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- Title
- Intérieur de salle à manger à Ste. Marthe
- Description
- Dining room on the plantation of Ste. Marthe. As a planter dines with his family, a female slave serves them, while a male slave fans the family (?) with a contraption that swings from the ceiling., Plate in Voyage pittoresque dans le deux Ameriques (A Paris : Chez L. Tenr'e, libraire-éditeur, rue de Paon, 1; et chez Henri Dupuy, rue de la Monnaie, 11., M DCCC XXXVI. [1836]), p. 46., Fels Afro-Americana Image Project, Scenes from Slave Life.
- Date
- [1836]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1836 Orbi 6335.F p 46, https://digital.librarycompany.org/islandora/object/Islandora%3A2748
- Title
- La Batugue à San-Paulo
- Description
- In an open, outdoor space, two couples dance to music performed by the two men at the left. One musician appears to play a percussion instrument, while the other seems to play a string instrument. The dancing women are bare-breasted, and some of their facial features correspond to racist stereotypes, particularly in the case of the woman closest to the right. On the left, a third woman sits underneath a pole that supports a straw roof. Some pieces of tropical fruit lie on the ground near her feet. Batugue, a type of dance still practiced today, is an Afro-Brazilian circle dance., Plate in Voyage pittoresque dans le deux Ameriques (A Paris : Chez L. Tenr'e, libraire-éditeur, rue de Paon, 1; et chez Henri Dupuy, rue de la Monnaie, 11., M DCCC XXXVI. [1836]), p. 210., Fels Afro-Americana Image Project, Scenes from Slave Life.
- Date
- [1836]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1836 Orbi 6335.F p 210, https://digital.librarycompany.org/islandora/object/Islandora%3A2749
- Title
- Case a Negres
- Description
- Tropical landscape in which a black family is featured in the foreground. The father wears a straw hat, and carries some type of tool or bundle over his shoulder. The mother sits with their child on her lap in a posture that suggests breast-feeding. Behind a stone and wooden fence, the thatched roofs of two small houses are visible., Illustration in Abel Hugo's France pittoresque ou Description pittoresque, topographique et statistique des départements et colonies de la France (A Paris: Chez Delloye, éditeur de la France militaire, place de la Bourse, rue des Filles-Saint-Thomas, 13, 1835), vol. 3, p. 274., Fels Afro-Americana Image Project, Scenes from Slave Life.
- Creator
- Chamouin, Jean Baptiste Marie, b. 1768, engraver
- Date
- [1835]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1835 Hugo 10039.Q v 3 p 274, https://digital.librarycompany.org/islandora/object/Islandora%3A2743
- Title
- Creole de la Martinique
- Description
- Outdoors on the island of Martinique, a well-dressed Creole couple is waited on by a black male slave who carries a serving tray upon which rests a bottle and small drinking vessel. The woman sits stiffly in a chair; a book rests upon her lap. The man stands next to a tree and holds one of its branches., Illustration in Abel Hugo's France pittoresque ou Description pittoresque, topographique et statistique des départements et colonies de la France (A Paris: Chez Delloye, éditeur de la France militaire, place de la Bourse, rue des Filles-Saint-Thomas, 13, 1835), vol. 3, p. 292., Fels Afro-Americana Image Project, Scenes from Slave Life.
- Date
- [1835]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1835 Hugo 10039.Q v 3 p 292, https://digital.librarycompany.org/islandora/object/Islandora%3A2744
- Title
- [Liberator masthead, 1831]
- Description
- As indicated by two signs, the vignette is set in a horse-market, and depicts an auction of "Slaves, Horses, & Other Cattle," complete with an auctioneer standing at a podium at the right. In the center of a small group consisting of slaves and potential bidders, a female slave covers her face in desperation as two small childen huddle around her. To her right, a male slave sits at the base of the podium. In a clear gesture of despair, he rests his elbows on his knees and holds his head in his hands. A domed building that appears to be a court-house is visible in the distant background. A large flag reading "LIBERTY" waves from its top., Masthead from the Liberator (Boston: William Lloyd Garrison and Isaac Knapp, Publishers), vol. 1, no. 27 (July 2, 1831), p. 105., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
- Date
- [July 1831]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Per L 21 1646.F v 1 n 27 July 2 1831 p 105, https://digital.librarycompany.org/islandora/object/Islandora%3A2880
- Title
- [Liberator masthead, 1838]
- Description
- Divided into two halves, the masthead vignette contrasts the consequences of slavery and the benefits of emancipation. Scene to the left is a reworking of the original masthead illustration of 1831 showing a slave auction with a slave being whipped in the background and a capitol building adorned with a flag reading "Liberty." A common graphic strategy of abolitionists was to picture scenes of slavery alongside symbols of American freedom such as the capitol, the flag, etc. In this revised version, the slave auction is set on Freedom St., and joining it on the right is a scene showing emancipated slaves enjoying the benefits of freedom. Added vignette commemorates the abolition of slavery in the British colonies., Masthead from the Liberator, ed. William Lloyd Garrison (Boston: Published weekly at no. 25 Cornhill by Isaac Knapp), vol. VIII, no. 9 (March 2, 1838), p. 33., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
- Date
- [March 1838]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Per L 21 1646.F v VIII n 9 March 2 1838 p 33, https://digital.librarycompany.org/islandora/object/Islandora%3A2881
- Title
- [Middle passage: instruments of restraint and torture]
- Description
- Engraving shows instruments of restraint and torture used during the Middle Passage. From top to bottom, it includes: iron hand-cuffs, iron shackles, a thumb press, and a speculum oris, an instrument originally used to open the mouths of lock-jaw patients. On slave-ships, it was used to force-feed slaves who refused to eat. The bottom diagram shows a cabin space that is 3 feet, 3 inches high; it shows manner in which enslaved Africans were forced to sit during the passage., Illustration in Lydia Childs's An Appeal in Favor of that Class of Americans Called Africans (New York: Published by John S. Taylor, 1836), p. 21., Opposite page includes the following text: "The engraving on the next page will help to give a vivid idea of the Elysium enjoyed by negroes, during the Middle Passage. Fig A represents the iron hand-cuffs, which fasten the slaves together by means of a little bolt with a padlock. B represents the iron shackles by which the ancle [sic] of one is made fast to the ancle [sic] of his next companion. Yet even thus secured, they do often jump into the sea, and wave their hands in triumph at the approach of death. E is a thumb-screw. The thumbs are put into two rounds [sic] holes at the top; by turning a key a bar rises from C to D by means of a screw; and the pressure becomes very painful. By turning it further, the blood is made to start; and by taking away the key, as at E, the tortured person is left in agony, without the means of helping himself, or being helped by others. This is applied in case of obstinancy, at the discretion of the captain. I, F, is a speculum oris. The dotted lines represent it when shut; the black lines when open. It opens at G,H, by a screw below with a knob at the end of it. This instrument was used by surgeons to wrench open the mouth in case of lock-jaw. It is used in slave-ships to compel the negroes to take food; because a loss to the owners would follow their persevering attempts to die. K represents the manner of stowing slaves in a slave-ship.", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
- Date
- [1836]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1836 Chi S49622.D p 21, https://digital.librarycompany.org/islandora/object/Islandora%3A2746
- Title
- The moral character of the Africo-Americans
- Description
- Set in New York, the image shows William Peterson, a black boy who prepares to rescue a white boy who has fallen through the ice while skating. Next him, a white boy supports another skater whom Peterson has saved from drowning. A few others continue to skate in the background., Caption title vignette in the Anti-Slavery Record (New York: Published by R.G. Williams, for the American Anti-Slavery Society, 1835-1837), vol. II, no. IV (April, 1836), whole no. 16, p. 1., Small caption underneath the image reads: "William Peterson -- The Heroic Colored Boy.", Curator's note: Notice here the use of the term "Africo-Americans," used infrequently but persistently by some African Americans and abolitionists from at least the early 1830s through the Civil War period. The common usage of "blacks" and "Africans" was supplanted in the 1820s with "Negro" common among most whites, and "Colored" among most African Americans. As in all the terms used to describe black Americans over time, there is a nationalist-assimilationists dichotomy at work here, with "Africo-Americans" suggesting separate nationality and culture, and "Colored" suggesting darker-hued members of the common American nation and culture., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
- Date
- [April 1836]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Per A 245 60026.D v 2 n 4 cover page, https://digital.librarycompany.org/islandora/object/Islandora%3A2849
- Title
- Negres au travail
- Description
- Engraving accompanies Chapter IV, "Haiti.- Géographie. - Histoire." Under the supervision of two overseers with whips, approximately thirty slaves dig a trench that may be used to irrigate sugar cane fields. Swinging sharp hoes, the slaves stand in a line that stretches far into the background., Plate in Voyage pittoresque dans le deux Ameriques (A Paris : Chez L. Tenr'e, libraire-éditeur, rue de Paon, 1; et chez Henri Dupuy, rue de la Monnaie, 11., M DCCC XXXVI. [1836]), p. 22., Fels Afro-Americana Image Project, Work Scenes.
- Date
- [1836]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1836 Orbi 6335.F p 22, https://digital.librarycompany.org/islandora/object/Islandora%3A2747
- Title
- Negres de traite en voyage
- Description
- Engraving shows several Africans being led from Senegal's interior to the coast, where they will be sold into slavery. Three Africans in the foreground wear forked branches around their necks. Such branches were commonly used in the African slave-trade, and appear frequently in depictions thereof. The branches were secured in back by an iron rod, which threatened to choke the wearer if he or she struggled or tried to escape., Illustration in Abel Hugo's France pittoresque ou Description pittoresque, topographique et statistique des départements et colonies de la France (A Paris: Chez Delloye, éditeur de la France militaire, place de la Bourse, rue des Filles-Saint-Thomas, 13, 1835), vol. 3, p. 270., Fels Afro-Americana Image Project, Scenes from Slave Life.
- Creator
- Lalemont, engraver
- Date
- [1835]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1835 Hugo 10039.Q v 3 p 270, https://digital.librarycompany.org/islandora/object/Islandora%3A2742
- Title
- Section of a slave ship
- Description
- Plate includes three diagrams of a slave-ship. Top diagram is a cross-section of the ship's hold, viewed from the side. The small, shallow space in which slaves were transported lies between the deck and the main body of the hold. Diagram at the left is a detail of this space with its dimensions. (It was 3 feet, 5 inches in height.) Detail illustrates the manner in which slaves were packed into the ship, one next to another, with barely enough room to sit upright. Bottom diagram is an aerial view of the ship's deck with its dimensions., Plate at the front of Matthew Carey's Letters on the Colonization Society: And on its Probable Results; under the Following Heads . . . Addressed to the Hon. C.F. Mercer (Philadelphia: E.G. Dorsey, printer [May 30, 1838])., The caption below the image reads: "From Walsh's Notes of Brazil.", Fels Afro-Americana Image Project, Scenes from the Slave Trade
- Date
- [1838]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1838 Car 75256.O plate I, https://digital.librarycompany.org/islandora/object/Islandora%3A2769
- Title
- A Carib of Morne Ronde, St. Vincent
- Description
- Portrait image of Mary and her child, two Caribs whom Wentworth met in Morne Ronde on St. Vincent. According to Wentworth, Mary's features "were more of the African character, than of the aboriginal Indians, who were remarkable for the symmetry of their forms, and long straight glossy hair." "Her proportions, too," he wrote, "were singularly out of proportion, as if -- excepting her head and feet, she had been formed of the half limbs of a muscular giantess." (p. 337), Plate in Trelawney Wentworth's West India Sketch Book (London: Printed for Whittaker & Co., Ave Maria Lane, 1834), vol. II, p. 336., Fels Afro-Americana Image Project, Scenes from Slave Life.
- Date
- December 1833
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1834 Wentw 5894.D vol 2 p 336, https://digital.librarycompany.org/islandora/object/Islandora%3A2740
- Title
- [Sampson, a West Indian slave]
- Description
- According to St. Clair, the engraving features the slave Sampson, who was referred to as such on the basis of his enormous strength. Sampson was owned by a Dutchman whose plantation was near the Essequibo River in Guyana. After Sampson's second escape and capture, his master sentenced him to a severe flogging, and then took steps to deter future escape attempts. As St. Clair explained, Sampson "had an iron collar fastened round his throat, which had three legs sticking out from it, having, as represented in the sketch, hooks at their ends, which render it impossible for any human being to escape through the thick underwood in this country. In addition to this, his left leg was chained to an enormous heavy log of wood, which, when he walked, was thrown over his left shoulder. In this state, he was obliged daily to perform as much work as any other Negro on the estate.", Illustration in Thomas St. Clair's A Residence in the West Indies and America (London: Richard Bentley, New Burlington Street, publisher in ordinary to His Majesty, 1834), vol. 2, p. 214., Fels Afro-Americana Image Project, Punishment Scenes.
- Date
- [1834]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1834 St. Cla 8958.O v 2 p 214, https://digital.librarycompany.org/islandora/object/Islandora%3A2739
- Title
- Joanna
- Description
- Portrait of Joanna, a Surinamese mulatto and former slave, mistress to Captain John G. Stedman, an Englishman and the author of "Narrative of a Five Years' Expedition against the Revolted Negroes of Surinam.", Illustration in Lydia Childs's the Oasis (Boston: Benjamin C. Bacon: Tuttle and Weeks, printers, No. 8, School Street, 1834), p. 64., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
- Creator
- Smith, George Girdler, 1795-1859, engraver
- Date
- [1834]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1834 Chi 70173.D.5 p 64, https://digital.librarycompany.org/islandora/object/Islandora%3A2736
- Title
- [Instruments of torture]
- Description
- Illustration shows an "instrument of torture" used on Roper during his years of slavery. Of it, he wrote, this is a machine used for packing and pressing cotton. By it, he [i.e., the slave-owner Mr. Gooch] hung me up by the hands at letter a, a horse moving around the screw e, and carrying it up and down, and pressing the block c into the box d, into which the cotton is put. At this time, he hung me up for a quarter of an hour. I was carried up ten feet from the ground, when Mr. Gooch asked me, if I was tired. He then let me rest for five minutes, then carried me round again, after which he let me down and put me into the box, and shut me down in it for about ten minutes." (p. 52), Illustration in Moses Roper's A Narrative of the Adventures and Escape of Moses Roper, from American Slavery (London: Darton, Harvey, and Darton, 55, Gracechurch Street; and to be had of the author, at the Anti-Slavery Office, 18, Aldermanbury, Murrays, Mare Street, Hackney; Hudson, 18, Bull Street, Birmingham, MDCCCXXXVII [1837]), p. 51., Fels Afro-Americana Image Project, Punishment Scenes.
- Date
- [1837]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1837 Roper 101478.D p 51, https://digital.librarycompany.org/islandora/object/Islandora%3A2758
- Title
- Truth shall make you free
- Description
- Image features a large allegorical figure representing Liberty, who stands in the center of the scene. Her raised left hand holds a book. In front of her and to the left, a male slave has broken free from his shackles and chains. Next to him, a black woman prays, and a black mother holds her infant child. At the right, a white girl teaches a group of black children to read the alphabet. An American flag flies in the background., Frontispiece for the Liberty Bell (Boston: For the Massachusetts Anti-Slavery Fair, 1839)., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
- Creator
- Reason, Patrick Henry, 1816-1898, engraver
- Date
- [1839]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1839 Lib 66087.D frontispiece, https://digital.librarycompany.org/islandora/object/Islandora%3A2770
- Title
- "Deliver us from evil!"
- Description
- A slaveowner with a whip in his hand towers over three black children in chains and shackles who kneel at his feet., Vignette in Lydia Childs's the Oasis (Boston: Benjamin C. Bacon: Tuttle and Weeks, printers, No. 8, School Street, 1834), p. 20., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
- Creator
- Hall, John H., engraver
- Date
- [1834]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1834 Chi 70173.D.5 p 20, https://digital.librarycompany.org/islandora/object/Islandora%3A2733
- Title
- African mother on a rock
- Description
- Yarrima, an African mother, watches in despair as her son, Yazoo, is whisked away on the white man's boat., Illustration in Lydia Childs's the Oasis (Boston: Benjamin C. Bacon: Tuttle and Weeks, printers, No. 8, School Street, 1834), p. 28., Caption underneath the illustration reads: "Yarrima climbed to the highest rock, and saw the white man's boat moving rapidly over the waves.", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
- Creator
- Hall, John H., engraver
- Date
- [1834]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1834 Chi 70173.D.5 p 28, https://digital.librarycompany.org/islandora/object/Islandora%3A2734
- Title
- Henry Diaz
- Description
- Image is set in front of the Cinco Pontas fortress in Pernambuco, Brazil. Henry Diaz, a black slave, leads a slave regiment that he assembled on behalf of the Portuguese. The slave regiment successfully captured Cinco Pontas, a former Dutch stronghold., Illustration in Lydia Childs's The Oasis (Boston: Benjamin C. Bacon: Tuttle and Weeks, printers, No. 8, School Street, 1834), p. 47., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
- Creator
- Hall, John H., engraver
- Date
- [1834]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1834 Chi 70173.D.5 p 47, https://digital.librarycompany.org/islandora/object/Islandora%3A2735
- Title
- Shooting scene
- Description
- Engraving shows a slave being hunted by three men with dogs and guns., Illustration in Lydia Childs's the Oasis (Boston: Benjamin C. Bacon: Tuttle and Weeks, printers, No. 8, School Street, 1834), p. 265., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
- Creator
- Croome, William, 1790-1860, engraver
- Date
- [1834]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1834 Chi 70173.D.5 p 265, https://digital.librarycompany.org/islandora/object/Islandora%3A2738
- Title
- [Consequences of emancipation]
- Description
- In the foreground center, a black man reads aloud from the Bible while a girl kneels and prays before him. In their immediatie proximity, a mother holds her two small children. Behind them, several figures perform various chores and tasks. A group congregates in the middle-ground, and what looks to be a representation of Monticello is visible in the background., Front cover of the American Anti-Slavery Almanac, for 1837 (Boston: Published by N. Southard & D.K. Hitchcock, 1836)., Two captions appear underneath the image: "A sketch from God's description of the 'Consequences of Emancipation.' Psa. 58." and "We hold these truths to be self-evident -- that all men are created equal.", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
- Date
- [1836]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1836 Ame Ant 16996.D cover page, https://digital.librarycompany.org/islandora/object/Islandora%3A2745
- Title
- [The morning dream]
- Description
- Frontispiece accompanies Cowper's poem "The Morning Dream," which appears on the opposite page. The engraving features an allegorical figure representing Liberty/Britannia, who sailed westward to America "to make freemen of slaves." Shedding light "like the sun," this divine and beautiful figure "sung of the slave's broken chain, wherever her glory appeared." In accordance with the verse, two chained slaves kneel before her, praying for freedom. At the left, a slave-owner drops his whip. ("In his hand, as a sign of his sway, / A scourge hung with lashes he bore, / And stood looking out for his prey, From Africa's sorrowful shore. / But soon as approaching the land, / That angel-like woman he view'd, / The scourge he let fall from his hand, / With the blood of his subjects imbru'd."), Frontispiece for John Greenleaf Whittier's Poems Written during the Progress of the Abolition Question in the United States, between the Years 1830 and 1838 (Boston: Published by Isaac Knapp, No. 25, Cornhill, 1837)., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
- Date
- [1837]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1837 Whi 51405.D frontispiece, https://digital.librarycompany.org/islandora/object/Islandora%3A2759