Search results

Title: Thaddeus Stevens
Description: Bust-length portrait of the radical Pennsylvania Congressman, abolitionist, civil rights advocate, and member of the Joint Committee on Reconstruction. Stevens, attired in a white collared shirt, a black tie, waistcoat, and jacket, faces slightly right., Title from item., Printed signature of sitter below image., Variant appears in William H. Barnes' History of 39th Congress (New York: Harper & Brothers, 1868), p. 29., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: G.E. Perine & Co., engraver
Date: [ca. 1868]
Location: Library Company of Philadelphia | Print Department Portrait Prints-S [P.8911.908]

Title: Thaddeus Stevens
Description: Bust-length portrait of the radical Pennsylvania congressman, abolitionist, civil rights advocate, and member of the Joint Committee on Reconstruction. Stevens, attired in a white collared shirt, a black bowtie and waistcoat, and a jacket, faces slightly left., Title from printed signature of sitter below image., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1868]
Location: Library Company of Philadelphia | Print Department Portrait Prints - S [P.8911.909]

Title: Hon. Charles Sumner
Description: Bust-length portrait of the Massachusetts Senator, abolitionist, reformer, and civil rights advocate. Sumner, attired in a white collared shirt, a black bowtie, waistcoat, and jacket, sits facing slightly right., Title from item., Date inferred from the working dates of the engraver and the attire of sitter., Printed signature of sitter below image: Ever Yours, Charles Sumner., Published in Frank Moore's Heroes & martyrs: notable men of the time...(New York: G.P. Putnam, 1861), p. 187. (LCP *Am 1861 Moo, 2864.Q)., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Hall, Henry Bryan, 1808-1884, engraver
Date: [1861]
Location: Library Company of Philadelphia | Print Department portrait prints-S [P.8911.927]

Title: Charles Sumner "Do not let the Civil Rights bill fail."
Description: Bust-length portrait of the Massachusetts senator, abolitionist, reformer, and civil rights advocate. Sumner, attired in a white collared shirt, a patterned bowtie, a black waistcoat and jacket, faces slightly right. Sumner, a leading radical Republican during Reconstruction, was the author of the Civil Rights Act of 1875., Title from item., Printed signature of sitter below image., Date from variant published as frontispiece in C. Edward Lester's Life and Public Services of Charles Sumner (New York: United States Publishing Company, 1874). (LCP Am 1874 Les, 19880.0)., Gift of Dr. Milton and Joan Wohl, 1991., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Robin, Augustus, engraver
Date: [ca. 1874]
Location: Library Company of Philadelphia | Print Department Portrait Prints-S [P.9363.97]

Title: John Greenleaf Whittier
Description: Bust-length portrait of the poet, abolitionist, journalist, and editor of the abolitionist newspaper "Pennsylvania Freeman." Whittier, attired in a white collared shirt, a black bowtie, a waistcoat, a jacket, and an overcoat with a fur collar, faces slightly left., Title supplied by cataloger., Date based on depicted age of the sitter., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Schoff, an engraver working in Boston during the 1850s and 1860s, specialized in portrait and bank note engraving.
Creator: Schoff, Stephen Alonzo, 1818-1904, engraver
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department Portrait Prints - W [P.8911.1050]

Title: H.B. Stowe
Description: Bust-length portrait of the abolitionist and author of "Uncle Tom's Cabin" as a young woman. Stowe, attired in a dress with a white neckline, looks at the viewer., Title from printed signature of sitter below image., Dated based on the presented age of the sitter., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Wilcox, an engraver and portrait painter, was active in Boston from 1860 until the early 20th century.
Creator: Wilcox, John Angel James, 1835-, engraver
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department portrait prints - S [P.8911.920]

Title: Mr. Chew's house
Description: Restrike of an Archibald Dick engraving after the work of Philadelphia artist Russell Smith which originally appeared in the December 1844 edition of Godey's lady book. Exterior view of the colonial residence built 1763-1767 by master carpenter Jacob Knor for Philadelphia attorney Benjamin Chew at 6401 Germantown Avenue. On the grounds in the foreground, a white boy stands beside a chair and exchanges a book with an African American man. Chew House, also known as Cliveden, was the site of the turning point in the Battle of Germantown in 1777. The Chew family enslaved people of African descent in the city of Philadelphia and in Germantown during the 18th and 19th centuries. The estate was the Chew family residence until 1972 when it was acquired by the National Trust for Historic Preservation., Title from item., Smith, a prominent Philadelphia landscape painter and friend of Godey's lady book publisher, Louis A. Godey, had several of his Philadelphia and Pittsburgh views engraved for the 1844 issues of the periodical., Originally part of a McAllister scrapbook of engravings relating to Philadelphia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department PhPr - 11x14 - Residences - Chew [(7)1322.F.13]

Title: Ledger carriers annual greeting 1862 Girard College (Philadelphia)
Description: View of Girard College at Girard Avenue facing northwest from Corinthian Avenue including Founder's Hall and the eastern and western outbuildings. Street scene in the foreground includes a streetcar drawn by a team of six horses; elegantly dressed white pedestrians strolling, including men and women couples; and an African American man leaning against a pole smoking a pipe. The college buildings, designed by Philadelphia architect Thomas Ustick Walter in the Greek Revival style, were constructed from 1833-1847. Girard College was established through a bequest from Stephen Girard, a Philadelphia financier and philanthropist, for the creation of a school for poor white male orphans., Title from item., After drawing by Augustus Kollner published as plate 9 of a series of fifty-four lithographs executed by Isidore Laurent Deroy issued as a bound volume in New York and Paris by Goupil, Vibert and Company from 1848 to 1851 under the title "Views of American Cities.", Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1861]
Location: Library Company of Philadelphia | Print Department *PhPr - Education - Girard [1883.F.182]

Title: S.P. Chase
Description: Bust-length portrait of the abolitionist, Ohio Senator, statesman, Lincoln's Secretary of the Treasury, and Chief Justice of the Supreme Court. Chase, attired in a white collared shirt, a black bowtie, waistcoat, and jacket, sit facing slightly left., Title from printed signature of sitter below image., Date inferred from the working dates of the engraver and the attire of sitter., Carpenter made professional trips to Washington, D.C. in 1855 and 1864, the latter to paint the president and his cabinet., Buttre, a New York portrait painter and engraver, worked in the city from the mid to late 19th century., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Buttre, John Chester, 1821-1893, engraver
Date: [ca. 1861]
Location: Library Company of Philadelphia | Print Department portrait prints-Chase [P.8911.221]

Title: Mount Vernon, the seat of the late Genl. Washington
Description: View of the first president's Virginia estate showing the residence and grounds near the Potomac River. Shows the house and a white gentleman standing near the entrance. On the grounds, two white women with parasols promenade, an enslaved African American man leads a horse, a white man carries a sickle and a bundle of wheat, and a dog chases another horse. In the left background, a boat sails on the river., Title from item., Date inferred from provenance and publication history., Originally published as a smaller plate in William Birch's Country Seats in the United States of North America (Philadelphia: 1804), this view was revised on a larger plate and reissued as a separate print by Birch in 1812. The popular larger 1812 plate was later republished, probably by John McAllister, around 1860., Originally part of a McAllister scrapbook of views of Virginia. McAllister Collection, gift, 1886., Reaccessioned as P.9683.5., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Seymour, Samuel, 1796-1823, engraver
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department *GC - Residences - Mt. Vernon [5737.F]

Title: Washington crossing the Delaware. Evening previous to the Battle of Trenton Decr. 25th 1776 The annual greeting of the carriers of the Philadelphia Inquirer to their patrons for 1861
Description: Commemorative print after Thomas Sully's 1819 painting "Washington's Passage of the Delaware." Depicts General Washington astride his horse atop the barren bank of the Delaware River. He tips his hat and acknowledges his troops below, who cross the river by barge. To the left of Washington, white men soldiers move a cannon. In the right are several soldiers on horseback, including Prince Whipple, enslaved African American man and bodyguard to Washington Aide, General William Whipple., Title based on item., Original painting in the collections of The Museum of Fine Arts, Boston, Massachusetts., Retrospective conversion record: original entry, edited., For a description of the original painting, see the broadside Passage of the Delaware by Thomas Sully. (LCP sm #Am 1820 Sul, 6658.F)., Accessioned 1987., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Gimbrede, Joseph Napoleon, 1820-, engraver
Date: [1861]
Location: Library Company of Philadelphia | Print Department *GC - American Revolution [P.9179.9]

Title: Proclamation of Emancipation. By the President of the United States of America
Description: Print commemorating the Emancipation Proclamation. Contains a portrait of Lincoln surrounded by American flags and a bald eagle with the text of the proclamation below. In the left are three vignettes within an ornamental border that depict the horror of Southern slavery, including enslaved African Americans working at a cotton plantation, a scene of an African American man being auctioned, and African American men being attacked by dogs. In the right are three vignettes within an ornamental border that depict the industriousness of the free North, including a scene with a large house and estate, African American children in school, and a dock with a steamboat. In the bottom is an allegorical scene contrasting the war savaged Confederacy with the prosperous Union., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1864 by R.A. Dimmick in the Clerk's Office of the District Court of the United States for the Southern District of New York., Originally part of a McAllister scrapbook. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Roberts, William, approximately 1829-, engraver
Date: 1864
Location: Library Company of Philadelphia | Print Department **GC - Emancipation [5792.F.27]

Title: Home again. [graphic] / From the original painting by J. Noel Paton.
Description: Originally part of a McAllister scrapbook of Civil War miscellanies., Genre scene showing a Civil War soldier being welcomed home by his family. The soldier, a bandage on his head, sits in his cozy parlor as his mother cries on his shoulder, his wife wraps herself around his waist, and their baby sleeps in a cradle. The soldier's gun and knapsack rest beside him against a side table.
Creator: Paton, J. Noël (Joseph Noël), Sir, 1821-1901 artist., creator
Date: [[ca. 1865]
Location: Library Company of Philadelphia Print Dept. **GC - Civil War - Soldiers [5786.F.141a]

Title: [Civil War "Victory Package" illustrated broadside insert]
Description: Title supplied by cataloguer, Originally part of a McAllister scrapbook of newspaper and song clippings., Corresponding wrapper part of the Civil War Envelope Collection. [O - M - Novelty - LCP - 10]., Wrapper insert containing 5 clothing pattern designs, 15 receipts (i.e., recipes) to aid the household, a currency table, and the text for 33 patriotic songs.
Date: [ca. 1863]
Location: Library Company of Philadelphia Print Dept. *GC - Civil War [5784.F.109]

Title: J. Sandberg with J. Simon, dealer in ready-made clothing and gent's furnishing goods, no. 429 North Second Street, East side, Philadelphia Orders promptly attended to. Quick sales. Small profits
Description: Trade card containing a vignette showing a menagerie of men's clothing, including collars, a cravat and bow tie, vest, a shoe, plaid trousers, and a coat. Imagery also includes a scissor. Sandberg is listed in city directories as a peddler 1862-1863., Scribbles in pencil on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date: [ca. 1862]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Trade cards & Blotters [P.2011.10.55]

Title: Charles Oakford & Sons in the Continental, hats, caps, and furs, wholesale and retail, 826-828 Chestnut St., Philadelphia
Description: Illustrated trade card depicting a bust portrait of Charles Oakford. Filigree surrounds the oval-shaped portrait. Charles Oakford established his hat store in 1827 and relocated to the Continental Hotel in 1860., Manuscript list on verso includes dates and prices: Nov. 22/60: $8.33; Jan. 10/61 due 21st; Jan. 28/61: due 21st [?]; March 1/61: due 21st Feb.; March 28/61: [illegible]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Creator: Steel, James W., 1799-1879, engraver
Date: [ca. 1861]
Location: Library Company of Philadelphia | Print Department trade card - Oakford [(7)1322.F.443l]

Title: G.T. Stockdale, printer, 117 South Second Street, Philadelphia
Description: Illustrated trade card depicting an American flag facing left., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department trade card - Stockdale [5786.F.9s]

Title: W. Spencer Rowland's Union lager beer saloon, No. 724 Filbert Street, Philadelphia N.B.--The best of wines, liquors, segars, &c., always on hand. Rooms free for the accommodation of meetings, parties, &c
Description: Illustrated trade card for W. Spencer Rowland's hotel and lager beer saloon depicting casks labeled "French brandy" and bottles of liquor., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1862]
Location: Library Company of Philadelphia | Print Department trade card - Rowland's [5786.F.176d]

Title: Abraham Lincoln, President of the United States signing the Emancipation Proclamation
Description: Proof of a full-length portrait of the sixteenth president, seated, near a table, in front of a bookcase, stuffed eagle, and a bust of George Washington. He holds a quill in one hand, and rests the Emancipation on the table with his other. A Bible and ink stand lie on the table., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1864, by John Dainty in the Clerk's Office of the District Court of the United States for the Eastern District of Pennsylvania., Printed lower right corner: Proof., Originally part of a McAllister scrapbook of materials related to Abraham Lincoln. McAllister Collection, gift, 1886., Created postfreeze., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Serz, John, approximately 1810-approximately 1878, engraver
Date: 1864
Location: Library Company of Philadelphia | Print Department *portrait prints - L [5792.F.84]

Title: [ Montage of caricatures satirizing Southern Democrats]
Description: Includes six captioned vignettes critically satirizing Southern democrats, copperheads, Jefferson Davis, and Andrew Johnson. Shows Democrats represented as an overseer forcing "Black Republicans" depicted as fleeing enslaved African American men, women, and children to vote their "Ticket in the South"; white men soldiers loading a cannon representing "General Grant giving the Rebel Copperhead Democrats some more grape"; Jefferson Davis fleeing in his "wife's petticoats"; "Johnson on a "Bender," after the Impeachment Trials; a skull and cross bones to symbolize that "Copperheads and Rebel Democrats are Poison"; and Johnson attired in torn and worn clothes and carrying a sack on his back as he is "Travelling for Tennessee." Several of caricatures also used as Civil War envelope designs., Title supplied by cataloger., Date inferred from content., Created postfreeze., Originally part of a McAllister scrapbook of Civil War miscellanies. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1868]
Location: Library Company of Philadelphia | Print Department political cartoons [ca. 1868] - Mon [(2)5786.F.176a]

Title: The peninsular campaign
Description: Civil War cartoon referencing George B. McClellan's failed 1862 peninsular campaign to criticize his cautious military performance as commander-in-chief of the U.S. Army and his relationship with financier August Belmont and lawyer Samuel M.L. Barlow, New York Democratic Party leaders with Southern ties. Shows McClellan holding a shovel and sitting backwards on a mule that displays a flag marked "Strategy" on its tails and that Belmont and Barlow desperately try to move past human bones and away from Richmond. He advises the men to "coax" the animal because he does not believe in force and to keep his mule's head to the rear or his plans for "conquering the Rebellion will never be developed." Belmont, with several hats layered on his head and Barlow, a paper printed "Harrisons Landing July 7, 1862" in his pocket, "hold fast" and discuss Belmont's European ties and a letter written by Barlow on McClellan's behalf for the president that will be signed and sent following the general's "change of base.", Originally part of a McAllister scrapbook of materials related to George McClellan and Abraham Lincoln., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1862]
Location: Library Company of Philadelphia | Print Department political cartoons - 1862 Pen [5793.F.7b]

Title: [E. & H.T. Anthony trade cards]
Description: Series of illustrated trade cards containing patriotic vignettes. Images include eagles clutching olive branches, arrows, and shields in their talons and a woman, possibly Liberty, clothed in robes. Pictorial details also include an "E plurubus unum" banner., Title supplied by cataloger., Prints (2)5786.F.117d, g-h printed in blue ink on green paper and envelope (2)5786.F.117j printed in green ink on blue paper., Advertising text printed on rectos for E. & H.T. Anthony, 501 Broadway - New York (3 doors from St. Nicholas Hotel), manufacturer, publisher, and importer of photographic materials, carte de visite photographs, stereoscopic views, and card portraits of eminent persons., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized., Edward and Henry Tiebout Anthony operated one of the largest photographic manufacturing and distribution businesses in the United States in the second half of the nineteenth century.
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department trade card - Anthony [(2)5786.F.117d, g-h, j; P.9631.1]

Title: The bridal dance
Description: Engraving depicts a fictional episode from Chapter IV, "Christmas." The scene takes place on Fairfax Plantation on Christmas day. The newly married couple, Jim and July, dance merrily to the music of fiddles, banjos, and tamborines, while other slaves look on. The pair are still dressed in their wedding attire: July is described as "resplendent in a white dress, white cotton gloves, a string of mock-pearls about her neck, and a wreath of silver flowers about her head," while Jim wears "a gorgeous waistcoat, had a sprig of flowers in the button-hole of his coat, and also sported white cotton gloves." According to the text, a bonfire provided the illumination for these festivities, which grew gayer as evening turned into night., Illustration in Metta Victoria Fuller Victor's Maum Guinea, and her plantation "children" (London: Beadle and Company,44 Paternoster Row; New York: Beadle and Company, 141 William Street, 1861), p. 46., Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: N. Orr & Co., engraver
Date: [1861]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1861 Victo 70421.O p 46, https://digital.librarycompany.org/islandora/object/Islandora%3A2808

Title: Emancipated slaves
Description: From left to right, the group portrait shows: Wilson Chinn, a man of about sixty, whose forehead was branded with the initials V.B.M.; Charles Taylor, an eight year-old boy identified in the accompanying text as white; August Broujey, a nine year-old girl whose mother was "almost white;" Mary Johnson, an adult woman; Isaac Watts, a black boy of nine; Rebecca Huger, an eleven year-old, who "to all appearance . . . is perfectly white;" the Reverend Robert Whitehead, an ordained preacher; and Rosina Downs, a "fair child" of "not quite seven years." In addition to the group portrait, cartes de visite of the individual sitters were made. As the accompanying text explains, both could be purchased through the New York-based National Freeman's Relief Association; the proceeds went to support Louisiana schools., Full-page illustration in Harper's Weekly (New York: Harper & Brothers, 1864), vol. 8, no. 370 (January 30, 1864), p. 69., Small caption underneath the image reads: "Emancipated slaves, white and colored. -- The children are from the schools established in New Orleans, by order of Major-General Banes.", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [January 1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare **Per H 1529.F v 8 n 370 Jan 30 1864 p 69, https://digital.librarycompany.org/islandora/object/Islandora%3A2878

Title: Harvest in Wanyamézi
Description: Illustration included in Chapter V, "Unyamuezi." Unyamuezi [i.e., Unyamwezi] was one of the largest kingdoms in East Africa; its people are called Wanyamezi. As the title suggests, the engraving shows a Wanyamezi harvest in 1861. Corn, which grew abundantly on the richly cultivated land, is shown at the top. In the center, four men thrash the corn with long-handled paddles. At the bottom, women are shown cutting, separating, and grinding the corn., Illustration in John Hanning Speke's Journal of the Discovery of the Source of the Nile (New York: Harper & Brothers, 1864), p. 129., According to a note on the title-page, the book's illustrations are "chiefly from drawings by Captain Grant.", Caption reads: "1, 2, 3, 4. Grain. Maize, etc., stacked for the season. 5. Men with long rackets thrashing Kafir corn (sorghum). 6. Woman in the field cutting "sorghum" with a knife, and depositing it in a basket. 7. Women separating the corn from the chaff by means of a wooden pestle and mortar. 8. Woman grinding corn upon a single slab of stone.", Fels Afro-Americana Image Project, Work Scenes.
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1864 Speke 15863.O p 129, https://digital.librarycompany.org/islandora/object/Islandora%3A2810

Title: Fan blacksmiths
Description: From 1855-59, Paul B. Du Chaillu (Paul Belloni), a French-American explorer, led an expedition through Gabon, which was supported by the Philadelphia Academy of Natural Scienes. Du Chaillu's observations were published in Explorations & Adventures in Equatorial Africa (1861). This engraving is set in a village inhabited by the Fan peoples, who settled in the area around the Gabon River. It shows two Fan blacksmith working over a small fire. "As blacksmiths," Du Chaillu wrote, "they very far surpass all the tribes of this region who have not come in contact with whites. Their war-like habits have made iron a most necessary article to them; and though their tools are very simple, their patience is great, and, as the reader will perceive from the pictures of their arms, they produce some very neat workmanship." (p. 91) Describing the scene shown in the engraving, Du Chaillu continued, "The forge is set up anywhere where a fire can be built. They have invented a singular bellows, composed of two short, hollowed cylinders of wood, surmounted by skins accurately fitted on, and having an appropriate valve and a wooden handle. The bellows-man sits down, and moves these coverings up and down with great rapidity, and the air is led through small wooden pipes into an iron joint which emerges in the fire. The anvil is a solid piece of iron of the shape seen in the illustration. The sharp end is stuck into the ground, and the blacksmith sits alongside of his anvil and beats iron with a singular hammer, which is simply a piece of iron weighing three to six pounds, and in shape of a truncated cone. It has no handle, but is held by the smaller end, and, of course, the blows require much more strength." (p. 91-92), Illustration in Paul B. Du Chaillu's Explorations & adventures in equatorial Africa: With accounts of the manners and customs of the people, and the chace of the gorilla, crocodile, leopard, elephant, hippopotamus, and other animals (London: John Murray, Albemarle Street, 1861), p. 91., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
Date: [1861]
Location: Library Company of Philadelphia | Books & Other Texts | Rare U Afri Du Chail 15232.O p 91, https://digital.librarycompany.org/islandora/object/Islandora%3A2901

Title: Slave barracoons -- burial-ground
Description: Illustration depicts an episode that Du Chaillu witnessed during his stay in Cape Lopez (in the modern country of Gabon). As he wrote, "During my stay in the village, as I was one day out shooting birds in a grove not far from my house, I saw a procession of slaves coming from one of the barracoons toward the farther end of my grove. As the came nearer, I saw that two gangs of six slaves each, all chained about the neck, were carrying a burden between them, which I knew presently to be the corpse of another slave. They bore it to the edge of the grove, about three hundred yards from my house, and, throwing it down there on the bare ground, they returned to their prison, accompanied by the overseer, who, with his whip, had marched behind them." (p. 115), Plate in Paul Du Chaillu's Stories of the Gorilla Country: Narrated for Young People (New York: Harper & Brothers, publishers, Franklin Square, 1868), p. 108., Fels Afro-Americana Image Project, Scenes from Slave Life.
Date: [1868]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1868 Du Chail 17468.D p 108, https://digital.librarycompany.org/islandora/object/Islandora%3A2819

Title: The Salt River gazette---extra, Wednesday, Oct. 9, 1867 The Great Negro Party--born, 1856--died Oct. 8, 1867
Description: Cartoon publicizing the death of the "Great Negro Party" (i.e., Republican Party) as a result of the defeat of several Republican candidates to Democrats in the Philadelphia local elections of 1867. Depicts a series of racist captioned vignettes and caricatures. Includes the head of an African American man above a coffin inscribed with the life and death dates of the party (1856-Oct. 8, 1867); “a Scene at the Broad St. League House” depicting a white man minister forced to perform an interracial marriage between a white woman and an African American man; and a scene entitled "The Work of Congress repudiated by the People" showing an African American man lounging and watching white men labor to pay their taxes. Also includes an African American man dandy commenting in the vernacular on his making electors sick "dis time"; and a scene titled "Statue to be erected in front of the Union League House" showing the sculpture of an older African American woman on a ragged horse. The African American dandy caricature originally appeared as an illustration titled "S.S. Sanford in One of his Great Delineations of Ethiopian Character" in "Our Day," an 1860 circular that advertised his Sanford Opera House. The statue caricature originally appeared in the "Original Comicalities" section of the June 1854 edition of "Graham's Magazine" and was titled "Woolly Equestrian Statue of the late Mrs. Joyce Heth." Mrs. Heth, an early attraction of P.T. Barnum from 1835 until 1836, claimed that she was over 100 years old and a nanny to George Washington., Title from item., Date inferred from content., Originally part of McAllister scrapbooks of views of Philadelphia and Pennsylvania views and political miscellany. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1867]
Location: Library Company of Philadelphia | Print Department political cartoons - 1867-1W [5759.F; (2)1322.F.77]

Title: Marriage of Tom Thumb
Description: Series of six cartes-de-visite size engravings of portraits and scenes from the February 10, 1863 New York City marriage of P.T. Barnum's Little People entertainers Charles Stratton, known as Tom Thumb, and Lavinia Warren. Includes: the ceremony; the couple; the attendants, fellow Little People entertainers Commodore Nutt, and Lavinia's sister, Minnie Warren; the "Reception"; the following morning "At Home" with the seated couple attended by an African American man servant, attired in a white collared shirt, a black bowtie, a gray waistcoat, and a black suit jacket and pants, who carries a tray; and a "Promenade" down Broadway. The wedding, paid for and heavily promoted by Barnum, attracted the social and political elite of New York., Title from series title., Date inferred from content., Series numbers and captions handwritten on verso., Manuscript note on recto of five of the series: Mr. & Mrs. Stratton., Possibly after Mathew B. Brady., Originally part of a McAllister scrapbook of portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Thumb [5750.F.59a-e;(2)5750.F.169f]

Title: Soldiers Home in the city of Philadelphia. This certifies that [Charles Macalester] having contributed the sum of [fifty] dollars is constituted a [life] member of the Soldiers Home. Philada
Description: Certificate containing an allegorical scene depicting a central, winged female figure, seated, and surrounded by wounded soldiers and other female figures. The central figure has long, dark hair, adorned with a headband, and is attired in a toga with a drape-like shawl. Her arms are outstretched to her sides. Celestial light frames her head. In her left hand, she holds an olive branch. Broken shackles adorn her right wrist. In her lap, a loose scales of justice rests atop a sword. At her feet, a pair of white and African American soldiers and sailors sits and lies. In the left, the white soldier, a bandage on his arm, sits on a bound volume, near a canteen, and in front of the seated African American soldier. The latter wears a bandage on his head and rests the right side of his head on his right hand. The white soldier holds up a sheet of paper inscribed "Honorable Discharge" to the winged figure. The white sailor sits across from the white soldier. His head and left arm are bandaged and crutches rest by his side. He extends his right hand and holds his cap out to the winged figure. The African American sailor, prone, and partially visible behind him, does the same. American flags, on their sides and their upper poles adorned with wreaths of garland, rest among the soldiers and sailors. Four allegorical female figures, two and two, flank the central figure. To her left, one holds a basket of bounty as the other (behind her) tosses wreathes of garland. To her right, one holds a pocket watch as the other (behind her) shoots lightning from her hand. In the left background, wreathes rain upon soldiers, some in bandages, who march and carry American flags. In the right background, lightning bolts strike an ironclad ship on open waters., The soldiers home chartered in 1862, opened in December 1863, and incorporated in 1864 was an outgrowth of the relief organization, the Cooper Shop Volunteer Refreshment Saloon. The founding relief organization provided hospital care, washing, sleeping, and writing facilities to military personnel, sailors, refugees, and free people during the war. The Soldiers Home was chartered with the mission of "the providing of a temporary or permanent Home for all persons who, while in the military service of the United States of America, either upon land or sea, shall become disable from wounds, or from sickness, so that they are unable to perform the ordinary avocations of life." The Soldiers Home operated until 1889 when the Board of Managers dissolved itself and turned the home over to the Military Order of the Loyal Legion of the United States., Title from item, Date inferred from year organization was chartered., Completed in manuscript on January 1, 1866 and signed by E. S. Hall, Secretary; Ellerslie Wallace, President; and Wm. Struthers, Treasurer., Charles Macalester was a Philadelphia financier and philanthropist. Macalester College is named for him., Gift of David Doret, 2002., For a history of the Home, including the process to transfer administration of the home to the Loyal Legion, see Ferdinand Sermiento, ed., Historical Sketch of the Soldiers' Home ... (1886) [Am 1886 Phi Sol Hom 24755.O]., Description revised 2021., Access points revised 2021.
Creator: Sartain, John, 1808-1897, engraver
Date: [ca. 1862]
Location: Library Company of Philadelphia | Print Department Philadelphia certificates - Organizations - Soldiers [P.2002.40.1]

Title: Turning the tables on the overseer
Description: Abolitionist print depicting a group of enslaved African American people about to whip their white plantation overseer, who has been bound to a tree on the plantation grounds. Before the plantation overseer, the African American man holds the whip and pulls up his sleeve as the enslaved man next to him takes of his hat in a mock gesture of respect. Smiling men, women, and children of all ages stand, sit, and lean on a fence, surrounding the overseer in anticipation of his whipping., Title from item., First published in New York Illustrated news, November 28, 1863 (LCP **Per D 8.5, 1863). Later published as a loose print by the African American press, Robert and Thomas Hamilton, possibly the first Black press to publish separate prints., LCP exhibition catalogue: African American Miscellany p. 38., Originally part of a McAllister scrapbook of Civil War caricatures and photographs. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1863]
Location: Library Company of Philadelphia | Print Department *GC-Slavery [5780.F]

Title: Emancipation
Description: Emancipation print depicting a series of scenes contrasting African American life during and after slavery. Central scene portrays the interior of a free person's home where several generations of the family socialize around a "Union" stove as the mother cooks. Below this scene is a portrait of Lincoln and above it a depiction of Thomas Crawford's statue of freedom, as well as the hell hound Cerberus fleeing Liberty. Scenes to the right display the horrors of slavery including the flogging, branding, selling, and capturing of enslaved people. Scenes to the left display the forthcoming results of freedom including the exterior of a free person's cottage, African American children attending public school, and African Americans receiving payment for their work., Title from item., Date from copyright statement: Entered according to Act of Congress, in the year 1865, by J.W. Umpehent, in the Clerk's Office of the District Court of the United States, for the Eastern District of Pennsylvania., Originally published in Harper's weekly, January 24, 1863., McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Nast was a cartoonist and illustrator most known for his work for the 19th-century periodical "Harper's Weekly."
Creator: Nast, Thomas, 1840-1902, artist
Date: 1865
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1865-3R [5792.F]

Title: Civil War certificates containing patriotic designs. [graphic].
Description: Two of the certificates contain manuscript notes about prices., Originally part of a McAllister scrapbook of Civil War miscellanies., Includes military enlistment certificates, a hospital discharge certificate, and a certificate of donation printed by Philadelphia printers King & Baird and Mclaughlin Brothers. Designs depict soldiers, the figure of Liberty, and the Constitution. Companies include Pennsylvania Volunteers; Philadelphia Fire Zouaves (72nd Regiment, P.V.); the 119th Regiment, P.V.; and First Regiment Reserve Brigade, P.V. Other organizations include Church of the Evangelists and Chesapeake General Hospital.
Date: 1861-ca. 1863.
Location: Library Company of Philadelphia Print Dept. Philadelphia certificates - Civil War [5786.F.65e&f;77b;128b&c;180a]

Title: S.P. Chase Likeness from a recent photograph from life
Description: Full-length portrait of the antislavery leader, Ohio Senator, statesman, Lincoln's Secretary of the Treasury, and Chief Justice of the Supreme Court, seated by a writing table in front of a heavily decorated fireplace and mantle., Title from printed signature of sitter below image., Published in Evert Duyckinck's National portrait gallery of eminent americans:...(New York: Johnson, Fry & Co., 1861-1864), vol. 2, p. 320. (LCP Uz 3, 3333.Q)., Chappel painted a majority of the portraits published as engravings in biographer Evert Duyckinck's, "Portrait Galleries," of the 1860s and 1870s. He often copied the subjects' faces from photographic portraits and placed them on generic bodies in more decorative surroundings than the original photograph., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: c1863
Location: Library Company of Philadelphia | Print Department portrait prints - Chase [P.8911.228]

Title: H.G. Clagston, 806 Chestnut Street, Philadelphia, manufacturer of military and naval goods Corps badges- - - Army of the Potomac
Description: Advertisement containing 18 red, white, and blue specimens of corps badges for the 1st, 2d, and 3d Divisions of the 1st, 2d, 3d, 5th, 6th, and 12th Corps. Also contains a decorative border and advertising text promoting new designs and bargain presentation swords., Originally part of a McAllister scrapbook of Civil War miscellanies.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department Ph Pr - 11x14 - Advertisements - H [(2)5786.F.1a]

Title: [Illustrated checks and lettersheet of Lanman & Kemp, wholesale druggists, 69, 71 and 73 Water St., New York]
Description: Graphics include allegorical vignette illustration showing a female figure, reclined against a hearth and surrounded by druggists apparatus and equipment (including a mortar and pestle and distillery), and a medallion type ornament marked "Two Cents United States Internal Revenue." The firm originally established by Robert J. Murray in 1808 was reincorporated as Lanman & Kemp in 1861., P.2011.46.184 numbered No. 12, 370; and dated July 7, 1868; pay to Stein Marcus[?], $236.50; drawn on the Bank of New York, and signed by Jno. J. McLaran, Edward Kemp. Endorsed on verso: For Deposit Chat. Nat. Bank. Harro Marcus., P.2011.46.185 completed in manuscript on February 26, 1869 to Mess. C. Schrack & Co., Philada. from Lanman & Kemp Livingston requesting a "remittance for our invoice Jan 29 $459 37/100 will oblige. Inscribed lower left: 9 97 [+] 46 [=] 59 82 [+] 39 88 [=] 458 62., P.2011.46.186 numbered No. 119; and dated May 10, 1873; pay to Gridley Hoffer, $164. 81, drawn on the Merchants National Bank, and signed by Lanman & Kemp. Endorsed on verso: Gridley Hoffer., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand., C. Schrack & Co. were Philadelphia varnish and color manufacturers and importers and dealers in printers’ materials.
Date: [ca. 1860-1873]
Location: Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - L [P.2011.46.184-186]

Title: Civil War Illustrations. 1859-1865 (inclusive)
Description: The collection consists of illustrations, primarily wood and line engravings, which were cut from serials published in Philadelphia and New York, such as Harper's Weekly, Frank Leslie's Illustrated Newspaper, the New York Picayune, and The Phunny Phellow; very few of the pieces have dates, source citations or explanatory text beyond the published captions. Included are camp and battle scenes, basic maps meant to help readers understand military strategies, and caricature portraits of generals and politicians. The material was formerly housed in two folio scrapbooks (one for each of the existing series) but was not arranged in any chronological or subject order within the albums. Most of the illustrations remain fixed to the album pages, which have been disbound, foldered and boxed. Material absent from the pages has been incorporated into the Library Company's print department and cataloged separately., Some parts of this collection were previously assigned accession numbers 5779.F and 5780.F., John A. McAllister was an antiquarian collector living in Philadelphia.
Creator: McAllister, John A. (John Allister), 1822-1896, collector
Date: 1880
Location: Library Company of Philadelphia | Books & Other Texts MSS McA 5779.F

Title: [X stands for cross]
Description: Image is accompanied by a verse, which begins as follows: "X Stands for Cross. By the lusts of the flesh / Men open the wounds of the Saviour afresh, /." In the foreground of a wooded landscape, an overseer / slaveowner flogs the back of a male slave whose wrists are shackled and chained to a tree trunk. On a hill in the background, a Christ-figure hangs on a cross., Illustration in Abel C. Thomas's Gospel of Slavery (New York: Published by T.W. Strong, 1864), n.p., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1864 Thoma 50969.D vignette X, https://digital.librarycompany.org/islandora/object/Islandora%3A2818

Title: [W stands for woman]
Description: Image is accompanied by a verse, which begins as follows: "W Stands for Woman. In Slavery-life, / Full many are mothers, but no one is wife./." The presence of an auctioneer in the background suggests that the setting is a slave auction. In the foreground, a slaveowner whips the bare back of a female slave. The woman kneels on the ground; her hands are raised over her head, and her wrists are fastened to a post. To the right, another slaveowner leads away a small child, presumably that of the woman., Illustration in Abel C. Thomas's Gospel of Slavery (New York: Published by T.W. Strong, 1864), n.p., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1864 Thoma 50969.D vignette W, https://digital.librarycompany.org/islandora/object/Islandora%3A2817

Title: Flogging the Negro
Description: According to this account, the engraving shows a court-ordered public flogging that took place in Lexington, Missouri in 1856. The slave's offense was defending his wife (seen on the ground to the left) from an abusive blacksmith. In response, the court ruled that the slave was to receive 1,000 lashes. These were to be administered by three citizens, including the blacksmith, who was allowed to initiate the punishment. Here, the blacksmith flogs the slave with a paddle, while two other men (seen to the left and right) crack their whips. A small black girl prays at the feet of the flogged slave; others look on., Illustration in the Suppressed Book about Slavery! (New York: Carleton, 1864), p. 240., Fels Afro-Americana Image Project, Anti-Slavery Imagery.
Creator: Van Ingen & Snyder, engraver
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1864 Suppr 15191.D p 240, https://digital.librarycompany.org/islandora/object/Islandora%3A2811

Title: Brig. Gen. Edw. A. Wild
Description: Bust-length, front facing portrait of Wild attired in Union uniform. Served in the Union Army during the Civil War achieving the rank of Brigadier General. He commanded several African American brigades., Title from item., Published in Frank Moore, ed. Rebellion record (New York: D. van Nostrand, 1867) vol. 10, opp. p. 450. (LCP Per R 15), Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator: Ritchie, Alexander Hay, 1822-1895, engraver
Date: [1867]
Location: Library Company of Philadelphia | Print Department Portrait prints - W [P.8911.1048]

Title: Portrait of Abraham Lincoln, President elect of the United States of America, with scenes and incidents in his life
Description: Periodical illustration containing a central bust-length, profile portrait of a beardless Lincoln and a decorative border comprised of vignettes representative of the 16th president's life. Also contains the text, "President Elect Abraham Lincoln," and the image of a rail, ax, and chain below the portrait., Title from item., Clippings pasted on verso., Published in Frank Leslie's Illustrated newspaper (v. 11, no. 276), March 9, 1861, p. 247-248., Vignette captions: Lincoln's father killed by the Indians; Cap. Abr. Lincoln in the Black Hawk War; Law office; Springfield Capitol; Lincoln cropping corn in Indiana for Mr. Crawford; Lincoln splitting rails for Mr. Crawford; and Lincoln's residence., Originally from a McAllister scrapbook of Lincoln materials. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [March 9, 1861]
Location: Library Company of Philadelphia | Print Department **portrait prints- L [5792.F.16]

Title: Philadelphia, western & southern trade journal. Illustrated supplement Devoted to the commercial and manufacturing interests of Philadelphia
Description: Advertisement supplement containing 23 titled vignettes depicting and promoting prominent landmarks and businesses within Philadelphia. Landmarks include the State House; Girard College; U.S. Mint at Chestnut and Juniper streets; Merchants' Exchange; Chamber of Commerce at Dock and Walnut streets; Custom House at 420 Chestnut Street; Carpenters' Hall; the Navy Yard at Southwark; and Fairmount Water Works. Businesses include George W. Plumly, paper box manufacturer; Harrison, Havemeyer & Co.'s Franklin Steam Sugar Refinery; R. & G.A. Wright, manufacturers of fine perfumery; F. Gutekunst, photographer; Brooke, Colket & Co., commission merchants; McKeone VanHaagen & Co. Soap Works; Henry Disston's Keystone Saw, Tool & Steel works; Seyfert, McManus & Co.'s Reading Iron Works; Charles Magarge & Co., dealers in paper; Howsons' United States & Foreign Patent Offices; Wilson, Childs & Co., Philadelphia Plantation & Road Wagon Works; Dohan & Taitt, tobacco commission merchants; Lafourcades Brothers & Irwin, importers of cloths, cassimeres & vestings; and Lockwood's Paper Collar Factory. Also contains several passages of text recounting the history of the city and describing the depicted landmarks., Title from item., Various delineators and engravers, including Van Ingen & Snyder, Matthias Reiff Longacre, and Lauderbach & Schell., Accessioned 1992., Description revised 2021., Access points revised 2021., Retrospective conversion record: original entry, edited., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1868]
Location: Library Company of Philadelphia | Print Department ***Ph Pr - Government Buildings [P.9384a-w]

Title: R. & G.A. Wright. Manufacturers of fine perfumery &c. 624 Chestnut Street, Philadelphia, Pa
Description: Exterior view of the storefront of the perfumery established in 1860. Building is adorned with an American flag. Also shows street and pedestrian traffic, including: clusters of men, women, and children pedestrians walking on the sidewalk; a horse-drawn carriage traveling down the street; and an African American paper boy running among the crowds., Vignette in the Philadelphia, western & southern trade journal. Illustrated supplement. (P.9384a-w), Accessioned 1992., Description revised 2021., Access points revised 2021., Retrospective conversion record: original entry, edited., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Van Ingen & Snyder, a partnership between William H. Van Ingen and Henry M. Snyder, was active from about 1853 until 1871.
Creator: Van Ingen & Snyder, engraver
Date: [ca. 1868]
Location: Library Company of Philadelphia | Print Department ***Ph Pr - Government Buildings [P.9384l]

Title: Benj. F. Butler Likeness from the latest photograph from life
Description: Full-length portrait of the Massachusetts governor, abolitionist legislator, and Civil War Major General. Butler, attired in his military uniform with a sword, sits beside a table covered in a patterned cloth. There are papers on the table and strewn on the floor. Butler, while commander at Fort Monroe, Virginia, declared African American freedom seekers as "contraband of war," providing the impetus for Congress to enact the Confiscation Act of 1861., Title from printed signature of sitter below image., Published in Evert Duyckinck's National portrait gallery of eminent Americans:...(New York: Johnson, Fry & Company, 1861-1864), p. 423. (LCP Uz 3, 3333.Q)., During the Civil War, the U.S. government declared African American freedom seekers as "contraband of war.", Chappel painted a majority of the portraits published as engravings in biographer Evert Duyckinck's, "Portraits Galleries," of the 1860s and 1870s. He often copied the subject's faces from photographic portraits and placed them on generic bodies that he situated in more decorative surroundings than the original photograph., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1863]
Location: Library Company of Philadelphia | Print Department portrait prints - Butler [P.8911.128]

Title: William H. Seward Likeness from the latest photograph from life
Description: Full-length, right profile portrait of the abolitionist politician, Secretary of State under Lincoln, New York senator and governor. Seward, attired in a white collared shirt, a black bowtie, waistcoat, jacket, pants, and shoes, sits on a wooden chair near a table covered with stacked papers and books. An ottoman is beside his feet, papers are strewn on the floor, and a draped column is visible in the background., Title from printed signature of sitter below image., Date from copyright statement., Published in Evert Duyckinck's National portrait gallery of eminent Americans:...(New York: Johnson, Fry & Co., 1861-1864), vol. II, p. 280., Chappel painted a majority of the portraits published as engravings in biographer Evert Duyckick's, "Portrait Galleries," of the 1860s and 1870s. He often copied the subjects' faces from photographic portraits and placed them on generic bodies in more decorative surroundings than the original photograph., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1862
Location: Library Company of Philadelphia | Print Department portrait prints-S [P.8911.874]

Title: William H. Seward Likeness from the latest photograph from life
Description: Full-length, right profile portrait of the abolitionist politician, Secretary of State under Lincoln, New York senator and governor. Seward, attired in a white collared shirt, a black bowtie, waistcoat, jacket, pants, and shoes, sits on a wooden chair near a table covered with stacked papers and books. An ottoman is beside his feet, papers are strewn on the floor, and a draped column is visible in the background., Title from printed signature of sitter below image., Published in Evert Duyckinck's National portrait gallery of eminent Americans:...(New York: Johnson, Fry & Co., 1861-1864), vol. II, p. 280., Publication information from duplicate print., Chappel painted a majority of the portraits published as engravings in biographer Evert Duyckick's, "Portrait Galleries," of the 1860s and 1870s. He often copied the subjects' faces from photographic portraits and placed them on generic bodies in more decorative surroundings than the original photograph., Accessioned 1893., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1862]
Location: Library Company of Philadelphia | Print Department Portrait Prints-S [5657.F.39a]

Title: S.P. Chase Likeness from a recent photograph from life
Description: Full-length portrait of the abolitionist leader, Ohio Senator, statesman, Lincoln's Secretary of the Treasury, and Chief Justice of the Supreme Court. Chase, attired in a white collared shirt, a black bowtie, a black jacket, pants, and shoes, sits at a writing desk with a pen in his hand. In the left is a footstool covered in papers. In the background is a decorated fireplace and mantle., Title from printed signature of sitter below image., Published in Evert Duyckinck's National portrait gallery of eminent Americans:...(New York: Johnson, Fry & Co., 1861-1864), vol. 2, p. 320., Publication information from a duplicate print., Chappel painted a majority of the portraits published as engravings in biographer Evert Duyckinck's "Portrait Galleries" of the 1860s and 1870s. He often copied the subjects' faces from photographic portraits and placed them on generic bodies in more decorative surroundings than the original photograph., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1863]
Location: Library Company of Philadelphia | Print Department portrait prints-Chase [P.8911.222]

Title: African Americana Civil War envelope collection
Description: Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-1865
Location: Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]

Title: African Americana Civil War envelope collection
Description: Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-1865
Location: Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]

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