Search results

Title: [Road to Philadelphy] [graphic].
Description: Attributed to E.W. Clay., Title and publication information supplied by Wainwright., Clay, born in Philadelphia, was the most prolific caricaturist of the Jacksonian era. He became well known for his popular racist series, "Life in Philadelphia," published from 1828 until around 1830, which mocked upwardly mobile African American Philadelphians as ineptly attempting to imitate the white middle class., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of the Jacksonian Era. (PhD. diss., The University of Michigan, 1980), p. 76, 358. (LCP Print Room, Uz A423.O), LCP holds duplicate untrimmed print: *Wainwright 315., Racist caricature simultaneously mocking and condoning the pretentiousness and bigotry of early 19th century Philadelphia Quakers toward their "social inferiors." On a Philadelphia road in front of a small home with an open picket fence and a visitor arriving on horseback, a raggedly dressed dark skinned traveler with buck teeth, possibly an Irishman or African American, asks a rotund Quaker man and his attractive prim and proper daughter, "I say, this isn't the road to Philadelphy, honey, is it?" The father responds indignantly to the "Friend," that he is not only asking a question, but also telling a lie, and of course it is the road.
Date: [1830 or 1831]
Location: http://www.lcpgraphics.org/wainwright/W315.htm, Library Company of Philadelphia Print Dept. W315 [P.2179]

Title: [Road to Philadelphy] [graphic].
Description: Attributed to E.W. Clay., Title and publication information supplied by Wainwright., Clay, born in Philadelphia, was the most prolific caricaturist of the Jacksonian era. He became well known for his racist popular series, "Life in Philadelphia," published from 1828 until 1832, which mocked upwardly mobile African American Philadelphians as ineptly attempting to imitate the white middle class., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of the Jacksonian Era (PhD. diss., The University of Michigan, 1980), p. 76, 358. (LCP Print Room Uz, A423.O)., LCP holds duplicate trimmed print: W315., Gift of William Helfand., Racist caricature simultaneously mocking and condoning the pretentiousness and bigotry of early 19th century Philadelphia Quakers toward their "social inferiors." On a Philadelphia road in front of a small home with an open picket fence and a visitor arriving on horseback, a raggedly dressed dark skinned traveler with buck teeth, possibly an Irishman or African American, asks a rotund Quaker man and his attractive prim and proper daughter, "I say, this isn't the road to Philadelphy, honey, is it?" The father responds indignantly to the "Friend," that he is not only asking a question, but also telling a lie, and of course it is the road.
Date: [1830 or 1831]
Location: http://www.lcpgraphics.org/wainwright/W315.htm, Library Company of Philadelphia Print Dept. *W315 [P.9576]

Title: Indian Queen Hotel. [graphic].
Description: Manuscript note on verso: No. 15 So. Fourth Street., Print trimmed and lacking caption., Poulson inscription on recto: 1831, no. 15 So. Fourth Street., Advertisement depicting the three-and-a-half story hotel at 15 South Fourth Street operated, as indicated by a placard above the door, by Horatio Wade. Wade remained proprietor from 1831 until 1833. Elegantly dressed guests enter the building, converse on the sidewalk, and rest and read inside near the first floor windows. On the sidewalk, well-dressed pedestrians stroll and an African American hotel porter pushes a wheelbarrow of luggage. The Indian Queen Hotel established in 1771, the building altered several times until razed in 1851, was until the mid 19th century incorrectly identified as the site of Thomas Jefferson's writing of the Declaration of Independence.
Date: [[1831]
Location: http://www.lcpgraphics.org/wainwright/W184.htm, Library Company of Philadelphia Print Dept. *W184 [P.2051]

Title: F. Leaming & Co. hardware, nail, steel, hollow-ware & looking glass store. No. 215 Market Street. [graphic].
Description: LCP copy lacking title., Wainwright retrospective conversion project., Select link below to view a digital image., Historical Society of Pennsylvania:
Date: ca. 1831.
Location: http://www.lcpgraphics.org/wainwright/W119.htm, Library Company of Philadelphia Print Dept. W119 [P.9094]

Title: [Moss Upholsterer, 127 Walnut Street, Philadelphia] [graphic].
Description: Location: 127 Walnut St. (pre-consolidation), Published in James Mease and Thomas Porter's Picture of Philadelphia from 1811 to 1831: Giving an account of its origin, increase and improvements in arts, sciences, manufactures, commerce and revenue. (Philadelphia: Published by Robert DeSilver, No. 110 Walnut Street, 1831), vol II, oppostie page 108 and in Thomas Porter's Picture of Philadelphia 1811 to 1831: Giving an account of the improvements of the city, during that period (Philadelphia: Published by Robert DeSilver, No. 110 Walnut Street, 1831), vol. II, opposite page 108., Wainwright retrospective conversion project., Select link below to view a digital image., Library Company of Philadelphia: in Am 1831 Mea 68582.D and in Am 1831 Mea Log 4072.D and in Am1831 Por 20876., Historical Society of Pennsylvania:
Date: [1831]
Location: http://www.lcpgraphics.org/wainwright/W238.htm, Library Company of Philadelphia Print Dept. W238 [see above for holdings]

Title: United States Bank Philadelphia. [graphic].
Description: Originally part of a Poulson scrapbook., Constructed 1818-24 based on designs by Philadelphia architect William Strickland. Served as the Bank of the United States (i.e. Second Bank) until 1836 when the charter was not renewed. Served as U.S. Custom House 1844-1935.
Date: [1835]
Location: http://www.lcpgraphics.org/wainwright/W416.htm, Library Company of Philadelphia Print Dept. W 416 [(1)1525.F.45b]

Title: [Marshall House, 207 Chestnut Street, Philadelphia. E. Badger, proprietor] [graphic].
Description: LCP copy lacking title and imprint., Wainwright retrospective conversion project., Select link below to view a digital image.
Date: [Feb. 1, 1837]
Location: http://www.lcpgraphics.org/wainwright/W228.htm, Library Company of Philadelphia Print Dept. W228 [P.2102]

Title: P. S. Duval's lithographic establishment & office of the U. S. Mility. Magazine by Huddy & Duval, No. 7, Bank Alley, Philadelphia. [graphic].
Description: Huddy & Duval's Military Magazine., Wainwright retrospective conversion project., Select link below to view a digital image., Library Company of Philadelphia: *Per M Military Magazine 5531.Q, vol. 1.
Date: ca. 1839.
Location: http://www.lcpgraphics.org/wainwright/W262.htm, Library Company of Philadelphia Print Dept. W262 [*Per M Militray Magazine 5531.Q v. 1]

Title: U. S. Naval Asylum; State House = Malrosen Hospital bei Philadelphia; Das Rathhaus in Philadelphia
Description: Lettersheet containing vignette exterior views of the U.S. Naval Asylum, the convalescence home for retired sailors, and the State House, i.e., Independence Hall. Views show street and pedestrian traffic, including a horse-drawn wagon and omnibus as well as a man on horseback. Asylum built 1827-1833 after the designs of William Strickland at 2420 Gray's Ferry Avenue. State House built 1732-1748 after the designs of Andrew Hamilton and Edmund Woolley at 520 Chestnut Street., Philadelphia on Stone, POS 766/767
Date: [ca. 1840]
Location: Library Company of Philadelphia | Print Department BW - Hospitals [P.9454.6]

Title: [Plates from "Sketches supposed to have been intended for Fanny Kemble's journal"]
Description: Series of eight prints satirizing journal entries published in 1835 that were written 1832-1833 by the British-born actress during her American tour. Includes citations to the lampooned "Journal" entries from the two-volume Philadelphia edition published by Carey, Lea & Blanchard in 1835. Plates 1 and 2 depict scenes from her sea voyage. The first shows her "embroidering one of [her] old nightcaps" in "sea sickness" surrounded by a "Bible Cover," Dante's "Opera," a journal page, and a basin as she is a "Dear Good Little Me" and an "Angel." The second shows Kemble being served dinner by a caricatured African American servant as she is "lying on [her] back" surrounded by "[her] dinner followed [her] thither" above quotes comparing her appetite to "Danaides' tale of credilable [sic] memory" and her being as fat as an "overstuffed pin cushion." The African American figure is portrayed with exagerrated features.[Plate 3?] satirizes a poem "To bed - to sleep - To sleep -perchance to be bitten!" she wrote about the onslaught of insects at night in her New York hotel room. Shows Kemble aghast as she raises her blanket inscribed with the names of New York newspapers in her attempt to get into a bed swarmed by bed bugs, ants, and mosquitoes. [Plate 4?] caricaturizes her actor father, Charles Kemble, as a stumbling drunk "who a little elated made me sing to him" while muttering "To be or not to be that is the q-q-qu-question" in a parlor near his consternate daughter beside a piano above her quote about his "gallant, graceful, courteous, deportment.", [Plate 5?] shows a small-framed "interesting youth" delivering "a nosegay as big as himself" to Ms. Kemble who reflects "How they do rejoice my spirit." [Plate 6?] depicts the death scene from a December 1832 performance of Romeo & Juliet when the prop dagger was misplaced and Kemble improvised 'Why were the devil is your dagger.." as she rummages the body of the prostrate Romeo in front of the Capulet mausoleum. [Plate] 7 " A Funny Idea of My Father's" shows another caricature of Charles Kemble as a drunk satirizing her entry about a playful moment during a walk past kegs on Market Street in Philadelphia when her father joked 'How I do wish I had a gimlet. What fun it would be to pierce every one..." An illusion of a gimlet floats in front of her father as she cowers behind him beside the kegs. [Plate] 8 mocks the horsemanship of Kemble who criticized Americans' abilities and wrote of an impromptu jaunt on a cart horse in Lockport, NY Niagara where she 'got upon the amazed quadruped and took a gallop..' Shows she and her mount in a barnyard being chased by a dog and trampling ducks as she exclaims "Go it, old fellow" in front of her "father and good old D." in the background., Title supplied by cataloger., Published as Sketches supposed to have been intended for Fanny Kemble's journal (New York: Endicott, 1835). [LCP *Am 1835 7196.F]., Four of the eight prints contain plate numbers: 1, 2, 7, and 8., [Plate 5?] inscribed: G.H.B. [P.2006.17.3], Gift of Michael Zinman, 2006., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Access points revised 2021., Description revised 2021.
Date: [ca. 1835]
Location: Library Company of Philadelphia | Print Department GC - Kemble [P.2006.17.1-8]

Title: The church in 13th Street above Market, Phila
Description: Exterior view of the front facade and flank of the Ninth Presbyterian Church showing well-dressed men, women and children entering the left and right entrances. The church, adorned with Gothic arched windows and details, was built circa 1815 on North Thirteenth Street with funds donated by Margaret Duncan to serve the poor and working class of Philadelphia. Originally named the Second Associate Reformed Church, the church was also commonly known as Margaret Duncan's Church or the Vow Church. Controversy over John Chambers appointment as a new minister of the church in the mid 1820s influenced his decision to form a new congregation with his supporters in 1830. They moved to the much larger First Independent Church at Broad and Sansom Streets. This lithograph may have been created to commemorate the installation of a new minister at the Thirteenth Street church in 1832., Not in Wainwright., Title from manuscript note on paper pasted onto lithograph., Date supplied by cataloger., Philadelphia on Stone, POS 122, LCP AR [Annual Report] 1999 p. 50.
Date: [ca. 1832]
Location: Library Company of Philadelphia | Print Department *BW - Churches and Meeting Houses [P.9741]

Title: P. S. Duval's lithographic establishment & office of the U. S. Mility. Magazine by Huddy & Duval, No. 7, Bank Alley, Philadelphia
Description: Illustration printed on upper half of stationery paper pasted onto front flyleaf of magazine volume. Includes hand-written form letter under the illustration signed by William M. Huddy and P. S. Duval outlining prices of "coloured" versus "plain" plates. Illustration depicts the four-story corner lithographic establishment of P. S. Duval and the headquarters for the United States Military Magazine at the northwest corner of Bank Alley and Dock Street (i.e., 227 Dock Street). A signboard for a house painter adorns the adjacent property facing Dock Street and "Birch's Auctions" occupies the property at the west end of Bank Alley facing Third Street. A row of cavalry soldiers faces east on Dock Street, as pedestrians, soldiers on foot, and a dog congestl the sidewalks in the foreground. The portico and columns of a stately building, probably part of the Merchant's Exchange, are visible across from Duval's establishment. Dock Street building was demolished in 1924., Published in the Military magazine and record of the volunteers of the city and county (Philadelphia, Pa.: [Published by William M. Huddy], 1839)., Duval & Huddy published the military fashion periodical, "U.S. Military Magazine," between 1839 and 1842. P.S. Duval occupied 7 Bank Alley between 1835 and 1848., Philadelphia on Stone, POSA 78, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: *Per M 102.3 5531.Q, vol. 1.
Date: 1839
Location: Library Company of Philadelphia | Books & Other Texts | Rare W262 [*Per M 102.3 5531.Q v. 1], http://www.lcpimages.org/wainwright/W262.htm

Title: [F. Leaming & Co. hardware, nail, steel, hollow-ware & looking glass store. No. 215 Market Street]
Description: Crudely-printed advertisement showing the four-story storefront at 215 Market Street (i.e., 500 block Market). A patron approaches the glass-paned door of the business and a couple strolls on the sidewalk. Building contains partially visible cellar doors. Leaming operated at the location 1831-1833., Title supplied by Wainwright., Philadelphia on Stone, POS 223, LCP copy trimmed and lacking title., Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania:
Date: [ca. 1831]
Location: Library Company of Philadelphia | Print Department W119 [P.9094]

Title: [Dickson & Co.] Watches, fine cutlery, jewellery
Description: Advertisement showing the five-story storefront for "Dickson and Co. Importers of Watches Clocks Jewellery & Plated Ware" at 14 North Fifth Street (between Market and Arch streets). Signage adorns the building, including over a side doorway. Building also contains large display windows where merchandise is visible, particularly plated ware and tea kettles. Merchandise is also visible on shelves, inside of the store, near an open doorway. In the street, a horse-drawn dray passes near crates piled at the street corner. Dickson & Co. was renamed from Dickson & Harper in 1840 and the import business operated from 5th and Commerce under the new name until 1841., Poulson inscription on recto: No. 14 n. Fifth Street. N.W. cor. of "Commerce" St. late "South Alley.", Philadelphia on Stone, POS 182, Wainwright retrospective conversion project, edited., Trimmed.
Date: [ca. 1840]
Location: Library Company of Philadelphia | Print Department W95 [P.2035]

Title: [Marshall House, 207 Chestnut Street, Philadelphia. E. Badger, proprietor]
Description: Stark advertisement showing the front facade of the hotel at 625-631 Chestnut Street. A couple walks toward the entrance. Edmund Badger, a former proprietor of The City Hotel, operated the Marshall House at 207 Chestnut Street 1837-1841. Hotel was later renamed the Columbia House and razed in 1856., Title and date from Poulson inscription on recto: Feb. 1, 1837. E. Badger, Proprietor. Chestnut St. near Seventh St., Philadelphia on Stone, POS 458, LCP copy trimmed and lacking title and imprint., Wainwright retrospective conversion project, edited.
Date: [February 1, 1837]
Location: Library Company of Philadelphia | Print Department W228 [P.2102]

Title: [I] take the responsibility
Description: Satire concerning Andrew Jackson's role in the controversy over the discontinuation of federal deposits to the Bank of the United States. Jackson, portrayed as a jack-ass, is led by Van Buren, believed to be the force behind the discontinuation. He pulls a refuse cart labeled "K.C." (i.e., Kitchen Cabinet) which symbolizes the U.S. government. The cart is steered by a figure made of kitchen implements. A barefoot African American man, portrayed as a racist caricature and attired in a shirt with the sleeves rolled up and pants, pours a bucket of waste from a public privy labeled "Public Accommodations. Place of Deposit" into the cart. There is a white man sitting inside the "Public Accommodations" building and large rats run on the roof., Title from item., Pictograph of an eye is used in place of "I" in title., Date from copyright statement: Entered according to Act of Congress in the year 1834 by Endicott & Swett in the Clerk's office of the District Court of the southern District of New York., Inscribed: No. 1., Hassan Straightshanks is possibly a pseudonym for David Claypoole Johnston., Purchase 1957., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1834
Location: Library Company of Philadelphia | Print Department Political Cartoons -1834-12 [6194.F]

Title: Not very like a whale but very like a fish. Seventh Ward promenades
Description: Cartoon depicting the riots caused by the corrupt electioneering tactics and voter coercion during the first general mayoral election in New York City in 1834. In the right, the mob of people shout "Hurrah for Lawrence" ie. Cornelius Lawrence, the Tammany candidate and winner of the election. The crowd, including African American men depicted in racist caricature, carry pieces of wood as they chase the white man attired in a nightshirt and cap, probably New York merchant and 7th Ward Bank investor, Preserved Fish. A dog also runs after him. "Preserved Fish" runs past a building with a banner, "Hurrah for Gulian C. Verplanck," the Whig candidate who contended that he was defrauded of the office. The corrupt 7th Ward Bank funneled money to Tammany officers and supporters. In the left background, another crowd of men is visible., Title from item., Date inferred from content., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1834]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1834 - 15W [5760.F.86x]

Title: I take it on my responsibility
Description: Cartoon critical of Andrew Jackson's decision to discontinue federal deposits to the Bank of the United States and his denial that his informal circle of close advisors, known as the "Kitchen Cabinet," influenced his decision. Depicts Jackson pinned to a column at the top of the stairs of the bank as he and other white men are being drenched by white men wielding fire hoses, one labeled "United States," in the street. Near Jackson, a kettle boils, fueled by burning papers labeled "Constitution" and "Globe," the pro-Jackson newspaper. Behind him several men, one labeled "K.C.," are involved in altercations. Other men run down the steps, one colliding with an African American man carrying barrels. In the street, a rotund white man, attired in a military uniform, observes the soaking of Jackson with delight while two other white men appear to be coming to Jackson's aid., Title from item., Date of publication supplied by Weitenkampf., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1834]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1834-12W [5760.F.57]

Title: Practical amalgamation
Description: Racist print promoting anti-abolitionists' fears of multiracial personal relationships. Depicts a parlor scene where two inter-racial couples court on a couch. In the left, an attractive white women sits on the lap of an African American man. The man, depicted in racist caricature with grotesque facial features, holds a guitar in his right hand as she engages him in a kiss. In the right, a rotund African American woman holds a fan in her right hand as she is wooed by a slender white man on his knees who kisses her left hand. Portraits of abolitionists Arthur Tappan, Daniel O'Connell (a radical Irish abolitionist), and John Quincy Adams are hung on the wall behind the couch. A white and black dog are in the left corner., Title from item., After E.W. Clay's Practical amalgamation (New York: Published and sold by John Childs, Lithographer, 119 Fulton Street, upstairs, 1839]., Purchase 1970., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1839
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1839 - Pra 2 [7897.F]

Title: Jim Crow, the American mountebank performing at the Grand Theatre
Description: Full-length, caricatured portrait depicting Thomas D. Rice, known as the "father of American minstrelsy." Depicts Rice in Blackface as his African American racist shyster character of "Jim Crow" during his first performance in London. He is portrayed with exaggerated features and mannerisms. He dances and sings a version of the minstrel standard, "Jim Crow," in front of an audience of white British men, including the King. The song, which pokes fun at Americans, refers to William Blackstone and William Pitt Chatham, two influential English jurists, who wrote about early American law and politics. Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. Jim Crow (mid to late 19th century) was a Minstrel character representing enslaved/rural Black manhood as foolish, lazy, interested in shirking labor., Title from item., Date inferred from content., Text printed on the recto: I come from America a long time ago, Since which I larn to wheel about & jump Jim Crow, Him used to study Blackstone ebry morn & arter noon, Me charm de House where Chatham died & dance inde saloon. Wheel about & turn about & do jis so. Ebry time I wheel about I jumpt Jim Crow., Description of Blackface minstrelsy and minstrel characters from Dorothy Berry, Descriptive Equity and Clarity around Blackface Minstrelsy in H(arvard) T(heater) C(ollection) Collections, 2021., Accessioned 1982., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1836]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1836 Jim [P.8738]

Title: Southern ideas of liberty. New method of assorting the mail, as practised by southern slave-holders, or attack on the post office, Charleston, S.C
Description: Print portraying the violent suppression of Southern abolitionism. Depicts a riotous mob around a gallows from which a white man hangs. It is overseen by Judge Lynch, depicted with donkey's ears and holding a whip while stepping on the Constitution. He is seated upon bales of cotton, sugar, and tobacco and sentences a white man abolitionist to be hanged by the neck. The abolitionist is grabbed and drug to the gallows by two white men., Print portraying a raid of anti-abolitionists on the Charleston Post Office in July 1835. Depicts white men removing and then pilfering mail-bags from the ransacked post-office and throwing to the ground abolitionist newspapers including "The Liberator," "Atlas," and "Commercial Gazette" while a riotous mob burns the papers. Posted on the Post Office is a broadside titled "$20,000 Reward for Tappan" referring to the bounty placed by the city of New Orleans upon Arthur Tappan, founder and president of the American Anti-Slavery Society., Title from item., Advertised in 1836 editions of the abolitionist newspapers The Liberator, published in Boston, and Emancipator, published in New York., Text printed on recto: Sentence passed upon one for supporting that clause of our Declaration viz. All men are born free &equal. “Strip him to the skin! give him a coat of Tar & Feathers! Hang him by the neck, between the Heavens and the Earth!!! as a beacon to warn the Northern Fanatics of their danger!!!!”, Purchase 1981., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1835]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1835-2 & 3 [P.8658]

Title: The Great Rohan & the cattle market
Description: Cartoon depicting a pasture with a tree at the center that shows a white man growing from it. The man holds a paper entitled, "Coal is coal," and states that he needs his roots covered. On one of the branches, perches a figure with the body of a bird and the head of a man who states, "The rascally Whigs killed poor Cilley," a reference to the death of Maine Congressman Jonathan Cilley in a duel with Kentucky Congressman William J. Graves. Surrounding this figure are white men and cattle. In the right, a man attired in a long coat and top hat states that the cattle will not feed on "Rohans" and “if we could whip in the miserable conservatives, it would be really ‘contholing.’” Two other men scrounge on the ground, one labeled "Green Pear" who asks to be let up the "Rohan," and the other, who bemoans being overshadowed by the image of a bloody hand. In the left, an African American man portrayed in racist caricature speaks in the vernacular, “Hold on Massa Gineral, it be oh no use to go to dat market,” as he tries to reign in cattle with human heads that are labeled "Hampton Bull." In the right background, an onlooker warns a cattle driver who is being trampled that he can not drive them., Purchase 1987., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1838]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1838-19 [P.9192.3]

Title: Girard College; Merchant's exchange Girard's waisen hau bei Philadelphia; Kauffmann's borse in Philadelphia
Description: Lettersheet containing views of two Greek Revival buildings: Girard College at Girard Avenue near Corinthian Avenue and the Merchants' Exchange at 3rd and Walnut Streets. College buildings, designed by Thomas Ustick Walter, were constructed 1833-1847 as a school for orphans. Merchants' Exchange, designed by William Strickland and constructed 1832-33, was one of the earliest stock exchanges in the United States., Philadelphia on Stone, POS 310
Date: [ca. 1840]
Location: Library Company of Philadelphia | Print Department BW - Education [P.9454.7]

Title: Old Nick in Wall Street
Description: Cartoon mocking Nicholas Biddle, president of the controversial Bank of the U.S., as a corrupt emperor of finance served by New York's financial district. Depicts a self-effacing Biddle on the steps of a bank delivering a speech to a large crowd of his obsequious cheering subjects comprised of bankers and brokers. Two men, possibly New York editors accused of accepting bribes in return for publishing pro-Bank articles, Charles King and/or Mordecai Manual Noah and/or James W. Webb, hoist him on their knees. Biddle declares that he will bear the burden of the attacks of the Bank opponents as those before him will acquit him of scandal. In the far left background, a group of men describe Biddle as a monster and allude to his dubious relationship with New York merchant Silas E. Burrows, who was accused of bribing Noah and Webb. Contains a fabricated verse below the image from the popular poem "The Devil's Walk," commonly misattributed to Robert Porson (as in the cartoon) about the faithless servility of Satan's subjects., Retrospective conversion record: original entry, edited.
Date: [1832?]
Location: Library Company of Philadelphia | Print Department political cartoons - 1832-18W [5760.F.50]

Title: A confederacy against the Constitution and the rights of the people with an historical view of the component parts of this diabolical transaction
Description: Cartoon during the Bank War satirizing the Whig Party as greedy, anti-democratic, pro-Bank, pro-business infidels who worship in the Temple of Mammon to the false god of riches. Atop the temple, a white man, holding a flag inscribed "No Veto! The Bank! Down with Democracy!" kneels on a pedestal inscribed "Bank Candidate. War, Pestilence, and Famine." Within the temple sit symbolic and political figures including: the Devil representing the "Hartford Convention" of 1815, which debated Northern secession; the "High Church" as a clergyman pleading for donations to preach; the "High Priest" Henry Clay with his "U.S. Bank Book" sitting on his throne the "Chair of State"; the "High Chancellor," Bank of the United States president, Nicholas Biddle pouring out a bag of money to buy newspaper editors; a Northerner ("High Tarrif") discussing slavery, "You Southern Barons have black slaves will you not allow us to make white slaves of our poor population in our Manufacturing Baronies"; and southern pro-nullification senator John C. Calhoun ("No Tariff"), who bemoans his association with Whigs in his personal campaign against political rival Martin Van Buren. In the foreground, worshipers, including monkeys, pray and are chained near a printing press, pro-Bank newspapers, and flags and banners. The flags and banners denigrate "Jefferson," "democracy," and "equal rights" and support "high tariffs," the "merchant class," the "Bank of the United States," and "white slavery.", Title from item., Artist's initial lower left corner: H., Probably published by labor radical Seth Luther., Retrospective conversion record: original entry, edited., Lib. Company. Annual report, 2001, p. 27, 30., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1833?]
Location: Library Company of Philadelphia | Print Department political cartoons - 1833-20 [5760.F.43]

Title: Banks & bribery, v.s. balls & bumbs scene 1st Or the destruction of aristocracy monopoly and oppression
Description: Cartoon concerning President Jackson's destruction of the Bank of the United States, including his veto of the Bank's recharter and the removal of its federal deposits. Depicts Jackson, "Jack Downing," and others attacking the Bank with axes, "veto mortar," and cannon balls. Jackson and "Downing" hollar about "smashing down" "Monopoly & Oppression" as well as the absence of a "nest of varmants" when the house was originally built. Members of Bank investigative "committees" flee the building, while others are crushed under the bank, its "deposit pillar" destroyed. Spectators, including evil sprites, run a press, clamor for tossed money bags labelled with alleged bribery amounts, and scream "This is a fair business transaction." Also includes sheets of paper scattered on the ground inscribed with allusions to the Bank War, including"Deranged Currency" and "Petitions.", Manuscript note on verso: From his Aunt Isabella 1840., Previous owner, probably C.P. Lukens. See Congressional Elephant political cartoons - 1832 - 2 (5760.f.42)., Retrospective conversion record: original entry, editions.
Date: [1834?]
Location: Library Company of Philadelphia | Print Department political cartoons - 1834-4W [5760.F.58]

Title: St. Luke's Church, 1840
Description: Floor plan of the Protestant Episcopal church built 1839-1840 after the designs of Thomas S. Stewart at 330 S. 13th Street. Shows the 184 pews; chancel, including pulpit, reading desk, and communion table; vestry room; fire proof room; aisles; south, north, and organ galleries; Sunday School benches; vestibule; portico; terrace, and gates. Pews printed with a row number, value, and "sittings." Values range from $50 to $850. Several pews are also inscribed with the names of pew owners. Pew owners include Sam. Breck, Jas. Dundas, S. Whitman, Benj, Stiles, T. S, Stewart (archt.); and W. Strickland., Printed on recto: The Choice of Pews will be disposed of by Auction in October next. The price is marked in each pew. The terms of sale will be one third Cash and the balance may be paid in notes at one and two years adding interest. September 1840., Scale: 8 Ft to the inch., Philadelphia on Stone, POS 710, Retrospective conversion record: original entry, edited.
Date: 1840
Location: Library Company of Philadelphia | Print Department *BW - Churches and meetinghouses - S [P.9178.25]

Title: Life in New York
Description: Collection of primarily racist social caricatures lampooning the etiquette and conventions of early 19th-century, middle-class New Yorkers, particularly the growing community of free African American persons. Eliciting the heightened racism in the antebellum North, the African American men, women, and children characters are depicted with exaggerated features, wearing boldly-patterned and colored clothes, and speaking in a vernacular to be portrayed and denigrated as illegitimate elite society. Caricatures also address “rules” of courtship, fashion, classism, and a dance lesson. Some caricatures also represent the sexism and ethnic divisions of the era., Influenced by the "Life in Philadelphia" series of 1828-1830, the series consists of at least eight prints published around 1830 by eminent New York lithographer Anthony Imbert. Although often attributed to Edward W. Clay, the different styles of the caricatures imply that the prints were executed by various artists employed by Imbert. The African American caricature, "A Five Points Exclusive," a lithograph published in the early 1830s by John Pendleton, an associate of Imbert, has been included as a part of the series., Serie title from items., Dates inferred from content and names of publishers., Original series contained at least eight prints., LCP holds four of the series. Three are first editions., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 93-95. (LCP Print Room Yz, A423.O), Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., RVCDC, Description revised 2022., Access points revised 2022.
Date: 1830-ca. 1834, bulk 1830
Location: Library Company of Philadelphia | Print Department Life in New York (New York Set)

Title: Life in New York. Inconvienency of tight lacing
Description: Caricature satirizing early 19th-century, middle-class men’s fashion, specifically male corsets. Depicts a scene in front of a fence at New York's “St. John’s Park” where a white dandy dressed in a top hat, ruffled shirt, and slip on shoes holds onto a lamp post, his right leg up, outstretched, and held by a dandy man companion. He holds his head back and his right hand toward his mouth. The friend, similarly attired in a top hat, waistcoat, and stiped pants crouches with his legs apart. Both are unable to bend. A "practically" attired, older man wearing an overcoat, vest, pants, and boots stands to the right and observes the scene. He states that he will report the event to the "Morning Courier & N.Y. Enquirer." Scene also shows dense foliage and a tree in the park behind the fence., Title from item., Date inferred from content and name of publisher., Inscribed: No.4., Inscribed: St. Johns Park, Sept. 28, 1829., Anthony Imbert, a New York artist, was a pioneer of American lithography who was also known for his ability as a marine painter., RVCDC, Description revised 2022., Access points revised 2022.
Date: [ca. 1830]
Location: Library Company of Philadelphia | Print Department Life in New York (New York Set) [P.9704.2]

Title: Fanny Kemble
Description: Bust-length portrait of the abolitionist, author, dramatist, and actress in the character of Julia, written specifically for her by Sheridan Knowles for his play "The Hunch Back." Her memoir, "Residence of a Georgian Plantation (1863)," described the degradation and inhumanities of slavery witnessed by Kemble while living at the plantation of her Philadelphian husband, Pierce Butler, from 1838 until 1839., Title from manuscript note on verso., Date from copyright statement: Entered acccording to act of Congress in the year 1833 by Childs & Inman in the Clerks Office of the District Court of the Eastern Distrcit of Pennsylvania., Original painting by Sully located at the Rosenbach Museum & Library in Philadelphia., Sully, a respected Philadelphia portrait painter and friend of Kemble, painted thirteen portraits of the actress, the majority by recollection., Originally part of a McAllister scrapbook of portraits., Description revised 2021., Access points revised 2021., McAllister Collection, gift, 1886.
Date: 1833
Location: Library Company of Philadelphia | Print Department *portrait prints - K [5657.F.25]

Title: Indian Queen Hotel
Description: Advertisement depicting the three-and-a-half story hotel at 15 South Fourth Street operated, as indicated by a placard above the door, by Horatio Wade. Wade remained proprietor from 1831 until 1833. Elegantly dressed white guests enter the building, converse on the sidewalk, and rest and read inside near the first floor windows. On the sidewalk, well-dressed white men and women pedestrians stroll. An African American hotel porter, attired in a black top hat, a white collared shirt, a black bowtie, waistcoat, pants, and shoes, pushes a wheelbarrow of luggage. The Indian Queen Hotel established in 1771, the building altered several times until razed in 1851, was until the mid 19th century incorrectly identified as the site of Thomas Jefferson's writing of the Declaration of Independence., Title from item., Manuscript note on verso: No. 15 So. Fourth Street., Print trimmed and lacking caption., Philadelphia on Stone, POS 381, Poulson inscription on recto: 1831, no. 15 So. Fourth Street., Accessioned 1982., Description revised 2021., Access points revised 2021.
Date: [1831]
Location: Library Company of Philadelphia | Print Department *W184 [P.2051]

Title: Pennsylvania Colonization Society A view of Bassa Cove in Liberia
Description: Honorary life membership certificate containing a view of Liberia, the African American colony established by the American Colonization Society in 1822. In the left foreground, three bare-chested Black people, attired in white sarongs, stand at the West African cove across from the small village. The village is comprised of buildings and is surrounded by a fence. People and cattle stroll the grounds. The Pennsylvania Colonization Society, established in 1826, was a state chapter of the controversial American Colonization Society established in 1816 to promote Black American emigration to resolve the problem of race inequality and to end slavery., Title from item., Issued to [Tho]mas Sully, Esquire of Philadelphia on October 24, 1848 for his donation of "valuable original portraits." Signed by [Robert B.] Davidson, rec. secretary; Elliot Cresson, corresponding secretary; J.R. Ingersoll, president., Description revised 2021., Access points revised 2021., Gift of Hirschl and Adler Galleries, 1989., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Lehman & Duval was a Philadelphia partnership between painter, lithographer, and engraver George Lehman, and lithographer, Peter S. Duval, that lasted from 1835 until 1837.
Date: [ca. 1837]
Location: Library Company of Philadelphia | Print Department *Philadelphia Certificates [P.9261]

Title: A view of Bassa Cove (in Liberia.)
Description: View "from a drawing made on the spot by Dr. Robert McDowall" of a village scene in Liberia, the African American colony established by the American Colonization Society in 1822. Also used as the illustration of a membership certificate of the Pennsylvania Colonization Society. In the left foreground, three bare-chested Black people, attired in white sarongs, stand at the West African cove across from the small village. The village is comprised of buildings and is surrounded by a fence. People and cattle stroll the grounds. Established in 1816, the controversial American Colonization Society promoted Black American emigration to resolve the problem of race inequality, and to dissolve the institution of slavery. Copies of the print were on view for sale at the colonization society office for over a decade. McDowall was a Black physician sent by the society to provide medical care at the colony., Title from item., Advertised in Colonization herald, June 17, 1837, vol. III, no. 54, p. 214 and later issues., Purchase 1970., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Lehman & Duval was a Philadelphia partnership between painter, lithographer, and engraver George Lehman, and lithographer, Peter S. Duval, that lasted from 1835 until 1837.
Date: [ca. 1836]
Location: Library Company of Philadelphia | Print Department *GC-Views-Foreign-Africa [7930.F]

Title: This certifies that [blank] having paid to the Missionary Society of the Methodist Episcopal Church the sum of twenty dollars, is hereby constituted a member during life conformably to the seventh article of the constitution. New York, [blank]. [Blank] chairman. [Blank] clerk
Description: Life membership certificate containing a vignette contrasting scenes of apocalyptic doom and religious salvation. From the celestial heavens, the hand of God points to an angel trumpeting salvation and wielding the Bible; a white man missionary preaches to a large group of Native Americans; and a converted African family of a man, woman, and child, kneels and reaches toward the winged messenger of God. On the ground are broken chains and swords, and a hut and palm trees are in the background. Opposite the scenes of salvation, a cross rises from the ground, bringing forth a river of redemption too late for the lost souls of a bejeweled white woman and a skull-headed man entangled by serpents. Behind them a temple, probably the Vatican, collapses to the ground crushing a white man. The Missionary Society, officially organized in New York in 1820, worked first to convert Native Americans and enslaved people before extending their missions to the Black inhabitants of Liberia in 1823., Title from item., Date inferred from content., Issued to Reverend Thomas Lumption on April 9th, 1844. Signed by Joshua Soule, Chairman, and Francis Hale, Clerk., Purchase 1971., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1835]
Location: Library Company of Philadelphia | Print Department *GC - Certificates [7971.F]

Title: A. Koellner, painter, No. 74 corner of Chestnut and Exchange Streets, Philadelphia
Description: Advertises Kollner as a painter of portraits of "ladies and gentlemen on horseback" and "horses, correct and in every possition [sic]." Reflects Kollner's failed attempt to establish himself as an equestrian portrait painter upon his arrival in Philadelphia. Soon after this advertisement was issued, Kollner was hired by Duval to create lithographic portraits of military personnel, many on horseback, for the U.S. Military Magazine., Not in Wainwright., Philadelphia on Stone, POSA 2, See Nicholas B. Wainwright's "Augustus Kollner, Artist" in Pennsylvania Magazine of History and Biography (Vol. 84, 1960), pages 325-351.
Date: [1840]
Location: Library Company of Philadelphia | Print Department BW - Advertisements [8115.F.1]

Title: United States Bank Philadelphia
Description: View showing the Second Bank of the United States constructed 1818-24 after the designs of Philadelphia architect William Strickland at 420 Chestnut Street. Includes a couple and a man strolling on the sidewalk, and two ladies conversing with a gentleman at the open gate to the alley west of the bank. Also shows a partial view of an adjacent building. Served as the Bank of the United States (i.e. Second Bank) until 1836 when the charter was not renewed. Served as U.S. Custom House 1844-1935., Philadelphia on Stone, POS 777, Wainwright retrospective conversion project, edited., Originally part of a Poulson scrapbook of illustrations of Philadelphia.
Date: [1835]
Location: Library Company of Philadelphia | Print Department W416 [(1)1525.F.45b]

Title: A. Russell & Co. 104 Chestnut Street. Philadelphia. Fashionable hat and cap maunfacturers First in fashion. Ladies fur muffs, tippets, pelerines, boas &c.&c. Gente;men's furs caps, collars, gloves &c.&c
Description: Advertisement depicting a jumbled assortment of men's and boy's hats on top of an anvil-shaped pedestal. Hats lie on their side, top, and rim., Not in Wainwright., Philadelphia on Stone, POSP 3, Originally part of John McAllister's scrapbook "Costumes, English & American, 1800-1869."
Date: [ca. 1832]
Location: Library Company of Philadelphia | Print Department *BW - Advertisements [5743.F.95]

Title: FacSimile of the revolutionary flag, A.D. 1774
Description: Depiction of the First Troop Philadelphia City Cavalry’s flag from 1774. Shows the flag with fringed edges on a spiked flagpole adorned with two tassels and held open by a rope from its upper right corner tied to a tree in the right. In the top left of the flag are thirteen stripes representing the colonies. In the center, flanking a shield illustrated with thirteen ropes tied into a Gordian Knot are allegorical figures representing Liberty and Fame. Liberty, depicted as a barefooted Native American figure attired in a headdress, feather skirt, and with a quiver of arrows on their back, carries a bow and a liberty cap on a pole. Fame, depicted as a winged angel, blows a trumpet. Above the shield is a horse’s head wearing a bridle with the letters “LHC,” which stands for light horse cavalry. A banner below the shield reads, “For these we strive.”, Title from item., Date from copyright statement: Entered according to act of Congress in the Year 1839, by Wm. M. Huddy, in the Clerk’s Office of the District Court of the Eastern District of Penna., Printed on recto: Plate No. 4., Gift of David Doret., RVCDC
Date: 1839
Location: Library Company of Philadelphia | Print Department Doret and Mitchell Collection – Prints [P.2019.64.33]

Title: Classical Seminary. Franklin Square. S.E. corner Race & Seventh streets, Philadelphia
Description: View looking past Franklin Square showing the boy's school, later the Classical Institute, founded in 1837 by John W. Faires at 47 N. 8th Street. An iron-wrought fence separates the square from the row of buildings, including the school, in the background. In the foreground, children play and families stroll within the square. Two boys play with hoops and a couple admires the fountain., pdcc00003, Philadelphia on Stone, Free Library of Philadelphia: Castner 17:20
Date: [ca. 1838]
Location: Free Library of Philadelphia. | Print and Photograph Collection. FLP Castner 17:20

Title: Stationer & blank book binder, Hymen L. Lipman successor to Samuel M. Stewart. No. 139 Chestnut St. opposite the Philadelphia Bank. Philadelphia Merchants’ account books of superior paper and binding made to any pattern at short notice and warranted. A constant supply of stationery, English, French and American, of every description, suitable for banks, public offices and counting houses. Prompt attention given to orders from engineers for field books, drawing materials and every article used in the field or in the office. Job printing of every description. Visiting and address card plates engraved in the newest style. Copper plate printing neatly executed
Description: Advertising label for the Philadelphia stationer. Between the words of the title is a tabletop crowded with stationers’ products, including an artist’s palette with brushes, a box of watercolor paints, quill pens, a pair of compasses, boxes of paper, and books. Samuel M. Stewart moved to New Orleans in 1840 and Lipman operated from the Chestnut Street address through 1849., Not in Wainwright., Philadelphia on Stone, POSP 240, American Antiquarian Society: Graphic Arts Lithf Duva Stat
Date: [ca. 1840]
Location: American Antiquarian Society AAS Graphic Arts Lithf Duva Stat

Title: [Bulkley's hat store, 149 Chestnut Street, Philadelphia]
Description: Advertisement showing the hat store operated by C & J. H. Bulkley on the 400 block of Chestnut Street. Hats are displayed in the windows. Includes the adjacent buildings, the United States Hotel (419-423) and R. H. Hobson, stationery and print store. Portrait prints and stationery adorn the display window of the print store. Also shows pedestrian traffic, including guests arriving at the hotel, an African American laborer transporting a valise on a hand-cart, a gentleman with an umbrella, and a lady and gentleman admiring the display at Hobson's. A dog stands on the sidewalk., Title and publication information supplied by Wainwright., Inscribed on verso: United States Hotel. Hotels., Philadelphia on Stone, POS 67, Historical Society of Pennsylvania: Ba 38 B 934, Trimmed.
Date: [ca. 1833]
Location: Historical Society of Pennsylvania HSP Ba 38 B 934

Title: Railroad bridge over the Wissahickon, near Manayunk
Description: Landscape view showing the first Philadelphia, Germantown and Norristown Railroad (later Philadelphia & Reading Railroad) bridge completed in 1833 over the Wissahickon near a waterfall. A train comprised of an engine, two crowded passenger coaches, i.e., trucks, and a freight car cross the Town lattice truss bridge. The neighboring Robeson's Mill is visible in the right foreground. Cows graze near the creek on which a group of ducks swim. Bridge razed in 1844. Ithiel Town patented his lattice truss design in 1820., Probable printer supplied by Wainwright, Philadelphia on Stone, POS 632, Historical Society of Pennsylvania: Bb 7 R 131
Date: [ca. 1834]
Location: Historical Society of Pennsylvania HSP Bb 7 R 131

Title: County Goal, Moyamensing Philadelphia
Description: View showing Moyamensing Prison built 1832-1835 after the designs of Thomas Ustick Walter at Tenth and Reed streets. Shows three men walking past the castle-like building. Prison was demolished 1968., Title partially printed on mount., Philadelphia on Stone, POS 168, Historical Society of Pennsylvania: Bb 26 M 938
Date: [ca. 1839]
Location: Historical Society of Pennsylvania HSP Bb 26 M 938

Title: Senate chamber U.S.A. Conclusion of Clay's speech in defense of slavery
Description: Cartoon satirizing an 1839 anti-abolition speech by the congressional orator Henry Clay focusing on his conflicting views on the abolition of slavery. Clay, despite deploring the institution of slavery, was an enslaver who was against immediate national abolition. Depicts Clay, in front of the Mason-Dixon line, coming to an agreement with John Calhoun, his chief congressional rival and leading senatorial supporter of slavery, about the issue of slavery. They both stand on past abolitionist resolutions and a prostrate enslaved African American man who quotes a verse from the Bible's book of Micah 7:8 that he will "arise." Clay's remarks "North" of the line reflect his abolitionist rhetoric; those "South" of the line refer to him being an enslaver. Calhoun states his pleasure in Clay's awakening to the societal benefits of slavery., Title from item., Date inferred from content., Accessioned 1979., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1839]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1839-24w [P.2275.18]

Title: Immediate emancipation illustrated
Description: Critical satire of the American Anti-Slavery Society, which was founded on the principle of immediate abolition by Arthur Tappan and William Lloyd Garrison, who are depicted discussing the society's principles with an unnamed abolitionist, possibly Lewis Tappan. Above their heads is the banner "Anti Slavery Society Founded Anno Domini MDCCCXXXIII." The seated Garrison comments on the origin of the bundle of Italian linen at his feet, which is to be used for his newspaper "the Emancipator." In the right, the figure of a leopard rests upon a pedestal marked "Fanaticism. Brought the Inquisition upon Spain. Beggary upon Italy. And may drench America in blood!!" (an allusion to the idiom a leopard cannot change its spots and to the Spain and the Iberian War, 1807-1814). In the left, a Black man, labeled "Emancipated Slave," is portrayed in racist caricature and is naked except for a leaves wrapped around his waist. He chases an insect calling, "Food," while carrying a knife. In the background, a scene labeled "Insurection (sic) in St. Domingo! Cruelty, Lust, and blood!" depicts Black people using swords and axes to kill white people, including a white woman on the ground. A building burns behind them., Title from item., Date supplied by Weitenkampf., Probably the "A Caricature" cited in the Emancipator (New York, N.Y.), October 19, 1833 and Liberator (Boston, Mass.), November 2, 1833., The "Emancipated Slave" figure is similar to the figure depicted in the lithograph by Alfred Ducôte, "An Emancipated Negro" ([London]: Thomas McLean, 1833). Copies in the collections of National Maritime Museum, Greenwich, London and the Victoria & Albert Museum, London., Purchase 1986., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1833]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1833 - 27W [P.9140]

Title: Views of slavery Does the slaveholder admit the slave to be a human being? If so we would ask his interpretation of the following sentiment "Whatsoever ye would that men should do unto you, do you even so to them."
Description: Abolitionist print containing six scenes depicting the inhumanity of slavery. Scenes include enslaved African American children crying while their mothers work and a white man enslaver whips an enslaved man in a sugar plantation field; the punishment of enslaved people by flogging, whipping, and binding by white men overseers in a shack; an auction of enslaved people; a free African American woman with a child watching the destruction of her free papers as she is kidnapped from the street; an anguished enslaved mother being separated from her children by a white man involved in the slave trade; and the shipping of enslaved people to New Orleans from a Baltimore dock. Also contains an excerpt about the rights of human beings from William Ellery Channing's abolitionist text, "On Slavery," below the image., Title from item., Advertised in the New York American Anti-Slavery Society newspaper, Emancipator (March 1836), p.3., Purchase 2003., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Lib. Company. Annual report, 2003, p. 45-46.
Date: [1836]
Location: Library Company of Philadelphia | Print Department political cartoons - 1836 Vie [P.2003.10], http://www.lcpimages.org/afro-americana/F-Views.htm

Title: H. R. Campbell's patent locomotive engine
Description: Shows the 4-4-0 design locomotive patented by Campbell, the chief engineer of the Philadelphia, Germantown, and Norristown Railway in 1836. The locomotive is depicted on a section of track. The 4-4-0 design, known as the American type, has a two-axle bogie to help guide it into curves, and two driving axles coupled by a connecting rod., Not in Wainwright., Philadelphia on Stone, POSP 103, Historical Society of Pennsylvania: Bc 6741 C 188
Date: [ca. 1836]
Location: Historical Society of Pennsylvania HSP Bc 6741 C 188

Title: Blake’s collection of popular marches composed and arranged for the piano forte
Description: Sheet music cover containing a scene showing the volunteer militia company of Light Artillery Corps Washington Gray's marching down the 400 block of Chestnut Street. The four lines of men follow their officer who follows the military band. The men pass the Philadelphia Bank building (400-408, built 1836), the United States Bank (420, built 1819-1824 as Second Bank of the U.S.), and neighboring buildings, including the business with partially visible signage for Henry Por.... Also shows a street lamp, a man walking on the sidewalk in front of the United States Banks, and two figures on the top of the stairs to that financial institution. The Washington Grays established an armory at 8th and Chestnut 1837-1838., Inside cover title: The Washington Gray's new grand march & quick step : arranged for the piano forte by Charles Jarvis, Includes sheet music., Philadelphia on Stone, POS 59, Free Library of Philadelphia: Sheet Music 11707
Date: c1839
Location: Free Library of Philadelphia. | Music Collection. FLP Sheet Music 11707

Title: Pont de Lower Ferry pres de Philadelphie
Description: View showing the Upper, not Lower, Ferry bridge also known as the Lancaster-Schuylkill Bridge. Shows the full length of the single span bridge erected 1809-1812, with Robert Mills serving as architect and Lewis Wernwag as engineer. A pavilion-like structure is visible at one end of the bridge (left) and a small building at the other (right). Also includes a second covered bridge the Market Street Permanent Bridge in the distance. Market Street Permanent Bridge was built from 1798-1806 after the designs of Timothy Palmer. The Upper Ferry bridge burned 1838., Not in Wainwright., Printed upper right corner: Pl. 6., pdcc00019, Philadelphia on Stone, Free Library of Philadelphia: Castner 21:37
Date: [ca. 1835]
Location: Free Library of Philadelphia. | Print and Photograph Collection. FLP Castner 21:37

Title: Implements of torture, and their dangerous effects illustrated The iron gag of its natural size locked upon Mathias Maccumsey, a convict from Lancaster County sentenced to the cells for manslaughter, who dies with it in his mouth, in the Eastern State Penitentiary , of Pennsylvania, June 1833
Description: Illustrated handbill containing an image of the "iron gag," an iron palet placed over the tongue and chained around the jaw. Also contains a paragraph of text calling for the abolition of the device after condemning its use on the convict "for merely speaking to a fellow prisoner" as antithetical to the "liberty, equality, and a just enjoyment of the rights" espoused by the people." Maccumsey was a 44 year old man serving his second of twelve years for murder when punished with the iron gag after continually talking to inmates, an infraction at the prison founded upon Quaker principles of solitude and silence as measures for reform., Not in Wainwright., Thomas McElwee was a member of the legislative investigative committee monitoring Eastern State Penitentiary who wrote the critical "A Concise History of the Eastern Penitentiary of Pennsylvania :...." (Philadelphia, 1835)., Philadelphia on Stone, POSP 115, Historical Society of Pennsylvania: Ba 263 Ak 53
Creator: Akin, James, ca. 1773-1846
Date: c1835
Location: Historical Society of Pennsylvania HSP Ba 263 Ak 53

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