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- Title
- Bank of Pennsylvania, South Second Street Philadelphia
- Description
- View showing the second edifice of the Bank of Pennsylvania (established 1780), built between 1798 and 1801, after the designs of architect Benjamin Henry Latrobe, on South Second Street above Walnut Street. Includes views of the mansion of Jewish merchant David Franks, and the City Tavern (opened in 1773) used as a tavern, banquet hall, and merchant's exchange by colonial Americans, including the Continental Congress. Depicts individuals walking the sidewalks, including a man with a handcart, and several patrons gathered outside the tavern. The first American building built in the Greek Revival style, the bank was razed in 1867. The tavern, razed in 1854, was reconstructed for the Bicentennial., Retrospective conversion record: original entry, edited., Illustrated in S. Robert Teitelman's Birch's Views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000), pl. 27.
- Creator
- W. Birch & Son
- Date
- [1800]
- Location
- Library Company of Philadelphia | Print Department Birch's views[Sn 27a/P.2276.62]
- Title
- Preparation for war to defend commerce. The Swedish Church Southwark with the building of the Frigate Philadelphia
- Description
- Busy scene at Federal Street near the Delaware River showing several laborers constucting the U.S. Navy warship, "Philadelphia," one of a number of frigates built to defend the nation's merchant fleet from foreign enemies. Construction occured at Wharton-Humphreys shipyard from 1798 to 1799, under naval builder Joshua Humphreys. Depicts the workers sawing, axing, and carrying slats of wood up a long plank to the top of the hull of the unfinished ship. A man, possibly Humphreys or the ship designer, Josiah Fox, and a woman, watch the construction from the side. Several buildings stand in the background, including the city's oldest church, Gloria Dei (Old Swedes) Church, built in 1700., Retrospective conversion record: original entry, with corrections., Illustrated in S. Robert Teitleman's Birch's Views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000), p. 29.
- Creator
- W. Birch & Son
- Date
- 1800
- Location
- Library Company of Philadelphia | Print Department Birch's views [Sn 29/P.2276.67]
- Title
- An unfinished house, in Chesnut [sic] Street Philadelphia
- Description
- View showing "Morris' Folly", the unfinished brick and marble mansion on Chestnut Street above Seventh Street, designed by Pierre Charles L'Enfant for Philadelphia merchant and financier Robert Morris. Individuals stroll the grounds, and a laborer carries a ladder passed a guardhouse. Morris' mansion, begun about 1796 and unfinished as a result of his bankruptcy, was demolished in 1800, the building materials sold to finance creditors., Retrospective conversion record: original entry, edited., Illustrated in S. Robert Teitelman's Birch's Views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000), pl. 14., Reproduced with article in Poulson's Scrapbook of Philadelphia History, vol. VII, p. 54-55. (LCP reference copy Uy 8, 2526.F)
- Creator
- W. Birch & Son
- Date
- 1800
- Location
- Library Company of Philadelphia | Print Department Birch's views [Sn 14a/P.2276.27]
- Title
- [An unfinished house, in Chestnut Street Philadelphia]
- Description
- View showing "Morris' Folly," the unfinished brick and marble mansion on Chestnut Street above Seventh Street designed by Pierre Charles L'Enfant for Philadelphia merchant and financier Robert Morris. Individuals stroll the grounds, and a laborer carries a ladder passed a guardhouse. Morris' mansion, begun in 1796 and unfinished as a result of his bankruptcy, was demolished in 1800, the building materials sold to finance creditors., Title from duplicate print., Retrospective conversion record: original entry, edited., Illustrated in S. Robert Teitelman's Birch's Views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000), pl. 14., Reproduced with article in Poulson's Scrapbook of Philadelphia History, vol. VII, p. 54-55. (LCP reference copy Uy 8, 2526.F).
- Creator
- W. Birch & Son
- Date
- [180[0]
- Location
- Library Company of Philadelphia | Print Department Birch's views [Sn 14a/P.2276.28]
- Title
- New Lutheran Church, in Fourth Street Philadelphia
- Description
- Street scene based on a watercolor study by William Birch. Depicts Speaker of the House of Representatives, Frederick Augustus Muhlenberg, on tour with a delegation of Native American men across from the second edifice of the New Zion Lutheran Church, built on Fourth Street below Cherry Street 1795-1796. The first church building, erected 1766-1769 to accommodate the overflow of the growing German congregation of St. Michael's Lutheran Church, was rebuilt in its original form following a fire in 1794. Scene also includes street and pedestrian traffic of a loaded horse-drawn dray and cart; and a laborer hauling a barrel upon his back. Native American delegations visited the city to pay respect and to negotiate land treaties when Philadelphia served as the nation's capitol. Muhlenberg lead a tour of several tribal groups in 1793., Illustrated in S. Robert Teitelman's Birch's Views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000), pl. 6., LCP holds related watercolor study. (LCP P.9666)., Retrospective conversion record: original entry, edited.
- Creator
- Birch, William Russell, 1755-1834, engraver
- Date
- [1804]
- Location
- Library Company of Philadelphia | Print Department Birch, William-Views of Philadelphia [Sn 6b/P.2276.12]
- Title
- South east corner of Third, and Market Street. Philadelphia
- Description
- Street scene depicting the bustling southeast corner of Third and Market Streets. Several vendors, mostly women, sell meat and produce from their basic stands and baskets to the numerous patrons, including two Black women in kerchiefs and shawls, milling on Market Street. View includes the commercial business block erected in 1792 by prosperous jeweler and developer Joseph Cooke, known as "Cooke's Folly." The lavish building, containing residences and stores to have been won as lottery prizes, was demolished in 1838 after several years of decay from lack of investment., Title from item., Illustrated in S. Robert Teitelman's Birch's views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982), pl. 8., Accessioned 1979., Description revised 2021., Access points revised 2021.
- Creator
- W. Birch & Son
- Date
- 1799
- Location
- Library Company of Philadelphia | Print Department Birch's views [Sn 8/P.2276.15]
- Title
- High Street, from Ninth Street. Philadelphia
- Description
- View of High (Market) Street from Ninth depicting a detachment of the First City Troop of Philadelphia drilling on horseback. The troop promenades up the busy street where several horse-drawn carts and a dray travel and several pedestrians, including an African American man and boy (in the right), watch the guard and/or stroll the tree-lined sidewalks. A market shed is seen in the distance. The First City Troop, one of the oldest continually mounted U.S. military units, was organized in 1774 to defend against British invasion. The troop used a variety of arenas to perform drills including circuses, riding schools, and various public grounds., Title from item., Illustrated in S. Robert Teitelman's Birch's views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982), pl. 12., Accessioned 1979., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- W. Birch & Son
- Date
- 1799
- Location
- Library Company of Philadelphia | Print Department Birch's views [Sn 12/P.2276.24]
- Title
- An accurate map of the West Indies with the adjacent coast of America
- Description
- Detailed map of the West Indies and depicting part of Florida, Central America, and South America, including the names of the islands, capes, bays, rivers, lakes, and keys of the region. From 1794 to 1815 Britain and France fought for dominion of the West Indies., Title from item., Manuscript note on verso: Winter Botham's America; William Priestman Philadelphia 266 Arch St. 1944., Relief shown by hachures and landform drawings., Depth shown by soundings., Prime Meridian: London., Published in William Winterbotham's An Historical, geographical, commercial and philosophical view of the American United States (London:... H.D. Symonds, Paternoster Row, 1795) vol. IV, between pages 228 and 229, and in later editions of the same work., Accessioned 1879., Description revised 2021., Access points revised 2021.
- Creator
- Russell, John, active 1733-1795, engraver
- Date
- Novr. 29, 1794
- Location
- Library Company of Philadelphia | Print Department *maps-West Indies 1794 [Log 1303.F.6]
- Title
- The battle at Bunker's Hill near Boston, June 17th, 1775
- Description
- Commemorative print after John Trumbull's historical painting based on his eyewitness account of the battle while serving as a commissioned officer during the American Revolution. Dramatically depicts the scene of American Major General Joseph Warren's death proceeding the Americans' retreat from the hill. Amidst a melee of activity, Warren lays dying in the arms of an American militiaman who fends off a bayonet pointed down over his body by an English soldier. British Major John Small restrains the bayonet of his soldier as Americans Captain Thomas Gardner, holding a musket, Major Andrew McClary, and Colonel William Prescott stand guard over their fallen compatriot. Behind Small, British Major John Pitcairn, mortally wounded, is held up by Lieutenant William Pitcairn and to the far right American Lieutenant Thomas Grovesnor stands en guarde shielding an armed African American man usually identified as Peter Salem, credited as the fatal shooter of Pitcairn, but more likely Grovesnor's enslaved man. British Generals William Howe, Henry Clinton, and Lieutenant Francis Lord Rawdon, flag in hand, continue the charge in the background. Other American soldiers involved in the battle include: Colonel Israel Putnam who gallantly leads the retreat; Rev. Samuel McClintock; Major Willard Moore, as well as an African American soldier, possibly Peter Salem. American Lieutenant Colonel Moses Parker and British Lieutenant Colonel Sir Robert Abercromby lay dying., Title from item., Theodore Sizer's The works of Colonel John Trumbull (New Haven: Yale University Press, 1967), 95., The Library of Congress' An album of American battle art, 1755-1918. (Washington, D.C.: The U.S. Printing Office, 1947), 27-30., See Elisa Tamarkin, Anglophilia: deference, devotion, and antebellum America (Chicago: University of Chicago Press, 2008), 137-8 for Peter Salem misidentification., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Muller, was a renown German painter, engraver, and professor, commissioned, following the refusal of the English artist community, to engrave Trumbull's historic painting. Muller completed the painting in 1786 at his mentor Benjamin West's London studio.
- Creator
- Müller, Johann Gotthard, 1747-1830, engraver
- Date
- 1798
- Location
- Library Company of Philadelphia | Print Department **GC - American Revolution [1142.F.4]
- Title
- Olaudah Equiano or Gustavus Vassa the African
- Description
- Bust portrait of the British, Black free man and abolitionist, Olaudah Equiano, who authored one of the earliest and most influential autobiographies by a formerly enslaved person. He is attired in a dark-colored jacket with a collar and buttons and a white collared shirt, cravat, and waistcoat. He holds the Bible in his right hand, which is open to “Acts Chap. IV. V. 12.”, Title from item., Publication information and date inferred from source in which the portrait was originally included., Published as the frontispiece in Olaudah Equiano's The interesting narrative of the life of Olaudah Equiano...(New York: W. Durrell, 1791). (LCP Am 1791 Equ, Log 3936.D)., Accessioned after 1870 and before 1900., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Tiebout, Cornelius, 1777-1832, engraver
- Date
- [1791]
- Location
- Library Company of Philadelphia | Print Department Portrait Prints - E [1885.F.145]
- Title
- These are to certify, that [blank] is a member of the New-Jersey Society, for promoting the abolition of slavery. [blank] Presdt. Secy. [blank]
- Description
- Abolition society certificate depicting a white, Federal-era man pointing toward a chained, kneeling enslaved man who declares, "Am I not a Man and brother!" In the left, the enslaved man, attired in a white loincloth and with chains binding his hands to his feet, kneels down on his right knee upon a marble pedestal and clasps his hands together. In the right, the white man, attired in a white cravat, a waistcoat, a jacket, breeches, and black shoes, stands and holds in his left hand a Bible opened to Isaiah 61:1 atop the marble altar, which is inscribed with the verse: "He came to proclaim liberty to the captive, and the opening of the prison to them that are bound." Heavenly beams shine down upon them through an opening in the clouds. The New Jersey abolition society was established in 1793., Unused certificate., Title from item., Illustration of a kneeling male slave on the certificate is a variant of the image popularized by Josiah Wedgwood. Formed in 1787, the Committee for the Abolition of the Slave Trade designed and adopted as its seal the image of a kneeling African male slave asking, "Am I not a man and a brother?" That same year, Wedgwood, a ceramics manufacturer and member of the Committee, issued the image as a medallion, which was distributed in America. The image became a popular anti-slavery icon and was soon widely reproduced on artifacts and in print in the United States and in Britain. During the 1820s, a female counterpart with the motto, "Am I not a woman and a sister?" was created by British abolitionists and quickly embraced in the United States, particularly among women abolitionists., Accessioned 1968., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1800]
- Location
- Library Company of Philadelphia | Print Department *GC-Certificates [7762.F]