Half-length portrait of the Philadelphia Quaker philanthropist, abolitionist, and social reformer who helped found the American Anti-Slavery Society in 1833 and who wrote several pamphlets against the spread of slavery into the western territories. Vaux, attired in a white shirt, a black waistcoat, and a black jacket, looks at the viewer., Title from printed signature of sitter below image., Date inferred from content and medium., Printed below image: I am with great truth thy affectionate friend, Roberts Vaux., Accessioned 1893., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Newsam, a respected Philadelphia lithographer, was a deaf mute who received early art training at Philadelphia's Institute for the Deaf and Dumb.
Creator
Newsam, Albert, 1809-1864, lithographer
Date
[ca. 1840]
Location
Library Company of Philadelphia | Print Department Portrait prints-V [5657.F.15a]
Half-length portrait of the Philadelphia Quaker philanthropist, abolitionist, and social reformer who helped found the American Anti-Slavery Society in 1833 and who wrote several pamphlets against the spread of slavery into the western territories. Vaux, attired in a white shirt, a black waistcoat, and a black jacket, looks at the viewer., Title from printed signature of sitter below image., Date inferred from content and medium., Printed below image: I am with great truth thy affectionate friend, Roberts Vaux., Accessioned after 1870 and before 1900., Description revised 2021., Access points revised 2021., Newsam, a respected Philadelphia lithographer, was a deaf mute who received early art training at Philadelphia's Institute for the Deaf and Dumb.
Creator
Newsam, Albert, 1809-1864, lithographer
Date
[ca. 1840]
Location
Library Company of Philadelphia | Print Department *Portrait prints-V [1885.F.23]
Exterior view of the coffee house and merchants' exchange at the southwest corner of Front and Market streets in Philadelphia during the colonial era. An auction of enslaved African American people occurs outside the coffee house and pedestrians traverse the sidewalks and street, including an African American woman carrying a basket on her head. Views of the adjacent printing house and book store of "Pennsylvania Journal" publisher, William Bradford, are visible. Erected in 1702 and established as a coffee house in 1754 by Bradford, the site was a public center for social and economic activities during the later 18th century, including auctions of enslaved people. Razed in 1883., Title from item., Plate published in John F. Watson's Annals of Philadelphia...(Philadelphia: E.L. Carey & A. Hart, 1830), opp. p. 339., Philadelphia on Stone, POS 442, Gift of James Rush., Description revised 2021., Access points revised 2021.
Creator
Breton, William L., lithographer
Date
[1830]
Location
Library Company of Philadelphia | Print Department BW - Hotels, Inns, Taverns [9245.Q.20], http://www.lcpimages.org/afro-americana/F-London.htm
Advertisement depicting the three-and-a-half story hotel at 15 South Fourth Street operated, as indicated by a placard above the door, by Horatio Wade. Wade remained proprietor from 1831 until 1833. Elegantly dressed white guests enter the building, converse on the sidewalk, and rest and read inside near the first floor windows. On the sidewalk, well-dressed white men and women pedestrians stroll. An African American hotel porter, attired in a black top hat, a white collared shirt, a black bowtie, waistcoat, pants, and shoes, pushes a wheelbarrow of luggage. The Indian Queen Hotel established in 1771, the building altered several times until razed in 1851, was until the mid 19th century incorrectly identified as the site of Thomas Jefferson's writing of the Declaration of Independence., Title from item., Manuscript note on verso: No. 15 So. Fourth Street., Print trimmed and lacking caption., Philadelphia on Stone, POS 381, Poulson inscription on recto: 1831, no. 15 So. Fourth Street., Accessioned 1982., Description revised 2021., Access points revised 2021.
Date
[1831]
Location
Library Company of Philadelphia | Print Department *W184 [P.2051]
Honorary life membership certificate containing a view of Liberia, the African American colony established by the American Colonization Society in 1822. In the left foreground, three bare-chested Black people, attired in white sarongs, stand at the West African cove across from the small village. The village is comprised of buildings and is surrounded by a fence. People and cattle stroll the grounds. The Pennsylvania Colonization Society, established in 1826, was a state chapter of the controversial American Colonization Society established in 1816 to promote Black American emigration to resolve the problem of race inequality and to end slavery., Title from item., Issued to [Tho]mas Sully, Esquire of Philadelphia on October 24, 1848 for his donation of "valuable original portraits." Signed by [Robert B.] Davidson, rec. secretary; Elliot Cresson, corresponding secretary; J.R. Ingersoll, president., Description revised 2021., Access points revised 2021., Gift of Hirschl and Adler Galleries, 1989., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Lehman & Duval was a Philadelphia partnership between painter, lithographer, and engraver George Lehman, and lithographer, Peter S. Duval, that lasted from 1835 until 1837.
Date
[ca. 1837]
Location
Library Company of Philadelphia | Print Department *Philadelphia Certificates [P.9261]
Life membership certificate containing a vignette contrasting scenes of apocalyptic doom and religious salvation. From the celestial heavens, the hand of God points to an angel trumpeting salvation and wielding the Bible; a white man missionary preaches to a large group of Native Americans; and a converted African family of a man, woman, and child, kneels and reaches toward the winged messenger of God. On the ground are broken chains and swords, and a hut and palm trees are in the background. Opposite the scenes of salvation, a cross rises from the ground, bringing forth a river of redemption too late for the lost souls of a bejeweled white woman and a skull-headed man entangled by serpents. Behind them a temple, probably the Vatican, collapses to the ground crushing a white man. The Missionary Society, officially organized in New York in 1820, worked first to convert Native Americans and enslaved people before extending their missions to the Black inhabitants of Liberia in 1823., Title from item., Date inferred from content., Issued to Reverend Thomas Lumption on April 9th, 1844. Signed by Joshua Soule, Chairman, and Francis Hale, Clerk., Purchase 1971., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[ca. 1835]
Location
Library Company of Philadelphia | Print Department *GC - Certificates [7971.F]
Advertises Kollner as a painter of portraits of "ladies and gentlemen on horseback" and "horses, correct and in every possition [sic]." Reflects Kollner's failed attempt to establish himself as an equestrian portrait painter upon his arrival in Philadelphia. Soon after this advertisement was issued, Kollner was hired by Duval to create lithographic portraits of military personnel, many on horseback, for the U.S. Military Magazine., Not in Wainwright., Philadelphia on Stone, POSA 2, See Nicholas B. Wainwright's "Augustus Kollner, Artist" in Pennsylvania Magazine of History and Biography (Vol. 84, 1960), pages 325-351.
Date
[1840]
Location
Library Company of Philadelphia | Print Department BW - Advertisements [8115.F.1]
Advertisement for hats depicting a jumbled assortment of men's hats displayed on top of an anvil shaped pedestal adorned with an image of a beaver. Parker is listed at this address from 1829 to 1841., Not in Wainwright., Philadelphia on Stone, POSP 170, Originally part of John McAllister's scrapbook "Costumes, English & American, 1800-1869."
Creator
Erwin, J., artist
Date
[ca. 1836]
Location
Library Company of Philadelphia | Print Department *BW - Advertisements [5743.F.94]
Advertisement depicting a jumbled assortment of men's and boy's hats on top of an anvil-shaped pedestal. Hats lie on their side, top, and rim., Not in Wainwright., Philadelphia on Stone, POSP 3, Originally part of John McAllister's scrapbook "Costumes, English & American, 1800-1869."
Date
[ca. 1832]
Location
Library Company of Philadelphia | Print Department *BW - Advertisements [5743.F.95]
Amusing winter genre scene showing several individuals enjoying the frozen river as a place for recreation, travel, and as a place of observation for the February 12, 1831 solar eclipse. In the foreground, several ice skaters, predominately men, skate, perform tricks, and fall. One of the fallen includes an African American man, lying on his back, his hat on the ice near a dog playing with a ball. In the right of the image, a vendor serves beverages from a refreshment stand. In the background, several others skate, ride and pull sleds, or enjoy a horse-drawn sleigh ride., Philadelphia on Stone, POS 696, Historical Society of Pennsylvania: Bb 07 S 17, LCP exhibit catalogue: Made in America, entry #44, Smithsonian, Harry T. Peters Collection: DL*60.3655. Copy hand-colored., Trimmed.
Advertisement for the iron foundry established by the Morris family in 1828 at 16th and Market streets. Contains two views above and below the title. Upper view shows the interior of the foundry where in the center a foreman talks with a gentleman, possibly a Morris, surrounded by workers and machinery. In the right, iron workers use a hoist to pour a cauldron of liquid ore into a mold near an open entranceway. In the left, a worker is bent over and using a hammer near humongous cogs and cylinders. Tools including a sledge hammer, pliers, and shovels rest on the floor of the shop and pulleys hang from the ceiling. Lower scene shows a laborer at a large piece of machinery with gears, shafts, piston, and a lever. All the workers wear caps or hats. Israel Morris assumed operations of this foundry in 1848 after I. P Morris & Co. relocated to Port Richmond., Philadelphia on Stone, POS 486, Historical Society of Pennsylvania: Bc 35 M 876, Trimmed., LCP exhibit catalog: Made in America, entry #59.
Creator
Weaver, Matthias S., 1815 or 16-1847, artist
Date
[1840]
Location
Historical Society of Pennsylvania HSP Bc 35 M 876
Illustrated handbill containing an image of the "iron gag," an iron palet placed over the tongue and chained around the jaw. Also contains a paragraph of text calling for the abolition of the device after condemning its use on the convict "for merely speaking to a fellow prisoner" as antithetical to the "liberty, equality, and a just enjoyment of the rights" espoused by the people." Maccumsey was a 44 year old man serving his second of twelve years for murder when punished with the iron gag after continually talking to inmates, an infraction at the prison founded upon Quaker principles of solitude and silence as measures for reform., Not in Wainwright., Thomas McElwee was a member of the legislative investigative committee monitoring Eastern State Penitentiary who wrote the critical "A Concise History of the Eastern Penitentiary of Pennsylvania :...." (Philadelphia, 1835)., Philadelphia on Stone, POSP 115, Historical Society of Pennsylvania: Ba 263 Ak 53
Creator
Akin, James, ca. 1773-1846
Date
c1835
Location
Historical Society of Pennsylvania HSP Ba 263 Ak 53
Billhead for the lithographic printing establishment of Peter S. Duval who established his own firm in 1838. Illustrated by a small vignette of the Philadelphia Merchants’ Exchange at upper left., Not in Wainwright., Recto inscribed: Philada. Oct 9th 1839 Mr. Levi Morris & Co. To printing 300 imps [i.e., impressions] of a large Bul? $9.00/ paper for do. 2.00/ printing the lettering 3.00/ [total] $14.00. Recd payment in full. P.S. Duval., Philadelphia on Stone, POSA 79, American Antiquarian Society: Graphic Arts Lithf Duva Prob Duva
Creator
Probst, John, b. ca. 1805, artist
Date
[ca. 1838]
Location
American Antiquarian Society AAS Graphic Arts Lithf Duva Prob Duva
Plate from drawing book containing title page and 23 numbered leaves of lithographed plates, interleaved with [21] blank leaves for copying. Includes landscape, rustic architectural, and maritime views. Also contains anatomical designs., Not in Wainwright., Philadelphia on Stone, POSP 151, American Antiquarian Society: Stacks SB Drawing B786m 1839, American Antiquarian Society copy some illustrations hand-colored, some copied or annotated. Lacks leaf 7. "S" added at end of name "Bowen" on title page. Inscribed: Willie Sprague Wood ; C.J.M. ; Maureen G. Tuckerman ; Gil Blas de Santillan ; George.
Creator
Bowen, John T., ca. 1801-1856?
Date
[ca. 1840]
Location
American Antiquarian Society AAS Stacks SB Drawing B786m 1839
Certificate containing an exterior view of the Blockley Almshouse and Philadelphia General Hospital in West Philadelphia. Under a cloudy sky, a horse-drawn carriage passes and a few men walk in front of the building. A large yard and a tree are visible in the foreground. The Board of Guardians, the governing board of the Guardians of the Poor, established in 1782 and abolished in 1877, oversaw the operations of the almshouse, including admissions, accounts, and employment of the poor. The almshouse was completed in 1833 after the designs of Philadelphia architect William Strickland., pdcp00029, Title supplied by Wainwright., Philadelphia on Stone, POS 100, Free Library of Philadelphia: Philadelphiana - Alms House, Originally Castner 9:63.
Creator
Lehman, George, d. 1870, artist
Date
[ca. 1835]
Location
Free Library of Philadelphia. | Print and Picture Collection. FLP FLP Philadelphiana - Alms House
Advertisement showing the hat store operated by C & J. H. Bulkley on the 400 block of Chestnut Street. Hats are displayed in the windows. Includes the adjacent buildings, the United States Hotel (419-423) and R. H. Hobson, stationery and print store. Portrait prints and stationery adorn the display window of the print store. Also shows pedestrian traffic, including guests arriving at the hotel, an African American laborer transporting a valise on a hand-cart, a gentleman with an umbrella, and a lady and gentleman admiring the display at Hobson's. A dog stands on the sidewalk., Title and publication information supplied by Wainwright., Inscribed on verso: United States Hotel. Hotels., Philadelphia on Stone, POS 67, Historical Society of Pennsylvania: Ba 38 B 934, Trimmed.
Date
[ca. 1833]
Location
Historical Society of Pennsylvania HSP Ba 38 B 934
Landscape view showing the first Philadelphia, Germantown and Norristown Railroad (later Philadelphia & Reading Railroad) bridge completed in 1833 over the Wissahickon near a waterfall. A train comprised of an engine, two crowded passenger coaches, i.e., trucks, and a freight car cross the Town lattice truss bridge. The neighboring Robeson's Mill is visible in the right foreground. Cows graze near the creek on which a group of ducks swim. Bridge razed in 1844. Ithiel Town patented his lattice truss design in 1820., Probable printer supplied by Wainwright, Philadelphia on Stone, POS 632, Historical Society of Pennsylvania: Bb 7 R 131
Advertisement showing the very busy four-and-a-half story hotel opened in 1807 on Third Street below Arch Street. Includes partial views of adjacent buildings. Several male guests lounge on the porch as a gentleman enters the hotel. Also shows pedestrians and a valet hauling luggage with a hand cart. Contains a N.B. about "charges moderate" for a "ladies' dining room, for the accommodation of families, that do not wish a private parlor." The hotel closed soon before the Civil War., Not in Wainwright., Philadelphia on Stone, POS 133, Historical Society of Pennsylvania: Bb 32 B 813
Creator
Brown, Mannevillette Elihu Dearing, 1810-1896
Date
[ca. 1832]
Location
Historical Society of Pennsylvania HSP Bb 32 B 813
Satire of President Andrew Jackson who is represented as a figurehead that is being placed on "Old Ironsides" (i.e. the ship "Constitution") by African American sailors. The white commander, attired in uniform with his back to the viewer, stands beside a bucket of grog and offers the sailors a "double allowance of grog." To the right, eight African American sailors, portrayed in racist caricature and speaking in the vernacular, hoist the figurehead up with ropes. In the left, two African American sailors steady the base of the figurehead with rope and one remarks, "...dey'd better run him up to the yard arm like dey do de pirate." The figurehead of Jackson, who was often criticized for his broad interpretation of the constitutional powers of the executive branch, holds a paper inscribed "My interpretation of the Constitution." In the right, a white man military fifer and a white man drummer play the "rogue's march" instead of "Hail Columbia." Cartoon references the event in July 2, 1834, when mariner Samuel W. Dewey decapitated the figurehead in the middle of the night. The figurehead of Andrew Jackson was added to the USS Constitution (Old Ironsides) in March/April 1834., Title from item., Incorrect publication date of 1832 supplied by Weitenkampf., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2023., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Imbert, a pioneer of lithography in New York City, printed city views and also painted marinescapes.
Creator
Imbert, Anthony, 1794 or 5-1834, lithographer
Date
[1834]
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1834 Fix [5760.F.73]
Advertisement looking down the alley way of the brewery, also known as Eagle Brewery, established in 1829. Includes the "Pale Ale Brewery Counting House" (left) and adjoining and adjacent processing buildings. In the foreground, within the doorway of the red brick counting house, a clerk interacts with a drayman. The brewery employee hands the driver a small piece of paper as the deliveryman also holds the reigns of his horse harnessed to a dray loaded with beer barrels. The horse wears blinders. Behind the clerk, a gentleman holding a mug of beer stands with another man in the doorway. In the alley, laborers, some in aprons, transport barrels out off a three-archway storage building, pause near a dray loaded with barrels, and stand by a row of barrels near a doorway of a building opposite the counting house. In the background, other workers hoist a sack to an upper receiving door of a building. Also shows a pipe extending between the storage house and the building lined with kegs. Brewery operated from 121, i.e., 309-311 Green Street 1829-1862. Brewery purchased by Robert Gray., pdcp00028, Philadelphia on Stone, Free Library of Philadelphia: Oversize Philadelphiana - Factories and Foundries (N-Z)
Creator
Breton, William L., artist
Date
[ca. 1835]
Location
Free Library of Philadelphia. | Print and Picture Collection. FLP FLP Oversize Philadelphiana - Factories and Foundries (N-Z)
Sheet music cover. Wainwright originally dated ca. 1848., Wainwright retrospective conversion project., Select link below to view a digital image., Library Company of Philadelphia: Sheet music collection 8189.F., Historical Society of Pennsylvania:
Creator
Queen, James Fuller, 1820 or 21-1886 artist., creator
Date
1837-1842.
Location
http://www.lcpgraphics.org/wainwright/W392.htm, Library Company of Philadelphia Print Dept. W392 [Sheet music 8189.F]
Lettersheet containing vignette exterior views of the U.S. Naval Asylum, the convalescence home for retired sailors, and the State House, i.e., Independence Hall. Views show street and pedestrian traffic, including a horse-drawn wagon and omnibus as well as a man on horseback. Asylum built 1827-1833 after the designs of William Strickland at 2420 Gray's Ferry Avenue. State House built 1732-1748 after the designs of Andrew Hamilton and Edmund Woolley at 520 Chestnut Street., Philadelphia on Stone, POS 766/767
Date
[ca. 1840]
Location
Library Company of Philadelphia | Print Department BW - Hospitals [P.9454.6]
Series of eight prints satirizing journal entries published in 1835 that were written 1832-1833 by the British-born actress during her American tour. Includes citations to the lampooned "Journal" entries from the two-volume Philadelphia edition published by Carey, Lea & Blanchard in 1835. Plates 1 and 2 depict scenes from her sea voyage. The first shows her "embroidering one of [her] old nightcaps" in "sea sickness" surrounded by a "Bible Cover," Dante's "Opera," a journal page, and a basin as she is a "Dear Good Little Me" and an "Angel." The second shows Kemble being served dinner by a caricatured African American servant as she is "lying on [her] back" surrounded by "[her] dinner followed [her] thither" above quotes comparing her appetite to "Danaides' tale of credilable [sic] memory" and her being as fat as an "overstuffed pin cushion." The African American figure is portrayed with exagerrated features.[Plate 3?] satirizes a poem "To bed - to sleep - To sleep -perchance to be bitten!" she wrote about the onslaught of insects at night in her New York hotel room. Shows Kemble aghast as she raises her blanket inscribed with the names of New York newspapers in her attempt to get into a bed swarmed by bed bugs, ants, and mosquitoes. [Plate 4?] caricaturizes her actor father, Charles Kemble, as a stumbling drunk "who a little elated made me sing to him" while muttering "To be or not to be that is the q-q-qu-question" in a parlor near his consternate daughter beside a piano above her quote about his "gallant, graceful, courteous, deportment.", [Plate 5?] shows a small-framed "interesting youth" delivering "a nosegay as big as himself" to Ms. Kemble who reflects "How they do rejoice my spirit." [Plate 6?] depicts the death scene from a December 1832 performance of Romeo & Juliet when the prop dagger was misplaced and Kemble improvised 'Why were the devil is your dagger.." as she rummages the body of the prostrate Romeo in front of the Capulet mausoleum. [Plate] 7 " A Funny Idea of My Father's" shows another caricature of Charles Kemble as a drunk satirizing her entry about a playful moment during a walk past kegs on Market Street in Philadelphia when her father joked 'How I do wish I had a gimlet. What fun it would be to pierce every one..." An illusion of a gimlet floats in front of her father as she cowers behind him beside the kegs. [Plate] 8 mocks the horsemanship of Kemble who criticized Americans' abilities and wrote of an impromptu jaunt on a cart horse in Lockport, NY Niagara where she 'got upon the amazed quadruped and took a gallop..' Shows she and her mount in a barnyard being chased by a dog and trampling ducks as she exclaims "Go it, old fellow" in front of her "father and good old D." in the background., Title supplied by cataloger., Published as Sketches supposed to have been intended for Fanny Kemble's journal (New York: Endicott, 1835). [LCP *Am 1835 7196.F]., Four of the eight prints contain plate numbers: 1, 2, 7, and 8., [Plate 5?] inscribed: G.H.B. [P.2006.17.3], Gift of Michael Zinman, 2006., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Access points revised 2021., Description revised 2021.
Date
[ca. 1835]
Location
Library Company of Philadelphia | Print Department GC - Kemble [P.2006.17.1-8]
Advertisement proof showing the four-story establishment for Andrew Berrybill at 25 South Eighth Street adorned by a large mortar and pestle and a signboard that reads "Andrew Berryhill." The drugstore's display windows on the first floor are flanked by columns. A gentleman stands in the doorway as a laborer loads a barrel onto a horse-drawn dray in the foreground. Barrels and crates pulled from the cellar sit on the sidewalk. Andrew Berrybill tenanted this property from 1839-1840., Philadelphia on Stone, POS 20, New York Public Library: MEZDB (Duval)
Advertisement showing the three-story, three bay building with swan neck pediments flanking the sign "Loud & Brothers Piano Forte Manufacturers" at 150 Chestnut Street (ie. north side of the 600 block of Chestnut Street) across from the Philadelphia Arcade. Pianos are on display in their wide, decorative shop window and laurel wreaths adorn the transom windows above the two doorways to the shop. The piano manufactory, the largest of its kind in the country at the time, was purportedly behind the store. Thomas Loud Evenden and his brothers formed the Loud & Brothers piano business in the early 1820s and were the most extensive manufacturer until the Chestnut Street shop closed in the late 1830s., Artist and publisher assigned by Wainwright., Published in James Mease and Thomas Porter's Picture of Philadelphia from 1811 to 1831: Giving an account of its origin, increase and improvements in arts, sciences, manufactures, commerce and revenue. (Philadelphia: Published by Robert DeSilver, No. 110 Walnut Street, 1831), vol. II, opposite page 60 and in Thomas Porter's Picture of Philadelphia 1811 to 1831: Giving an account of the improvements of the city, during that period (Philadelphia: Published by Robert DeSilver, No. 110 Walnut Street, 1831), vol. II, opposite page 60., Philadelphia on Stone, POS 509, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Am 1831 Mease 68582.D; Am 1831 Mease Log 4072.D; Am 1831 Mease 20876.D; and in Am 1831 Mease 104520.D., Historical Society of Pennsylvania: Society Print Collection - Small - Stores & factories - Pianos - Box 56, Folder 12, Free Library of Philadelphia: Philadelphiana - Streets - Chestnut Street - 6th-7th
Creator
Breton, William L., artist
Date
[1831]
Location
Library Company of Philadelphia | Print Department W251 [Am 1831 Mease 68582.D.60a], Library Company of Philadelphia | Print Department W251 [Am 1831 Mease Log 4072.D.60a], Library Company of Philadelphia | Print Department W251 [Am 1831 Mease 20876.D.60a], Library Company of Philadelphia | Print Department W251 [Am 1831 Mease 104520.D.60a]
Book illustration advertisement showing the busy "Philadelphia Citizens" steamboat wharf at Arch Street and the Delaware River. Also shows the "Citizen's Line" office building (right foreground) adjacent to Jacob Ridgway's Ferry House and Hotel. Swarms of people line the wharf and several walk on the sidewalks. Horse-drawn drays and a carriage line the street in front of the office and hotel. Partial views of surrounding buildings are also visible. Vessels for New York, Baltimore, and Wilmington left the wharf daily., Name of printer supplied by Wainwright., Published in James Mease and Thomas Porter's Picture of Philadelphia from 1811 to 1831: Giving an account of its origin, increase and improvements in arts, sciences, manufactures, commerce and revenue. (Philadelphia: Published by Robert DeSilver, No. 110 Walnut Street, 1831), vol. II, opposite page 17 and in Thomas Porter's Picture of Philadelphia 1811 to 1831: Giving an account of the improvement of the city, during that period (Philadelphia: Published by Robert DeSilver, No. 110 Walnut Street, 1831), vol. II, opposite page 21., Philadelphia on Stone, POS 577, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: P.9830.2 a&b and in Am 1831 Mease 68582.D and in Am 1831 Mease Log 4072.D and in Am 1831 Mease 20876., Historical Society of Pennsylvania:, Loose prints gift of Jay Snider.
Creator
Breton, William L., ca. 1773-1855, artist
Date
[1831]
Location
Library Company of Philadelphia | Print Department W283 [P.9830.2 a&b]
Advertisement showing the ground level storefront of the upholstery and venetian blind business of James P. Moss. Pillasters flanking the two shop windows and the front entrance are surmounted by an entablature adorned with rosettes and other floral designs. Also visible are blinds and other upholstery in the windows, and an interior stairway leading to a door in the shop interior., Artist and publisher most likely W.L. Breton, del. and Kennedy & Lucas's Lithography. Assigned by cataloger., Published in James Mease and Thomas Porter's Picture of Philadelphia from 1811 to 1831: Giving an account of its origin, increase and improvements in arts, sciences, manufactures, commerce and revenue. (Philadelphia: Published by Robert DeSilver, No. 110 Walnut Street, 1831), vol II, oppostie page 108 and in Thomas Porter's Picture of Philadelphia 1811 to 1831: Giving an account of the improvements of the city, during that period (Philadelphia: Published by Robert DeSilver, No. 110 Walnut Street, 1831), vol. II, opposite page 108., Philadelphia on Stone, POS 488, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Am 1831 Mease 68582.D; Am 1831 Mease Log 4072.D; Am 1831 Mease 20876.D; and Am 1831 Mease 104520.D., Historical Society of Pennsylvania: Society Print Collection - Small - Stores & factories - Dry goods (M-R) - Box 55, Folder 7
Creator
Breton, William L., artist
Date
[1831]
Location
Library Company of Philadelphia | Print Department W238 [Am 1831 Mease 68582.D.108a], Library Company of Philadelphia | Print Department W238 [Am 1831 Mease Log 4072.D.108a], Library Company of Philadelphia | Print Department W238 [Am 1831 Mease 20876.D.108a], Library Company of Philadelphia | Print Department W238 [Am 1831 Mease 104520.D.108a]
Marine view looking north on the Delaware River showing the Navy Yard between Prime and Wharton streets in Southwark. Ships are docked at the yard, and a steam boat and other vessels travel nearby in the water. Also shows several ships docked along the riverfront in the background and two men pushing a rowboat off the shore in the foreground. The naval yard, the first U.S. Navy Yard, established by shipbuilder Joshua Humphreys and Secretary of the Navy Benjamin Stoddert in 1801, built, overhauled, stored, and disposed of warships. It operated in Southwark until 1876 when the Navy Yard enlarged and relocated to League Island., Copyrighted by J.C. Wild and J.B. Chevalier., Issued as plate 10 in Views of Philadelphia, and its vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838), a series of views originally published as five numbers of four prints each, and later sold as a bound volume of twenty views., Philadelphia on Stone, POS 586.1. Digital image shows fourth state., Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Print Room *Am 1838 Wild 6626.F., Historical Society of Pennsylvania:, Free Library of Philadelphia: Philadelphiana - Views - Philadelphia from Navy Yard (3 copies), Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
Creator
Wild, J. C. (John Caspar), ca. 1804-1846, artist
Date
c1838
Location
Library Company of Philadelphia | Print Department W286.1 [Print Room *Am 1838 Wild 6626.F]
Marine view looking north on the Delaware River showing the Navy Yard between Prime and Wharton streets in Southwark. Ships are docked at the yard, and a steam boat and other vessels travel nearby in the water. Also shows several ships docked along the riverfront in the background and two men pushing a rowboat off the shore in the foreground. The naval yard, the first U.S. Navy Yard, established by shipbuilder Joshua Humphreys and Secretary of the Navy Benjamin Stoddert in 1801, built, overhauled, stored, and disposed of warships. It operated in Southwark until 1876 when the Navy Yard enlarged and relocated to League Island., Copyrighted by J.C. Wild and J.B. Chevalier., Issued as plate 10 in Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838), a series of views originally published as five numbers of four prints each, and later sold as a bound volume of twenty views., Philadelphia on Stone, POS 586.2. Digital image shows fourth state., Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Print Room *Am 1838 Wild 3008.Q (Poulson), Historical Society of Pennsylvania:, Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
Creator
Wild, J. C. (John Caspar), ca. 1804-1846, artist
Date
c1838
Location
Library Company of Philadelphia | Print Department W286.2 [Print Room *Am1838 Wild 3008.Q (Poulson)]
Marine view looking north on the Delaware River showing the Navy Yard between Prime and Wharton streets in Southwark. Ships are docked at the yard, and a steam boat and other vessels travel nearby in the water. Also shows several ships docked along the riverfront in the background and two men pushing a rowboat off the shore in the foreground. The naval yard, the first U.S. Navy Yard, established by shipbuilder Joshua Humphreys and Secretary of the Navy Benjamin Stoddert in 1801, built, overhauled, stored, and disposed of warships. It operated in Southwark until 1876 when the Navy Yard enlarged and relocated to League Island., Copyrighted by J. T. Bowen., Originally published as plate 10 in Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). The lithographic stones for the views were acquired by John T. Bowen and reissued in 1838 and in 1848 with hand coloring., Philadelphia on Stone, POS 586.3. Digital image shows fourth state., Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Print Room *Am 1838 Wild 3008.Q (Rush), Historical Society of Pennsylvania:, Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
Creator
Wild, J. C. (John Caspar), ca. 1804-1846, artist
Date
c1838
Location
Library Company of Philadelphia | Print Department W286.3 [Print Room *Am 1838 Wild 3008.Q (Rush)]
Advertisement showing the four-story, three-bay storefront tenanted by the hardware store of Richard Bowlby and William Weaver (77, i.e., south side of the 200 block of Market Street). Bowlby & Weaver relocated to this site in 1831 from 101 High Street, where they had operated since 1820. The business was managed under the name Bowlby & Weaver until 1835 when it was renamed to William Weaver & Co. In the image, the names of the partners are painted on a saw that hangs above the front door. Visible through the open doorway are two men, who stand face to face, one on each side of a table displaying the store's wares., Published in James Mease and Thomas Porter's Picture of Philadelphia from 1811 to 1831: Giving an account of its origin, increase and improvements in arts, sciences, manufactures, commerce and revenue. (Philadelphia: Published by Robert DeSilver, No. 110 Walnut Street, 1831) vol. II, opposite page 113 and in Thomas Porter's Picture of Philadelphia 1811 to 1831: Giving an account of the improvements of the city, during that period (Philadelphia: Published by Robert DeSilver, No. 110 Walnut Street, 1831) vol. II, opposite page 113., Philadelphia on Stone, POS 61, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Am 1831 Mease 68582.D and in Am 1831 Mease Log 4072.D and in Am 1831 Mease 20876.D., Historical Society of Pennsylvania:, Free Library of Philadelphia: Philadelphiana - Stores & Shops
Creator
Breton, William L., ca. 1773-1855, artist
Date
[1831]
Location
Library Company of Philadelphia | Books & Other Texts | Rare W32 [Am 1831 Mease 68582.D], Library Company of Philadelphia | Books & Other Texts | Rare W32 [Am 1831 Mease Log 4072.D], Library Company of Philadelphia | Books & Other Texts | Rare W32 [Am 1831 Mease 20876.D]
View looking east down the inclined plane cut into Belmont Hill (Fairmount Park) for the hauling of railroad cars in Philadelphia on route to the steam locomotives to Columbia on the Philadelphia and Columbia Railroad. Shows two men watching cars being hauled by ropes from within the plane. The covered Columbia Railroad Bridge, completed in 1834 over the Schuylkill River, from which the plane leads up, is visible in the background. Also shows distant cityscape, and forestry. The plane was abandoned in 1850., Originally published as plate 4 in Views of Philadelphia, and its vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). The lithographic stones for the views were acquired by John T. Bowen and reissued in 1838 and in 1848 with hand coloring., Copyrighted by J.T. Bowen., Philadelphia on Stone, POS 286.4, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: P.2088 and in Print Room *Am 1848 Wild 3007.Q (Poulson) and in *Am 1848 Wild 1514.F and in *Am 1848 Wild 1515.Q., Historical Society of Pennsylvania:, Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
Creator
Wild, J. C. (John Caspar), ca. 1804-1846, artist
Date
c1840, 1848
Location
Library Company of Philadelphia | Print Department W145.4 [P.2088]
Portrait image of a Zoolu (i.e, Zulu) warrior and his daughter. Seated on a rock, the warrior holds his sword and three spears. His daughter stands at his side, resting her hand on his shoulder. She wears a necklace and a wrap around her hips., Frontispiece for volume one of Nathaniel Isaacs's Travels and Adventures in Eastern Africa: Descriptive of the Zoolu Manners, Customs, etc. etc.: With a Sketch of Natal (London: Edward Churton, 26, Holles Street, 1836)., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
Creator
Bagg, William, lithographer
Date
[1836]
Location
Library Company of Philadelphia | Books & Other Texts | Rare U Afri Isaac 6281.D vol 1 frontispiece, https://digital.librarycompany.org/islandora/object/Islandora%3A2916
Proof before letters containing a view looking east on Chestnut Street between 4th and 5th Streets depicting two banks designed by Philadelphia architect William Strickland: the United States Bank of Pennsylvania, formerly the Bank of the United States (i.e. Second Bank, later U.S. Custom House 1844-1935), constructed 1818-24; and the Philadelphia Bank, completed in 1837. Contains a partial view of buildings on the north side of the street including the entranceway of the United States Hotel. Also shows horse-drawn carriages travelling west and a dray and a man pushing a wheelbarrow travelling east in the street. Pedestrians walk on the sidewalk and on the steps of the United States Bank and convene at the hotel entrance., Attributed to John C. Wild., Title from manuscipt note on recto., Philadelphia on stone, POS 775, LCP exhibit catalogue: Made in America #53
Creator
Wild, J. C. (John Caspar), ca. 1804-1846, artist
Date
[1837]
Location
Library Company of Philadelphia | Print Department *BW - Banks [7702.F]
Exterior view of the Protestant Episcopal church built 1727-1744 at 22-34 North 2nd Street. Also shows pedestrian traffic., Copyrighted by J.C. Wild and J.B. Chevalier., Issued as plate 17 in Views of Philadelphia, and its vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838), a series of views originally published as five numbers of four prints each, and later sold as a bound volume of twenty views., Philadelphia on Stone, POS 102.1, One of the images [(4)1322.F. 61c] originally part of a McAllister scrapbook of views of Philadelphia., Wainwright retrospective conversion project., Library Company of Philadelphia: (4)1322.F.61c; 3008.Q; in Print Room * Am 1838 Wild 6626.F and in Print Room *Am 1838 Wild 3008.Q (Poulson), Historical Society of Pennsylvania: Bb862 W6441 Pl.17., Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-75.
Creator
Wild, J. C. (John Caspar), ca. 1804-1846, artist
Date
c1838
Location
Library Company of Philadelphia | Print Department W64.1 [(4)1322.F.61c; 3008.Q]
Advertising label for the Philadelphia stationer. Between the words of the title is a tabletop crowded with stationers’ products, including an artist’s palette with brushes, a box of watercolor paints, quill pens, a pair of compasses, boxes of paper, and books. Samuel M. Stewart moved to New Orleans in 1840 and Lipman operated from the Chestnut Street address through 1849., Not in Wainwright., Philadelphia on Stone, POSP 240, American Antiquarian Society: Graphic Arts Lithf Duva Stat
Date
[ca. 1840]
Location
American Antiquarian Society AAS Graphic Arts Lithf Duva Stat
Illustrated advertisement and price sheet for wrought iron pipes. Nineteen figures with numbers corresponding to the list below illustrate the available "tubes," including various bends, a "reducing socket," T and cross branches, and a burner jet. Also contains a vignette depicting the seal of Pennsylania featuring two horses and an eagle flanking a shield. Morris, Tasker, and Morris was founded by Stephen Morris in 1821 as a stove and grate manufactory. In the late 1820’s, Henry Morris and Thomas Tasker joined the firm which was renamed S.P. Morris & Co. Circa 1836 the firm was renamed Morris, Tasker, & Morris when Wistar Morris assumed the position of Stephen and the firm began to manufacture gas pipes. In 1856, the firm was renamed Morris, Tasker & Co. The factory closed in 1896., Not in Wainwright., Manuscript note on recto: 4th mo. 1st, 1838., Title annotated in ink: Now Morris, Tasker & Morris., Philadelphia on Stone, POSP 243, American Antiquarian Society: Graphic Arts Lithf LehmD KramG Morr
Creator
Kramm, Gustavus, artist
Date
[ca. 1835]
Location
American Antiquarian Society AAS Graphic Arts Lithf LehmD KramG Morr
Sheet music cover containing a view of Fairmount looking south from Reservoir Hill at Fairmount Water Works. Includes a partial view of the Engine House, the landscaped South Garden with fountain, the Upper Ferry Bridge over the Schuylkill River, and Harding's Hotel, the popular resort on the west bank. Also show several park visitors ascending the hill and walking the grounds. The waterworks were originally built between 1812 and 1822 after the designs of Frederick Graff. The gardens were completed in 1835., Attributed to John Bufford., Ba 888 Z 99 includes the sheet music., Inscribed on recto of Ba 888 Z 99 c. 2 [Ba 81 F 166]: Looking toward Upper Ferry Bridge., Printed on recto: Price 50 Cts., Philadelphia on Stone, POS 231, Library Company of Philadelphia: Sheet Music Collection [9914.F], Historical Society of Pennsylvania: Ba 888 Z 99, Historical Society of Pennsylvania: Ba 888 Z 99 c. 2 [Ba 81 F 166]
Creator
Bufford, John Henry, 1810-1870, artist
Date
c1836
Location
Historical Society of Pennsylvania HSP Ba 888 Z 99, Historical Society of Pennsylvania HSP Ba 888 Z 99 c. 2 [Ba 81 F 166]
Sheet music cover showing the Falcon crew on their barge near the Fairmount Water Works. The nine-men crew includes a coxswain and eight oarsmen wearing striped uniforms, the latter holding up their oars. The barge is adorned with an American flag on the bow and the club flag on the stern. Also shows the covered bridge, known as the Upper Ferry Bridge (destroyed by fire in 1838) in the background. The waterworks were originally built between 1812 and 1822 after the designs of Frederick Graff. Old Rosin the Beau is an Irish drinking song., Name of artist supplied by Wainwright., Includes the sheet music., Printed on recto: Price 25 cts nett., Philadelphia on Stone, POS 527, Historical Society of Pennsylvania: Bb 07 R 795, Free Library of Philadelphia: Castner 21:66. Cover only.
Creator
Wild, J. C. (John Caspar), ca. 1804-1846, artist
Date
c1838
Location
Historical Society of Pennsylvania HSP Bb 07 R 795
Proof print for Coleman Sellers & Sons (No. 3 No. 6th Street) billhead containing vignette views of their "Cardington Factory" ironworks built along Cobbs Creek near West Philadelphia in 1828. Vignettes accompanied by caption reading "Iron and brass castings. Mill gearing all kinds of paper making machinery. Hydraulic and Screw Presses. Paper Molds & Cutters. Wood & Cotton Machine Cards & also wirework of all descriptions. The factory made equipment for the textile, paper and locomotive industry before its bankruptcy in 1838., Not in Wainwright., Attributed to Charles Fenderich., Inscribed: Mr. Coleman Sellers & Sons Dr. to F[enderich] for following work. Engraved Bills $2.00; 200 copies [illegible] 2.00; $4.00, Philadelphia on Stone, POS 82, Library of Congress: PGA - Fenderich, no. 59 (A size) [P&P], Sheet music cover illustrated with a ballroom scene titled "Concordia...Respectuflly dedicated to Miss Fanny Kemble..." and with imprint Chs. Fenderich's Lith Press, No. 21 Callowhill St., Phiada. printed on verso. Scene shows several formally attired couples engaged in a waltz as other attendees socialize, watch the dancing, and attend to a woman who has fainted. Also shows the orchestra playing from a balcony above.
Creator
Fenderich, Charles
Date
[ca. 1833]
Location
Library of Congress | Prints and Photographs Division LOC PGA - Fenderich, no. 59 (A size) [P&P]
Sheet music cover containing a scene showing the volunteer militia company of Light Artillery Corps Washington Gray's marching down the 400 block of Chestnut Street. The four lines of men follow their officer who follows the military band. The men pass the Philadelphia Bank building (400-408, built 1836), the United States Bank (420, built 1819-1824 as Second Bank of the U.S.), and neighboring buildings, including the business with partially visible signage for Henry Por.... Also shows a street lamp, a man walking on the sidewalk in front of the United States Banks, and two figures on the top of the stairs to that financial institution. The Washington Grays established an armory at 8th and Chestnut 1837-1838., Inside cover title: The Washington Gray's new grand march & quick step : arranged for the piano forte by Charles Jarvis, Includes sheet music., Philadelphia on Stone, POS 59, Free Library of Philadelphia: Sheet Music 11707
Date
c1839
Location
Free Library of Philadelphia. | Music Collection. FLP Sheet Music 11707
Racist print promoting anti-abolitionists' fears of multiracial personal relationships. Depicts a parlor scene where two inter-racial couples court on a couch. In the left, an attractive white women sits on the lap of an African American man. The man, depicted in racist caricature with grotesque facial features, holds a guitar in his right hand as she engages him in a kiss. In the right, a rotund African American woman holds a fan in her right hand as she is wooed by a slender white man on his knees who kisses her left hand. Portraits of abolitionists Arthur Tappan, Daniel O'Connell (a radical Irish abolitionist), and John Quincy Adams are hung on the wall behind the couch. A white and black dog are in the left corner., Title from item., After E.W. Clay's Practical amalgamation (New York: Published and sold by John Childs, Lithographer, 119 Fulton Street, upstairs, 1839]., Purchase 1970., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1839
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1839 - Pra 2 [7897.F]
Print portraying the violent suppression of Southern abolitionism. Depicts a riotous mob around a gallows from which a white man hangs. It is overseen by Judge Lynch, depicted with donkey's ears and holding a whip while stepping on the Constitution. He is seated upon bales of cotton, sugar, and tobacco and sentences a white man abolitionist to be hanged by the neck. The abolitionist is grabbed and drug to the gallows by two white men., Print portraying a raid of anti-abolitionists on the Charleston Post Office in July 1835. Depicts white men removing and then pilfering mail-bags from the ransacked post-office and throwing to the ground abolitionist newspapers including "The Liberator," "Atlas," and "Commercial Gazette" while a riotous mob burns the papers. Posted on the Post Office is a broadside titled "$20,000 Reward for Tappan" referring to the bounty placed by the city of New Orleans upon Arthur Tappan, founder and president of the American Anti-Slavery Society., Title from item., Advertised in 1836 editions of the abolitionist newspapers The Liberator, published in Boston, and Emancipator, published in New York., Text printed on recto: Sentence passed upon one for supporting that clause of our Declaration viz. All men are born free &equal. “Strip him to the skin! give him a coat of Tar & Feathers! Hang him by the neck, between the Heavens and the Earth!!! as a beacon to warn the Northern Fanatics of their danger!!!!”, Purchase 1981., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[ca. 1835]
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1835-2 & 3 [P.8658]
Anti-abolition print satirizing the Lynn Female Anti-Slavery Society which was successful in its petition to the state legislature to abolish race-proscriptive laws, including a ban on interracial marriage. Depicts a parlor where the Society's members, composed of unattractive white women and African American men, have gathered to be introduced to the fictitious Haitian Ambassador, General Marmalade, by John Quincy Adams. The ambassador, portrayed in racist caricature and attired in an uniform and powdered wig, takes his hat off and bows as he holds a monocle up. He lasciviously addresses the women in the crowd in broken French and vernacular, "Mesdames votre trés humble serviteur! me no speak much Anglish-En regardant ces charmants bontons de rose de Lynn l’eau vient dans la bouche! Excuse bot de charming rose buds ob Lynn make vater in my mouse." The women await their introduction and remark about the ambassador's "lovely" and "beautiful" features, as well as his overall attractiveness. African American men, portrayed in racist caricature and attired in elegant suits, stand behind the women and comment in the vernacular about the ambassador, "Demd fine specimen of a man! pon honor." In the right background, a white man servant and a white woman servant enter the room carrying trays of food and drinks., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1839, by John Childs, in the clerk's office, in the District Court for the Southern District of New York., Caroline Augusta Chase headed the Lynn Female Anti-Slavery Society., Purchase 1959., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Clay, born in Philadelphia, was a prominent caricaturist, engraver, and lithographer who created the "Life in Philadelphia" series which satirized middle-class African Americans of the late 1820's and early 1830's.
Creator
Clay, Edward Williams, 1799-1857, artist
Date
1839
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1839-25w [6333.F]
Collection of social caricatures lampooning the pretensions of early 19th-century middle-class Philadelphians, mainly the city's growing community of free African Americans. Influenced by an increasing fascination with American culture and a growing racism stemming from the abolition of slavery in England, the African American characters are depicted with grotesque features and manners, wearing outlandish clothes, and speaking in patois and malapropisms to be portrayed as ineptly attempting to mimic white high society. Subject matter of the caricatures include absurd scenes of courtship and displays of etiquette on the street, at residences, at society balls, and in allegory; fashion; promenades; the abolition of slavery; the election of President Andrew Jackson; tea parties; and depictions of African Americans at work., British reprint of E.W. Clay's "Life in Philadelphia" series with ten of the original fourteen prints redrawn by William Summers, etched with aquatint by Charles Hunt, and published by Harrison Isaacs in London in the early 1830s. W.H. Isaacs continued issuing the prints altering the original content of the series by adding new subjects and removing the white caricatures. Around 1833 engraver and print seller, Gabriel Shire Treager assumed the publication of the series and added six new subjects creating a series of twenty. In 1834, Tregear published a similar series of caricatures in book form without the "Life in Philadelphia" moniker entitled, "Tregear's Black Jokes, being a Series of Laughable Caricatures in the March of Manners amongst Blacks." In 1860, London publisher T. C. Lewis reissued the series of twenty prints. Variants of prints from the series and additional caricatures with similar content; "The Cut Direct," "Sketches of Character. At Home and Abroad," "Philadelphia Dandies," and "The Lay Patroness of Alblacks" have been included as a part of the series., LCP AR [Annual Report] 1967 p. 51-53., LCP AR [Annual Report] 1968 p. 18-20., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of the Jacksonian Era (PhD. diss., The University of Michigan, 1980), p. 85-100. (LCP Print Room Uz, A423.O)
Creator
Summers, William, artist
Date
ca. 1831-ca. 1860, bulk 1831-1834
Location
Library Company of Philadelphia | Print Department Life in Philadelphia (London Set)
Anti-abolition print distortedly portraying the events of the New York freedom seeker episode, "The Darg Case." The case involved a freedom seeker of enslaver John Darg who stole $7000 from him, fled, and was harbored and assisted by African American abolitionist and writer David Ruggle, Quaker arbitrator Barney Corse, and Quaker abolitionist Isaac T. Hopper. Corse had arbitrated a deal with Darg that in exchange for the return of Darg's stolen money, the enslaved man's freedom would be granted, and a small stipend would be paid to Corse. The arbitration was discovered and annulled by the New York police who then arrested Ruggles and Corse. Depicts Darg's sitting room where Hopper is requesting a reward. Ruggles says, "I don't like the looks of this affair. I'm afraid my pickings will not amount to much!" Corse replies, "Yea verily I was but thy instrument Brother Hopper as Brother Ruggles here knoweth!" They are threatened by Darg with a chair to whom they have returned "$6908" of his stolen money, and who bitterly exclaims that they deserve prison., Title from item., Date from copyright statement: Entd accordd to Act of Congress in the year 1838 by H.R. Robinson, in the Clerk's office of the Distt Court of the U. States, for the southern District of New York., Purchase 1968., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Clay, born in Philadelphia, was a prominent caricaturist, lithographer, and engraver who created the "Life in Philadelphia" series which satirized middle-class African American Philadelphians in the late 1820s and early 1830s.
Creator
Clay, Edward Williams, 1799-1857, artist
Date
1838
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1838-40W [7779.F]
Cartoon satirizing an 1839 anti-abolition speech by the congressional orator Henry Clay focusing on his conflicting views on the abolition of slavery. Clay, despite deploring the institution of slavery, was an enslaver who was against immediate national abolition. Depicts Clay, in front of the Mason-Dixon line, coming to an agreement with John Calhoun, his chief congressional rival and leading senatorial supporter of slavery, about the issue of slavery. They both stand on past abolitionist resolutions and a prostrate enslaved African American man who quotes a verse from the Bible's book of Micah 7:8 that he will "arise." Clay's remarks "North" of the line reflect his abolitionist rhetoric; those "South" of the line refer to him being an enslaver. Calhoun states his pleasure in Clay's awakening to the societal benefits of slavery., Title from item., Date inferred from content., Accessioned 1979., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[1839]
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1839-24w [P.2275.18]
Critical satire of the American Anti-Slavery Society, which was founded on the principle of immediate abolition by Arthur Tappan and William Lloyd Garrison, who are depicted discussing the society's principles with an unnamed abolitionist, possibly Lewis Tappan. Above their heads is the banner "Anti Slavery Society Founded Anno Domini MDCCCXXXIII." The seated Garrison comments on the origin of the bundle of Italian linen at his feet, which is to be used for his newspaper "the Emancipator." In the right, the figure of a leopard rests upon a pedestal marked "Fanaticism. Brought the Inquisition upon Spain. Beggary upon Italy. And may drench America in blood!!" (an allusion to the idiom a leopard cannot change its spots and to the Spain and the Iberian War, 1807-1814). In the left, a Black man, labeled "Emancipated Slave," is portrayed in racist caricature and is naked except for a leaves wrapped around his waist. He chases an insect calling, "Food," while carrying a knife. In the background, a scene labeled "Insurection (sic) in St. Domingo! Cruelty, Lust, and blood!" depicts Black people using swords and axes to kill white people, including a white woman on the ground. A building burns behind them., Title from item., Date supplied by Weitenkampf., Probably the "A Caricature" cited in the Emancipator (New York, N.Y.), October 19, 1833 and Liberator (Boston, Mass.), November 2, 1833., The "Emancipated Slave" figure is similar to the figure depicted in the lithograph by Alfred Ducôte, "An Emancipated Negro" ([London]: Thomas McLean, 1833). Copies in the collections of National Maritime Museum, Greenwich, London and the Victoria & Albert Museum, London., Purchase 1986., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[1833]
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1833 - 27W [P.9140]
Abolitionist print containing six scenes depicting the inhumanity of slavery. Scenes include enslaved African American children crying while their mothers work and a white man enslaver whips an enslaved man in a sugar plantation field; the punishment of enslaved people by flogging, whipping, and binding by white men overseers in a shack; an auction of enslaved people; a free African American woman with a child watching the destruction of her free papers as she is kidnapped from the street; an anguished enslaved mother being separated from her children by a white man involved in the slave trade; and the shipping of enslaved people to New Orleans from a Baltimore dock. Also contains an excerpt about the rights of human beings from William Ellery Channing's abolitionist text, "On Slavery," below the image., Title from item., Advertised in the New York American Anti-Slavery Society newspaper, Emancipator (March 1836), p.3., Purchase 2003., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Lib. Company. Annual report, 2003, p. 45-46.
Date
[1836]
Location
Library Company of Philadelphia | Print Department political cartoons - 1836 Vie [P.2003.10], http://www.lcpimages.org/afro-americana/F-Views.htm
