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Title: [Scrapbook with linen pages]
Description: Scrapbook containing scraps, cutouts, periodical illustrations, and trade cards. Contents depict sentimental, genre, and religious scenes; images of children, animals, mothers and mothering; fancy heads; patriotic, historical, and allegorical figures, including George and Martha Washington; advertisements for Philadelphia, Hartford (Conn.), and New York businesses, including promotions for druggists, patent medicines, and soap; imagery documenting the Centennial Exhibition 1876, including portraits of prominent figures; figures in European costumes; scenes of rural life and European scenery; and landscape views. Also includes a small number of views of factories and industrial buildings; a patent medicine advertisement including an African American man servant character opening a door (p. 76); a print depicting a stanza from Robert Burn’s “The Cotter’s Saturday Night” (p. 22); illustrations of Little Red Riding Hood; the periodical cartoon “A Parent’s Vengeance” (p. 53); "La Belle Chocolatiere from the original painting by Leotard now in the Dresden Gallery" (p. 57); a cutout from a women’s fashion plate (p. 77); H.M.S. Pinafore theatrical character illustrations printed by Ledger Job Printing Office (p. 64); and a calling card for Mary S. Bassett (back inside cover)., Businesses represented include B. T. Babbit (soap); Clark’s O.N.T. (thread); C. F. Rump (leather goods); Corning & Tappan (perfumes); Marburg Bros. (tobacco); Devlin & Co. (clothiers); Dundas, Dirk & Co. (pharmacists); [Hiram] Duryea’s Starch Works; Fairbanks scales (E. & T. Fairbanks & Co.); J. Milton Brewer (druggist); C. L. Hauthaway & Sons (shoe polish); Charles S. Higgins (German laundry soap); The New York Bazar (fancy goods, Phillip Isaacs, proprietor); Demorest’s Monthly Magazine (W. J. Demorest, publisher); Edwin C. Burt (shoes); E. P. & Wm. Kellogg; Samuel Gerry & Cos. (patent medicine); Alex. Boost (analytical chemist); Chas. F. Hurd & Co. (chinaware); E. P. & Wm. Kellogg (photographers & art dealers); and Willcox & Gibbs (sewing machines)., Title supplied by cataloger., Front cover stamped: Scrap Book, Various artists, engravers, and printers including F. Beard; Illman Bros.; Ledger Job Print; L. Prang & Co.; Major & Knapp; Thomas Moran; and Shober & Carqueville., Cutouts and calling card pasted to inside front and back covers., Edges of scrapbook leaves contains stitching in different colors, including yellow, green, blue, red, lilac, and purple., Purchased with funds for the Visual Culture Program., Housed in phase box., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1876-ca. 1879]
Location: Library Company of Philadelphia | Print Department albums - Linen [P.2013.69.1]

Title: Louella: Home of J. Henry Askin Album
Description: Album containing 27 photographs showing the grounds and residence of the estate in Radnor Township, later Wayne, Pa.

Title: Specimens for Theo. Leonhardt & Son, Philadelphia
Description: Advertisement containing examples of vignette views and genre scenes executed by the Philadelphia lithograph firm. Views include "Palo Alto Iron Company's Works" in Pottsvile (est. in 1854); a tropical farm; small and industrial towns; and a hill-side village. Genre scenes show two young girls on promenade, and a mother with her child seated on her lap. Decorative elements adorn the upper corners. Leonhardt & Son was a partnership established circa 1874 between Theodore Leonhardt and his son Arno. The firm continued to operate into the early 20th century., Gift of David Doret., Philadelphia on Stone, POSA 88
Creator: Theo. Leonhardt & Son
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department *BW - Advertisements - L [P.2002.27]

Title: Centennial music
Description: Centennial music cover page paired with six different songs. Cover page is bound with the song Grand Centennial march by E. Mack with this copy [11479.F (Zinman)]., Cover page copyrighted by J.E. Ditson & Co., Song copyrighted by Lee & Walker., Publisher's advertisement on last page for Oliver Ditson & Company., Cover illustration is a lithograph depicting an exterior view of the Main Building of the exhibition celebrating the centennial of the United States through an international exhibition of industry, agriculture, and art. Visitor traffic, on foot, and by carriage and omnibus, traverse the paths of the grounds around the building designed by Henry Pettit and Joseph M. Wilson. Landscaping includes clusters of bushes and trees., Printer: J.H. Bufford's Sons Lith., 141 Franklin St. Boston., Not in Wainwright., Philadelphia on Stone, POS 94, Stamped on the cover page: Schaefer Bros. music dealers, Steubenville, O.
Creator: Mack, Edward, 1826-1882, cmp
Date: c1876, c1875
Location: Library Company of Philadelphia | Books & Other Texts | Rare *Sheet Music Cent 11479.F (Zinman)

Title: The Washington family
Description: Group portrait of George Washington, his wife Martha, and his two step-grandchildren gathered around a cloth-covered table. A seated George Washington, attired in civilian clothing, rests one arm on the table and the other on the shoulder of his step-grandson and namesake who stands next to a globe, which shows "America." His step-granddaughter, Nelly, stands next to a seated Martha on the other side of the table. Both are pointing at "North America, United States" on a large map unfurled on the table. William Lee, an African American man enslaved by Washington who worked as his valet including during the Revolutionary War, stands in the right background. He is attired in a white cravat and a black jacket and tucks his left hand into his jacket. A curtain is draped open near a column revealing a waterscape scene in the background., Title from item., Names of sitters printed in margin below image., Purchased with Davida T. Deutsch Women's History Fund, Description revised 2021., Access points revised 2021.
Creator: Currier & Ives
Date: 1873
Location: Library Company of Philadelphia | Print Department *GC - Washington [P.2013.23]

Title: Thomas Hunter, successor. Duval & Hunter's catalogue of oleograph publications for the season 1873-4
Description: Trade catalog containing an ornate front and back cover and two specimen pages of script promoting Thomas Hunter, former partner in Hunter & Duval (active 1869-1874). Front cover contains central vignette showing a woman with two cherubic figures seated on filigree. The woman writes on a lithographic stone and the figures hold a banner reading "Duval & Hunter" and a printing ink roller. Rear cover contains a wreath of medals awarded to predecessor firms P. S. Duval and Duval & Hunter. Medals, many from the Franklin Institute, enclose text reading "Duval and Hunter's Steam Lithographic Establishment. 19 First Premiums in Diplomas and Medals. 1841-1872" and contain inscriptions, dates, allegorical figures, seals, and busts of Benjamin Franklin and King Albert. Several of the medals reference color lithography and chromolithography., Also includes two specimen pages of script for "Duval & Hunter, Designer, Lithographers, and Chromo Publishers, Nos. 716-722 Filbert St. Philadelphia" that promote the services and prints supplied by the establishment, including "a liberal discount to the trade," "check books," "labels of all kinds," and "Portraits and Lithography in all its Branches." Catalog also contains preface "To the Trade" and title list with prices., Not in Wainwright., Title annotated with stamp Thomas Hunter, Successor., Philadelphia on Stone, POSA 102, Smithsonian Institution: NMAH Graphic Arts 1984-774-01
Creator: Duval & Hunter
Date: [1873]
Location: Smithsonian Institution | NMAH Graphic Arts SI NMAH Graphic Arts 1984-774-01-Cover, Smithsonian Institution | NMAH Graphic Arts SI NMAH Graphic Arts 1984-774-01-ToTheTrade, Smithsonian Institution | NMAH Graphic Arts SI NMAH Graphic Arts 1984-774-01-Insurance, Smithsonian Institution | NMAH Graphic Arts SI NMAH Graphic Arts 1984-774-01-Back

Title: Fairmount Park
Description: Sheet music cover containing a view looking from Reservoir Hill toward Lemon Hill showing part of the Fairmount Water Works. Includes part of the mill race and the promenade on the old mill house, and visitors on the roof of the new mill house (completed 1862). Also shows a boat docked at the nearby boat landing and boat houses along the east bank of the Schuylkill River. The waterworks, originally built between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff, were altered and expanded after the designs of Philadelphia engineers Henry P.M. Birkinbine and Frederick Graff, Jr., Not in Wainwright., pdcc00018, Philadelphia on Stone, POS 235, Free Library of Philadelphia: Castner 21:1 and 30:86
Date: c1871
Location: Free Library of Philadelphia. | Print and Photograph Collection. FLP Castner 21:1 and 30:86

Title: Bird's eye view of International Exhibition buildings
Description: Prospective view showing the main buildings on the exhibition grounds in West Fairmount Park. Includes Machinery Hall, Main Building, Memorial Hall, Horticultural Hall, and Agricultural Hall. Shows fair visitors on the grounds landscaped with paths, fountains, a pond, and foot bridges. George's Hill and the 24th Ward reservoir are visible in the background. In the lower right foreground, a paddleboat and ladies on a rowboat excursion on the Schuylkill river are visible. Key to buildings and building dimensions printed below the image. Several of the main exhibition buildings were built after the designs of Henry Petit, Hermann Schwarzmann, and Joseph Wilson. The Centennial Exhibition celebrated the anniversary of the United States through an international exhibition of industry, agriculture, and art., Not in Wainwright., Date from copyright statement: Entered according to Act of Congress in the year 1875 by Breuker & Kessler in the Office of teh Librarian of Congress at Wash DC., Philadelphia on Stone, POS 53
Creator: Breuker & Kessler
Date: 1875
Location: Library Company of Philadelphia | Print Department *BW -Centennial [P.9991.2]

Title: Philharmonic T[h]eatre, Islington. Every evening at eight. [Sa]turday at three and eight. Sam Hague's Ori[gi]nal Slave Troupe at St. James's Hall, Li[me] Street, Liverpool. Every evening at 8, Saturdays at 3 & 8, all the year round. Positively for four weeks on[ly] commencing Monday, Feb. 14th. Terminat[ing] [on] March 11 [ ] been re-built since the fire), St. James Hall, Liverpool, March 13th, 1876
Description: Advertising print depicting a racist scene to promote Sam Hague's Original Slave Troupe after their dislocation from their permanent home theatre, St. James Hall, following a fire in 1875. Shows a rhinoceros, a bell on his tail, pulling a cart on which members of the minstrel troupe, portrayed as Black men and women caricartures, perform. On the head of the animal, a man sits, his legs straight out while he holds the pole of a banner designed as an American flag and that is marked with advertising text for the troupe. On the animal's back, men and a woman stand, play hand instruments, and dance on a raised plank. On the cart, men play string and wind instruments, including a bass and trombone, as well as one man, bare-chested and in boxing pants, holds up an open umbrella, on which another man sits and plays the drum. The men figures are attired in suits and/or shirt sleeves and pants. The woman figure wears a kerchief, long-sleeved shirt, with the sleeves pulled up and apron-like, checkered skirt. Scene also includes blades of grass and a flowering plant in the foreground. Sam Hague's Original Slave Troupe evolved from the Georgia Slave Troupe Minstrels for which Samuel Hague assumed part management in 1866. Within the year, the troupe of formerly enslaved individuals, including singers, comedians, and minstrels, traveled to Great Britain to tour the country. In 1869, Hague acquired St. James Hall in Liverpool as a permanent home for the company, as well as a site to organize touring companies. In 1875, the hall was razed by fire and for the next year, the Troupe performed from other theatres such as Philharmonic Theatre, Islington. By this time, the Troupe was mainly comprised of white performers who performed in Blackface and Hague had managed the Troupe with a few different partners., Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes., Title from item., Date inferred from promotional text on item., RVCDC, Description of Blackface minstrelsy from Dorothy Berry, Descriptive Equity and Clarity around Blackface Minstrelsy in H(arvard) T(heater) C(ollection) Collections, 2021., Print torn in half and with sections missing.
Date: [1876]
Location: Library Company of Philadelphia | Print Department **GC - Advertisements - Samuel Hague [P.2022.57.1]

Title: Die Deutsche Gesellschaft des staates Pennsylvanien [membership certificate] Gegründet am 26ten December 1764
Description: Membership certificate for the German Society of Pennsylvania, the oldest organization of its kind in the United States. Contains a vignette showing the Pennsylvania coat of arms, and an ornamental border., Not in Wainwright., Philadelphia on Stone, POSP 51, Historical Society of Pennsylvania: *NB 1 75 - 354
Creator: Theo. Leonhardt & Son
Date: [ca. 1875]
Location: Historical Society of Pennsylvania HSP *NB 1 75 - 354

Title: Gambrinus Unterstutzungus Gesellschaft [membership certificate]
Description: Membership certificate probably for a German brewing society. Includes a decorative border containing a portrait of King Gambrinus, the parton saint of beer and a universal symbol of beer and brewing; female allegorical figures representing hops and barley; a fermenter flanked by lions; and urns of flowers. Gambrinus portrait shows the king seated in front of a row of kegs and holding a goblet of beer. Allegorical figures shown as peasant girls holding a bale of barley and a stalk of hops., Not in Wainwright., Philadelphia on Stone, POSP 88, Historical Society of Pennsylvania: *NB 1 75 - 356
Creator: Theo. Leonhardt & Son
Date: [ca. 1875]
Location: Historical Society of Pennsylvania HSP *NB 1 75 - 356

Title: Teutonia Sänger Bund [membership certificate] Gegründet den 13ten Januar 1863
Description: Membership certificate for the German-American choral society. Includes an ornamental masthead containing a harp, laurel leaves, and a scroll. Also includes the coat of arms of Pennsylvania. By the mid 1870s, German-Americans had formed 24 singing societies in Philadelphia., Not in Wainwright., Philadelphia on Stone, POSP 249, Historical Society of Pennsylvania: *NB 1 75 - 358
Creator: Theo. Leonhardt & Son
Date: [ca. 1880]
Location: Historical Society of Pennsylvania HSP *NB 1 75 - 358

Title: Germantown Maennerchor [membership certificate] Gegründet den 6ten Oktober 1867
Description: Membership certificate for the German-American choral society. Includes an ornamental masthead containing a harp, laurel leaves, and a scroll. Also includes the coat of arms of Pennsylvania. By the mid 1870s, German-Americans had formed 24 singing societies in Philadelphia., Not in Wainwright., Philadelphia on Stone, POSP 92, Historical Society of Pennsylvania: *NB 1 75 - 359
Creator: Theo. Leonhardt & Son
Date: [ca. 1880]
Location: Historical Society of Pennsylvania HSP *NB 1 75 - 359

Title: [Bird's eye view of the Centennial Exhibition grounds, Fairmount Park, Philadelphia]
Description: Trimmed detail of a bird's eye view looking toward the city showing the exhibition grounds. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art. Shows several of the exhibition buildings, including the Main Hall, Machinery Hall, Memorial Hall, Horticultural Hall, U.S. Government Building, and Agricultural Hall. Several exhibition attendees walk and use carriages on the landscaped grounds between the buildings. In the foreground, park visitors view the vista from a tree-lined cliff and small observation deck. Some converse and make sketches. In the background, the New York Connecting Railway Bridge and Girard Avenue Bridge spanning the Schuylkill River are visible in addition to cityscape. Trains approach and depart from the bridges and steamboats traverse the river. View surrounded by an ornamental border. Many of the buildings designed by Herman Schwartzmann, Henry Pettit, and Joseph M. Wilson., Title supplied by cataloguer., Not in Wainwright., Philadelphia on Stone, POS 48, Historical Society of Pennsylvania: Bb 8 Z 99
Date: [1876]
Location: Historical Society of Pennsylvania HSP Bb 8 Z 99

Title: Centennial March
Description: Sheet music cover containing an exterior view of the Main Building of the exhibition celebrating the centennial of the United States through an international exhibition of industry, agriculture, and art. Visitor traffic, on foot, and by carriage and omnibus, traverse the paths of the grounds around the building designed by Henry Pettit and Joseph M. Wilson. Landscaping includes clusters of bushes and trees., Not in Wainwright., Price printed on recto: 5., Copyrighted by Lee & Walker., Philadelphia on Stone, POS 871, Johns Hopkins University: Levy Collection Box 164, Item 074
Date: c1875
Location: Johns Hopkins University | Special Collections at the Sheridan Libraries. JHU Levy Collection Box 164, Item 074, http://levysheetmusic.mse.jhu.edu/catalog/levy:162.115

Title: Junger Maennerchor [membership certificate]
Description: Membership certificate for the German-American choral society founded in 1852. Includes an ornamental border and vignettes. Vignettes depict a Grecian-attired female with harp; an American eagle grasping a harp and a banner marked with the establishment date of the society; the female allegorical figure of music holding a harp, laurel wreath, and attended by a cherub displaying a sheet of music on a pillow; and a view of the society's hall at the N.W. corner of Sixth and Vine streets. By the mid 1870s, German-Americans had formed 24 singing societies in Philadelphia., Not in Wainwright., Philadelphia on Stone, POSP 128, Historical Society of Pennsylvania: **NB 1 75 - 403
Creator: Theo. Leonhardt & Son
Date: [ca. 1880]
Location: Historical Society of Pennsylvania HSP **NB 1 75 - 403

Title: Cunningham & Hill, 204 Church Street, Philadelphia. Flags and shields of all nations and sizes, gas jets of any device or design, banners and silk flags for inside decoration
Description: Advertisement issued during the Centennial Exhibition 1876 for the upholstery manufacturers and dealers containing illustrations of 5 different styles of patriotic bunting and an exterior view of a residence adorned with bunting and commemorative window shades. Illustrations depict bunting designs composed of shields, flags (including America, France, Great Britain), swaths of fabric, panels, and fringes. One design includes shield with portrait of George Washington. Section of advertisement also includes a design for lettering reading "1776 Union 1876" complemented by the figure of an eagle. View of residence shows a three-story mansard-roofed building with a portico entrance. The name and address of Cunningham & Hill are printed over and within the illustrations. Cunningham & Hill, the partnership between William B. Cunningham & Philip Hill, operated between circa 1871 and 1876 when the partnership dissolved., Advertising text printed below image: We would respectfully call your attention to the above illustration of store and house decoration, and advise those who attend decorating to do so at their earliest convenience to avoid a rush, which will be inevitable. Our shields are made of papier-mache, and can be exposed to all weathers, and can easily be attached to any window with out patent group-socket for five flags, making a beautiful group. Manufactured wholesale and retail., POSP 285
Date: [1876]
Location: Library Company of Philadelphia | Print Department *BW - Centennial [P.2011.53]

Title: Fairmount Machine Works, office, 2106 Wood Street, Philadelphia, Penna Thomas Wood, manufactures as specialties, power looms, with improved box and pattern machines. Bobbin winding, spooling, beaming, dye & sizing machines. Self-acting wool scouring machines (Yewdall's patent.) Improved power hoisting machines, lard and paraffine [sic] oil presses. Wall paper machinery, such as grounding, clay and color mixing machines, paper rolling and bundling machines
Description: Advertisement for the machine manufacturer containing a series of vignettes and descriptions of company products. Shows power looms; a "dye frame for dying six warps"; a "30 spindle bobbin winding machine"; "vertical cone & cradle indigo mills, for crushing indigo, etc."; "new style' beaming machines"; and couplings, post hangers, pulleys, and a pillow block. Also contains a chart of "Change Pinions for Regulating the number of Picks on Goods, with Positive Take-up Motion" and advertising text about shafting, gearing, and pulleys. Fairmount Machine Works was established in 1839 by John and Thomas Wood as a manufactory of power looms and other textile machinery., Various artists including Rea & Sharp, Klein, and Longacre Co., Not in Wainwright., Philadelphia on Stone, POS 233
Creator: Longacre & Co.
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department *BW - Industries - F [P.2004.43]

Title: On Schuylkill Riv. Philada. Pa
Description: Landscape view showing a rocky cliff along the river. Trees grow on and near the rock formation. In the background, a row boat passes near the opposite shore where two cows stand. A residence is visible further up the riverbank., Etched in image: Schuylkill Riv. Phila., Etched in image and printed below image: 10., Philadelphia on Stone, POS 529, Kollner advertised four volumes of small folio pictures, including "Bits of Nature and Some Art Products, in Fairmount Park ..." in 1878. Several of the lithographs from this volume were based on sketches he executed in the 1840s.
Creator: Kollner, Augustus, b. 1813, artist
Date: [ca. 1878]
Location: Library Company of Philadelphia | Print Department BW - Rivers - Schuylkill [P.9165]

Title: Lehman & Bolton. Steam power lithographic & letter press printing rooms. Nos 418, 420 & 422 Library Street. Opposite Post Office Bonds, checks, billheads, chromos, showcards, maps, labels & c. W.H. Lehman. M. Bolton, Jr
Description: Tradecard illustrated with scrolls, filigree, a banner and a cherub drawing on a pad. William H. Lehman & Mahlon Bolton Jr., purchased the print shop of Jacob Haehnlen in 1873 and remained at the site until 1882 when the business relocated, following a fire, to 715 Arch Street. The firm was active until 1920., Not in Wainwright., Philadelphia on Stone, POSA 55
Creator: Lehman & Bolton
Date: [ca. 1878]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.153g]

Title: Lithographic and letter press printing. Lehman & Bolton, Goldsmiths Hall, Library Street, opposite post office
Description: Advertising card containing ornamental lettering and filligree border for Lehman & Bolton, a partnership between William H. Lehman and Mahlon Bolton, Jr. formed in 1873., Date assigned by cataloger., Not in Wainwright., Philadelphia on Stone, POSA 57
Creator: Lehman & Bolton, lithographers
Date: [ca. 1873]
Location: Library Company of Philadelphia | Print Department Letterheads - L [P.9349.409]

Title: Alois Senefelder. Inventor of lithography
Description: Book illustration containing a portrait of Senefelder in a slightly draped oval frame bordered by scenes, pictorial details and vignettes representative of the lithographic trade. Frame contains a plate marked "1800" to represent the year of the invention of lithography. Pictorial details of lithographer's tools including a pen, ink pot, etching needle, straight edge, compass, sponge, brush, palette, and ink roller flank the upper edges of the frame. Scenes of a lithographic printer rolling ink on a stone on a hand press (left) and a lithographic artist using a hand rest to draw a portrait on stone from a sketch at his drawing table (right) adorn the lower edges. Scenes also include stones stored in a library of shelves and resting against the hand press as well as the artist's portfolio laying against his drawing table. Vignette shows a steam powered lithographic press framed as the base of the pedestal of the portrait. Duval & Hunter, the partnership between P.S. Duval's son Stephen C. Duval and Thomas Hunter operated 1869-1874., Published in J. Luther Ringwalt's The American encyclopaedia of printing (Philadelphia: Meniman & Ringwalt, 1871), opp. p. 280., Not in Wainwright., Philadelphia on Stone, POSP 8
Creator: Duval & Hunter
Date: [1871]
Location: Library Company of Philadelphia | Books & Other Texts | Rare *Am 1871 Rin 3210.Q.280a (Sower)

Title: William Mann, stationer, blank book maker, steam-power printer & lithographer, 529 Market & 526 Commerce Sts., Philadelphia
Description: Blotter. Text only. Printed in green ink with decorative border., Philadelphia on Stone, POSA 116
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department BW - Advertisements [P.9783.2]

Title: Agricultural Implement Manufactory. Heebner & Sons. Lansdale, Montgomery Co. PA
Description: Exterior view showing the three-and-half story brick building "salesroom" and adjacent foundry. A clerk stands near the salesroom entrance in front of which three tractors are displayed in the yard. To the right a train stands on the tracks of the newly constructed North Pennsylvania branch of the Reading Railroad. Also shows a passing horse-drawn carriage. Founded in 1840 by David S. Heebner, the firm moved to Lansdale from Worcester Township in 1872., Similar view published in J.D. Scott's Combination atlas map of Montgomery County, Pennsylvania (Philadelphia: J.D. Scott, 1877), p. 64., Not in Wainwright., Philadelphia on Stone, POSP 6
Date: [ca. 1877]
Location: Library Company of Philadelphia | Print Department *BW - Industries [6663.F]

Title: George & James M. Bullock. "Conshohocken Woolen Mills" Manufacturers of doeskin beavers, Moscow beavers, &c in fancy colors, 233 Chestnut Street, Philadelphia
Description: Exterior view of the woolen mills at Gulf Creek and the Schuylkill River in Conshohocken. Complex includes a main mill; engine house; boiler and dry house; dye house; scouring house; wool house; ware house; steaming houses; storehouse; mill; shoddy mill; engine house; boiler house; carpenter shop; lumber shed; office; gas house; gas holder; and coal and waste house. A flag adorns the property and stacks spew smoke. A fence surrounds the complex outside of which a man on horseback converses with two gentlemen, two ladies stroll, and a horse-drawn wagon is stopped. In the background, a farm and pastureland and neighboring mansion house are visible. The mill built in 1854, was purchased by wool manufacturer Benjamin Bullock in the 1860s, and in 1871 his sons George and James Bullock assumed operations. In 1880, the firm was operated by George Bullock & Co., and later the stock company Conshohocken Worsted Mills., Not in Wainwright., Philadelphia on Stone, POS 297
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department *BW - Industries [6623.F]

Title: Pennsylvania, 1776-1876, City of Philadelphia
Description: View looking west of the Delaware River and the city of Philadelphia from the Camden, New Jersey ferry terminal. Many people are gathered at the ferry terminal and the river is filled with steamboats and sailing ships. This scene is placed within the borders of a shield. Below the shield is Pennsylvania's state seal flanked by scenes of Pennsylvania's industries including railroads, oil, and agricultural., Not in Wainwright., Image was originally published in William Broadhead's The Centennial Book of Signers (Phila: J.M. Stoddard, 1872) page 219., Philadelphia on Stone, POS 556, In 1872 H.J. Toudy & Co. (Henry J. Toudy, George W. Ward, and William C. Berillat) were listed as practical lithographers and printers at 529 Chestnut Street in Philadelphia.
Creator: H.J. Toudy & Co., lithographer
Date: [1872]
Location: Library Company of Philadelphia | Print Department *BW-Views-Philadelphia [P.9639]

Title: Red hot Republicans on the Democratic Gridiron. "The San Domingo war dance."
Description: Cartoon satirizing liberal Republicans opposed to the Grant administration's proposed annexation of San Domingo. Depicts the devil holding a gridiron above a roaring flame upon which several bare-footed Republicans are jumping up and down from the heat including Carl Schurz, Charles Sumner, Horace Greeley, and probably Schuyler Colfax and Winfield Scott Hancock. Missouri senator Schurz cries, "I am loud on San Domingo, And I can't be stopped by jingo; Tho' the pain I bear provokes me, And the smell of brimstone chokes me." Sumner calls to two African American men who witness the scene from a cliff, "Come Sambo! jump right on the Gridiron with the rest, while its hot and lively." They reply in the vernacular, "no you don't Massa Sumner; Old Secesh Debble hold dat Gridiron and I guess you burn your foot." Comments from the roasting Republicans demonstrate their disapproval of Grant., Title from item., Date from copyright statement: Entered according to act of Congress in the year 1872 by Currier & Ives in the office of the Librarian of Congress in Washington., Purchase 1958., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., John Cameron was a Scottish lithographer who worked for many years with the renowned New York lithographic firm Currier and Ives.
Creator: Cameron, John, approximately 1828-, lithographer
Date: 1872
Location: Library Company of Philadelphia | Print Department political cartoons - 1872-1 [6282.F]

Title: Board of Education of the City of Camden of the State of New Jersey second class certificate
Description: Teacher's certificate illustrated with three allegorical vignettes: the New Jersey state seal with Liberty and Prosperity, portrayed as white women; a group of objects representing knowledge including books, a globe, a protractor, and a beaker; and a group of objects representing the arts including musical instruments, an artist's palette, a painting on an easel, sculpture, and a camera., Title from item., Issued to Mary S. Bunday, who qualified as a "first assistant in a grammar school," on September 25th, 1874. Bunday, an African American woman, was issued a second class certificate awarded to Black teachers., Date from manuscript written on recto., Manuscript note on frame backing: second class certificate meant Black for a Black Teacher., Unframed 1993., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Traubel, M. H. (Morris H.), 1820-1897, lithographer
Date: [ca. 1874]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.9427] - Dickerson Family Collection - Miscellaneous

Title: Washington Hose Company of Philadelphia
Description: Fire company certificate containing vignettes depicting fire fighters arriving at a fire at J.F. [i.e. J.E.] Caldwell & Company's store at 902 Chestnut Street (burned January 14, 1869); the company fire station on Lombard Street, east of 11th Street; and fire fighters pulling a fire engine past University of Pennsylvania buildings on 9th Street. Fire fighting equipment including a fire hose, a ladder, an axe, a bullhorn and other tools are drawn bundled together to form decorative elements on both sides. A small oval portrait of George Washington adorns the top., Not in Wainwright., Issued to William G. Myers on April 6, 1871. Signed by David B. Baker, president, and [Joseph J. Ryan], secretary., Philadelphia on Stone, POS 820/821, Duval and Hunter was a partnership between Stephen Orr Duval (P.S. Duval's son) and Thomas Hunter that lasted from P.S. Duval's retirement in 1869 until 1874.
Creator: Bosch, A. H., lithographer
Date: ca. 1870
Location: Library Company of Philadelphia | Print Department *Certificates - Fires and fire fighting [P.9303.11]

Title: The first colored senator and representatives In the 41st and 42nd Congress of the United States
Description: Full-length, group portrait depicting African American legislators: Senator Hiram R. Revels of Mississippi, Congressmen Robert C. De Large of South Carolina, Jefferson H. Long of Georgia, Benjamin S. Turner of Alabama, Josiah T. Walls of Florida, Joseph H. Rainy [sic] of South Carolina, and R. Brown Elliot of South Carolina. All of the legislators, attired in suits, are seated, except DeLarge and Long who stand., Title from item., Date from copyright statement: Entered according to act of Congress in the year 1872 by Currier & Ives in the Office of the Librarian of Congress at Washington., Purchase 1968., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Sitters' portraits possibly after photographs by Mathew Brady. See Library of Congress Brady-Handy Collection.
Creator: Currier & Ives
Date: 1872
Location: Library Company of Philadelphia | Print Department *Group Portrait Prints [12981.Q]

Title: Go to Dives, Pomeroy & Stewart's for the lowest prices in dry goods & notions, 442 & 444 Penn Street, Reading, Pa
Description: Racist trade card promoting Dives, Pomeroy & Stewart's dry goods store and depicting a caricature of African American boys with a donkey. Shows a barefooted boy, attired in pants with a hole at the knee, a shirt, and a jacket, sitting atop a donkey that is kicking its hind legs into the air. The boy looks down wide-eyed and with a worried countenance and holds the handle of a large banner with the advertising text in his right hand. In the left, behind the donkey, another boy crouches on his hands and knees on the ground and looks up at the rear of the donkey. He is barefoot and attired in pants and a jacket. Josiah Dives, George Strickland Pomeroy, and John Stewart opened their dry goods store in 1876 in Reading, PA. In 1880, the store moved to 442 & 444 Penn Street. Hahn Department Stores bought the company in 1934., Title from item., Date deduced from history of the advertised business., Series number on recto: 493., Manuscript note annotating title on recto: Reading, Pa., Gift of David Doret.
Date: [1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Dives [P.2017.95.43]

Title: Every body uses Scull's champion coffee
Description: Racist trade card promoting William S. Scull & Company’s Champion Coffee and depicting a caricature of an African American man riding a mule while carrying bags of Scull’s coffee. The barefooted man is portrayed with exaggerated features and is attired in a brimmed hat, a polka-dotted, long-sleeved shirt, and plaid pants. He carries large sacks labeled, "Scull’s Champion," underneath each arm as he rides on a mule. In the right perched on a tree, a black crow says to the man, "Every body uses Scull’s Champion Coffee." An owl on another branch of the tree says, "So they do." The man turns his head back towards the birds and remarks in the vernacular, "who said da dont." Joab Scull founded the business which imported, packaged, and distributed tea and coffee in 1831. His son William S. Scull was in charge of the business under the name William S. Scull & Company from 1858 until his death in 1916. They had a large warehouse and mill at Front and Federal Streets, Camden, N.J. William C. Scull succeeded the Company, which changed its name to the Boscul Coffee Company in 1947. R.C. Williams & Co. then acquired the business in 1959., Title from item., Place of publication deduced from place of operation of the advertised business., Date deduced from the history of the advertised business., Advertising text printed on verso: Reason’s why you should use Scull’s Champion Coffee. It is roasted by a new and improved process by which the strength is increased and aroma saved. It is packed hot from the cylinders, in one pound air-tight paper sacks, keeping it free from dust and dampness. It is giving universal satisfaction, and where-ever introduced wins for itself a place among the staple articles of trade. It is warranted full weight, uniform in quality, delicious in flavor, always fresh, always reliable. It is not ground, but the finest grade of Coffee cleaned of all impurities, scientifically roasted and packed hot, in the grain, thereby preserving the full flavor of the berry. It has become the leading Coffee in the country, because it is the best and therefore the cheapest. It is sure to please you. Ask you grocer for it. W.S. Scull & Co., Mills and Warehouse, Camden, N.J., Office, 33 South Front Street, Philadelphia., Distributor’s imprint printed on verso: F.G. Stuart & Co., 144 South 4th St., Phila., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - W.S. Scull & Co. [P.2017.95.185]

Title: Willard & Lane's improved Eagle Stove Polish better than any made
Description: Racist trade card promoting Willard & Lane’s Eagle Stove Polish and depicting caricatures of an African American woman and two African American boys using stove polish. Shows the African American woman, portrayed with exaggerated features and attired in a hat decorated with a ribbon, a white, short-sleeved dress, and slippers, standing and carrying a brush in her left hand. She looks with concern to the left at the two boys sitting on the floor. In the left, the barefooted boy, attired in a short-sleeved white shirt and shorts, sits on the floor with his legs stretched out. The barefooted boy in the right, attired in a white, long-sleeved shirt and white pants with a patch, applies stove polish with a brush on him. In the foreground is a box labeled, “Willard & Lane’s Improved Eagle Stove Polish.” A stove is in the center of the room. Abel Lyman Willard (1829-1892) opened an apothecary and drug store in 1855 in Taunton, Mass. In circa 1874, he founded the firm Willard & Lane with A.F. Lane, manufacturing Eagle Stove Polish., Title from item., Date deduced from the history of the advertised business., Gift of David Doret.
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Willard [P.2017.95.190]

Title: It stands at the head. "Domestic" sewing machine
Description: Racist trade card promoting Domestic Sewing Machine Company and depicting a caricaturized genre scene of an African American family looking to their right at a billboard on the side of a building. The figures are portrayed with exaggerated feaures. Shows an older, squat man, a woman, and three children seated and standing in a horse-drawn cart halted on a dirt road. An older boy stands behind the cart. The man, attired in a top hat; a ragged jacket; a shirt with bowtie; and pants with patches on the knees and suspenders sits smiling and holding in his hands a stick and the reins of his horse that wears blinders. The woman, attired in spectacles; a straw hat with a decorative ribbon that is tied under her chin in a bow; a long-sleeved dress; and a shawl stands up inside the cart. She holds a baby in her left arm and points at the billboard with her right hand. A boy attired in a long shirt and pants sits beside the man in the front of the cart. Behind the man, a girl attired in a bonnet stands. The boy outside of the cart is barefooted and attired in a cap; a shirt; and ragged pants with a hole at the knee, and carries a basket. A dog, its tail between its legs, hunches underneath the cart. In the left, the billboard is illustrated with a sewing machine in the center of a star with the advertising text around it. Text reads: "It stands at the head : Copyrighted by the "Domestic" Sewing Machine Co. The star that leads them all. Unequalled for simplicity of construction ease of operation and durability. The light running "Domestic" sewing machine." In the distant right background a house is visible. William S. Mack & Co. and N.S. Perkins founded the Domestic Sewing Machine Company in 1864 in Norwalk, Ohio. The White Sewing Machine Company bought the company in 1924., Title from item., Date deduced from history of the advertised business., Distributor's imprint printed on recto: E.R. Bumps, jeweller, Waldoboro, ME., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Domestic [P.2017.95.51]

Title: J.H.T. Hopkins, custom and ready made clothing. 658 Main St., Cambridgeport
Description: Racist trade card promoting J.H.T. Hopkins's clothing store and depicting a caricature of an African American man sitting on a rock as birds fly towards his hat. Shows the African American man portrayed with exaggerated features attired in a top hat, a long-sleeved shirt, pants, and shoes. He sits on a rock in front of a tree and opens in mouth in alarm as “swallows” fly toward him and into his hat. J.H.T. Hopkins (1858-) was a clothing dealer and had a store in Cambridge, Massachusetts from the 1880s to 1890s., Title from item., Place of publication inferred from place of operation of the advertised business., Date deduced from history of the advertised business., Advertising text printed on recto: Repairing done at short notice. All orders attended to promptly and properly., Text printed on recto: "When the swallows homeward fly." Copyrighted., Card is printed in blue ink., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Hopkins [P.2017.95.86]

Title: Dis Union. Union. John E. Kaughran & Co., 763 Broadway, Bet. 8th and 9th Streets
Description: Racist, satiric trade card promoting John E. Kaughran & Co.’s dry goods store. Depicts in two panels an African American man knocking down two African American children eating a candy stick by opening the cellar doors they were sitting on. In the left panel, an African American man has come up from inside the cellar and stands holding both doors open in his hands. He is attired in a white shirt, a striped vest, striped pants, and a cap, and holds a pipe in his mouth. The African American boy has been thrown off of the door and lies in the right on the ground with the candy stick in his mouth. The African American girl has also been flung from the top of the door and lies on the ground beside the cellar with only her feet and left hand visible, as the caption reads, “dis union.” In the right panel, shows the two barefooted children sitting on top of slanted cellar doors. In the right, the boy, attired in a hat, a long-sleeved shirt, and pants, holds a striped candy stick in his mouth. In the left, the girl, attired in a bonnet and a dress, shares the same candy stick and sucks the opposite end in her mouth above the caption, “union.” John E. Kaughran (1849-1899) founded his dry goods business in 1877 in New York City and opened a store on Broadway. He retired in 1886., Title from item., Date deduced from history of the advertised business., Text printed on recto: (Over.), Advertising text printed on verso: John E. Kaughran & Co., 763 Broadway, Bet. 8th and 9th Sts., will remove on or about May 1st to 767 and 769 Broadway, Cor. 9th Street. Immense Bargains in all our Departments, Call early in the day and avoid the great rush in the Afternoon., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - John [P.2017.95.93]

Title: A mistaken identity
Description: Racist trade card specimen depicting a caricature of an African American woman striking a passing white man with the back of her hand. Shows the woman portrayed with exaggerated features and attired in a hat, a striped dress, a polka dotted apron with a patch, and black shoes, carrying an umbrella in her left hand and hitting a man with her right hand. In the left, the man lifts his right leg and his left hand up as he jumps in alarm after being struck., Title from item., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. - Mistaken [P.2017.95.205]

Title: "They all do it"
Description: Racist trade card specimen depicting a caricature of an African American man kissing a caricature of an African American woman on a bench in front of a house while people look on. Shows the African American man, attired in a hat, a white collared shirt, a waistcoat, a black jacket, plaid pants, and shoes, sitting on a bench. He carries a stick in his left hand and wraps his right arm around the African American woman’s neck and kisses her cheek. The woman, attired in a long-sleeved dress and apron, sits next to the man on the bench. She holds a flower in her hand on her lap and smiles. In the house behind the bench, a man, a woman, and a boy look down and smile at the couple from the second story window. In the left, a boy, attired in a hat, a long-sleeved shirt, and pants with a suspender, sits on the wooden fence with his back turned to the viewer. In the foreground is a dog scratching its ear., Title from item., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. - They [P.2017.95.209]

Title: Which wi[ll let go] first, the dog or the darkey
Description: Racist, trade card specimen depicting caricatures of two African American men stealing watermelons from a farm. Shows the barefooted, African American man, attired in a long-sleeved shirt and ragged pants, carrying a watermelon under each arm as he tries to get over a wooden fence. He has a fearful expression on his face as a dog has ripped and holds the back of his pants in its mouth. Another barefooted, African American man, attired in a long-sleeved shirt and striped pants, opens his mouth in alarm as he has fallen over the fence and landed face down with his legs in the air. The pieces of a smashed watermelon lie on the ground beside him. In the right background is a house and a white man, attired in a hat and carrying a rifle, moving towards the fence., Title from item., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. - Which [P.2017.95.211]

Title: [African American man minstrel playing the flute]
Description: Racist, trade card specimen depicting a caricature of an African American man minstrel playing the flute. Shows the African American man minstrel portrayed with exaggerated features and attired in a hat; a ruffled, white shirt with an oversized collar; a plaid jacket with tails; pants with a black stripe, and black shoes. He sits on a wooden stool and blows on the flute, which he holds up to his mouth in both hands. In front of him is a music stand with sheet music on it., Title devised by cataloger., Date deduced from the visual content., Printed in red ink., Text stamped on recto: No. 478, 4 designs, price $1.55 per 1000., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. 12 [P.2017.95.223]

Title: [African American man sticking his head through a sheet of paper]
Description: Racist, trade card specimen depicting a caricature an African American man portrayed with exaggerated features sticking his head through a large piece of paper. Shows the African American man, attired in a white apron, plaid pants, and black shoes, standing with his hands at his sides. He smiles at the viewer as his oversized head has burst through a sheet of paper. The torn pieces of paper surround his head., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. 19 [P.2017.95.230]

Title: [African American child touching the hair of a crying white baby]
Description: Racist, trade card specimen depicting a caricature an African American child, portrayed with exaggerated features, touching the hair of a crying white baby. Shows the barefooted, smiling, African American child, attired in a long-sleeved white layette, seated behind a white child. Both of their hands touch the hair on top of the head of the white baby seated below, who cries with a look of alarm on their face., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. 20 [P.2017.95.231]

Title: [African American man with a basket of produce and carrying a dead duck]
Description: Racist, trade card specimen depicting a caricature of an older African American man, possibly a peddler, carrying a dead duck and a basket of produce. The man is balding and has tufts of white hair on the sides of his head and is attired in plaid pants, a collared shirt, a collared jacket, and a plaid scarf tied around his neck. He holds a dead duck by the legs in his left hand. Around his left shoulder, he carries a straw handled basket, which has the leaves of a vegetable sticking out of it. Behind him in the background is a shelf that has a bottle and a glass on it., Title supplied by cataloger., Date deduced from the visual content., Printed in red ink., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. 25 [P.2017.95.236]

Title: [Benjamin H. Shoemaker, French Plate Glass Depot, 205-211 North Fourth Street, Philadelphia, Pa.]
Description: Frontispiece showing the five-story storefront of the window and plate glass dealer at 205-211 North Front Street. Signage adorns the building and reads "French Plate Glass Depot"; "French, English and American Window Glass"; "Plate Glass"; and "Window Glass." A patron enters one of the entryways near a couple with their child walking on the sidewalk. Two men, possibly the proprietor and a clerk, stand in adjacent entries and watch drayman unload large boxed sheets of glass from a horse-drawn cart in the street. Shoemaker established his glass depot in 1855 when he left the druggist business of his brother Robert Shoemaker. Shoemaker served as president of the Pennsylvania Hospital for several years., Date inferred from publication date of catalog in which print is included., Frontispiece to Benjamin H. Shoemaker, importer, dealer, and sole agent in Philadelphia for the sale of French thick white plate glass (Philadelphia, 1875). [Am 1875 Benja, 117681.D]., Philadelphia on Stone, POS 879
Date: [1875]
Location: Library Company of Philadelphia | Print Department Am 1875 Benja 117681.D. frontspiece

Title: Mirth! music! originality! The success of the season! "Jollities"
Description: Racist trade card promoting “The Electrical Doll” play at the Gaiety Theatre in Boston. Depicts a caricature of an older African American man, possibly a peddler, carrying a dead duck and a basket of produce. The man is balding and has tufts of white hair on the sides of his head and is attired in plaid pants, a collared shirt, a collared jacket, and a plaid scarf tied around his neck. He holds a dead duck by the legs in his left hand. Around his left shoulder, he carries a straw handled basket, which has the leaves of a vegetable sticking out of it. Behind him in the background is a shelf that has a bottle and a glass on it. The Gaiety Theatre in Boston was located on Washington Street between West and Avery Streets. The 800-seat theater operated from 1878 to 1882 when it became the Bijou Theatre. Charles Atkinson with his Jollities theatre troupe produced comedic plays, including “The Electrical Doll,” which was written by Clinton G. Parrefield with music by J. Adalim. It first appeared in December, 1879 and ran for a number of years in America and Europe., Title from item., Publication information and date inferred from the content., Text printed on the recto: (Over.), Advertising text printed on the verso: Boston Press Notes. [Boston Herald, Dec. 14.]“Standing room only.” and precious little of that, was what late comers at the Gaiety Theatre found last evening. One of the largest audiences ever gathered in this cosy little house extended to the ‘Jollities’ Combination such a welcome as to dispel all doubts, if, indeed, any existed, that the levees to be given during the present week by “The Electrical Doll” will be little short of a perfect ovation.” [Boston Post, Dec. 14.] “The ‘Jollities’ presented the ‘Electrical Doll,” the funniest of all musical absurdities, before an over-flowing house last evening at the Gaiety, and gave universal satisfaction.” [Boston Globe, Dec. 14.] The Jollities. “There was not a vacant seat at the cosy Gaiety last evening. Why? Simply from the fact that Manager Gouge, who knows just what a Boston audience requires, gave one of the best performances that has graced this theatre this season. If good acting, splendid singing, bright and witty dialogue, with a capital orchestra—whose sparkling music was rendered under the baton of J.A. Norris in such an acceptable manner that encores were demanded—deserve to be called first-class, then a faint idea may be conceived of the excellencies of the Jollities Combination entertainment.”, [Boston Journal, Dec. 14.] Gaiety Theatre—“The Jollities Combination is well named, for jollier lot of performers could scarcely be brought together. At the Gaiety Theatre, last night, they appeared before a large audience in a two-act musical piece entitled ‘The Electrical Doll.” On the bills the piece is called an ‘absurdity,’ and it is deliciously absurd, yet marked by a consistency that places it as a composition for the stage very far ahead of the majority of similar productions. The Jollities deserve full houses during their stay of a week, and all who attend their clever entertainments are certain to be pleased.”, Printed with green ink., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Gaiety [P.2017.95.67]

Title: The Union Pacific Tea Co
Description: Racist trade card illustration depicting an interior scene with two African American women, a toddler, and a cat. One woman, who is thin and gaunt, stands and is attired in a long dark colored robe, a shawl, a head scarf, and shoes. The other woman, who is larger, is seated in a rocking chair and attired in a long sleeved dress, an apron with a star pattern, a headwrap, and shoes. The toddler is seated on the floor in the background. A broken chair and framed picture of a person kneeling are visible in the background of the image. A cat is seated on the floor in the foreground. All of the African Americans in the illustration are depicted with exaggerated features., Title from item., Text printed on recto: "Aunty Fat, and Auntie Lean.", List of firm's branches printed on verso., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Union [P.2017.95.178]

Title: W.H. & S.V. Lines
Description: Racist trade card showing an African American man facing the left and depicted in bust-length. The man is attired in a straw hat, from which three chicks peek out, and a collared shirt. He is depicted with exaggerated features., Title from item., Advertising text on verso: Boots, shoes, rubbers, trunks & bags. Good goods! Low prices! All the novelties. Buying direct in large lots to supply our seven stores enables us to sell cheaper than other dealers. Stores at Rochester, Schenectady, Ithaca, Amsterdam, Elmira, Lockport, and Geneva, N.Y. W.H. Lines, S.V. Lines, Jr., Text printed on recto: Injured innocence. I hain't seen nuffin of yer chickens! Do yer took me for a thief? Do yer see any chickens 'bout me? Go' way dar, white man! Treat a bo 'spectable if he am brack!, Gift of David Doret.
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - W.H & S.V. Lines [P.2017.95.184]

Title: 50 new elegant embossed chromo cards with your name printed on them, for only 8 cents in stamps. This offer lasts only till October 30, after that our regular price will be charged. Address Star Card Co., East Boston, Mass. Box 38
Description: Racist trade card illustration depicting an African American man peering over a fence and gazing downard. The man is attired in a cap and holds a cane in his left hand. His right hand grips the top of the fence. A sign on the fence bears the advertising text promoting personalized greeting cards. Below the sign is a notice that reads, "Post No Bills." The African American man is depicted with exggerated features., Title from item., Advertising text printed on verso: Read! Read! These cards are something new, Gold Floral, Rememberance, Sentimental, Hand Floral, etc. with Love Friendship and Holiday Mottoes. Besides this maginificent offer we give with every pack, 10 pieces New and Popular music, and with 6 packs we give a fine Nicle-Plated Pocket Fruit knife. Try us once. We want an agent in every city and town. We give fine premiums, or we will allow you to retain 25 cts. on eah Dollars worth of orders sent. Send stamp for Premium List, Circulars, and how to become an agent. It pays. Address Star Card Co., East Boston, Mass., Text is printed in red ink., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Star [P.2017.95.166]

Title: Frank Miller's crown dressing Well dis chile am 'stonished at his own genius- dat Frank Miller must be a conjuror-shua!
Description: Racist trade card depicting an African American man cobbler in a shop setting. Shoes the boy-faced man shining a boot from a counter lined with shoes and boots. He looks out toward the viewer, and holds a dabber in his right hand and the boot in his left. To his left is the counter of footwear along the wall. A chest, boxes, and a bag are visible in the right foreground. In the left are several pairs of shoes and boots strewn in a pile on the ground in front of a counter on top of which a bottle of Frank Miller's Crown Dressing rests. The cobbler is attired in a collared shirt, striped pants, an apron, and leather shoes. Frank Miller & Co. was a New York manufacturer of shoe polish based in Manhattan. The company was founded in the 1860s and continued operating throughout the late 19th century., Title from item., Date inferred from content and genre of print., Advertising text printed on verso: Frank Miller's Improved French Blacking. Gives a quick, brilliant, and durable polish, with positive nourishment to the leather. It is different in composition from common blackings, being based upon the French process, with every valuable feature of the French style retained, while such improvements have been made to insure a dryer and more durable gloss, with increased pliability of the leather. Frank Miller's Crown Dressing. An invaluable preparation for restoring ladies' and children's boots, shoes, rubbers, travelling bags, and all black leather goods that are soiled or worn by age or use, to their original beauty of finish and softness. Frank Miller's Leather Preservative and Water-proof Blacking. This blacking is not designed to produce a polish, but to render the leather soft, pliable, water-proof, and much more durable. For more than forty years it has been the reliance of farmers, miners, sportsmen, lumbermen, soldiers, and outdoor laboring men. It does away with the necessity of using rubbers, which are expensive, uncomfortable, and destructive to health and leather. This is the only article designed for this purpose which has met with universal approval. Frank Miller's Peerless Blacking. This article will fully meet the requirements of the consumer, as to quality. It gives a quick, brilliant, jet black gloss, without injury to the leather., Gift of David Doret.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Miller [P.2017.95.126]

Title: Franklin Institute, Seventh Street between Chestnut and Market, Philadelphia
Description: Book illustration, possibly from a business directory, showing the science and technology institute building built 1825-27 after the designs of John Haviland. A man stands on the steps leading to the entrance. The building served as the Franklin Institute from 1827 to 1933., Not in Wainwright., Contains advertisements for Philadelphia businesses Leibrandt & McDowell Stove Co. (123 N. 2nd), and Orr, Painter & Co. distributor of Reading Stove Works (64 & 66 N. 2nd) on verso. Orr advertisement includes a vignette depicting a stove., Philadelphia on Stone, POSP 83, Historical Society of Pennsylvania: Ba 43 An 791
Date: [ca. 1880]
Location: Historical Society of Pennsylvania HSP Ba 43 An 791

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