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Title: Celluloid waterproof collars, cuffs & shirt bosoms
Description: Trade card advertising celluloid collars and cuffs and depicting a caricature of a Japanese woman. Shows the Japanese woman wearing her hair up and adorned with kanzashi hair ornaments and attired in a multi-colored kimono with a celluloid collar and cuffs and geta shoes with celluloid on the bottom. She walks with her right hand holding her kimono up and carries a parasol made of celluloid. She walks through grass with pink flowers in the background., Title from item., Date inferred from content., Text printed on verso: Celluloid (Waterproof linen.) Collars, cuffs and shirt bosoms. The following will commend the use of these goods to all who study convenience, neatness and economy. The interior is fine linen. The exterior is Celluloid – the union of which combines the strength of Linen with the Waterproof qualities of Celluloid. The Trouble and expense of washing is saved. When soiled simply rub with soap and water (hot or cold) used freely with a stiff brush. They are perspiration proof and are invaluable to travelers, saving all care of laundrying. Advice. In wearing the turn-down Collar, always slip the Necktie under the roll. Do not attempt to straighten the fold. The goods will give better satisfaction if the Separable Sleeve Button and Collar Button is used. Twist a small rubber elastic or chamois washer around the post of Sleeve Button to prevent possible rattling of Button. To remove Yellow Stains, which may come from long wearing, use Sapolio, Soap or Saleratus water or Celluline, which latter is a new preparation for cleansing Celluloid. Goods for sale by all dealers., RVCDC
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Celluloid [P.2025.35.2]

Title: [Chas. McKeone & Son Soap Manufacturing Co. trade cards]
Description: Series of illustrated trade cards for Chas. McKeone & Son Manufacturing Co. at 2518-2550 Callowhill Street in Philadelphia. Illustrations depict a dog biting and pulling the pants of a white boy carrying a basket of fruit while another white boy climbs a stone wall to escape; a white child sitting on a pile of blankets with their pet dog beside an open doorway; a white boy hanging with his shirt caught on a tree branch while another white boy looks on with a basket on fruit at his feet; a white woman cradling a baby on her lap. Racist card depicting white women, an African American woman, and Chinese men working in a laundry room. In the center, a white woman and an African American woman, portrayed in racist caricature and attired in an orange head kerchief, a red dress, and a white checked apron, stand beside a wash basin and hold up a white cloth. A well-dress white woman comes over to inspect the cloth. In the left, a Chinese man, wearing a queue and mustache and attired in a black cap, a blue shirt, tan pants, and slip-on, cloth shoes, holds up and inspects a box of "McKeone's Extract of Soap." Behind him in the background, another Chinese man, wearing a queue and attired in a yellow shirt, washes a white cloth in a steaming wash basin. In the right, a white woman carries a basket of clothes and another white woman washes laundry in a wash basin and looks on at the scene. Also visible are wooden crates, a basket of laundry, and a drying rack filled with clothes., Title supplied by cataloger., One print [1975.F.620] printed by E. Ketterlinus & Co., Advertising text promoting McKeone's "Crown Jewel Soap" and "Kalistine concentrated extract of soap" printed on versos., Gift of Emily Phillips, 1883., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - McKeone [1975.F.181; 1975.F.183; 1975.F.185; 1975.F.620; 1975.F.622]

Title: [Chas. McKeone & Son Soap Manufacturing Co. trade cards]
Description: Series of illustrated trade cards for Chas. McKeone & Son Manufacturing Co. at 2518-2550 Callowhill Street in Philadelphia. Illustrations depict a dog biting and pulling the pants of a white boy carrying a basket of fruit while another white boy climbs a stone wall to escape; a white child sitting on a pile of blankets with their pet dog beside an open doorway; a white boy hanging with his shirt caught on a tree branch while another white boy looks on with a basket on fruit at his feet; a white woman cradling a baby on her lap. Racist card depicting white women, an African American woman, and Chinese men working in a laundry room. In the center, a white woman and an African American woman, portrayed in racist caricature and attired in an orange head kerchief, a red dress, and a white checked apron, stand beside a wash basin and hold up a white cloth. A well-dress white woman comes over to inspect the cloth. In the left, a Chinese man, wearing a queue and mustache and attired in a black cap, a blue shirt, tan pants, and slip-on, cloth shoes, holds up and inspects a box of "McKeone's Extract of Soap." Behind him in the background, another Chinese man, wearing a queue and attired in a yellow shirt, washes a white cloth in a steaming wash basin. In the right, a white woman carries a basket of clothes and another white woman washes laundry in a wash basin and looks on at the scene. Also visible are wooden crates, a basket of laundry, and a drying rack filled with clothes., Title supplied by cataloger., One print [1975.F.620] printed by E. Ketterlinus & Co., Advertising text promoting McKeone's "Crown Jewel Soap" and "Kalistine concentrated extract of soap" printed on versos., Gift of Emily Phillips, 1883., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - McKeone [1975.F.181; 1975.F.183; 1975.F.185; 1975.F.620; 1975.F.622]

Title: [Chas. McKeone & Son Soap Manufacturing Co. trade cards]
Description: Series of illustrated trade cards for Chas. McKeone & Son Manufacturing Co. at 2518-2550 Callowhill Street in Philadelphia. Illustrations depict a dog biting and pulling the pants of a white boy carrying a basket of fruit while another white boy climbs a stone wall to escape; a white child sitting on a pile of blankets with their pet dog beside an open doorway; a white boy hanging with his shirt caught on a tree branch while another white boy looks on with a basket on fruit at his feet; a white woman cradling a baby on her lap. Racist card depicting white women, an African American woman, and Chinese men working in a laundry room. In the center, a white woman and an African American woman, portrayed in racist caricature and attired in an orange head kerchief, a red dress, and a white checked apron, stand beside a wash basin and hold up a white cloth. A well-dress white woman comes over to inspect the cloth. In the left, a Chinese man, wearing a queue and mustache and attired in a black cap, a blue shirt, tan pants, and slip-on, cloth shoes, holds up and inspects a box of "McKeone's Extract of Soap." Behind him in the background, another Chinese man, wearing a queue and attired in a yellow shirt, washes a white cloth in a steaming wash basin. In the right, a white woman carries a basket of clothes and another white woman washes laundry in a wash basin and looks on at the scene. Also visible are wooden crates, a basket of laundry, and a drying rack filled with clothes., Title supplied by cataloger., One print [1975.F.620] printed by E. Ketterlinus & Co., Advertising text promoting McKeone's "Crown Jewel Soap" and "Kalistine concentrated extract of soap" printed on versos., Gift of Emily Phillips, 1883., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - McKeone [1975.F.181; 1975.F.183; 1975.F.185; 1975.F.620; 1975.F.622]

Title: Pleis' fit powders & liver pills, Phila. A Merry Christmas and Happy New Year!
Description: Illustrated trade card and holiday greeting card depicting three girls sitting and lying in bed admiring a decorated Christmas tree., Advertising text printed on verso promotes Pleis' fit powders for the cure of fits (epilepsy), spasms, convulsions, St. Vitus' dance, neuralgia nervousness, and all nervous affections. Prepared by John M. Pleis, Jr., 860 North Third St., Philada., Pa., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Pleis [1975.F.708]

Title: [Van Stan's Stratena and Emulsion of Cod Liver Oil trade cards]
Description: Series of illustrated trade cards for products produced by Van Stans Stratena Co. in Philadelphia. One racist card entitled, "Great lecture on Van Stan's Stratena by Julius Augustus Cesar at Ethiopian Hall," after the 1878 Sol Eytinge illustration "Blackville, 1878" depicts an African American man, portrayed in racist caricature, lecturing on a stage in front of an audience of well-dressed African American men. The lecturer, attired in a brown jacket, a tan waistcoat, a white shirt with gold cuff links, a white bowtie, blue pants, and black shoes, leans on a wooden table labeled "Van Stan's Stratena." Rolls of paper stick out of his back pocket, and his upturned top hat is visible underneath the table. A decorative object advertising Stratena and a cup sit on the table. He speaks in the vernacular, "one drop of dis yere Stratena on de conscience of a politician will make him stick to his principles. One drop on de marriage certificate will prevent de divorce court from separating you from de wife of your bosom. Do you heah me! Gentlemen I am a talking." Other illustrations include a double-sided metamorphic trade card showing white women and children upset when their objects and toys are broken and happy after using Van Stans Stratena to repair them and, on the other side, two white men and a white woman cringing while taking a dose of cod liver oil, but smiling after taking Van Stan's Emulsion of Cod Liver Oil. Card shows two white boys' jackets glued together by Stratena after they sat in it. A white boy standing nearby laughs and says, "Ha! ha! ha! No use boys!!! Been sitting in Van Stan's Stratena. Ha! ha! Ha!!", Another series of illustrations entitled, "Marriage a-la-mode. Matter of money," "Marriage a-la-mode. The result," and "The marriage of the future," depicts a white man and woman couple being wed by a white man standing under a sign reading "License marriage fee. $1.00" and a dog standing behind the groom thinking, "I'll be dog-goned if this is anything more than a matter of cur-ency and my privileges are sure to be cur-tailed. Give him a bone." A subsequent scene shows the husband running away from his wife, two children and chaotic household. His wife runs after him with a frying pan as the toddler in the background cries, "Father dear father come home," and the baby, lying on the floor, cries "No one to love me." The final scene shows a wedding ceremony in the "Tabernacle hearts cemented" with the officiator standing before the bride and groom announcing, "with this Stratena I thee wed." The groom replies, "One consolation, if I ever break her heart, I can mend it with Van Stans Stratena." The bride counters, "I'll stick to him through thick and thin.", Title supplied by cataloger., Printers and engravers include Chas. Shields' Sons (New York) and E. Ketterlinus & Co. (Philadelphia)., Advertising text printed on versos promotes Van Stan's Emulsion of Pure Norwegian Cod-Liver Oil and Van Stan's Stratena cement to repair glass, china, marble, iron, bone, jewelry, jet, coral, leather, wood, earthenware, porcelain, ornaments, lamp shades, metals, Meerschaum pipes, billiard cues, and leather belting., Gift of Emily Phillips, 1883., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Van Stan's [1975.F.888-890 & 1975.F.892-894]

Title: [Philadelphia Evening Bulletin trade cards]
Description: Series of illustrated trade cards for the Philadelphia Evening Bulletin, a daily evening newspaper published between 1847 and 1982. Illustrations depict a girl standing in an enclosed yard with a flower in her left hand and a paddle in her right and a series of four prints showing buildings constructed for the Centennial Exhibition in West Fairmount Park, including the Main Exhibition Building, Horticultural Hall, Machinery Hall, and Agricultural Hall. Buildings designed by Henry Pettit, Joseph M. Wilson, James H. Windrim, and Hermann J. Schwarzmann. Horse-drawn vehicles and pedestrians travel through the landscaped grounds in the foreground of each image. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title supplied by cataloger., Four prints [P.2008.22.6-9] contain text printed on verso: Compliments of the Evening Bulletin., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1876]
Location: Library Company of Philadelphia | Print Department trade card - Philadelphia [1975.F.715 & P.2008.22.6-9]

Title: [Domestic Sewing Machine Co. trade cards]
Description: Series of trade cards promoting the Domestic Sewing Machine Co. "Make no mistake you buy a domestic" depicts two white women, one tall and the other of short stature, who carry parasols and converse. "Wes don got de "domestic" we has!" depicts a racist, comic genre scene of an African American couple, portrayed in racist caricature with exaggerated features, who have acquired a sewing machine. In the center is a man and woman in a blue-colored cart being pulled by a galloping brown horse. The man, attired in a top hat; a blue jacket; a white collared shirt; and green checked pants, strains and leans forward as he holds the reins. The woman, attired in a yellow dress with black polka dots and a pink bonnet, leans back and exclaims in the vernacular that "wes don got the Domestic, we has!" She raises her left hand in the air and holds a white handkerchief. A sewing machine is visible inside the cart. In the far right a barefooted boy attired in a straw hat; a white collared shirt; and brown pants rolled up to his calves, possibly their displaced son, runs beside the wagon. In the top right corner is an inset illustration of a Domestic Sewing Machine Co.’s sewing machine. "Yes my father was a great antiquarian; where he studied antiquity" depicts a well-dressed, white man and woman couple standing on a veranda conversing. The next panel depicts an older white man carrying a sack on his back and picking through a barrel filled with straw and scrap metal with garbage strewn around on the ground. William S. Mack & Co. and N.S. Perkins founded the Domestic Sewing Machine Company in 1864 in Norwalk, Ohio. The White Sewing Machine Company bought the company in 1924., Title supplied by cataloger., One print [1975.F.229] copyrighted by Frank B. Hine., Includes advertising text printed on versos., Gift of Emily Phillips, 1883. Gift of Helen Beitler, 2001 [P.9983.5]., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Domestic [1975.F.229 & 230; P.9983.5]

Title: [St. George Pharmacy trade cards]
Description: Series of illustrated trade cards for J.F. Hayes' St. George Pharmacy at the southwest corner of Broad and Walnut Streets in Philadelphia. Products advertised include soda water, Saint George Cologne, and soda mint tablets. Illustrations depict monkeys, flowers, flowers in vases, paddle fans, and a clown. Also shows a group of people speeding down a snowy slope on a large wooden sled. Turkeys dodge the oncoming sled in the foreground and a dog chases it in the background., Title supplied by cataloger., One print [1975.F.350] copyrighted 1877 by J.H. Bufford's Sons (Boston)., Printers and engravers include J.H. Bufford's Sons (Boston)., Two prints contain advertising text printed on versos., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Saint George [1975.F.350 & 351; 1975.F.359; 1975.F.414; 1975.F.416-419; 1975.F.441]

Title: Compliments of J.E. Caldwell & Co., Easter 1880. Jewellers, silversmiths and importers, 902 Chestnut St., Philadelphia
Description: Series of illustrated trade cards depicting planted flowers. The jewelry store, established circa 1839 as James E. Caldwell, was reorganized as J. E. Caldwell & Co. in 1848., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: 1880
Location: Library Company of Philadelphia | Print Department *trade card - Caldwell [1975.F.156 & 221]

Title: Fairmount
Description: Landscape view looking from the west bank of the Schuylkill River showing the Fairmount Water Works. Shows the old engine house; old mill house; new mill house (completed 1862); and the observatory tower arch (built 1860), stand pipe (built 1852), and pavilion on Reservoir Hill. Also includes the Schuylkill Canal lock, the Wire Suspension Bridge at Fairmount, and the dome of the Cathedral Basilica of SS. Peter and Paul. The waterworks, originally built between 1812 and 1822 after the designs of Frederick Graff, were altered and expanded after the designs of Henry P.M. Birkinbine and Frederick Graff, Jr., Philadelphia on Stone, POS 228, Gift of David Doret.
Creator: Bovell, Thomas W.
Date: c1871
Location: Library Company of Philadelphia | Print Department *BW - Views - Philadelphia [P.2006.31.14]

Title: [Armand Dalsemer trade cards]
Description: Series of illustrated trade cards for Armand Dalsemer's "fine shoes" and "common sense shoes" at 136 North Eighth Street in Philadelphia. Illustrations depict a grinning African American man, portrayed in racist caricature, standing in an open window holding a newspaper labeled "The American Citizen"; a cherub sitting on a lily pad in a lily pond; and a portrait of a little girl wearing a bonnet., Title supplied by cataloger., Printers and engravers include Sunshine Publishing Company (Philadelphia) and Leon Meyers, 29 S. Liberty St., Gift of Emily Phillips, 1883., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Dalsemer [1975.F.15; 1975.F.19; 1975.F.286]

Title: Wholesale and retail at Borgenski's, 22 N. Ninth St. above Market, Philadelphia Artificial plants imitating nature. For decorating churches, halls and parlors, bridal flowers and flowers for evening dresses
Description: Embossed illustrated trade card depicting a bird perched on a tree branch., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Borgenski [P.9812]

Title: [Francis Bond trade cards]
Description: Illustrated trade cards depicting stemmed flowers; a business card; and scenes of Japanese life, including men and women working outdoors and attired in traditional garb. Francis Bond succeeded Allen Cuthbert and operated a coffee, tea, and Japanese dry goods shop at 139 [or 130] South Eighth Street in Philadelphia., Title supplied by cataloger., Two prints [1975.F.400-401] shaped like decorative fans., Advertising text printed on rectos and versos of three prints [1975.F.67, 1975.F.110 and 1975.F.400] listing the business address, coffee flavors, and types of Japanese goods imported by Francis Bond., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Bond [1975.F.67; 1975.F.110; 1975.F.400-401]

Title: Brennan, jeweler, 13 South Eighth St., Phila
Description: Illustrated trade card depicting a beach scene with a large beached ship in the background. In the foreground, two women in bathing suits mischievously hold a magnifying glass over the back of an old man's head, concentrating the sun's rays and burning his head. He sits unaware, smoking a pipe with his back to them and grasping an empty net. Birds peck at the sand nearby., Copyrighted Ketterlinus, Philada., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Brennan [1975.F.53]

Title: What's the matter with that ere dog?
Description: Illustrated stock trade card depicts a bear with a rifle behind a man that sits on the ground with his legs spread out before him. With a fork in his right hand and a meal in front of him, the man wonders why his dog runs away., Copyrighted Bufford, Boston., Advertising text printed on recto for Atlantic Clothing House, No. 204 North Second Street, Philadelphia, two doors above Race. Morris Salinger, proprietor., Manuscript note on verso: Chester., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Atlantic [P.9577.17]

Title: [Dr. J.C. Ayer & Co. trade cards]
Description: Series of illustrated trade cards for patent medicines and an almanac created by Dr. J.C. Ayer & Co. in Lowell, Massachusetts. Illustrations depict sirens with an "Ayer's hair vigor" shipping crate, hair brushes, and product bottles near a wrecked ship and stranded sailors; a girl holding flowers under a cherry tree in the countryside; Penn's Treaty with the Indians in 1682 with two men kneeling and presenting an "Ayer's cherry pectoral" scroll to the Native Americans; and two men and an apprentice with a printing press in a scene labeled "The invention of printing". J.C. Ayer & Co. operated in Lowell, Massachusetts from about 1850 to 1930., Title supplied by cataloger., Three prints [1975.F.2; 1975.F.9; 1975.F.11a] contain advertising text on versos for products prepared by J.C. Ayer & Co. including "Ayer's hair vigor" and "Ayer's cherry pectoral"., Printed on verso of print P.9111.11: To Bennie from Aunt Florence George. Eat drink and be merry and now will be happy all of the days of your life., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Ayer [1975.F.2; 1975.F.9a; 1975.F.11a; P.9111.11]

Title: [Academy of Music trade cards]
Description: Series of illustrated trade cards promoting performances and events at the Academy of Music. Illustrations depict men and women dressed in costumes and dancing and celebrating Carnival, including a joker disembarking from a gondola; a little girl sitting in a lily pad; fairies; angels; jokers; butterflies; flowers; bust portraits of unknown actors in the Humpty-Dumpty show surrounding a vignette of a horse-drawn cart carrying "humpty-dumpty"; portraits of Mr. and Mrs. Jay Rial flanked by dogs; and L.H. Stockwell as lawyer Marks and his trained donkey Jerry. The Academy of Music was designed by architects Napoleon LeBrun and Gustav Runge. Building constructed 1855-1857 at the southwest corner of Broad and Locust Streets. Served as home of Philadelphia Orchestra from 1900-2000., Title supplied by cataloger., Printers and engravers include Bailey, Banks & Biddle, The Courier Lith. Co., Reen Lith. Co., H.A. Thomas, and Maerz Lith. Co., One of prints [1975.F.1] die cut in shape of keystone., Several of the prints contain promotional text printed on the recto and/or verso. Performances and events promoted include the Reception of the Bi-Centennial Mystic Tableau Association; Grand Cannstatter Carneval; Cannstatter Bal Masque; Maennerchor Carneval Mardi Gras; the Fairy Juvenile Troupe's Little Red Riding Hood; German Comic Opera starring Mme. Marie Geistinger.; Humpty-Dumpty (performance); and The Jay Rial Uncle Tom's Cabin Co., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., One print [P.2011.45.24] gift of David Doret., Digitized.
Date: 1879-1882
Location: Library Company of Philadelphia | Print Department trade card - Academy of Music [1975.F.1; 1975.F.5; 1975.F.7; 1975.F.11; 1975.F.17; 1975.F.20; 1975.F.23-24; 1975.F.26; 1975.F.738; P.2011.45.24]

Title: I'm a masher
Description: Set of five collecting cards depicting African Americans, portrayed in racist caricature with grotesque facial features, to satirize womanizing, courtship, marriage, and fatherhood. Includes (1) "I'm a Masher" showing a dapperly-dressed African American man, attired in a derby hat, a red bow tie with yellow polka dots, a yellow waistcoat, a blue jacket, and a watch fob, holding up a swagger stick, as well as cigarette that he smokes; (2) "I've Made a Mash" showing the "masher" in a close embrace with a stylishly-dressed African American woman, attired in a red dress with black polka dots, gold drop earrings, and yellow gloves; (3) "I'm Married" showing the couple on promenade with the woman, attired in a red dress with a yellow bow, a yellow and red hat, and white gloves, and the man, smoking a cigarette, and attired in a green bowler hat, a red ascot with shiny cravat pin, a blue jacket with a yellow flower boutonniere, a matching yellow with gray striped waistcoat and pants, and red gloves; (4) 'Home Sweet Home" showing the man, attired in a white collared shirt and blue-striped pants, seated with a look of anguish and surrounded by his six small children; (5) "Dady's [sic] Dead" showing the children as older and dancing around their father's grave adorned with a headstone inscribed "To the Memory of the Masher." Masher was a later 19th-century slang term for a womanizer, known for garish clothes and a vulgar manner., Copyrighted., Series no. printed in upper right corner., Purchased with funds from the Albert M. Greenfield Foundation., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Chicago Picture Co, a Chicago publishing firm of advertising card and novelties, was active circa 1881-circa 1883.
Creator: Chicago Picture Co.
Date: [ca. 1882]
Location: Library Company of Philadelphia | Print Department GC - Genre [P.2012.25.1-5]

Title: "De breddren and sisters will now relate dere experience."
Description: Set of five collecting cards depicting African Americans, portrayed in racist caricature with grotesque facial features and speaking in the vernacular, satirizing African American church life. Includes (1) "De Breddren and Sisters Will Now Relate Dere Experience" showing a white-haired African American minister at his pulpit before a small congregation of mostly African American women, attired in kerchiefs, and seated in pews; (2) Sister Hannibal. - "Oh Breddren and Sisters, Ise an Awful Sinner" showing Sister Hannibal standing up and confessing among the other congregants; (3) Sister Snowball. - "Yes, Breddren and Sisters, Dats So, I Kin Testify Dat Sister Hannibal is an Awful Sinner. I knows It" showing Sister Snowball standing, her hands clasped across her stomach, while Sister Hannibal, sits and frowns, and the minister rests his hand on his head; (4) "Sister Snowball, You Am a Liar" showing the "sisters" fighting among the other parishioners, who are in various states of commotion; (5) "De Congregation Am Dismissed" showing white men police officers escorting the congregation out of the church, including an unconscious Sister Hannibal in a handcart. Images also show the church interior and exterior, including windows, steps, and a tree., Title from item., Date of publication inferred from date of copyright, Series no. printed in upper left corner., Purchased with funds from the Albert M. Greenfield Foundation., RVCDC, Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Sammis & Latham was a New York publishing firm active in 1882 that issued comic card sets and juvenile novelty items.
Creator: Sammis & Latham
Date: 1882
Location: Library Company of Philadelphia | Print Department GC - Genre [P.2012.24.1-5]

Title: "I'm a farder"
Description: Set of four collecting cards depicting racist caricatures of African Americans to satirize fatherhood and the question of paternity. Titles are in the vernacular. Includes "I'm a Farder" showing a dapperly-dressed African American man, attired in a white collared shirt, a red tie, a gray waistcoat, a blue jacket, and blue-and-white striped pants. He talks to his "Aunty," an African American woman, attired in a red and yellow head kerchief, hoop earrings, a green and red shawl, a red dress, and a white apron, and holding her hands to her chest; "Aunty Says Der Am Two" showing the man with a sheepish look and his hands in his pockets while "Aunty" smiles; "And Dat One Am kinder White" showing the man aghast and standing straight up as "Aunty" holds out her hands in a near gesture of comfort; and "If Dat Chile Dont Change Color Der'l Be Trouble in Dis Yer Fam'ly" showing the man forlorn, hands in pockets, and looking down at this two infants being held by "Aunty" in her lap, while she sits in a chair under a placard reading "Bless Our Home." The baby in the left has a dark skin tone, and the baby in the right has a light skin tone., Copyrighted., Title from item., Date inferred from content., Purchase 2012., RVCDC, Description revised 2021., Access points revised 2021., Purchased with funds from the Albert M. Greenfield Foundation., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department GC - Genre [P.2012.23.1-4]

Title: The International Exposition 1876 at Philadelphia, PA. U.S.A View from George's Hill
Description: Allegorical commemorative print celebrating the internationalism and historic significance of the Centennial Exhibition. Depicts a bird's-eye view of the active exhibition grounds including the Agricultural Building, Horticultural Building, Main Building, and Machinery Hall. In the foreground, figures representing various races, ethnicities, and cultures convene and interact with one another. An African American woman and man sit on a bench. An African American man, attired in a black suit, tips his top hat and greets a white woman sitting on a bench. Groups of people stand in clusters to converse and walk including Native Americans, attired in feather headdresses, and Chinese women and men. Middle Eastern and Russian men ride on horseback. Contains ghost-like imagery visible in the sky depicting significant historic American moments, figures, and buildings, including William Penn's Treaty with the Indians, George Washington, and the White House. Contains the names of the prominent exhibition halls below the image., Copyrighted by George H. Ellsbury & J. Hayward., Philadelphia on Stone, POS 390, Accessioned 1983., Description revised 2021., Access points revised 2021.
Creator: Ellsbury, George H., lithographer
Date: 1876
Location: Library Company of Philadelphia | Print Department **BW - Centennial [P.8966]

Title: [Series of Clarence E. Brooks & Co. Fine Coach Varnishes, cor. West & West 12th St. N.Y. racist 1880 calendar illustrations after the "Blackville" series]
Description: Series of twelve captioned illustrations from the Clarence Brooks & Co. Fine Coach Varnishes 1880 calendar portraying scenes after the racist “Blackville” series drawn by Sol Eytinge for “Harper’s Weekly” in the 1870s and depicting caricatures satirizing the social mores, customs, and daily lives of African Americans of all classes. The figures are portrayed with exaggerated features and mannerisms. The attire of the figures includes long-sleeved dresses, shirtwaists and skirts, smocks, shirt, pants, jackets, and caps, and hats. Some of the attire depicted, particularly for younger figures, is worn and/or tattered. Includes scenes from the Eytinge Blackville series within a series - “the twins” (March, May, September illustrations). Scenes are titled (sometimes with text in the vernacular) and depict “The First Ulster in Blackville” (January) of a winter scene showing African American children, attired in shirts, pants, or skirts and hats or bonnets, paused from a snowball fight as an African American man in a blue ulster (an overcoat with hood), holding a cane, and smoking walks between them; “Christmas Dinner Done!” (February) showing an older African American man, attired in an overcoat, pants, and hat, and African American boy, attired in a shirt, pants, and a hat with a scarf tied around his head and chin, in a field, and watching a rabbit run away from a trap held by the boy; “Love in Blackville. The Wooing of the Twins” (March) showing African American women twins, each being courted by an African American man within an open room that has a stove and mantle as their older African American parents “watch” from a doorway;, "April-Fools Day-An Aggravated Case (April) showing an older African American woman, with an upset expression, standing in front of a row of cabins and near a basket of cabbages on a town block, and holding a dead rat within a cabbage as she is watched by two snickering African American boys, the practical jokers, standing within the opening to an alley; "The Great Social Event at Blackville. The Wed"ding of the Twins" (May) showing two African American women twin brides and their grooms within a parlor, near a table of food, being married by a reverend in front of friends and family of all ages; "The Coaching Season in Blackville._ The Grand Start" (June) showing an African American driver pulling at the reins of an unruly four-mule team coach of which African American passengers of all ages sit in and on the cab as African American towns folk wave from a line of cabins in the background and an African American boy and dog run past the wheel of the vehicle; "The 'Fourth' in Blackville" (July) showing a fenced paddock in which an African American boy holds an American flag in one hand and a gun in the other by a group of African American children and a woman who run, cover their eyes, jump the fence, and shield each other under the sight of an African American man in the window of an adjacent cabin; “Hi Abe Come Under De Brellar! Does Your Want to Sunstruck Yerself! De Fremoniter’s Gone Up Moren a Foot!” (August) showing a group of African American children of different ages, under a torn umbrella held by the tallest child, a girl, and approaching a young African American boy, “Abe,” within a fenced yard with a pond and patches of greenery and across from a cabin in which an African American man and woman, stand and sit in the doorway;, “After Doing Paris and the Rest of Europe, The Bridal Party Return to Blackville" (September) showing “the twins” on promenade with their husbands and an African American women caregiver holding their two babies as they walk on a dirt path lined by African American townsfolks of all ages who stare and also include an older woman who laughs behind a tree; "Who Struck De Futest?” (October) showing an older African American man, seated outside a cabin, and holding up a switch to two African American boys, in worn clothing, standing within the yard, near a broken object, and across from an African American girl in the cabin doorway and three boys seated and looking over a fence lining the property in the background; The “Small Breeds” Thanksgiving-Return of the First-Born from College 'Bress His Heart! Don’t he look edgecated?' ”(November) showing a young African American man portrayed in disheveled attire and manner as though drunk entering the door to his family, including a grandmother figure and a child in a high chair, at dinner around a cloth-covered table; and “No Small Breed Per Yer Uncle Abe Dis Chris'mas! Ain’t He a Cherub?” (December) showing “Uncle Abe,” an African American man holding a large, plucked turkey (with head and feet) near his chest and on a table surrounded by older women and child-aged family members who stand near a chest of drawers, a stool, and two windows with curtains visible in the background. Exterior scenes also often include a dog or cat, or a cabin or cabins, the latter marked “Clarence Brooks & Co. Fine Coach Varnishes. Cor. West & West 12th St. N.Y.” in the background; as well as fencing, groves of trees, and dirt paths. Interior scenes often include a dining table, chairs, displays of food and household items, such as a candlestick and framed prints advertising Clarence Brooks & Co. April-Fools Day image includes a cobble-stone street., Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In the early 1880s the firm issued calendars illustrated with African American caricatures in genre scenes, often after Sol Eytinge Harper’s Weekly illustrations., Title supplied by cataloger., Publication information inferred from image content and similar material issued by Clarence Brooks & Co. during the early 1880s., Two of the series contains ornamented borders (P.2022.8.2 & 4)., All of the prints inscribed in pencil on the verso with the name of a month, some abbreviated, between January and December., Image for “The First Ulster in Blackville” (P.2022.8.1) originally published in Harpers Weekly, March 18, 1876., Image for “Love in Blackville. The Wooing of the Twins” (P.2022.8.3) originally published in Harpers Weekly, May 11, 1878., Image for The Great Social Event at Blackville. The Wedding of the Twins (P.2022.8.5) originally published in Harpers Weekly, July 13, 1878., Image for “The Coaching Season in Blackville._ The Grand Start” (P.2022.8.6) originally published in Harpers Weekly, September 28, 1878., Image for “The ‘Fourth’ in Blackville” (P.2022.8.7) originally published in Harpers Weekly, July 14, 1877., Image for “After Doing Paris and the Rest of Europe, The Bridal Party Return to Blackville” (P.2022.8.9) originally published in Harpers Weekly, October 26, 1878., Image for “Who Struck de Futest” (P.2022.8.10) originally published in Harpers Weekly, June 13, 1874., Image for “No Small Breed fer yer Uncle Abe….” (P.2022.8.12) originally published in Harpers Weekly, January 1, 1876., Purchased with funds for the Visual Culture Program., RVCDC
Date: [1879]
Location: Library Company of Philadelphia | Print Department *ephemera - calendars - C [P.2022.8.1-12]

Title: The Hunters three and O.N.T
Description: Circular promoting Clark Thread Company and depicting racist caricatures of African, Asian, and indigenous men. Volume also contains several lines of narrative, promotional text written as a children’s story. The front cover is a color illustration of three white "merry gentlemen" in Cololonial attire and riding on horseback as "they hunt and hunt." The men are attired in tri-corn hats; red jackets; white breeches with riding boots; and white wigs. They ride on a road towards the viewer. The figures are bordered with pictorial details of the Clark’s O.N.T trademark. The rider in the middle raised his hat with his hand. Image is reproduced in black and white on p. [2]. P. [3] shows the horsemen observe three white children standing before them whom they believe "...must be princes. They sew their clothes with O.N.T." P. [4] show the "gentlemen" observe from a distance three African Zulu men. The men drive a lion into a net made of O.N.T. thread. One man is nude except for a feather on his head and bangs a large drum labeled "Clark's O.N.T. spool thread." Another man is attired in a skirt made of palm leaves and carries a shield and arrows. A third man carries arrows and wears a feather on his head. P [5] shows the "hunters" "spy" "three happy Hottentots" who roll down a hill on large spools of Clark's thread in a "chariot race." The three African men have their hair in buns atop their heads and are attired in white shorts and hoop earrings. One man is also attired in a shell necklace, and two men hold spears. P. [6] shows the three men find a Chinese man flying a kite strung with O.N.T. thread thread and to which a Chinese boy is attached. He is seated on a rug with his back to the viewer. To his right is a pipe. His hair is styled in a queue, and he is attired in a white shirt with a vest decorated in a print of dragons and slip-on, cloth shoes., P. [7] shows the white men finding an Inuit man on a sled made from a Clark's spool and pulled over the ice by a team of dogs. The sled driver is attired in a hooded parka and boots. P. [8] the three riders encounter a Native American man reigning in a buffalo with O.N.T. thread. He is attired in knee-high boots; a patterned blanket draped around his chest; hoop earrings; and a feather headdress. P. [9] shows a view of the back of the three riders bordered by pictorial details of the Clark’s O.N.T trademark. The back cover is a color illustration of a white girl with long blonde hair attired in black boots; red stocking; a green dress; and a blue striped apron. She is seated on an oversize spool of O.N.T. thread and playing cat's cradle with a white boy. The boy is attired in a red fez; a green coat; blue stockings; and black boots. The George A. Clark & Brother Company, manufactory of embroidery and sewing thread, was founded in 1863 in Newark, N.J. The firm was renamed Clark & Co. in 1879, and in the 1880s created a six-cord, soft finished thread called "Our New Thread" or "O.N.T." The business merged with J. & P. Coats in 1896, which lead to a series of mergers with fourteen other companies. Into the 21st century, the company continues to manufacture thread under the name Coats & Clark., Title from item., Advertising text printed on verso of front cover: Use Clark's trade mark O.N.T. spool cotton on white spools! It is superior to all others for hand and machine use. Garments sewed with O.N.T. fast black will never show white on the seams after being worn or washed., Advertising text printed on verso of back cover: Use Marshall's linen thread on 200 yard spools. Guaranteed full length. Made from the bext flax, and Milward's Helix Needles in patent wrappers. For sale everywhere., Place of publication deduced from place of operation of advertised business., Date deduced from history of advertised business., Distributor's name printed on p. [1]: George A. Cole, sole agent., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Clark [P.2017.95.31]

Title: [In commemoration of the centennial anniversary of our nation's birth.]
Description: Top half of the commemorative print depicting a monument that contains vignettes; allegorical, patriotic, and historical figures; state seals; and references to the Declaration of Independence to symbolize "A Free Nations Progress." Includes a central arch containing a view showing "Philadelphia Public Buildings. 1776. Independence Hall." View includes street and pedestrian traffic. Arch comprised of the seals of the original 13 states bordered by abutments containing angels trumpeting "Liberty" and "Independence." Flanking the central view are columns labeled with the names of the signers of the Declaration of Independence. Above the arch figures of Liberty, American eagles, Christopher Columbus, William Penn, George Washington, Ulysses S. Grant, and Abraham Lincoln adorn a panel representing a time line of the nation's history. Also includes views of a stagecoach; a sailing vessel, and the U. S. Capitol. Also contains the patriotic mottoes "United We Stand Divided We Fall" and "In Union There is Strength." The centennial of the United States was celebrated through an international exhibition, the Centennial Exhibition, of industry, agriculture, and art in West Fairmount Park, Philadelphia., Not in Wainwright., Copyrighted by Frank H. Leonholdt., Philadelphia on Stone, POS 368a, Historical Society of Pennsylvania: Bb 47 Z 992
Creator: Leonholdt, Frank H.
Date: [c1875]
Location: Historical Society of Pennsylvania HSP Bb 47 Z 992

Title: Rosengarten & Sons, Manufacturing Chemists, Philadelphia Medals awarded, Centennial, Franklin Institute, American ", Maryland ", World’s Fair, N.Y. Manufacturers of sulphate of quinine, sulphate of morphine, nitrate of silver, and other chemicals
Description: Advertisement showing a bird’s eye view of the factory complex of several buildings and courtyards originally built 1855 between 18th, Fitzwater, 17th, and Catherine streets. Complex includes the L-shaped building at the corner of Fitzwater and Seventeeth streets that displays the sign “Rosengarten & Sons. Established 1822” near the entrance. The building contained the office, packing rooms, and manufacturing rooms for the firm. Several individuals walk on the sidewalk and horse-drawn carts and wagons travel near the street corner. On the Fitzwater block in front of the complex, which also includes a storage shed, stable, and warehouse for the factory, other wagons and carts are parked. Next to the warehouse, a horse-drawn cart enters a passageway to the complex in which laborers and horse-drawn carts are visible at work. Several of the factory buildings contain smokestacks. Also shows a horse-drawn omnibus traveling near the intersection, surrounding blocks of buildings, and tree tops. Rosengarten & Sons, one of the oldest U.S. chemical manufacturers and a leader in plant alkaloid and bromine production, merged with Powers & Weightman to form Powers, Weightman, Rosengarten Co. in 1905., pdcp00039, Not in Wainwright., Probably printed by Longacre & Co., Philadelphia on Stone, Free Library of Philadelphia: Philadelphiana - Factories, etc.
Creator: Blanc, Albert, artist
Date: [ca. 1876]
Location: Free Library of Philadelphia. | Print and Picture Collection. FLP FLP Philadelphiana - Factories, etc. - R

Title: In commemoration of the centennial anniversary of our nation's birth
Description: Elaborate Centennial Exhibition commemorative print depicting an arched monument containing central views of the "Philadelphia Public Buildings," Independence Hall (1776) and the new City Hall (1876), surrounded by vignettes; allegorical, patriotic, and historical figures; state seals; and references to prominent historical, national and local personages. The public building views include pedestrian and street traffic, the name of City Hall architect John McArthur Jr., and the motto "A Free Nation's Progress." City Hall image also contains misrepresentative views of other municipal- style buildings in the background. Arch comprised of the seals of the original 13 states bordered by abutments containing angels trumpeting "Liberty" and "Independence." Above the arch figures of Liberty, American eagles, Christopher Columbus, William Penn, George Washington, Ulysses S. Grant, and Abraham Lincoln adorn a panel representing a time line of the nation's history. Flanking the central views are columns labeled with the names of the signers of the Declaration of Independence; the states; the U.S. Presidents and Vice-Presidents; prominent citizens, including Alexander Hamilton, William Wirt, Thomas Sullly and Thomas U. Walter; and the Philadelphia Commissioners for Public Buildings. Also includes vignette views symbolizing industry, arts, politics, and technological advancement. Includes sailing vessels, bridges, locomotives, railroads, a factory, a turbine, and the U. S. Capitol. Also contains the patriotic mottoes "United We Stand Divided We Fall" and "In Union There is Strength" in addition to plaques with the names of the Mayor of Philadelphia, William S. Stokley, and the Governor of Pennsylvania, John F. Hartranft. The centennial of the United States was celebrated through an international exhibition of industry, agriculture, and art in West Fairmount Park, Philadelphia., Not in Wainwright., Copyrighted by Frank H. Leonholdt., Philadelphia on Stone, POS 368, Historical Society of Pennsylvania: Bc 47 Z 992
Creator: Leonholdt, Frank H.
Date: c1875
Location: Historical Society of Pennsylvania HSP Bc 47 Z 992

Title: L.C. Smith, druggist, (successor to A.W. Rice), Rockville, Conn. Drugs, medicines, toilet requisites, etc., etc. prescriptions compounded day or night. Prices the lowest. Goods strictly pure
Description: Trade card promoting druggist Louis C. Smith and depicting racist caricatures of Chinese men being attacked by dogs. In the left foreground, shows a large dog chained to a doghouse. The Chinese man, wearing a queue hairstyle, a blue tunic and pants, and white, slip-on shoes, looks at the dog in fear. In the right, a Chinese man runs away with his queue flying behind him. In the background, a Chinese man, his back to the viewer, screams and raises both arms up as a white dog bites his bottom. Text written in pidgin English below the image: What d’yer soy? Ha! Ha! John Chinaman he eatie doggie., Title from item., Date inferred from content., Copyright statement printed on recto: Copyrighted, Bufford, Boston., Gift of William H. Helfand., RVCDC
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Helfand Patent Medicine Trade Card Collection - Pharmacists - Smith [P.9828.6842]

Title: F.P. Louderbough, graduate in pharmacy, cor. Tenth & Jefferson Sts. Philadelphia
Description: Trade card promoting pharmacist F.P. Louderbough and depicting racist caricatures of Japanese acrobats. Shows four barefooted, Japanese men, attired in red patterned kimonos, balancing, swinging, and flipping on two bamboo beams., Title from item., Dare inferred from content., Series no. on recto: 1700., Gift of William H. Helfand., RVCDC
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Helfand Patent Medicine Trade Card Collection - Pharmacists - Louderbough [P.9828.6374]

Title: China. E.F. Keeler, druggist, Groton, Ct
Description: Trade card promoting druggist E.F. Keeler and depicting a racist caricature of a Chinese woman, symbolizing China, attired in a dress of the Imperial yellow dragon flag. Shows a Chinese woman, wearing her hair in a long braid and attired in a conical hat, a yellow dress with a green dragon on the front, yellow gloves, and white dress shoes. She stands on her toes with her hands up., Title from item., Date inferred from content., Gift of William H. Helfand.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Helfand Patent Medicine Trade Card Collection - Pharmacists - Keeler [P.9828.6242]

Title: F.P. Louderbough, graduate in pharmacy, cor. Tenth & Jefferson Sts. Philadelphia
Description: Trade card promoting pharmacist F.P. Louderbough and depicting racist caricatures of two Chinese men and a crane. In the left, shows the Chinese man, attired in a yellow robe with a red sash around the waist, standing and holding a pot by the handle in his right hand. To the right, the Chinese man, wearing a mustache and goatee and attired in a black hat, yellow robe, and a pink shirt with long sleeves, holds a bowl towards a crane. Decorative border surrounds the scene., Title from item., Dare inferred from content., Series no. on recto: 1700., Gift of William H. Helfand., RVCDC
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Helfand Patent Medicine Trade Card Collection - Pharmacists - Louderbough [P.9828.6373]

Title: [Unidentified trade cards]
Description: Series of illustrated trade cards depicting scenes of Japanese life showing men and women attired in traditional garb; a Merry Christmas and Happy New Year greeting with a vase of flowers and bamboo; a profile of a woman's face encircled by a flower border and a bird; a female figure attired in robes and a Roman helmet in the clouds holding a mirror showing a child's reflection; sailing vessels on the water; a horseshoe; and flowers., Title supplied by cataloger., Printers and engravers include Bufford (Boston) and Continental Bank Note Co. (New York)., Advertising text printed on versos promotes the gents' shoe department of an unidentified store; fancy furs and cloaks; porcelaines, bronzes, clocks and leather goods; and "all of the ordinary grades at the lowest prices"., Two prints contain calendars for 1880, one for 1879 and one print with sixth months of a calendar for an unidentified year printed on versos., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Unidentified [1975.F.198; 1975.F.215; 1975.F.218; 1975.F.306; 1975.F.483; 1975.F.919; 1975.F.1033; 1975.F.1040; P.9111.12]

Title: [Scrapbook with linen pages]
Description: Scrapbook containing scraps, cutouts, periodical illustrations, and trade cards. Contents depict sentimental, genre, and religious scenes; images of children, animals, mothers and mothering; fancy heads; patriotic, historical, and allegorical figures, including George and Martha Washington; advertisements for Philadelphia, Hartford (Conn.), and New York businesses, including promotions for druggists, patent medicines, and soap; imagery documenting the Centennial Exhibition 1876, including portraits of prominent figures; figures in European costumes; scenes of rural life and European scenery; and landscape views. Also includes a small number of views of factories and industrial buildings; a patent medicine advertisement including an African American man servant character opening a door (p. 76); a print depicting a stanza from Robert Burn’s “The Cotter’s Saturday Night” (p. 22); illustrations of Little Red Riding Hood; the periodical cartoon “A Parent’s Vengeance” (p. 53); "La Belle Chocolatiere from the original painting by Leotard now in the Dresden Gallery" (p. 57); a cutout from a women’s fashion plate (p. 77); H.M.S. Pinafore theatrical character illustrations printed by Ledger Job Printing Office (p. 64); and a calling card for Mary S. Bassett (back inside cover)., Businesses represented include B. T. Babbit (soap); Clark’s O.N.T. (thread); C. F. Rump (leather goods); Corning & Tappan (perfumes); Marburg Bros. (tobacco); Devlin & Co. (clothiers); Dundas, Dirk & Co. (pharmacists); [Hiram] Duryea’s Starch Works; Fairbanks scales (E. & T. Fairbanks & Co.); J. Milton Brewer (druggist); C. L. Hauthaway & Sons (shoe polish); Charles S. Higgins (German laundry soap); The New York Bazar (fancy goods, Phillip Isaacs, proprietor); Demorest’s Monthly Magazine (W. J. Demorest, publisher); Edwin C. Burt (shoes); E. P. & Wm. Kellogg; Samuel Gerry & Cos. (patent medicine); Alex. Boost (analytical chemist); Chas. F. Hurd & Co. (chinaware); E. P. & Wm. Kellogg (photographers & art dealers); and Willcox & Gibbs (sewing machines)., Title supplied by cataloger., Front cover stamped: Scrap Book, Various artists, engravers, and printers including F. Beard; Illman Bros.; Ledger Job Print; L. Prang & Co.; Major & Knapp; Thomas Moran; and Shober & Carqueville., Cutouts and calling card pasted to inside front and back covers., Edges of scrapbook leaves contains stitching in different colors, including yellow, green, blue, red, lilac, and purple., Purchased with funds for the Visual Culture Program., Housed in phase box., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1876-ca. 1879]
Location: Library Company of Philadelphia | Print Department albums - Linen [P.2013.69.1]

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