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Title: Old '76 and young '48 From the original picture in the possession of the American Art-Union
Description: Mexican War-era genre print evoking the memory of the American Revolution depicting a young, white man Mexican War soldier returned home to his family, including his grandfather, a Revolutionary War veteran. In a parlor, the young man, attired in his uniform, sits, turned away from his meal, surrounded by his mother, father, sister, grandfather, and family dog. He raises his hand in the air as he regales his family about his experiences. They all look at him intently, except the grandfather, seated in an arm chair, and leaning on a cane, who stares a little off to the side. In the background, three servants (two African American men and an African American woman) listen from the doorway. A portrait painting of the grandfather as a young man in his military uniform hangs on the wall. In the left, a fireplace with mantle is visible. Above the mantle, a framed print reproduced after Trumbull's painting "Declaration of Independence" is displayed near lamps, a clock, and a bust of Washington on a bookcase. Also shows the soldier's cap and sword lying on the floor in the foreground., Title from item., After an 1849 painting by Robert Caton Woodville in the collections of the Walters Art Museum, Baltimore., One of six prints issued in 1851 for the members of the American Art-Union in New York., Gift of David Doret, 2006., Description revised., Access points revised., Described in the Bulletin of the American Art-Union, June 1850, p. 46., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Pease, Joseph Ives, 1809-1883, engraver
Date: 1851
Location: Library Company of Philadelphia | Print Department *GC - Mexican War [P.2006.28.23]

Title: The new theatre in Chesnut [sic] Street Philadelphia Built 1822. Taken down 1856
Description: View of the third edifice of the Chestnut Street Theater, erected in 1822, after the designs of William Strickland at the location of the second building, razed by fire in 1820, on Chestnut Street above Sixth Street. Depicts couples strolling passed the theater, built with corinthian columns with niches containing the salvaged William Rush statues of Comedy and Tragedy. The theater, razed in 1855, was rebuilt on Chestnut Street above Twelfth Street in 1863., Inscribed upper right corner: 3., Retrospective conversion record: original entry, edited., Originally part of a scrapbook of McAllister restrikes.
Creator: Birch, William Russell, 1755-1834, engraver
Date: [1860]
Location: Library Company of Philadelphia | Print Department Birch's views [Sn 40c/2569.Q.3]

Title: Etching of the large engraving of Mexican news one of the six plates for the members of 1851
Description: Genre print emphasizing the influence of the press on national sentiment and consumer culture during the Mexican War. The "penny presses" drummed up public interest and support for the war by espousing the doctrine of Manifest Destiny as the justification for Westward expansion. Depicts a crowd of white men on the porch of the "American Hotel" eagerly listening to an astonished-looking man reading the news of the progress to annex Texas. An African American man and child, attired in tattered clothing, listen from the steps of the porch. In the right, a white woman leans out of the window of the hotel and strains to hear the news., Title from item., After an 1848 painting "War News from Mexico" by Robert Caton Woodville exhibited at the free gallery of the American Art-Union in 1849. In the collections of the National Gallery of Art on long-term loan., One of six etchings printed in 1851 for the members of the American Art-Union in New York., Published in Vincent Virga et al.'s Eyes of the nation: A visual history of the United States. (NY: Knopf, 1997), p.115., Gift of Clarence Wolf, 1984., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Alfred Jones was born in Liverpool in 1819 and traveled to America with his family. He attended the National Academy of Design in New York, and in 1839 took an apprenticeship with a banknote engraver. He returned to Europe in 1840, where he studied under London’s master engravers. After returning to America, he became one of the premier engravers in the country, eventually establishing a career in postage stamp engraving. He also engraved a number of images for the American Art-Union, including this one, which was originally engraved and sold by subscription to the union’s members in 1851.
Creator: Jones, Alfred, 1819-1900, engraver
Date: [1851]
Location: Library Company of Philadelphia | Print Department GC - Mexican War [P.9046.18]

Title: Etching of the large engraving of Mexican news one of the six plates for the members of 1851
Description: Genre print emphasizing the influence of the press on national sentiment and consumer culture during the Mexican War. The "penny presses" drummed up public interest and support for the war by espousing the doctrine of Manifest Destiny as the justification for Westward expansion. Depicts a crowd of white men on the porch of the "American Hotel" eagerly listening to an astonished-looking man reading the news of the progress to annex Texas. An African American man and child, attired in tattered clothing, listen from the steps of the porch. In the right, a white woman leans out of the window of the hotel and strains to hear the news., Title from item., After an 1848 painting "War News from Mexico" by Robert Caton Woodville exhibited at the free gallery of the American Art-Union in 1849. In the collections of the National Gallery of Art on long-term loan., One of six etchings printed in 1851 for the members of the American Art-Union in New York., Published in Vincent Virga et al.'s Eyes of the nation: A visual history of the United States. (NY: Knopf, 1997), p.115., Gift of Clarence Wolf, 1984., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Alfred Jones was born in Liverpool in 1819 and traveled to America with his family. He attended the National Academy of Design in New York, and in 1839 took an apprenticeship with a banknote engraver. He returned to Europe in 1840, where he studied under London’s master engravers. After returning to America, he became one of the premier engravers in the country, eventually establishing a career in postage stamp engraving. He also engraved a number of images for the American Art-Union, including this one, which was originally engraved and sold by subscription to the union’s members in 1851.
Creator: Jones, Alfred, 1819-1900, engraver
Date: [1851]
Location: Library Company of Philadelphia | Print Department GC - Mexican War [P.9046.18]

Title: [Entry of Washington into New York, after the city was evacuated by the British in 1783, Nov. 20th]
Description: Print after the painting displayed at the National Academy of Design in New York by native Philadelphian and prolific 19th-century book illustrator, Felix Octavius Carr Daley. Depicts the historic scene at the close of the American Revolution showing General Washington, his hand on his hip and his face turned to the left, on horseback and triumphantly parading his troops through a crowded New York City street on November 25, 1783. Exuberant spectators, some running and some held back by uniformed guards, line both sides of the thoroughfare and cheer from balconies, roofs, and windows. Spectators include many parents with children. In the left foreground, an African American man servant or waiter, attired in hoop earrings, a white collared shirt, a bow tie, a jacket, breeches with white stockings, and buckled shoes, carries a serving tray under his arm and stands and peers into the street to watch Washington. Three dogs run in the foreground., Title from: Illustrated by Darley: an exhibition of original drawings..., May 4- June 18, 1978 (Delaware Art Museum. Wilmington: The Museum, 1978). (LCP Print Room Yb A2696.O)., Alternate title from 1863 artist's proof at the Museum of the City of New York., Manuscript signature of engraver in lower right corner., Gift of Dr. Anthony N.B. Garvan, 1981., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Ritchie, a New York painter and prolific engraver of portraits and genre scenes, produced at least three engravings after the works of F.O.C. Darley.
Creator: Ritchie, Alexander Hay, 1822-1895, engraver
Date: c1858
Location: Library Company of Philadelphia | Print Department **GC - American Revolution [P.8646.3]

Title: Marion crossing the Pedee Engraved from the original picture in the possession of the American Art-Union
Description: Historical print showing Brig. Gen. Francis Marion, known as the Swamp Fox, during the American Revolution and commanding a raft down the river in between one of his guerilla attacks in South Carolina. Marion, wrapped in a cloak, on horseback is surrounded by his band of volunteer soldiers, horses carrying light equipment, and a few dogs on the raft. The men include Marion's enslaved man Oscar Marion holding the reigns of his horse and another African American man rowing the raft with an oar. A few of the soldiers hold the reigns of horses swimming through the river. A second raft is visible in the background., Title from item., After an 1850 painting by William Tylee Ranney in the collections of the Amon Carter Museum, Fort Worth, TX., One of six prints issued in 1851 for the members of the American Art-Union in New York., Trimmed., Gift of David Doret, 2006., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Burt, Charles Kennedy, 1823-1892, engraver
Date: [1851]
Location: Library Company of Philadelphia | Print Department *GC - American Revolution [P.2006.28.22]

Title: Union Hotel, Fairfax C.H., Va. James W. Jackson, proprietor
Description: James W. Jackson, purportedly the first civilian casualty of the Civil War, leased the Union Hotel (ie., Wilcoxsen's Tavern) in Fairfax Court House ca. 1859., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1859]
Location: Library Company of Philadelphia | Print Department trade card - Jackson [(2)5786.F.132b]

Title: Charles Sumner
Description: Bust-length portrait of the Massachusetts senator, abolitionist, reformer, and civil rights advocate. Sumner, attired in a white collared shirt, a black bowtie with white polka dots, and a black waistcoat and jacket, sits slightly facing left., Title from manuscript note on recto., Date from attire of the subject., Gift of David Doret, 2004., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department portrait prints - S [P.2004.44.10]

Title: Jay[ne's] Carmina[tive] Balsam. Prepared only by Dr. Jayne, wholesale druggist & chemist, no. 84 Chestnut Street below Third, Philada No. 84 Chestnut Street and without whose signature to this label it cannot be genuine. D. Jayne [facsimile signature]
Description: Patent medicine label containing an "infirmary" scene with four women, including a nursemaid, and several children. Shows the nursemaid comforting a girl as she is fed a spoon of medicine from a seated woman upon who children crawl and tug. In the left, another seated woman holds a baby. Behind her, a woman reaches for a jar of medicine on an upper shelf in a large cabinet. Jayne began to produce the carmative balsam (probably his first patent medicine) in 1831, which remained on the market until the 1930s., Printed below image: Keep the Tops of the Bottles Up., Several lines of advertising text printed on recto. Text promotes the balsam as a "safe and effective remedy" for several ailments, including griping pains, headache, hysterics, nervous tremors and twitchings, and "for all bowel affections and nervous diseases.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler., Upper right corner missing.
Date: c1857
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Labels [P.2011.10.170]

Title: Oriental Print Works, Apponaug, R.I
Description: Textile label showing a scene in India. Shows a prince transported by elephant and attended by a guard armed with a sword and on horseback. A driver (mahout) rides on the neck of the elephant that is also guided by another man servant. Also shows a man smoking a hookah, an ox-driven carriage, and majestic, domed buildings. Alfred Reed and Albert Boit established the Oriental Print Works circa 1857 in Apponaug Village in Warwick, Rhode Island. The firm ceased operations in 1883., Printed and stamped on recto: No. Yds. 44., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Labels [P.2011.10.107]

Title: W.B. Eltonhead, watch maker, and jeweler. 340 so. 2d St., Philad'a
Description: Illustrated trade card depicting two figures, a farmer with a scythe slung over his shoulder and a sailor resting against a large anchor, flanking a decorative scroll containing the title. A banner labeled "Excelsior" surmounts the scroll., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department trade card - Eltonhead [P.9937]

Title: Wm. H. Hortsmann & Sons, manufactory & sales rooms, cor. Fifth & Cherry Streets. Philadelphia
Description: Letterhead containing an exterior view of the manufactory and adjoining showroom specializing in military clothing, trimmings, and paraphernalia at 51 North Third Street. Shows street and pedestrian traffic, including a horse-drawn cart, streetcars, and patrons entering the establishment. Business established in 1815., Completed in manuscript on January 16, 1862 to Providence Tool Company, Providence, R.I. by "W.H. Hortsmann & Sons" about the price of "U.S. Cavalry Blades to pass Government Inspection" and whether then can "commence delivery at once.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler., See related print. [Ph Pr - 8x10 - Industries - H, (7)1322.F.61d]
Creator: Sartain, Samuel, 1830-1906, engraver
Date: [ca. 1858]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Receipts [P.2011.10.149]

Title: Wagner & M'Guigan, call the attention of the public to the superior facilities at their extensive lithographic establishment, no. 4 Athenian Buildings, Franklin Place, (north of no, 111 Chestnut Street.) Where the most efficient artistical skill is employed in the various branches of the art, enabling them to produce the most elaborate drawings on stone, anatomy, geology, botany, portraits, landscapes, title pages, book illustrations, machinery, show cards, maps, plans &c. . Transferring from steel and copper plates, wood cuts &c. This branch of the business is under their own immediate supervision, and having the assistance of the ablest work men enables them to produce work equal if not superior to any other establishment in the country, in color printing, they produce the most chaste, unique and magnificent illustrations for books, title pages, certificates, music titles, show cards &c. Also, a beautiful style in colors of stores, hotels, manufactories, and landscape views. Businessmen can be supplied with thousands of circulars, in their own hand-writing after a few hours notice
Description: Directory advertisement containing an "Interior view of Printing Room containing upwards of forty presses." Shows a couple attired in elegant winter clothing strolling down the aisle between the several presses. Men perform various duties at the machines, including rolling ink and pressing paper on the printing stones. Behind the couple, boy apprentices carry stones by hand and pull them by dolly near a man in a cape. Thomas Wagner and James M'Guigan operated a lithographic studio as partners 1846-1858., Published in McElroy's Philadelphia directory, for 1856 (Philadelphia: Edward C. & John Biddle, 1856), p. 10, front ad section., Not in Wainwright., Philadelphia on Stone, POSA 110, Variant of advertisement published in The Philadelphia merchants' & manufacturers' business directory for 1856-57 (Philadelphia: Prepared & published by Griswold & Co., [1856]), p. [15], front ad section and Catalogue of the twenty-fourth exhibition of American manufactures ...(Philadelphia, 1854), p. 39.
Creator: Scattergood, David, engraver
Date: [1856]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Dir Phila 1856 (58) 10840.O.10 (front ad section)

Title: Edward L. Waller, lithographic printer. Portraits, landscapes, buildings, animals, charts, maps. Circulars, bill heads, music titles, checks, cards, labels, transfers from copper or steel, lithographed in a superior manner, no. 17 Minor Street, third story, Philadelphia
Description: Directory advertisement containing lettering in various styles. Waller operated a studio in Philadelphia 1856-1858., Published in The Philadelphia merchants' & manufacturers' business directory for 1856-57 (Philadelphia: Prepared & published by Griswold & Co., [1856]), p. [6], back ad section., Not in Wainwright., Philadelphia on Stone, POSA 25
Date: [1856]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Dir Phila 1856 10578.Q.6 (back ad section)

Title: Wagner & M'Guigan's lithographic drawing, engraving, and printing establishment Wagner & McGuigan, respectfully call the attention of the public to the superior facilities to be found at their extensive establishment, employing upwards of forty presses, together with the most efficient artistical skill in the various branches of the art, enables them to produce all work equal to an establishment in the country. Transferring from steel and copper plates, wood cuts, stone and manuscript. We particularly recommend this branch of our business to the notice of those having plates of this description, as millions of impressions may be printed with but little wear to the original plate, and at a far greater speed than from the copperplate press, at very moderate cost. Business men can be supplied with thousands of circulars in their own handwriting, at a few hours' notice. Surveyors, draughtsmen, and others, desiring to execute their own plans, circulars, price currents, &c, for transferring, will be furnished with suitable paper and ink, free of charge
Description: Advertisement containing an "Interior view of Wagner & M'Guigan's forty press room, Athenian Building, Franklin Place, Philadelphia." Shows a couple attired in elegant winter clothing strolling down the aisle between the several presses. Men perform various duties at the machines, including rolling ink and pressing paper on the printing stones. Behind the couple, boy apprentices carry stones by hand and pull them by dolly near a man in a cape. Thomas Wagner and James M'Guigan operated a lithographic studio as partners 1846-1858., Not in Wainwright., Published in Catalogue of the twenty-fourth exhibition of American manufactures ...(Philadelphia, 1854), p. 39., Philadelphia on Stone, POSA 112, Variant of advertisement published in The Philadelphia merchants' & manufacturers' business directory for 1856-57 (Philadelphia: Prepared & published by Griswold & Co., [1856]), p. [15], front ad section and McElroy's Philadelphia directory, for 1856 (Philadelphia: Edward C. & John Biddle, 1856), p. 10, front ad section.
Creator: Scattergood, David, engraver
Date: [1854]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1854 Exhib 13701.O.2.39

Title: Wagner & M'Guigan, respectfully invite the attention of the public to their extensive lithographic establishment no. 4 Athenian Building, Franklin Place, north of no. 111 Chestnut Street, Philadelphia Lithography in all its branches, portraits, landscape, anatomy, geology, botany, architecture, machinery, store views, title pages, certificates, steamboats, pattern books, country and town maps, plans circulars, commercial blanks, &c. Transferring from steel and copper-plate, wood cuts &c. This branch of the business is under their own immediate supervision, and having the assistance of the ablest work men enables them to produce work of a superior order in this line. Illuminated color printing unique and magnificent illustrations for books, title pages, certificates, show cards, labels, stores, hotels, manufactories, printed in various colors, bronzes, &c. All orders promptly attended to
Description: Directory advertisement containing an "Interior view of Printing Room containing upwards of forty presses." Shows a couple attired in elegant winter clothing strolling down the aisle between the several presses. Men perform various duties at the machines, including rolling ink and pressing paper on the printing stones. Behind the couple, boy apprentices carry stones by hand and pull them by dolly near a man in a cape. Thomas Wagner and James M'Guigan operated a lithographic studio as partners 1846-1858., Published in The Philadelphia merchants' & manufacturers' business directory for 1856-57 (Philadelphia: Prepared & published by Griswold & Co., [1856]), p. [15], front ad section., Not in Wainwright., Philadelphia on Stone, POSA 111, Variant of advertisement published in McElroy's Philadelphia directory, for 1856 (Philadelphia: Edward C. & John Biddle, 1856), p. 10, ad section and Catalogue of the twenty-fourth exhibition of American manufactures ...(Philadelphia, 1854), p. 39.
Creator: Scattergood, David, engraver
Date: [1856]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Dir Phila 1856 10578.Q.15 (front ad section)

Title: Pennsylvania Horticultural Society [ticket]
Description: Illustrated ticket to "Admit a Lady to the Stated Meetings of the Pennsylvania Horticultural Society on the Third Thursday evening of each month Available for One Year ending Septr. 1855. This will also serve for a single admission to a Lady or Gentleman at the Annual Exhibition." Text framed by garlands of flowers. The society organized in 1827 with the mission "to inspire a taste for one of the most rational and pleasing amusements of man.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Forms part of Scrapbook of Ephemera [8608.F].
Creator: Illman & Sons, engraver
Date: [1855]
Location: Library Company of Philadelphia | Print Department albums - Scrapbook [8608.F.4b]

Title: John H. Brown & Co. No. 307 Market St No. 76 Trade mark
Description: Illustrated label, probably for textiles, for the Philadelphia dry goods firm containing a vignette showing two sailing ships on the ocean. Also contains the text "Yds.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Forms part of Scrapbook of Ephemera [8608.F].
Date: c1858
Location: Library Company of Philadelphia | Print Department albums - Scrapbook [8608.F.14b]

Title: The last days of Webster at Marshfield To the family and friends of the late Daniel Webster, this plate, representing a scene from his last days at Marshfield, is most respectfully dedicated by the publishers
Description: Engraving after a painting by Joseph Ames showing family, relatives, and friends gathered around the dying Daniel Webster, who sits in bed propped up against a pillow. Webster, a Whig senator from Massachusetts, died at his home in Marshfield in 1852 after falling from his horse. His attendees, gather around the foot of his bed, including his wife Caroline LeRoy Webster, attired in a white lace veil, who cries with her head in her hand. In the right, a seated, Mrs. Caroline Fletcher Webster gazes at Webster while her son leans against her and a young, white girl rests on a stool at her feet. Behind her is Sarah, an African American servant, holding a silver tray with a pitcher and cup. Attendees include: Charles Henry Thomas, Jacob LeRoy, Edward Curtis, Caroline LeRoy Webster (wife), Mrs. James W. Paige, Samuel A. Appleton, James W. Paige, George Ashmun, Rufus Choate, Peter Harvey, Daniel Fletcher Webster (son) and his wife Caroline S. White, Caroline L. Appleton, Daniel Webster, Ashburton Webster, Caroline Webster (granddaughter), Dr. J. Mason Warren, Dr. John Jeffries, Sarah (African American servant), John Taylor (farmer), and Porter Wright (farmer). A bust of George Washington sits on a shelf on the wall in the right. In the lower margin is a small vignette of the estate at Marshfield., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1858 by Smith & Parmalee in the Clerk’s Office of the District Court for the Southern District of New York., See A Description of the great historical painting of The last days of Webster at Marshfield. Painted by Joseph Ames, of Boston. New York : Smith Brothers and Parmelee, 1855. [Am 1855 Smi Bro, 73625.O], LCP also holds one trial proof, two proof without letters, two engraved artists proofs without letters, and five additional copies of print. [***GC - Webster, P.2012.69.1-10], Gift of David Doret, 2011., Description revised 2021., Access points revised 2021.
Creator: Mottram, Charles, 1817-1876, engraver
Date: 1858
Location: Library Company of Philadelphia | Print Department ***GC - Webster [P.2011.63.26]

Title: James K. Polk
Description: Bust-length portrait within an ornate border of the U.S. president responsible for the statehood of Texas. Polk, attired in a white collared shirt, a black cravat, waistcoat, and jacket, faces to the right and tucks his left hand into his waistcoat. Border includes the figure of the American eagle, and a vignette titled "Annexation of Texas" depicting a trio of military officers reading the declaration of annexation to a crowd of civilians, including a cheering African American man. Border also includes angelic male torsos, flourishes, scrolls, and ornaments., Title from printed signature of sitter below image., Date inferred from content., Gift of Dr. Milton and Mrs. Joan Wohl, 1991., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Edwards, an English engraver, worked with New York publishing firms in the mid-19th century.
Creator: Edwards, W. Joseph, active 1843-1867, engraver
Date: [ca. 1856]
Location: Library Company of Philadelphia | Print Department portrait prints - Polk [P.9363.81]

Title: James K. Polk
Description: Bust-length portrait within an ornate border of the U.S. president responsible for the statehood of Texas. Polk, attired in a white collared shirt, a black cravat, waistcoat, and jacket, faces to the right and tucks his left hand into his waistcoat. Border includes the figure of Liberty, depicted as a white woman, and a vignette titled "Annexation of Texas" depicting a trio of military officers reading the declaration of annexation to a crowd of civilians, including a cheering African American man. Border also includes angelic male torsos, flourishes, scrolls, and ornaments., Title from printed signature of sitter below image., Date inferred from content., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Andrews and Babson, Boston engravers, collaborated in the 1850s.
Creator: J. Andrews & R.E. Babson, engraver
Date: [ca. 1855]
Location: Library Company of Philadelphia | Print Department portrait prints - Polk [P.8911.790]

Title: Facsimile of the signatures to the Declaration of Independence
Description: Commemorative print containing facsimiles of the signatures of the signers of the Declaration of Independence within an ornamental border. In the top of the border are allegorical figures of Justice, depicted as a white woman carrying scales and a sword, and Liberty, depicted as a white woman attired in a liberty cap and carrying a spear and shield. An eagle stands between them next to a crest of an American flag. Along the sides of the border are the state seals of the original thirteen colonies. At the bottom is a vignette, “The Capitol, Washington,” showing the Capitol building. Vigettes also includes several white men standing with a dog and an African American woman caregiver with a white child who holds a hoop., Title from item., Date inferred from the aesthetics of the content., Contains printed statement by John Quincy Adams, Department of State, dated April 19, 1819 declaring the signatures "Exact Imitations.", McCabe, a New York engraver, was active in the mid-19th century., Purchase 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Allen, J. W., engraver
Date: [ca. 1855]
Location: Library Company of Philadelphia | Print Department GC - Declaration of Independence [P.9999]

Title: The United States Senate A.D. 1850
Description: Proof of commemorative print depicting Henry Clay introducing his legislation known as the Compromise of 1850 to the Senate. The legislation aimed to prevent Southern secession and to address the extension of slavery into the territories. Depicts Clay, at the center of the Senate floor, standing with his right arm out from his side and addressing his fellow legislators that surround him, including Vice-President Millard Fillmore seated on a platform as President of the Senate; Daniel Webster, seated behind him and resting his head in his hand; and John C. Calhoun standing beside the seated Fillmore. The gallery is filled with white men and women spectators., Title from item., Date from copyright statement on copy in the collections of the Library of Congress: Entered according to Act of Congress, in the year 1855, by John M. Butler and Alfred Long, in the Clerk's Office of the District Court of the United States in and for the Eastern District of Pennsylvania., Text printed on recto: This engraving from the original picture is respectfully dedicated to the people of the United States by the publishers., Key to engraving in collections of the Library of Congress cites other sitters depicted including Thomas H. Benton, Lewis Cass, William H. Seward, William L. Dayton, Stephen A. Douglas, and Salmon P. Chase., Gift of David Doret, 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Whitechurch, Robert, 1814-approximately 1880, engraver
Date: [1855]
Location: Library Company of Philadelphia | Print Department ***GC - Slavery [P.2002.26]

Title: Gerrit Smith
Description: Bust-length portrait of the philanthropist, social reformer, and abolitionist, who was actively involved as a "station master" in the Underground Railroad. Show Smith attired in a white collared shirt, a black tie, a patterned waistcoat, and a black jacket., Title from printed signature of sitter below the image., Published in George W. Bungay's Off-hand takings, or, crayon sketches of the noticeable men of our age (New York: Dewitt and Davenport, 1854), p. 330., Description revised 2021., Access points revised 2021.
Creator: Buttre, John Chester, 1821-1893, engraver
Date: [1854]
Location: Library Company of Philadelphia | Print Department portrait prints - S [10753.D]

Title: Lecompton funeral
Description: Cartoon satirizing Colonel Thomas B. Florence, the only successful Philadelphia Democrat in the Congressional race of 1858 despite his support of the recently defeated pro-slavery Lecompton Constitution advocated by President Buchanan ("Prince James"). Depicts Florence, with the head of a donkey, leading a funeral procession for the "dead" constitution. The procession is composed of: white men shipworkers of the "Two Sloops," which rescued Florence from the "wreck of Lecompton" (an allusion to the decisive electoral support provided by the Philadelphia Navy Yard workers actively supported by Florence's committee work); four, white men pallbearers carrying the "remains of Lecompton" in a coffin resembling an outhouse and inscribed with the names of the unsuccessful Democratic Congressional nominees, "Phillips," "Landy," "Jones" ; and two semi-human figures bearing the flag "discharged ship carpenters.", Title from item., Publication date supplied by manuscript note in Poulson's Scrapbook, Vol. 1, p. 29., Text printed on recto: Democratic committee bearing the remains of Lecompton to Prince James, marshaled by the only remaining representative, Col. T.B. Florence, who was rescued from the wreck by the untiring exertions of the workmen upon the TWO SLOOPS., Originally part of a McAllister scrapbook of Pennsylvania views and political miscellany. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [October 1858]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1858-2W [5759.F]

Title: [McAllister & Brother, opticians, 728 Chestnut Street, Philadelphia]
Description: Exterior view of storefront at 728 Chestnut Street. Signage advertises mathematical instruments, spectacles, microscopes, spy glasses, thermometers. Image includes the bust of Franklin which adorns the second floor of the shop, and pedestrians in the street. Address on plate altered from an earlier version of the engraving created in late 1854 or early 1855 when McAllister & Brother moved from 48 Chestnut to their new location at 194 Chestnut. The address changed to 728 post-consolidation necessitating the alteration of the plate., Retrospective conversion record: original entry, edited., Originally part of a Poulson scrapbook.
Creator: Bigot, Alphonse, ca. 1828-1872 or 3, engraver
Date: [after 1856]
Location: Library Company of Philadelphia | Print Department Ph Pr - 8 x 10 - Business - McAllister & Brother [(2)1525.F.18b]

Title: [Bnjn. Swain, umbrella & parasol manufactory billhead.]
Description: Retrospective conversion record: original entry, with corrections.
Creator: Byram, Joseph H.
Date: ca. 1855
Location: Library Company of Philadelphia | Print Department Ph Pr - 8 x 10 - Business - Swain [(1)1525.F.45c]

Title: Hon. Anson Burlingame, M.C., from Massachusetts
Description: Bust-length portrait of the Massachusetts congressman and abolitionist attired in a white collared shirt, plaid waistcoat, black bowtie and jacket. Burlingame was challenged to a duel by Southern Senator Preston Brooks after denouncing Brook's physical attack of antislavery senator, Charles Sumner, in 1856., Title from item., Date from manuscript written on recto: 1856., Published with an accompanying article in Frank Leslie's Illustrated magazine, October 18, 1856, p. 301. [LCP **Per L, 1856]., Originally part of a McAllister scrapbook of portraits., McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Brightly, Joseph H., 1818-1901
Date: [1856]
Location: Library Company of Philadelphia | Print Department portrait prints - B [(1)5750.F.63i]

Title: Jno. W. Holm
Description: Bust-length portrait of the African American minister of the New School Presbyterian Church of Brooklyn. Holm, attired in a white collared shirt, a black bowtie, waistcoat, and jacket, faces slightly left. Holm, a former resident of Liberia, was an alumnus of the Presbyterian-sponsored Ashmun Institute, now Lincoln University, the first school of higher education in science and arts for Black men, founded in Oxford, Pennsylvania in 1854., Title from printed signature of sitter below image., Date inferred from presented age of the sitter., Probably published in "Presbyterian Magazine," the Philadelphia periodical published by Wilson., Wilson, a Philadelphia publisher and bookseller, published the "Presbyterian Magazine" from 1851 until 1860., Originally part of a McAllister Scrapbook of portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Sartain, Samuel, 1830-1906, engraver
Date: [ca. 1858]
Location: Library Company of Philadelphia | Print Department Portrait Prints-H [(2)5750.F.31d]

Title: William H. Seward Senator of the United States
Description: Bust-length portrait of the antislavery politician, Secretary of State under Lincoln, New York senator and governor. He faces slightly left and is attired in a white collared shirt, a black bowtie, and a black jacket. Seward served as a senator from 1849 until 1861., Title from printed signature of sitter below image., Date inferred from the years of the Senate terms and attire of sitter., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Bannister, James, 1821-1901, engraver
Date: [ca. 1855]
Location: Library Company of Philadelphia | Print Department Portrait Prints-S [P.8911.872]

Title: Theodore Parker
Description: Bust-length portrait of the Boston Unitarian clergyman, social reformer, and abolitionist. Parker is attired in a white collared shirt, a black bowtie, and a black jacket and faces the viewer. Parker aided John Brown and was active in New England antislavery societies which provided shelter and legally defended freedom seekers, including William and Ellen Craft, the first enslaved Bostonians sought under the Fugitive Slave Law., Title from item., Date inferred from history of the engraver and attire of sitter., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Schoff, an engraver in Boston from the early 1840s until the 1860s, specialized in portraiture.
Creator: Schoff, Stephen Alonzo, 1818-1904, engraver
Date: [ca. 1855]
Location: Library Company of Philadelphia | Print Department Portrait Prints-P [P.8911.751]

Title: Charles Sumner
Description: Bust-length portrait of the Massachusetts Senator, abolitionist, reformer, and civil rights advocate. Sumner, attired in a white collared shirt, a black bowtie, a gray waistcoat, and a black jacket, sits slightly facing right., Title from printed signature of sitter below image., Date inferred from attire of the sitter., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department portrait prints-S [P.8911.929]

Title: William H. Seward
Description: Bust-length portrait of the antislavery politician, Secretary of State under Lincoln, and New York senator and governor. Seward is attired in a white collared shirt, a black bowtie, waistcoat, and jacket and faces slightly right., Title from printed signature of sitter below image., Date inferred from attire of sitter., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1855]
Location: Library Company of Philadelphia | Print Department Portrait Prints - S [P.8911.871]

Title: [Evans, card & fancy printer. Office, Fourth St. below Chestnut, Philadelphia]
Description: Business advertisement depicting the commercial building at 402 Library Street containing the establishments of Howell Evans; the Dime Savings Fund; ship and custom house brokers, E. Headley Bailey & M.S. Alexander; engravers on wood, James W. Louderbach & Gustavus A. Hoffman; lithographer, John Childs; and engravers, stationers and producers of embossed cards, envelopes, labels, etc., Jacob Maas, Henry Percival, and Jacob's son, Charles E. Maas. Several men and women pedestrians, including an African American man laborer carrying a bundle, walk the sidewalk. Patrons enter the building's open doorways. A coach travels speedily past the building. Evans, the self-promoted first "fast card press in the city" operated his firm at the address until 1880. In 1860, his press executed the advertisements for the Philadelphia City Directory. Louderbach & Hoffman, a partnership formed in 1853 resided at the site until dissolving in 1860., Title from duplicate print., Date from Poulson inscription on recto: Fourth Street; s.w. cor.; Library Street; Feby, 26, 1856., Accessioned 1979., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Louderbach & Hoffman, engraver
Date: [February 16, 1856]
Location: Library Company of Philadelphia | Print Department PhPr - 11x14 - Business [P.2277.23]

Title: Evans, card & fancy printer. Office, Fourth St. below Chestnut, Philadelphia
Description: Business advertisement depicting the commercial building at 402 Library Street containing the establishments of Howell Evans; the Dime Savings Fund; ship and custom house brokers, E. Headley Bailey & M.S. Alexander; engravers on wood, James W. Louderbach & Gustavus A. Hoffman; blank book manufacturer, J.R. McMullin; and engravers, stationers, producers of embossed cards, envelopes, and labels, Jacob Maas, Henry Percival, and Jacob's son, Charles E. Maas. Several men and women pedestrians, including an African American man laborer carrying a bundle, walk the sidewalk. Patrons enter the building's open doorways. A coach travels speedily past the building. Evans, the self-promoted first "fast card press in the city" operated his firm at the site until 1880. In 1860, his press executed the advertisements for the Cohen Philadelphia City Directory. Louderbach & Hoffman, a partnership formed in 1853 remained at the site until dissolving in 1860., Title from item., Date inferred from content and history of the printer., Advertising text printed around border., Advertisements printed on verso: engraver, J.H. Byram - wholesale collar manufacturer, Robert C. Winters - and truss manufacturer and importer, C.W. Van Horn & Co., Originally part of a McAllister scrapbook of engravings related to Philadelphia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Louderbach & Hoffman, engraver
Date: [ca. 1857]
Location: Library Company of Philadelphia | Print Department PhPr - 11x14 - Business [(7)1322.F.158.1a]

Title: Pulling down the statue of George III "By the Sons of Freedom." At the Bowling Green City of New York, July 1776
Description: Print commemorating American independence after the painting by religious and historical artist, Johannes A. Oertelat, at the New York Historical Society. Depicts white men attempting to topple the equestrian statue of King George following the reading of the Declaration of Independence at the foot of Broadway. At the base, men pull on ropes wrapped around the sculpture while men from behind use rods to knock it over. In front of the pedestal, an African American man has fallen over on the ground. An excited crowd of spectators, including well-to-do and working class men, women, and children cheer, point, hold torches and mallets, and trample upon the broken fence once surrounding the statue. In the left is a Native American man attired in a feather headdress and carrying a spear. Several dogs run in the foreground. In the background, ships in New York harbor are visible., Gift of Mrs. Francis P. Garvan, 1978., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: McRae, John C., engraver
Date: c1859
Location: Library Company of Philadelphia | Print Department **GC-American Revolution [8384.F.11]

Title: "Father, I cannot tell a lie: I cut the tree"
Description: Genre scene of the fictitious moment when the young George Washington confesses to his father, Augustine, a plantation owner, that he cut a cherry tree on their Virginia plantation. Depicts Washington's father holding his son's hand and comforting him. George looks up at his father and points his left hand towards the cut tree in the right. On the ground is an ax and an upturned hat. In the background, an enslaved African American man plows the pasture with a team of oxen, and an enslaved African American man and woman couple stands near the gate of a cottage, probably their dwelling., Title from date., Date based on the active dates of engraver., Gift of Mrs. Francis P. Garvan, 1978., Description revised 2021., Access points revised 2021.
Creator: McRae, John, engraver
Date: [1860]
Location: Library Company of Philadelphia | Print Department **GC - Washington [8384.F.16]

Title: Hill Manufacturing Co. Lewistown, Maine
Description: Textile label for the cotton mill established circa 1854. Contains ornamented lettering and a decorative border. The manufactory produced sheeting, sheet cloth, and other cotton goods., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Labels [P.2011.10.103]

Title: Pennsylvania Horticultural Society. Member's Annual ticket
Description: Illustrated ticket containing an allegorical scene set in lush surroundings. Shows the figure of Pennsylvania under an arch covered in vinery and attended by cherubic-like boys holding baskets of produce above their heads. The society organized in 1827 with the mission "to inspire a taste for one of the most rational and pleasing amusements of man.", Issued to [H.?] J. Sharpless., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Forms part of Scrapbook of Ephemera [8608.F].
Date: [1855]
Location: Library Company of Philadelphia | Print Department albums - Scrapbook [8608.F.4c]

Title: Charles Sumner, U. S. Senator, from Mass
Description: Periodical illustration depicting a bust-length portrait of the Massachusetts senator, abolitionist, reformer, and civil rights advocate. Sumner, attired in a white collared shirt, a black bowtie, and a black jacket, slightly faces right. Sumner, a leading radical Republican during Reconstruction, was the author of the Civil Rights Act of 1875., Title from item., Date inferred from inscription on recto., Originally part of a McAllister scrapbook of portraits., McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021.
Date: [1858]
Location: Library Company of Philadelphia | Print Department Portrait Prints - S [(3)5750.F.67a]

Title: Thos. W. Mattson, 402 Market Street, one door above Fourth Street, south side. The most extensive trunk & carpet bag manufacturer in Philadelphia
Description: Illustrated advertising broadside depicting three trunks and a carpet bag. Text advertises sale of "leather bags, &c., umbrellas & hobby horses, boys' gigs, propellors, wheelbarrows, &c."
Creator: Mumford & Haas, engraver
Date: [between 1858 and 1868]
Location: Library Company of Philadelphia | Print Department PhPr - 11 x 14 - advertisements [P.2002.11.2]

Title: Chew's House, Germantown
Description: Exterior view of the colonial residence built 1763-1767 by master carpenter Jacob Knor for Philadelphia attorney Benjamin Chew at 6401 Germantown Avenue. In the foreground, a white man and two white women stand and converse on the walkway in front of the house. Chew House, also known as Cliveden, was the site of the turning point in the Battle of Germantown in 1777. The Chew family enslaved people of African descent in the city of Philadelphia and in Germantown during the 18th and 19th centuries. The estate was the Chew family residence until 1972 when it was acquired by the National Trust for Historic Preservation., Title from item., Published in Ballou's pictorial drawing - room companion, Jan. 27, 1855, vol. 8, no. 4, p. 57., Originally part of a McAllister scrapbook of views of Philadelphia. McAllister Collection, gift, 1886., Description revised 2022., Access points revised 2022., Retrospective conversion record: original entry, edited.
Date: [1855]
Location: Library Company of Philadelphia | Print Department Ph Pr - 8x10 - Residences - C [(7)1322.F.12a]

Title: J.R. Giddings
Description: Bust-length portrait of radical antislavery Ohio congressman Joshua Reed Giddings, attired in a white collared shirt, a black tie, waistcoat, and jacket, facing left., Published as frontispiece in Julia Griffiths', ed. The Autographs of freedom (New York: Stereotyped by Thomas B. Smith, 1854). (LCP Am 1854 Griff, 70567.O)., Title from printed signature of sitter below image., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Buttre, a prolific New York portrait painter and engraver, published later in his career in 1877, "American portrait gallery," a three-volume set of celebrity portraiture which was reissued from 1880-1881.
Creator: Buttre, John Chester, 1821-1893, engraver
Date: [1854]
Location: Library Company of Philadelphia | Print Department Portrait Prints-G [P.8911.396]

Title: Academy of Natural Sciences
Description: Book illustration depicting an exterior of the museum building at Broad and George (i.e., Sansom) Streets built from 1839 to 1840 after designs by Philadelphia architect, John Notman. In the foreground, pedestrian traffic includes an African American man peddler carrying a rack of ducks. The Academy, incorporated in 1815 as a scientific association to disseminate and promote the knowledge of natural history, opened as a public museum in 1828., Title from item., Published in R.A. Smith's Philadelphia as it is in 1852 (Philadelphia: Lindsay & Blakiston, 1852), p. 203. (LCP Am 1852 Smith)., Originally part of a Poulson scrapbook of illustrations of Philadelphia., Poulson inscription: 1852., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Louderbach & Hoffmann, engraver
Date: [1852]
Location: Library Company of Philadelphia | Print Department PhPr - 8x10 - Museums [(1)1525.F.36e]

Title: The Ledger carrier's annual greeting. To their subscribers, New Year, 1855
Description: Allegorical print depicting female allegorical figures in front of a temple of Justice. Depicts in the left, Peace as a white woman attired in a laurel wreath crown and a white Roman gown, standing across from the white figure of Liberty and pointing with her left hand toward the temple in the background. Liberty, wearing the American flag as a cape, and with a liberty pole and cap in hand, charges toward the temple. Three muse-like female followers, including two white women, one holding an urn, and a Black woman, looking toward the temple, stand alongside her. Behind Peace, a white cherub stands by a stack of books. Scene also includes a discarded shield and sword laying on the ground in the foreground., Title from item., Presumably issued late in 1854 by Swain, Abell & Simons, the publisher of the Philadelphia newspaper, the Public Ledger, for their subscribers., Printed below the image: Printing! the art of every art preserver. The lever that uplifts the world of mind. Of Justice, Peace, and Human Rights conserver; The sense of vision to the mental blind. The torch of genius flashes o’er its pages, Illumes Fame’s temple with its dazzling ray. And marks the means for moulding future ages, In universal education’s sway., Purchase 1984., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Sartain, a premier Philadelphia portrait and genre engraver of the 19th century, was also a social reformer who often incorporated his reformist beliefs into his work., Schussele was a historical, genre, landscape, and portrait painter and respected professor at the Pennsylvania Academy of the Fine Arts whose paintings his professional associate and friend, John Sartain, often engraved.
Creator: Sartain, John, 1808-1897, engraver
Date: [1854]
Location: Library Company of Philadelphia | Print Department *GC - Allegories - L [P.9000.1]

Title: Fruit of the Loom. Industria et spe
Description: Oval-shaped textile label for the firm established in 1851 by B. B. & R. Knight Brothers in Providence, Rhode Island. Shows a woman seated by a loom near a cotton plant. Also contains a logo., Contains color wood engraved border., Printed and inscribed on recto: No. 490. Patt. Z59. Irish Manufacture Size 50., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date: [ca. 1851]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Labels [P.2011.10.101]

Title: Fruit of the Loom. Industria et spe
Description: Oval-shaped textile label for the firm established in 1851 by B. B. & R. Knight Brothers in Providence, Rhode Island. Shows a woman seated by a loom near a cotton plant. Also contains a logo., Contains color wood engraved border., Printed and inscribed on recto: No. 490. Patt. Z59. Irish Manufacture Size 50., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date: [ca. 1851]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Labels [P.2011.10.101]

Title: [Harbach & Brother's trade cards]
Description: Series of illustrated trade cards for Harbach & Brother's wholesale and retail printing and stationery shop at 36 North Eighth Street in Philadelphia. Illustrations depict a bust portrait of Benjamin Franklin and patriotic symbols printed in blue and red ink or embossed in the center of the trade cards, including flags, shields, eagles, cannons, bayonets, arrows, drums, cannon balls, swords, laurel wreaths and the liberty cap and pole. Harbach & Brothers were Philadelphia stationers and publishers of Civil War envelopes., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department trade card - Harbach [5786.F.002 & 003; 5786.F.9k; (2)5786.F.177b; (3)5786.F.163j; P.9631.2; P.2006.1.18]

Title: [Advertisements from Rae's Philadelphia pictorial directory & panoramic advertiser. Chestnut Street, from Second to Tenth Streets]
Description: Advertisements predominantly for sponsoring businesses not located on Chestnut Street, including George S. Storr’s Chemical Hair Invigorator, No. 68 North Eighth Street; H. P. & W. C. Taylor, Manufacturers of the Only Real Transparent Soap, Ninth, between Green & Coates Street; E. G. A. Baker, Manufacturing Jeweler, Northeast corner Branch & Fourth Streets; T. L. Buckingham, Dentist, 162 Race Street, below Fifth; music publisher Lee & Walker, 162 Chestnut Street; and C. G. Henderson & Co. Philadelphia Central Book & Stationery Warehouse, 164 Chestnut Street. Most of the advertisements contain several lines of promotional text. Storr’s text details the results of use of the product, including prevention of premature grayness and improved disposition of curled hair; testimonials; and a word of caution about impostors. Lee & Walker promote their title list, including asterisked items containing a lithograph cover. Henderson & Co. notes the "aim of proprietors to sell at the lowest rates"; "the Beauty and Elegance of Its Pictorial Department"; and their stationery merchandise. Taylor advertisement promotes their award wining and new varieties of soap, as well as contains a wood engraving of the exterior of the factory on the 600 block of North Ninth Street. Image includes a train traveling toward the building and pedestrians and a patron in front of the building., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Folder 18.
Creator: Rae, Julio H.
Date: [1851]
Location: Library Company of Philadelphia | Print Department albums - Rae - Folder 18 [*Am 1851 Rae, 2975.Q]

Title: [Advertisements from Rae's Philadelphia pictorial directory & panoramic advertiser. Chestnut Street, from Second to Tenth Streets]
Description: Advertisements predominantly for sponsoring businesses not located on Chestnut Street, including George S. Storr’s Chemical Hair Invigorator, No. 68 North Eighth Street; H. P. & W. C. Taylor, Manufacturers of the Only Real Transparent Soap, Ninth, between Green & Coates Street; E. G. A. Baker, Manufacturing Jeweler, Northeast corner Branch & Fourth Streets; T. L. Buckingham, Dentist, 162 Race Street, below Fifth; music publisher Lee & Walker, 162 Chestnut Street; and C. G. Henderson & Co. Philadelphia Central Book & Stationery Warehouse, 164 Chestnut Street. Most of the advertisements contain several lines of promotional text. Storr’s text details the results of use of the product, including prevention of premature grayness and improved disposition of curled hair; testimonials; and a word of caution about impostors. Lee & Walker promote their title list, including asterisked items containing a lithograph cover. Henderson & Co. notes the "aim of proprietors to sell at the lowest rates"; "the Beauty and Elegance of Its Pictorial Department"; and their stationery merchandise. Taylor advertisement promotes their award wining and new varieties of soap, as well as contains a wood engraving of the exterior of the factory on the 600 block of North Ninth Street. Image includes a train traveling toward the building and pedestrians and a patron in front of the building., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Folder 18.
Creator: Rae, Julio H.
Date: [1851]
Location: Library Company of Philadelphia | Print Department albums - Rae - Folder 18 [*Am 1851 Rae, 2975.Q]

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