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- Title
- View of the Union Volunteer Refreshment Saloon, Philadelphia, where over 300,000 Union soldiers have been fed. [graphic] / Schell del; Adrian - Probasco sc.
- Description
- Signature of Corresponding Secretary inscribed on recto: S.B. Fales., Inscribed on recto of 5778.F.8c: Organized May 27th 1861 - finally closed Dec. 1st 1865 - torn down Jany 3, 1866 - 1,025,000 meals furnished to soldiers, sailors, freedmen & c. SBF, Inscribed on recto of P.2006.1: John Mcallister Jr. with regards of Samuel B. Fales. Organized May 27th 1861 - finally closed Dec. 1st 1865 - torn down Jany 3, 1866 - 1,025,000 meals furnished to soldiers, sailors, freedmen & c. SBF, Created postfreeze., Originally part of a McAllister scrapbook of materials related to the Cooper Shop and Union Volunteer Saloons and Hospitals., Exterior view showing heavy street activity in front of the saloon and hospital of the volunteer relief agency located near the Navy Yard at Swanson and Washington Avenues. A Philadelphia, Wilmington & Baltimore Railroad train arrives on the grounds, soldiers line up to enter the saloon, fire company wagons being used as ambulances pass in the streets; and a crowd of men and women stand near a policeman. Contains the names of committee officers and members below the image. Situated at the transportation hub between the North and the South on land leased en gratis from the Philadelphia, Wilmington & Baltimore Railroad, the agency provided meals, hospital care, washing, sleeping, and writing facilities to military personnel, refugees, and freedmen. It served over 800,000 men, 1,025,000 meals before closing.
- Creator
- Adrian & Probasco, engraver., creator, Schell, Francis H., 1834-1909, delineator., creator
- Date
- [ca. 1862]
- Location
- Library Company of Philadelphia Print Dept. Ph Pr - 11x14 - Associations [5778.F.8c; 9a; 30b; P.2006.1.27]
- Title
- Scene of camp life. [graphic].
- Description
- Create postfreeze., Originally part of a McAllister scrapbook of Civil War Views, Places & Events., Trimmed., Busy scene showing numerous activities occurring simultaneously at a military camp. At the center, generals make strategic plans under a canopy made from an American flag while soldiers drill on horseback, with cannons, and in lines around the officers near rows of tents. Also shows African American men and a child approaching a Zouave, soldiers rounding up horses, an infantryman leaning on a cannon, and soldiers standing on the grounds.
- Date
- [ca. 1863]
- Location
- Library Company of Philadelphia Print Dept. GC - Civil War - Miltary Camps [5779.F.90f]
- Title
- Philadelphia. [View from Peter's Farm]
- Description
- Panoramic view looking east past the Schuylkill River from the estate of Judge Richard Peters (Belmont) in West Fairmount Park. In the foreground, a family, including a man with a telescope enjoys the vista, cows graze in the pasture, and a locomotive travels through the covered Columbia Railroad Bridge. In the background, cityscape, including Girard College, Fairmount Water Works, the Wire Suspension Bridge, and several church steeples are visible., Part of title and name of artist, engraver and publisher from duplicate in collection [**Ph Pr - Views, P.9431.1], Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Madelyn Wolke, Lucianne Reichert, and Clifford A. Mohwinkel Jr., Trimmed.
- Creator
- Serz, John, engraver
- Date
- [ca. 1865]
- Location
- Library Company of Philadelphia | Print Department albums - Serz [P.9773.21]
- Title
- Proclamation of Emancipation. By the President of the United States of America. [graphic] / W. Roberts, Del. sc.; C. A. Alvord, Printer.
- Description
- Copyrighted by R. A. Dimmick., Originally part of a McAllister scrapbook., Print commemorating the Emancipation Proclamation. Contains a portrait of Lincoln surounded by American flags and the American eagle; six vignettes within an ornamental border depicting the horror of Southern slavery and the industriousness of the free North; an allegorical scene contrasting the war savaged Confederacy with the proseprous Union; and the text of the proclamation
- Creator
- Roberts, William, b. ca. 1829, engraver., creator, Dimmick, R. A., copyright holder., creator
- Date
- c1864.
- Location
- Library Company of Philadelphia Print Dept. GC - Emancipation [5792.F.27]
- Title
- Asher M. Childs clothes renovating establishment, No. 145 N. 9th St Old clothes made to look equal to new, by cleaning or dyeing without taking a part. Also repairing, and altering done to the latest fashions. All work done in a superior manner
- Description
- Advertisement containing an exterior view of the storefront flanked by patriotic vignettes. Vignettes show the figure of liberty and a sailor, with a woman at his feet, holding an American flag. Also includes interior scenes of employees dying and brushing clothes., Originally part of a McAllister scrapbook of Civil War miscellanies.
- Date
- [ca. 1863]
- Location
- Library Company of Philadelphia | Print Department Ph Pr - 8 x 10 - Advertisements - C [(2)5786.F.162a]
- Title
- Macdowell, engraver and printer, 1028 Chestnut St., Philadelphia
- Description
- Illustrated trade card depicting a bench surrounded by a flowering bush., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
- Date
- [ca. 1870]
- Location
- Library Company of Philadelphia | Print Department trade card - Macdowell [P.2006.20.7]
- Title
- William J. Mullen, agent for the inspectors of the Phila. Coy. Prison & for the Phila. Society for alleviating the miseries of public prisons. Office Phila. County Prison. Residence 1502 South 4th St
- Description
- Illustrated trade card depicting a seated angel of Death as an old man with an hourglass and scythe, a female angel standing behind a gavel and block, and a man draped in robes holding a scroll above a small vignette of a prison within a clock dial. Also shows an eagle and a scene of salvation represented by a prisoner in the likeness of Jesus being saved by a fatherly figure in front of a holy building surmounted by a large cross., Includes printed text on top, bottom and in two side panels signed by Wm. Bigler; Wm. M. Heister, Secy. of Commonwealth; Wm. F. Packer, Gov. of Pennsylvania; Eli Slifer, Secy' of the Commonwealth; A.G. Curtin, Gov. of Penn'a; and John M. Sullivan, Dep. Sec. of the Commonwealth., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
- Date
- [ca. 1861]
- Location
- Library Company of Philadelphia | Print Department trade card - Mullen [(6)1322.F.24b]
- Title
- The cheapest and best. William W. Harding photograph albums, 326 Chestnut Street, Philada Before inserting, see that the portrait is no longer nor wider than this card, if it is, trim it down. Portraits should be mounted on thin cards, as thick cards swell the album and prevent the clasps closing
- Description
- Series of illustrated trade cards depicting patriotic imagery, including eagles, stars, and a laurel wreath. William W. Harding was the proprietor of the Philadelphia Inquirer ca. 1859-1889 and publisher, stereotyper, and salesman of photograph albums and bibles., Advertising text printed on versos: Harding's editions of the family & pulpit bibles also arranged for photographic portraits. William W. Harding, 326 Chestnut St., Philadelphia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
- Date
- [ca. 1865]
- Location
- Library Company of Philadelphia | Print Department trade card - Harding [P.9600.17 & P.9786]
- Title
- Oxford Carpet Mills, Wm. Hogg, Jr. Philadelphia
- Description
- Advertisement depicting the manufactory complex at 140 Oxford Street built between 1858 and 1868 in Kensington. Also shows light street and pedestrian traffic, including a horse-drawn omnibus. The business was established by William Hogg, Sr. in 1832. William Hogg, Jr. assumed sole operation in 1850., Probably engraved by John Serz., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Madelyn Wolke, Lucianne Reichert, and Clifford A. Mohwinkel Jr.
- Date
- [ca. 1870]
- Location
- Library Company of Philadelphia | Print Department albums - Serz [P.9773.78c]
- Title
- [X. Bazin, steam fancy soap works and perfumery, 917 Cherry Street, Philadelphia]
- Description
- Advertisement depicting the manufactory and laboratory complex. Also shows crates lining the sidewalks and street and pedestrian traffic, including a horse-drawn wagon hauling crates and departing the complex. Bazin served as the lab director for perfumer Eugene Roussel from circa 1840 to circa 1849 when he assumed proprietorship of the business. Bazin continued to use Roussel’s name until circa 1853. The Bazin family owned the business until 1884., Probably engraved by John Serz., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Madelyn Wolke, Lucianne Reichert, and Clifford A. Mohwinkel Jr.
- Date
- [ca. 1870]
- Location
- Library Company of Philadelphia | Print Department albums - Serz [P.9773.76a]
- Title
- Joseph J. Cana[v]an morocco factory Philadelphia
- Description
- Advertisement depicting the manufactory complex at 1225 North Fifth Street (Canal Street between Thompson and Girard avenues). complex included a slaughterhouse, drying rooms, pulling shop, and office and sales room. A horse-drawn dray loaded with goods departs from the exit way between two sections of buildings that contain a flag and working smokestack. Also shows a worker in a doorway and a few pedestrians., Probably engraved by John Serz., Name of business misspelled in title: Canaran., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Madelyn Wolke, Lucianne Reichert, and Clifford A. Mohwinkel Jr.
- Date
- [ca. 1870]
- Location
- Library Company of Philadelphia | Print Department albums - Serz [P.9773.76b]
- Title
- Allen's Furniture Warehouse, Philadelphia
- Description
- Advertisement depicting the multi-story storefront for cabinetmakers Allen & Bro. (Joseph and James C.) erected in 1860 at 1209 Chestnut Street. Also shows pedestrians looking at furniture visible in the large display windows. The building contained salesrooms on the lower floors and upholstery and finishing rooms on the upper ones. Allen & Bro. was originally established by William Allen in 1836. The business specialized in custom orders and exhibited at the Centennial Exhibition of 1876., Probably engraved by John Serz., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Madelyn Wolke, Lucianne Reichert, and Clifford A. Mohwinkel Jr., Variant wood engraving published in I. L. Vansant, ed., The royal road to wealth (Philadelphia: Samuel Loag, (1869?)], opp. p. 43.
- Date
- [ca. 1870]
- Location
- Library Company of Philadelphia | Print Department albums - Serz [P.9773.76c]
- Title
- Wm. Simpson & Sons, Philadelphia
- Description
- Advertisement for the calico printers showing a sepulchral monument composed of three mourning female figures attired in Roman garb beside a casket. The business, established in 1836 in the Falls of Schuylkill by William Simpson, was renamed William Simpson & Sons from "The Washington Print Works" in 1869. In 1877, the firm was incorporated as Eddystone Manufacturing Company., Date from copyright statement: Entered according to Act of Congress A.D. 1869 by W. Simpson & Sons in the Clerk's Office of the District of the East. District of Penna., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Madelyn Wolke, Lucianne Reichert, and Clifford A. Mohwinkel Jr.
- Date
- 1869
- Location
- Library Company of Philadelphia | Print Department albums - Serz [P.9773.9e]
- Title
- [Joseph Beckhaus carriage factory, 1204 Frankford Avenue, Philadelphia, Pa.]
- Description
- Advertisement depicting the factory and office at 1204 Frankford Avenue. Coaches line the street in front of the establishment and pedestrians walk on the sidewalk. Beckhaus was originally established as Beckhaus, Allgaier, and Petry in 1853. Beckhaus assumed sole operation about 1869., Probably engraved by John Serz., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Madelyn Wolke, Lucianne Reichert, and Clifford A. Mohwinkel Jr.
- Date
- [ca. 1870]
- Location
- Library Company of Philadelphia | Print Department albums - Serz [P.9773.76d]
- Title
- Henry & Fisher's union coal yard, Ninth Street, below Jefferson, Philadelphia Always on hand the best Lehigh and Schuylkill Coal. Orders promptly attended to
- Description
- Henry & Fisher, the partnership between William Henry and Lewis C. Fisher, was active ca. 1862 until becoming a spice factory ca. 1867., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
- Date
- [ca. 1865]
- Location
- Library Company of Philadelphia | Print Department trade card - Henry [5786.F.9L]
- Title
- Theo. Wilson & Co.'s steam ship bread, cracker, & cake bakery, 212 & 214 North Front St. Phila
- Description
- Advertisement depicting the one-block deep manufactory and "retail sales rooms" adorned in signage. Signs advertise "bread and crackers" for export and "All Kinds of Crackers, Soda Biscuits, Sugar Biscuit, Cakes &c &c. Pilot and Navy Bread." Barrels are visible in upper freight windows and pedestrians walk on the sidewalk. During the Centennial Exhibition of 1876, the company, renamed Walter G. Wilson & Co., introduced animal crackers to America. The building was razed by fire in 1879., Probably engraved by John Serz., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Madelyn Wolke, Lucianne Reichert, and Clifford A. Mohwinkel Jr.
- Date
- [ca. 1870]
- Location
- Library Company of Philadelphia | Print Department albums - Serz [P.9773.79b]
- Title
- Baugh & Sons, manufacturers of raw bone super phosphate of lime. Philadelphia, Pennsylvania
- Description
- Advertisement depicting the manufactory at 20 South Delaware Avenue. Freight ramps are visible, and vessels sail on the Delaware River in the foreground. Edward P. and son Daniel Baugh formed Baugh & Sons in 1855 in Chester County. The plant relocated to Philadelphia in 1860. Daniel assumed operations of the business with branches in Baltimore and Norfolk, Va. in 1888., Probably engraved by John Serz., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Madelyn Wolke, Lucianne Reichert, and Clifford A. Mohwinkel Jr.
- Date
- [ca. 1870]
- Location
- Library Company of Philadelphia | Print Department albums - Serz [P.9773.79a]
- Title
- White, Hentz & Co., refiners of spirits & importers of wines & liquours, 222 North Second Street Philadelphia, Penn
- Description
- Advertisement depicting the "front view" and "rear view" of the four-story storefront of the liquor business originally established in 1793 by Philip Wager. Barrels are visible in the first floor and rear of the establishment. Signage adorns the buildings. Also includes pedestrian traffic, a laborer, and partial views of the adjoining businesses. William R. White and J. Henry Hentz, Jr. assumed the business in 1849 and erected the 222 building in 1860. The business operated from the location until 1918., Probably engraved by John Serz., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Madelyn Wolke, Lucianne Reichert, and Clifford A. Mohwinkel Jr.
- Date
- [ca. 1870]
- Location
- Library Company of Philadelphia | Print Department albums - Serz [P.9773.96a]
- Title
- Auner's printing office, No. 110 North Tenth Street, above Arch, Philadelphia
- Description
- Illustrated trade card depicting Liberty draped in a star sash and skirt with a laurel wreath on her head. She raises her left arm and holds the American flag with her right hand., Gilt-stamped title., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
- Date
- [ca. 1862]
- Location
- Library Company of Philadelphia | Print Department trade card - Auner's [(2)5786.F.117a]
- Title
- Washington Union restaurant, N.E. corner of Seventh and Walnut Streets, Philadelphia where families or parties can be supplied at short notice, with the finest oysters, from the Philadelphia, New York, Baltimore and Virginia markets. Suppers gotten up for small parties at the shortest notice. Fine old brandies, wines, segars, ale, porter, brown stout, &c. J.J. Fullerton, Prop'r
- Description
- Illustrated trade card promoting J.J. Fullerton's restaurant depicting small vignettes of a bird and a turtle., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
- Date
- [ca. 1862]
- Location
- Library Company of Philadelphia | Print Department trade card - Fullerton [(2)5786.F.194j]
- Title
- The fugitives
- Description
- Engraving depicts an episode from Chapter XIV, "How the Flight Ended." Here, the fictional characters Maum Guinea, Rose, and Hyperion, fugitive slaves hiding in a cavern, are discovered by a party of whites that includes a colonel and a judge., Illustration in Metta Victoria Fuller Victor's Maum Guinea, and her plantation "children" (London: Beadle and Company,44 Paternoster Row; New York: Beadle and Company, 141 William Street, 1861), p. 206., Fels Afro-Americana Image Project, Resistance.
- Creator
- N. Orr & Co., engraver
- Date
- [1861]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1861 Victo 70421.O p 206, https://digital.librarycompany.org/islandora/object/Islandora%3A2807
- Title
- Turning the tables on the overseer
- Description
- Bitter anti-slavery print depicting a group of slaves about to whip their white overseer, who has been bound to a tree on the plantation grounds. Before the overseer, the male slave holding the whipping lash boldly pulls up his sleeve as the slave next to him takes off his hat in a mock gesture of respect. Smiling men, women, and children of all ages stand, sit, and lean on a fence, surrounding the overseer in anticipation of his whipping., Illustration in New York Illustrated News, November 28, 1863, p. 73., Also published as a loose print by the African American press, Robert and Thomas Hamilton, possibly the first black press to publish separate prints., Fels Afro-Americana Image Project, Resistance.
- Date
- [1863]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare **Per D 8.5 1571.F Nov 28 1863 p 73, https://digital.librarycompany.org/islandora/object/Islandora%3A2863
- Title
- [B stands for bloodhound]
- Description
- Image is accompanied by a verse, which begins as follows: "B Stands for Bloodhound. On merciless fangs / The slaveholder feels that his "property" hangs, /." With his arms extended over his head, an escaped slave falls to his knees. Behind him, a bloodhound bites at his shoulders and claws his thigh; two other dogs surround him., Illustration in Abel C. Thomas's Gospel of Slavery (New York: Published by T.W. Strong, 1864), n.p., Fels Afro-Americana Image Project, Fugitives.
- Date
- [1864]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1864 Thoma 50969.D vignette B, https://digital.librarycompany.org/islandora/object/Islandora%3A2814
- Title
- [F stands for fugitives]
- Description
- Image is accompanied by a verse, which begins as follows: "F Stands for Fugitives hasting from wrath, / And furies are hot on their dangerous path. /." A group of four fugitive slaves, including a mother and child, hide in a thicket, hoping to avoid the bloodhounds who trail them. To the left, in the distant background, an American flag waves., Illustration in Abel C. Thomas's Gospel of Slavery (New York: Published by T.W. Strong, 1864), n.p., Fels Afro-Americana Image Project, Fugitives.
- Date
- [1864]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1864 Thoma 50969.D vignette F, https://digital.librarycompany.org/islandora/object/Islandora%3A2815
- Title
- [K stands for kidnapper]
- Description
- Image is accompanied by a verse, which begins as follows: "K Stands for Kidnapper. Whoso receives / What others have stolen, is leagu'd with the thieves. /." In this night-time scene, a bearded kidnapper uses one knee to pin a fugitive slave to the ground in a face-down position. With a dagger between his teeth, the kidnapper leans over the slave, and bends his left arm behind his back. Handcuffs lie on the ground next to him., Illustration in Abel C. Thomas's Gospel of Slavery (New York: Published by T.W. Strong, 1864), n.p., Fels Afro-Americana Image Project, Fugitives.
- Date
- [1864]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1864 Thoma 50969.D vignette K, https://digital.librarycompany.org/islandora/object/Islandora%3A2816
- Title
- A typical negro
- Description
- Three engravings accompanying the article "A Typical Negro." The text identifies them as "portraits" of Gordon, a fugitive Mississippi slave who joined the Union army in Baton Rouge. According to the unnamed author, the engravings were taken from photographs by McPherson and Oliver. The engraving on the left bears the title "Gordon as he entered our lines." It shows Gordon sitting on a stool with his hands folded on his lap and one leg crossed over the other. His clothing is frayed and tattered, and he wears no shoes. As the author explains, Gordon "entered our lines, with clothes torn and covered with mud and dirt from his long race through the swamps and bayous, chased as he had been for days and nights by his master with several neighbors and a pack of blood-hounds; . . . ." The middle engraving is titled "Gordon under medical inspection." Here, Gordon is seated on a stool with his bare back facing the viewer. The image offers a detailed view of the wounds and scars that cover his back. As the author commented, the engraving "shows him as he underwent the surgical examinations previous to being mustered into the service -- his back furrowed and scarred with the traces of a whipping administered on Christmas day." The portrait on the right is titled "Gordon in his uniform as a U.S. soldier." It shows Gordon in full military uniform, with all of his gear and his musket. This engraving, the author notes, "represents him in United States uniform, bearing the musket and prepared for duty.", Illustration in Harper's Weekly, vol. 7, no. 340 (July 4, 1863), p 429., Fels Afro-Americana Image Project, Fugitives.
- Date
- [July 1863]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare **Per H 1529.F v 7 n 340 July 4 1863 p 429, https://digital.librarycompany.org/islandora/object/Islandora%3A2877
- Title
- Running away
- Description
- Illustration accompanies part five, "Domestic Amusements in the Slave States." Trailed by a pack of bloodhounds and several mounted authorities armed with rifles, a slave family tries to make their escape. To the right, on the bank of a river, two authorities aim their rifles at a drowning slave, who is approached by a group of white men in a boat., Illustration in the Suppressed Book about Slavery! (New York: Carleton, 1864), p. 336., Fels Afro-Americana Image Project, Fugitives.
- Creator
- Van Ingen & Snyder, engraver
- Date
- [1864]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1864 Suppr 15191.D p 336, https://digital.librarycompany.org/islandora/object/Islandora%3A2813
- Title
- The bloodhound business
- Description
- Illustration accompanies part five, "Domestic Amusements in the Slave States." It shows a family of runaway slaves as they try to defend themselves from a pack of bloodhounds. Behind them, two slavehunters aim their rifes at father, mother, and child., Illustration in the Suppressed Book about Slavery! (New York: Carleton, 1864), p. 288., Fels Afro-Americana Image Project, Fugitives.
- Creator
- Van Ingen & Snyder, engraver
- Date
- [1864]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1864 Suppr 15191.D p 288, https://digital.librarycompany.org/islandora/object/Islandora%3A2812
- Title
- [The rebel pirate's fatal prize]
- Description
- Image depicts a scene on board the schooner S.J. Waring. The ship's steward William Tillman [i.e., Billy Tilghman], "the brave and daring negro," armed with a hatchet, defends himself and his wife from three men identified as the "Pirate Prize Master, Lieutenant, and Mate," who stand in his doorway. Having learned of their secret plot to sell him and his wife into slavery, Tillman murders them., Vignette on the broadside advertisement for The Rebel Pirate's Fatal Prize (Philadelphia: Reichner & Co., 1862)., Accompanied by the caption: "Back sirs! She is my wife, she is no slave! Seize her at your peril.", Fels Afro-Americana Image Project, Resistance.
- Date
- [1862]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1862 Und (2) 5786.F 46e broadside vignette, https://digital.librarycompany.org/islandora/object/Islandora%3A2809
- Title
- Gang of captives met at Mbame's on their way to Tette
- Description
- Engraving accompanies Chapter XVIII of Livingstone's travel narratives; it portrays an incident that he witnessed in the village of his friend Mbame. As Livingstone explained, " . . . [a] slave party, a long line of manacled men, women, and children, came wending their way round the hill and into the valley, on the side which the village stood. The black drivers, armed with muskets, and bedecked with various articles of finery, marched jauntily in the front, middle, and rear of the line; some of them blowing exultant notes out of long tin horns." (p. 356) Livingstone noted, however, that the black drivers fled as soon as they saw him and his fellow Englishmen. Livingstone and his party thus freed the captives (who were most likely Manganja). "It was more difficult to cut the men adrift," he wrote, "as each had his neck in the fork of a stout stick, six or seven feet long, and kept in by an iron rod, which was riveted at both end across the throat. With a saw, . . . one by one the men were sawn out into freedom." (p. 356-57), Plate in David Livingstone's Narrative of an Expedition to the Zambesi and its Tributaries: and of the Discovery of the Lakes Shirwa and Nyassa, 1858-1864 (London: John Murray, 1865), p. 356., Fels Afro-Americana Image Project, Scenes from the Slave Trade.
- Creator
- Whymper, Josiah Wood, 1813-1903, engraver
- Date
- [1865]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare U Afri Livin 16307.O p 356, https://digital.librarycompany.org/islandora/object/Islandora%3A2925
- Title
- Females hoeing
- Description
- Engraving accompanies Chapter XXIV of Livingstone's travel narrative. It shows four women working in the Ngabi district: one carries a basket on her head, while three others (including one woman with a child on her back) till the soil with hoes."The only instrument of husbandry here," Livingstone noted, "is the short-handled hoe; and about Tette the labour of tilling the soil, as represented in the woodcut, is performed entirely by female slaves." (p. 499), Illustration in David Livingstone's Narrative of an Expedition to the Zambesi and its Tributaries: and of the Discovery of the Lakes Shirwa and Nyassa, 1858-1864 (London: John Murray, 1865), p. 499., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
- Date
- [1865]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare U Afri Livin 16307.O p 499, https://digital.librarycompany.org/islandora/object/Islandora%3A2926
- Title
- Scenes on a cotton plantation
- Description
- According to the accompanying commentary (p. 69), these scenes show the Buena Vista plantation in Clarke County, Alabama. As the text suggests, "The four sketches in the centre [i.e., sowing, ploughing, hoeing, and picking] show the principal operations of the cotton culture; and around figure other scenes appropriate to a cotton plantation." Moving clockwise from the upper right, the outer scenes are titled: the cotton gin, the planter and his overseer, prayer meeting, Saturday evening dance, plantation graveyard, the call to labor, and the cotton press. The text describes these scenes as follows: "The cotton-gin; the picturesque cotton-press, to whose long lever the mules are harnessed to create the power which compresses the ginned staple into bales; the morning call, performed upon a cow-horn; the owner and his overseer, figure here; as well as the weekly distribution of rations; the dance which closes the week's labor, and the plantation burying-ground. Here the defunct negroes are buried, a rail-fence being raised above the graves to keep off marauding hogs, calves, etc.", Double-page illustration in Harper's Weekly, vol. XI, no. 527 (February 2, 1867), p. 72., Fels Afro-Americana Image Project, Scenes from Slave Life.
- Date
- [February 1867]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare **Per H 1529.F v XI n 527 February 2 1867 p 72, https://digital.librarycompany.org/islandora/object/Islandora%3A2879
- Title
- Mrs. S. A. Lingle, 734 Spring Garden St
- Description
- Advertisement depicting a woman shopkeeper showing a hat to a woman and two girls near a hat display., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia.
- Date
- [ca. 1863]
- Location
- Library Company of Philadelphia | Print Department Ph Pr - 8 x 10 - Advertisements - L [(7)1322.F.471x]
- Title
- Home again. [graphic] / From the original painting by J. Noel Paton.
- Description
- Originally part of a McAllister scrapbook of Civil War miscellanies., Genre scene showing a Civil War soldier being welcomed home by his family. The soldier, a bandage on his head, sits in his cozy parlor as his mother cries on his shoulder, his wife wraps herself around his waist, and their baby sleeps in a cradle. The soldier's gun and knapsack rest beside him against a side table.
- Creator
- Paton, J. Noël (Joseph Noël), Sir, 1821-1901 artist., creator
- Date
- [[ca. 1865]
- Location
- Library Company of Philadelphia Print Dept. **GC - Civil War - Soldiers [5786.F.141a]
- Title
- [Civil War "Victory Package" illustrated broadside insert]
- Description
- Title supplied by cataloguer, Originally part of a McAllister scrapbook of newspaper and song clippings., Corresponding wrapper part of the Civil War Envelope Collection. [O - M - Novelty - LCP - 10]., Wrapper insert containing 5 clothing pattern designs, 15 receipts (i.e., recipes) to aid the household, a currency table, and the text for 33 patriotic songs.
- Date
- [ca. 1863]
- Location
- Library Company of Philadelphia Print Dept. *GC - Civil War [5784.F.109]
- Title
- J. Sandberg with J. Simon, dealer in ready-made clothing and gent's furnishing goods, no. 429 North Second Street, East side, Philadelphia Orders promptly attended to. Quick sales. Small profits
- Description
- Trade card containing a vignette showing a menagerie of men's clothing, including collars, a cravat and bow tie, vest, a shoe, plaid trousers, and a coat. Imagery also includes a scissor. Sandberg is listed in city directories as a peddler 1862-1863., Scribbles in pencil on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
- Date
- [ca. 1862]
- Location
- Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Trade cards & Blotters [P.2011.10.55]
- Title
- Charles Oakford & Sons in the Continental, hats, caps, and furs, wholesale and retail, 826-828 Chestnut St., Philadelphia
- Description
- Illustrated trade card depicting a bust portrait of Charles Oakford. Filigree surrounds the oval-shaped portrait. Charles Oakford established his hat store in 1827 and relocated to the Continental Hotel in 1860., Manuscript list on verso includes dates and prices: Nov. 22/60: $8.33; Jan. 10/61 due 21st; Jan. 28/61: due 21st [?]; March 1/61: due 21st Feb.; March 28/61: [illegible]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
- Creator
- Steel, James W., 1799-1879, engraver
- Date
- [ca. 1861]
- Location
- Library Company of Philadelphia | Print Department trade card - Oakford [(7)1322.F.443l]
- Title
- G.T. Stockdale, printer, 117 South Second Street, Philadelphia
- Description
- Illustrated trade card depicting an American flag facing left., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
- Date
- [ca. 1863]
- Location
- Library Company of Philadelphia | Print Department trade card - Stockdale [5786.F.9s]
- Title
- W. Spencer Rowland's Union lager beer saloon, No. 724 Filbert Street, Philadelphia N.B.--The best of wines, liquors, segars, &c., always on hand. Rooms free for the accommodation of meetings, parties, &c
- Description
- Illustrated trade card for W. Spencer Rowland's hotel and lager beer saloon depicting casks labeled "French brandy" and bottles of liquor., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
- Date
- [ca. 1862]
- Location
- Library Company of Philadelphia | Print Department trade card - Rowland's [5786.F.176d]
- Title
- [ Montage of caricatures satirizing Southern Democrats]
- Description
- Includes six captioned vignettes critically satirizing Southern democrats, copperheads, Jefferson Davis, and Andrew Johnson. Shows Democrats represented as an overseer forcing "Black Republicans" depicted as fleeing enslaved African American men, women, and children to vote their "Ticket in the South"; white men soldiers loading a cannon representing "General Grant giving the Rebel Copperhead Democrats some more grape"; Jefferson Davis fleeing in his "wife's petticoats"; "Johnson on a "Bender," after the Impeachment Trials; a skull and cross bones to symbolize that "Copperheads and Rebel Democrats are Poison"; and Johnson attired in torn and worn clothes and carrying a sack on his back as he is "Travelling for Tennessee." Several of caricatures also used as Civil War envelope designs., Title supplied by cataloger., Date inferred from content., Created postfreeze., Originally part of a McAllister scrapbook of Civil War miscellanies. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1868]
- Location
- Library Company of Philadelphia | Print Department political cartoons [ca. 1868] - Mon [(2)5786.F.176a]
- Title
- The peninsular campaign
- Description
- Civil War cartoon referencing George B. McClellan's failed 1862 peninsular campaign to criticize his cautious military performance as commander-in-chief of the U.S. Army and his relationship with financier August Belmont and lawyer Samuel M.L. Barlow, New York Democratic Party leaders with Southern ties. Shows McClellan holding a shovel and sitting backwards on a mule that displays a flag marked "Strategy" on its tails and that Belmont and Barlow desperately try to move past human bones and away from Richmond. He advises the men to "coax" the animal because he does not believe in force and to keep his mule's head to the rear or his plans for "conquering the Rebellion will never be developed." Belmont, with several hats layered on his head and Barlow, a paper printed "Harrisons Landing July 7, 1862" in his pocket, "hold fast" and discuss Belmont's European ties and a letter written by Barlow on McClellan's behalf for the president that will be signed and sent following the general's "change of base.", Originally part of a McAllister scrapbook of materials related to George McClellan and Abraham Lincoln., Digitized by Alexander Street Press for Images of the American Civil War.
- Date
- [1862]
- Location
- Library Company of Philadelphia | Print Department political cartoons - 1862 Pen [5793.F.7b]
- Title
- [E. & H.T. Anthony trade cards]
- Description
- Series of illustrated trade cards containing patriotic vignettes. Images include eagles clutching olive branches, arrows, and shields in their talons and a woman, possibly Liberty, clothed in robes. Pictorial details also include an "E plurubus unum" banner., Title supplied by cataloger., Prints (2)5786.F.117d, g-h printed in blue ink on green paper and envelope (2)5786.F.117j printed in green ink on blue paper., Advertising text printed on rectos for E. & H.T. Anthony, 501 Broadway - New York (3 doors from St. Nicholas Hotel), manufacturer, publisher, and importer of photographic materials, carte de visite photographs, stereoscopic views, and card portraits of eminent persons., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized., Edward and Henry Tiebout Anthony operated one of the largest photographic manufacturing and distribution businesses in the United States in the second half of the nineteenth century.
- Date
- [ca. 1865]
- Location
- Library Company of Philadelphia | Print Department trade card - Anthony [(2)5786.F.117d, g-h, j; P.9631.1]
- Title
- The bridal dance
- Description
- Engraving depicts a fictional episode from Chapter IV, "Christmas." The scene takes place on Fairfax Plantation on Christmas day. The newly married couple, Jim and July, dance merrily to the music of fiddles, banjos, and tamborines, while other slaves look on. The pair are still dressed in their wedding attire: July is described as "resplendent in a white dress, white cotton gloves, a string of mock-pearls about her neck, and a wreath of silver flowers about her head," while Jim wears "a gorgeous waistcoat, had a sprig of flowers in the button-hole of his coat, and also sported white cotton gloves." According to the text, a bonfire provided the illumination for these festivities, which grew gayer as evening turned into night., Illustration in Metta Victoria Fuller Victor's Maum Guinea, and her plantation "children" (London: Beadle and Company,44 Paternoster Row; New York: Beadle and Company, 141 William Street, 1861), p. 46., Fels Afro-Americana Image Project, Scenes from Slave Life.
- Creator
- N. Orr & Co., engraver
- Date
- [1861]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1861 Victo 70421.O p 46, https://digital.librarycompany.org/islandora/object/Islandora%3A2808
- Title
- Emancipated slaves
- Description
- From left to right, the group portrait shows: Wilson Chinn, a man of about sixty, whose forehead was branded with the initials V.B.M.; Charles Taylor, an eight year-old boy identified in the accompanying text as white; August Broujey, a nine year-old girl whose mother was "almost white;" Mary Johnson, an adult woman; Isaac Watts, a black boy of nine; Rebecca Huger, an eleven year-old, who "to all appearance . . . is perfectly white;" the Reverend Robert Whitehead, an ordained preacher; and Rosina Downs, a "fair child" of "not quite seven years." In addition to the group portrait, cartes de visite of the individual sitters were made. As the accompanying text explains, both could be purchased through the New York-based National Freeman's Relief Association; the proceeds went to support Louisiana schools., Full-page illustration in Harper's Weekly (New York: Harper & Brothers, 1864), vol. 8, no. 370 (January 30, 1864), p. 69., Small caption underneath the image reads: "Emancipated slaves, white and colored. -- The children are from the schools established in New Orleans, by order of Major-General Banes.", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
- Date
- [January 1864]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare **Per H 1529.F v 8 n 370 Jan 30 1864 p 69, https://digital.librarycompany.org/islandora/object/Islandora%3A2878
- Title
- Harvest in Wanyamézi
- Description
- Illustration included in Chapter V, "Unyamuezi." Unyamuezi [i.e., Unyamwezi] was one of the largest kingdoms in East Africa; its people are called Wanyamezi. As the title suggests, the engraving shows a Wanyamezi harvest in 1861. Corn, which grew abundantly on the richly cultivated land, is shown at the top. In the center, four men thrash the corn with long-handled paddles. At the bottom, women are shown cutting, separating, and grinding the corn., Illustration in John Hanning Speke's Journal of the Discovery of the Source of the Nile (New York: Harper & Brothers, 1864), p. 129., According to a note on the title-page, the book's illustrations are "chiefly from drawings by Captain Grant.", Caption reads: "1, 2, 3, 4. Grain. Maize, etc., stacked for the season. 5. Men with long rackets thrashing Kafir corn (sorghum). 6. Woman in the field cutting "sorghum" with a knife, and depositing it in a basket. 7. Women separating the corn from the chaff by means of a wooden pestle and mortar. 8. Woman grinding corn upon a single slab of stone.", Fels Afro-Americana Image Project, Work Scenes.
- Date
- [1864]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1864 Speke 15863.O p 129, https://digital.librarycompany.org/islandora/object/Islandora%3A2810
- Title
- Fan blacksmiths
- Description
- From 1855-59, Paul B. Du Chaillu (Paul Belloni), a French-American explorer, led an expedition through Gabon, which was supported by the Philadelphia Academy of Natural Scienes. Du Chaillu's observations were published in Explorations & Adventures in Equatorial Africa (1861). This engraving is set in a village inhabited by the Fan peoples, who settled in the area around the Gabon River. It shows two Fan blacksmith working over a small fire. "As blacksmiths," Du Chaillu wrote, "they very far surpass all the tribes of this region who have not come in contact with whites. Their war-like habits have made iron a most necessary article to them; and though their tools are very simple, their patience is great, and, as the reader will perceive from the pictures of their arms, they produce some very neat workmanship." (p. 91) Describing the scene shown in the engraving, Du Chaillu continued, "The forge is set up anywhere where a fire can be built. They have invented a singular bellows, composed of two short, hollowed cylinders of wood, surmounted by skins accurately fitted on, and having an appropriate valve and a wooden handle. The bellows-man sits down, and moves these coverings up and down with great rapidity, and the air is led through small wooden pipes into an iron joint which emerges in the fire. The anvil is a solid piece of iron of the shape seen in the illustration. The sharp end is stuck into the ground, and the blacksmith sits alongside of his anvil and beats iron with a singular hammer, which is simply a piece of iron weighing three to six pounds, and in shape of a truncated cone. It has no handle, but is held by the smaller end, and, of course, the blows require much more strength." (p. 91-92), Illustration in Paul B. Du Chaillu's Explorations & adventures in equatorial Africa: With accounts of the manners and customs of the people, and the chace of the gorilla, crocodile, leopard, elephant, hippopotamus, and other animals (London: John Murray, Albemarle Street, 1861), p. 91., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
- Date
- [1861]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare U Afri Du Chail 15232.O p 91, https://digital.librarycompany.org/islandora/object/Islandora%3A2901
- Title
- Slave barracoons -- burial-ground
- Description
- Illustration depicts an episode that Du Chaillu witnessed during his stay in Cape Lopez (in the modern country of Gabon). As he wrote, "During my stay in the village, as I was one day out shooting birds in a grove not far from my house, I saw a procession of slaves coming from one of the barracoons toward the farther end of my grove. As the came nearer, I saw that two gangs of six slaves each, all chained about the neck, were carrying a burden between them, which I knew presently to be the corpse of another slave. They bore it to the edge of the grove, about three hundred yards from my house, and, throwing it down there on the bare ground, they returned to their prison, accompanied by the overseer, who, with his whip, had marched behind them." (p. 115), Plate in Paul Du Chaillu's Stories of the Gorilla Country: Narrated for Young People (New York: Harper & Brothers, publishers, Franklin Square, 1868), p. 108., Fels Afro-Americana Image Project, Scenes from Slave Life.
- Date
- [1868]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1868 Du Chail 17468.D p 108, https://digital.librarycompany.org/islandora/object/Islandora%3A2819
- Title
- The Salt River gazette---extra, Wednesday, Oct. 9, 1867 The Great Negro Party--born, 1856--died Oct. 8, 1867
- Description
- Cartoon publicizing the death of the "Great Negro Party" (i.e., Republican Party) as a result of the defeat of several Republican candidates to Democrats in the Philadelphia local elections of 1867. Depicts a series of racist captioned vignettes and caricatures. Includes the head of an African American man above a coffin inscribed with the life and death dates of the party (1856-Oct. 8, 1867); “a Scene at the Broad St. League House” depicting a white man minister forced to perform an interracial marriage between a white woman and an African American man; and a scene entitled "The Work of Congress repudiated by the People" showing an African American man lounging and watching white men labor to pay their taxes. Also includes an African American man dandy commenting in the vernacular on his making electors sick "dis time"; and a scene titled "Statue to be erected in front of the Union League House" showing the sculpture of an older African American woman on a ragged horse. The African American dandy caricature originally appeared as an illustration titled "S.S. Sanford in One of his Great Delineations of Ethiopian Character" in "Our Day," an 1860 circular that advertised his Sanford Opera House. The statue caricature originally appeared in the "Original Comicalities" section of the June 1854 edition of "Graham's Magazine" and was titled "Woolly Equestrian Statue of the late Mrs. Joyce Heth." Mrs. Heth, an early attraction of P.T. Barnum from 1835 until 1836, claimed that she was over 100 years old and a nanny to George Washington., Title from item., Date inferred from content., Originally part of McAllister scrapbooks of views of Philadelphia and Pennsylvania views and political miscellany. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [1867]
- Location
- Library Company of Philadelphia | Print Department political cartoons - 1867-1W [5759.F; (2)1322.F.77]
- Title
- Emancipation
- Description
- Emancipation print depicting a series of scenes contrasting African American life during and after slavery. Central scene portrays the interior of a free person's home where several generations of the family socialize around a "Union" stove as the mother cooks. Below this scene is a portrait of Lincoln and above it a depiction of Thomas Crawford's statue of freedom, as well as the hell hound Cerberus fleeing Liberty. Scenes to the right display the horrors of slavery including the flogging, branding, selling, and capturing of enslaved people. Scenes to the left display the forthcoming results of freedom including the exterior of a free person's cottage, African American children attending public school, and African Americans receiving payment for their work., Title from item., Date from copyright statement: Entered according to Act of Congress, in the year 1865, by J.W. Umpehent, in the Clerk's Office of the District Court of the United States, for the Eastern District of Pennsylvania., Originally published in Harper's weekly, January 24, 1863., McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Nast was a cartoonist and illustrator most known for his work for the 19th-century periodical "Harper's Weekly."
- Creator
- Nast, Thomas, 1840-1902, artist
- Date
- 1865
- Location
- Library Company of Philadelphia | Print Department Political Cartoons - 1865-3R [5792.F]
- Title
- Civil War certificates containing patriotic designs. [graphic].
- Description
- Two of the certificates contain manuscript notes about prices., Originally part of a McAllister scrapbook of Civil War miscellanies., Includes military enlistment certificates, a hospital discharge certificate, and a certificate of donation printed by Philadelphia printers King & Baird and Mclaughlin Brothers. Designs depict soldiers, the figure of Liberty, and the Constitution. Companies include Pennsylvania Volunteers; Philadelphia Fire Zouaves (72nd Regiment, P.V.); the 119th Regiment, P.V.; and First Regiment Reserve Brigade, P.V. Other organizations include Church of the Evangelists and Chesapeake General Hospital.
- Date
- 1861-ca. 1863.
- Location
- Library Company of Philadelphia Print Dept. Philadelphia certificates - Civil War [5786.F.65e&f;77b;128b&c;180a]