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- Title
- Wilmot
- Description
- Reproduction of a bust-length portrait of the Pennsylvania legislator, David Wilmot, most known as the author of the "Wilmot Proviso." The unpassed 1846 bill would have prohibited the extension of slavery into the annexed territory of Mexico. Wilmot, attired in a white collared shirt, a black bowtie, and a black jacket, looks slightly left., Title from manuscript note on mount., Dated based on the presented age of the sitter., Originally part of a McAllister scrapbook of portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1862]
- Location
- Library Company of Philadelphia | Print Department cdv portraits - sitter - Wilmot [(3)5750.F.154f]
- Title
- [African American girl caregiver seated with a young white girl, probably her charge, on her lap]
- Description
- Three-quarter length, forward facing portrait of an African American girl caregiver, possibly an enslaved girl, seated on a wooden chair with spindles. Sitter has short hair and is attired in a long-sleeved dress made of patterned fabric with small checks and an apron with white polka dots. She holds a white girl on her lap (probably her charge), with her right hand on the girl’s chest and her left hand on the left side of the girl’s head. Their heads press together side-by-side. The blond-haired, white girl, attired in a necklace, a short-sleeved, dark-colored, checked dress with a white petticoat, stockings, and black shoes, faces the viewer and smiles. Her cheeks are tinted pink., Title supplied by cataloger., Date inferred from photographic medium and attire of the sitters., Leather miniature case embossed with oval motif, contains nonpareil mat, and is missing front cover., Gift of Mrs. A. Douglas Oliver, 1977., Description revised 2021., Access points revised 2021.
- Date
- [ca. 1860]
- Location
- Library Company of Philadelphia | Print Department Cased photos - unidentified [8326.F.17]
- Title
- [Unidentified African American man]
- Description
- Three-quarter length portrait of a bearded Black man attired in a white collared shirt, a bowtie, a sack coat, and light-colored pants. He sits on a wooden chair facing slightly left with his right hand tucked into his coat., Title supplied by cataloger., Photographer's imprint stamped on verso., Originally part of a McAllister scrapbook of unidentified portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Schreiber & Son(s), a Philadelphia partnership of George Schreiber, and his several sons, specialists in portraiture and animal portraiture, were in business from 1857 until 1900, operating at 818 Arch Street from 1867 until 1879.
- Creator
- Schreiber & Sons, photographer
- Date
- [ca. 1867]
- Location
- Library Company of Philadelphia | Print Department cdv portraits - photographer - Schreiber & Sons [8313.F.10b]
- Title
- Dan Bryant
- Description
- Full-length portrait of the popular New York minstrel performer and manager in Blackface and costumed as a disheveled 18th-century gentleman. Bryant stands posed with his right hand on his hip and his left hand holding a sword to the ground while looking up to the left. Known for his versatility as a comedian, actor, dancer, and musician, Bryant was most famous for his rendition of the dance, "Essence of Old Virginny," and for popularizing the songs "Dixie," "Turkey in the Straw," and "Shoo Fly." He performed in Philadelphia in September 1856. "Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes.", Title from manuscript note on mount., Date based on presented age of the sitter., Description of Blackface minstrelsy from Dorothy Berry, Descriptive Equity and Clarity around Blackface Minstrelsy in H(arvard) T(heater) C(ollection) Collections, 2021., Originally part of a McAllister scrapbook of portraits. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1865]
- Location
- Library Company of Philadelphia | Print Department portrait cdvs - sitter - Bryant [(1)5750.F.60f]
- Title
- [Lucretia Mott]
- Description
- Three-quarter length portrait of the Quaker abolitionist and reformer. Mott, attired in a white cap, a dark-colored, long-sleeved dress, and a white shawl, sits on a carved wooden chair with her left elbow on a side table covered in a patterned cloth., Photographer's imprint and advertisement stamped on verso., Title supplied by cataloger., Gift of Manuel Kean, 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Henszey & Co., photographer
- Date
- [ca. 1866]
- Location
- Library Company of Philadelphia | Print Department cdv portraits - sitter - Mott [P.8752.6a]
- Title
- Sawnee The wonderful musical contraband known as the "Human Organ."
- Description
- Full-length portrait of the formerly enslaved African American performer, attired in a Union uniform. He stands facing the viewer, holding his cap in his left hand and with his right hand tucked inside his sack coat. Found homeless in 1862 in Chambersburg, Pa. by promoter Robert Criswell, the "Human Organ" imitated the organ, any sound, and sang plantation songs during exhibitions in the North, including New York City and Philadelphia., Article about Sawnee published in Franklin repository, January 27, 1864 (Chambersburg, Pa.), p. 5., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1863]
- Location
- Library Company of Philadelphia | Print Department cdv portraits - sitter - Sawnee [P.8925.2]
- Title
- Sawnee The wonderful musical contraband known as the "Human Organ."
- Description
- Full-length portrait of the formerly enslaved African American performer, attired in a Union uniform. He holds his hat with his left hand and tucks his right hand into his sack coat while leaning against a chair. Found homeless in 1862 in Chambersburg, Pa. by promoter Robert Criswell, the "Human Organ" imitated the organ, any sound, and sang plantation songs during exhibitions in the North, including New York City and Philadelphia., Title from item., Date inferred from content., Unmounted carte-de-visite., Article about Sawnee published in Franklin repository, January 27, 1864 (Chambersburg, Pa.), p. 5., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1863]
- Location
- Library Company of Philadelphia | Print Department cdv portraits - sitter - Sawnee [P.8925.3]
- Title
- Robert Small, pilot of the steamer Planter, Charleston, S.C
- Description
- Bust-length portrait of the formerly enslaved and later South Carolina congressman who commandeered and harbored fifteen enslaved people on the Confederate steamer, "Planter," consequently escaping to freedom across the Charleston Bay in May 1862. Smalls, a "Planter" crew member who impersonated the Confederate Captain, surrendered the vessel to a flotilla of the Union Blockade after navigating passed several Confederate fortifications. The nationally publicized escape sparked a military campaign to recruit African American volunteers in South Carolina. Small, attired in a white shirt and a dark-colored jacket, looks at the viewer., Title from item., Date from copyright statement: Entered according to Act of Congress, in the year 1862, in the Clerk's Office of the District Court of the United States for the Eastern District of Pennsylvania by McAllister & Brother, 728 Chestnut Street, Philadelphia., See account of escape with illustrations in Harper's Weekly, June 14, 1862, p. 372. (LCP **Per H, 1863)., Originally part of a McAllister scrapbook of portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- 1862
- Location
- Library Company of Philadelphia | Print Department cdv portraits -sitter-Small [(3)5750.F.44b]
- Title
- I sell the shadow to support the substance. Sojourner Truth
- Description
- Three-quarter length portrait of the African American itinerant preacher, abolitionist, and women's rights advocate born into slavery and originally known as Isabella Baumfree. Shows Truth, seated, and attired in a dark-colored, long sleeved dress with white collar, white shawl with fringe, and a white cap. She wears wire-rimmed glasses and faces front and is turned slightly to her left. She holds knitting in her left hand which rests on a small table that has a decorative table cloth. A notebook and vase of flowers adorn the table. A string of yarn runs across her lap. Truth escaped to freedom in 1826. During the period of the Civil War, Truth captioned, marketed, copyrighted, and sold at least eleven different carte-de-visite portraits of herself at her lectures and through the mail to earn personal funds and advocate for the abolition of slavery. Her knitting probably alludes to her promotion of the handcraft as an industry for advancement for former enslaved persons., Title from item., Publication information from copyright statement on verso: Entered according to act of Congress in the year 1864, by Sojourner Truth, in the Clerk's Office, of the U. S. District Court, for the Eastern District of Mich., Lib. Company. Annual report, 2016, p. 66-67., Description revised 2022., Access points revised 2022.
- Date
- 1864
- Location
- Library Company of Philadelphia | Print Department cdv portraits - sitter - Truth [P.2017.27]
- Title
- [Group portrait with Captain William Wallace Rogers, 3rd Pennsylvania Cavalry, at military encampment in unidentified location]
- Description
- Group portrait of Captain William Wallace Rogers, 3rd Pennsylvania Cavalry, and seven individuals, including white military officers, a white boy, and an African American man posed in front of tents at an unidentified military encampment. In the center, Rogers, wearing a mustache and attired in a Union uniform and hat, stands with his right hand on his hip and his left hand on the back of a chair. Two Union officers sit in the left, one holding a sword. In the right, a bearded man sits, attired in shirtsleeves and with a pipe in his mouth and another man sits attired in uniform. To the right of Rogers, a man, attired in uniform, stands holding a flag on a pole. In the right, a boy, possibly a messenger or scout, attired in cap, shirtsleeves, and pants, stands with his left leg crossed over his right. In front of the men, an African American man, probably a camp laborer/servant and possibly an enslaved freedom seeker, lies on the ground on his side, propped up on his left elbow, and looks at the viewer. He wears shirtsleeves and pants. The tops of trees are visible in the background. William Wallace Rogers (1832-1890) served in the 3rd Pennsylvania Cavalry during the Civil War and served in Virginia, Maryland, and Pennsylvania, including the Battle of Gettysburg, where he was wounded in July 1863. He was promoted to the rank of Lieutenant Colonel in 1865 and retired from service in 1889., Title supplied by cataloger from information provided by donor, descendent of William Wallace Rogers., Date inferred from content and information provided by donor., Pad: Red velvet with a decorative scroll in the center surrounded by an ornamental border with flowers and leaves., Mat: Nonpareil., Case: Leather. Geometric design of a scroll in the center surrounded by vases of flowers and leaves. Same design on verso., Gift of John J. Nesbitt III, 2016.
- Date
- [ca. 1863]
- Location
- Library Company of Philadelphia | Print Department Cased photos – sitter – Rogers [P.2016.78.1]
- Title
- [Full-length group portrait of Imperial Japanese Troupe members Denkichi, Sentarō, Yonekichi, and Rinzō Hamaikari]
- Description
- Full-length group portrait depicting the Hamaikari family, who were members of the Imperial Japanese Troupe. From left to right, shows brothers Denkichi, Sentarō, Yonekichi, and their father Rinzō Hamaikari. Denkichi and Rinzō wear chonmage hairstyles, which are shaved in the front with a top knot. They are attired in kimonos and sandals and carry swords in scabbards at their waist. Sentarō and Yonekichi wear their hair in top knots and are attired in long-sleeved shirts, striped pants, and sandals. Denkichi and Rinzō sit in wooden chairs, while Yonekichi stands with his right arm on Sentarō’s shoulder, who is seated on a small wooden stool and looks down. In the background is a backdrop with a column and a two-handled urn. Richard Risley Carlisle (1814-1874), known as Professor Risley, assembled and managed a group of eighteen Japanese acrobats and musicians from Yokohama, Japan called the Imperial Japanese Troupe. They toured America in 1867, performing in Philadelphia in March. They then travelled to Europe, including Britain, France, Belgium, and Spain. Rinzō Hamaikari played the flute and his sons were acrobats., Title supplied by cataloger., Date inferred from content and active dates of photographer at address in his imprint., Photographer's imprint printed on verso.
- Creator
- Keeler, F. S. (Francis S.), photographer
- Date
- [ca. 1867]
- Location
- Library Company of Philadelphia | Print Department cdv portraits - photographer - Keeler [P.9573.36]
- Title
- [Full-length portrait of Imperial Japanese Troupe member Koman Sumidagawa]
- Description
- Full-length portrait of Koman Sumidagawa, a top spinner in the Imperial Japanese Troupe. She wears her hair tied back with two kanzashi (decorative hair ornaments), and is attired in a kimono with a brooch at the neck, and geta (sandals with a raised wooden base). She sits on a wooden chair and holds a book in her left hand on her lap. Her right elbow rests on a desk. On top of the desk is a vase with flowers, a book, and papers. A curtain drapes down in the right. Richard Risley Carlisle (1814-1874), known as Professor Risley, assembled and managed a group of eighteen Japanese acrobats and musicians from Yokohama, Japan called the Imperial Japanese Troupe. They toured America in 1867, performing in Philadelphia in March. They then travelled to Europe, including Britain, France, Belgium, and Spain., Title supplied by cataloger., Date inferred from content and active dates of photographer at address in his imprint., Photographer's imprint printed on verso.
- Creator
- Keeler, F. S. (Francis S.), photographer
- Date
- [ca. 1867]
- Location
- Library Company of Philadelphia | Print Department cdv portraits - photographer - Keeler [P.9573.37]
- Title
- [Half-length portrait of an unidentified Japanese woman]
- Description
- Half-length portrait of an unidentified Japanese woman. The woman wears her hair tied up with numerous kanzashi (decorative hair ornaments), which protrude all around her head. She is attired in a patterned kimono, and sits kneeling with her hands on her lap as her eyes look to the left. Behind her is a wooden stool., Title supplied by cataloger., Date inferred from content., Manuscript note written on recto: Hair, dress, Japan., Manuscript note written on verso: Japanese fashion.
- Date
- [ca. 1865]
- Location
- Library Company of Philadelphia | Print Department cdv - unid. photographer - unid. female sitters [P.9057.80] (Brenner)
- Title
- Group of old Japanese
- Description
- Full-length, forward-facing, group portrait of seven Ainu men. Shows a row of four men sitting cross-legged on the floor with a row of three men sitting in chairs. The barefooted men have long, white and gray hair and beards and are attired in patterned robes. A woven mat hangs behind them. The Ainu are an indigenous people from the northern region of the Japanese archipelago, particularly Hokkaido. The Ainu culture is distinctive, with a language that is unrelated to Japanese., Title from manuscript note written on recto., Date inferred from content., Manuscript note written on verso: A group of Japanese old men.
- Date
- [ca. 1865]
- Location
- Library Company of Philadelphia | Print Department cdv - unid. photographer - group portrait - misc. [P.9057.73] (Brenner)
- Title
- A Virginia slave child in 1863
- Description
- Three-quarter length portrait of five-year old child emancipated from enslavement, Fannie Virginia Casseopia Lawrence, with her adoptive mother Catherine S. Lawrence. Freed in Virginia by Lawrence, a military nurse, Fannie was publicized as the "redeemed slave child" baptized by Henry Ward Beecher at Plymouth Church in Brooklyn in May 1863. Depicts the fair-skinned Fannie, attired in a straw hat, a cape, and a dress, standing and holding the gloved hand of the seated Catherine Lawrence, attired in a bonnet with a black lace veil and a bow under her chin, a dark-colored dress, and a cape., Title from item., Date from copyright statement: Entered according to act of Congress, in the year 1863, by T.C. Fanning, in the Clerk's office of the District Court of the United States for the Southern District of New York., Photographer's imprint stamped on verso., Manuscript note on verso: Plymouth Church., Copyrighted by T.C. Fanning. Possibly New York publisher, Thomas C. Fanning., See Kathleen Collin's "Portraits of slave children" History of photography 9 (July-September, 1985), p. 187-210., Purchase 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Van Dorn, photographer
- Date
- 1863
- Location
- Library Company of Philadelphia | Print Department cdv portraits - sitter - Lawrence [P.9995]
- Title
- "Nick Biddle" Of Pottsville, Pa., the first man wounded in the Great American Rebellion, "Baltimore, April 18, 1861."
- Description
- Half-length portrait of the older African American volunteer Union soldier, attired in uniform. Biddle, a freedom seeker, sustained his wound - a gash to the head - as his troop, the Washington Artillerists, en route to defend the Capitol, was violently harassed by secessionists., Title from item., Forms part of: McAllister scrapbook of Civil War Portraits. [(1)5775.F]. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021.
- Date
- [ca. 1861]
- Location
- Library Company of Philadelphia | Print Department portrait prints - McAllister Civil War scrapbook of portraits [(1)5775.F.8]
- Title
- Fannie Virginia Casseopia Lawrence A redeemed slave child, 5 years of age. Redeemed in Virginia, by Catherine S. Lawrence; baptized in Brooklyn, at Plymouth Church, by Henry Ward Beecher, May, 1863
- Description
- Full-length studio portrait of the acclaimed emancipated slave girl. Depicts Lawrence standing behind a balustrade. She is attired in a fashionable off-the-shoulder white dress with dark stripes on the bodice and tiny polk dots on the skir also adorned with a dark trim. Dark-colored ribbons adorn the edges of her cap sleeves. A vase with flowers adorns the post of the balustrade on which Lawrence rests her elbow., Publication information from copyright statement: Entered according to Act of Congress in the year 1863, by C. S. Lawrence, in the Clerk's Office of the District Court of the United States, for the Southern District of New York., Photographer's imprint on verso. Includes an ornament depicting a bundled and intertwined ribbon bordered by vinery., See Kathleen Collin, "Portraits of Slave Children," History of Photography 9 (July-September, 1985), p. 187-210., Purchased with the Davida T. Deutsch African American History Fund.
- Creator
- Kellogg Brothers, photographer
- Date
- [1863]
- Location
- Library Company of Philadelphia | Print Department cdv portraits - sitter - Lawrence [P.2015.23.1]
- Title
- A bitter "draught"
- Description
- Photographic reproduction of a caricature satirizing the forced conscription of the poor and immigrant classes unable to pay for substitutes during the Civil War. Shows Abraham Lincoln, attired in a smock adorned with stars, feeding "Conscription" medicine from a bowl to a scrawny Irishman who has his mouth wide open. An advertisement for "Dr. Lincoln's Ready Relief Pills" adorns the wall behind them., Originally part of a McAllister scrapbook of materials related to Abraham Lincoln., Digitized by Alexander Street Press for Images of the American Civil War.
- Creator
- J. Hall & Co.
- Date
- c1863
- Location
- Library Company of Philadelphia | Print Department cdv - misc. - Civil War - Hall Caricatures and cartoons [5792.F.13]
- Title
- [Abraham Lincoln caricature satirizing the draft]
- Description
- Photographic reproduction of a racist caricature satirizing the forced conscription of the poor and immigrant classes unable to pay for substitutes during the Civil War. Shows Abraham Lincoln feeding a bottle of the "Black Draft" to a haggard looking man who sits with his feet in a tub. The bottle of "Black Draft" contains figures of African Americans., Originally part of a McAllister scrapbook of materials related to Abraham Lincoln.
- Date
- ca. 1863
- Location
- Library Company of Philadelphia | Print Department cdv - miscellaneous - Civil War - Bispham - Caricatures and cartoon [5792.F.4g]
- Title
- Grinning for the presidency
- Description
- Photographic reproduction of a caricature satirizing the undesirability of the possible candidates for the presidential election of 1864. Shows George McClellan, John Fremont, Abraham Lincoln, and Benjamin F. Butler wearing horse collars on a stage in front of a grinning spectator. A broadside reading, "Great Match. Grinning through Horse Collar. The Ugliest to Win. Prize White House." adorns the stage., Originally part of a McAllister scrapbook of materials related to Abraham Lincoln., Digitized by Alexander Street Press for Images of the American Civil War.
- Creator
- Wood, William Horace
- Date
- c1864
- Location
- Library Company of Philadelphia | Print Department cdv - misc. - Civil War - Caricatures and cartoons [5792.F.97i]
- Title
- Our bleeding country's infernal revenue stamps ["I say internal ought to be spelt with a T, boss says it hadn't] Printers Devil
- Description
- Montage criticizing the Revenue Act of 1862, which allowed the first Federal use of revenue stamps. Shows an overlay of stamped correspondence containing a caricature of Abraham Lincoln as an elderly woman wearing a bonnet as the centerpiece. Also contains verse sarcastically comparing the divergent responses of the country to the Stamp Act of 1765 and the Revenue Act. The adhesive revenue stamps were be applied to nearly all Civil War-era documents and several proprietary articles, such as photographs and medicines., Originally part of McAllister scrapbook of materials related to Abraham Lincoln., Digitized by Alexander Street Press for Images of the American Civil War.
- Date
- c1864
- Location
- Library Company of Philadelphia | Print Department cdv - miscellaneous - Civil War - Brewerton - Caricatures and cartoons [5792.F.4i]
- Title
- Rosa, an emancipated slave from New Orleans
- Description
- Abolitionist portrait of the propagandized fair-skinned child emancipated from enslavement, Rosina Downs, attired in a hat, a pleated dress with stripes at the bottom, and a dark-colored cape. Freed by Union General Butler in New Orleans, the child toured through the North with other people emancipated from enslavement to raise funds for the Louisiana schools for the formerly enslaved established by Philip Bacon, Assistant Superintendent of Freedmen. Downs, daughter of a multiracial mother and Confederate soldier, was one of three touring children denied entrance to a Philadelphia hotel in December 1863., Title from item., Date inferred from content., Probably by New York photographer, M.H. Kimball., See Harper's weekly, January 30, 1864, p. 71., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September 1985), p. 187-210., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1863]
- Location
- Library Company of Philadelphia | Print Department cdv portraits -sitter- Downs [P.8925.5]
- Title
- Rosa A slave girl from New Orleans
- Description
- Abolitionist, vignette-size portrait of the propagandized fair-skinned child emancipated from enslavement, Rosina Downs. Freed by Union General Butler in New Orleans, the child toured through the North with other people emancipated from enslavement to raise funds for the schools of Louisiana for the formerly enslaved established by Philip Bacon, Assistant Superintendent of Freedmen. Downs, daughter of a multiracial mother and Confederate soldier, was one of three touring children denied entrance to a Philadelphia hotel in December 1863., Title from item., Date inferred from content., Probably by Philadelphia photographer James E. McClees., See Harper's weekly, January 30, 1864, p. 71., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September 1983), p. 187-210., One of the cartes de visite trimmed and originally part of a McAllister scrapbook of Civil War materials [(2)1540.F.13e]. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1863]
- Location
- Library Company of Philadelphia | Print Department cdv portraits -sitter- Downs [P.8925.6; (2)1540.F.13e]
- Title
- [The scourged back]
- Description
- Three-quarter length portrait showing the severely scarred back of the former enslaved and Union soldier, Gordon, taken in Louisiana and sent to the Surgeon General of Massachusetts., Image reproduced as wood engraving with accompanying article in Harper's weekly, July 4, 1863, p. 429. (LCP **Per H, 1863.) Name of photographer supplied by article., Title and publication information supplied by William Darrah's Cartes-de-visite in nineteenth century photography (Gettysburg: William C. Darrah, 1981), p. 148., Manuscript note attributing original publisher on verso of P.8925.4: "Gordon" by C. Seaver, Jr. Seaver, Jr., a Boston photographer, published the carte-de-visite in support of the abolitionist movement., Originally part of a McAllister scrapbook of Civil War Miscellanies [5786.F.157c]. McAllister Collection, gift, 1886. Accessioned 1982 [P.8925.4]., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- M'Pherson and Oliver, photographer
- Date
- [ca. 1863]
- Location
- Library Company of Philadelphia | Print Department cdv portraits - sitter - Gordon [5786.F.157c; P.8925.4]
- Title
- Rebecca A slave girl from New Orleans
- Description
- Abolitionist, bust-length portrait of the propagandized fair-skinned child emancipated from enslavement, Rebecca Huger. Freed by Union General Butler in New Orleans, the child toured through the North with other people emancipated from enslavement to raise funds for the schools of Louisiana for the formerly enslaved established by Philip Bacon, Assistant Superintendent of Freedmen. Huger, daughter of her enslaver, was one of three touring children denied entrance to a Philadelphia hotel in December 1863., Title from item., Photographer's imprint stamped on verso., Copyrighted by Rob[er]t R. Corson, State Military Agent for Philadelphia during the Civil War, and later, Corresponding Secretary for the Pennsylvania branch of the American Freedmen's Union Commission., Stamped on verso: The nett proceeds from the sale of these Photographs will be devoted to the education of Colored people in the department of the Gulf, now under the command of Maj. Gen'l Banks., Manuscript note on verso: Rebecca Euge 10., Gift of Marguerite S. Brenner., See Harper's weekly, January 30, 1864, p. 71., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September 1985), p. 187-210., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- M'Clees, Jas. E. (James E.), photographer
- Date
- 1863
- Location
- Library Company of Philadelphia | Print Department cdv portraits - sitter - Huger [P.9057.81]
- Title
- Fannie Virginia Casseopia Lawrence A redeemed slave child, 5 years of age. Redeemed in Virginia, by Catherine S. Lawrence; baptized in Brooklyn, at Plymouth Church, by Henry Ward Beecher, May, 1863
- Description
- Full-length portrait of the acclaimed girl emancipated from enslavement. Depicts Lawrence, attired in a lavish off-the-shoulder dress, seated, and holding a hat adorned with a ribbon and feathers in her lap. She is posed next to a basket and in front of a maritime backdrop. An outstretched drape covers her seat., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1863, by C. S. Lawrence, in the Clerk's Office of the District Court of the United States, for the Southern District of New York., Purchase 2014., Description revised 2021., Access points revised 2021., See Kathleen Collin, "Portraits of slave children," History of photography 9 (July-September, 1985), p. 187-210.
- Creator
- Black, James Wallace, 1825-1896, photographer
- Date
- [ca. 1863]
- Location
- Library Company of Philadelphia | Print Department cdv portraits - sitter - Lawrence [P.2014.13]
- Title
- Rebecca A slave girl from New Orleans
- Description
- Full-length, abolitionist portrait of the propagandized fair-skinned child emancipated from enslavement, Rebecca Huger. Depicts Huger, attired in a long-sleeved dress with decorative stripes, standing between scenery props of a stone window adorned with ivy and a full-length mirror, which reflects her profile. Freed by Union General Butler in New Orleans, the child toured through the North with other people emancipated from enslavement to raise funds for the schools of Louisiana for the formerly enslaved established by Philip Bacon, Assistant Superintendent of Freedmen. Huger, daughter of her enslaver, was one of three touring children denied entrance to a Philadelphia hotel in December 1863., Title from item., Attributed to Charles Paxson., Date from copyright information and content. Copyrighted by S. Tackaberry., Distributor's imprint stamped on verso: N.B. - All orders must be addressed to H.N. Bent, [National Freedman's Relief Association], Box 809, P.O. Boston, Mass., Stamped on verso: The nett proceeds from the sale of these Photographs will be devoted to the education of Colored people in the department of the Gulf, now under the command of Major General Banks., Contains cancelled 2 cents revenue stamp on verso., See Harper's weekly, January 30, 1864, p. 71. (LCP **Per H, 1864)., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September 1985), p. 187-210., Purchase 2001., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Paxson, Chas. (Charles), -1880, photographer
- Date
- 1864
- Location
- Library Company of Philadelphia | Print Department cdv portraits - Huger (sitter) [P.9971]
- Title
- Rebecca A slave girl from New Orleans
- Description
- Abolitionist portrait of the propagandized fair-skinned child emancipated from enslavement, Rebecca Huger. Depicts a bust-length portrait of Huger attired in a crocheted jacket and bonnet. Freed by Union General Butler in New Orleans, the child toured through the North with other people emancipated from enslavement to raise funds for the schools of Louisiana for the formerly enslaved established by Philip Bacon, Assistant Superintendent of Freedmen. Huger, daughter of her enslaver, was one of three touring children denied entrance to a Philadelphia hotel in December 1863., Title from item., Date from copyright information and content., Distributor's imprint printed on verso: N.B. - All orders must be addressed to H.N. Bent, [National Freedman's Relief Association], Box 809, P.O. Boston, Mass., Printed on verso: The nett proceeds from the sale of these Photographs will be devoted to the education of Colored people in the department of the Gulf, now under the command of Major General Banks., See Harper's weekly, January 30, 1864, p. 71. (LCP **Per H, 1864)., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September 1985), p. 187-210., Created postfreeze., Purchase 2005., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Paxson, Chas. (Charles), -1880, photographer
- Date
- 1864
- Location
- Library Company of Philadelphia | Print Department cdv portraits - sitter - Huger [P.2005.22.1]
- Title
- Charley A slave boy from New Orleans
- Description
- Abolitionist portrait of the propagandized fair-skinned child emancipated from enslavement, Charles Taylor. Freed by Union General Butler in New Orleans, the child toured through the North with other people emancipated from enslavement to raise funds for schools of Louisiana for the formerly enslaved established by Philip Bacon, Assistant Superintendent of Freedmen. Taylor, son of his enslaver, was one of three touring children denied entrance to a Philadelphia hotel in December 1863., Probably by Philadelphia photographer James E. McClees., Title from item., Date inferred from content., In McAllister scrapbook of Civil War Portraits. (LCP Print Room (1)Uy 5 5775.F.15). McAllister Collection, gift, 1886., See Harper's weekly, January 30, 1864, p. 71. (LCP **Per H, 1864)., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September 1985), p. 187-210., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [1863]
- Location
- Library Company of Philadelphia | Print Department Civil War Portrait Scrapbook album [(1)Uy 5 5775.F.15]
- Title
- Civil War scrapbook of portraits
- Description
- Scrapbook containing portraiture of Civil War military and political figures, including cartes de visite, card portraits, portrait prints, group portraits, photo montages, caricatures and newspaper clippings. Group portraits include the cabinet of Abraham Lincoln; lithographs and cartes de viste titled "The Defenders of Our Union" portraying the generals of the Union Army; and cartes de visite views at Camp Winfield Scott, near Yorktown on May 1-2, 1862 showing Gen Van Vliet and friends, General Marcy and friends, and officers servants. Also contains several unidentified cartes de visite portraits of Union military personnel; a 1904 card from the Massachusetts Military Order of the Loyal Legion requesting war-time portraits; and advertisements for portrait engravers and publishers, J.C Buttre, Wm. S. & A. Martien, L. Prang & Co., and A. Winch. Buttre advertisement also contains a manuscript note by Buttre to J.A. McAllister dated January 31, 1862 requesting a likeness of Secretary Stanton., Sitters include Nathaniel Banks, Louis Blenker, Ambrose Burnside, John C. Fremont, George McClellan, Winfield Scott, John Sedgwick, William Henry Seward, Philip H. Sheridan, William T. Sherman, Franz Sigel, Edward Stanton, Edwin V. Sumner, George Sykes, George H. Thomas, James S. Wadsworth, Alexander Webb, Gideon Welles, Charles Wilkes, James H. Wilson, Isaac J. Wistar, and Fernando Wood., Various artists and photographers including Barnard & Gibson, James Black, Mathew Brady, John Chester Buttre, Washington Lafayette Germon, Frederick Gutekunst, James E. McClees, George E. Perine, A.H. Ritchie, and John Sartain, Various publishers including John Dainty, E. & H.T. Anthony, J.A. Lowell & Co., J.E. Tilton & Co., L. Prang & Co, McAllister & Brother, and Wm. S. & A. Martien., Digitized by Alexander Street Press for Images of the American Civil War.
- Date
- ca. 1861-1904
- Location
- Library Company of Philadelphia | Print Department albums - McAllister Civil War scrapbook of portraits [(2)5775.F]
- Title
- Civil War scrapbook of envelopes and portraits
- Description
- Scrapbook containing portraiture, predominately patriotic envelopes, of Civil War military and political figures. Majority of the envelopes issued by prolific New York publisher Charles Magnus, with several from his series "Generals of the Potomac Army" and "Heroes of Successful Expeditions." Also contains portrait prints, stationery, and non-portrait and ephemera materials, including newspaper clippings, manuscript letters, autographs, playbills, an illustrated songsheet, and a performance program. Several of the portrait prints were originally published in the 1861-1863 volumes of "The Rebellion Record" edited by Frank Moore., Majority of clippings detail the controversial death and funeral of Col. Edward D. Baker. Manuscript letters include correspondence from 28th PA Regt. Beck Band musician, Samuel A. Murray to John McAllister, Jr. about collecting Southern Civil War relics and letters. Also includes W.S. Hancock correspondence denying a citizen's pass to cross military lines. Songsheet, performance program, and majority of playbills relate to special performances, including an 1862 Washington birthday commemorative program, at the 28th Pennsylvania Regiment military camp. Ephemera materials include a facsimile of the correspondence from General Grant to General Buckner for unconditional surrender following the Battle of Fort Donelson, February 16, 1862 and plain envelope covers inscribed by Col. Frank P. Blair and General Henry Halleck (General-in-Chief). Other materials include a print and newspaper clipping showing the Merrimac and Monitor; a cartoon satirizing supporters of defeated 1860 Constitutional Unionist presidential nominee John Bell; a Ulysses S. Grant family portrait photomechanical reproduction from the Photo History of the Civil War (1910); and the autographs of generals John W. Geary, Samuel P. Heintzelman, and William S. Rosencrans. Also contains a small number of non-Civil War era items, including an A. & J.B. Bartholomew trade card promoting Grant for president and an invitation to an 1879 Philadelphia City Council reception for former President Grant., Portraiture predominately depicts Edward Dickinson Baker; Nathaniel Prentiss Banks; John Bell; Louis Blenker, John C. Breckinridge; Ambrose Everett Burnside; Michael Corcoran; Samuel Ryan Curtis; Stephen Douglas; Samuel Du Pont; David Glasgow Farragut; Andrew H. Foote; John Geary; Ulysses S. Grant; Henry W. Halleck; Winfield Scott Hancock; Samuel P. Heintzelman; David Hunter; Nathaniel Lyon; Peter Lyle, Irvin McDowell; James A. Mulligan; Joshua Thomas Owen; Robert Patterson; John Pope; Benjamin M. Prentiss; Jesse Lee Reno; William S. Rosecrans; Richard Rush; Thomas W. Sherman; William T. Sherman; James Shields; Silas H. Stringham; Edwin V. Sumner; and James S. Wadsworth., Various artists and photographers including Edward Anthony, Mathew Brady, John Henry Bufford, John Chester Buttre, Alonzo Chappel, Washington Lafayette Germon, Herline & Hensel, James Magee, Charles Magnus, and George E. Perine., Various publishers and distributors including John Dainty, James Gates, Harbach & Brother, Oscar H. Harpel, Franklin Hedge, Johnson & Fry, and Wm. S. & A. Martien., Disbound and trimmed scrapbook pages re-housed in folders., Oversize 1893 color lithograph "General Grant's Farewell Address to the Union Army in the Field 1865" removed to flat storage, see *GC-Grant [5758.F.69a]., Select link below for complete inventory of sitters., Digitized by Alexander Street Press for Images of the American Civil War.
- Date
- ca. 1860-1910
- Location
- Library Company of Philadelphia | Print Department Print Room Annex - McAllister [(7)5785.F], http://www.librarycompany.org/FindingAids/McAllister(7)5785.F.pdf
- Title
- Civil War scrapbook of portraits
- Description
- Scrapbook of portraiture of Civil War military and political figures containing cartes de visite, card portraits, portrait prints, newspaper clippings, caricatures, book illustrations, trade cards, souvenir cards, funeralia, and scraps. Includes funeralia in memory of Elmer Ellsworth; several card portraits engraved by Stencrel/Stenzel? and published by L. Prang & Co. and Wm S. & A. Martien; portrait prints inscribed on the verso, "Dinner of the General Wm. B. Meade Post"; and a print and a photograph portrait with amateur ink and goauche hand-coloring. Carte de visite caricatures include Bombastes Furioso; The Copperhead; Crossing the Rocky Mountain; How to Make a Brigadier; The Napoleon of the 69th; and A Public Nuisance. Also contains a carte de visite portrait of the injured Col. Robert Nugent of the 69th N.Y. Infantry; a carte de visite portrait of flag-waving patriot Barbara Frietchie; several unidentified cartes de visite portraits of Union military personnel; and a Harper's Weekly clipping showing the execution of deserter William Johnson. Non-Civil War era material includes a circa 1890 photomechanical reproduction of General Grant and the Chinese Viceroy Li Hongzhang also known as Li Hung Chang., Sitters include G.T. Beauregard; Charles Boggs, Don Carlos Buell; Benjamin Butler, boy Sergeant John Clem; Michael Corcoran; Native American military officer, Rev. Lewis Downing, Lt. Col. 3rd Indian Home Guards; Elmer Ellsworth; John C. Fremont; Barbara Frietchie; Ulysses S. Grant; Mrs. Elizabeth Hamilton Halleck; Henry Wager Halleck; Joseph Hooker; John William Hofmann; Thomas L. Kane; Benjamin Franklin Kelley; Nathaniel Lyon, Peter Lyle, Irvin McDowell; George Gordon Meade; General (James E.?) Montgomery; J.K. Murphy; Robert Nugent; and Andrew Porter., Various artists and photographers including Mathew Brady, John Chester Buttre, Earles' Galleries, Alexander Gardner, Frederick Gutekunst, James E. McClees, James Magee, George E. Perine, A.H. Ritchie, and A.B. Walker., Various publishers and distributors including Boell, John Dainty, J. Hall & Co., C.Y. Haynes, L.Prang & Co, McAllister & Brother, and Wm. S. & A. Martien., Disbound scrapbook pages re-housed in folders in three boxes., Digitized by Alexander Street Press for Images of the American Civil War.
- Date
- ca. 1861-1890
- Location
- Library Company of Philadelphia | Print Department portrait prints - Civil War scrapbook of portraits [(1)5775.F]