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Title: Pettijohn's breakfast food by the American Cereal Co., address Chicago, U.S.A Everybody can eat it. All the wheat but the overcoat. A delicious and perfect food. Wheat is the natural food of man. "Bear" in mind our trademark. Hold this card up to the light
Description: Thin illustrated trade card depicting a container of Pettijohn's breakfast food. An inverted color container and brown bear printed on verso is visible on recto when held up to the light. The American Cereal Company formed from the merger of several oatmeal millers in 1891., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler., Digitized.
Date: [ca. 1895]
Location: Library Company of Philadelphia | Print Department trade card - Pettijohn's [P.9993.3]

Title: Use ideal cut plug
Description: Illustrated trade card depicting an informal portrait of a woman sitting and lounging in a rocking chair with her hands behind her head and her legs crossed., Advertising text printed on verso: Notice. Coupons for pipes will hereafter be found in every package of ideal cut plug and will received instead of the labels. To secure free a handsome brier pipe send twenty-four coupons to Arthur Hagen & Co., 63 North Front St., Philadelphia, Pa. W.B. Tunstall, 43 South Holliday Street, Baltimore, Md. S.W. Venable Tobacco Co., Petersburg, Va. Ideal is the cleanest and best chew or smoke., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department trade card - Ideal [P.9983.4]

Title: Compliments of Lehman & Bolton, lithographers, printers, publishers. 715, 171, 719 Arch Street. Philadelphia
Description: Advertisement calendar for the year 1885 containing a sentimental, genre scene. Shows a long-haired child, possibly a boy, attired in a collared dress, bow at the waist, knickers, a wide-brimmed hat adorned with flowers, socks, and shoes with straps. The child holds a bouquet of flowers in one hand and holds out a sprig in the other. Advertisement also contains pictorial details depicting fruits and vinery framing the image. The firm, established in 1873 by William H. Lehman and Mahlon Bolton, Jr. from Jacob Haehnlen's former establishment at Goldsmiths' Hall, specialized in commercial lithographs such as billheads, letterheads, and advertisements., Not in Wainwright., Philadelphia on Stone, POSA 122, Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Creator: Lehman & Bolton
Date: [1884]
Location: Library Company of Philadelphia | Print Department PRINt Helen Beitler Graphic Ephemera Collection - Calendars [P.2011.10.165]

Title: Aultman, Miller & Co., Akron, O. U.S.A. A happy New year, 1890
Description: Calendar depicting scenes in the making and distribution of the "Buckeye" machinery produced by the Akron company founded in 1863. Front cover contains scene "Getting out Lumber for the World-famed Buckeye Binders and Mowers" showing a hunter and trapper watching oxen haul logs, loggers cut trees, and camp hands carry buckets and tend a dutch oven over a campfire. Internal views show "Receiving and Dressing Lumber for Buckeye Machines"; "Partial View of Wood Department Mammoth Buckeye Works, Akron, Ohio"; "Mining and Reducing the Ores for use in Buckeye Harvesting Machines"; "Partial view of Buckeye Foundry, Akron, Ohio"; "The Perfected Buckeye Binder and Mower, The World's Standard" and "Shipping the Celebrated Buckeye Machines to all parts of the civilized Globe." Views include calendar insets, laborers and foremen at work, industrial machinery (wood saws, smelters, power drills) in use, trains, and ships being loaded at a loading dock. Back cover depicts a scene showing several plowmen using horse-drawn "Buckeye" binders (i.e., combines) reaping a large field of wheat. View also contains an inset depicting a man mowing his pasture. Flowers and a banner reading "The World's Victors" border the inset. Aultman, Miller & Co. began to only build threshing machines, traction engines, and saw mills in 1890. The firm was bought out in 1911., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date: [1889]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Calendars [P.2011.10.162a]

Title: [J.C. Finn & Son trade cards]
Description: Series of trade cards for J.C. Finn & Sons paper hanging store at Tenth and Walnut Streets in Philadelphia depicting a girl applying adhesive to wallpaper strips and sloppily hanging them on the wall and flowering vines bordering a framed landscape view of a watermill., One print [1975.F.307] copyrighted by Chas. W. Frost 1881., One print [1975.F.308] contains advertising text promoting "French tapestry papers" and "special designs for ceiling ornamentation" printed on verso., Printers and engravers include Farmer, Livermore & Co., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: ca. 1881
Location: Library Company of Philadelphia | Print Department trade card - Finn [1975.F.307 & 308]

Title: Time's footsteps for 1881. C. Goodall & Son, London
Description: Illustrated trade card for London board game and playing card publisher C. Goodall & Son depicting a man on bended knee, handing a woman a freshly-picked flower., Calendar for 1881 printed on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: 1881
Location: Library Company of Philadelphia | Print Department trade card - Goodall [1975.F.368]

Title: [Rosenbaum & Co. trade cards]
Description: Series of illustrated trade cards for Rosenbaum & Co.'s fancy goods store (previously Fleischner & Co., also known as "Fleischner's old stand") at 208 North Eighth Street in Philadelphia. Filigree and silhouette figures of boys, girls, and cherubs form borders around the titles. Also includes a holiday greeting card with an illustration of two women bundled in winter clothing walking and holding hands., Title supplied by cataloger., One print [1975.F.740] lists products offered by Rosenbaum & Co. printed on verso in two columns., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1881]
Location: Library Company of Philadelphia | Print Department trade card - Rosenbaum [1975.F.730-734; 1975.F.736 & 1975.F.740]

Title: Lehman & Bolton, printers, publishers, [and] lithographers, 418, 420, 422 Library St., Philadelphia
Description: Advertising calendar for 1882 for Lehman & Bolton, a partnership between William H. Lehman and Mahlon Bolton, Jr. formed in 1871. Surrounded by a gilt border, the image shows an ornate stage setting containing classical figures and symbols of the arts, spring, and prosperity, including children surrounded by flowers, fruit, gold coins, a lyre, a marble bust, a tragedy mask, and an art palette. Text describes various kinds of job printing undertaken by the firm., Not in Wainwright., Philadelphia on Stone, POSA 53
Creator: Lehman & Bolton, lithographers
Date: [1881]
Location: Library Company of Philadelphia | Print Department BW - Advertisements [1975.F.4 (Phillips)]

Title: Conlen's, 712 Passyunk Avenue, furniture and carpets. (over) Puzzle card
Description: Illustrated puzzle trade card depicting a bucolic country scene with a cottage surrounded by a picket fence. The puzzle requires the viewer to find partially hidden figures including a man mounted on a horse, birds, elephants, and people walking, to name a few., Advertising text printed on verso: Conlen's, 712 Passyunk Ave. Cash or credit. Terms on furniture and carpets made to suit purchasers. Bed room suits from $15.00 to $150.00. Parlor suits from $20.00 to $250.00. Carpets from 25 c to $1.25 per yard. Everything in the way of household and wearing apparel sold on the same easy terms. Conlen'sm 712 Passyunk Ave. Open every evening., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department trade card - Conlen's [P.9940]

Title: The Camden & Atlantic Railroad. The short and popular route to Atlantic City Pocket time card-season of 1882. Depots in Philadelphia foot of Vine-Street and Shackamaxon Street
Description: Illustrated trade card depicting a vignette of a well-dressed family on the beach, including the father wearing a top hat and cane and the mother holding a yellow parasol. Two girls play near the waves while their parents look on. Vignette inset into a larger scene depicing a sailboat in the ocean, a lighthouse, and seashells lining the shore in the foreground. The Camden & Atlantic Railroad began regular service between Camden and Atlantic City, New Jersey in 1855. The railroad was taken over by the West Jersey & Seashore Railroad in 1883., Contains a condensed timetable ("summer arrangement") for trains traveling between Atlantic City and Philadelphia printed on verso. Includes times for the South Atlantic City Branch and the locations of ticket offices in Philadelphia, Germantown, and Camden, New Jersey., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: 1882
Location: Library Company of Philadelphia | Print Department trade card - Camden [1975.F.25]

Title: [J. & P. Coat's thread trade cards]
Description: Series of trade cards promoting J.&. P. Coats thread and depicting men, women and children performing a variety of activities with the thread, including a white girl swinging on a tree swing; a white man fishing in a stream while a white woman watches; and several white children pretending to be a horse team. Includes a large frog on a riverbank. "So do my sisters and my cousins and my aunts!" depicts an older white woman carrying packages. "Gulliver and the Lilliputians" based on Jonathan Swift's "Gulliver's Travels" shows an oversized Gulliver being tied down with thread by the Lilliputians. "That's the kind! Bring me some more" depicts an older white woman inspecting different colored spools of thread in a box held up by a white boy. "Ef dis don't fetch you nothing will" depicts an African American man and woman, portrayed in racist caricature, trying to tame a donkey. In the left, the woman, attired in a white bonnet with a red ribbon, a red shirt, a blue scarf, a yellow shirt, a white apron, and gray shoes, uses thread from an enormous J. & P. Coats spool to pull on the bridle on the donkey, who pulls back with its mouth open. Behind the donkey, the man stands, attired in a brown, brimmed hat, a red shirt, blue plaid pants, and blue shoes, who holds a rope in his left hand and scratches his head with his left hand. "We never fade!" depicts an African American boy, portrayed in racist caricature, sitting on an oversized spool of thread in a field. Shows the boy seated and with his legs straddling a giant spool of black thread. He says “we never fade!!” and points his finger at the sun, which has a face and a concerned expression with a downward turned mouth. The boy is barefoot and attired in a white collared shirt with the sleeves rolled up to the elbows; a multi-colored tie and belt; and red pants rolled up to the knees. In the foreground, two black crows look at the thread. A house is visible in the right background., Brothers James Coats, Jr. (1803-1845) and Peter Coats (1808-1890) established the firm J.&P. Coats, a thread manufactory. Their brother Thomas Coats (1809-1883) joined the firm soon after. By 1840, three quarters of the British company’s business was with the United States. In 1896, the firm merged with thread manufacturer Clark & Co. and formed J. & P. Coats, Ltd. In 2015, the firm was renamed, “Coats Group.”, Title supplied by cataloger., Five prints printed by E. Ketterlinus & Co., Ten prints contain advertising text printed on versos, including promotions for J. & P. Coat's best six cord, soft finish spool cotton; a table of needle and thread numbers; a calendar for 1880; and a description of "Gulliver and the Lilliputians" illustration (on recto of print 1975.F.220)., Gift of Emily Phillips, 1883. Purchase 1999. Purchase 2001., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Coats [1975.F.123; 1975.F.126; 1975.F.133; 1975.F.150; 1975.F.157; 1975.F.193; 1975.F.195; 1975.F.220; 69211.D; P.9743; P.9984.4]

Title: [Clark's mile end spool cotton trade cards]
Description: Series of illustrated trade cards for John Clark Jr. & Co.'s mile end spool cotton products numbered 24, 30, and 60. Illustrations depict circus performers or acrobats; an artist tethered and hanging from a large spool of cotton as he paints "Clarks mile end" on the side of a cliff overlooking the ocean; a boy attired in robes navigating a chariot pulled by two white horses; a backyard view of a dog stealing the bone of a much larger dog that is restrained by a thread from a large spool of cotton; and flowers., Title supplied by cataloger., Three prints [1975.F.137, 1975.F.139, 1975.F.143] contain advertising text printed on versos., Three prints printed by Forbes Co. (Boston) and two prints printed by Donaldson Brothers (New York)., Four prints [1975.F.140, 1975.F.144, 1975.F.166, 1975.F.170] contain six-month calendars on versos, with the imprint for Thomas Russell & Co., sole agents, New York., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Clark's mile end [1975.F.137; 1975.F.139-140; 1975.F.143-144; 1975.F.166; 1975.F.170]

Title: [Clark's O.N.T. spool cotton trade cards]
Description: Series of illustrated trade cards for Clark Thread Company's O.N.T. spool cotton. Illustrations depict children in various settings, including flying a kite with a thread from Clark's O.N.T. spool and a little girl fishing. Also shows a family walking with their dog on the sidewalk in front of a large advertisement for Clark's; a mother sewing buttons onto her daughter's coat; and a mother using a Clark's spool thread to keep her walking toddler from falling., Title supplied by cataloger., Printers and engravers include Wemple & Kronheim (N.Y.) and Chas. Shields Sons' (N.Y.)., Two prints [1975.F.213 and 1975.F.879] contain advertising text printed on rectos and versos for Joseph H. Traeger's foreign and domestic dry goods store in Bethlehem, Pa., Two prints [1975.F.186 and 1975.F.190] contain six-month calendars on versos., One print [P.9988.2], die cut and shaped into a cylinder, contains advertising text for Clark's O.N.T. spool cotton on verso along with a distributor's stamp: Holm & McKay, 50, Worcester, Mass., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1883]
Location: Library Company of Philadelphia | Print Department trade card - Clark's O.N.T. [1975.F.147; 1975.F.186; 1975.F.190; 1975.F.213; 1975.F.879; P.9988.2]

Title: Geo. S. Harris & Sons. Printers & lithographers. Nos. 718, 720, 722, 724 Arch St. Philadelphia Branch houses: New York: S.E. cor. Grand & Brewery. Chicago: No. 53 State St
Description: Advertisement calendar for the year 1886 containing a genre scene bordered to the left by pictorial details for the firm renamed Geo. S. Harris & Sons in 1876. Scene shows a woman attired in a naval-themed costume dress descending a flight of marble stairs during a masquerade ball. She holds a mask in one hand and the hem of her dress in the other. In the background, a few men in costume, including a harlequin and clown, watch the woman. Border details include an oriental-style vase of roses atop cloth draped over the calendar, and the lithographer's tradecard. Also includes decorative trim in the upper edge. Harris, first listed as a printer in 1847, operated one of the largest Philadelphia lithographic studios in the later 19th-century. The firm specialized in cigar box labels and stock trade cards., Not in Wainwright., pdcp00014, Philadelphia on Stone, POSA 34, Free Library of Philadelphia: Philadelphiana - Lithographers
Creator: Geo. S. Harris & Sons
Date: 1886
Location: Free Library of Philadelphia. | Print and Picture Collection. FLP FLP Philadelphiana - Lithographers

Title: Edward Stern & Co., printer and lithographer. 125 & 127 N. Seventh St. Philadelphia. Bookmarker
Description: Bookmark advertisement for the Philadelphia printing firm containing a floral design. Design shows a stemmed rose. Verso contains advertising text for the "bookmarker" and price information for lots of 500, 1000, and 5000. Text promotes the "advertising medium" as valuable in addition to their usefulness will "insure their being preserved." The firm was established by brothers Edward, Harry F., and Simon in 1871., Not in Wainwright., Philadelphia on Stone, POSA 27, Historical Society of Pennsylvania: Tradecard Collection - S - Stern bookmarker
Creator: Edward Stern & Co.
Date: [ca. 1885]
Location: Historical Society of Pennsylvania HSP Tradecard Collection - S - Stern bookmarker, Historical Society of Pennsylvania HSP Tradecard Collection - S - Stern bookmarker - verso

Title: Edward Stern & Co., printer and lithographer. 125 & 127 N. Seventh St. Philadelphia. Bookmarker
Description: Bookmark advertisement for the Philadelphia printing firm containing a floral design. Design shows a stemmed rose. Verso contains advertising text for the "bookmarker" and price information for lots of 500, 1000, and 5000. Text promotes the "advertising medium" as valuable in addition to their usefulness will "insure their being preserved." The firm was established by brothers Edward, Harry F., and Simon in 1871., Not in Wainwright., Philadelphia on Stone, POSA 27, Historical Society of Pennsylvania: Tradecard Collection - S - Stern bookmarker
Creator: Edward Stern & Co.
Date: [ca. 1885]
Location: Historical Society of Pennsylvania HSP Tradecard Collection - S - Stern bookmarker, Historical Society of Pennsylvania HSP Tradecard Collection - S - Stern bookmarker - verso

Title: [Geo. S. Harris & Sons.] Printers & lithographers. Nos. 718, 720, 722, 724 Arch St. Philadelphia
Description: Advertisement calendar for the year 1883 containing a sentimental, genre scene for the firm renamed Geo. S. Harris & Sons in 1876. Scene shows a woman attired in a diaphanous dress, with plunging neckline and a high-rimmed bonnet, seated under a branch of an apple tree. A cluster of flowers, a butterfly, and a paper fan dominate the foreground and in the background, a farmhouse on a hillside completes the scene. Also includes decorative trim in the upper edge. Harris, first listed as a printer in 1847, operated one of the largest Philadelphia lithographic studios in the later 19th-century. The firm specialized in cigar box labels and stock trade cards., Not in Wainwright., Philadelphia on Stone, POSA 36, Smithsonian Institution: NMAH Archives Center - Warshaw Collection - Printers & Printing - Box 10 Folder 2 - Geo S. Harris, Smithsonian copy of print displayed., LCP holds copy in Helen Beitler Graphic Ephemera Collection. [P.2011.10.164]. LCP copy manuscript note on verso: Eva Allen, 1603 Summer Street, Phila, Pa.
Creator: Geo. S. Harris & Sons
Date: 1883
Location: Smithsonian Institution | NMAH Archives Center Warshaw Collection SI NMAH Archives Center - Warshaw Collection - Printers & Printing - Box 10 Folder 2 - Geo S. Harris, Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Calendars - George S. Harris [P.2011.10.164]

Title: Grounds and club-house of the Belmont Cricket Club, at Elmwood 58th St. and Darby Road Philadelphia
Description: Bird's eye view showing the grounds of the club founded in 1874 in West Philadelphia. In the center of the fenced-in grounds, members engage in a cricket match in front of the club house and an auxiliary building. Clusters of spectators watch the match and arrive by foot, coach, wagon, and bicycle. In the left, a bowler practices his throw in a netted area. In the background, people engage in matches on a series of tennis courts separated from the cricket field by a row of trees. Trees, a red brick building, dirt roads, and pastures surround the grounds. A horse-drawn buggy and street car travel around the club and a locomotive passes nearby. Also contains insets showing the "Field View of the Club House" and a "Lawn Tennis" doubles match. Belmont, one of the four chief Philadelphia cricket clubs, disbanded in 1914., Philadelphia on Stone, POSP 101, Historical Society of Pennsylvania: Bc 03 B 451, Inscribed on verso: E. R. Jones 3-14-1913.
Creator: Kurtz, Horatio I.
Date: [1885]
Location: Historical Society of Pennsylvania HSP Bb 03 B 451

Title: Geo. S. Harris & Sons. Printers & lithographers. Nos. 718, 720, 722, 724 Arch St. Philadelphia Branch houses: New York: S.E. cor. Grand & Brewery. Chicago: No. 53 State St
Description: Advertisement calendar for the year 1884 for the firm renamed Geo. S. Harris & Sons in 1876 that contains a large genre scene bordered to the left by pictorial details . The scene, set in a colorfully decorated room, shows a woman lighting the cigar of a man. The woman attired in a dress with a trim decorated in a mosaic flower pattern uses a slip of paper marked "1884" to light the cigar of the man who is attired in dress-tails. Border details include an oriental-style vase of roses atop cloth draped over the calendar, and the lithographer's tradecard. Also includes decorative trim in the upper edge. Harris, first listed as a printer in 1847, operated one of the largest Philadelphia lithographic studios in the later 19th-century. The firm specialized in cigar box labels and stock trade cards., Not in Wainwright., pdcp00051, Philadelphia on Stone, POSA 35, Free Library of Philadelphia: Philadelphiana - Tradesmen's Cards
Creator: Geo. S. Harris & Sons
Date: 1884
Location: Free Library of Philadelphia. | Print and Picture Collection. FLP FLP Philadelphiana - Tradesmen's Cards

Title: Clarence Brooks & Co., manufacturers of fine coach varnishes, cor. West & West 12th Sts., New York "ceticism my belobed bredren. It am something beautiful frinstance it am light and airy - like de bean."
Description: Trade card employing an African American Oscar Wilde caricature. Wilde toured the United States in 1882. The Wilde figure, wearing long hair and attired in blue knee breeches with red bows, a red jacket with tails, black socks, and gold slippers lectures to an audience of well-attired African American men and women. He stands at a table adorned with a piece of paper, a candle in a bottle, and a water glass containing a sunflower. To his left, an older frowning man sits with an umbrella between his knees on the stage, while in the first row, two women (one wearing a sunflower on her hat) swoon in front of a lanky man, standing, and looking moonfaced. Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In 1881 the firm issued a calendar illustrated with African American caricatures in genre scenes., Publication date inferred from image content., Purchased with the Davida T. Deutsch African American History Fund.
Date: [ca. 1882]
Location: Library Company of Philadelphia | Print Department trade card - Brooks [P.2014.35]

Title: [Mechanical calendar issued by New Jersey electrician Romaine Mace]
Description: Illustrated mechanical calendar containing four genre scenes representing "Spring," "Summer," "Autumn," and "Winter." Spring scene shows an organ grinder watching his "escaped" monkey walk across the balustrade portico of a city residence under the gaze of excited children. Summer scene shows a woman in bathing attire wading in the ocean. Piers are visible in the background. Autumn scene shows a horse-trotting race. Winter scene shows a masquerade ball. Also contains a vignette showing an hour glass adorned with wings and a pictorial detail depicting a ribbon at the center., Contains three rivets., Patent Applied For., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date: c1883
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Calendars [P.2011.10.167]

Title: A.W. Stevens & Sons, manufacturers & patentees, Auburn, New York. The new Stevens spring tooth harrow
Description: Fold-out flier containing two illustrations, including a cover image. Cover image shows two fashionably dressed girls seated in a goat carriage. One girl holds a muff. Other image depicts captioned scenes comparing and contrasting farmers using and not using a "Stevens Arch-Frame Harrow." Scenes separated by a pictorial detail of shrubbery and stones. In the left, a strident farmer follows behind his buoyant horse team pulling a Stevens Harrow over an area of stones "and fears no snag." A dog romps besides the horses. In the right, a hunched "old-fashioned" farmer realigns his "straight frame harrow" entwined with old growth behind his haggard horse team. A dog crouches away from the scene where the "Farmers' Dismal Song is 'That's the Harrow my Back to Break.'" The Stevens firm, established in 1842 by A.W. Stevens, was renamed A.W. Stevens & Son in 1870. The firm operated under that name until 1898., For Sale By, [signed in pencil] Mory., Several lines of advertising text printed on verso. Text promotes and explicates the success, design, patents, and ordering of the "All Steel, Arched Frame" Stevens Spring Tooth Harrow., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date: [ca. 1888]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Miscellaneous [P.2011.10.175]

Title: Portuondo, manufacturers of Cuban hand made cigars, 1342 Chestnut St., Philadelphia
Description: Illustrated, embossed trade card depicting a red-breasted black bird. Jose M. Portuondo (i.e., Joseph M. Portuondo) operated a cigar shop from 1342 Chestnut Street until his death in 1882. His son Juan F. Portuondo succeeded him at this location until the late 1880s., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Portuondo [1975.F.685]

Title: The best flour inside View of the famous Washburn, Crosby Co. flour mills and St. Anthony Falls, Minneapolis, Minn
Description: Illustrated, metamorphic trade card depicting a windmill with panels that open to show bags and a barrel of "Superlative" and "Gold Medal" flour in the foreground and in the background, a bird's eye view of the Washburn-Crosby Co.'s flour mill complex, including "Mill C Elevator", adjacent to the St. Anthony Falls in Minneapolis, Minnesota. Also shows a train crossing the Mississippi River near the falls on the curved Stone Arch Bridge, which was built in 1883 by railroad tycoon James J. Hill for his Great Northern Railway. Cadwallader C. Washburn's business began as the Minneapolis Milling Company at the St. Anthony Falls site ca. 1856. John Crosby entered the partnership in 1877. Consolidated into General Mills in 1928 with twenty-six other national mills., Advertising text printed on verso promotes the "Superlative" and "Gold Medal" brands of flour produced by the Washburn-Crosby Co. of Minneapolis, Minnesota., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department trade card - Washburn [P.9993.2]

Title: [Fold & find 18 changes metamorphic trade card promoting Water Lily Soap]
Description: Metamorphic trade card containing six bust-length portraits of three men and three woman with changeable upper and lower facial features. Female portraits depict a young, middle age, and older woman. The younger women wear hats and coats with collars. The older woman scowls and wears a bonnet and collared shirtwaist. Male portraits depict an older man, young gentleman, and gypsy figure. The older man is depicted bald-headed with a beard, in an undershirt, and frowning; the gentleman wears a top hat, cravat, and suit; and the gypsy figure is portrayed with a smirk, earring, and a Phrygian shaped red cap. Also contains several lines of advertising text, including "All my clothes are Lily white, Water Lily Soap maded them bright"; Water Lily Soap moves dirt & smell"; and "Alas I'm troubled, blue and sad, All other Soap but Water Lily's bad.", Title supplied by cataloger., Name of distributor printed on recto and verso: Joseph I. Keefe, General Agent. 35 South 2nd Street. Philadelphia, Pa., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Trade cards & Blotters [P.2011.10.34x]

Title: What Senator Jones said about Noix de Coco
Description: Illustrated metamorphic trade card and caricature includes two images with paragraphs of text describing each scene. When the card is folded, Senator Jones frowns and is unhappy that his wife did not use Noix de Coco and pushes away the baked goods to her surprise. When the card is opened, a smiling and happy Senator Jones holds a knife in preparation to cut the cake his wife made with Noix de Coco, which she happily displays for him to see. Satirizes Florida Senator Charles William Jones, who abandoned his position ca. 1885 because of mental illness. Warner & Merritt began importing fruit in Philadelphia ca. 1869 and were one of the largest firms importing West Indian fruit in the country by the time of their insolvency in 1884., Advertising text printed on verso promotes Noix de Coco as "the best desiccated cocoanut in the world" and safe for dyspeptics and invalids. Includes a trade mark image depicting three monkeys carrying a large bean. Manufactured only by Warner & Merritt, 50, 52, 54 N. Delaware Ave., Philadelphia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized., Gift of David Doret.
Date: [ca. 1884]
Location: Library Company of Philadelphia | Print Department trade card - Noix [P.2010.25]

Title: The secret out at last. Why Mrs. Brown has such a perfect figure. Adjustable duplex corset. Made only by the Bortree M'f'g Co., Jackson, Mich. Office & salesroom 15 and 17 Mercer St. New York
Description: Illustrated metamorphic trade card depicting two women standing outside of a bedroom, one peeping through the keyhole of the closed door. The open flap shows a woman, "Mrs. Brown," attired in a corset and undergarments looking at her relflection in a mirror. The Bortree Company started to produce the duplex corset in 1875., Contains advertising text printed on verso: Adjustable duplex corset. The best corset in the world. Perfect in shape, and the most comfortable and durable corset known. Double bone, double steel, double seams. Warranted not to rip. Ask for it! See that the word "Duplex" is stamped on every corset. Made only by the Bortree M'f'g Co., Jackson, Mich. Office & salesroom 15 and 17 Mercer St. New York., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Duplex [P.2002.36]

Title: [Wm. Gunzer trade cards]
Description: Series of illustrated trade cards for Wm. Gunzer, practical hair cutter, 34 North Broad Street, opposite Masonic Hall in Philadelphia. Illustrations depict flowers; children playing on the beach and in the ocean; comic scenes showing men, women and children ice skating, rowing a boat, playing on a swingset, and playing baseball; and portraits of old men and women dangling items to lure various animals, including a dog, an owl, a monkey, a rabbit, a cat, and a parakeet., Title supplied by cataloger., Four prints [1975.F.366, 370, 374 & 376] copyrighted 1881 by M.F. Tobin, N.Y., Printers and engravers include Lloyd & Porter (Philadelphia) and M.F. Tobin (New York)., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1881]
Location: Library Company of Philadelphia | Print Department trade card - Gunzer [1975.F.353; 1975.F.357 & 358; 1975.F.363; 1975.F.366; 1975.F.370; 1975.F.374; 1975.F.376; 1975.F.388; 1975.F.390-397]

Title: [Cooper & Conard trade cards]
Description: Series of illustrated trade cards depicting children performing a variety of activities, including posing for portraits in fancy clothing and decorative fans with pets; sifting flour while dressed in oversized chef's clothing with a celluloid collar as a chef's hat; and jumping rope and playing leapfrog. Also depicts a landscape view of Valley Green Bridge (built 1832, enlarged 1915) spanning Wissahickon Creek in Fairmount Park and two women, one in full dress and glaring at the other scantily-clad woman, walking on the sidewalk on a windy day., Title supplied by cataloger., Printers and photographers include Frederick Gutekunst and Thomas Sinclair., Two prints [1975.F.209 and 1975.F.214] contain the imprint, "Sinclair's 1st prize series," and are copyrighted 1881 by Geo. M. Hayes., One print [P.9798.5] includes advertising text and a list of available dry goods printed on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: ca. 1885
Location: Library Company of Philadelphia | Print Department trade card - Cooper [1975.F.154 & 155; 1975.F.203; 1975.F.209; 1975.F.214; P.9798.5]

Title: "It's easy to dye with Diamond Dyes"
Description: Humorous illustrated trade card depicting a little girl seated on the floor proudly holding up and displaying a kitten and a doll she dipped into a bowl of Diamond Dyes. Her mother watches the scene with panic as the kitten and doll drip red dye everywhere., Contains advertising text promoting Diamond Dyes' three new colors (fast stocking black, turkey red for cotton, and brown for cotton) and advertisements for Wells, Richardson & Co. (Burlington, Vt.) and J.R. Ames, druggist, Ogdensburgh, N.Y. printed on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Diamond [P.9988.1]

Title: Buckingham's dye for the whiskers
Description: Illustrated metamorphic trade card depicting a before and after bust portrait of a man with a long beard. With the foldout closed, the man frowns through a white beard. With the foldout open, the man smiles through his dyed brown beard., Contains advertising text for R.P. Hall & Co.'s "Buckingham's Dye" and "Vegetable Sicilian Hair Renewer"., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Buckingham's [1975.F.56]

Title: What makes these children look so queer? Why do they awkward all appear? The reason is, they are arrayed in clothing that is badly made Awkward no more these boys appear. No longer look these children queer. And do you ask the reason why?-Their clothing now is fitted by, Strawbridge & Clothier
Description: Metamorphic tradecard designed with a turn-down flap to depict a before and after scene. Before scene shows three boys attired in ugly patterned and oversized or too tight clothing. After scene shows boys attired in elegant, smartly patterned suits., Advertising text printed on verso: Strawbridge & Clothier, 801, 803, 805, 807 & 809 Market Street, Philadelphia. Invite attention to their large Stock of Boys' clothing. This Stock is gotten up with great care and is all sold on the basis of our uniformly low prices., Purchased with funds from the Walter J. Miller Trust for the Visual Culture Program., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Strawbridge [P.2012.34]

Title: Brother Gardner addresses the Lime Kiln Club on the virtues of Dixon's Stove Polish
Description: Racist, satiric trade card promoting Joseph Dixon Crucible Company's stove polish and depicting a caricature of an African American man presenting Dixon’s Stove Polish to the African American men members of the Lime Kiln Club. Shows Brother Gardner, the white-haired, African American man, in the left with spectacles on his forehead and attired in a white collared shirt with a red bowtie, an orange jacket with a sunflower on the lapel, red and white checked pants, and black shoes. He stands holding a blue box of Dixon’s in his left hand and a gavel in his right hand. In the left is a wooden table with a blue pitcher and a top hat on top of it and a sign that reads, “Dixon’s Carburet of Iron Stove Polish.” Brother Gardner addresses the men in the vernacular, who are identified by number with the key of their names on the verso of the card. In the right, the man, attired in a striped white collared shirt, a red tie, a white and blue striped jacket, yellow and red striped pants, and black shoes, sits on a wooden chair and examines a blue box of Dixon’s in his hands. Beside him another man, balding with tufts of white hair on the sides of his head and a white beard and attired in a red jacket and blue striped pants, kneels down and carries a brush in his right hand. Behind them two men sit on chairs and an additional nine men stand and listen to Brother Gardner. In the background, the wall reads, “Lime Kiln Club, Paradise Hall.” A horseshoe and framed prints that read “Beautify your homes” and “Rules of the Lime Kiln Club” hang on the wall. In the center is a large, black stove., The African American "Lime Kiln Club" caricatures originally were devised by Charles Bertrand Lewis (i.e., M. Quad) in the Detroit Free Press. The Joseph Dixon Crucible Company, established by Joseph Dixon in Salem, Mass. in 1827, produced graphite pencils, crucibles and stove polish, and relocated to Jersey City, N.J. in 1847. In 1868, the firm name changed from Joseph Dixon & Co. to the Jos. Dixon Crucible Co. In 1870 the firm won a trademark case against a Philadelphia competitor selling J.C. Dixon Stove Polish., Title from item., Date from copyright statement: Copyright 1886., Advertising text printed on verso: The Lime Kiln Club, Brother Gardner in the Chair. “Dis Club hab ebery reason to be proud of de Stove Committee. We has tried all de other stove polishes. We has been stunk out wid so-called peperahuns and seen de piping rust to pieces, till de stove-pipe wus a tumbled down disgrace to de good name of de Lime Kiln Club. De honah of dis occashun belongs to Brudder Shindig, who has made a name for hisself, by introducing Dixon’s Big cake of Stove Polish, and has covered hisself wid shine. Stand up, Brudder Shindig, and let us gaze upon your countenance. Now, my frens, let us draw a lesson from dis: Seek and find out for yerselves, and when you’s got a good ting stick to it, so dat, like DIXON’S STOVE POLISH, you may not only be a use to de community in which yer libes, but a shining example for de rest of mankind. “De club owes a vote of thanks to de Stove Committee, an’ to Brudder Shindig in particular, an’ extend de heartfelt thanks of de Lime Kiln Club to DIXONS for de valuable addition to de comfits of dis life through their CARBURET OF IRON STOVE POLISH. Wid one drawback, Brudder Shindig—you orer haf found dis outen befo’ for de DIXON’S STOVE POLISH has bin in de market SINCE 1827,--58 YEARS.” (Signed) No. 1. Bro. Gardner, 2. Old Man Jenkins, 3. Bro. Shindig, 4. Give-A-Dam Jones, 6. Sundown Davis, No. 7. Accordingly Davis, 8. Stepoff Johnson, 9. Trustee Pullback, 10. Sickles Smith, 11. Sir Isaac Walpole, 12. Layback Jones, Committee., Advertising text printed on verso: Fifty-eight years in market! The oldest, the best, the neatest, the quickest. Ask your dealer for Dixon's Stove Polish. Jos. Dixon Crucible Co., Jersey City, N.J. Illustration showing a box of "Dixon's Prepared Carburet of Iron (Trademark) For Polishing Stoves, Grates, Ranges, and Every Kind of Cast and Sheet Iron work.", Purchased with funds from the Walter J. Miller Trust for the Visual Culture Program., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1886
Location: Library Company of Philadelphia | Print Department *trade card - J [P.2012.54.2]

Title: The Universal clothes wringer
Description: Metamorphic trade card promoting the American Wringer Company's Universal Wringer. Depicts a racist "before and after" scene with and without the product. The before scene shows an African American laundress "Dinah" wringing clothes by hand over a tub. She states in vernacular speech that "de wringing am awful." A white woman chastises her to "look at these torn clothes." She holds up a square shaped cloth with tears. A clock is visible in the background. The women are shown as bust-length. Dinah wears a kerchief, an open collared shirt, and her sleeves are rolled up. The after scene shows a smiling "Dinah," wringing laundry with a "Universal" clothes wringer under the happy gaze of her employer. The women reach a hand out to one another. Dinah wears a high ruffled collar shirtwaist with a bow at her neck, long sleeves, an apron, and kerchief. A clock rests on a sideboard in the background. The American Wringer Company was established about 1861 and operated until at least the early 20th century. The company often provided a clock as a premium to purchase their laundry equipment., Title from item., Date inferred from attire of figures depicted., Text printed on recto: Oh mistis de wringing am awful, always tear de clothes 'spect dat I neber get through. What Dinah, six o'clock and not done yet! And look at these torn clothes. "What Dinah! Finished washing so soon! Why it's only three o'clock." "Hi golly! Mistis, been done dese two hours dis chile hab no more trouble, since you done got dis wringer. Neber tear de clothes neder., Advertising text printed on verso: The Universal Wringer has the following points of superiority. 1. Rolls of solid white rubber. 2. Rowell's double cog-wheels. 3. Two independent pressure screws. 4. Double cogs at both ends of each roll. 5. Folding apron or clothes guide. 6. Rocking springs of wood and rubber., Distributor's name on verso: J. Russell & Co., Dealers in hardware, carpenters' and machinists' tools, 23 Dwight and 23 Race Streets, Holyoke, Mass., Gift of David Doret., Library Company holds a duplicate copy with a variant distributor [113420.D].
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection -American [P.2017.95.6]

Title: Use Merrick's thread. "Gully this cotton beats 'em all!"
Description: Racist trade card promoting Merrick thread and depicting a domestic scene of an older African American man sewing. Shows the man, in a cabin setting, seated atop a stool, his feet slightly turned in, and mending the seat of a pair of blue pants. The man holds th epants in his left hand and pulls a needle and thread through a patch on the pants in his right. The thread comes from a large spool beside the man which is marked with "Merrick Thread Co. Best Six Cord 8" logo. Behind the man is a window with a sill. Plants line the window sill. A candelabrum rests on a shelf attached to the wall below the window. The man is attired in a red button-down shirt, blue suspenders, brown pants, and brown shoes. Merrick Thread Co. was founded in 1865 by Timothy Merrick, Austin Merrick, and Origen Hall in Mansfield, Connecticut. After its founding, the company established mills in Holyoke, Massachusetts. In 1898, the company merged with thirteen other independent thread and yarn manufacturers to form the American Thread Company., Title from item., Date inferred from content and genre of print., Several lines of advertising text printed on verso. Verso is defaced and text is illegible., Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Merrick [P.2017.95.122]

Title: With the season's greetings
Description: Racist, holiday greeting card depicting a caricature of an African American man. Shows the bust length portrait of the man facing right with his eyes looking at the viewer. He is portrayed with exaggerated features and attired in a white hat with a brown band, gold earrings, a white collared shirt with a gold pin, a yellow and red bowtie, and a white jacket with a red flower boutonniere., Title from item., Publication information from the copyright statement: Raphael Tuck & Sons Copyright., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Greeting Cards, etc. - With [P.2017.95.253]

Title: Heah I is honey wid dem old time Christmas temptations
Description: Die cut card depicting a racist caricature of an African American man holding a sprig of mistletoe. The man is balding and has tufts of white hair on the sides of his head and is attired in a yellow and purple scarf, a pink and white checked shirt, a black jacket, red mittens, blue and green striped pants, and black shoes. In his left hand he carries a gray hat with a purple band. In his right hand he holds a sprig of mistletoe, made of wire and cloth, and speaks in the vernacular, “heah I is honey wid dem old time Christmas temptations.” Below him is a small red frame with a depiction of a white woman, attired in a pink bonnet, a yellow coat, white socks, and black shoes, leaning in to kiss a white man, attired in a black hat, a blue jacket, green pants, and black shoes. They are flanked by two pine trees in red containers., Title from item., Date deduced from the visual content., Manuscript note on verso: With all the love in the world - Duke & [Ercil?]., Gift of David Doret and Linda G. Mitchell.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Greeting Cards, etc. - Christmas [P.2017.95.240]

Title: Foh yo' birfday! De sweetest little flowers, dat eber ah saw grew, am climbing up de birfday fence, a-blossomin' foh you!
Description: Birthday card depicting a racist caricature an African American girl standing as flowers grow over a fence and towards a house. Shows the African American girl portrayed with exaggerated features and attired in an orange dress with purple polka dots, blue shoes, and blue and orange bows in her hair. At her feet are yellow, purple, blue, and orange flowers. She speaks in the vernacular that the flowers are “climbing up de birfday fence,” which is the yellow fence depicted in the right. The flowers, made of cloth, grow over it and towards a house, which has flowers growing on the roof. The house is blue with green shutters that are falling apart., Title from item., Date deduced from the visual content., Manuscript note on recto: Harold- Henry- Florence, Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Greeting Cards, etc. - Foh [P.2017.95.242]

Title: The celebrated Blasius Pianos. Blasius & Sons piano manufacturers Warerooms: 1101-1103-1119 Chestnut St. Factory: 2240-2242-2244, 2246-2248 North Ninth St. Philadelphia Pa
Description: Advertising card containing a romantic genre scene bordering captioned views of the Chestnut Street warerooms of the manufactory established in 1855. View captioned "Warerooms: 1119 Chestnut St.” shows part of the front façade of the 4-story storefront marked “Blasius & Sons Piano Manufacturers.” Patrons and pedestrians mill in front of the business. View captioned “Warerooms: 1101 & 1103 Chestnut St.” shows the multiple-story storefront marked “Blasius & Sons Manufacturer of the Blasius Pianos.” Several pedestrians walk in front of the large display windows and patrons enter the building. A horse-drawn carriage is parked in the street. In the left of the print, the genre scene set during the medieval period shows a troubadour serenading a lady from below her window., Not in Wainwright., pdcp00005, Philadelphia on Stone, POSP 23, Free Library of Philadelphia: Philadelphiana – Streets – Chestnut - 11th-12th
Creator: Hoover, Joseph
Date: [ca. 1885]
Location: Free Library of Philadelphia. | Print and Picture Collection. FLP FLP Philadelphiana - Streets - Chestnut - 11th-12th

Title: M. H. Traubel, lithographer, 146 So. Eighth St., Philadelphia Whatsoever a man soweth that shall he also reap
Description: Proofs of tradecards for the Philadelphia lithographer active ca. 1849-ca. 1880s. Shows cherubic figures sowing seeds and reaping sheaths of wheat. Also contains flying birds and vinery details. Prints contain variant script designs. Traubel operated from 146 South Eighth street beginning in 1881., Not in Wainwright., Philadelphia on Stone, POSA 119, Library of Congress: Papers of Horace and Anne Montgomerie Traubel, Family Papers, Box 22
Creator: Traubel, M. H. (Morris H.), 1820-1897
Date: [ca. 1881]
Location: Library of Congress | Manuscript Division LOC Papers of Horace and Anne Montgomerie Traubel, Family Papers, Box 22

Title: " Bixby's Royal Polish." The perfection of blacking for ladies' and children's shoes
Description: Trade card promoting S.M. Bixby & Co. and depicting a racist caricature of a Chinese woman kneeling before Columbia holding up a woman's shoe. In the center, shows Columbia, depicted as a white woman attired in a blue Phrygian cap, white dress with a blue drape, and sandals, placing her left hand on an American flag crested shield. She holds aloft a black, woman's boot in her right hand, which emanates light. At her feet, a Chinese woman, wearing her hair up with decorative sticks and attired in a red dress decorated with a blue dragon, a white shawl, and red shoes, kneels on the ground with her right hand up as she looks up at the shoe and Columbia. The western-style woman's shoe is displayed as superior to and a critique of Chinese footbinding. In the right, a group of six women look on, many attired in crowns and crests, likely meant to represent European countries. In the left background is an oversized black bottle labeled, "Bixby's Royal Polish." Samuel M. Bixby began manufacturing and selling shoe blacking in 1860 and founded S.M. Bixby & Co. in 1862. F.F. Dailey Corporation acquired the firm in 1920., Title from item., Date inferred from dates of operation of business advertised and active dates of the lithographers., Advertising text printed on verso: A new compound, producing a durable polish, elastic, waterproof and harmless to all kinds of leather, one coat of which is equal to two of any other. Bixby’s new bottle and combination stopper for sponge blacking is the most perfect package ever invented for forms of liquid blacking or shoe dressing. The wood top is of such size and shape as to form a convenient and firm handle; and the cork is inserted into the wood top, and fastened by the wire and glue, so that it is very much stronger than the old style. The bottle has a broad base and will not upset easily; the mouth has a wide projecting flange, and an air chamber below to prevent the overflow of the liquid in taking out and putting in the sponge, which perfectly insures cleanliness. “Royal Polish” is strictly a first class dressing, elegant in style, convenient for use, and is designed to retail at 15 cents per bottle, which in larger than the old square bottle. One trial will satisfy the most fastidious, that it is superior in all particulars to any dressing ever offered for ladies’ use. Patent applied for. S.M. Bixby & Co., New York., RVCDC
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade cards - S.M. Bixby & Co. [P.2025.38]

Title: Major E. Newell, with Genl. Tom Thumb's Museum. H.R. Jacobs, manager
Description: Die cut trade card in the shape of a painting palette. Promotes General Tom Thumb's Museum, a variety company tour, and depicts Edmund Newell, known as Major E. Newell, attired in four costumes. In the top, shows Newell in yellowface impersonating a Chinese man, wearing a queue hairstyle and attired in a blue tunic and pants and black cloth slip-on shoes. He lifts his left leg up; places his right hand on his hip; and holds a red fan in his left hand. Tom Thumb, born Charles Sherwood Stratton, and Edmund Newell, also known as Major E. Newell and General Grant Jr., were people with dwarfism who toured with P.T. Barnum. Newell married Minnie Warren, whose sister, Lavinia Warren, was married to Tom Thumb., Title from item., Date inferred from content., Advertising text printed on verso: General Tom Thumb and his charming little wife with entire troupe. Horticultural Hall positively two weeks only Sept. 25 to Oct. 7th. Every afternoon & evening. Skatorial champion. Major Newell, the impersonator; Zoe Meleke, and her performing canary birds; Whiston, humorist and great facial artist; marvelous midget; Bingham, ventriloquist & illusionist with a congress of brilliants., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized., RVCDC
Date: [ca. 1882]
Location: Library Company of Philadelphia | Print Department trade card - Horticultural [1975.F.651]

Title: Major E. Newell, with Genl. Tom Thumb's Museum. H.R. Jacobs, manager
Description: Die cut trade card in the shape of a painting palette. Promotes General Tom Thumb's Museum, a variety company tour, and depicts Edmund Newell, known as Major E. Newell, attired in four costumes. In the top, shows Newell in yellowface impersonating a Chinese man, wearing a queue hairstyle and attired in a blue tunic and pants and black cloth slip-on shoes. He lifts his left leg up; places his right hand on his hip; and holds a red fan in his left hand. Tom Thumb, born Charles Sherwood Stratton, and Edmund Newell, also known as Major E. Newell and General Grant Jr., were people with dwarfism who toured with P.T. Barnum. Newell married Minnie Warren, whose sister, Lavinia Warren, was married to Tom Thumb., Title from item., Date inferred from content., Advertising text printed on verso: General Tom Thumb and his charming little wife with entire troupe. Horticultural Hall positively two weeks only Sept. 25 to Oct. 7th. Every afternoon & evening. Skatorial champion. Major Newell, the impersonator; Zoe Meleke, and her performing canary birds; Whiston, humorist and great facial artist; marvelous midget; Bingham, ventriloquist & illusionist with a congress of brilliants., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized., RVCDC
Date: [ca. 1882]
Location: Library Company of Philadelphia | Print Department trade card - Horticultural [1975.F.651]

Title: The celluloid corset clasps side & dress steels Warranted not to rust. Corsets after washing. With the old style clasps in. With the new celluloid clasps in
Description: Trade card advertising celluloid corset clasps and depicting racist caricatures of Chinese men laundry workers comparing celluloid and traditional corsets. In the center, the laundry worker, wearing a queue hairstyle with the braid sticking straight out to the right and attired in gold hoop earrings, a red tunic, white pants, and blue and white cloth, slip-on shoes, smiles as he holds up a clean, white corset with celluloid clasps. In the left, the laundry worker, wearing a mustache and queue hairstyle and attired in a blue tunic, yellow pants, and blue and white cloth, slip-on shoes, holds a soiled and dirty corset as he opens his mouth in dismay looking at the clean corset. In the right background, the Chinese man, wearing a queue hairstyle and attired in a yellow tunic, blue pants, and white cloth, slip-on shoes, washes laundry with his hands in a steaming washtub. Also visible are a basket of laundry; a corset hanging on a line; and a table with an iron on top of it., Title from item., Date inferred from content., Contains advertising text printed on verso: Celluloid corset clasps. Side and dress steels. Perspiration proof. Elastic. Durable. In introducing these improved corset clasps, &c., let us call your attention to some of the points of their superiority over all others heretofore in use. 1st.--The inferior is finely tempered clock spring steel. 2d.--The exterior is celluloid. 3d.--The combination of the two unites the strength of the steel with the rust-proof qualities of the celluloid. 4th--The trouble of ripping out and sewing in the steels every time corsets are laundried becomes unnecessary as these steels need not be taken out for that purpose. 5th--They are warranted not to rust and thus stain the corsets or other garments. 6th--They are the best steels in every particular ever offered. Sold by all dry and fancy goods dealers throughout the country., RVCDC, Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Celluloid [1975.F.182]

Title: No more Chinese cheap labor. Celluloid cuffs, collars & bosoms
Description: Trade card containing an illustration depicting a racist scene with the figures of Uncle Sam and America, and a Chinese man laundry worker. In the left, the laundry worker, wearing his hair in a queue and attired in a long-sleeved, orange tunic; long, wide-legged, white pants; and orange slip-on, cloth shoes; sits on an over-turned wooden wash tub. His eyes are closed, and he holds his head down in his left hand. His left leg is crossed over his right, and his right hand is on his left ankle. To his left, the white woman figure of Columbia/America, looks down at the laundry worker and points up with her right hand. In her left hand, she holds up a shield with the pattern of the American flag and marked "Invention." She wears her dark hair pulled back to the nape of her neck and is attired in a gown with the pattern of the American flag, a red and blue cap adorned with a white star, and sandals. An open box of spilled starch lies between her feet and those of the laundry worker. Behind the laundry worker, is a laundry iron on a shelf, Chinese characters written on a wall, and Uncle Sam resting his arms on the ledge of an opening in the wall. Uncle Sam has red hair and a beard and is attired in a top hat, a blue jacket with a white star pattern, a red neck tie, and white shirt with the collar turned up. He looks at America. Above his head is the sign "Gon Up Chinese Laundry." Patented during the 1860s and 70s, separable celluloid collars, unlike separable paper collars, were waterproof and longer lasting, as well as fashionable and affordable. Following the Chinese Exclusion Act of 1882, the celluloid collar industry leveraged the racist legislation to promote the use of celluloid collars as patriotic and as a means to make Chinese launderers obsolete and to facilitate the end of Chinese immigration., Title from item., Date inferred from content., Includes advertising text printed on verso: A New Improvement-Patented. Waterproof Linen. Waterproof-Elastic-Durable. Ladies' & Gents' Cuffs Collars, [Bossa]ms, Made From Celluloid. In Introducing this new invention [italicized], we beg to call the attention of the public to some of the remarkable features of this "new departure," [italicized], which will commend the use of these goods to all who study economy, neatness, and beauty [italicized]. 1st. The Interior is Fine Linen. 2d. The Exterior is Celluloid. 3d. The Union of Above, Combines the Strength of Linen With The Waterproof Qualities of Celluloid. 4th. The Expense of Washing Is Saved. If The Goods Are Soiled Simply Wipe Them Off With Soap And Water. 5th. The Goods Never Wilt Or Fray On Edges. 6th. They Are Perspiration Proof. For Sale by All Gents' Furnishing & Fancy Goods Houses throughout the Country., Image caption: "Othello's occupation gone." The Hand Writing on the Wall., Purchased with funds for the Visual Culture Program., RVCDC
Date: [ca. 1882]
Location: Library Company of Philadelphia | Print Department trade card - Celluloid [P.2021.20.1]

Title: Use Muzzy's starch
Description: Trade card promoting Elkhart Starch Company and depicting a racist caricature of a Chinese man laundry worker holding up a shirt to a white family. Shows the family standing in the right, including the white man, attired in a brown bowler hat, a white collared shirt, a black bowtie, and a brown-checked suit, holding a walking stick; the white woman attired in a yellow and pink hat and a blue dress with a red bow; and the white girl, attired in a yellow hat and a red and blue dress, holding a small box. In the left, the Chinese man, wearing a queue hairstyle and attired in a blue tunic and blue pants with yellow accents, stands behind a table with an iron and ironing board on top of it. He holds up a white shirt, which shows the reflection of the white woman. A basket full of laundry is on the ground. In the background is a stove and a clothesline of white shirts and clothes. A.L. Muzzy built the Muzzy & Sage Mill in Elkhart, Indiana in 1870. Albert R. Beardsley (1847-1924) purchased the mill in 1878 and founded the Elkhart Starch Company. The Company was bought by the National Starch in 1893., Title from item., Date inferred from dates of operation of business advertised., Advertising text printed on verso: "Be sure to use Muzzy's Corn Starch." Includes six recipes, including for sponge pudding, creamy pudding sauce, Salem pudding, scolloped oysters, oyster pie, and butter scotch., Gift of Linda Kimiko August., RVCDC
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade cards - Muzzy [P.2023.43.3]

Title: Boston boot and shoe and gents’ furnishing house, also, a fine line of hats, caps, trunks, valises &c. At no. 253 South Clark St., near Jackson, Chicago. L. F. Shanovski, - proprietor
Description: Trade card promoting L.F. Shanovski’s shoe store and depicting a racist caricature of a Chinese man upset that a cat has taken a rat from his plate. Shows the man, wearing a queue hairstyle and attired in red pants and brown cloth slip-on shoes, holding a large white plate across his chest and a pair of chopsticks in his right hand. He opens his mouth upset that a cat is taking a dead rat from his plate. Louis F. Shanovski was born in Germany and moved to Chicago in the early 1870s, opening a shoe store in circa 1877. The firm L.F. Shanovski and Bro. dissolved in 1899., Title from item., Date inferred from dates of operation of business advertised., Gift of Linda Kimiko August., RVCDC
Date: [ca. 1888]
Location: Library Company of Philadelphia | Print Department trade cards - Shanovski, L.F. [P.2023.43.1]

Title: Old processee starchee no goodee. It smellee rots & makee shirts yellee.” "I will never use any other but the New Process Starch." New Process Starch. Manufactured only by the Firmenich Manufacturing Company, Peoria, Ill
Description: Trade card promoting Firmenich Manufacturing Company and depicting a racist caricature of a Chinese man laundry worker contrasted in a split panel with a white women doing laundry. In the left, the Chinese man, wearing a queue hairstyle and attired in a white tunic and pants and blue cloth slip-on shoes, stands and irons a shirt on a table. He speaks in pidgin English, “Old processee starchee no goodee. It smelle rots and make shirts yellee.” On the floor are two boxes of “Old Process Gloss Starch.” On the table is a bowl of steaming water. A teapot heats on the stove behind him, and clothes hang on the clothesline. In the right, the white woman, attired in a pink dress with a white bow around the neck and white cuffs, stands behind the table ironing. She says, “I will never use any other but the new process starch.” A young white boy hands her a box of “New Process” starch, and two additional boxes lie on the floor in the right. On the table is a bowl of water. A tea kettle steams behind her on the stove. Buildings are visible through a window in the background. Dr. Joseph Firmenich (1828-1903) started a starch company with his two sons, George and Frank. The Firmenich Manufacturing Company was incorporated in 1884. The Company opened a glucose plant in Marshalltown, Iowa in 1887. The Company operating into the 20th century., Title from item., Date inferred from dates of operation of business advertised., Advertising text printed on verso: New process starch. This starch is manufactured by a new process, with pure spring water. The light starch and gluten usually found in other starches, especially if made from white corn, are entirely removed and manufactured into other articles. The patents of this process are owned solely by this company. We guarantee all our starch perfectly pure and sweet. This starch, having the light starch and gluten removed, one-third less can be used than any other in the market. Ask your grocer for the new process gloss and corn starch and take no other. Manufactured only by the Firmenich Manufacturing Company. Peoria, Ill., Gift of Linda Kimiko August., RVCDC
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade cards – Firmenich [P.2023.43.2]

Title: Photographing the baby
Description: Trade card after an 1870 Sol Eytinge Harper's Weekly illustration with white figures depicting a racist, caricaturized genre scene to promote the coach varnish firm Clarence Brooks & Co. Scene shows a white photographer taking the portrait of an African American toddler in hi studio. The African American figures are portrayed with caricatured and exagerrated features. In the right, the white photographer stands next to his camera and tripod. He holds a cloth in his right hand, at his side, and a yellow-colored, monkey-like string puppet in his raised left hand. He wears a beard and is attired in a long brown jacket and blue striped pants. Between him and his young sitter is a framed advertisement above maroon paneling on an olive-colored wall. The advertisement reads: "Clarence Brooks & Co., Fine Coach Varnishes, Cor. West & West 12th Sts." In the left, the African American girl sits stiffly on a plush, green arm chair. Her eyes are opened wide in a surprised expression. She wears a sleeveless pink dress with blue bows at the shoulders. Behind her, in the doorway, are two African American women. The younger woman, likely to be perceived as the girl's mother, peers around from the left of the doorway. She wears a stylish hat, white blouse, and red bow at her neck. An older woman, likely to be perceived as the girl's grandmother, stands in the right of the doorway. She wears a brown-colored bonnet with a large bow around her chin and a brown-colored dress and shawl. Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In the early 1880s the firm issued calendars illustrated with African American caricatures in genre scenes, often after Sol Eytinge Harper's Weekly illustrations., Title from item., Publication date inferred from dates of activity of publisher (1888-1892) as cited in Jay Last, The Color Explosion (Santa Ana: Hillcrest Press, 2005)., Purchased with funds for the Visual Culture Program (Junto 2015)., Housed with the Emily Phillips Advertising Card Collection., RVCDC, Description revised 2022., Access points revised 2022.
Creator: National Bank Note Co.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department trade card - Brooks [P.2016.17.1]

Title: Day's soap does it Washee, washee, see him rub on his washboard in the tub; see him wash and smile with glee for he's from hard labor free; with Day's soap his work is done when his rivals just begun
Description: Title from item., Date from copyright statement: Copyrighted 1887 by Day & Frick., Racist metamorphic trade card showing a caricaturized Chinese man laundry worker washing a sheet on a wash board in a washtub. Includes a tab that when pulled lifts the washer's arms up and down to reveal the text "Day Soap" on the wash board. The man wears his hair in a queue and is attired in a long-sleeved, blue collared shirt with buttons down the front, blue pants, and slip-on, cloth shoes. He smiles and looks to the right. The tub rests on a table beside a bar of soap, labeled “Day’s Soap.” On the ground behind the table is a basket of laundry. Sheets hang on a drying line. In the background, the wall has Chinese-stylized decorations including a gold wallpaper depicting birds and fish and a purple and gold wall hanging that reads, “Day’s Soap.” Peter Day founded the Day & Frick soap manufactory firm in 1886. He retired as president of the firm in 1917., Purchased with funds from the Walter J. Miller Trust for the Visual Culture Program., RVCDC, John D. Avil founded the Avil Printing Company (also known as John D. Avil & Co.) in West Philadelphia and managed it from the early 1860s until his death in 1918.
Date: [1887]
Location: Library Company of Philadelphia | Print Department trade card - Day's [P.2012.62.8]

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