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Title: Bethel African Methodist Episcopal Church, Philada. [graphic] : Founded in 1794 by the Revd. Richard Allen, Bishop of the first African Methodist Episcopal Church in the United States. Rebuilt in 1805. / Drawn on Stone by W.L. Breton.
Description: Kennedy and Lucas, operated by David Kennedy and William B. Lucas, printed the city's first commercial lithographs, a series of church subjects drawn by W.L. Breton, probably including "Mother Bethel.", Exterior view of the rough cast second edifice of the African American church at 125 South 6th Street. Pedestrians and church attendees, predominately women, stroll the sidewalk and enter the house of worship adorned with a simple stone tablet inscribed, "Bethel Church." Known as "Mother Bethel," the church was formed from black congregants discriminated against by the Methodist Episcopal Church. The 1805 building, the site of the first convention of the Unified African Methodist Episcopal Church, stood until 1841 when a third building was erected on the site.
Creator: Breton, William L., artist., creator
Date: July 1829.
Location: http://www.lcpgraphics.org/wainwright/W026.htm, Library Company of Philadelphia Print Dept. W26 [7500.F]

Title: A fourth day morning view of Friends Meeting House on Cherry Street. Philadelphia. [graphic] / Drawn on stone by W. L. Breton.
Description: Location: Cherry Street, northside, between Fourth and Fifth., Wainwright retrospective conversion project.
Creator: Breton, William L. lithographer., creator
Date: ca. 1829.
Location: http://www.lcpgraphics.org/wainwright/W002.htm, Library Company of Philadelphia Print Dept. W2 [8153.F]

Title: North-east view of St. Peter's Church (Episcopal) Philada. [graphic] / Drawn on stone by W. L. Breton.
Description: Location: Third and Pine Streets., Wainwright retrospective conversion project, with corrections., Select link below to view a digital image., Historical Society of Pennsylvania:
Creator: Breton, William L. lithographer., creator
Date: 1829.
Location: http://www.lcpgraphics.org/wainwright/W253.htm, Library Company of Philadelphia Print Dept. *W253 [P.2148]

Title: Philadelphia Baths, corner of George and Seventh Sts., near Chestnut Street. [graphic] / WLB.
Description: Wainwright retrospective conversion project., Select link below to view a digital image.
Creator: Breton, William L. lithographer., creator
Date: ca. 1829.
Location: http://www.lcpgraphics.org/wainwright/W280.htm, Library Company of Philadelphia Print Dept. W280 [P.2170]

Title: Unitarian Church Philadelphia. [graphic] / W. L. Breton.
Description: Originally part of a McAllister scrapbook of views of Philadelphia., Wainwright retrospective conversion project., Select link below to view a digital image., Historical Society of Pennsylvania:, View of the front facade of the First Congregational Unitarian Church built in 1828 after the designs of Philadelphia architect William Strickland on the 900 block of Locust Street. Includes pedestrian traffic and a partial view of neighboring buildings obscured by trees. The columns supporting the portico of the church were salvaged from Benjamin Latrobe's pump house at Center Square. Church was demolished in 1885.
Creator: Breton, William L., lithographer., creator
Date: [1829]
Location: http://www.lcpgraphics.org/wainwright/W413.htm, Library Company of Philadelphia Print Dept. *W413 [(4)1322.F.99]

Title: Comly Ville near Frankford - Philadelphia Co. [graphic] / Kennedy & Lucas's Lithography.
Description: Location: Asylum Road near Frankford Creek., Published by L. A. Godey in the first volume of his Lady's Book., Wainwright retrospective conversion project., Select link below to view a digital image., Library Company of Philadelphia: P.9210.15 and in (1)7397.O., Historical Society of Pennsylvania:
Creator: Breton, William L. artist. Kennedy & Lucas's Lithography lithographer., creator
Date: 1830.
Location: http://www.lcpgraphics.org/wainwright/W078.htm, Library Company of Philadelphia Print Dept. W78 [P.9210.15]

Title: The Castle of the State in Schuylkill. [graphic] / From nature & on stone M. Swett.
Description: Location: West bank of the Schuylkill, opposite Bartram's Garden., First appeared in American Turf Register and Sporting Magazine, 1, No.5, p. 217 (January, 1830), and then as frontspiece in William Milnor, Jr.'s An Authentic Historical Memoir of the Schuylkill Fishing Company (Philadelphia: Published by Judah Dobson, 1830)., Wainwright retrospective conversion project., Select link below to view a digital image., Library Company of Philadelphia: in Am 1830 Mil 7130.O copy 1 & 2., Historical Society of Pennsylvania: in Am 1830 Mil Ap83 M66 copy 1 & 2 and Wi.2.
Creator: Swett, Moses., creator
Date: [1830]
Location: http://www.lcpgraphics.org/wainwright/W369.htm, Library Company of Philadelphia Print Dept. W369 [Am 1830 Mil 7130.O]

Title: [A view of the Fairmount Water-Works with Schuylkill in the distance. Taken from the mount.] [graphic].
Description: LCP copy lacking title and imprint., Wainwright retrospective conversion project., Historical Society of Pennsylvania:
Date: 1838.
Location: http://www.lcpgraphics.org/wainwright/W008.htm, Library Company of Philadelphia Print Dept. **W8 [P.2004]

Title: View of the Fairmount Waterworks with Schuylkill in the distance. Taken from the mount. [graphic].
Description: LCP copy lacking title and imprint., Wainwright retrospective conversion project., Select link below to view a digital image., Historical Society of Pennsylvania: Bc 88 B786.
Date: c1838.
Location: http://www.lcpgraphics.org/wainwright/W009.htm, Library Company of Philadelphia Print Dept. **W9 [P.2006]

Title: A free negress and other market-women
Description: Illustration accompanies Chapter III, "Province of Rio de Jainero." As the title suggests, it depicts a free negress (presumably the woman closest to the left) and three market women. A small child, not mentioned in the title, is visible at the far left. Sheltered by a small canopy, the four women sell fruits and vegetables: pineapples occupy a basket in the right foreground, melons and squash (?) are scattered on the ground, and two women balance baskets on their heads. Three large sacks contain additional market-goods, possibly beans. While it is ultimately unclear, the image appears to show a conflict between the negress and the market-woman seated on the bench., Illustration in James Henderson's A History of Brazil: Comprising its Geography, Commerce, Colonization, Aboriginal Inhabitants, &c. &c. (London: Printed for the author, and published by Longman, Hurst, Rees, Orne, and Brown, Paternoster-Row, 1821), p. 70., Fels Afro-Americana Image Project, Work Scenes.
Creator: Shoosmith, C., artist
Date: [1821]
Location: Library Company of Philadelphia | Books & Other Texts | Rare *Am 1821 Hender 1814.Q p 70, https://digital.librarycompany.org/islandora/object/Islandora%3A2724

Title: [Manufacturing cigars for the poodles. A sketch from the Havannah.]
Description: Print depicting West Indian Black men cigarmakers, portrayed in racist caricature, and their English customers criticizing the use of tobacco and the corrupt nature of enslaved labor. The cigarmakers, attired in sarongs or loinclothes and some with caps, speak in the vernacular, "You mak'a nice ting for Massa Poodle to suck." They soak tobacco, which is dripping wet and giving off a stench, in a large barrel labeled "hospital tub," and in their own urine and vomit to produce "high flavored" cigars. In the left, a Black man vomits into a basin filled with tobacco leaves and says, "What a tink! de smell mak'a me sick." In the right, a man squats and urinates into another basin filled with tobacco. Horrified British dandies look on while one comments, "Oh the Negers, is that the way they make the high flavored cigars, I'll never Suck another.", Title from duplicate copies at the William L. Clements Library, Ann Arbor, Michigan and The Lewis Walpole Library, Yale University, New Haven, Connecticut., Purchase 1991., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: October 5, 1827
Location: Library Company of Philadelphia | Print Department political cartoons - 1827 [P.9345]

Title: A dead cut
Description: Racist caricature portraying a middle-class African American man-woman couple as snobs who slight a working-class African American man shoeshiner and former acquaintance. Depicts the African American shoeshiner greeting the African American couple who feign ignorance of the man's acquaintance after their return from "de Springs." The laborer, attired in a rumpled top hat, torn overcoat with tails, and patched pants holds his rod of boots in his left hand, and uses his right one to grab the hand of "Cesa." "Cesa," dressed in a flat-top cap, and heavy, long overcoat with handkerchief in the pocket, and plaid pants, looks suspiciously at their joined hands. He holds a walking stick and his companion's parasol in his other hand. He states that the shoeshiner has mistaken his identity (You must be mistaking in de person black man!). His companion, her hand around his elbow, and dressed in a Dunstable bonnet, dark-colored overcoat, and button-down shirtwaist with a collar, agrees. With her hand placed on her hip and holding a purse, she declares, "What does the imperdent nigger mean?" Figures are depicted with oversize and exaggerated features., Title from item., Publication information from duplicate in collection and advertisement in the Philadelphia Inquirer, December 30, 1829, p. 3. Advertised as entitled "A Dead Cut, or an attempt to slight old Acquaintance.", Nancy Reynolds Davison's E.W. Clay: American political caricaturist of the Jacksonian Era (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Print Room Uz, A423.O)., Sarah Hart was a Jewish Philadelphia fancy goods store owner and printseller who with her son future Philadelphia publisher Abraham Hart, assumed publication of the "Life in Philadelphia" series in 1829. Sarah Hart solely reprinted the entire series of 14 prints in 1830. She also published complementary in subject lithographs after the work of Clay during the same period., Described in the Daily Chronicle, December 26, 1829, p. 2., Accessioned 1893., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: [1829]
Location: Library Company of Philadelphia | PRINT. Life in Philadelphia (Philadelphia Set) [5656.F.39]

Title: A dead cut
Description: Racist caricature portraying a middle-class African American man-woman couple as snobs who slight a working-class African American man shoeshiner and former acquaintance. Depicts the African American shoeshiner greeting the African American couple who feign ignorance of the man's acquaintance after their return from "de Springs." The laborer, attired in a rumpled top hat, torn overcoat with tails, and patched pants holds his rod of boots in his left hand, and uses his right one to grab the hand of "Cesa." "Cesa," dressed in a flat-top cap, and heavy, long overcoat with handkerchief in the pocket, and plaid pants, looks suspiciously at their joined hands. He holds a walking stick and his companion's parasol in his other hand. He states that the shoeshiner has mistaken his identity (You must be mistaking in de person black man!). His companion, her hand around his elbow, and dressed in a Dunstable bonnet, dark-colored overcoat, and button-down shirtwaist with a collar, agrees. With her hand placed on her hip and holding a purse, she declares, "What does the imperdent nigger mean?" Figures are depicted with oversize and exaggerated features., Title from item., Publication information from duplicate in collection and advertisement in the Philadelphia Inquirer, December 30, 1829, p. 3. Advertised as entitled "A Dead Cut, or an attempt to slight old Acquaintance.", Nancy Reynolds Davison's E.W. Clay: American political caricaturist of the Jacksonian Era (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Print Room Uz, A423.O)., Sarah Hart was a Jewish Philadelphia fancy goods store owner and printseller who with her son future Philadelphia publisher Abraham Hart, assumed publication of the "Life in Philadelphia" series in 1829. Sarah Hart solely reprinted the entire series of 14 prints in 1830. She also published complementary in subject lithographs after the work of Clay during the same period., Described in the Daily Chronicle, December 26, 1829, p. 2., Accessioned 1893., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: [1829]
Location: Library Company of Philadelphia | PRINT. Life in Philadelphia (Philadelphia Set) [5656.F.39]

Title: A dead cut
Description: Racist caricature portraying a middle-class African American man-woman couple as snobs who slight a working-class African American man shoeshiner and former acquaintance. Depicts the African American shoeshiner greeting the African American couple who feign ignorance of the man's acquaintance after their return from "de Springs." The laborer, attired in a rumpled top hat, torn overcoat with tails, and patched pants holds his rod of boots in his left hand, and uses his right one to grab the hand of "Cesa." "Cesa," dressed in a flat-top cap, and heavy, long overcoat with handkerchief in the pocket, and plaid pants, looks suspiciously at their joined hands. He holds a walking stick and his companion's parasol in his other hand. He states that the shoeshiner has mistaken his identity (You must be mistaking in de person black man!). His companion, her hand around his elbow, and dressed in a Dunstable bonnet, dark-colored overcoat, and button-down shirtwaist with a collar, agrees. With her hand placed on her hip and holding a purse, she declares, "What does the imperdent nigger mean?" Figures are depicted with oversize and exaggerated features., Sarah Hart was a Jewish Philadelphia stationer who assumed printing of the "Life in Philadelphia" series in 1829. She reprinted the entire original series of 14 prints in 1830., Pendelton, Kearny, & Childs, in operation from 1829 until 1830, was the first successful lithographic firm in Philadelphia. The firm's partners were John Pendleton, Frances Kearny, and Cephas G. Childs., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Print Room Uz, A423.O)., Described in Daily Chronicle, December 26, 1829, 2 and “The Dead Cut,” Philadelphia Inquirer, December 31, 1829, 2., RVCDC, Description revised 2021., Access points revised 2021., Acquired in 1970.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: 1829
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [7893.F.1]

Title: Back to back
Description: Racist caricature ridiculing attendees of an African American dance ball. Depicts an African American man woman couple with their backs together as they learn a dance step of which the man has "cocht de figure now!" In the left, the woman looks to the left, holds a fan and handkerchief to her left side, and stands on her toes. She is attired in a headpiece consisting of feathers, ribbons, and pearls, and an off-the-shoulder, ankle-length ball gown with puff sleeves and a pleated skirt, as well as patterned stockings, slipper shoes, and jewelry, including earrings, necklace, and a bracelet. In the right, the man holds his arms to his sides, and his hands open, as he stands on his toes. He wears a mustache and is attired in a coat with a wide collar and tails, a patterned vest and shirt with turned up collar, pantaloons, patterned stockings, and black slipper shoes adorned with buckles. The figures are portrayed with oversized and exaggerated features., Title from item., Date inferred from content and name of artist., Due to the similar content of this caraciature to the prints in the original "Life in Philadelphia" series, Murrell classifies this lithograph as a part of the series., Contains one line of dialogue in the vernacular and dialect above the image: I reckon I’ve cotch de figure now!, Imagery similar to earlier work by artist "African Fancy Ball" in Lessons in dancing, : exemplified by sketches from real life in the city of Philadelphia (Philadelphia: Published by R.H. Hobson, Chesnut Street, 1828). Copy in the holdings of the American Antiquarian Society, Worcester, MA and Rosenbach Library and Museum, Philadelphia, PA., RVCDC, Description revised 2021., Access points revised 2021., Acquired in 1968.
Creator: Clay, Edward Williams, 1799-1857, artist
Date: [ca. 1829]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [7688.F]

Title: Gottlob Freimann Aus Africa als sclave nach Amerika entfuhrt, in Europa als Wilder zur Schau gestellt als Glaubiger in Christo gestorben in Dusfelthal den 13ten August, 1826
Description: Left profile, bust portrait showing Freimann. He has curly hair, sideburns, and a goatee. He is attired in a jacket with the collar turned up and a top coat. Freimann was a converted free man who was also known as Jean Baptiste., Title from item., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Description revised 2021., Access points revised 2021., Purchase 1995.
Creator: Kreeft, P. W., lithographer
Date: [ca. 1826]
Location: Library Company of Philadelphia | Print Department portrait prints - F [P.9497]

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