View showing a couple seated in the foreground on a landscaped, tree-lined path on the grounds of Lemon Hill estate. Other visitors are visible strolling the grounds in the background., Title from printed label on verso., Photographer's imprint in red text on mount., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Retrospective conversion record: original entry, edited.
Creator
Cremer, James, 1821-1893
Date
[ca. 1870]
Location
Library Company of Philadelphia | Print Department stereo - Cremer - Parks [P.9260.27]
Interior view showing the altar of the Baptist church built 1856 after the designs of Stephen Decatur Button at the northwest corner of Broad and Arch streets. Also shows the pastor at the pulpit; the organ gallery; and five men seated and standing next to the pews., Publication information from duplicate., Title printed on mount., Paper backing pasted on verso., Yellow paper mount with square corners., Duplicate of (4)1322.F.5a., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., McAllister & Brother, opticians, a partnership between brothers William Y., John A., and Thomas H. McAllister, was active 1853-1865.
Creator
McAllister & Brother
Date
[May 1861, c1861]
Location
Library Company of Philadelphia | Print Department stereo - McAllister & Bro. - Religion [(4)1322.F.5c]
View looking east from below Eighth Street showing the Masonic Hall at 713-721 Chestnut. The hall, built 1853-1855 after the designs of Sloan & Stewart, was razed by fire in 1886. Shows adjacent businesses, including: Marxsen & Witte, china and glass (713 Chestnut); James E. Brown, trunk manufacturer, (708 Chestnut); Crittenden's Philadelphia Commercial College (7th and Chestnut); Charles Dumming & Co., musical instruments (633 Chestnut); Farrel & Herring, fire-proof safe manufacturers (629 Chestnut); and a cafe. Also includes a view of signs advertising Willis P. Hazard, bookseller and publisher (724 Chestnut) and L. Feigle, millinery (722 Chestnut). Several pedestrians walk on the sidewalks and horse-drawn carriages and wagons travel the streets., Title from accompanying photographer's label., Yellow mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Newell, Robert, 1822-1897
Date
[ca. 1863]
Location
Library Company of Philadelphia | Print Department stereo - Newell - Associations [(8)1322.F.25g]
View looking east from the U.S. Custom House at 420 Chestnut Street. Shows the tobacco store of M.B. Dean (413 Chestnut) and partial views of the Philadelphia National Bank building (419 Chestnut) and the Philadelphia Bank Building (400-408 Chestnut, built 1836). Also shows adjacent businesses; horse-drawn carts and carriages traveling and lining the street; and flags adorning several of the buildings., Yellow mount with square corners., Title from accompanying photographer's label., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Newell, Robert, 1822-1897
Date
April 1865
Location
Library Company of Philadelphia | Print Department stereo - Newell - Streets [(8)1322.F.23b]
Interior views showing the altar of the Protestant Episcopal church built 1859-1860 after the designs of Stephen P. Rush at Spring Garden Street below Broad Street. Altar includes ornately embellished chairs and cloth adorned with the declaration "Our Lord Our Righteousness"., Title printed on mount., Pale yellow paper mount with square corners., Paper backing pasted on verso., Publication information from duplicate [1322.F.75a]., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., McAllister & Brother, opticians, a partnership between brothers William Y., John A., and Thomas H. McAllister, was active 1853-1865.
Creator
McAllister & Brother
Date
[April 1861, c1861]
Location
Library Company of Philadelphia | Print Department stereo - McAllister & Bro. - Religion [(4)1322.F.75a ; (4)1322.F.76a]
Interior views showing the altar of the Protestant Episcopal church built 1859-1860 after the designs of Stephen P. Rush at Spring Garden Street below Broad Street. Altar includes ornately embellished chairs and cloth adorned with the declaration "Our Lord Our Righteousness"., Title printed on mount., Pale yellow paper mount with square corners., Paper backing pasted on verso., Publication information from duplicate [1322.F.75a]., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., McAllister & Brother, opticians, a partnership between brothers William Y., John A., and Thomas H. McAllister, was active 1853-1865.
Creator
McAllister & Brother
Date
[April 1861, c1861]
Location
Library Company of Philadelphia | Print Department stereo - McAllister & Bro. - Religion [(4)1322.F.75a ; (4)1322.F.76a]
Cartoon critical of Great Britain's lack of support of the Union depicting the country as a greedy, pompous, and disingenuous child. Depicts a smiling, well-dressed, plump lad partaking of a lavish table of food in front of an emaciated, begging dog on an outside patio near the ocean. In the background, an American ship sails near the shore and displays a banner labeled, "Coal?" On the shore, near a row of cannons and a pile of coal, soldiers display a British flag labeled "No!", Date of publication supplied by Weitenkampf., Publisher's imprint stamped below title., Retrospective conversion record: original entry, edited., Digitized by Alexander Street Press for Images of the American Civil War.
Date
[between 1862 and 1864]
Location
Library Company of Philadelphia | Print Department political cartoons - 1862-30W [6392.F]
Three-quarter length portrait of the president and author of the Emancipation Proclamation of 1863 after the Cooper Union portrait made by New York photographer, Mathew Brady, in February 1859. A clean-shaven Lincoln, attired in a white collared shirt, a black bowtie, and a black suit with a black waistcoat, stands beside a table covered in a red cloth. He rests his left hand on a stack of books on the table. In the background is a window that has a red curtain pinned back to the right revealing a landscape of trees., Title from item., Printed below title: No. 29., Published in Frank Leslie's Illustrated weekly, October 1860., Accessioned 1998., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[1860]
Location
Library Company of Philadelphia | Print Department *Portrait prints-L [P.9614]
Series of titled landscape views include, "View on Broadhead's Creek," "Little Bushkill Creek, above the Falls," "Buttermilk Falls," "Buttermilk Falls, vicinity of Delaware Water Gap, Pennsylvania," "Caldeno Falls," "Delaware River, from Prospect Rock," "The Gap, Blockhead Mountain," "The Gap, from the bed of the river," "Gap, from Table Rock, Delaware Water Gap, Pennsylvania," "Marshall's Falls, Marshall's Creek," and "Mossy dell". Images depict tree-lined creeks, waterfalls, rocks, dams, a mossy dell and a snake in the Delaware Water Gap. Many of the views contain posed male figures, possibly John Moran and John Storey., Titles printed on labels pasted on versos., Photographer's labels pasted on versos., Imprint of distributor, Johnson & D'Utassy, photographers, printed on verso of two items in series: 952, 954, 956 Broadway, New York, corner Madison Square, opposite Fifth Avenue Hotel, and Kittatinny House, Delaware Water Gap, Pa. All branches of the photographic art executed in the most skillful manner and with despatch. Photographs colored in oil or water colors or india ink. N.B. A large and choice collection of stereoscopic views, taken from nature, on hand. John H. Johnson. Fred. George D'Utassy., Imprint of distributor, J.W. Queen & Co., 924 Chestnut Street, stamped on verso of one items in series., Buff and yellow mounts with square and rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Moran and Storey was a short-lived partnership between Philadelphia photographers John Moran and John Storey in the early 1860s.
Creator
Moran & Storey
Date
[ca. 1863]
Location
Library Company of Philadelphia | Print Department stereo - Moran & Storey - Views [8248.F.2-4; 8248.F.12; 8353.F.29; P. 2002.4.2; P.8771; P.8899; P.8982; P.9009.3; P.9079.7; P.9168.5; P.9462.21; P.9466.11-13]
Genre print depicting the Philadelphia Athletics and the Brooklyn Atlantics during a game in the Athletics field at Fifteenth Street and Columbia Avenue. The Brooklyn Atlantics are in the outfield, and an Athletics player positions himself to receive a pitch. In the foreground, two men sit at a table on the sidelines, three sit on chairs and other spectators watch the game, engage in fights, or keep score. In the left background, a low stand crowded with spectators is visible. The park is fenced and surrounded by trees. The names of each player and the umpire, and inning scores are included near the title. Formed in 1860 by James N. Kerns, the Philadelphia Athletics helped establish the National Association of Professional Baseball Players (NA) in 1871., Not in Wainwright., Philadelphia on Stone, Smithsonian Institution NMAH H&CL - Harry T. Peters America on Stone Collection [DL *60.2809]
Creator
Magee, John L., artist
Date
c1867
Location
Smithsonian Institution | NMAH Home and Community Life Collection SI NMAH H&CL - Harry T. Peters America on Stone Collection [DL *60.2809]
Exterior view showing storefront at 1601 Market Street. Also depicts adjoining businesses including John S. Hansell, produce dealer at 1605 Market. Image includes two delivery wagons, barrels lining the sidewalk, and street railway tracks. Graham and Hansell are first listed in city directories simultaneously at this location in 1862., Nonpareil brass mat., Leather case with geometric design. Front cover separated. Losses in leather., Deep blue velvet pad, stamped., Image damaged at upper right along roofline., Similar view reproduced in Robert Looney's Old Philadelphia in Early Photographs, 1839-1914 (New York: Dover Publications, Inc., 1976) page 98.
Date
ca. 1862
Location
Library Company of Philadelphia | Print Department Cased photos - unidentified [P.9669.17]
Lithograph after genre painter John Lewis Krimmel's 1821 watercolor, "Parade of Victuallers." Depicts a view from publisher M. Carey & Son's Bookshop at the southeast corner of Fourth and Chestnut streets of the March 15, 1821 trade union parade organized by butcher William White to celebrate, promote, and sell the city's high quality meat stock. The streets, balconies, doorways, and open windows teem with spectators, including an African American man oyster peddler sitting upon his cart and a small white boy displaying an illustrated banner inscribed, "Fed by William White." Image includes: the crowd watching white smocked victuallers on horseback turn on to Fourth Street pass the grocery of William Whelan; a two-tier horse-drawn platform with a band and a handler with a live ox and banner inscribed, "Fed by Lewis Clapier"; carts of meat; floats, including a replica of the ship, "Louis Clapier"; and a hot air balloon inscribed, "Fed by White," floats in the sky. Contains text from detailed local newspaper accounts of the event below the image. Also contains a seal of butchers with the motto: "We Feed the Hungry.", Title from item., Fate inferred from content., Philadelphia on Stone, POS 837, See Anneliese Harding's John Lewis Krimmel: Genre artist of the early Republic (Winterthur, Delaware: The Henry Francis Dupont Winterthur Museum, 1997), p. 215-218. (LCP Print Room Reference)., See Milo Naeve's John Lewis Krimmel: An artist in Federal America (Newark: University of Delaware Press, 1987), p. 116-118., See Philadelphia: Three centuries of American art (Philadelphia: Philadelphia Museum of Art, 1976) #211., See LCP exhibition catalogue: Made in America #33., See LCP exhibition catalogue: Noteworthy Philadelphia, p. 27., Free Library of Philadelphia holds version printed circa 1850 by George Dubois. [Oversize Philadelphiana - Processions]., Accessioned 1983., Description revised 2021., Access points revised 2021.
Creator
Haugg, Louis, 1827-1903, artist
Date
[ca. 1861]
Location
Library Company of Philadelphia | Print Department **BW-Processions [P.8970.29]
Racist caricature depicting an African American man dandy, in his bedroom, grooming himself in front of a full-length mirror adorned with a candle holder and lit candle. He holds a brush up with his right hand to the top of his head of hair which is in a pompadour style. He holds a comb in his left hand that rests on his hip. He stands with his legs apart. He is attired in a green waistcoat with tails, a white shirt and cravat, yellow vest, black pants, and black shoes. A handkerchief hangs out of the back pocket of his jacket. He ponders Miss Carolina's "unfair reflection" about the "paleness" of his complexion. Scene also includes a pitcher and towel rest, a partial view of a bed with a canopy next to a bedside table on which a straightening iron rests beside a candle stick. Also shows a full-length rug on the floor. The man is depicted with oversize and exaggerated features. His skin tone is depicted with black hand coloring., Title from item., Date inferred from content and name of publisher., Contains one bubble of dialogue in the vernacular within image: It was Bery unfair of Miss Carolina to Reflect on Paleness ob my Complexion. I consider dat I hab got a bery Good Color., Charles Hunt was a respected 19th-century London engraver and etcher known mostly for his prints of sporting subjects., RVCDC, Description revised 2022., Access points revised 2022.
Creator
Summers, William, artist
Date
[ca. 1860]
Location
Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9713.1]
Racist caricature depicting an African American man-woman couple in the characters of Romeo and Juliet during the balcony scene from Shakespeare's "Romeo and Juliet." In the right, "Romeo" wearing an Elizabethan costume including a plumed white hat, red cape, and white sash, holds his right, gloved hand over his heart and his left, ungloved hand out and holding the edge of his cape. He recites, "How silver sweet sounds Lubbers Tongues by Night, like sorpest Music to attending Ears." In the left, from the balcony, "Juliet" responds with the self-derogatory remark that as her complexion is "de mark of night" it is impossible to see that "a maiden blush bepaint" on her cheek. She is attired in a pink puffed sleeve, décolleté dress, earrings, a necklace, and hair adornment. She holds a glove and fan in her right gloved hand at her side and her left hand rests on the balustrade of the balcony. A rose vine climbs up the balcony and the tops of trees and a balustrade are visible behind “Romeo.” Figures are portrayed with oversized and exaggerated features and their skin tone is depicted in black hand coloring., Title from item., Date inferred from content and name of publisher., Contains two lines of dialogue in the vernacular below image: Romeo: How silber sweet, sounds Lubbers Tongues by Night; like sorptest Music to attending Ears./Juliet: Dou know’st de mask ob night is on my face, else would a maiden blush bepaint my cheek., Signed W.S. for William Summers in lower right corner., Charles Hunt was a respected 19th century London engraver and etcher known mostly for his prints of sporting subjects., RVCDC, Description revised 2022., Access points revised 2022.
Creator
Summers, William, artist
Date
[ca. 1860]
Location
Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9713.4]
Commemorative print depicting the African American regiment's heralded battle at Fort Wagner at the moment of the death of their white commander, Robert Gould Shaw. Shaw, his hand on his chest from the fatal gunshot, falls back on top of the parapet. His color-bearer holding the American flag inscribed, "54th Mass." continues to charge. Gory hand-to-hand battle and bayonet fighting proceeds around them. Soldiers fall to their death. The battle at Fort Wagner fomented Union support of African American regiments and immortalized Shaw as a martyr for the cause., Title from item., Date from copyright statement: Entered according to act of Congress i the year 1863, by Currier & Ives, in the Clerk's Office of the District Court of the United States, for the Southern District of New York., LCP exhibition catalogue: Negro History, p. 50., Originally part of a McAllister scrapbook of Civil War views. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Currier & Ives
Date
1863
Location
Library Company of Philadelphia | Print Department *GC - Civil War - Campaigns & battles - Fort Wagner [5779.F.38]
Commemorative print depicting the African American regiment's heralded battle at Fort Wagner at the moment of the death of their white commander, Robert Gould Shaw. Shaw, his hand on his chest from the fatal gunshot, falls back on top of the parapet. His color-bearer holding the American flag inscribed, "54th Mass." continues to charge. Gory hand-to-hand battle and bayonet fighting proceeds around them. Soldiers fall to their death. The battle at Fort Wagner fomented Union support of African American regiments and immortalized Shaw as a martyr for the cause., Title from item., Date from copyright statement: Entered according to act of Congress i the year 1863, by Currier & Ives, in the Clerk's Office of the District Court of the United States, for the Southern District of New York., LCP exhibition catalogue: Negro History, p. 50., Originally part of a McAllister scrapbook of Civil War views. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Currier & Ives
Date
1863
Location
Library Company of Philadelphia | Print Department *GC - Civil War - Campaigns & battles - Fort Wagner [5779.F.38]
Portrait of an African American man Union soldier, attired in a uniform, a "U.S." belt buckle, and a cap. He holds his rifle over his right shoulder and carries a sleeping mat on his back., Inscribed under title: 843., Title from item., Date inferred from content., Originally part of a McAllister, Hart, Phillips Civil War scrapbook. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Currier & Ives
Date
[1863]
Location
Library Company of Philadelphia | Print Department *GC-Civil War-Soldiers [(9)1540.F]
Membership certificate for the fraternal, nativist organization containing patriotic vignettes and pictorial details adorning and bordering an ornamented arch. Includes portraits of George Washington and Benjamin Franklin in addition to state seals, the figures of Liberty and Justice, American flags, and the American eagle and shield. OUAM, founded in Philadelphia in 1845 as the Union of Workers, was an anti-immigration, anti-Catholic benevolent society that provided its white, native-born members with sick and funeral funds., Not in Wainwright., Issued to Brother A. H. Alexander on January 23, 1872. Signed by Geo. H. Kidder, Councillor and Wm. B. [Pierez?], Secretary., Philadelphia on Stone, POSP 159, Patton worked as a lithographer in Philadelphia ca. 1852-ca. 1897., American Antiquarian Society: Graphic Arts Lithf Patt Hone, See "Order of the United Daughters of America." HSP Bc 052 U58.
Date
[ca. 1870]
Location
American Antiquarian Society AAS Graphic Arts Lithf Patt Hone
Advertisement for lithographer David Chillas active ca. 1852-1858 depicting a Gothic-inspired castle scene. Shows a lady seated in front of a large Gothic-style ornamented window overlooking the ocean. Two boys, a man, and dog surround her. A lyre rests next to her chaise lounge and a suit of armorand flags are displayed on a table across from her. Vinery borders and filters into the scene., Not in Wainwright., Philadelphia on Stone, POSA 15, Smithsonian Institution: NMAH Graphic Arts GA 09640
Creator
Moras, Ferdinand, 1821-1908, artist
Date
[ca. 1853]
Location
Smithsonian Institution | NMAH Graphic Arts Collection SI NMAH Graphic Arts GA 09640
Genre print depicting a scene of leisure in front of a large Victorian-era, Italianate home and garden enclosed by a stone and iron-work fence. In the foreground, an elegantly-attired couple (the woman on sidesaddle) rides on horseback on a dirt road, while within the fenced grounds, a woman in wide-brimmed hat tends a rose garden across from a young girl petting a sheep. In the background, a man stands at the main entrance and a woman on a side porch of the house and look toward the couple in the road. In the far left, a man grooms a horse in front of a small stable and near a flock of chickens. The dirt road winds its way past grazing cattle, shrubbery and other homes, toward a body of water in the distance. Sailboats are visible on the water in the right background., Not in Wainwright., Joseph Hoover, a prolific producer of chromolithographed parlor prints, located to 804 Market Street in 1864., Philadelphia on Stone, POSP 245, Smithsonian Institution NMAH H&CL - Harry T. Peters America on Stone Collection [DL *60.2642], Digital image shows Smithsonian copy. LCP copy acquired after 2010.
Date
[ca. 1868]
Location
Library Company of Philadelphia | Print Department **GC - Genre [P.2013.22], Smithsonian Institution | NMAH Home and Community Life Collection SI NMAH H&CL - Harry T. Peters America on Stone Collection [DL *60.2642]
Racist caricature of an African American woman shopping for a pair of "flesh coloured silk stockings" in a hosiery store with a white male sales clerk speaking with a French dialect. Depicts, in the center left, the woman standing at the brown counter in front of the clerk who holds up a pair of black-colored stockings from out of a rectangular box. She is attired in a red floral patterned dress, as well as yellow tall, wide-brimmed floral-patterned hat adorned with tan flowers, greenery, and a veil and long yellow floral-patterned ribbon, white gloves, earrings, and brown button-up boots. She rests her white, polka-dot-patterned purse on the counter and holds up a monocle from the end of her neck fob to inspect the stockings that the clerk declares are of "de first qualite!" Her black parasol rests against the counter. Rows of black, white, pink, and yellow stockings and fashion accessories hang on the wall behind the clerk. The clerk is attired in a green waistcoat with tails, a blue vest, white cravat, and white pants. In the left, an African American woman attired in a white polka dot dress and tall, wide brimmed hat adorned with a veil and pink ribbons is seen in the doorway of the shop in which light blue curtains hang and are pushed to the side. A shelf lined with bolts of textiles hangs above the doorway. The wheel of a carriage is seen behind the woman. The figures are portrayed with oversized and exaggerated features. The central woman figure’s skin tone is depicted with black hand coloring and the woman figure in the doorway’s skin tone is depicted with brown hand coloring. The man is depicted with rosy cheeks and brown, curled hair., Title from item., Date inferred from content and name of publisher., After the work of Edward W. Clay., Attributed to William Summers., Plate 11 of the original series of Life in Philadelphia., Contains five lines of dialogue in the vernacular and dialect below the image: Have you any flesh coloured silk stockings, young man? Oui Madame! here is von pair of de first qualité!, Inscribed: No. 9., Charles Hunt was a respected London engraver who was most known for his aquatints of sporting subjects., RVCDC, Description revised 2021., Access points revised 2021.
Creator
Summers, William, artist
Date
[ca. 1860]
Location
Library Company of Philadelphia | Print Department Life in Philadelphia (London) [P.9713.2]
Maps show troop movements; fortifications and battlegrounds; routes to and from sites of military engagements; headquarters and camps; local architecture; topography, including railroads, rivers, and roadways; state and county lines; towns, cities, and capitals; and vegetation. Two of the maps also include remarks by military surveyor T. Ditterline describing troop movements during the Battle of Gettysburg. Two maps contain portraits of prominent political and Union military figures including President Lincoln, William H. Seward, General George McClellan, General Winfield Scott, and General Robert Anderson., Includes Maps of the District of Columbia, Baltimore with Ft. McHenry, Ft. Monroe and the Atlantic States, with their Rail Road Connections, Coast Lines, &.; A Correct Map of Pensacola Bay Showing Topography of the Coast, Fort Pickens, U. S. Navy Yard and all other Fortifications from the latest Government Surveys; Sketch of Vicinity of Fort Fisher; Plan and Sections of Fort Fisher carried by assault by the U. S. Forces, Maj. Gen. A. H. Terry, Commanding, Jan. 15th, 1865; Colton’s United States Shewing(sic) the Military Stations, Forts &.; Map of the Seat of War, Supplement to P. S. Duval & Son’s Military Map showing the location of the present Military Operations (1861); Map of the Battlefield of Antietam; Battlefield of Chattanooga with the operations of the National Forces under the command of Maj. Gen. U. S. Grant during the battles of Nov. 23, 24 & 25, 1863; Field of Gettysburg, July 1st, 2nd & 3rd, 1863; Map of the Battle Ground of Manassas [i.e., Bull Run] from Actual Surveys by an Officer of Genl. Beauregard’s Staff Shewing [sic] the exact position occupied by Federal & Rebel forces in the battle of 21st July 1861; Battle of Gettysburg Showing the Position of the Two Contending Armies During the First, Second & Third of July 1863; Map of the Southern States including rail roads, county towns, state capitals, county roads, the southern coast from Delaware to Texas, showing the harbors, inlets, forts and position of blockading ships; and Part of Charleston Harbor: embracing Forts Moultrie, Sumter, Johnson, and Castle Pinckney, also Sullivan, James and Morris Islands and showing the position of the Star of the West when fired into from Morris Island. A Civil War era political map of Pennsylvania for the 1863 Governor's race and a Map of The Grounds and Design for the Improvement of The Soldiers’ National Cemetery, Gettysburg, Pa. 1863 also included as part of the collection., Various publishers and lithographers including W. Boell; J.H. Colton; P.S. Duval & Son; Engineer Bureau, War Dept.; Charles G. Kreb; Lithographers' Association of New York; E. Molitor ; L. Prang & Co.; George T. Perry; T.B. Pugh; J.G. Shoemaker; Jacob Weiss; and Benjamin Wrigley., Various surveyors and engineers including Brvt. Brig. Gen. C. B. Comstock; T. Ditterline; William Saunders; Private Otto Julian Schultze; Lt. Wm. H. Willcox; and members of the U.S. Coast Survey, including Captains F. W. Dorr and J. W. Donn, Maj. Morhardt, Capts. Ligowsky, McDowell, Jenney and Lts. Boeckh and Dahl, and U. S. Vol’s. Capt. Preston and C. F. West., Relief shown pictorially and by hachures., Majority of maps include a scale and a compass., Several maps include key to Union and Confederate troop positions., Two maps [5779.F.79a & 80a] contain insets. Insets show Washington, D.C.; Baltimore south to Annapolis, Maryland; Cairo, Illinois to Memphis, Tennessee; Pensacola Bay and the Gulf of Mexico; and the area from Winchester, Virginia to Morgantown, Maryland., Manuscript note on map 5779.F.107a: John A. McAllister from [D. McCoughy?], Originally part of McAllister scrapbooks containing Civil War views and Robert Anderson material., Digitized by Alexander Street Press for Images of the American Civil War.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department **maps - Civil War military campaign and battle [5779.F.76b; 79a; 80a; 81b; 82a; 83a; 84a; 85b; 86a; 97a; 99a; 107a; 108a; 121a; 5794.F; P.2006.1.28]
Views showing the exterior and interior of the church built 1809 partially after the designs of Frederick Graff at 511-523 Race Street. Depicts the front elevation of the building; the pulpit designed by Frederick Graff and sculpted by William Rush; pews; and partial views of galleries. Views also include a clergymen, presumably Rev. Joseph A. Seiss, in his clerical robes standing at the pulpit and a man, possibly a church elder, seated near the altar. Also contains reproductions of a drawing of the "Interior of St. John's Church, North View." Interior of the church altered 1847-1848 after the designs of William Johnston., Nine of images originally part of a McAllister scrapbook of views of Philadelphia., Contains five stereographic prints mounted on yellow or white paper mounts with square corners, including two with printed titles, one [1322.F.22c], hand-colored, and one accompanied by a publisher's label describing the building and history of the congregation. Also contains an unmounted carte de visite print, a carte de visite, an unmounted stereographic print, and two albumens mounted on cardboard, hand-colored, including one inscribed: From John A. McAllister., (4)1322.F.23b and P.8910.12 are duplicates., McAllister & Brother, opticians, a partnership between brothers William Y., John A., and Thomas H. McAllister, was active 1853-1865.
Creator
McAllister & Brother
Date
March 1861, c1861
Location
Library Company of Philadelphia | Print Department stereo - McAllister & Bro. - Religion [(4)1322.F.22a-d;(4)1322.F.23a; (4)1322.F.92e], Library Company of Philadelphia | Print Department photo - McAllister & Bro. [(4)1322.F.23b; P.8910.12], Library Company of Philadelphia | Print Department cdv - McAllister & Bro. [(4)1322.F.22bx & 23bx]
Pro-Union cartoon containing a montage of vignettes representing the consequences of secession, particularly the denigration of American freedom. Depicts Roman soldiers representing the "Demons of Nullification, Secession, and Treason" attacking the "Temple of Freedom," the edifice adorned with the names of Revolutionary heroes and battles. The allegorical army carries a "Flag of Disunion" inscribed "Liberty! [To Extend Slavery]," swords, spears, and torches. These soldiers of "war" and "rapine" trample upon the torn Constitution and American flag. In the background, surrounding vignettes depict the bloodied, manacled "Genius of Liberty," depicted as a white woman, fallen beside "Free Speech" and the "Free Press"; the "Servile Insurrection" depicting enslaved Black men attacking white men, women, and children; the king "Military Despotism," depicted as a white man attired in a crown, brandishes manacles and bayonets to complete "the work begun by the traitors"; ghostly figures of "Departed Heroes & Sages," including Washington, Jefferson, and Adams look aghast "on the sacrilege perpetrated in the name of Liberty"; and Liberty, depicted as a white woman, weeps beside an upside down American flag and below the quote of the executed French revolutionary, Madame Roland, "O Liberty! What crimes are committed in thy name.", Text printed above image: "Indignantly frown upon every attempt to alien any portion of our country from the rest"--Washington., Text printed below image: The enemies of the Republic, from the Gulf, or Lower Regions, led on by the Demons of Nullification, Secession and Treason, assail the Temple of American Freedom, consecrated by the blood of the Martyrs of Liberty. Raising the Flag of Disunion, the Traitors trample on the Star-spangled Banner and the Constitution which they have sworn to defend. The Genius of Liberty is stricken down and manacled. War and Servile Insurrection prevail. Military Despotism, of necessity, succeeds, and with its chains and bayonets completes the work begun by the Traitors. The Genius of America weeps, while, above, the shades of departed Heroes and Statesmen gaze with sad astonishment on the sacrilege perpetrated in the name of Liberty! “God Save the Commonwealth.”, Title from item., Date from copyright statement: Entered, according to Act of Congress, in the year 1861, by John Barber, in the office of the Clerk of the District Court of Connecticut., Retrospective conversion record: original entry, edited., Accessioned 1981., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861
Location
Library Company of Philadelphia | Print Department *Political Cartoons-1861 Sec [P.8699]
Views of tombs and mausoleums in the cemetery chartered in 1840 on the former estate of botanist William Hamilton in West Philadelphia. Shows the Drexel family mausoleum (completed 1863 after the designs of Collins & Autenrieth), the Edward Alexander Orme monument, the Commodore David Porter obelisk; and the tomb of optician John McAllister, Jr. and his wife Eliza Young McAllister. Views also include trees and iron work and marble fencing., Three of images originally part of a McAllister scrapbook of views of Philadelphia., Stereographic prints mounted on yellow mounts with square corners, including one [(5)1322.F.80a], hand-colored. Two also contain labels printed with titles, including the series title: Views in Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Moran, John, 1831-1903, photographer
Date
[ca. 1865]
Location
Library Company of Philadelphia | Print Department stereo - Moran - Cemeteries [(8)1322.F.43g; (8)1322.F.47c; (5)1322.F.80a; P.9389.10]
Interior views showing the altar and the organ gallery of the church built 1821-1822 on the 200 block of Catharine Street. Views include the minister, presumably the Rev. Thomas M. Martin, in his clerical robes; garland and wreath decorations adorning the galleries and recess of the altar; the church organist; and parishioners seated in the pews and posed near the organ. Also shows lettering above the altar reading "Glory To God In The Highest." Church exterior and interior remodeled in the 1840s after the designs of Thomas Ustick Walter., Originally part of a McAllister scrapbook of views of Philadelphia., Contains four stereographic images on white or yellow paper mounts with square corners, including three with manuscript titles, and one [1322.F.22b], hand-colored and accompanied by a publisher's label describing the history of the congregation and the church. Also contains two one-half stereographic prints mounted on paper., McAllister & Brother, opticians, a partnership between brothers William Y., John A., and Thomas H. McAllister, was active 1853-1865.
Creator
McAllister & Brother
Date
February 1861, c1861
Location
Library Company of Philadelphia | Print Department stereo - McAllister & Bro. - Religion [1322.F.22b, c & e; 1322.F.23a & b; (4)1322.F.70b(v)]
Allegorical print with decorative border commemorating the reconciliation of the North and South at the end of the Civil War. Depicts Lincoln extending a hand to Confederate President Jefferson Davis and to Liberty, depicted as a white woman, who sits behind the presidents in a temple adorned with the names of the Union states. Secretary of State William H. Seward, Secretary of War Gideon Welles, two Union Officers, General Sherman, and General Grant on horseback accompany Lincoln in the prosperous North. Grant holds a ribbon containing the names of the Confederate states, and Sherman attaches it to the Temple of Liberty. In the burning, war-torn South where ghostlike figures roam, Davis is accompanied by General Lee, a man resembling Henry Wilkes Boothe, an enslaved African American man who holds his shackled arms above his head, and a solemn young man holding his stove pipe hat. The decorative border contains healthy vines and branches on the northern side, dead vines on the side of the "South," and vignettes of an enslaved African American man being whipped by a white man enslaver, hand-to-hand combat, white men working the field, and a white man fishing., Title from item., Date from copyright statement: Entered according to Act of Congress in the Year of 1865 by Henry & Wm. Voight in the Clerk's Office of the Southern District of New York., Text below title: Dedicated to the Memory of our most lamented late President Abraham Lincoln., One of three companionate allegorical lithographs about the Civil War produced by Kimmel & Forster., Originally from a McAllister scrapbook of Lincoln materials. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Thomas, Henry, lithographer
Date
1865
Location
Library Company of Philadelphia | Print Department Political cartoons-1865-6R [5792.F]
Racist caricature about free African Americans' celebratory response to the abolition of the African slave trade by the United States, an act passed in 1807 that took effect in 1808. Depicts a group of over fifteen well-dressed men sitting and standing and drinking, smoking, and making toasts around a large dinner table. A number of the men raise goblets and/or pipes in the air. Soup tureens are visible on the table. One man, standing, drinks from a rum bottle. In the far right, an attendee, in a wide-brimmed hat, carries away another who is unconscious, his tongue out, and holding a pipe. The men are attired in waistcoats with tails, pants and pantaloons, some striped, vests, and cravats. Some wear their hair in pompadour styles and one man has white hair. The biting toasts address "De Orator ob de day," William Wilberforce, a prominent British abolitionist; William Eustis, Governor of Massachusetts and the disgraced former Secretary of War under Madison; "De Sun" which should shine at night; Joseph Gales, a publisher and secretary of the American Colonization Society who believed that only states had the right to emancipate enslaved persons; "Ning Edwards;" "De Genius ob Merica;" the "White man" who wants to colonize blacks "now he got no furder use for him;" and "De day we Celembrate" and why it did not come sooner. Figures are portrayed with oversized and exaggerated features and their skin tone is depicted in black hand coloring. During the early 19th century, summer celebratory processions commemorating the anniversary of the abolition of the slave trade occurred annually in major Northern cities like Boston, New York, and Philadelphia., Title from item., Date inferred from content and name of publisher., Contains eight bubbles of dialogue in the vernacular within image: De Orator ob de day_When I jus hear him begin he discourse, tink he no great ting, but when he come to end ob um, I tink he like to scorch cat more better dan he took_Moosick_Possum up de Gum tree/Gubner Eustas Cleber old sole as eber wore nee buckle in de shoe_99 cheer and tree quarter/De Sun _Wonder why he no shine in de night putting nigger to dispense ob de candle./De day we Celumbrate! who he no come sooner? Guess de hard fros & de backward spring put um back. 29 pop gun v. 2 grin. White man _ mighty anxious to send nigger, to de place dey stole him from, now he got no furder use for him./De Genius de Merica _ He invent great many curious ting: wonder who just invent eating & drinking. 30 cheer & ober./Joe Gales _ He ax Massa Adams “if he be in health my brudder” and den he cut he guts out./Ning Edwards_ Guess he no great Angs no more nor udder people all he cut such a swell., Inscribed: No. 11., See LCP AR (Annual Report) 2003, p. 40-42., Shane White and Graham White's Stylin': African American Expressive Culture... (Ithaca: Cornell University Press, 1998), p. 111. (LCP Ii 4, A2880.O)., RVCDC, Description revised 2022., Access points revised 2022.
Creator
Harris, I., engraver
Date
[ca. 1860]
Location
Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9713.3]
Plate in architectural design book illustrating a perspective view of a symmetrical, Italian-style, suburban mansion on the edge of Rittenhouse Square built 1855-1857 for Joseph Harrison, Jr. after designs by Samuel Sloan. Pedestrian traffic, including two gentlemen on horseback, a man and woman walking, and a horse-drawn carriage, pass in front of the mansion near the square in the foreground., Published in Samuel Sloan's city and suburban architecture (Philadelphia: J.B. Lippincott & Co., 1867), plate 107, design XXIV for a suburban mansion., Philadelphia on Stone, POS 641, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in *Am 1867 Sloan 7883.F.107, Historical Society of Pennsylvania: Bb16 H32., Atwater Kent Museum: 440.14.103.1
Creator
Sloan, Samuel, 1815-1884, artist
Date
[1867]
Location
Library Company of Philadelphia | Books & Other Texts | Rare W309 [*Am 1867 Sloan 7883.F.107]
Interior views of the church also known as Arch Street Presbyterian Church built by Joseph DeNegre in 1855 after the designs of Joseph C. Hoxie at 1726-1732 Arch Street. Shows the Corinthian tetrastyle portico chancel, the organ gallery on the north wall, the stained glass window on the east wall, and pews. Also includes views of lit gas lights near the altar., Originally part of a McAllister scrapbook of views of Philadelphia., Contains seven stereographic prints mounted on yellow or white paper mounts with square corners, including two with printed titles, one [(4)1322.F.44b] hand-colored, and one accompanied by a publisher's label listing the church officials and describing the church and history of the congregation. Also contains a stereographic print mounted on paper with a publisher's label pasted on the verso; one-half stereographic print; and one carte-de-visite., McAllister & Brother, opticians, a partnership between brothers William Y., John A., and Thomas H. McAllister, was active 1853-1865.
Creator
McAllister & Brother
Date
May 1861, c1861
Location
Library Company of Philadelphia | Print Department stereo - McAllister & Bro. - Religion [(4)1322.F.44a(v);(4)1322.F.44b; (4)1322.F.44b(v); (4)1322.F.45d; (4)1322.F.45x; (4)1322.F.46a,d & e], Library Company of Philadelphia | Print Department photo - McAllister & Bro. [(4)1322.F.46b], Library Company of Philadelphia | Print Department cdv - McAllister & Bro. - Religion [(4)1322.F.46c]
Friendship album of Helen Frances Baxter containing circa 60 entries, predominantly contributed while she was a student at Hudson Female Academy during the early 1860s. Entries include original and transcribed poems, prose, and essays; miniature watercolor, pencil and ink sketches; and ruled designs in pencil to resemble mosaics of square calling cards. Most of the entries are signed or contain the initials of the contributor, some noted as completed in Texas. Several entries also include or are entirely composed of vignette paper photograph portraits, predominantly bust-length and depicting young women. Topics of the entries include remembrance, friendship, mortality, religion and allusions to the literary works Harriet Beecher Stowe's "Uncle Tom’s Cabin" (p. [99]) (racialized allusion) and Charles Dickens's "A Christmas Carol" and Clement Clarke Moore's "Night Before Christmas" (p. [161-165]). Sketches depict scenes of nature (trees, a waterfall), a cottage, stone ruins, and “crossticks” and are often inserted into four slots in the corresponding page. Mosaics sometimes include names and addresses and/or portrait photographs. Also contains 10 lithographs depicting a composition of a scroll bordered by a type of flower, including lily, tulip, convolvulus, and rose. Lithographs also include printed sentimental prose describing the depicted flower. A small piece of paper with pasted down dried leaves and a final page of bon mots, including “All things lovely have an end. So has this book of yours my friend” also comprise the album., Contributors include Alba K. Fellows (p. [25-26]), Mary Phipps (later Foster) (Hudson, NY) (p. [39]), Sarah Vanderzee (Coeymans, NY) ( p. [55, 141]), William H. Morrison (Hudson, NY) (p. [59)], Eva C. Platt (p. [95]), Angie Smalley (Carmel, NY) (p. [31, 166-167], and Emma V. Claflin (later Parmalee)(Philadelphia) (p. [152]). Hudson Female Academy, established by Reverend John B. Hague in 1851 and under his administration during the 1860s, was a four-year academy for young women in Hudson, NY. The course of study included Mathematics, English Grammar, "Philosophy of Nautral History," Latin, Physiology, Vocal Music, Composition, "Guizot's Civilization," Chemistry, Intellectual and Moral Philosophy, French, German, Drawing, and Painting., Lacquered papier mâché binding with painted imagery depicting a bouquet of flowers framed by filigree, and accented with inlaid mother of pearl., Title from title page: New Drawing Album. J. C. Riker, publisher., Contains presentation page on p. [2]: Hand-colored lithograph signed Lith. Of Sarony & Major, N. Y. and depicting an open scroll of paper bordered by flowers and with text “Presented to.” Imprint: Published by J. C. Riker, 129 Fulton St., N. York., Contains inscription in pencil on p. [9]: Receive me with a smile,/As to each friend [?],/Detain me but a little while,/Then send the wanderer home., Contains presentation page on p. [13]: Hand-colored lithograph signed Lith. Of Sarony & Major, N. Y. and depicting an open scroll of paper bordered by flowers and with text “Presented to” [Miss Helen Frances Baxter, 12th May 155 by J.H.P]. Imprint: Published by Riker, Thorne &Co, 129 Fulton St., New York., Contains gilt marbled end papers., Contains some color paper pages., Gift of Michael Zinman, 2014., List of contributors and transcription of album entries available at repository., Description revised 2021., Access points revised 2021., Possibly compiled by Helen Fisher Baxter (1843- 1920) of Fishkill, later Hughsonville, N.Y. She worked as a music teacher in 1880 and died in Wappingers, N.Y. in 1920.
Creator
Baxter, Helen Frances
Date
[1855-1875, bulk 1860-1861]
Location
Library Company of Philadelphia | Print Department albums [P.2014.79]
