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Title: Bethel African Methodist Episcopal Church, Philada. [graphic] : Founded in 1794 by the Revd. Richard Allen, Bishop of the first African Methodist Episcopal Church in the United States. Rebuilt in 1805. / Drawn on Stone by W.L. Breton.
Description: Kennedy and Lucas, operated by David Kennedy and William B. Lucas, printed the city's first commercial lithographs, a series of church subjects drawn by W.L. Breton, probably including "Mother Bethel.", Exterior view of the rough cast second edifice of the African American church at 125 South 6th Street. Pedestrians and church attendees, predominately women, stroll the sidewalk and enter the house of worship adorned with a simple stone tablet inscribed, "Bethel Church." Known as "Mother Bethel," the church was formed from black congregants discriminated against by the Methodist Episcopal Church. The 1805 building, the site of the first convention of the Unified African Methodist Episcopal Church, stood until 1841 when a third building was erected on the site.
Creator: Breton, William L., artist., creator
Date: July 1829.
Location: http://www.lcpgraphics.org/wainwright/W026.htm, Library Company of Philadelphia Print Dept. W26 [7500.F]

Title: A fourth day morning view of Friends Meeting House on Cherry Street. Philadelphia. [graphic] / Drawn on stone by W. L. Breton.
Description: Location: Cherry Street, northside, between Fourth and Fifth., Wainwright retrospective conversion project.
Creator: Breton, William L. lithographer., creator
Date: ca. 1829.
Location: http://www.lcpgraphics.org/wainwright/W002.htm, Library Company of Philadelphia Print Dept. W2 [8153.F]

Title: North-east view of St. Peter's Church (Episcopal) Philada. [graphic] / Drawn on stone by W. L. Breton.
Description: Location: Third and Pine Streets., Wainwright retrospective conversion project, with corrections., Select link below to view a digital image., Historical Society of Pennsylvania:
Creator: Breton, William L. lithographer., creator
Date: 1829.
Location: http://www.lcpgraphics.org/wainwright/W253.htm, Library Company of Philadelphia Print Dept. *W253 [P.2148]

Title: Philadelphia Baths, corner of George and Seventh Sts., near Chestnut Street. [graphic] / WLB.
Description: Wainwright retrospective conversion project., Select link below to view a digital image.
Creator: Breton, William L. lithographer., creator
Date: ca. 1829.
Location: http://www.lcpgraphics.org/wainwright/W280.htm, Library Company of Philadelphia Print Dept. W280 [P.2170]

Title: Unitarian Church Philadelphia. [graphic] / W. L. Breton.
Description: Originally part of a McAllister scrapbook of views of Philadelphia., Wainwright retrospective conversion project., Select link below to view a digital image., Historical Society of Pennsylvania:, View of the front facade of the First Congregational Unitarian Church built in 1828 after the designs of Philadelphia architect William Strickland on the 900 block of Locust Street. Includes pedestrian traffic and a partial view of neighboring buildings obscured by trees. The columns supporting the portico of the church were salvaged from Benjamin Latrobe's pump house at Center Square. Church was demolished in 1885.
Creator: Breton, William L., lithographer., creator
Date: [1829]
Location: http://www.lcpgraphics.org/wainwright/W413.htm, Library Company of Philadelphia Print Dept. *W413 [(4)1322.F.99]

Title: Comly Ville near Frankford - Philadelphia Co. [graphic] / Kennedy & Lucas's Lithography.
Description: Location: Asylum Road near Frankford Creek., Published by L. A. Godey in the first volume of his Lady's Book., Wainwright retrospective conversion project., Select link below to view a digital image., Library Company of Philadelphia: P.9210.15 and in (1)7397.O., Historical Society of Pennsylvania:
Creator: Breton, William L. artist. Kennedy & Lucas's Lithography lithographer., creator
Date: 1830.
Location: http://www.lcpgraphics.org/wainwright/W078.htm, Library Company of Philadelphia Print Dept. W78 [P.9210.15]

Title: The Castle of the State in Schuylkill. [graphic] / From nature & on stone M. Swett.
Description: Location: West bank of the Schuylkill, opposite Bartram's Garden., First appeared in American Turf Register and Sporting Magazine, 1, No.5, p. 217 (January, 1830), and then as frontspiece in William Milnor, Jr.'s An Authentic Historical Memoir of the Schuylkill Fishing Company (Philadelphia: Published by Judah Dobson, 1830)., Wainwright retrospective conversion project., Select link below to view a digital image., Library Company of Philadelphia: in Am 1830 Mil 7130.O copy 1 & 2., Historical Society of Pennsylvania: in Am 1830 Mil Ap83 M66 copy 1 & 2 and Wi.2.
Creator: Swett, Moses., creator
Date: [1830]
Location: http://www.lcpgraphics.org/wainwright/W369.htm, Library Company of Philadelphia Print Dept. W369 [Am 1830 Mil 7130.O]

Title: [A view of the Fairmount Water-Works with Schuylkill in the distance. Taken from the mount.] [graphic].
Description: LCP copy lacking title and imprint., Wainwright retrospective conversion project., Historical Society of Pennsylvania:
Date: 1838.
Location: http://www.lcpgraphics.org/wainwright/W008.htm, Library Company of Philadelphia Print Dept. **W8 [P.2004]

Title: View of the Fairmount Waterworks with Schuylkill in the distance. Taken from the mount. [graphic].
Description: LCP copy lacking title and imprint., Wainwright retrospective conversion project., Select link below to view a digital image., Historical Society of Pennsylvania: Bc 88 B786.
Date: c1838.
Location: http://www.lcpgraphics.org/wainwright/W009.htm, Library Company of Philadelphia Print Dept. **W9 [P.2006]

Title: Whalebone A noted horse for speed & bottom, Brightbay, 15 hands 3 1/2 inches high, has strong points & shews great blodd, was sired by Hamiltonian & Hamiltonian by old Messenger. He was bred by General Coles of Long Island
Description: Racing print showing Whalebone running, mid-galop, during a harness race. The jockey wears a cap tied under his chin and holds a whip in his right hand. Also contains several lines of promotional text describing Whalebone's excellent performances including an 1827 New York trotting course race, which "he accomplished in 54 minutes & 6 seconds with great ease"; his defeat of Creeper, Lady Kate, Grey Squirrel & Moonshine on May 15, 1828 in a Hunting Park Association race worth $200; his victory over Mr. Spicer in another Hunting Park Association course on October 15, 1829, in which he ran 16 miles in 4 mile heats in the unprecedented time of 46 minutes & 11 seconds, and performed the third heat in 11 minutes and 17 seconds; another Hunting Park Association victory on October 23, 1830, winning a purse of $300 for "beating Sir Peter, Jerry, Comet & Top Gallant, and distancing all on the 4th heat"; his defeat of the Calf, Comet and Sir Andrew, winning the 2nd and 3rd heats (the Calf took the first) on the Union Course Long Island on December 6, 1830; his victory over Sweet Brier on the Hunting Park Course, where he won each mile except the 2nd and the 5th; and his performance of 8 minutes 20 seconds in a 2nd 3 mile heat in harness on the Hunting Park course on October 14, 1829. For these reasons, Whalebone was considered one of the best bottomed horses in the country., Not in Wainwright., Philadelphia on Stone, POSP 275, Smithsonian Institution, NMAH, Home and Community Life Collection: DL*60.3564
Creator: Hillman, Richard S., artist
Date: ca. 1830
Location: Smithsonian Institution | NMAH Home and Community Life Collection SI NMAH H&CL - Harry T. Peters America on Stone Collection [DL*60.3564]

Title: Sketches of Character. Plate 3. At Home. Abroad
Description: Philadelphia on Stone, POS 697, Cited by Wainwright as in the collections of the Historical Society of Pennsylvania. Copy unlocated., Historical Society of Pennsylvania: copy unlocated
Creator: Clay, Edward Williams, 1799-1857, artist
Date: 1830
Location: Historical Society of Pennsylvania W337 [HSP unlocated]

Title: Camp Dupont Advance Light Brigade, under Brigadier General Cadwalader
Description: View showing the War of 1812 camp for Pennsylvania volunteers above the Brandywine River, near Wilmington, De. In front of rows of tents, troops drill on foot, perform mock battles on horseback, and exercise their mounts. In the foreground, on the dirt road lining the fenced enclosure of the encampment, a man and supply wagon are stopped by sentries on guard as a carriage travels in the opposite direction. Camp Dupont was organized on Oak Hill in the spring of 1814 in response to the threat of British attack on the Dupont powder mills. The militia was largely comprised of volunteers from Philadelphia., Not in Wainwright., After aquatint originally published in The Martial Music of Camp Dupont (Philadelphia: George E. Blake, ca. 1816), Philadelphia on Stone, POS 78, Historical Society of Pennsylvania: Ba 54 D 928
Date: [ca. 1830]
Location: Historical Society of Pennsylvania HSP Ba 54 D 928

Title: Brandywine Springs Hotel near Wilmington Del
Description: View showing the elegant four-story hotel completed in 1826 after the designs of Thomas U. Walter in Brandywine Springs, Delaware. Elegantly attired guests crowd the first floor porch, are visible in some upper floor windows, and walk and lounge on the grounds. A man on horseback, and a horse-drawn carriage arrive at the hotel near two dogs chasing each other in the driveway. The hotel served as a summer retreat for the well-to-do of the region. The building was razed by fire in 1853., Title from manuscript note in ink on recto., pdcc00012, Not in Wainwright., Philadelphia on Stone, POSP 19, Free Library of Philadelphia: Castner 11:54
Creator: Clay, Edward Williams, 1799-1857, artist
Date: 1830
Location: Free Library of Philadelphia. | Print and Photograph Collection. FLP Castner 11:54

Title: A Monday morning view of Friends Meeting House and Academy, Philada. Forty years ago
Description: Busy street scene showing the meetinghouse and school protected by a brick wall with five entrances at the southeast corner of Fourth and Chestnut streets. Shows young and old Friends departing and arriving, including J. P[emberton?], W. Waring, J. Evans, Robert Proud, [Jam?]es Pemberton, Nick Waln, and Thomas Morris. Many of the older Quakers use canes. Also shows two African American boys riding and chasing a pig near a street vendor and neighboring buildings. Meetinghouse completed in 1764 and razed in 1859., Inscribed on recto: 4th & Chestnut. 1789., Inscribed on verso: Gift of Mrs. C. M. Thomas Sept. 5, 1919., Contains inscriptions identifying several of the Quaker figures below the image., Philadelphia on Stone, POS 479, Historical Society of Pennsylvania: Bb 862 B 756 #45, HSP copy trimmed.
Creator: Breton, William L., ca. 1773-1855, artist
Date: 1829
Location: Historical Society of Pennsylvania HSP Bb 862 B 756 #45

Title: A Sunday morning view of the African Episcopal Church of St. Thomas in Philadelphia._ Taken in June 1829
Description: Busy street scene showing elegantly-dressed African American parishioners of all ages entering the first African Episcopal church in the United States at the corner of Fifth and Adelphi (i.e. Saint James) streets. Includes a date stone in the eave of the church that reads "The African Church MDCCXCIII." Also shows a man leading a horse near the rear of the building. The church was established in 1794 by the religious and beneficent organization, the Free African Society, as a result of the discriminatory practices of the city’s congregations. Absalom Jones, a freed slave, became rector of the church in 1796 and remained as its minister until his death in 1818., Philadelphia on Stone, POS 729, Historical Society of Pennsylvania: Bb 862 B 756 #44, Free Library of Philadelphia: Castner 28:26, trimmed, staining.
Creator: Breton, William L., ca. 1773-1855, artist
Date: 1829
Location: Historical Society of Pennsylvania HSP Bb 862 B 756 #44

Title: Gray's Ferry
Description: View showing the floating bridge across the Schuylkill River at Gray's Ferry. On the bridge, two men fish, a boy looks out onto the river, and a horse-drawn dray travels. In the background, a residence, possibly the Say family estate, is partially visible behind trees at the top of a rocky cliff rising from the river, and buildings line the Gray's Ferry Road leading to the bridge. Gray’s Ferry was named after the ferry service operated by the Gray family on the lower section of the Schuylkill River during the 18th century. Floating bridge razed 1838., Philadelphia on Stone, POS 326, Historical Society of Pennsylvania: Bb 7 G 795
Creator: Lehman, George, d. 1870, artist
Date: [1830]
Location: Historical Society of Pennsylvania HSP Bb 7 G 795

Title: Second Presbyterian Church, city of Philada. Founded 1750. Enlarged 1809
Description: View showing the church built 1749 after the designs of Robert Smith at the northwest corner of North Third and Arch streets. Also shows pedestrian traffic, including two strolling women and three men conversing at the corner. Church was demolished 1837-1838 following the relocation of the congregation., Letter "s" printed backward in artist's imprint., Philadelphia on Stone, POS 687, Historical Society of Pennsylvania: Bb 862 B 756 #46, Free Library of Philadelphia: Castner 23:28., Upper left corner torn.
Creator: Breton, William L., ca. 1773-1855, artist
Date: 1830
Location: Historical Society of Pennsylvania HSP Bb 862 B 756 #46

Title: St. Augustine's Church
Description: Exterior view showing the Romanesque-style Catholic church built in 1801 after the designs of Douglas Fitzmaurice Fagan at 260-262 North Fourth Street. Includes the tower built in 1829 after the designs of William Strickland. Several parishioners, including men, women, and children, congregate in small clusters on the sidewalk in front of the church. Also shows the adjacent church courtyard protected by a stone wall and surrounding buildings, including one with an awning. The congregation formed in 1796 under Father Matthew J. Carr to serve the large German and Irish immigrant community residing in the northern sections of the city. The church was razed during the Nativist Riots of May 1844., Philadelphia on Stone, POS 705, Historical Society of Pennsylvania: Ba 131 S 133, Free Library of Philadelphia: Castner 22:27, lacking imprint.
Creator: Lehman, George, d. 1870, artist
Date: 1830
Location: Historical Society of Pennsylvania | Print Department | HSP at LCP HSP Ba 131 S 133

Title: The pagoda and labyrinth garden
Description: Active scene showing the pleasure garden resort conceived by Philadelphia lawyer Peter A. Browne that was built 1828 in the style of a Chinese pagoda after designs by John Haviland on the 2400 block of Fairmount Avenue. Couples stroll on the veranda. Horse-drawn sulkies race near a man on horseback and a boy running in the foreground. Also shows horse-drawn carriages parked in a stable. The resort failed circa 1829 and was soon demolished., Philadelphia on Stone, POS 538, Historical Society of Pennsylvania: Bc 81 H 388, Copy contains repairs to missing sections of lower edge and lower right corner, including retouches.
Creator: Bridport, Hugh, 1794-ca. 1868, artist
Date: [1828]
Location: Historical Society of Pennsylvania HSP Bc 81 H 388

Title: A free negress and other market-women
Description: Illustration accompanies Chapter III, "Province of Rio de Jainero." As the title suggests, it depicts a free negress (presumably the woman closest to the left) and three market women. A small child, not mentioned in the title, is visible at the far left. Sheltered by a small canopy, the four women sell fruits and vegetables: pineapples occupy a basket in the right foreground, melons and squash (?) are scattered on the ground, and two women balance baskets on their heads. Three large sacks contain additional market-goods, possibly beans. While it is ultimately unclear, the image appears to show a conflict between the negress and the market-woman seated on the bench., Illustration in James Henderson's A History of Brazil: Comprising its Geography, Commerce, Colonization, Aboriginal Inhabitants, &c. &c. (London: Printed for the author, and published by Longman, Hurst, Rees, Orne, and Brown, Paternoster-Row, 1821), p. 70., Fels Afro-Americana Image Project, Work Scenes.
Creator: Shoosmith, C., artist
Date: [1821]
Location: Library Company of Philadelphia | Books & Other Texts | Rare *Am 1821 Hender 1814.Q p 70, https://digital.librarycompany.org/islandora/object/Islandora%3A2724

Title: [Manufacturing cigars for the poodles. A sketch from the Havannah.]
Description: Print depicting West Indian Black men cigarmakers, portrayed in racist caricature, and their English customers criticizing the use of tobacco and the corrupt nature of enslaved labor. The cigarmakers, attired in sarongs or loinclothes and some with caps, speak in the vernacular, "You mak'a nice ting for Massa Poodle to suck." They soak tobacco, which is dripping wet and giving off a stench, in a large barrel labeled "hospital tub," and in their own urine and vomit to produce "high flavored" cigars. In the left, a Black man vomits into a basin filled with tobacco leaves and says, "What a tink! de smell mak'a me sick." In the right, a man squats and urinates into another basin filled with tobacco. Horrified British dandies look on while one comments, "Oh the Negers, is that the way they make the high flavored cigars, I'll never Suck another.", Title from duplicate copies at the William L. Clements Library, Ann Arbor, Michigan and The Lewis Walpole Library, Yale University, New Haven, Connecticut., Purchase 1991., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: October 5, 1827
Location: Library Company of Philadelphia | Print Department political cartoons - 1827 [P.9345]

Title: A dead cut
Description: Racist caricature portraying a middle-class African American man-woman couple as snobs who slight a working-class African American man shoeshiner and former acquaintance. Depicts the African American shoeshiner greeting the African American couple who feign ignorance of the man's acquaintance after their return from "de Springs." The laborer, attired in a rumpled top hat, torn overcoat with tails, and patched pants holds his rod of boots in his left hand, and uses his right one to grab the hand of "Cesa." "Cesa," dressed in a flat-top cap, and heavy, long overcoat with handkerchief in the pocket, and plaid pants, looks suspiciously at their joined hands. He holds a walking stick and his companion's parasol in his other hand. He states that the shoeshiner has mistaken his identity (You must be mistaking in de person black man!). His companion, her hand around his elbow, and dressed in a Dunstable bonnet, dark-colored overcoat, and button-down shirtwaist with a collar, agrees. With her hand placed on her hip and holding a purse, she declares, "What does the imperdent nigger mean?" Figures are depicted with oversize and exaggerated features., Title from item., Publication information from duplicate in collection and advertisement in the Philadelphia Inquirer, December 30, 1829, p. 3. Advertised as entitled "A Dead Cut, or an attempt to slight old Acquaintance.", Nancy Reynolds Davison's E.W. Clay: American political caricaturist of the Jacksonian Era (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Print Room Uz, A423.O)., Sarah Hart was a Jewish Philadelphia fancy goods store owner and printseller who with her son future Philadelphia publisher Abraham Hart, assumed publication of the "Life in Philadelphia" series in 1829. Sarah Hart solely reprinted the entire series of 14 prints in 1830. She also published complementary in subject lithographs after the work of Clay during the same period., Described in the Daily Chronicle, December 26, 1829, p. 2., Accessioned 1893., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: [1829]
Location: Library Company of Philadelphia | PRINT. Life in Philadelphia (Philadelphia Set) [5656.F.39]

Title: A dead cut
Description: Racist caricature portraying a middle-class African American man-woman couple as snobs who slight a working-class African American man shoeshiner and former acquaintance. Depicts the African American shoeshiner greeting the African American couple who feign ignorance of the man's acquaintance after their return from "de Springs." The laborer, attired in a rumpled top hat, torn overcoat with tails, and patched pants holds his rod of boots in his left hand, and uses his right one to grab the hand of "Cesa." "Cesa," dressed in a flat-top cap, and heavy, long overcoat with handkerchief in the pocket, and plaid pants, looks suspiciously at their joined hands. He holds a walking stick and his companion's parasol in his other hand. He states that the shoeshiner has mistaken his identity (You must be mistaking in de person black man!). His companion, her hand around his elbow, and dressed in a Dunstable bonnet, dark-colored overcoat, and button-down shirtwaist with a collar, agrees. With her hand placed on her hip and holding a purse, she declares, "What does the imperdent nigger mean?" Figures are depicted with oversize and exaggerated features., Title from item., Publication information from duplicate in collection and advertisement in the Philadelphia Inquirer, December 30, 1829, p. 3. Advertised as entitled "A Dead Cut, or an attempt to slight old Acquaintance.", Nancy Reynolds Davison's E.W. Clay: American political caricaturist of the Jacksonian Era (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Print Room Uz, A423.O)., Sarah Hart was a Jewish Philadelphia fancy goods store owner and printseller who with her son future Philadelphia publisher Abraham Hart, assumed publication of the "Life in Philadelphia" series in 1829. Sarah Hart solely reprinted the entire series of 14 prints in 1830. She also published complementary in subject lithographs after the work of Clay during the same period., Described in the Daily Chronicle, December 26, 1829, p. 2., Accessioned 1893., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: [1829]
Location: Library Company of Philadelphia | PRINT. Life in Philadelphia (Philadelphia Set) [5656.F.39]

Title: A dead cut
Description: Racist caricature portraying a middle-class African American man-woman couple as snobs who slight a working-class African American man shoeshiner and former acquaintance. Depicts the African American shoeshiner greeting the African American couple who feign ignorance of the man's acquaintance after their return from "de Springs." The laborer, attired in a rumpled top hat, torn overcoat with tails, and patched pants holds his rod of boots in his left hand, and uses his right one to grab the hand of "Cesa." "Cesa," dressed in a flat-top cap, and heavy, long overcoat with handkerchief in the pocket, and plaid pants, looks suspiciously at their joined hands. He holds a walking stick and his companion's parasol in his other hand. He states that the shoeshiner has mistaken his identity (You must be mistaking in de person black man!). His companion, her hand around his elbow, and dressed in a Dunstable bonnet, dark-colored overcoat, and button-down shirtwaist with a collar, agrees. With her hand placed on her hip and holding a purse, she declares, "What does the imperdent nigger mean?" Figures are depicted with oversize and exaggerated features., Sarah Hart was a Jewish Philadelphia stationer who assumed printing of the "Life in Philadelphia" series in 1829. She reprinted the entire original series of 14 prints in 1830., Pendelton, Kearny, & Childs, in operation from 1829 until 1830, was the first successful lithographic firm in Philadelphia. The firm's partners were John Pendleton, Frances Kearny, and Cephas G. Childs., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Print Room Uz, A423.O)., Described in Daily Chronicle, December 26, 1829, 2 and “The Dead Cut,” Philadelphia Inquirer, December 31, 1829, 2., RVCDC, Description revised 2021., Access points revised 2021., Acquired in 1970.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: 1829
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [7893.F.1]

Title: Back to back
Description: Racist caricature ridiculing attendees of an African American dance ball. Depicts an African American man woman couple with their backs together as they learn a dance step of which the man has "cocht de figure now!" In the left, the woman looks to the left, holds a fan and handkerchief to her left side, and stands on her toes. She is attired in a headpiece consisting of feathers, ribbons, and pearls, and an off-the-shoulder, ankle-length ball gown with puff sleeves and a pleated skirt, as well as patterned stockings, slipper shoes, and jewelry, including earrings, necklace, and a bracelet. In the right, the man holds his arms to his sides, and his hands open, as he stands on his toes. He wears a mustache and is attired in a coat with a wide collar and tails, a patterned vest and shirt with turned up collar, pantaloons, patterned stockings, and black slipper shoes adorned with buckles. The figures are portrayed with oversized and exaggerated features., Title from item., Date inferred from content and name of artist., Due to the similar content of this caraciature to the prints in the original "Life in Philadelphia" series, Murrell classifies this lithograph as a part of the series., Contains one line of dialogue in the vernacular and dialect above the image: I reckon I’ve cotch de figure now!, Imagery similar to earlier work by artist "African Fancy Ball" in Lessons in dancing, : exemplified by sketches from real life in the city of Philadelphia (Philadelphia: Published by R.H. Hobson, Chesnut Street, 1828). Copy in the holdings of the American Antiquarian Society, Worcester, MA and Rosenbach Library and Museum, Philadelphia, PA., RVCDC, Description revised 2021., Access points revised 2021., Acquired in 1968.
Creator: Clay, Edward Williams, 1799-1857, artist
Date: [ca. 1829]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [7688.F]

Title: Gottlob Freimann Aus Africa als sclave nach Amerika entfuhrt, in Europa als Wilder zur Schau gestellt als Glaubiger in Christo gestorben in Dusfelthal den 13ten August, 1826
Description: Left profile, bust portrait showing Freimann. He has curly hair, sideburns, and a goatee. He is attired in a jacket with the collar turned up and a top coat. Freimann was a converted free man who was also known as Jean Baptiste., Title from item., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Description revised 2021., Access points revised 2021., Purchase 1995.
Creator: Kreeft, P. W., lithographer
Date: [ca. 1826]
Location: Library Company of Philadelphia | Print Department portrait prints - F [P.9497]

Title: Clermont Academy
Description: Handbill containing a view of the boy's boarding school built in 1804 for brothers John Thomas and Charles Carre at Heart Lane and Nicetown Lane, between Germantown and Frankford. School property includes landscaped lawns, a barn, and trees. A man approaches the entrance of the school where a woman waits at the door. Pupils are visible in the first floor windows. Also contains several paragraphs signed by administrator Samuel S. Griscom describing the school, including location, "Course of Instruction," "Terms for Tuition," and the school philosophy in addition to names of references. The school was acquired by Griscom in 1828., Variant of engraving "Clermont Seminary, near Philadelphia" from The Casket (April 1830)., Philadelphia on Stone, POS 142, Historical Society of Pennsylvania: Print Collection - small - Schools & Colleges, Box 48, Folder 4
Date: [ca. 1830]
Location: Historical Society of Pennsylvania HSP Print Collection - small - Schools & Colleges, Box 48, Folder 4

Title: Billiards. J. Jeater's subscription room. No. 40, South 5th Street
Description: Advertisement showing the interior of the billiard hall operated by probably Joseph Jeater. At the corner of the table, a gentleman in shirt-sleeves lines up his cue stick to the billiard ball as his opponent watches on. Four gentlemen, two just arrived, watch the match. One stands and another sits beneath three framed pictures hanging on the wall. A gas lamp chandelier hangs over the billiard table., Title and publication information supplied by Wainwright., Inscribed on verso: Presented by Mrs. John C. Broome. Oct. 10, 1918., Artist possibly E. W. Clay., Philadelphia on Stone, POS 40, Historical Society of Pennsylvania: Bb 04 C 436, Trimmed.
Date: [1830]
Location: Historical Society of Pennsylvania HSP Bb 04 C 436

Title: City Hotel, 41 North Third Street Philadelphia by Heiskell & Niblo, from Virginia
Description: Advertisement showing the very busy four-and-a-half story hotel opened in 1807 on Third Street below Arch Street. Several male guests sit, stand, and put their feet up on the porch of the hotel that is covered by an awning. Also shows guests at the first and second floor windows and a couple strolling on the sidewalk. The hotel closed soon before the Civil War., Philadelphia on Stone, POS 132, Historical Society of Pennsylvania: Bb 862 B 756 #41
Creator: Breton, William L., ca. 1773-1855, artist
Date: [ca. 1830]
Location: Historical Society of Pennsylvania HSP Bb 862 B 756 #41

Title: Philadelphia taste displayed. Or, bon-ton below stairs
Description: Satiric scene showing high society, i.e., "bon-ton" in a Philadelphia oyster cellar. A "gentleman" descends the stairwell to the swankly decorated cellar where a motley gathering of men drink, smoke, gossip, and suck oysters. An African American bartender serves drinks from decanters in the left of the image. The bar is adorned with a notice reading "City Privilege still without license." Another African American attends the oyster bar. Plates, crackers, salt, and vinegars line the edge. In the right of the image, a sick-faced patron wobbles and spills his drink next to a tall clock with a decorated face and the inscription "Music has charms." Possibly, the cellar at 806 Market Street operated by African American proprietor James Prosser from about 1830., Inscribed on verso: Said Wm Van [?] of the Walnut/ Chestnut? St. Theatre., Philadelphia on Stone, POS 598, Historical Society of Pennsylvania: Bb 38 O 97, LCP exhibit catalogue: Made in America #40., Jackson, Joseph, Encyclopedia of Philadelphia, p. 386-387
Creator: Akin, James, ca. 1773-1846, artist
Date: [ca. 1830]
Location: Historical Society of Pennsylvania HSP Bb 38 O 97

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