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Title: The great November contest. Patriotism vs bummerism
Description: Racist cartoon depicting the 1868 Presidential Election as a carriage race between the "patriotic" Democrats and the "bum" Republicans who support Reconstruction. Depicts the elegant Democratic carriage with the banner "This is a White Man's Government" pulled by the horses with the heads of Horatio Seymour and Francis P. Blair racing passed the stalled Republican wagon steered by the asses with the heads of nominees Ulysses Grant and Schuyler Colfax. In the Democrats' carriage are four allegorical figures: Liberty, depicted as a white woman holding the Constitution and a banner which reads "Our Glorious Union Distinct, like the Billows, One, Like the Sea' This is a White Man's Government!"; Navigation, depicted as a white woman holding a miniature ship; Agriculture, depicted as a white woman holding sheaves of wheat and a scythe; and Labor, represented by a bearded white man with a hammer and flywheel. The Republican wagon passengers include radical Thaddeus Stevens, the grim reaper, and an African American man and woman couple, portrayed in racist caricature and speaking in the vernacular. Massachusetts Republican representative Benjamin F. Butler tries to push the stalled wagon passed the bones of those who paid "The Price of Nigger Freedom" and the rocks of "Ruined Commerce," "Debt," and "Negro Supremacy.", In the background, a cheering crowd brandishing American flags near the U.S. Capitol await the winning Seymour and Blair while on the building's other side a group of African American men dance. In the left foreground, Henry Ward Beecher and Horace Greeley play a shellgame looking for Grant and an African American man and woman, attired in torn and worn clothes, discuss another man returning to his former enslaver. In the right foreground, an African American man sits behind a table labeled, "Pompey Smash, Salt River Line Ticket Agent" and sells tickets to "Salt River" (i.e., political disaster) to a white man with a bag labeled, "J.G.B. Boston Carpet Bagger." Behind them, two African American men and a drunken white man holding a bottle talk about the Republican wagon., Title from item., Date from copyright statement: Entered according to an Act of Congress in the year 1868 by Bromley & Co. in the Clerk's Office of the District Court of the U.S. for the southern District of New York., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1868
Location: Library Company of Philadelphia | Print Department *Political Cartoons - 1868-15 [5760.F.125]

Title: Jeff. Davis., the compromiser, in a tight place
Description: Cartoon expressing Northern exasperation with Jefferson Davis's attempt to negotiate for peace in 1865. Depicts Davis being slammed between the doors of the "United States Senate" by Uncle Sam and an armed Zouave soldier. Davis carrying on his back a bundle of "Compromise Goods. Latest Styles" begs the unsympathetic soldier to let him alone as Uncle Sam holding a noose declares that Davis has cheated him too often and deserves execution. In the left, an African American man, portrayed in racist caricature, holds a "Trinkets" box and says in the vernacular, "It pears to me, Massa Davis bring his goods to de wrong market dis time. All de better for cullored folks, Yah! Yah!", Title from item., Date of publication supplied by Weitenkampf., McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1865]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1865-1W [5795.F.a]

Title: Congressional surgery legislative quackery
Description: Cartoon addressing the defeated South's resistance to the pending post war amendments which would declare equal rights for African Americans. Depicts a doctor's office where the seated "Dr. North" counsels "Patient South," who stands before him with his arm in a sling. He proposes that after the removal of the South's legs the "Constitutional Amendment" peg leg, which rests on his desk, will support him well. The South states that he "Can't See it." In the left, a young African American person crouches on the floor beside the doctor's chair. Behind the desk stands a bookshelf labeled "Congressional Surgery, Legislative Quackery" where a skull and a bottle of "Black Draught" are displayed. Contains three lines of dialogue below the image., Title from item., Date of publication supplied by Weitenkampf., Date of publication suggested by Reilly is 1860 as the content suggests that the cartoon was published following the proposed Crittenden and Douglas Compromises., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1866?]
Location: Library Company of Philadelphia | Print Department political cartoons - 1866 - 10W [5760.F.115]

Title: Congressional surgery legislative quackery
Description: Cartoon addressing the defeated South's resistance to the pending post war amendments which would declare equal rights for African Americans. Depicts a doctor's office where the seated "Dr. North" counsels "Patient South," who stands before him with his arm in a sling. He proposes that after the removal of the South's legs the "Constitutional Amendment" peg leg, which rests on his desk, will support him well. The South states that he "Can't See it." In the left, a young African American person crouches on the floor beside the doctor's chair. Behind the desk stands a bookshelf labeled "Congressional Surgery, Legislative Quackery" where a skull and a bottle of "Black Draught" are displayed. Contains three lines of dialogue below the image., Title from item., Date of publication supplied by Weitenkampf., Date of publication suggested by Reilly is 1860 as the content suggests that the cartoon was published following the proposed Crittenden and Douglas Compromises., RVCDC, Accessioned 1981., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1866?]
Location: Library Company of Philadelphia | Print Department political cartoons - 1866 - 10aW [P.8698]

Title: Yankee volunteers marching into Dixie. "Yankee Doodle keep it up, Yankee Doodle Dandy."
Description: Shows a Union officer, sword raised in the air, leading a troop of men attired as the Yankee character Brother Jonathan. Civilians and officers on horseback watch as the "troop" passes. Also shows the Potomac River and Washington skyline, including the Capitol, in the background., Copyrighted by C.F. Morse., Retrospective conversion record: original entry, edited., Probably originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Bufford, John Henry, 1810-1870, lithographer
Date: c1862
Location: Library Company of Philadelphia | Print Department political cartoons - 1862-1 [P.9177.14]

Title: Magna Britannia, her colonies reduc'd
Description: Print of Franklin's anti-Stamp Act cartoon, originally issued on card stock and distributed to members of Parliament prior to debate on the repeal, depicting a dismembered Britannia to represent the alienation of the American colonies as a consequence of non-repeal. Shows Britannia, fallen of and resting against the globe of the world, her limbs inscribed with the names of the colonies strewn around her, her shield fallen beside her, and her lance, speared through her "New England" leg, pointed at her chest (allusion to the New England riots). She sits upon a barren land, near a withered English oak, a dropped olive branch, and British ships marked for sale by brooms attached to their masts. A sash inscribed in Latin, "Penny for Bellisario" (Roman military hero of Emperor Justinian accused of treason and reduced to beggary), lies across her chest., Manuscript note by DuSimitiere on recto: North America November the first MDCCLXV. The original print done in England on the back of a message card, the invention and for the use of Benjamin Franklin Esq.; LL.D. agent for the Province of Pennsylvania, in London., Retrospective conversion record: original entry, edited., Described in Edwin Wolf and Marie Elena Korey, eds. Quarter of a Millennium... (Philadelphia, The Library Company of Philadelphia, 1981), entry 40., See Edwin Wolf's "Benjamin Franklin's Stamp Act Cartoon" Proceedings of the American Philosophical Society 99 (1955), p. 388-396.
Creator: Franklin, Benjamin, 1706-1790, artist
Date: [ca. 1766]
Location: Library Company of Philadelphia | Print Department political cartoons - [1766] Mag [395.F.5]

Title: [Scraps for the year 1830]
Description: Plate three from the 1830 edition of "Scraps," Johnston's popular satirical series of societal caricatures published between 1828 and 1840, and in 1849. Depicts a montage of nine scenes lampooning contemporary society titled: Practitioners of the Bar Lamenting the Failure of the United States Mint; Putting the Best Leg Foremost; Fixed Air; Erudition; A Discharge of Filth; Improvement in Bathing; Conjugal Affection; Making Up a Party of Pleasure; and Hot Corn. Scenes depict: white men commodities brokers bemoaning the "winter" market at a tavern; white women shoppers lamenting a lost butter firkin and questioning the quality of a leg of meat including an African American man carrying a basket of food; two white men in a bed chamber with a closed window discussing the unhealthiness of "fixed air"; a white man quibbling over the omission of the word "physician" in the dictionary; the chastisement of a Boston drunkard near his overturned cart pulled by his drunk "haus"; a white man shower-bathing with an umbrella; the fattening of a dying white man to be purchased as a cadaver ; a working class, white Boston family reminding a destitute woman of the pleasure in witnessing a hanging; and a discussion of the processing of "hot corn" between a African American waiter and two white men patrons. Includes two African American characters, a servant and a waiter, portrayed in racist caricature and speaking in the vernacular., Title supplied by cataloger., Inscribed upper right corner: Pl 3., Published in D. C. Johnston's Scraps for the year 1830 (Boston: D.C. Johnston, 1830), pl. 3. (LCP Am 1830 Joh, 7021.F.3)., Retrospective conversion record: original entry, edited., Accessioned 1979., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Johnston, David Claypoole, 1799-1865
Date: [1830]
Location: Library Company of Philadelphia | Print Department political cartoons - [1830]-Scr [P.2275.25]

Title: Old Nick in Wall Street
Description: Cartoon mocking Nicholas Biddle, president of the controversial Bank of the U.S., as a corrupt emperor of finance served by New York's financial district. Depicts a self-effacing Biddle on the steps of a bank delivering a speech to a large crowd of his obsequious cheering subjects comprised of bankers and brokers. Two men, possibly New York editors accused of accepting bribes in return for publishing pro-Bank articles, Charles King and/or Mordecai Manual Noah and/or James W. Webb, hoist him on their knees. Biddle declares that he will bear the burden of the attacks of the Bank opponents as those before him will acquit him of scandal. In the far left background, a group of men describe Biddle as a monster and allude to his dubious relationship with New York merchant Silas E. Burrows, who was accused of bribing Noah and Webb. Contains a fabricated verse below the image from the popular poem "The Devil's Walk," commonly misattributed to Robert Porson (as in the cartoon) about the faithless servility of Satan's subjects., Retrospective conversion record: original entry, edited.
Date: [1832?]
Location: Library Company of Philadelphia | Print Department political cartoons - 1832-18W [5760.F.50]

Title: [Scraps no. 3 for 1832]
Description: Plate two from the 1832 edition of, "Scraps," Johnston's popular satirical series of societal caricatures published between 1828 and 1840, and in 1849. Depicts a montage of nine scenes lampooning contemporary social issues and everyday life, such as dueling, juries, the wealthy, debt, education, and the use of coal as a fuel. Includes "Fair Play: Safe Play" depicting two absurd methods of dueling utilizing chalked figures on a rotund man and a barn door; "Hunger Versus Judgment Jury -Room" depicting a hungry jury voting for execution in order to adjourn for dinner; "Who Are You Looking At?" depicting an indignant white man looking at the viewer; "The Last Bell" depicting a wealthy, white "belle" with an entourage transporting her numerous belongings for a river voyage, annoyed with her son who has fallen in the water; "Military Precocity" depicting a young white boy aspiring to fit into his grandfather's oversized military uniform; "Anti-Phlogistic" depicting white gentlemen experimenting with safe, economical "Rhode Island coal" in a fireplace attended by an African American man servant; "Primary School Examination" depicting an elementary classroom where a white man teacher is mocked as a "jackass" and a white girl student reveals during a spelling lesson that her mother takes rum in her tea; "An Incarcerated Monster" depicting a white man artisan debtor on display in his prison cell in front of a wealthy family commenting about his deserved incarceration as a monster., Title supplied by cataloger., Printed in upper left corner: Plate 2., Published in D.C. Johnston's Scraps No. 3 1832 (Boston: D.C. Johnston, 1832), pl. 2., Retrospective conversion record: original entry, edited., Accessioned 1979., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., African American household employees
Creator: Johnston, David Claypoole, 1799-1865
Date: [1832]
Location: Library Company of Philadelphia | Print Department political cartoons - 1832-Scr (b) [P.2275.26]

Title: [Scraps no. 3 for 1832]
Description: Plate three from the 1832 edition of, "Scraps" Johnston's popular satirical series of societal caricatures published between 1828 and 1840, and in 1849. Depicts a montage of nine scenes lampooning contemporary social issues and everyday life such as fashion, gender relationships, bed bugs, the theater, modesty, materialism, parental relationships, and drunkenness. Includes "A Rain Bow" depicting a white man dandy offering to assist a white woman with her parasol under the judging eye of a fellow unwilling to "wear out" his umbrella in the rain; "Great Cry and Little Wool" depicting white chambermaids mocking the fearfulness of a white man being attacked by gigantic, near sated bed bugs and a mosquito; "Pressure of the Times" depicting a crowd of white men fighting with each other for "Boston Theater" box tickets; "Ne Plus Ultra of Delicacy" depicting white men discussing "decently clothed tables and chairs" while tending to an unconscious white woman driven to faint after viewing a sculpture of barely-clad "Chanting Cherubs"; "Sport of His Satanic Majesty" depicting Satan and his minion fishing for white drunkards to be eaten and used as firewood; "Mother's Hope and Father's Joy" depicting a little, white "gentleman" being bid upon by his mother and a little girl; "The Test of Friendship" depicting a white man drunkard showing true friendship by lying in the gutter with his equally inebriated white man friend; "Steamboat Scene" depicting white individuals and a family reacting to a "man overboard" with gawking looks, a cry for a rope, a criticism of drunkenness, anger at his non-removal of expensive shoes, and a desire to exchange places to forgo seasickness; "Going Off Half Cocked" depicting and an intoxicated white man stuttering "good evening" in front of his snickering African American maid, portrayed in racist caricature., Title supplied by cataloger., Printed in upper left corner: Plate 3., Published in D.C. Johnston's Scraps No. 3 1832 (Boston: D.C. Johnston, 1832), pl. 3., Retrospective conversion record: original entry, edited., Accessioned 1979., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Johnston, David Claypoole, 1799-1865
Date: 1832
Location: Library Company of Philadelphia | Print Department political cartoons - 1832-Scr (c) [P.2275.27]

Title: [Scraps no. 3. for 1832]
Description: Plate four from the 1832 edition of "Scraps," Johnston's popular satirical series of societal caricatures published between 1828 and 1840, and in 1849. Depicts a montage of nine scenes lampooning contemporary social issues and everyday life such as fashion, religious hypocrisy, ignorance, vanity, country life, class inequities, the military, and higher education. Includes 'The Glass of Fashion & The Mould of Form' depicting a white man sales clerk falsely flattering a white man dandy trying on a puff-sleeved coat; "Faith and Works" depicting a hypocritical white man Deacon, near a fireplace, reneging the shelter that he promised to a cold, poor white woman outside his door while his African American servant offers her money; "Arrival of a Country Cousin" depicting a snobby, white, city gentleman snubbing his country cousin; "About to be Astonished" depicting a dimwitted gloating white man farmer about to intentionally kill a sleeping "varmint" and unintentionally kill his friend with a sickle; "Champagne [Campaign] or the Fatigues of Modern Camp Duty" depicting a grossly intoxicated troop of white military officers toasting their intellect and patriotism; "A Body Coat & A Coat of Arms" depicting a rotund and thin "John Smith" exchanging wrongly delivered coats; "The Able-Bodied Man & The Exempt" depicting a scraggly white soldier encountering an "exempt" hardy white gentleman; "Symptoms of Extravagance" depicting a white man, attired in rags, debating the necessity to "dress better on Sunday"; "College Acquirements" depicting an African American man and woman, portrayed in racist caricature and speaking in the vernacular, discussing 'de college for de colour'd circles' based on the beneficial effects of college on "Massa Bob," including his staying out later, no longer reading, and drinking champagne., Title supplied by cataloger., Printed in upper left corner: Plate 4., Published in D.C. Johnston's Scraps No. 3 1832 (Boston: D.C. Johnston, 1832), pl. 4., Retrospective conversion record: original entry, edited., Accessioned 1893., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Johnston, David Claypoole, 1799-1865
Date: [1832]
Location: Library Company of Philadelphia | Print Department political cartoons - 1832-Scr (d) [5656.F.24]

Title: A confederacy against the Constitution and the rights of the people with an historical view of the component parts of this diabolical transaction
Description: Cartoon during the Bank War satirizing the Whig Party as greedy, anti-democratic, pro-Bank, pro-business infidels who worship in the Temple of Mammon to the false god of riches. Atop the temple, a white man, holding a flag inscribed "No Veto! The Bank! Down with Democracy!" kneels on a pedestal inscribed "Bank Candidate. War, Pestilence, and Famine." Within the temple sit symbolic and political figures including: the Devil representing the "Hartford Convention" of 1815, which debated Northern secession; the "High Church" as a clergyman pleading for donations to preach; the "High Priest" Henry Clay with his "U.S. Bank Book" sitting on his throne the "Chair of State"; the "High Chancellor," Bank of the United States president, Nicholas Biddle pouring out a bag of money to buy newspaper editors; a Northerner ("High Tarrif") discussing slavery, "You Southern Barons have black slaves will you not allow us to make white slaves of our poor population in our Manufacturing Baronies"; and southern pro-nullification senator John C. Calhoun ("No Tariff"), who bemoans his association with Whigs in his personal campaign against political rival Martin Van Buren. In the foreground, worshipers, including monkeys, pray and are chained near a printing press, pro-Bank newspapers, and flags and banners. The flags and banners denigrate "Jefferson," "democracy," and "equal rights" and support "high tariffs," the "merchant class," the "Bank of the United States," and "white slavery.", Title from item., Artist's initial lower left corner: H., Probably published by labor radical Seth Luther., Retrospective conversion record: original entry, edited., Lib. Company. Annual report, 2001, p. 27, 30., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1833?]
Location: Library Company of Philadelphia | Print Department political cartoons - 1833-20 [5760.F.43]

Title: Banks & bribery, v.s. balls & bumbs scene 1st Or the destruction of aristocracy monopoly and oppression
Description: Cartoon concerning President Jackson's destruction of the Bank of the United States, including his veto of the Bank's recharter and the removal of its federal deposits. Depicts Jackson, "Jack Downing," and others attacking the Bank with axes, "veto mortar," and cannon balls. Jackson and "Downing" hollar about "smashing down" "Monopoly & Oppression" as well as the absence of a "nest of varmants" when the house was originally built. Members of Bank investigative "committees" flee the building, while others are crushed under the bank, its "deposit pillar" destroyed. Spectators, including evil sprites, run a press, clamor for tossed money bags labelled with alleged bribery amounts, and scream "This is a fair business transaction." Also includes sheets of paper scattered on the ground inscribed with allusions to the Bank War, including"Deranged Currency" and "Petitions.", Manuscript note on verso: From his Aunt Isabella 1840., Previous owner, probably C.P. Lukens. See Congressional Elephant political cartoons - 1832 - 2 (5760.f.42)., Retrospective conversion record: original entry, editions.
Date: [1834?]
Location: Library Company of Philadelphia | Print Department political cartoons - 1834-4W [5760.F.58]

Title: Where's my thunder?
Description: Cartoon comparing the Senate chamber with a courtroom to satirize the Senate's response to Henry Clay's controversial and long-debated Compromise of 1850. Depicts Webster stealing the "Fugitive Slave Act" out of the pocket of Clay, who snoozes at his desk in the Senate (an allusion to the Senate's predominately positive reception of abolitionist Senator Webster's controversial support of the Act). In the background, Senators scowl, nap, and look on in anguish, including Lewis Cass of Michigan and Henry S. Foote of Mississippi. Cass, proponent of popular sovereignty and the extension of slavery, exclaims "Ain't tha man done yet." Foote, who proposed a special committee to revise Clay's omnibus bill, brandishes a club (probably an allusion to his violent confrontation with rival Thomas Hart Benton over his proposal). Contains several lines of text describing the larceny trial of "Defendent" Webster and "Complainant" Clay, including "loud applause" during Webster's departure of the "Court-room" compared to Clay's scarcely noticed exit. Also contains note: "(See Police Report in the Daily Screamer).", Title from item., Date inferred from content., Retrospective conversion record: original entry, edited., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Description revised 2021., Access points revised 2021.
Date: [1850?]
Location: Library Company of Philadelphia | Print Department political cartoons - 1850-3W [6691.F.]

Title: Why dont you take it?
Description: Cartoon promoting the existence of a Union stronghold to defend against a Confederate seizure of Washington, D.C. Depicts General Winfield Scott as the bulldog, "Old General U.S.," protecting the cut of meat, "Washington Prime Beef," from the snarling, retreating greyhound "Jeff" (Confederate President Jefferson Davis). Davis, wearing a Confederate flag and broad-brimmed hat, slinks back to his side where a bale of cotton and animal skull lie, a coiled snake hisses, and a palmetto tree stands. Scott sits guard in front of several money bags, a cannon, American flag, and barrels of beans, beef, and "Mess Pork.", Copyrighted by F.T.B. [Frank T. Beard?], Name of artist supplied by Weitenkampf., One of four variant designs that was also used on Civil War patriotic envelopes., Retrospective conversion record: original entry, edited., Originally part of a McAllister Civil War scrapbook of Sumter and Anderson, Scott, Brownlow., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Beard, Frank, 1842-1905, lithographer
Date: c1861
Location: Library Company of Philadelphia | Print Department political cartoons - 1861-26 [5794.F.c]

Title: A disloyal British "subject"
Description: Civil War cartoon satirizing the awkward foreign relations between the United States and Great Britain caused by the royal proclamation of neutrality in 1861. The Queen issued the proclamation, which recognized the seceded states as having belligerent rights, in response to the Union blockades of Southern ports and its effect on international maritime trade and privateering. Consequently, the United States feared that Great Britain had acknowledged the Confederacy as an independent government. Shows John Bull and "Pat" on a dock discussing the sailor's enlistment in the Navy. Bull, the royal proclamation under his arm, warns the American that should he enlist with "either of the Belligerents" he would not be protected by Britain if taken as a pirate. "Pat" responds he does not want his protection and that the "stars and stripes" for which he fights will protect him. In the background, an American flag waves near a dock house adorned with a Union recruitment poster and a broadside highlighting the major themes of the royal proclamation including "Strict Neutrality"; "Privateering"; and "Letters of Marque.", Date supplied by Weitenkampf., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of miscellaneous Civil War materials., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Currier & Ives
Date: [1862]
Location: Library Company of Philadelphia | Print Department political cartoons 1862-1W [5780.F.b]

Title: Offering a substitute. A scene in the office of the provost marshall
Description: Cartoon addressing the impropriety surrounding the purchase of substitute draftees during the Civil War. Depicts four wealthy gentlemen attempting to find substitutes in a draft office. To the right, near an "Avoid the Draft" notice, a gentleman offers a wad of cash to a possible substitute. The man dressed in working man's clothes informs him, "I'm looking for a substitute myself." In the center, two gentlemen, one holding several bills, the other overweight and bemoaning "I walk but one square I chafe," display for inspection their wretched, raggedly dressed substitutes to two Union officers, including a doctor. The physician accepts a "Lee veteran" despite his extreme thinness and missing teeth, while the second officer tells the portly man that he would prefer him to the substitute and that "one days march will take down his fat and a little tallow will remove the chafing." To the left, the fourth gentleman, crying into a handkerchief, tells an officer that he would rather "bleed for his wife" than for his "suffering country." In the background, bandaged and ailing men line up in front of the marshall., Retrospective conversion record: original entry, edited., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1862]
Location: Library Company of Philadelphia | Print Department political cartoons - 1862-15W [P.2275.17]

Title: Offering a substitute. A scene in the office of the provost marshall
Description: Cartoon addressing the impropriety surrounding the purchase of substitute draftees during the Civil War. Depicts four wealthy gentlemen attempting to find substitutes in a draft office. To the right, near an "Avoid the Draft" notice, a gentleman offers a wad of cash to a possible substitute. The man dressed in working man's clothes informs him, "I'm looking for a substitute myself." In the center, two gentlemen, one holding several bills, the other overweight and bemoaning "I walk but one square I chafe," display for inspection their wretched, raggedly dressed substitutes to two Union officers, including a doctor. The physician accepts a "Lee veteran" despite his extreme thinness and missing teeth, while the second officer tells the portly man that he would prefer him to the substitute and that "one days march will take down his fat and a little tallow will remove the chafing." To the left, the fourth gentleman, crying into a handkerchief, tells an officer that he would rather "bleed for his wife" than for his "suffering country." In the background, bandaged and ailing men line up in front of the marshall., Retrospective conversion record: original entry, edited., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1862]
Location: Library Company of Philadelphia | Print Department political cartoons - 1862-15W [P.2275.17]

Title: John Bull and the Nicaragua question John's duplicity and disregard of treaty obligations
Description: Cartoon criticizing Great Britain's support of the Costa Rican opposition to American pro-slavery filibuster and self-installed president of Nicaragua William Walker, as a violation of the Clayton-Bulwer Treaty, which barred American and British development of Central America. Depicts a rotund John Bull, with a patch over one eye and guns strapped to his chest, trampling the "Clayton Bulwer Treaty." He hands a rifle to a Costa Rican man, attired in a straw hat, poncho, and torn and worn pants, who carries a dagger in his right hand and declares, "Death to Los Americanos!" Bull remarks to the Costa Rican that he "agreed not to meddle" and will help settle the "hash" of the filibuster, while under his breath he mutters "after we've settled their hash, I'll settle your hash." In the right is a chained and caged "Russian Bear," and on top of the cage is a "Turkey," symbolizing the nation (allusions to British success in the Crimean War). In the left, Queen Victoria and Prince Albert, their several children playing beside and with them, mock the "fuss" that Emperor Napoleon III of France makes over his young son. Napoleon gushes that the child's "foot shall fit se Neck of France" as his son's white woman nanny, holding a bowl of "PAP" (i.e, political patronage), discusses the King's assistance to Costa Rica and her "diapering" of the "blessed baby." In the background, combat ensues., Title from item., Date supplied by Weitenkampf., Political cartoon "The right man in the right place" lithographed on verso. [LCP political cartoon 1856-4 5760.F.10b (copy)]., Retrospective conversion record: original entry, edited., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Magee, John L.
Date: [1857]
Location: Library Company of Philadelphia | Print Department political cartoons - 1857-1w [5760.F.10a]

Title: The national game. Three "outs" and one "run" Abraham winning the ball
Description: Cartoon influenced by the 1860 presidential candidates' position on the extension of slavery and comparing the results of the 1860 presidential election with a completed baseball game. In the right, Lincoln, the winner who represents the "Wide Awake Club," stands on “Home Base” and holds a rail-shaped bat labeled, "Equal Rights and Free Territory." He speaks in baseball terms to his competitors and declares "a good bat and strike a fair ball to make a clean score & home run." In the left is Constitutional Unionist John Bell of the "Union Club" with his "Fusion" bat who cries “foul.” Northern Democrat Stephen Douglas of the "Little Giant Club" with his "Non-Intervention" bat says, “I thought our fusion would be a short stop to his career.” Southern Democrat John C. Breckenridge of the "Disunion Club" carries his "Slavery Extension" bat and holds his nose with his left hand as he states that he “better leave for Kentucky…we are completely ‘skunk’d.’” In the center, a skunk lifts its tail and sprays., Probably drawn by Louis Maurer., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1860, by Currier & Ives, in the Clerk’s Office of the District Court for the Southern Distt of N.Y., Purchase 1967., Description revised 2021., Access points revised 2021., Retrospective conversion record: original entry, edited., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Currier & Ives
Date: c1860
Location: Library Company of Philadelphia | Print Department political cartoons - 1860-42 [7612.F]

Title: The battle of Bull's Run
Description: Pro-Confederate cartoon containing eighteen numbered figures and scenes to satirize the mayhem at the Battle of Bull Run in July 1861. Figures include: (1) Beauregard's (2) Jefferson Davis's and (3) Johnston's Confederate Headquarters; (4) Maryland Elzy's Battiry [sic]; (5) Union General Irvin McDowell; (6) Union General Daniel Tyler; (7) the Bull's Run; (8) New York Fire Zouaves; (9) New York 12th Regiment; (10) Union Sherman's Battiry [sic]; (11) Congressman Alfred Ely; (12) barricade for Members of Congress; (13) civilian spectators Lovejoy & Co. and (14) ladies as sputatiers; (15) Biddle, Brown & Co., members of Congress; (16) Union Blenker's Brigade; (17) Senator Wilson; (18) and the U.S. Dragoon. Depicts in the foreground: the Zouaves driving a bull that holds the American flag in its tail and is labeled, "Expenses for 100 Mill., Bad Business, Property, but no Security" in front of the retreating General Tyler and the New York regiment. The troops flee on the road to Washington past Union soldiers who lay dying and lamenting their foolishness near a "fat left-tenant" stating "God Save the Union" and Senator Wilson. Wilson refuses the pleas of a wounded soldier as he has "a wife and children to care for." In the background, Confederate troops march over a hill and mock the Union's abolitionist stance and lack of ammunition; Sherman's Battiry [sic] loads a cannon; Congressmen seek shelter behind a barricade of "U.S." wagons; civilian spectators Brown & Company flee by carriage as they deny aid to a white man who hollers, "you are more unmerciful then the overseer"; Congressman Ely, captured by the Confederates, offers a monetary bribe in exchange for his "liberty"; and the Union's Blenker's Brigade march into the battle in front of their retreating fellow soldiers General Irvin McDowell and the "U.S. Dragoon" who gallop "Home, Sweet, Home." Contains a key to depicted figures below the image., Title from item., Date inferred from content., Retrospective conversion record: original entry, edited., Accessioned 1979., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1861]
Location: Library Company of Philadelphia | Print Department political cartoons - 1861-42W [P.2275.11a]

Title: Why don't you take it?
Description: Cartoon promoting the existence of a Union stronghold to defend against a Confederate seizure of Washington, D.C. Depicts General Winfield Scott as the bulldog, "Old General U.S.," protecting the cut of meat, "Washington Prime Beef," from the snarling, retreating greyhound "Jeff" (Confederate President Jefferson Davis). Davis, wearing a Confederate flag and broad-brimmed hat, slinks back to his side where a bale of cotton lies and a palmetto tree stands. Scott sits guard in front of several money bags, a cannon, and barrels of corn, flour, and "Mess Beef.", Per Weitenkampf, one of four variant designs after original by cartoonist Frank T. Beard that was also used on Civil War patriotic envelopes., Contains manuscript note lower right corner: Ballard Vale 1861., Contains manuscript note on verso: VA Ballard Vale May 1861., Retrospective conversion record: original entry, edited., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1861]
Location: Library Company of Philadelphia | Print Department political cartoons - 1861-54W [P.2275.15]

Title: The man that blocks up the highway
Description: Cartoon satirizing President Andrew Johnson and his reconstruction policies as sympathetic to Southerners and an obstruction to Radical Republican policies and African American civil rights. Depicts Johnson with jackass ears standing at a road block labeled "veto" and greeting pardoned former Confederates, including an unrepentant white man counterfeiter and two white men ruffians. The ruffians brag about the murder of major-generals, curse the Yankees, and threaten an overthrow of the North and nullification of civil rights after the re-establishment of a Southern presence in the Congress. As Johnson welcomes the Southerners, he orders Secretary of State William Seward, attired as a servant, to pass around whiskey, belittles the barred "Radical Republicans," and boasts about his veto power. Behind the "veto" barricade, carriages driven by Republicans and labeled "Freedman's Bu[reau]," "Civil Rights," and "[Recon]struction," including one attended by an African American man portrayed in racist caricature, stand idle (an allusion to Johnson's vetoes of the Civil Rights Act of 1866 and the renewal of the Freedman's Bureau). The drivers compare Johnson with Marc Anthony who was "blowing before the People about his great love for the Constitution while conspiring with Caesar for the overthrow of the Republic." In the right, near crates of "Southern Appointments" and "Southern Pardons," John Bull and French dictator Napoleon III stand. Napoleon praises Johnson, proclaiming him "Emperor Americane." Also includes, a shack adorned with the sign "Andy Johnson Tribune of the People" in the background., Title from item., Date inferred from content., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1866]
Location: Library Company of Philadelphia | Print Department political cartoons - 1866-5W [5760.F.111]

Title: Abraham's dream! "Coming events cast their shadows before."
Description: Cartoon lampooning Lincoln's belief in prophetic dreams and fear of losing the presidential election of 1864. Above the dreaming, sleeping body of Lincoln, Democratic candidate George McClellan arrives at the White House. He witnesses Liberty, depicted as a white woman, hurling the decapitated head of an African American man, portrayed in racist caricature, at a fleeing Lincoln as he states, "This don't remind me of any joke!!" Lincoln is attired in a plaid Scotsman's cap and cape, an allusion to his disguise in response to an assassination threat before his first inauguration, and carries an inscribed scroll, "To whom it may concern," a reference to his written edict that he would only receive, not seek, offers of peace from the Confederacy., Title from item., Date from copyright statement: Entered according to act of Congress, A.D. 1864, by Currier & Ives, in the Clerk's Office of the District Court of the United States, for the Southern District of New York., Probably drawn by Louis Maurer., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Currier & Ives
Date: 1864
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1864-41 [6374.F]

Title: The follies of the age, vive la humbug!!
Description: Critique of the social climate of the year of 1855 mocking several of the year's fads, social movements, and major events, many specific to the city of Philadelphia. Depicts several individual scenes occurring on an active street lined by businesses near a river. Depictions include: a scene representing the case of Jane Johnson, an African American woman freedom seeker aided by abolitionist Passmore Williamson; a group of ragged and armed white men filibusters holding the banner "Sam" rushing off to free Central America from European control; a stand where one is "allowed to drink 48 glasses of Lager Beer" where a white man police officer tries to stop a white man drunkard; a group of white women Mormons on a cart headed to "Salt Lake City"; a white man hugging two white women as his angry wife looks on and calls them "Ceresco free-lovers" after the Utopian society that lasted until 1855; two motley groups of local militias drilling; a caricature of the popular French actress Rachel who had an inauspicious debut in Philadelphia; and groups of individuals partaking of "water cures" and "sea baths." In the background the Camden Amboy train crash of 1855 is depicted as well as the destruction by fire of the Philadelphia steamer "John Stevens.", Title from item., Date inferred from content., Accessioned 1998., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1855?]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1855-Fol [P.9624]

Title: Oh! Massa Jeff. dis sesesh fever will kill de nigger
Description: Cartoon depicting the ill effect of secession on enslaved people. In the dwelling of the enslaved African American men, Jefferson Davis, attired in a broad-brim hat and with the Union flag hanging from his pocket, checks the pulse of an emaciated, bedridden African American man with "Bond Plasters" on his chest. An angst-ridden enslaved African American man stands behind the bed and weeps as he holds a bottle of medicine. On the wall behind him are three posters advertising various medicines: "Dr. Jeffy's Celebrated Bond Plasters ...," "The Great Southern Remedies," "Dr. Jeffy's Celebrated Lettres du Marque A Radical Remedy for all Constitutional Afflictions.", Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1861 in the Clerks Office of the District Court of the Southern District of Ohio., Purchase 1961., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1861-22W [6449.F]

Title: Handicap race presidential stakes 1844
Description: Satire of the presidential election of 1844 depicting the potential candidates; Whig Henry Clay, and Democrats Martin Van Buren, Lewis Cass, John Calhoun, Richard M. Johnson, and John Tyler on various mounts racing for the White House. Clay riding a racoon leads the pack claiming that no one can overtake him. Van Buren follows riding a fox and holding a weather vane labeled "N" (North) and "S" (South) with the slogans "Free Trade Texas" and "Abolition Oregon" attached. He acknowledges that Lewis Cass is closing in. Cass on his hound gloats that he has finally overtaken the "old fox." Calhoun, positioned fourth, rides a lion with an enslaved African American man and child, portrayed in racist caricature, on his shoulders and bemoans his extra weight. Johnson, on foot and holding a hook, follows Calhoun stating he will "hook on" to whomever gets in. Last is Tyler, who switched political parties, trying to ride the two mounts of the "Loco Foco" (radical Democrats) donkey and the "Whig" horse., Title from item., Date from copyright statement: Entered according to act of Congress in year 1844 by J. Childs in the Clerk's Office in the District Court of the Southern District of N.Y., Gift of Mrs. Francis P. Garvan, 1977., Lib. Company. Annual report, 1977, p. 51-52., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Clay, born in Philadelphia, was a prominent caricaturist, engraver, and lithographer who created the "Life in Philadelphia" series which satirized middle-class African Americans of the late 1820s and early 1830s.
Creator: Clay, Edward Williams, 1799-1857, artist
Date: 1844
Location: Library Company of Philadelphia | Print Department Political cartoons - 1844-55W [8366.F.36]

Title: The slavery question. Great prize-fight of the American eagle against the wolf and the alligator
Description: Cartoon portraying the extension of slavery as dependent upon the United States' successful annexation of California and Texas. Depicts the American eagle on a mound protecting her nest of hatchlings labeled "Texas" and "California" from a wolf and an alligator. The wolf dressed as a sheep is being restrained by John Bull who represents England and states, "I bet Canada" (a proposed U.S. annexation). The alligator is being restrained by Don Quixote who represents Spain and states, "I bet Cuba!" (another proposed U.S. annexation). In front of the nest sits a barefooted enslaved African American man, portrayed in racist caricature and attired in torn and worn clothes. He holds his head in hands with the unbroken pot of slavery on his left and the broken pot of liberty, under the foot of John Bull, on his right. Behind the nest stands a bowery B'hoy figure holding a banner inscribed, "The Union Forever" and George Washington stating, "Go it, my boy you will beat them all.", Title from item., Publication date supplied by Weitenkampf., Inscribed: Pl. 4., Purchase 1975., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1844]
Location: Library Company of Philadelphia | Print Department Political cartoons - 1844-75W [8138.F]

Title: The great presidential race of 1856
Description: Cartoon ridiculing the Democratic and American (Know-Nothings) Party presidential candidates James Buchanan and Millard Fillmore by depicting them in a race to win the election of 1856. Depicts Buchanan having crashed his mount (i.e, running mate John C. Breckenridge depicted as a buck) into a rickety platform marked "Democratic Platform," Slavery," and "Cuba." An enslaved African American man, portrayed with racistly caricaturized features, and wearing shackles on his ankles and worn and torn clothes, shoes, and a hat, stands upon and ridicules the "Democratic Platform." Buchanan angrily replies, "You infernal Black Scoundrel, if it had not been for you and that cursed Slavery Plank that Scared and upset my Buck, I should have won this race certain." Following Buchanan is Fillmore using his running mate Andrew Jackson Donelson, depicted as a goose, as his mount. Fillmore, the American Party candidate, carries a "Know-Nothing" lamp and fears his loss will dissolve the Union. In the distance, the Republican candidate John C. Fremont pulls ahead to the cheers of many of the spectators. Brother Jonathan, (predecessor of Uncle Sam), stands on an observation or judging deck and carries a timer’s watch. Additional spectators include white men belittling Fillmore as "spineless" and a "goose," and a white boy holding a sign inscribed, "We Po'ked Em in 44; We Pierced Em in 52; and We'll 'Buck Em' in 56." He is being hoisted by two African American men, portrayed with racistly caricaturized features, upon the back of a gruff and annoyed-looking, bearded, white man asking him if he's a "Fre'mounter.", Title from item., Artist and publication information supplied by Reilly., Political cartoon Horse sassengers! A free lunch lithographed on recto. (political cartoons - 1858 Hor, P.2275.18b)., Accessioned 1979., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Magee was a New York cartoonist and lithographer who eventually established his own lithographic firm in Philadelphia in 1850.
Creator: Magee, John L., artist
Date: [1856]
Location: Library Company of Philadelphia | Print Department political cartoons - 1858 Hor (verso) [P.2275.18a]

Title: The Democratic platform
Description: Cartoon satirizing politicians' support of James Buchanan and the Democratic platform of 1856. Depicts Buchanan as "the platform" of his party prostrate across the backs of the kneeling antislavery advocate Senator Thomas Benton ("Old Bullion"), President Franklin Pierce ("Franklin the last"), and son of Martin Van Buren, John Van Buren ("Prince John"). An enslaved African American man, portrayed in racist caricature, sits atop Buchanan’s legs with his arms crossed. Sitting opposite him atop Buchanan’s chest is a white man enslaver, armed with a whip, knives, and a pistol, who declares, “I don’t care anything about the Supporters of the platform as long as the platform supports me and my Nigger.” Underneath Buchanan, Benton replies to Pierce's question of how he can be against his administration yet for "this platform" by stating that he supports Buchanan because his motto is "Men - not principles." (This is a reversal of the Democratic motto: "Principles, not men.") Simultaneously, Van Buren talks with his father "Martin the first," depicted as a fox in his "Kinderhook" burrow, about the changing policies of the great Democratic Party and the plunder to be had. Standing in the left, "Brother Jonathan" (predecessor of Uncle Sam) notes the unreliability of the "platform supporters.", Title from item., Date supplied by Weitenkampf., Purchase 1971., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1856]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1856-16W [7996.F]

Title: The chivalry at the English court
Description: Cartoon mocking Southern secessionists who sought foreign aid for the Southern Confederacy by depicting white men emissaries from the "Gentlemen colony of South Carolina" asking Queen Victoria if she can spare a King. The South Carolinians stand before the throne and present bales of “Cotton” to the Queen. Behind them a contingent of enslaved African American children, portrayed as racist caricatures, carry an umbrella, a fan, a serving tray of “julips,” and hold the tail of the emissary’s jacket. In the right, Queen Victoria sits on her throne surrounded by white boys and flanked by a lion and a unicorn. She responds that her family is small but possibly a "Coburg" relation may satisfy their needs., Title from item., Publication date supplied by Weitenkampf., Text printed below image: May it please Your Majesty, We, the Republicans of the Gentlemen Colony of South Carolina are desirous of having a Royal Master; would You graciously please to spare us a King out of your illustrious house? Her Majesty. Thank you Gentlemen, but my Family is small, you know; -- perhaps one of my Coburg Relations may accommodate you, I can recommend them, they give Satisfaction in every Place., Accessioned 1899., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1860]
Location: Library Company of Philadelphia | Print Department political cartoons - 1860-6W [5780.F]

Title: Fixing a block-head to the Constitution or putting a wart on the nose of old ironsides
Description: Satire of President Andrew Jackson who is represented as a figurehead that is being placed on "Old Ironsides" (i.e. the ship "Constitution") by African American sailors. The white commander, attired in uniform with his back to the viewer, stands beside a bucket of grog and offers the sailors a "double allowance of grog." To the right, eight African American sailors, portrayed in racist caricature and speaking in the vernacular, hoist the figurehead up with ropes. In the left, two African American sailors steady the base of the figurehead with rope and one remarks, "...dey'd better run him up to the yard arm like dey do de pirate." The figurehead of Jackson, who was often criticized for his broad interpretation of the constitutional powers of the executive branch, holds a paper inscribed "My interpretation of the Constitution." In the right, a white man military fifer and a white man drummer play the "rogue's march" instead of "Hail Columbia." Cartoon references the event in July 2, 1834, when mariner Samuel W. Dewey decapitated the figurehead in the middle of the night. The figurehead of Andrew Jackson was added to the USS Constitution (Old Ironsides) in March/April 1834., Title from item., Incorrect publication date of 1832 supplied by Weitenkampf., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2023., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Imbert, a pioneer of lithography in New York City, printed city views and also painted marinescapes.
Creator: Imbert, Anthony, 1794 or 5-1834, lithographer
Date: [1834]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1834 Fix [5760.F.73]

Title: The model of a Republican president
Description: Anti-Jackson cartoon concerning Jackson's misuse of federal authority during the Bank War depicting the president as an autocrat emulating Napoleon Bonaparte. Standing beside a statue of the Emperor, Jackson puts on a Napoleon hat in front of a mirror, boasts of his resemblance to Bonaparte, and declares, "Down with the Senate." Attorney General Roger B. Taney, who squats by Jackson's side, places a pillow inscribed "Treasury" on the president's stomach to make him more "pursey" in order to complete his transformation if he "can bear the weight." Nearby compliant Jackson advisor Martin Van Buren states he deserves the purse as a reward for his war service. To the right, in front of the Senate archway, Treasury auditor Amos Kendall and a second figure of Taney discuss the "Protest to the Senate" and "Counter Protest" they have written for Jackson, probably an allusion to the controversial message written by Kendall and Taney about Jackson's veto of the bill to recharter the Bank of the United States., Title from item., Date supplied by Weitenkampf., Printed to right of title: ("I have taken your brother for my model") General Jackson to Joseph Bonaparte, Globe.", Retrospective conversion record: original entry, edited.
Date: [1832?]
Location: Library Company of Philadelphia | Print Department political cartoons - 1832-8 [5760.F.52]

Title: Political quixotism. Shewing the consequences of sleeping in patent magic spectacles The diplomatic hercules, attacking the political hydra
Description: Anti-Jackson cartoon alleging that irrational motives influenced the President's decision to destroy the Bank of the United States. Depicts a terrified Jackson, in his bedroom, fighting the hydra, "U.S. Bank," during a nightmare. References to the corruption of the Bank are inscribed on the creature's many heads, including "deposits," "pension," and "bribery." Jackson, sword in hand, screams "Stamp the horrid Monster!!! Crush it!!! Nick Biddle!!! Hell & the Devil!!! Bribery & Corruption!!! Assasination [sic]!! Fire!! Murder. Murder!! Where are you Major?" Jackson is being restrained by "Major" Jack Downing, who pulls on his suspenders and implores him to return to bed, "Cum along to Bed agin, Jineral, I tell you Biddle aint here, nor the devil nother as I no on." In the right background is a bed and a chair with a candle on it., Zek Downing was a pseudonym used by various artists on several cartoons, predominately published by Ezra Bisbee, which satirized the Bank War., Retrospective conversion record: original entry, edited.
Date: [1833]
Location: Library Company of Philadelphia | Print Department political cartoons - 1833-12 [5760.F.76]

Title: Old Nick's new patent plan to make Nova Scotia tories, federals coodies, Hartford conventioners, nullifiers, national republican bankites &c
Description: Cartoon issued during the Bank War attacking Nicholas Biddle, president of the Bank of the United States, and his allegedly bribed New York newspaper editors for propagating an artificial financial crisis to sway public opinion in favor of the Bank. Depicts editors James W. Webb, Mordecai Manuel Noah, and probably Charles King using large screw presses to crush masses of working men ("workies"), including sailors, laborers, and butchers. Noah, fearing the strength of the "workies," loses control of his press from the shifting weight of his men; King twists his press and talks of the "division of the spoils"; and Webb urges a "good screwing" to gain the workers's suport and Biddle's fees. From below, the "workies" criticize the Bank as an institution of the aristocracy; allude favorably to Jackson and his veto of the Bank's recharter; scream their refusal to bow to a "golden calf"; and exclaim that they vote for liberty, not their "merchants breeches pockets." To the far right, Biddle hollers support to his "cousins"; "Jack Downing" questions the success of the presses; and a man with a monocle declares that the "workies" will not vote in the next election if they fail., Retrospective conversion record: original entry, edited.
Date: [1834]
Location: Library Company of Philadelphia | Print Department political cartoons - 1834-5 [5760.F.59]

Title: Bank-ometer Truths for the producers of wealth the banking system unmasked or the true causes of pressure panic and distress
Description: Cartoon designed by radical labor activist Seth Luther to promote the dissolution of the United States banking system. Depicts the U.S Bank as operated by the industrial turbine "Currency Reservoir." The "Bank of England Tube," "State Bank Tube," and "Expansion and Contraction Tube" extend from the reservoir and power meters labeled "Paperometer," "Stockometer," Flourometer," and "Wageometer," which flank the bank and measure the system. Meters measure the benefits to industry and the disadvantages to the artisan of the banking system from 1816 to 1840, including: the expansion and contraction of paper money; the prices and amounts of import and export commodities; the economic effects from the monetary fluctuations on manufacturers and mechanics; the price of stocks and flour; and the wages (lower in 1840 than 1816) and cost of living of New York carpenters. Also contains seventeen boxed quotations from prominent political figures criticizing paper money and banks, including statements by Washington, Jefferson, Adams, Jackson, Van Buren, Samuel Young, John Tyler, and Bank of the United States supporter Henry Clay; a chart containing figures indicating an increase in the number of banks from 1774 to 1840, the amount of hard and paper currency in circulation, and the "aggregate receipts" from public land sales; as well as references to Jackson's 1832 veto of the Bank of the United States and Van Buren's 1840 Independent Treasury Bill. Dedicated to Andrew Jackson for his "righteous" veto of the Bank of the United States on July 4, 1840., Title from item., Date from copyright statement: Entered according to act of Congress July 22, 1840 Seth Luther Author and Proprietor in the Clerks Office of the District Court of the So. District of N.Y., Retrospective conversion record: original entry, edited., Library Company Annual Report, 2001, p. 30., Advertised in Public Ledger, October 8, 1840. Price listed as 25 cents.
Creator: Lawton, Stephen, lithographer
Date: designed Nov. 1833, drawn 1840, cJuly 22, 1840
Location: Library Company of Philadelphia | Print Department *political cartoons - 1840-Ban [5760.F.84]

Title: A Correct chart of Salt River
Description: "Salt River," the fictitious river of political doom, is charted here as a meandering stream of Democratic misfortunes. The chart was purportedly "prepared by Father Ritchie," i.e., Democratic editor and Polk administration spokesman Thomas Ritchie. Swipes are taken at the Tariff of 1846, Polk's Vice President George M. Dallas, Martin Van Buren, and 1848 Democratic presidential nominee Lewis Cass. The river winds upward from the Ohio River (Ohio was a Democratic stronghold in 1848) to the Lake of Oblivion with an island on which sits the "Mansion of Despair." The "Fast Sailing Steamer Free Trade," captained by Lewis Cass and piloted by Ritchie, sets out on the "Slough of Despond" below (one of the landmarks in John Bunyan's "Pilgrim's Progress). The ship approaches a fork, from which the "Old Fox Branch" on the right leads to "Cabbage Point" and the home of Martin Van Buren. Van Buren can be seen sitting in a rowboat on the river complaining, "Hard work this all; your fault 'John, ' with your D--d Free Trade." His son John, a Free Soil party leader and campaigner, encouraged Van Buren's bid for the party's presidential nomination in 1848. On the left Salt River continues past the "Sub Treasury Bluffs," "Noise and Confusion Shoals," "Two Face Points," and "Irish Relief Shoal" (a reference to Democratic support for anti-British insurgents in Ireland), to another fork, "Prince John's Creek." Here John Van Buren walks along the shore and calls, "Good bye Dad! We could not Gull the People." The main branch of the river continues to "Pillow's Cemetery" (named after Gen. Gideon Pillow, conspirator against popular Mexican War commander Winfield Scott and a friend of James K. Polk), "One Seal Island", "Casting Vote Point," and "St Anna Pass." The last is named after Mexican president and commander Santa Anna, whom the Polk administration returned from exile only to see him lead the war against the Americans. On Lake Oblivion is a small ferry boat heads toward the shore at upper right where it will connect with a train named "Tariff [of 18]42," bound for Washington. On the left is a funerary monument "In Memory of Dallas," a memorial to Vice President and former Pennsylvania senator George M. Dallas. Many of Dallas's fellow Pennsylvanians viewed him as a traitor to the state's interests in his support of the Tariff of 1846, which supplanted the popular 1842 tariff., Title from item., Date inferred from content., Library copy has manuscript written on lower right recto: March 5th, 1849., Retrospective conversion record: original entry.
Date: [1848]
Location: Library Company of Philadelphia | Print Department political cartoons - 1848-50 [P.2275.28]

Title: Beauties of the Sunday Law
Description: Cartoon mocking Philadelphia's Sunday Law depicting an absurd street scene where citizens are barred from patronizing several closed businesses and public facilities, except for church. Renewed enforcement of the unpopular law proceeded the election of Sabbatarian Mayor Robert T. Conrad in 1854. Police patrol the street enforcing the law, including preventing a downed horse from dying; a "segars" store chimney from "smoking"; and a mourner from hiring a carriage to travel to a funeral "20 miles away." Other citizens angrily mob the church and plead to patronize the businesses and public services, including: a mother unable to purchase medicine from an "Apothecary" for her sick child; a fire victim unable to request a fire engine; a man with a "bellyache" prevented from using a locked "Public Water Closet"; and a wife barred from purchasing provisions as a result of her husband's tardily received wages. Also contains: a clock, a dog, and a rooster padlocked to prevent them from making noise. In the background, the steamship John "Stevens" remains docked at the pier near signs stating, "This river is stopped from running on Sundays" and "No fish allowed to swim on Sunday.", Title from item., Date inferred from content., Artist's monogram lower right corner., Probably drawn by Philadelphia and New York lithographer John L. Magee., Retrospective conversion record: original entry, edited.
Date: [ca. 1855]
Location: Library Company of Philadelphia | Print Department political cartoons - [1855]-Beau [8365.F]

Title: The True peace commissioners
Description: Cartoon depicting an angered response of Democrats in support of war to what many considered to be false Confederate peace overtures and to the push for reconciliation with the South advanced by the Peace Democrats in 1864. In the center, Confederate general Robert E. Lee and president Jefferson Davis stand back-to-back trying to ward off an attack by Union officers (from left to right) Philip H. Sheridan, Ulysses S. Grant, David G. Farragut, and William T. Sherman. Sheridan points his sword at Lee, saying, "You commenced the war by taking up arms against the Government and you can have peace only on the condition of your laying them down again." Grant, also holding a sword, insists, "I demand your unconditional surrender, and intend to fight on this line until that is accomplished." Lee tries to placate them, "Cant think of surrendering Gentlemen but allow me through the Chicago platform to propose an armistice and a suspension of hostilities . . . " The 1864 Democratic national convention in Chicago advocated "a cessation of hostilities with a view to an ultimate convention of the states, or other peaceable means" to restore the Union. Davis, unarmed with his hands up, agrees, " . . . if we can get out of this tight place by an armistice, it will enable us to recruit up and get supplies to carry on the war four years longer." Farragut threatens with a harpoon, snarling, "Armistice! and suspension of hostilities'.--Tell that to the Marines, but sailors dont understand that hail from a sinking enemy." Sherman, with raised sword, informs Davis, "We dont want your negores or anything you have; but we do want and will have a just obedience to the laws of the United States.", Title from item., Date inferred from content., Probably drawn by John Cameron., Retrospective conversion record: original entry edited.
Date: [1864]
Location: Library Company of Philadelphia | Print Department political cartoons - 1864-6 [P.2275.5]

Title: The destruction of Pharaoh and his host. Moses is safe; let Pharaoh sink and where he goes he'll get his drink "The Lord delivered the people."
Description: Cartoon analogizing the victory of 1866 Radical Republican Pennsylvania gubernatorial candidate John W. Geary with the Biblical story of Moses's passage of the Red Sea (Exodus) to signify the election result as a moral and political conquest over the Conservative Republicans who supported the policies of President Andrew Johnson. Shows Johnson as "Pharaoh," riding a chariot labeled "My Policy." His crown has been knocked off his head, and the sea rushes around the horse-drawn chariot. Conservative Republicans, including William Seward, are washed away around him. In the distance, "the people" trek across the land of "Pennsylvania" holding a "Geary and Victory" flag., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia.
Creator: Magee, John L.
Date: [ca. 1866]
Location: Library Company of Philadelphia | Print Department political cartoons - 1866 Des [(2) 1322.F.20]

Title: Congressional Pugilists He in a trice struck Lyon thrice
Description: Depicts a fight on the floor of Congress Hall between Vermont Representative Matthew Lyon and Connecticut Representative Roger Griswold. In the right, Griswold kicks Lyon and holds a cane up to strike him. Lyon grasps Griswold's right arm and raises a pair of fireplace tongs to hit him. Speaker Jonathan Dayton and Clerk Jonathan W. Condy (both seated), Chaplain Ashbel Green (in profile on the left), and several others look on. In the background on the wall is a framed picture with two roosters whose caption reads "Royal sport." The fight was originally prompted by an insulting reference to Lyon on Griswold's part., Title from item., Date inferred from content., 19th century restrike., Weitenkampf lists three states of this print: in the first only the title appears above the image and the four lines of verse in the center below the image and "Congress Hall, in Philada. Feb. 15, 1798" etched in the lower right corner; in the second the title, and keyed references in the (plate) margins of the second appear above the image and "Congress Hall, in Philada. Feb. 15.1798" is etched in the lower right corner; the third is identical to the second state but has "17" etched in the upper right hand corner and "Congress Hall, in Philada. Feb. 15, 1798. "S.E. Cor. 6th & Chesnut St." in the lower right corner; the images remain the same in all three states., Below image in lower right corner: Congress Hall, in Philada., Feb. 15, 1798, S.E. Cor. 6th & Chestnut St., Four lines of verse in two columns below image in center: He in a trice struck Lyon thrice, upon his head, enrag'd sir, who seized the tongs to ease his wrongs, and Griswold thus engag'd, sir., Three of the spectators are identified by numbered references etched on left and top of plate, outside image., Retrospective conversion record: original entry, edited.
Date: [1798]
Location: Library Company of Philadelphia | Print Department political cartoons - 1798-3b (second state) [2569.Q.17]

Title: An Au-Gust Convention
Description: Cartoon satirizing the National Union Convention, which met in Philadelphia in August of 1866, in an attempt to support President Andrew Johnson and his Reconstruction policies and elect a new Congress. Muzzled dogs, each representing a state, walk down a path towards a dog house labeled, “Wigwam,” which was the name of the structure in Philadelphia that was quickly erected for the convention. Outside the house, two guard dogs, representing Johnson supporters Edgar Cowen and James Rood Doolittle, each hold cats in their mouths, representing the two notorious Peace Democrats, or Copperheads, Clement Vallandigham and Fernando Wood, who were barred from the convention. At the head of the parade, the Massachusetts and South Carolina dogs march together, representing General Darius Nash Couch and Governor James Lawrence Oliver, the representatives from those states, respectively. These two men entered the Convention arm-in-arm to demonstrate the possibility for national reconciliation. The South Carolina dog, however, also has its genitals muzzled, as it was the first state to secede from the Union at the beginning of the war. In the left is a small, muzzled dog with a brush and bucket, labeled “N.Y. Times,” tied to its tail that represents Henry Raymond, co-founder of the New York Times and pro-Johnson Republican Congressman. Raymond organized the convention and was removed from his position as Chairman of the Republican National Committee because of it. In the left background, shows the White House with a Confederate flag, with “My Policy,” flying and a dead dog lying on the ground representing Johnson. Radical and moderate Republicans in Congress believed that his treatment of the Southern states under his Reconstruction plan was too lenient., Retrospective conversion record: original entry, edited.
Date: [1866]
Location: Library Company of Philadelphia | PRINT political cartoons - 1866-11 [5760.F.113]

Title: Pap, soup, and chowder
Description: Depicts the 1852 presidental Whig candidate Winfield Scott, President Millard Fillmore, and Secretary of State Daniel Webster riding on the shoulders of newspaper editors. In the center, General Winfield Scott, attired in a military uniform, sits on New York Tribune editor Horace Greeley's shoulders. Scott holds a bowl labeled, "soup," which spills down Greeley's neck. A white man representing the South, pulls on Scott's arm who says, "don't budge another step towards the White House, yonder, until you satisfy me about my fugitive slave." Scott replies, "I will give you every satisfaction about your Fugitive slave after I have arrived at the White House." In the right, Daniel Webster sits on the shoulders of Courier & Enquirer editor J. Watson Webb and eats a bowl of chowder. In the left, Millard Fillmore eats a bowl of "government pap" while sitting on the shoulders of the New York "Mirror" editor. In the background, Franklin Pierce on horseback carries a flag that reads, "The Union and the Compromise" and travels towards the White House. A rifle and a knife lie on the ground., Title from item., Date and publisher from copyright statement: Entered according to Act of Congress in the year 1852 by P. Smith, in the Clerk's office of the District Court of the Southn Distt of N,Y,, Text printed on recto: For sale at No. 2 Spruce St. N.Y. Address of Currier & Ives firm in 1852., RVCDC
Date: 1852
Location: Library Company of Philadelphia | Print Department political cartoons - 1852 - 17W [P.2023.61.1]

Title: Uncle Sam protecting his property against the encroachments of his cousin John
Description: Print depicting Uncle Sam grabbing John Bull by the neck showing upset over intervention in the Civil War. Uncle Sam, depicted as a Union soldier closely resembling Abraham Lincoln, holds a sword labeled, "Principle of Non-Enterference." He pulls John Bull by the back of his neck who is poaching plants from a garden. John Bull is attired in a military uniform and cannons on his legs labeled, "Armstrong's Patent," referring to English manufactured weapons used by the Confederates. Standing on a fence post in the left is a cock with the face of Napoleon III, who watches the scene. In the background is an oversized scarecrow with a sign that reads, "All persons tresspassing[sic] these premisses, will be punished according to Law." The corpses of the dead bodies of Confederate general P.G.T. Beauregard and Confederate president Jefferson Davis hang from nooses from the scarecrow's arms. In the right are depictions of three African American heads, depicted in racist caricature, as cotton plants., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1861 by E. Stauch in the Clerk's Office of the U.St. Court of the eastern District of Pennsylvania., RVCDC
Date: 1861
Location: Library Company of Philadelphia | Print Department political cartoons - 1861-39 [P.2023.61.2]

Title: John Brown exhibiting his hangman
Description: Cartoon depicting the imaginary execution of former Confederate President Jefferson Davis with the ghost of John Brown as his executioner. Jefferson, holding a sour apple and attired in a women's dress and bonnet, swings imprisoned in a birdcage which hangs from a gallows. To the left of the cage Brown rises from a hole in the earth and points accusingly at Davis. In actuality Davis had no direct involvement with Brown's execution. Beneath the cage, African American men and women minstrel figures, portrayed in racist caricature, rejoice, dance, clap, and thumb their noses at Davis., Title from item., Date from copyright statement: Entered according to act of Congress in 1865 by G. Querner in the Clerk's Office of the Sup. Court D.C., Originally part of a McAllister scrapbook related to Jefferson Davis and the Confederacy. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1865
Location: Library Company of Philadelphia | Print Department Political Cartoon - 1865-16R [5795.F.b]

Title: The peninsular campaign
Description: Civil War cartoon referencing George B. McClellan's failed 1862 peninsular campaign to criticize his cautious military performance as commander-in-chief of the U.S. Army and his relationship with financier August Belmont and lawyer Samuel M.L. Barlow, New York Democratic Party leaders with Southern ties. Shows McClellan holding a shovel and sitting backwards on a mule that displays a flag marked "Strategy" on its tails and that Belmont and Barlow desperately try to move past human bones and away from Richmond. He advises the men to "coax" the animal because he does not believe in force and to keep his mule's head to the rear or his plans for "conquering the Rebellion will never be developed." Belmont, with several hats layered on his head and Barlow, a paper printed "Harrisons Landing July 7, 1862" in his pocket, "hold fast" and discuss Belmont's European ties and a letter written by Barlow on McClellan's behalf for the president that will be signed and sent following the general's "change of base.", Originally part of a McAllister scrapbook of materials related to George McClellan and Abraham Lincoln., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1862]
Location: Library Company of Philadelphia | Print Department political cartoons - 1862 Pen [5793.F.7b]

Title: The Fifteenth Amendment. Celebrated May 19th 1870
Description: Commemorative print celebrating the passage of the Fifteenth Amendment depicting a large central scene of the May 19, 1870 Baltimore parade surrounded by several portraits and vignettes. A float of young African American girls leads the parade in view of the city's Washington Monument. The parade consists of African American Zouave drummers, men in top hats on horseback, and ranks of troops. The portraits of African American civil rights supporters framing this scene include President Grant; Martin Robison Delany, the first African American Major; Frederick Douglass; Mississippi Senator Hiram Revels; Vice-President Schuyler Colfax; Abraham Lincoln; and abolitionist John Brown. The numerous vignettes, all captioned, include scenes of an African American classroom, an African American congregation, an African American wedding, an African American officer, an African American man reading to his family, African American masons, and an African American man voting., Title from item., Date from copyright statement: Entered according to Act of Congress in the year of 1870 by Thomas Kelly in the Office of the Librarian of Congress at Washington., LCP exhibition catalogue: Negro history, p. 78., Purchase 1968., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Beard was a respected illustrator most well known for his nature illustrations.
Creator: Beard, James C., designer
Date: 1870
Location: Library Company of Philadelphia | Print Department *political cartoons - 1870-4 [7765.F]

Title: A foot-race
Description: A satire of the 1824 presidential election showing the candidates; John Quincy Adams, William Crawford, Andrew Jackson, and Henry Clay engaged in a foot race to win the presidency. A crowd cheers them on and remarks about the candidates reflecting the regional and partisan views in the country. A Westerner attired in stovepipe hat with a powder horn exclaims, "Hurra for our Jacks-"son."" Former President John Adams cheers, "Hurra for our son "Jack."" An Irish man, portrayed in caricature and attired in torn and worn clothes, says, "Blast my eyes if I dont "venter" a "small" horn of rotgut on that "bald filly" in the middle [Adams]." A French man states, "Ah hah! Mon's Neddy I tink dat kick on de "back of you side" is worse den have no dinner de fourt of july." Two African American men, portrayed in racist caricature, look on and one remarks “Now old Hickory cuts dirt.” In the background is a "Presidential Chair" with a purse "$25,000 per Annum" and the White House., Title from item., Artist and publication date supplied by Reilly., NYPL copy copyrighted October 6, 1824., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Johnston, known as "the American Cruikshank" was a respected comic illustrator, engraver, and lithographer.
Creator: Johnston, David Claypoole, 1799-1865, artist
Date: [1824]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1824-4 [5760.F.28]

Title: The results of abolitionism!
Description: Cartoon reflecting the fear among Northern white workers of job competition with free African Americans. Depicts African American men bricklayers, portrayed in racist caricature and speaking in vernacular, on a construction site giving orders to white laborers in a reversal of roles. The laborers work on a large multi-storied brick building fronted by scaffolding and a ladder. The African American supervisors hold trowels and stand at the top of the scaffolding. They hurl orders and abuse at white workers exclaiming: "Bring up the mortar you white rascals" and "You bog-trotters, come along with them bricks." An African American man standing on the ground, attired as a dandy, exclaims, "White man hurry up them bricks." A white man climbs the ladder and two white men work on the ground shoveling and picking up bricks. Another white man stands and says, "Sambo hurry up the white laborers.", Title from item., Date inferred from content., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1835]
Location: Library Company of Philadelphia | Print Department *Political Cartoons - 1835 - Res [5780.F.1]

Title: A downright gabbler, or a goose that deserves to be hissed
Description: Caricature of Frances [Fanny] Wright, British-born suffragist and abolitionist, depicted as a goose eulogizing in a liturgical setting during her American lecture tour of 1829. Wright, with a goose head, attired in a black dress and long white scarf stands with a book in her raised hand in front of a table laid out with candles, a pitcher of water, and texts. Beside her a well-dressed, white man attendant holds her bonnet and observes., Title from item., Date of publication supplied by Reilly., Accessioned 1979., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1829]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1829-2R [P.2275.21]

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