair buildings except for the central thoroughfare, which was designed by Strickland Kneass. The Great Central or Sanitary Fair of June 1864, displayed art, craft, and historical exhibits to benefit the soldier relief organization, the U.S. Sanitary Commission., Philadelphia on Stone, POS 66, Gift of E. Perot Walker., Historical Society of Pennsylvania: Bc8 D983.
Creator: Queen, James Fuller, 1820 or 21-1886, artist
Date: 1864
Location: Library Company of Philadelphia | Print Department **W35 [P.8695]

Title: Home run quick step Respectfully dedicated to the members of the Mercantile Base Ball Club of Philada. by John Zebley, Jr
Description: Sheet music cover containing a view of a baseball game surrounded by an ornate border. View shows six players on the field, possibly during practice, as a group of male and female spectators watches the action from under and near a tent adorned with a "M. B. B. C." flag. Border contains two baseball players, one holding a ball and the other holding a bat; baseball paraphernalia including balls, bats, a cap, and belt; mountain ranges, trees, and vines. Mercantile Base Ball Club was organized circa 1859 with its playing ground at 18th and Master streets., Price printed on recto: 4., Philadelphia on Stone, POS 356, Historical Society of Pennsylvania: Bb 07 B 291
Date: [1861]
Location: Historical Society of Pennsylvania HSP Bb 07 B 291

Title: In defence [sic] of the Union and the Constitution. [certificate]
Description: Certificate, containing an allegorical scene, issued in recognition of the military service of Pennsylvania volunteers during the Civil War. Shows the female allegorical figure of Columbia (i.e., United States), her head covered by the American flag, holding laurel wreaths and the Constitution in her outstretched hands, as she stands over a woman huddled on the ground with her children. To the left, a soldier, holding a rifle, stands on his guard, in front of them, while at his feet lay the ruins of a cannon. In the background, Independence Hall, cityscape, and the masts of ships are visible. Also includes a gold border with ornamental details, American eagles, and a variation of the Pennsylvania state seal., Philadelphia on Stone, POS 371, Historical Society of Pennsylvania: Bc 525 S 395, Muringer, a French-born lithographer, was probably the father-in-law of Christian Schussele who was married to still life artist Cecelia Muringer Schussele.
Creator: Muringer, Caspar, artist
Date: c1861
Location: Historical Society of Pennsylvania HSP Bc 525 S 395

Title: Our relations at home and abroad.
Description: Stephen's album drolleries no. 1., Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War. First nine cards show the British "surly lion" giving a "generous roar," (i.e., the recognition by Great Britain of the Confederacy); which "temporarily astonishes" the "Gallic Cock"; who eventually overpowers the lion; who later weeps "is he not a bird and brother" for a crow, (i.e. a slave of the South) at Exter Hall; "which he forgets in the embrace of the "Belligerent Wolf of the C.S.A." while stepping on the crow; which leads to his "arming of the wolf"; while the Mexican vulture is garroted by the Gallic cock (i.e., French intervention in Mexico); causing the lion to protect his rams with the introduction of the "Swamp Angel" and Greek fire,( i.e. the bombing of Charleston) by the American eagle; which causes the "grand combat" between the eagle and the wolf. Last three cards predict "to consult history" to see the Union victory of the eagle over the wolf; the eagle vindicating the Monroe Doctrine in Mexico by overthrowing the Gallic cock; and the little child Liberty leading the supplicant British lion and Gallic cock., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55a-l]

Title: Exeter Hall. The Lion weeps: "Is he not a bird and a brother?" [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the lion who weeps "is he not a bird and brother" for a crow, (i.e. a slave of the South) at Exter Hall. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55i]

Title: Grand tableau of the future. The little child, Liberty, shall lead them. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the little child Liberty leading the supplicant British lion and Gallic cock. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55a]

Title: For the precise period at which this occurred, consult history. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the victory of the eagle over the wolf. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55c]

Title: The Eagle vindicates the Monroe Doctrine in Mexico. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the eagle vindicating the Monroe Doctrine in Mexico by overthrowing the Gallic cock. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55b]

Title: Introduction of Master Swamp Angel: the Lion pockets his Rams. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the lion protecting his rams with the introduction of the "Swamp Angel" and Greek fire, ( i.e. the bombing of Charleston) by the American eagle. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55e]

Title: Grand combat between the Eagle and the Wolf. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the eagle and the wolf fighting. The lion hangs out of a window above the fight scene, near the words "police ; murder". Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55d]

Title: The arming of the Wolf by his faithful squire. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the lion arming the wolf. The wolf stands with one foot on the lap of the lion, who is fixing his boots. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55g]

Title: Which temporarily astonished even the Gallic Cock. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the British lion roaring and astonishing the Gallic cock. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55k]

Title: Who responded with warlike vigor when the Lion caved. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the Gallic cock overpowering the British lion. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55j]

Title: The Mexican Vulture garroted by the Gallic Cock. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., The Gallic cock is strangling the Mexican vulture and has his knife raised, about to stab him in this scene (i.e., French intervention in Mexico). Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55f]

Title: On England's muggy shore a surly lion gave a grievous roar! [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the British lion roaring from the coast of England, with the "Trent" (RMS Trent of the Trent Affair) steamship afloat in the background. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55l]

Title: Which he forgets in the embrace of the belligerent Wolf of the C.S.A. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the lion and the wolf shaking hands, and stepping on the crow. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55h]

Title: Stephens' album drolleries no. 1 Our relations at home and abroad
Description: Collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War. First nine cards show the British "surly lion" giving a "generous roar," (i.e., the recognition by Great Britain of the Confederacy); which "temporarily astonishes" the "Gallic Cock"; who eventually overpowers the lion; who later weeps "is he not a bird and brother" for a crow, (i.e. an enslaved person of the South) at Exeter Hall; "which he forgets in the embrace of the "Belligerent Wolf of the C.S.A." while stepping on the crow; which leads to his "arming of the wolf"; while the Mexican vulture is garroted by the Gallic cock (i.e., French intervention in Mexico); causing the lion to protect his rams with the introduction of the "Swamp Angel" and Greek fire, (i.e. the bombing of Charleston) by the American eagle; which causes the "grand combat" between the eagle and the wolf. Last three cards predict "to consult history" to see the Union victory of the eagle over the wolf; the eagle vindicating the Monroe Doctrine in Mexico by overthrowing the Gallic cock; and the little child Liberty leading the supplicant British lion and Gallic cock., Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Date from copyright statement by William A. Stephens., Originally part of a McAllister scrapbook of humorous caricatures and photographs. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Queen, a Philadelphia lithographer and pioneer chromolithographer known for his attention to detail, served in the Civil War militia from 1862 until 1863, and created several lithographs with Civil War subjects.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer
Date: 1863
Location: Library Company of Philadelphia | Print Department Henry Louis Stephens Collection [5780.F.55a-l]

Title: The adventures of a conscript as told by himself
Description: Collection of twelve numbered and captioned comic cards using humanized animals to portray domestic and military scenes in the life of a conscripted rabbit. Includes cards showing the rabbit reviewing a "Draft" poster and declaring himself a patriot if drafted; the rabbit receiving the "agonizing fact" of his draft notice; his failed attempt to employ a substitute - a "Quack" of a duck rejected by a donkey of a surgeon (Dr. Donkey); his farewell to his love; his "fearful carnage" of the foe; his retreat to make "a sturdy rebel fly"; his successful "perilous duty" to deliver "despatches" to an owl general, including a confrontation by "a band of Gorillas," portrayed as racist caricatures, and his beheading of the Gorilla Chief; his promotion to Brigadier General; and his release from duty to "crown his glory with love" in wedded bliss., Attributed to James Queen after Henry Louis Stephens., Title from series title., Date from copyright statement by William A. Stephens., Originally part of a McAllister scrapbook of humorous caricatures and photographs. McAllister Collection, gift, 1886., Described in Gathering history: The Marian S. Carson Collection of Americana. (Washington, DC: Library of Congress, 1999), p. 91., RVCDC, Description revised 2021., Access points revised 2021., Queen, a Philadelphia lithographer and pioneer chromolithographer known for his attention to detail, served in the Civil War militia from 1862 until 1863, and created several lithographs with Civil War subjects.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer
Date: 1863
Location: Library Company of Philadelphia | Print Department Henry Louis Stephens Collection [5780.F.56a-l]

Title: Journey of a slave from plantation to the battlefield
Description: Collection of twelve titled album (carte-de-visite size) cards depicting the evolution of the life of an African American man from enslavement to a Union soldier. "In the Cotton field" and "The Christmas Week" show his life on the plantation from which he is sold and separated from his family in "The Sale" and "The Parting: 'Buy us too'." His new enslaver whips him in "The Lash," for which he then retaliates in "Blow for Blow." He hides "In the Swamp" and is finally "Free!" to become a Union soldier and "Stand up a Man" to fight in the battlefield to "Make Way for Liberty!" He is struck down in "Victory!" for Liberty, depicted as a white woman, who states as she mourns over his body, "He Died for Me!", Title from series title., Publication information inferred from copyright statement: Entered according to the act of the year 1863 by William A. Stephens in the Clerks' Office of the Dist. Court of the U.S. for the E. Dist. of Pa., Attributed to James Fuller Queen after Henry Louis Stephens., Henry Louis Stephens was a native Philadelphia caricaturist, book, and magazine illustrator who worked in New York in the mid-19th century for the periodical "Frank Leslie's." His brother William Allen Stephens served as his business manager., Described in Gathering history: The Marian S. Carson Collection of Americana. (Washington, DC: Library of Congress, 1999), p. 26., Original wrapper for the card set held in the collections of the Library of Congress, Washington, D.C. [LOT 5174], Originally part of a McAllister scrapbook of humorous caricatures and photographs. McAllister Collection, gift, 1886., Copyright by William A. Stephens, 1120 Girard Avenue, Philadelphia., Description revised 2023., Access points revised 2023., Queen, a Philadelphia lithographer and pioneer chromolithographer known for his attention to detail, served in the Civil War militia from 1862 until 1863, and created several lithographs with Civil War subjects.
Creator: Queen, James Fuller, 1820 or 21-1886, artist
Date: 1863
Location: Library Company of Philadelphia | Print Department Henry Louis Stephens Collection [(5)5780.F.56m-p; (5)5780.F.57a-h]

Title: Civil War military campaign and battle maps
Description: Maps show troop movements; fortifications and battlegrounds; routes to and from sites of military engagements; headquarters and camps; local architecture; topography, including railroads, rivers, and roadways; state and county lines; towns, cities, and capitals; and vegetation. Two of the maps also include remarks by military surveyor T. Ditterline describing troop movements during the Battle of Gettysburg. Two maps contain portraits of prominent political and Union military figures including President Lincoln, William H. Seward, General George McClellan, General Winfield Scott, and General Robert Anderson., Includes Maps of the District of Columbia, Baltimore with Ft. McHenry, Ft. Monroe and the Atlantic States, with their Rail Road Connections, Coast Lines, &.; A Correct Map of Pensacola Bay Showing Topography of the Coast, Fort Pickens, U. S. Navy Yard and all other Fortifications from the latest Government Surveys; Sketch of Vicinity of Fort Fisher; Plan and Sections of Fort Fisher carried by assault by the U. S. Forces, Maj. Gen. A. H. Terry, Commanding, Jan. 15th, 1865; Colton’s United States Shewing(sic) the Military Stations, Forts &.; Map of the Seat of War, Supplement to P. S. Duval & Son’s Military Map showing the location of the present Military Operations (1861); Map of the Battlefield of Antietam; Battlefield of Chattanooga with the operations of the National Forces under the command of Maj. Gen. U. S. Grant during the battles of Nov. 23, 24 & 25, 1863; Field of Gettysburg, July 1st, 2nd & 3rd, 1863; Map of the Battle Ground of Manassas [i.e., Bull Run] from Actual Surveys by an Officer of Genl. Beauregard’s Staff Shewing [sic] the exact position occupied by Federal & Rebel forces in the battle of 21st July 1861; Battle of Gettysburg Showing the Position of the Two Contending Armies During the First, Second & Third of July 1863; Map of the Southern States including rail roads, county towns, state capitals, county roads, the southern coast from Delaware to Texas, showing the harbors, inlets, forts and position of blockading ships; and Part of Charleston Harbor: embracing Forts Moultrie, Sumter, Johnson, and Castle Pinckney, also Sullivan, James and Morris Islands and showing the position of the Star of the West when fired into from Morris Island. A Civil War era political map of Pennsylvania for the 1863 Governor's race and a Map of The Grounds and Design for the Improvement of The Soldiers’ National Cemetery, Gettysburg, Pa. 1863 also included as part of the collection., Various publishers and lithographers including W. Boell; J.H. Colton; P.S. Duval & Son; Engineer Bureau, War Dept.; Charles G. Kreb; Lithographers' Association of New York; E. Molitor ; L. Prang & Co.; George T. Perry; T.B. Pugh; J.G. Shoemaker; Jacob Weiss; and Benjamin Wrigley., Various surveyors and engineers including Brvt. Brig. Gen. C. B. Comstock; T. Ditterline; William Saunders; Private Otto Julian Schultze; Lt. Wm. H. Willcox; and members of the U.S. Coast Survey, including Captains F. W. Dorr and J. W. Donn, Maj. Morhardt, Capts. Ligowsky, McDowell, Jenney and Lts. Boeckh and Dahl, and U. S. Vol’s. Capt. Preston and C. F. West., Relief shown pictorially and by hachures., Majority of maps include a scale and a compass., Several maps include key to Union and Confederate troop positions., Two maps [5779.F.79a & 80a] contain insets. Insets show Washington, D.C.; Baltimore south to Annapolis, Maryland; Cairo, Illinois to Memphis, Tennessee; Pensacola Bay and the Gulf of Mexico; and the area from Winchester, Virginia to Morgantown, Maryland., Manuscript note on map 5779.F.107a: John A. McAllister from [D. McCoughy?], Originally part of McAllister scrapbooks containing Civil War views and Robert Anderson material., Digitized by Alexander Street Press for Images of the American Civil War.
Date: 1861-1865
Location: Library Company of Philadelphia | Print Department **maps - Civil War military campaign and battle [5779.F.76b; 79a; 80a; 81b; 82a; 83a; 84a; 85b; 86a; 97a; 99a; 107a; 108a; 121a; 5794.F; P.2006.1.28]

Title: Civil War stationery collection
Description: Collection of stationery containing patriotic designs often used on patriotic envelopes, with a majority including a title, slogan, and/or verse. Designs predominately include views of regiment camps; images of soldiers, including battle and camp life scenes; patriotic symbols including flags, eagles, bells, shields, stars and the figure of liberty; portraiture of historic and military figures; and basic designs including stripes, colored edges, and lined borders. Unique designs with assigned LCP numbers include an untitled regiment view showing the soldiers playing baseball, possibly at Abner Doubleday's camp (RE-LCP 35); a view of Poughkeepsie from 1854 (SC-NW-LCP-3); the New York funeral procession for Abraham Lincoln on April 25, 1865 (SC-NW-LCP-4); two designs published by J.W. Barber of New Haven showing bars of music from "My Country Tis of Thee" (O-M-LCP-8) and an allegorical scene of Liberty fighting treason, rebellion, tyranny, and oppression (F-P-LCP-1). Collection also contains a series of seven Charles Magnus hand-colored designs containing birds-eye views and military maps. Views show Fortress Monroe, Old Point Comfort and Hygeia Hotel, Va. and the Capitol. Military maps shows Maryland and Virginia; Virginia between Washington and Manassas Junction; Richmond and Alexandria; Fortress Monroe and Richmond; and the southern coast between Fortress Monroe and New Orleans. Collection also includes a small number of Confederate stationery. Confederates designs include a view of enslaved African American people driving a wagon of supplies to a battlefield and a satire of Abraham Lincoln as an Native American chief. Portraits include George Washington, George McClellan, and Elmer Ellsworth. Three uncut printed proof sheets of patriotic stationery used as ream wrappers and the first style of U.S. postcard (circa 1872) also included as part of the collection., Some copyrighted., Some contain manuscript notes., Various publishers including Philadelphia publishers James Magee and L. N. Rosenthal as well as New York publisher Charles Magnus., Title supplied by cataloger., See William R. Weiss, Jr.'s The catalog of Union Civil War patriotic covers (Bethleham, Pa.: William R. Weiss, 1995). LCP copy annotated to show collection holdings., See the George Walcott collection of used Civil War patriotic covers (New York: Robert Laurence, 1934)., Originally part of a McAllister scrapbook of materials related to the Civil War. McAlliser Collection, gift, 1886., Reproduced in Erika Piola, "For the millions: Civil War stationery for women and children in the McAllister Collection at The Library Company of Philadelphia," The Ephemera journal 13 (2010), [32]., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-1865
Location: Library Company of Philadelphia | Print Department Civil War Stationery [various], Library Company of Philadelphia | Print Department *GC - Civil War - Ream Wrappers [P.2006.1.30a-c]

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