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Title: Great Central Depot, southwest corner of 7th and Market Streets
Description: Men looking in windows of shop with comments in speech balloons. William Brown, prop., Retrospective conversion record: original entry, with corrections.
Date: ca. 1850
Location: Library Company of Philadelphia | Print Department *Ph Pr - Business - Grand Central Depot [P.9178.16]

Title: The card player Engraved from the original picture in the possession of William J. Hoppin Esq
Description: Genre print showing a card game between a card sharp and an older gentleman traveler in a waiting room. The gamblers sit at a table, under the guise of a young male referee standing and smoking a pipe. The young card player stirs a hot toddy and hides a card under his thigh. The older traveler, his coat on his chair and his hat and umbrella resting beside him, places his hand on a card, and peers past his cheating opponent at a mirror on the wall. The traveler's African American servant sits patiently behind him across from a stove. Debris lays on the floor and several layers of playbills hang on the wall near a pendulum and framed print., After an 1846 painting by Richard Caton Woodville in the collections of the Detroit Institute of Art, Detroit, MI., One of six prints issued in 1850 for the members of the American Art-Union in New York., Gift of David Doret., Hoppin was an Art-Union officer., Described in the Bulletin of the American Art-Union, May 1849, p. 9., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Burt, Charles Kennedy, 1823-1892, engraver
Date: [1850]
Location: Library Company of Philadelphia | Print Department *GC - Genre [P.2006.28.24]

Title: Missionary Society of the Evangelical Association of North America [certificate]
Description: Life membership certificate containing a vignette contrasting scenes of apocalyptic doom and religious salvation. Shows to the right an angel trumpeting salvation and wielding the Bible; a white man missionary preaching to a large group of Native Americans; and a converted African family of a man, woman, and child, kneels and reaches toward the winged messenger of God. On the ground are broken chains and swords, and a hut and palm trees are in the background. Opposite the scenes of salvation, a cross rises from the ground, bringing forth a river of redemption too late for the lost souls of a bejeweled "heathen" woman and a skull-headed man entangled by serpents. Behind them a temple, probably the Vatican, collapses to the ground. The Evangelical Association, a Methodist ministry, worked first to convert Native Americans and enslaved people before extending their missions to the Black inhabitants of Liberia in the 1820s., Issued to Peter H. Cage of Catasauqua, Pa. on February 24, 1870. Signed by Thomas Bowman, Secretary; Francis Hoffman, President; and Isaac Hess, Treasurer., Gift of David Doret, 2004., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Sartain, John, 1808-1897, engraver
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department *Philadelphia certificates - Organizations - M [P.2004.46.1]

Title: [Liberator masthead, 1850
Description: Engraving is divided into two parts by a roundel in the center that features a Christ-figure with a cross. The words "I come to break the bonds of the oppressors" are printed around the roundel's periphery. To the left, a black man kneels at Christ's feet. With shackled wrists, he holds his hands together in prayer. To the right, a slaveholder is positioned on the ground; most of his body is oriented away from Christ. Scene to the left of the roundel shows a slave auction, identified as such by a sign that reads "Slaves, Horses, & Other Cattle in Lots to Suit Purchase." (Versions of the sign appear in earlier Liberator mastheads.) An auctioneer stands on a raised platform over which an American flag flies; a small black child sits at his feet. Crying, the child covers his face with his hands. Several other slaves (adults and children) huddle around the rear of the platform, while a number of slaveowners stand in front of it. A courthouse (or another government building) appears in the distant background; a flag that reads "SLAVERY" waves above it. The scene to the right of the roundel depicts the emancipation of the slaves. A similar building appears in the background. In this case, however, the flag above it reads "FREEDOM." With a sea of flags, a parade (of troops?) marches through a triumphal arch marked "EMANCIPATION." In the foreground, freed slaves of varying ages cluster in front of a building that may represent a schoolhouse. Seated in a rocking chair, an eldery slave holds an infant in her out-stretched arms. A lamb, a dog, and other animals stand on the edge of the group., Masthead from the Liberator, ed. William Lloyd Garrison (Boston: Y.B. Yerrinton & Son, Printers, 1850), vol. XX, no. 22, whole no. 1012 (May 31, 1850), p. 85., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Creator: Hartwell
Date: [May 1850]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Per L 21 1646.F v XX n 22 May 31 1850 p 85, https://digital.librarycompany.org/islandora/object/Islandora%3A2882

Title: Sale of estates, pictures and slaves in the Rotunda, New Orleans
Description: As the title suggests, the engraving shows a large auction in the New Orleans Rotunda. At separate podiums, three auctioneers simultaneously take bids on a painting (left), a family of slaves (center), and a manuscript (right). In the foreground, several traders lean and sit casually on barrels and crates as they watch the slave auction. Bidders for the painting and manuscript look somewhat more genteel. The engraver's emphasis the light streaming though the Rotunda's oculus may represent an ironic commentary on the events taking place within it., Frontispiece for volume one of James Silk Buckingham's The Slave States of America (London; Paris: Fisher, Son, & Co. Newgate St. London; rue St. Honoré, Paris [1842])., Fels Afro-Americana Image Project, Images from the Slave Trade.
Creator: Starling, J. M., engraver
Date: [1842]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1842 Buc 10584.O v 1 frontispiece, https://digital.librarycompany.org/islandora/object/Islandora%3A2774

Title: Gang of slaves journeying to be sold in a Southern market
Description: Driven by mounted men with whips, a large procession of bound slaves travels down a shallow creek. Some of the slaves hold children in their arms; others carry baskets and bundles on their heads. A family of free blacks watches from the banking on the left., Illustrated plate in James Silk Buckingham's The Slave States of America (London; Paris: Fisher, Son, & Co. Newgate St. London; rue St. Honoré, Paris [1842]), vol. 2, p. 552., Fels Afro-Americana Image Project, Images from the Slave Trade.
Creator: Holl, F., engraver
Date: [1842]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1842 Buc 10584.O v 2 p 552, https://digital.librarycompany.org/islandora/object/Islandora%3A2775

Title: The slaves of Martinique
Description: Engraving accompanies Whittier's poem "Slaves of Martinique." It shows a slave couple enjoying a brief moment of rest in the shade. She is described as "Dark, but comely, like the maiden in the ancient Jewish song." He is described as " . . . the strong one and the many, with the vassal's garb and hue, / Holding still his spirit's birthright, to his higher nature true.", Engraving in John Whittier's Poems (Boston: Benjamin B. Mussey & Co., 1849), p. 372., The following lines appear underneath the image: "Beams of noon like burning lances, through the tree-tops flash and glisten. / As she stands before her lover, with raised face to look and listen.", Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Glover, De Lay, 1823-1863, engraver
Date: [1849]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1849 Whi 12099.O p 372, https://digital.librarycompany.org/islandora/object/Islandora%3A2779

Title: The battle ground at Germantown. Cliveden or Chew's House
Description: Periodical illustration depicting the colonial residence built 1763-1767 by master carpenter Jacob Knor for Philadelphia attorney Benjamin Chew at 6401 Germantown Avenue. On the grounds in the foreground, a white boy stands beside a chair and exchanges a book with an African American man. Benjamin Chew owned property from Delaware to Maryland, including plantations that enslaved people. Chew House, also known as Cliveden, was the site of the turning point in the Battle of Germantown in 1777. The Chew family enslaved people of African descent in the city of Philadelphia and in Germantown during the 18th and 19th centuries. The estate was the Chew family residence until 1972 when it was acquired by the National Trust for Historic Preservation., Title from item., Plate from: Godey's magazine and lady's book, December, 1844. (LCP Per G 43)., Smith, a prominent Philadelphia landscape painter and friend of Godey's publisher, Louis A. Godey, had several of his Philadelphia and Pittsburgh views engraved for the 1844 issues of the periodical. Smith's painting, Chew House, Germantown, is in the collection at the Pennsylvania Academy of the Fine Arts., Originally part of a McAllister scrapbook of engravings relating to Philadelphia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Dick, Archibald L., approximately 1805-approximately 1855, engraver
Date: [December 1844]
Location: Library Company of Philadelphia | Print Department PhPr - 11x14 - Residences [(7)1322.F.12b]

Title: Certificate of marriage
Description: Marriage certificate illustrated with vignettes within an ornamental border. Depicts vignettes representing peace and love including doves near an altar with an eternal flame, and cherubs floating on clouds, reaping grain, and rowing a gondola., Issued to John A. Jones and Mary Anne Dickerson. Signed by Rev. William Douglass, officiant, and by Samuel Van Brackle and George W. Hopewell, witnesses., Copyright secured., Title from item., Date based on date of the event represented., Purchase 1993., Description revised 2021., Access points revised 2021., Croome, Meignelle & Co. was a Philadelphia engraving firm operated by engraver, William Croome, and banknote engraver, James Meignelle in the 1840s.
Creator: Croome, Meignelle & Co., engraver
Date: [ca. 1846]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.9427] - Dickerson Family Collection - Miscellaneous

Title: "The Sabbath among slaves"
Description: Engraving depicts the author's experience of the Sabbath among slaves. As Bibb explained, having no moral or religious instruction, slaves generally "resort to the woods in large numbers on that day to gamble, fight, get drunk, and break the Sabbath." This behavior, Bibb noted, was encouraged by the slaveholders, who viewed the slaves' activities as a form of entertainment, and who liked to watch them fight, "dance, 'pat juber,' sing, and play the banjo." To this end, the slaves were often provided with whiskey. Accordingly, the illustration shows a slaveholder pouring a libation into a slave's glass. In the background left, a group of white men and women observe the Sabbath festivities., Illustration in Henry Bibb's Narrative of the Life and Adventures of Henry Bibb: an American Slave (New York: Published by the author, 5 Spruce Street, 1849), p 23., Fels Afro-Americana Image Project, Scenes of Slave Life.
Creator: Strong, Thomas W., engraver
Date: [1849]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1849 Bibb 65732.D p 23, https://digital.librarycompany.org/islandora/object/Islandora%3A2778

Title: [Election night mob]
Description: Scene depicts an incident that occurred in Philadelphia (the city proper and Moyamensing) on Election night, October 11, 1849. The incident began when a group of white boys and men dragged a flaming furniture car through the area around St. Mary Street, a neighborhood inhabited primarily by blacks. As the car travelled along, a shot was fired, and a cry arose that a white man had been shot. Having heard this, the mob headed toward the California house at Sixth and St. Mary, which was kept by a black man who was rumored to have a white wife. A riot ensued, and the California house was destroyed in a fire that claimed many other buildings and numerous lives., Frontispiece for Life and Adventures of Charles Anderson Chester: the notorious leader of the Philadelphia "killers." (Philadelphia: Printed for the publishers, 1850, c1849)., Accompanied by the following caption: "A cry at once arose that a white man was shot, and the attention of the mob was directed to the California House, at the corner of Sixth and St. Mary street.", Fels Afro-Americana Image Project, Resistance.
Date: [1850]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1850 Lif 76423.O (Mrs SM Brenner) frontispiece, https://digital.librarycompany.org/islandora/object/Islandora%3A2780

Title: Barbarous treatment of two unfortunate females
Description: Illustration accompanies Miss Harrintgon's (allegedly true) account of her capture by two blacks in the parish of Concordia, Louisiana in 1842. Miss Harrington (standing in the middle) was kidnapped by two black men, Enoch and Joseph (seen at right), who forced their way into her home and murdered her father, Noah Harrington. Thereafter, the two men entered the home of Mr. George Todd, whom they also killed, and then proceeded to take his wife and seven-month old infant into captivity. (Mother and child are seen at left). With a young mulatto girl named Nelly Predello in tow, the two men led Miss Harrington, Mrs. Eliza Todd, and her child into a swampy forest, where they were held for six weeks. As Miss Harrington's narrative emphasizes, Nelly had originally thought that she would be aiding the two men in some sort of simple escape attempt, and she was dismayed to discover the true nature of their murderous plot. In this scene, Nelly protects the two women from their captors. As Miss Harrington wrote, whenever Nelly felt their lives jeopardized, she "would drop on her knees and beg of the blacks to desist, and in the meantime assuring them, 'that if the lives of the two unfortunate captives were thus to be cowardly sacrificed, their bullets would have first to pass through her body, before she would willingly permit them to reach those of the unfortunate victims!'" Eventually, Nelly aided in the women's rescue by a group of white men., Frontispiece for Miss Harrington's Narrative of the Barbarous Treatment of Two Unfortunate Females (New York: Printed for the publishers, 1842)., Fels Afro-Americana Image Project, Resistance.
Date: [1842]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1842 Harr 78297.O frontispiece, https://digital.librarycompany.org/islandora/object/Islandora%3A2776

Title: Amistad captives
Description: From top to bottom, the three profile portraits depict: Cinque, the leader of the Amistad revolt; Grabeau, second in command; and James Covey, the interpreter. The features of Cinque and Covey are rendered in some detail; Grabeau is represented by little more than a silhouette., Illustration in the American Anti-Slavery Almanac, for 1841 (New York: Published by S.W. Benedict, 1841 [i.e. 1840]), p. 22-23., Title above the three portraits reads: "Description of Cinquez, Grab-Eau, and James Covey the Interpreter.", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [1840]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1840 Am Ant 65752.D p 22-23, https://digital.librarycompany.org/islandora/object/Islandora%3A2771

Title: Whipping with the paddle, as witnessed by the author
Description: Image shows the type of event that Watson witnessed regularly while in the custody of a slave-trader named Mr. Denton. As Watson explained, "I was not sold for several weeks, thought I wished to be the first, not wishing to witness his cruelty to his slaves any longer; for if they displeased him in the least, he would order them to be stripped, and tied hand and foot together. He would then have his paddle brought, which was a board about two feet in length and one inch in thickness, having fourteen holes bored through it, about an inch in circumference. This instrument of torture he would apply, until the slave was exhausted, on parts which the purchaser would not be likely to examine." Correspondingly, in this scene, Denton beats a man who is tied to an upright pole in such a manner that he is forced to lie on his side on the ground in a fetal position. A child cries in the background; two potential purchasers approach., Illustration in Henry Watson's Narrative of Henry Watson: a Fugitive Slave (Boston: Bela Marsh, 1850), p. 11., Fels Afro-Americana Image Project, Punishment Scenes.
Date: [1850]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1850 Wat 71223.O p 11, https://digital.librarycompany.org/islandora/object/Islandora%3A2781

Title: Tread-wheel
Description: Under the overseer's whip, a group of Jamaican slaves power a large tread-wheel that is presumably used in sugar manufacturing. In the foreground, two slaves have collapsed from heat and exhaustion; they are tended to by others. To the left, another overseer flogs a slave while two white men look on. As Phillippo explained, the slave's labor, "under the fervent heat of a tropical sun, was indeed excessive, sufficient, during a comparatively short period of time, to expend the vigour and exhaust the spirits of the strongest and most energetic frame, inasmuch as they had to perform by manual operation those processes, which, in every other country, are performed by horses, oxen, and machinery." (p. 159-60), Illustration in James Phillippo's Jamaica: its Past and Present State (London: John Snow, Paternoster Row, MDCCCXLIII [1843]), p. 172, Fels Afro-Americana Image Project, Work Scenes.
Date: [1843]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1843 Phill 7675.D p 172, https://digital.librarycompany.org/islandora/object/Islandora%3A2777

Title: High Street Prison and Market Shambles
Description: View looking east from above Third and High (Market) streets showing the High Street Prison built circa 1723 and the nearby old market stalls during the colonial era. Shows men in colonial attire walking on the sidewalks and street and two African American men in a stockade and attached to a whipping post near the jail. The prison operated until the early 1770s when replaced by the Walnut Street Prison. The market shambles were replaced by the permanent Jersey Market circa 1765., Title from item., Published in John F. Watson's Annals of Philadelphia and Pennsylvania, in the olden time:....Embellished with engravings, by T.H. Mumford (Philadelphia, 1844), vol. 1 and later editions., Originally part of a McAllister scrapbook of views of Philadelphia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Retrospective conversion record: original entry, edited., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Mumford, Thomas Howland, -1816, engraver
Date: [ca. 1844]
Location: Library Company of Philadelphia | Print Department Pr Pr - 8x10 - Prisons - H [(7)1322.F.231]

Title: John G. Whittier
Description: Bust-length portrait of the poet, abolitionist, journalist, and editor of the abolitionist newspaper, the "Pennsylvania freeman." Whittier, attired in a white collared shirt, a white bowtie, and a black jacket, faces slightly right., Title from printed signature of sitter below image., Printed below image: Truly thy friend, John G. Whittier., Published as frontispiece in John Greenleaf Whittier's Poems (Boston: Benjamin B. Mussey & Co., 1849). (LCP Am 1849 Whi, 12099.O)., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Warren, Asa Coolidge, 1819-1904, engraver
Date: [1849]
Location: Library Company of Philadelphia | Print Department Portrait Prints-W [P.8911.1051]

Title: Josh educating a pig
Description: Racist periodical illustration that illustrated the James Fenimore Cooper serial "The Islets of the Gulf, or Rose Budd" in the January 1847 issue of Graham's Magazine. Depicts the scene from the story set during the Mexican-American War aboard a sailing ship when the character Josh, an older Black man cabin hand, teaches a pig "to know their place"-- not to be on the quarter-deck--with scalding water. Shows, in the right, on a ship deck, Josh, attired in a blue-checkered shirt, red vest and tie, yellow pants, and boots, standing with his legs apart, and holding a cloth in his right hand and a kettle in his left hand. He pours "scalding" water from the kettle onto a squealing pig by his feet. He is portrayed with a smile and steam rises from the back of the pig. To the left are a young Black man, attired in a brown broad-rimmed hat, shirt, pants, and boots and an older white man with a chin-beard and attired in a brown jacket, white vest, blue pants, and shoes. The younger man stands with his feet crossed and leans on the ship railing behind him. The older man is portrayed with a rotund midriff and holds his left hand in his vest pocket and his right hand on the railing on which he leans. A lantern-like object is visible in the left foreground and sailing line and a rope ladder are visible in the right background. Scene also includes a cloudy sky, the ocean, and distant sailing ships in the background. Josh and the white man character are portrayed with exaggerated features and/or manners., Title from item., Date from item., Originally published in Graham's Magazine, January 1847, aft. p. 54., Hand-coloring probably added after removal from publication., RVCDC
Date: 1847
Location: Library Company of Philadelphia | Print Department GC - Fictional Characters - J [P.2022.17]

Title: The London Coffee House
Description: Exterior view showing the coffee house and merchants' exchange during the colonial era at the southwest corner of Front and Market streets in Philadelphia. An auction of enslaved people occurs outside the coffee house and pedestrians traverse the sidewalks. Partial view of the adjacent printing house of "Pennsylvania Journal" publisher, William Bradford, is visible. Erected in 1702 and established as a coffee house in 1754 by Bradford, the site was a public center for social and economic activities during the later 18th century, including auctions of enslaved people. The building was razed in 1883., Title from item., Published in John F. Watson's Annals of Philadelphia and Pennsylvania, in the olden time:....Embellished with engravings, by T.H. Mumford (Philadelphia, 1844), vol.1 and later editions., After wash study by Edward Mumford., Originally part of McAllister scrapbook of engravings relating to Philadelphia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Mumford, Thomas Howland, 1816-, engraver
Date: [ca. 1844]
Location: Library Company of Philadelphia | Print Department Ph Pr - 8x10 - Hotels, Inns, Taverns [(6)1322.F.47a]

Title: Cinque The chief of the Amistad captives
Description: Bust portrait of the enslaved leader after a painting by New Haven, Connecticut artist, Nathaniel Jocelyn, engraved by Philadelphia artist and Pennsylvania Anti-Slavery Society member, John Sartain, to raise funds for the enslaved ship mutineers' defense before the Supreme Court. Sartain reproduced the painting, commissioned in 1841 by Philadelphia African American abolitionist and Amistad Committee defense fund member, Robert Purvis, following the refusal of the Artist Fund Society to display the original at the society's 1841 exhibit. Depicts the West African, attired in a toga, walking cane in hand, slightly facing left, in front of a background of African landscape., Title from printed signature of sitter below image., Date inferred from content., Printed on recto: fac simile of the original autograph., Original painting in the collections of the New Haven Colony Historical Society, New Haven, CT., LCP exhibition catalogue: Negro history, p. 34., LCP exhibition catalogue: Made in America, #61., See Ann Katherine Martinez's The Life and career of John Sartain (1808-1897): A nineteenth century Philadelphia printmaker (Ph.D dissertation, The George Washington University, 1986), p. 75-78., See Hugh Honour's The Image of the Black in western Art (Cambridge: Harvard University Press, 1989), part 2, vol. IV, p. 159-161., See Katherine Martinez's and Page Talbott's, eds. The Sartain family legacy (Philadelphia: Temple University Press, 2000), p. 66-67., Originally part of a McAllister scrapbook of engravings. McAllister collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Sartain, John, 1808-1897, engraver
Date: [ca. 1841]
Location: Library Company of Philadelphia | Print Department Portrait prints-C [5306.F.35]

Title: Cinque The chief of the Amistad captives
Description: Bust portrait of the enslaved leader after a painting by New Haven, Connecticut artist, Nathaniel Jocelyn, engraved by Philadelphia artist and Pennsylvania Anti-Slavery Society member, John Sartain, to raise funds for the enslaved ship mutineers' defense before the Supreme Court. Sartain reproduced the painting, commissioned in 1841 by Philadelphia African American abolitionist and Amistad Committee defense fund member, Robert Purvis, following the refusal of the Artist Fund Society to display the original at the society's 1841 exhibit. Depicts the West African, attired in a toga, walking cane in hand, slightly facing left, in front of a background of African landscape., Title from printed signature of sitter below image., Date inferred from content., Printed on recto: fac simile of the original autograph., Original painting in the collections of the New Haven Colony Historical Society, New Haven, CT., LCP exhibition catalogue: Negro history, p. 34., LCP exhibition catalogue: Made in America, #61., See Ann Katherine Martinez's The Life and career of John Sartain (1808-1897): A nineteenth century Philadelphia printmaker (Ph.D dissertation, The George Washington University, 1986), p. 75-78., See Hugh Honour's The Image of the Black in western Art (Cambridge: Harvard University Press, 1989), part 2, vol. IV, p. 159-161., See Katherine Martinez's and Page Talbott's, eds. The Sartain family legacy (Philadelphia: Temple University Press, 2000), p. 66-67., Originally part of a McAllister scrapbook of engravings. McAllister collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Sartain, John, 1808-1897, engraver
Date: [ca. 1841]
Location: Library Company of Philadelphia | Print Department Portrait prints-C [5306.F.35]

Title: [Slave and bald eagle in front of Capitol]
Description: Lying on the ground, a female slave holds and protects her small child. A large bald eagle is perched on the mother's back, and she turns to look at it. In the background, the U.S. Capitol is visible with a flag flying at full-mast., Front cover of the American Anti-Slavery Almanac, for 1843 (New York: Published by the American Anti-Slavery Society, 1842)., Accompanied by the following verse: "Oh, hail Columbia! Happy Land! / The cradle land of Liberty! / Where none but negroes bear the brand, / Or feel the lash of slavery. / Then let the glorious anthem peal! / And drown, 'Britannia rules the waves' -- / Strike up the song that men can feel -- / 'Columbia rules three million slaves!'", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [1842]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1842 Ame Ant 72750.O front cover, https://digital.librarycompany.org/islandora/object/Islandora%3A2773

Title: [Slave and flag with black and white stars]
Description: Bound at the wrists and ankles, a male slave is tied -- with his arms over his head -- to a long flagpole. At the top of the pole is an American flag. The stars in the top three rows are white, while those in the bottom three are black., Back cover of the American Anti-Slavery Almanac, for 1843 (New York: Published by the American Anti-Slavery Society, 1842)., Accompanied by the following verse: "United States! Your banner wears /Two emblems -- one of fame; / Alas, the other that it bears / Reminds us of your shame. / The white man's liberty in types / Stands blazoned by your stars; / But what's the meaning of your stripes? / They mean you negro's scars.", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [1842]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1842 Ame Ant 72750.O back cover, https://digital.librarycompany.org/islandora/object/Islandora%3A2772

Title: Robt Adrain
Description: Half-length portrait of the mathematician, professor, and author. Adrain, attired in a white shirt and scholarly black robes, faces the viewer with his right hand on an open book. Adrain was born in Ireland and left due to his revolutionary beliefs. He taught at Queens College (later Rutgers), Columbia, and University of Pennsylvania where for a short while he was also Vice-Provost., Title from printed signature of sitter below image., Appears in "The United States magazine and Democratic review" (June 1844), 24: frontis., Accessioned 1884., Description revised 2021., Access points revised 2021., Reason was an African American artist, engraver and lithographer working in New York City in the 1830s and 1840s.
Creator: Reason, Patrick Henry, 1816-1898, engraver
Date: [1844]
Location: Library Company of Philadelphia | Print Department Portrait prints - A [52551.O.13a]

Title: Here is a picture of some slaves at work Reward of merit. This may certify that [Mr. George Snow] by diligence and attention to study, merits the approbation of [his] friends and teacher
Description: School token illustrated with a scene showing enslaved men and women working in a tobacco field near a shack. In the right, three younger enslaved men hoe and gather a bundle of tobacco. In the left, an enslaved man stands and converses with an enslaved woman, seated on a bale. They each hold the handles of farming implements. A large sack and crate rest to the left of the bale. In the left background, an enslaved woman stands in the doorway of the shack. Wooden buildings and harvested fields are visible in the right background. The young men wear short sleeves and shorts. The women wear dresses and the man wears short sleeves and pants. Rewards of merit were popular with teachers during the 19th century and were given to reward students who had excelled in their school work. The addition of pictures made a reward of merit card a more special acknowledgement of a pupil’s success., Title from illustration caption and text printed on verso., Date inferred from content of image and graphic medium., Verso contains decorative border surrounding the text., Purchased with the Davida T. Deutsch African American History Fund., Illustrated in Patricia Fenn and Alfred Malpa, Rewards of merit (Charlottesville, Va.: Ephemera Society of America, 1994), 118., Description revised 2021., Access points revised 2021., RVCDC
Date: [ca. 1830- ca. 1850]
Location: Library Company of Philadelphia | Print Department Rewards of Merit - Slaves [118555.D]

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