Search results

Title: [Certificate of the Guardians, Physicans and Surgeons of the] Philadelphia Alms House
Description: Certificate containing an exterior view of the Blockley Almshouse and Philadelphia General Hospital in West Philadelphia. Under a cloudy sky, a horse-drawn carriage passes and a few men walk in front of the building. A large yard and a tree are visible in the foreground. The Board of Guardians, the governing board of the Guardians of the Poor, established in 1782 and abolished in 1877, oversaw the operations of the almshouse, including admissions, accounts, and employment of the poor. The almshouse was completed in 1833 after the designs of Philadelphia architect William Strickland., pdcp00029, Title supplied by Wainwright., Philadelphia on Stone, POS 100, Free Library of Philadelphia: Philadelphiana - Alms House, Originally Castner 9:63.
Creator: Lehman, George, d. 1870, artist
Date: [ca. 1835]
Location: Free Library of Philadelphia. | Print and Picture Collection. FLP FLP Philadelphiana - Alms House

Title: Fixing a block-head to the Constitution or putting a wart on the nose of old ironsides
Description: Satire of President Andrew Jackson who is represented as a figurehead that is being placed on "Old Ironsides" (i.e. the ship "Constitution") by African American sailors. The white commander, attired in uniform with his back to the viewer, stands beside a bucket of grog and offers the sailors a "double allowance of grog." To the right, eight African American sailors, portrayed in racist caricature and speaking in the vernacular, hoist the figurehead up with ropes. In the left, two African American sailors steady the base of the figurehead with rope and one remarks, "...dey'd better run him up to the yard arm like dey do de pirate." The figurehead of Jackson, who was often criticized for his broad interpretation of the constitutional powers of the executive branch, holds a paper inscribed "My interpretation of the Constitution." In the right, a white man military fifer and a white man drummer play the "rogue's march" instead of "Hail Columbia." Cartoon references the event in July 2, 1834, when mariner Samuel W. Dewey decapitated the figurehead in the middle of the night. The figurehead of Andrew Jackson was added to the USS Constitution (Old Ironsides) in March/April 1834., Title from item., Incorrect publication date of 1832 supplied by Weitenkampf., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2023., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Imbert, a pioneer of lithography in New York City, printed city views and also painted marinescapes.
Creator: Imbert, Anthony, 1794 or 5-1834, lithographer
Date: [1834]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1834 Fix [5760.F.73]

Title: Wm C. Rudman’s Philadelphia pale ale on draught, warranted for from all pernicious drugs and alcoholic admixture, Brewery, 121 Green Street, Northern Liberties
Description: Advertisement looking down the alley way of the brewery, also known as Eagle Brewery, established in 1829. Includes the "Pale Ale Brewery Counting House" (left) and adjoining and adjacent processing buildings. In the foreground, within the doorway of the red brick counting house, a clerk interacts with a drayman. The brewery employee hands the driver a small piece of paper as the deliveryman also holds the reigns of his horse harnessed to a dray loaded with beer barrels. The horse wears blinders. Behind the clerk, a gentleman holding a mug of beer stands with another man in the doorway. In the alley, laborers, some in aprons, transport barrels out off a three-archway storage building, pause near a dray loaded with barrels, and stand by a row of barrels near a doorway of a building opposite the counting house. In the background, other workers hoist a sack to an upper receiving door of a building. Also shows a pipe extending between the storage house and the building lined with kegs. Brewery operated from 121, i.e., 309-311 Green Street 1829-1862. Brewery purchased by Robert Gray., pdcp00028, Philadelphia on Stone, Free Library of Philadelphia: Oversize Philadelphiana - Factories and Foundries (N-Z)
Creator: Breton, William L., artist
Date: [ca. 1835]
Location: Free Library of Philadelphia. | Print and Picture Collection. FLP FLP Oversize Philadelphiana - Factories and Foundries (N-Z)

Title: The Philadelphia Firemen's Anniversary Parade March composed for his brass band expressly for the occasion, arranged for the piano forte and respectfully dedicated to the Fire Department by Francis Johnson Philadelphia. [graphic] / Designed & drawn on stone by J. Queen ; P.S. Duval Lith.
Description: Sheet music cover. Wainwright originally dated ca. 1848., Wainwright retrospective conversion project., Select link below to view a digital image., Library Company of Philadelphia: Sheet music collection 8189.F., Historical Society of Pennsylvania:
Creator: Queen, James Fuller, 1820 or 21-1886 artist., creator
Date: 1837-1842.
Location: http://www.lcpgraphics.org/wainwright/W392.htm, Library Company of Philadelphia Print Dept. W392 [Sheet music 8189.F]

Title: U. S. Naval Asylum; State House = Malrosen Hospital bei Philadelphia; Das Rathhaus in Philadelphia
Description: Lettersheet containing vignette exterior views of the U.S. Naval Asylum, the convalescence home for retired sailors, and the State House, i.e., Independence Hall. Views show street and pedestrian traffic, including a horse-drawn wagon and omnibus as well as a man on horseback. Asylum built 1827-1833 after the designs of William Strickland at 2420 Gray's Ferry Avenue. State House built 1732-1748 after the designs of Andrew Hamilton and Edmund Woolley at 520 Chestnut Street., Philadelphia on Stone, POS 766/767
Date: [ca. 1840]
Location: Library Company of Philadelphia | Print Department BW - Hospitals [P.9454.6]

Title: [Plates from "Sketches supposed to have been intended for Fanny Kemble's journal"]
Description: Series of eight prints satirizing journal entries published in 1835 that were written 1832-1833 by the British-born actress during her American tour. Includes citations to the lampooned "Journal" entries from the two-volume Philadelphia edition published by Carey, Lea & Blanchard in 1835. Plates 1 and 2 depict scenes from her sea voyage. The first shows her "embroidering one of [her] old nightcaps" in "sea sickness" surrounded by a "Bible Cover," Dante's "Opera," a journal page, and a basin as she is a "Dear Good Little Me" and an "Angel." The second shows Kemble being served dinner by a caricatured African American servant as she is "lying on [her] back" surrounded by "[her] dinner followed [her] thither" above quotes comparing her appetite to "Danaides' tale of credilable [sic] memory" and her being as fat as an "overstuffed pin cushion." The African American figure is portrayed with exagerrated features.[Plate 3?] satirizes a poem "To bed - to sleep - To sleep -perchance to be bitten!" she wrote about the onslaught of insects at night in her New York hotel room. Shows Kemble aghast as she raises her blanket inscribed with the names of New York newspapers in her attempt to get into a bed swarmed by bed bugs, ants, and mosquitoes. [Plate 4?] caricaturizes her actor father, Charles Kemble, as a stumbling drunk "who a little elated made me sing to him" while muttering "To be or not to be that is the q-q-qu-question" in a parlor near his consternate daughter beside a piano above her quote about his "gallant, graceful, courteous, deportment.", [Plate 5?] shows a small-framed "interesting youth" delivering "a nosegay as big as himself" to Ms. Kemble who reflects "How they do rejoice my spirit." [Plate 6?] depicts the death scene from a December 1832 performance of Romeo & Juliet when the prop dagger was misplaced and Kemble improvised 'Why were the devil is your dagger.." as she rummages the body of the prostrate Romeo in front of the Capulet mausoleum. [Plate] 7 " A Funny Idea of My Father's" shows another caricature of Charles Kemble as a drunk satirizing her entry about a playful moment during a walk past kegs on Market Street in Philadelphia when her father joked 'How I do wish I had a gimlet. What fun it would be to pierce every one..." An illusion of a gimlet floats in front of her father as she cowers behind him beside the kegs. [Plate] 8 mocks the horsemanship of Kemble who criticized Americans' abilities and wrote of an impromptu jaunt on a cart horse in Lockport, NY Niagara where she 'got upon the amazed quadruped and took a gallop..' Shows she and her mount in a barnyard being chased by a dog and trampling ducks as she exclaims "Go it, old fellow" in front of her "father and good old D." in the background., Title supplied by cataloger., Published as Sketches supposed to have been intended for Fanny Kemble's journal (New York: Endicott, 1835). [LCP *Am 1835 7196.F]., Four of the eight prints contain plate numbers: 1, 2, 7, and 8., [Plate 5?] inscribed: G.H.B. [P.2006.17.3], Gift of Michael Zinman, 2006., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Access points revised 2021., Description revised 2021.
Date: [ca. 1835]
Location: Library Company of Philadelphia | Print Department GC - Kemble [P.2006.17.1-8]

Title: [Andrew Berryhill (sic)]
Description: Advertisement proof showing the four-story establishment for Andrew Berrybill at 25 South Eighth Street adorned by a large mortar and pestle and a signboard that reads "Andrew Berryhill." The drugstore's display windows on the first floor are flanked by columns. A gentleman stands in the doorway as a laborer loads a barrel onto a horse-drawn dray in the foreground. Barrels and crates pulled from the cellar sit on the sidewalk. Andrew Berrybill tenanted this property from 1839-1840., Philadelphia on Stone, POS 20, New York Public Library: MEZDB (Duval)
Creator: Hoffy, Alfred M., b. ca. 1790, artist
Date: [ca. 1839]
Location: New York Public Library NYPL MEZDB (Duval)

Title: No. 150 Chesnut [sic] Street Philadelphia
Description: Advertisement showing the three-story, three bay building with swan neck pediments flanking the sign "Loud & Brothers Piano Forte Manufacturers" at 150 Chestnut Street (ie. north side of the 600 block of Chestnut Street) across from the Philadelphia Arcade. Pianos are on display in their wide, decorative shop window and laurel wreaths adorn the transom windows above the two doorways to the shop. The piano manufactory, the largest of its kind in the country at the time, was purportedly behind the store. Thomas Loud Evenden and his brothers formed the Loud & Brothers piano business in the early 1820s and were the most extensive manufacturer until the Chestnut Street shop closed in the late 1830s., Artist and publisher assigned by Wainwright., Published in James Mease and Thomas Porter's Picture of Philadelphia from 1811 to 1831: Giving an account of its origin, increase and improvements in arts, sciences, manufactures, commerce and revenue. (Philadelphia: Published by Robert DeSilver, No. 110 Walnut Street, 1831), vol. II, opposite page 60 and in Thomas Porter's Picture of Philadelphia 1811 to 1831: Giving an account of the improvements of the city, during that period (Philadelphia: Published by Robert DeSilver, No. 110 Walnut Street, 1831), vol. II, opposite page 60., Philadelphia on Stone, POS 509, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Am 1831 Mease 68582.D; Am 1831 Mease Log 4072.D; Am 1831 Mease 20876.D; and in Am 1831 Mease 104520.D., Historical Society of Pennsylvania: Society Print Collection - Small - Stores & factories - Pianos - Box 56, Folder 12, Free Library of Philadelphia: Philadelphiana - Streets - Chestnut Street - 6th-7th
Creator: Breton, William L., artist
Date: [1831]
Location: Library Company of Philadelphia | Print Department W251 [Am 1831 Mease 68582.D.60a], Library Company of Philadelphia | Print Department W251 [Am 1831 Mease Log 4072.D.60a], Library Company of Philadelphia | Print Department W251 [Am 1831 Mease 20876.D.60a], Library Company of Philadelphia | Print Department W251 [Am 1831 Mease 104520.D.60a]

Title: Philadelphia Citizen's Line of steam boats to New York & Baltimore
Description: Book illustration advertisement showing the busy "Philadelphia Citizens" steamboat wharf at Arch Street and the Delaware River. Also shows the "Citizen's Line" office building (right foreground) adjacent to Jacob Ridgway's Ferry House and Hotel. Swarms of people line the wharf and several walk on the sidewalks. Horse-drawn drays and a carriage line the street in front of the office and hotel. Partial views of surrounding buildings are also visible. Vessels for New York, Baltimore, and Wilmington left the wharf daily., Name of printer supplied by Wainwright., Published in James Mease and Thomas Porter's Picture of Philadelphia from 1811 to 1831: Giving an account of its origin, increase and improvements in arts, sciences, manufactures, commerce and revenue. (Philadelphia: Published by Robert DeSilver, No. 110 Walnut Street, 1831), vol. II, opposite page 17 and in Thomas Porter's Picture of Philadelphia 1811 to 1831: Giving an account of the improvement of the city, during that period (Philadelphia: Published by Robert DeSilver, No. 110 Walnut Street, 1831), vol. II, opposite page 21., Philadelphia on Stone, POS 577, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: P.9830.2 a&b and in Am 1831 Mease 68582.D and in Am 1831 Mease Log 4072.D and in Am 1831 Mease 20876., Historical Society of Pennsylvania:, Loose prints gift of Jay Snider.
Creator: Breton, William L., ca. 1773-1855, artist
Date: [1831]
Location: Library Company of Philadelphia | Print Department W283 [P.9830.2 a&b]

Title: Moss, upholsterer, No. 127 Walnut Street, Philadelphia Venetian blinds. Bedding
Description: Advertisement showing the ground level storefront of the upholstery and venetian blind business of James P. Moss. Pillasters flanking the two shop windows and the front entrance are surmounted by an entablature adorned with rosettes and other floral designs. Also visible are blinds and other upholstery in the windows, and an interior stairway leading to a door in the shop interior., Artist and publisher most likely W.L. Breton, del. and Kennedy & Lucas's Lithography. Assigned by cataloger., Published in James Mease and Thomas Porter's Picture of Philadelphia from 1811 to 1831: Giving an account of its origin, increase and improvements in arts, sciences, manufactures, commerce and revenue. (Philadelphia: Published by Robert DeSilver, No. 110 Walnut Street, 1831), vol II, oppostie page 108 and in Thomas Porter's Picture of Philadelphia 1811 to 1831: Giving an account of the improvements of the city, during that period (Philadelphia: Published by Robert DeSilver, No. 110 Walnut Street, 1831), vol. II, opposite page 108., Philadelphia on Stone, POS 488, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Am 1831 Mease 68582.D; Am 1831 Mease Log 4072.D; Am 1831 Mease 20876.D; and Am 1831 Mease 104520.D., Historical Society of Pennsylvania: Society Print Collection - Small - Stores & factories - Dry goods (M-R) - Box 55, Folder 7
Creator: Breton, William L., artist
Date: [1831]
Location: Library Company of Philadelphia | Print Department W238 [Am 1831 Mease 68582.D.108a], Library Company of Philadelphia | Print Department W238 [Am 1831 Mease Log 4072.D.108a], Library Company of Philadelphia | Print Department W238 [Am 1831 Mease 20876.D.108a], Library Company of Philadelphia | Print Department W238 [Am 1831 Mease 104520.D.108a]

Title: Philadelphia from the Navy Yard
Description: Marine view looking north on the Delaware River showing the Navy Yard between Prime and Wharton streets in Southwark. Ships are docked at the yard, and a steam boat and other vessels travel nearby in the water. Also shows several ships docked along the riverfront in the background and two men pushing a rowboat off the shore in the foreground. The naval yard, the first U.S. Navy Yard, established by shipbuilder Joshua Humphreys and Secretary of the Navy Benjamin Stoddert in 1801, built, overhauled, stored, and disposed of warships. It operated in Southwark until 1876 when the Navy Yard enlarged and relocated to League Island., Copyrighted by J.C. Wild and J.B. Chevalier., Issued as plate 10 in Views of Philadelphia, and its vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838), a series of views originally published as five numbers of four prints each, and later sold as a bound volume of twenty views., Philadelphia on Stone, POS 586.1. Digital image shows fourth state., Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Print Room *Am 1838 Wild 6626.F., Historical Society of Pennsylvania:, Free Library of Philadelphia: Philadelphiana - Views - Philadelphia from Navy Yard (3 copies), Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
Creator: Wild, J. C. (John Caspar), ca. 1804-1846, artist
Date: c1838
Location: Library Company of Philadelphia | Print Department W286.1 [Print Room *Am 1838 Wild 6626.F]

Title: Philadelphia from the Navy Yard
Description: Marine view looking north on the Delaware River showing the Navy Yard between Prime and Wharton streets in Southwark. Ships are docked at the yard, and a steam boat and other vessels travel nearby in the water. Also shows several ships docked along the riverfront in the background and two men pushing a rowboat off the shore in the foreground. The naval yard, the first U.S. Navy Yard, established by shipbuilder Joshua Humphreys and Secretary of the Navy Benjamin Stoddert in 1801, built, overhauled, stored, and disposed of warships. It operated in Southwark until 1876 when the Navy Yard enlarged and relocated to League Island., Copyrighted by J.C. Wild and J.B. Chevalier., Issued as plate 10 in Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838), a series of views originally published as five numbers of four prints each, and later sold as a bound volume of twenty views., Philadelphia on Stone, POS 586.2. Digital image shows fourth state., Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Print Room *Am 1838 Wild 3008.Q (Poulson), Historical Society of Pennsylvania:, Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
Creator: Wild, J. C. (John Caspar), ca. 1804-1846, artist
Date: c1838
Location: Library Company of Philadelphia | Print Department W286.2 [Print Room *Am1838 Wild 3008.Q (Poulson)]

Title: Philadelphia from the Navy Yard
Description: Marine view looking north on the Delaware River showing the Navy Yard between Prime and Wharton streets in Southwark. Ships are docked at the yard, and a steam boat and other vessels travel nearby in the water. Also shows several ships docked along the riverfront in the background and two men pushing a rowboat off the shore in the foreground. The naval yard, the first U.S. Navy Yard, established by shipbuilder Joshua Humphreys and Secretary of the Navy Benjamin Stoddert in 1801, built, overhauled, stored, and disposed of warships. It operated in Southwark until 1876 when the Navy Yard enlarged and relocated to League Island., Copyrighted by J. T. Bowen., Originally published as plate 10 in Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). The lithographic stones for the views were acquired by John T. Bowen and reissued in 1838 and in 1848 with hand coloring., Philadelphia on Stone, POS 586.3. Digital image shows fourth state., Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Print Room *Am 1838 Wild 3008.Q (Rush), Historical Society of Pennsylvania:, Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
Creator: Wild, J. C. (John Caspar), ca. 1804-1846, artist
Date: c1838
Location: Library Company of Philadelphia | Print Department W286.3 [Print Room *Am 1838 Wild 3008.Q (Rush)]

Title: Bowlby & Weaver's hardware store No.77 Market Street Philadelphia
Description: Advertisement showing the four-story, three-bay storefront tenanted by the hardware store of Richard Bowlby and William Weaver (77, i.e., south side of the 200 block of Market Street). Bowlby & Weaver relocated to this site in 1831 from 101 High Street, where they had operated since 1820. The business was managed under the name Bowlby & Weaver until 1835 when it was renamed to William Weaver & Co. In the image, the names of the partners are painted on a saw that hangs above the front door. Visible through the open doorway are two men, who stand face to face, one on each side of a table displaying the store's wares., Published in James Mease and Thomas Porter's Picture of Philadelphia from 1811 to 1831: Giving an account of its origin, increase and improvements in arts, sciences, manufactures, commerce and revenue. (Philadelphia: Published by Robert DeSilver, No. 110 Walnut Street, 1831) vol. II, opposite page 113 and in Thomas Porter's Picture of Philadelphia 1811 to 1831: Giving an account of the improvements of the city, during that period (Philadelphia: Published by Robert DeSilver, No. 110 Walnut Street, 1831) vol. II, opposite page 113., Philadelphia on Stone, POS 61, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Am 1831 Mease 68582.D and in Am 1831 Mease Log 4072.D and in Am 1831 Mease 20876.D., Historical Society of Pennsylvania:, Free Library of Philadelphia: Philadelphiana - Stores & Shops
Creator: Breton, William L., ca. 1773-1855, artist
Date: [1831]
Location: Library Company of Philadelphia | Books & Other Texts | Rare W32 [Am 1831 Mease 68582.D], Library Company of Philadelphia | Books & Other Texts | Rare W32 [Am 1831 Mease Log 4072.D], Library Company of Philadelphia | Books & Other Texts | Rare W32 [Am 1831 Mease 20876.D]

Title: View from the inclined plane, near Philadelphia
Description: View looking east down the inclined plane cut into Belmont Hill (Fairmount Park) for the hauling of railroad cars in Philadelphia on route to the steam locomotives to Columbia on the Philadelphia and Columbia Railroad. Shows two men watching cars being hauled by ropes from within the plane. The covered Columbia Railroad Bridge, completed in 1834 over the Schuylkill River, from which the plane leads up, is visible in the background. Also shows distant cityscape, and forestry. The plane was abandoned in 1850., Originally published as plate 4 in Views of Philadelphia, and its vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). The lithographic stones for the views were acquired by John T. Bowen and reissued in 1838 and in 1848 with hand coloring., Copyrighted by J.T. Bowen., Philadelphia on Stone, POS 286.4, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: P.2088 and in Print Room *Am 1848 Wild 3007.Q (Poulson) and in *Am 1848 Wild 1514.F and in *Am 1848 Wild 1515.Q., Historical Society of Pennsylvania:, Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
Creator: Wild, J. C. (John Caspar), ca. 1804-1846, artist
Date: c1840, 1848
Location: Library Company of Philadelphia | Print Department W145.4 [P.2088]

Title: A Zoolu warrior & his daughter
Description: Portrait image of a Zoolu (i.e, Zulu) warrior and his daughter. Seated on a rock, the warrior holds his sword and three spears. His daughter stands at his side, resting her hand on his shoulder. She wears a necklace and a wrap around her hips., Frontispiece for volume one of Nathaniel Isaacs's Travels and Adventures in Eastern Africa: Descriptive of the Zoolu Manners, Customs, etc. etc.: With a Sketch of Natal (London: Edward Churton, 26, Holles Street, 1836)., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
Creator: Bagg, William, lithographer
Date: [1836]
Location: Library Company of Philadelphia | Books & Other Texts | Rare U Afri Isaac 6281.D vol 1 frontispiece, https://digital.librarycompany.org/islandora/object/Islandora%3A2916

Title: United States Bank
Description: Proof before letters containing a view looking east on Chestnut Street between 4th and 5th Streets depicting two banks designed by Philadelphia architect William Strickland: the United States Bank of Pennsylvania, formerly the Bank of the United States (i.e. Second Bank, later U.S. Custom House 1844-1935), constructed 1818-24; and the Philadelphia Bank, completed in 1837. Contains a partial view of buildings on the north side of the street including the entranceway of the United States Hotel. Also shows horse-drawn carriages travelling west and a dray and a man pushing a wheelbarrow travelling east in the street. Pedestrians walk on the sidewalk and on the steps of the United States Bank and convene at the hotel entrance., Attributed to John C. Wild., Title from manuscipt note on recto., Philadelphia on stone, POS 775, LCP exhibit catalogue: Made in America #53
Creator: Wild, J. C. (John Caspar), ca. 1804-1846, artist
Date: [1837]
Location: Library Company of Philadelphia | Print Department *BW - Banks [7702.F]

Title: Christ Church Philadelphia
Description: Exterior view of the Protestant Episcopal church built 1727-1744 at 22-34 North 2nd Street. Also shows pedestrian traffic., Copyrighted by J.C. Wild and J.B. Chevalier., Issued as plate 17 in Views of Philadelphia, and its vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838), a series of views originally published as five numbers of four prints each, and later sold as a bound volume of twenty views., Philadelphia on Stone, POS 102.1, One of the images [(4)1322.F. 61c] originally part of a McAllister scrapbook of views of Philadelphia., Wainwright retrospective conversion project., Library Company of Philadelphia: (4)1322.F.61c; 3008.Q; in Print Room * Am 1838 Wild 6626.F and in Print Room *Am 1838 Wild 3008.Q (Poulson), Historical Society of Pennsylvania: Bb862 W6441 Pl.17., Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-75.
Creator: Wild, J. C. (John Caspar), ca. 1804-1846, artist
Date: c1838
Location: Library Company of Philadelphia | Print Department W64.1 [(4)1322.F.61c; 3008.Q]

Title: Stationer & blank book binder, Hymen L. Lipman successor to Samuel M. Stewart. No. 139 Chestnut St. opposite the Philadelphia Bank. Philadelphia Merchants’ account books of superior paper and binding made to any pattern at short notice and warranted. A constant supply of stationery, English, French and American, of every description, suitable for banks, public offices and counting houses. Prompt attention given to orders from engineers for field books, drawing materials and every article used in the field or in the office. Job printing of every description. Visiting and address card plates engraved in the newest style. Copper plate printing neatly executed
Description: Advertising label for the Philadelphia stationer. Between the words of the title is a tabletop crowded with stationers’ products, including an artist’s palette with brushes, a box of watercolor paints, quill pens, a pair of compasses, boxes of paper, and books. Samuel M. Stewart moved to New Orleans in 1840 and Lipman operated from the Chestnut Street address through 1849., Not in Wainwright., Philadelphia on Stone, POSP 240, American Antiquarian Society: Graphic Arts Lithf Duva Stat
Date: [ca. 1840]
Location: American Antiquarian Society AAS Graphic Arts Lithf Duva Stat

Title: Stephen P. Morris & Co. Manufacturers of wrought iron welded tubes for gas and other purposes Philadelphia
Description: Illustrated advertisement and price sheet for wrought iron pipes. Nineteen figures with numbers corresponding to the list below illustrate the available "tubes," including various bends, a "reducing socket," T and cross branches, and a burner jet. Also contains a vignette depicting the seal of Pennsylania featuring two horses and an eagle flanking a shield. Morris, Tasker, and Morris was founded by Stephen Morris in 1821 as a stove and grate manufactory. In the late 1820’s, Henry Morris and Thomas Tasker joined the firm which was renamed S.P. Morris & Co. Circa 1836 the firm was renamed Morris, Tasker, & Morris when Wistar Morris assumed the position of Stephen and the firm began to manufacture gas pipes. In 1856, the firm was renamed Morris, Tasker & Co. The factory closed in 1896., Not in Wainwright., Manuscript note on recto: 4th mo. 1st, 1838., Title annotated in ink: Now Morris, Tasker & Morris., Philadelphia on Stone, POSP 243, American Antiquarian Society: Graphic Arts Lithf LehmD KramG Morr
Creator: Kramm, Gustavus, artist
Date: [ca. 1835]
Location: American Antiquarian Society AAS Graphic Arts Lithf LehmD KramG Morr

Title: Cardington Foundry
Description: Proof print for Coleman Sellers & Sons (No. 3 No. 6th Street) billhead containing vignette views of their "Cardington Factory" ironworks built along Cobbs Creek near West Philadelphia in 1828. Vignettes accompanied by caption reading "Iron and brass castings. Mill gearing all kinds of paper making machinery. Hydraulic and Screw Presses. Paper Molds & Cutters. Wood & Cotton Machine Cards & also wirework of all descriptions. The factory made equipment for the textile, paper and locomotive industry before its bankruptcy in 1838., Not in Wainwright., Attributed to Charles Fenderich., Inscribed: Mr. Coleman Sellers & Sons Dr. to F[enderich] for following work. Engraved Bills $2.00; 200 copies [illegible] 2.00; $4.00, Philadelphia on Stone, POS 82, Library of Congress: PGA - Fenderich, no. 59 (A size) [P&P], Sheet music cover illustrated with a ballroom scene titled "Concordia...Respectuflly dedicated to Miss Fanny Kemble..." and with imprint Chs. Fenderich's Lith Press, No. 21 Callowhill St., Phiada. printed on verso. Scene shows several formally attired couples engaged in a waltz as other attendees socialize, watch the dancing, and attend to a woman who has fainted. Also shows the orchestra playing from a balcony above.
Creator: Fenderich, Charles
Date: [ca. 1833]
Location: Library of Congress | Prints and Photographs Division LOC PGA - Fenderich, no. 59 (A size) [P&P]

Title: Blake’s collection of popular marches composed and arranged for the piano forte
Description: Sheet music cover containing a scene showing the volunteer militia company of Light Artillery Corps Washington Gray's marching down the 400 block of Chestnut Street. The four lines of men follow their officer who follows the military band. The men pass the Philadelphia Bank building (400-408, built 1836), the United States Bank (420, built 1819-1824 as Second Bank of the U.S.), and neighboring buildings, including the business with partially visible signage for Henry Por.... Also shows a street lamp, a man walking on the sidewalk in front of the United States Banks, and two figures on the top of the stairs to that financial institution. The Washington Grays established an armory at 8th and Chestnut 1837-1838., Inside cover title: The Washington Gray's new grand march & quick step : arranged for the piano forte by Charles Jarvis, Includes sheet music., Philadelphia on Stone, POS 59, Free Library of Philadelphia: Sheet Music 11707
Date: c1839
Location: Free Library of Philadelphia. | Music Collection. FLP Sheet Music 11707

Title: Practical amalgamation
Description: Racist print promoting anti-abolitionists' fears of multiracial personal relationships. Depicts a parlor scene where two inter-racial couples court on a couch. In the left, an attractive white women sits on the lap of an African American man. The man, depicted in racist caricature with grotesque facial features, holds a guitar in his right hand as she engages him in a kiss. In the right, a rotund African American woman holds a fan in her right hand as she is wooed by a slender white man on his knees who kisses her left hand. Portraits of abolitionists Arthur Tappan, Daniel O'Connell (a radical Irish abolitionist), and John Quincy Adams are hung on the wall behind the couch. A white and black dog are in the left corner., Title from item., After E.W. Clay's Practical amalgamation (New York: Published and sold by John Childs, Lithographer, 119 Fulton Street, upstairs, 1839]., Purchase 1970., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1839
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1839 - Pra 2 [7897.F]

Title: Southern ideas of liberty. New method of assorting the mail, as practised by southern slave-holders, or attack on the post office, Charleston, S.C
Description: Print portraying the violent suppression of Southern abolitionism. Depicts a riotous mob around a gallows from which a white man hangs. It is overseen by Judge Lynch, depicted with donkey's ears and holding a whip while stepping on the Constitution. He is seated upon bales of cotton, sugar, and tobacco and sentences a white man abolitionist to be hanged by the neck. The abolitionist is grabbed and drug to the gallows by two white men., Print portraying a raid of anti-abolitionists on the Charleston Post Office in July 1835. Depicts white men removing and then pilfering mail-bags from the ransacked post-office and throwing to the ground abolitionist newspapers including "The Liberator," "Atlas," and "Commercial Gazette" while a riotous mob burns the papers. Posted on the Post Office is a broadside titled "$20,000 Reward for Tappan" referring to the bounty placed by the city of New Orleans upon Arthur Tappan, founder and president of the American Anti-Slavery Society., Title from item., Advertised in 1836 editions of the abolitionist newspapers The Liberator, published in Boston, and Emancipator, published in New York., Text printed on recto: Sentence passed upon one for supporting that clause of our Declaration viz. All men are born free &equal. “Strip him to the skin! give him a coat of Tar & Feathers! Hang him by the neck, between the Heavens and the Earth!!! as a beacon to warn the Northern Fanatics of their danger!!!!”, Purchase 1981., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1835]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1835-2 & 3 [P.8658]

Title: Johnny Q., introducing the Haytien Ambassador to the ladies of Lynn, Mass. Respectfully inscribed to Miss Caroline Augusta Chase, & the 500 ladies of Lynn who wish to marry Black husbands
Description: Anti-abolition print satirizing the Lynn Female Anti-Slavery Society which was successful in its petition to the state legislature to abolish race-proscriptive laws, including a ban on interracial marriage. Depicts a parlor where the Society's members, composed of unattractive white women and African American men, have gathered to be introduced to the fictitious Haitian Ambassador, General Marmalade, by John Quincy Adams. The ambassador, portrayed in racist caricature and attired in an uniform and powdered wig, takes his hat off and bows as he holds a monocle up. He lasciviously addresses the women in the crowd in broken French and vernacular, "Mesdames votre trés humble serviteur! me no speak much Anglish-En regardant ces charmants bontons de rose de Lynn l’eau vient dans la bouche! Excuse bot de charming rose buds ob Lynn make vater in my mouse." The women await their introduction and remark about the ambassador's "lovely" and "beautiful" features, as well as his overall attractiveness. African American men, portrayed in racist caricature and attired in elegant suits, stand behind the women and comment in the vernacular about the ambassador, "Demd fine specimen of a man! pon honor." In the right background, a white man servant and a white woman servant enter the room carrying trays of food and drinks., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1839, by John Childs, in the clerk's office, in the District Court for the Southern District of New York., Caroline Augusta Chase headed the Lynn Female Anti-Slavery Society., Purchase 1959., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Clay, born in Philadelphia, was a prominent caricaturist, engraver, and lithographer who created the "Life in Philadelphia" series which satirized middle-class African Americans of the late 1820's and early 1830's.
Creator: Clay, Edward Williams, 1799-1857, artist
Date: 1839
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1839-25w [6333.F]

Title: Life in Philadelphia (London)
Description: Collection of social caricatures lampooning the pretensions of early 19th-century middle-class Philadelphians, mainly the city's growing community of free African Americans. Influenced by an increasing fascination with American culture and a growing racism stemming from the abolition of slavery in England, the African American characters are depicted with grotesque features and manners, wearing outlandish clothes, and speaking in patois and malapropisms to be portrayed as ineptly attempting to mimic white high society. Subject matter of the caricatures include absurd scenes of courtship and displays of etiquette on the street, at residences, at society balls, and in allegory; fashion; promenades; the abolition of slavery; the election of President Andrew Jackson; tea parties; and depictions of African Americans at work., British reprint of E.W. Clay's "Life in Philadelphia" series with ten of the original fourteen prints redrawn by William Summers, etched with aquatint by Charles Hunt, and published by Harrison Isaacs in London in the early 1830s. W.H. Isaacs continued issuing the prints altering the original content of the series by adding new subjects and removing the white caricatures. Around 1833 engraver and print seller, Gabriel Shire Treager assumed the publication of the series and added six new subjects creating a series of twenty. In 1834, Tregear published a similar series of caricatures in book form without the "Life in Philadelphia" moniker entitled, "Tregear's Black Jokes, being a Series of Laughable Caricatures in the March of Manners amongst Blacks." In 1860, London publisher T. C. Lewis reissued the series of twenty prints. Variants of prints from the series and additional caricatures with similar content; "The Cut Direct," "Sketches of Character. At Home and Abroad," "Philadelphia Dandies," and "The Lay Patroness of Alblacks" have been included as a part of the series., LCP AR [Annual Report] 1967 p. 51-53., LCP AR [Annual Report] 1968 p. 18-20., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of the Jacksonian Era (PhD. diss., The University of Michigan, 1980), p. 85-100. (LCP Print Room Uz, A423.O)
Creator: Summers, William, artist
Date: ca. 1831-ca. 1860, bulk 1831-1834
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set)

Title: The disappointed abolitionists
Description: Anti-abolition print distortedly portraying the events of the New York freedom seeker episode, "The Darg Case." The case involved a freedom seeker of enslaver John Darg who stole $7000 from him, fled, and was harbored and assisted by African American abolitionist and writer David Ruggle, Quaker arbitrator Barney Corse, and Quaker abolitionist Isaac T. Hopper. Corse had arbitrated a deal with Darg that in exchange for the return of Darg's stolen money, the enslaved man's freedom would be granted, and a small stipend would be paid to Corse. The arbitration was discovered and annulled by the New York police who then arrested Ruggles and Corse. Depicts Darg's sitting room where Hopper is requesting a reward. Ruggles says, "I don't like the looks of this affair. I'm afraid my pickings will not amount to much!" Corse replies, "Yea verily I was but thy instrument Brother Hopper as Brother Ruggles here knoweth!" They are threatened by Darg with a chair to whom they have returned "$6908" of his stolen money, and who bitterly exclaims that they deserve prison., Title from item., Date from copyright statement: Entd accordd to Act of Congress in the year 1838 by H.R. Robinson, in the Clerk's office of the Distt Court of the U. States, for the southern District of New York., Purchase 1968., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Clay, born in Philadelphia, was a prominent caricaturist, lithographer, and engraver who created the "Life in Philadelphia" series which satirized middle-class African American Philadelphians in the late 1820s and early 1830s.
Creator: Clay, Edward Williams, 1799-1857, artist
Date: 1838
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1838-40W [7779.F]

Title: Senate chamber U.S.A. Conclusion of Clay's speech in defense of slavery
Description: Cartoon satirizing an 1839 anti-abolition speech by the congressional orator Henry Clay focusing on his conflicting views on the abolition of slavery. Clay, despite deploring the institution of slavery, was an enslaver who was against immediate national abolition. Depicts Clay, in front of the Mason-Dixon line, coming to an agreement with John Calhoun, his chief congressional rival and leading senatorial supporter of slavery, about the issue of slavery. They both stand on past abolitionist resolutions and a prostrate enslaved African American man who quotes a verse from the Bible's book of Micah 7:8 that he will "arise." Clay's remarks "North" of the line reflect his abolitionist rhetoric; those "South" of the line refer to him being an enslaver. Calhoun states his pleasure in Clay's awakening to the societal benefits of slavery., Title from item., Date inferred from content., Accessioned 1979., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1839]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1839-24w [P.2275.18]

Title: Immediate emancipation illustrated
Description: Critical satire of the American Anti-Slavery Society, which was founded on the principle of immediate abolition by Arthur Tappan and William Lloyd Garrison, who are depicted discussing the society's principles with an unnamed abolitionist, possibly Lewis Tappan. Above their heads is the banner "Anti Slavery Society Founded Anno Domini MDCCCXXXIII." The seated Garrison comments on the origin of the bundle of Italian linen at his feet, which is to be used for his newspaper "the Emancipator." In the right, the figure of a leopard rests upon a pedestal marked "Fanaticism. Brought the Inquisition upon Spain. Beggary upon Italy. And may drench America in blood!!" (an allusion to the idiom a leopard cannot change its spots and to the Spain and the Iberian War, 1807-1814). In the left, a Black man, labeled "Emancipated Slave," is portrayed in racist caricature and is naked except for a leaves wrapped around his waist. He chases an insect calling, "Food," while carrying a knife. In the background, a scene labeled "Insurection (sic) in St. Domingo! Cruelty, Lust, and blood!" depicts Black people using swords and axes to kill white people, including a white woman on the ground. A building burns behind them., Title from item., Date supplied by Weitenkampf., Probably the "A Caricature" cited in the Emancipator (New York, N.Y.), October 19, 1833 and Liberator (Boston, Mass.), November 2, 1833., The "Emancipated Slave" figure is similar to the figure depicted in the lithograph by Alfred Ducôte, "An Emancipated Negro" ([London]: Thomas McLean, 1833). Copies in the collections of National Maritime Museum, Greenwich, London and the Victoria & Albert Museum, London., Purchase 1986., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1833]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1833 - 27W [P.9140]

Title: Views of slavery Does the slaveholder admit the slave to be a human being? If so we would ask his interpretation of the following sentiment "Whatsoever ye would that men should do unto you, do you even so to them."
Description: Abolitionist print containing six scenes depicting the inhumanity of slavery. Scenes include enslaved African American children crying while their mothers work and a white man enslaver whips an enslaved man in a sugar plantation field; the punishment of enslaved people by flogging, whipping, and binding by white men overseers in a shack; an auction of enslaved people; a free African American woman with a child watching the destruction of her free papers as she is kidnapped from the street; an anguished enslaved mother being separated from her children by a white man involved in the slave trade; and the shipping of enslaved people to New Orleans from a Baltimore dock. Also contains an excerpt about the rights of human beings from William Ellery Channing's abolitionist text, "On Slavery," below the image., Title from item., Advertised in the New York American Anti-Slavery Society newspaper, Emancipator (March 1836), p.3., Purchase 2003., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Lib. Company. Annual report, 2003, p. 45-46.
Date: [1836]
Location: Library Company of Philadelphia | Print Department political cartoons - 1836 Vie [P.2003.10], http://www.lcpimages.org/afro-americana/F-Views.htm

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