Search results

Title: The happy governor of Massachusetts
Description: Photographic reproduction of a caricature of John Albion Andrew. Shows the rotund governor skipping. Andrew organized the first African American Civil War regiment., Originally part of a McAllister, Hart, Phillips Civil War scrapbook., Trimmed., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv - misc. - Civil War - Caricatures and cartoons [(11)1540.F.2a]

Title: Caught at last!
Description: Photographic reproduction of a caricature depicting General George Meade pointing a gun at a Confederate general, depicted as a snake. The men stand near a sign labeled "To Richmond.", Originally part of a McAllister, Hart, Phillips scrapbook., Trimmed., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [ca. 1864]
Location: Library Company of Philadelphia | Print Department cdvs - misc. - Civil War - Caricatures and cartoons [(11)1540.F.11f]

Title: "We fights mit Sigel"
Description: Photographic reproduction of a caricature satirizing German-American involvement during the Civil War showing German-born military commander Franz Sigel. Shows Sigel with the body of a beer stein astride a charging horse depicted as a "Lager Beer" keg. Also shows soldiers depicted as beer mugs running beside Sigel., Probably originally part of a McAllister scrapbook.
Date: [ca. 1862]
Location: Library Company of Philadelphia | Print Department cdvs - misc. - Civil War - Caricatures and cartoons [P.2282.49]

Title: A copperhead
Description: Photographic reproduction of a caricature of Philadelphia Peace Democrat and lawyer William B. Reed depicted as a snake in the grass. Reed, chastised as a traitor, was an outspoken critic of the Lincoln administration who promoted recognition of the Confederacy as the means to peace., Probably originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil war.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdvs - misc. - Civil War - Caricatures and cartoons [P.2282.48; (11)1540.F.15d]

Title: A copperhead
Description: Photographic reproduction of a caricature of Philadelphia Peace Democrat and lawyer William B. Reed depicted as a snake in the grass. Reed, chastised as a traitor, was an outspoken critic of the Lincoln administration who promoted recognition of the Confederacy as the means to peace., Probably originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil war.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdvs - misc. - Civil War - Caricatures and cartoons [P.2282.48; (11)1540.F.15d]

Title: A nest of copperheads
Description: Photographic reproduction of a caricature depicting Jefferson Davis and prominent Peace Democrats, i.e. copperheads, as a nest of snakes in the grass. Includes Davis, Charles Ingersoll, William B. Reed, James Buchanan, Fernando Wood, Rev. John Chambers, Clement L. Vallandingham, and Rev. Wilmer, possibly chaplain to Confederate soldiers George T. Wilmer., Sitters identified by manuscript note on verso., One of the images probably originally part of a McAllister scrapbook., One of the images originally part of a McAllister, Hart, Phillips scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdvs - misc. - Civil War - Caricatures and cartoons [P.9758.4; (11)1540.F.3c]

Title: [Supreme Court elevation, Pennsylvania State Capitol, Harrisburg, Pennsylvania.]
Description: Photographic reproduction of drawing depicting a detailed cross section of the Supreme Court in the Capitol building. Includes the green and gold hemispheric glass dome created by Alfred Godwin., Photographer's imprint stamped on verso of mount., Architect Joseph M. Huston was commissioned to design the Capitol building, constructed between 1902 and 1906, to house the Pennsylvania General Assembly, the chambers of the Sumpreme Court of Pennsylvania, and the offices of the Governor., Gift of Mr. and Mrs. Maro S. Hunting. Mrs. Hunting was the granddaughter of Joseph M. Huston, the architect of the Capitol., LCP AR [Annual Report] 1979, pp. 42, 47-48., Forms part of the Pennsylvania Capitol Photograph Collection.
Creator: Geisse, F. William, photographer
Date: ca. 1901
Location: Library Company of Philadelphia | Print Department Pennsylvania Capitol Photograph Collection [P.8479.110]

Title: [Elevation, Pennsylvania State Capitol building, Harrisburg, Pennsylvania.]
Description: Photographic reproduction of drawing depicting a detailed cross section of an unidentified wall decorated with five murals separated by Caryatid figures. Includes similar design elements as the Supreme Court Chamber., Photographer's imprint stamped on verso of mount., Architect Joseph M. Huston was commissioned to design the Capitol building, constructed between 1902 and 1906, to house the Pennsylvania General Assembly, the chambers of the Sumpreme Court of Pennsylvania, and the offices of the Governor., Gift of Mr. and Mrs. Maro S. Hunting. Mrs. Hunting was the granddaughter of Joseph M. Huston, the architect of the Capitol., LCP AR [Annual Report] 1979, pp. 42, 47-48., Forms part of the Pennsylvania Capitol Photograph Collection.
Creator: Geisse, F. William, photographer
Date: ca. 1901
Location: Library Company of Philadelphia | Print Department Pennsylvania Capitol Photograph Collection [P.8479.111]

Title: Southern tombstones
Description: Photographic reproduction of an anti-Confederate political cartoon showing a dilapidated graveyard of tombstones and a mausoleum inscribed with vitriolic epitaphs for predominately prominent military figures from the Confederate States. The fictionalized deceased include Generals P.G.T. Beauregard, Braxton Bragg, John B. Floyd, Robert E. Lee, Leonidas Polk and Henry A. Wise in addition to Vice-President Alexander Stephens. Within the cemetery, an African American man with a bayonet peers out from behind a tombstone near a debris-strewn path marked "secession, mob rule, and nullification." Plantations burn in the background., Title from item., Date inferred from content., Publisher's imprint printed on verso., Originally part of a McAllister scrapbook of humorous caricatures and photographs. McAllister Collection, gift, 1886., Created postfreeze., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv - McAllister & Brother - Caricatures & cartoons [5780.F.52o]

Title: Our modern infant Hercules
Description: Photographic reproduction of a caricature of Union General Ambrose Burnside. Shows the general as a baby Hercules declaring "Order 38. No nonsense allowed in my department" as he strongholds a clutch of "Copperhead" snakes, i.e. Peace Democrats and a serpent with the face of a man, probably prominent Ohio Peace Democrat, Clement Vallandingham. Order no. 38, which forbade the declaration of sympathy for the enemy, was issued in April 1863 while Burnside was Commander in the Department of Ohio., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Created postfreeze., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [ca. 1863]
Location: Library Company of Philadephia | Print Department cdv - miscellaneous - Civil War - Caricatures & cartoons [5780.F.58e]

Title: "The swamp angel"
Description: Reproduction of a drawing showing the marsh battery built in August 1863 at Morris Island, S.C. under the orders of General Q.A.Gillmore. The battery,comprised of 13,000 sandbags surrounding a parrott cannon on a parapet, was used to fire onto Charleston, S.C. in order to gain control of the Charleston Harbor., Photographer's imprint printed on verso., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Created postfreeze.
Creator: Lape, G.T, photographer
Date: [ca. 1863]
Location: Library Company of Philadephia | Print Department cdv - miscellaneous - Civil War - Caricatures & cartoons [5780.F.54b]

Title: "Done gone."
Description: Reproduction of an allegorical drawing depicting a tombstone inscribed "Hic Jacet Secesh" to represent the death of the South from Secession. Shows a black drape partially covering the tombstone and objects symbolizing the South, including a straw hat, hoe, corn cob, and dime novel, "the Pretty Milkmaid," laid around it., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Created postfreeze.
Date: c1862
Location: Library Company of Philadephia | Print Department cdv - miscellaneous - Civil War - Caricatures & cartoons [5780.F.52s]

Title: "Columbia rode safe through the storm."
Description: Reproduction of an allegorical print showing the American flag waving among storm clouds., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Created postfreeze.
Date: c1865
Location: Library Company of Philadephia | Print Department cdv - miscellaneous - Civil War - Genre & sentimental [5780.F.52f]

Title: "The reliable gentleman"
Description: Reproduction of a Thomas Nast drawing showing an "Uncle Sam" figure providing strategy to a Civil War general and his soldiers in camp. The general sits on a crate and takes notes, surrounded by his soldiers, in front of a tent., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Created postfreeze., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [ca. 1863]
Location: Library Company of Philadephia | Print Department cdv - miscellaneous - Civil War - Caricatures & cartoons [5780.F.53f]

Title: [ African American boy playing soldier]
Description: Reproduction of a Thomas Nast drawing showing an African American boy, portrayed as a racist caricature and attired in a striped, collared shirt, torn and worn pants, and boots. He holds a broom like a rifle and marches near a pile of hay., Title supplied by cataloger., Date inferred from Thomas Nast drawing., Originally part of a McAllister scrapbook of humorous caricatures and photographs. McAllister Collection, gift, 1886., Created postfreeze., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv - miscellaneous - Civil War - Caricatures & cartoons [5780.F.51c]

Title: Hawkins Zouaves 9th Regt
Description: Reproduction of a caricature of a Zoauve from the New York regiment. Shows the soldier with an abnormally long neck, running, with his rifle on his shoulder., Photographer's imprint stamped on mount., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Created postfreeze., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: J. Gurney & Son
Date: c1863
Location: Library Company of Philadephia | Print Department cdv - miscellaneous - Civil War - Gurney - Caricatures & cartoons [5780.F.52j]

Title: Home on sick leave
Description: Reproduction of a caricature showing a soldier dining with a young lady attired in an absurd hat. The soldier sips from a straw and looks sheepishly at his dining partner., Photographer's imprint stamped on mount., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Created postfreeze., See related print: political cartoons - 1863 Hom [5780.F.d].
Creator: J. Gurney & Son
Date: c1863
Location: Library Company of Philadephia | Print Department cdv - miscellaneous - Civil War - Gurney - Caricatures & cartoons [5780.F.51r]

Title: New York Light Guard
Description: Reproduction of a caricature showing a Light Guard depicted as a mannequin attired in a uniform. The light-weight soldier stands in front of broadsides advertising the "roll of honor Engagements of the Light Guard" and "Academy of Music Ball.", Photographer's imprint stamped on mount., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Created postfreeze., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: J. Gurney & Son
Date: c1863
Location: Library Company of Philadephia | Print Department cdv - miscellaneous - Civil War - Gurney - Caricatures & cartoons [5780.F.51q]

Title: [Order by Charles Howard, President of the Baltimore Board of Police, dated April 22, 1861, allowing passage of a party en route through the city for private business]
Description: Photographic reproduction of order issued after the state government closed the city of Baltimore to traffic following the Baltimore Riot. Order allows the passage of a party including P. H. Birkland, Mrs. [Steinbrenner?], and J. Meredith Dryden through a port, York, Pa. or "therewise as they see fit.", Originally part of a McAllister scrapbook of Civil War Views, Places, and Events., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [ca. 1861]
Location: Library Company of Philadelphia | Print Department cdv - misc. - Civil War [5779.F.8x]

Title: Cabinet series - No. 5. "Bombastes furioso."
Description: Photographic reproduction of a caricature of the Civil War Commander-in-Chief Henry Wager Halleck (1862-1864) that alludes to the "Bombastes" character in the 1810 opera "Bombastes Furioso." Shows Halleck wearing boots with huge spurs and holding a sword and pointing a finger at a boot marked "Commander in Chief" hanging from a tree. The opera character threatened death to anyone who removed his boot from a tree., Manuscript note on recto: Halleck., Originally part of a McAllister, Hart, Phillips scrapbook., Trimmed., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdvs - misc. - Civil War - Caricatures and cartoons [(11)1540.F.7a]

Title: "One flag. One country. Zwei lager."
Description: Reproduction of a drawing showing a Zouave and infantryman drinking a beer together., Publisher's imprint stamped on mount., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: J. Gurney & Son
Date: c1863
Location: Library Company of Philadephia | Print Department cdv - misc. - Civil War - Gurney - Caricatures & cartoons [5780.F.53k]

Title: [Green's August Flower and Boschee's German Syrup trade cards]
Description: Series of illustrated trade cards promoting George Gill Green's "August Flower" and "Boschee's German Syrup". Four trade cards depict views of Fairmount Park, including one eight-page foldout advertisement containing advertising text pages. Illustrations include the Fairmount Water Works and Resevoir, originally built between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff. Also shows horse-drawn carriages pulling men and women racing north on East River Drive under the New York Connecting Railway Bridge, built 1866-67 after designs by Joseph A. Wilson for the Pennsylvania Railroad. The Promontory Rock Tunnel, bored in 1871, is visible in the background. Other images include people leisurely rowing on a creek under the bridge to Lansdown Island; park visitors standing on a pathway that overlooks the Schuylkill River from the Fairmount Water Works; and men and women strolling, sitting, and traveling in horse-drawn carriages along Wissahickon Drive. Paragraphs of advertising text promote George Gill Green's "August Flower" as a "natural cathartic" that "corrects the acidity of the stomach," and "it is established fact in every town and village on this continent, that [Boschee's] German Syrup is the only remedy that has given satisfaction in severe cases of Lung Disease." Two photographic reproductions depict inverted images of sailboats on the ocean and an inset portrait of a woman. Green was a patent medicine entrepreneur who purchased the rights of these two medicines from his father, Lewis M. Green., Title supplied by cataloger., Printers and engravers include Major & Knapp Engraving, Manufacturing & Lithographic Co. and Donaldson Brothers., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Two prints [P.9993.5 & 6] gift of Helen Beitler., Digitized.
Date: [ca. 1876]
Location: Library Company of Philadelphia | Print Department trade card - Green's [111016.D; P.9490.38; P.9642.1; P.9685.2; P.9993.5 & 6]

Title: Effect of the Fifteenth Amendment Indignant mother, "Cum in out of dat mud right straight! Fust ting you'll know you'll be took for Irish chil'en!"
Description: Photographic reproduction of a drawing after a racist cartoon published in Harper's Bazar in 1871 alluding to the social and political tensions between Irish and African American people following passage of the right to vote amendment. Shows an African American woman, a broom in one hand, her other hand on her hip, at her front porch, watching her two sons playing in the dirt. The woman is portrayed in racist caricature and speaks in the vernacular. She has a rotund figure and is attired in a head kerchief, a button-down shirt, an ankle-length skirt, and an apron. Her children make a mud pie beside the porch and in front of a tall wooden fence. Another African American boy, attired in a broad-rimmed hat and slipper-like shoes too large for his feet, sits and balances himself on the fence. View also includes a dust pan, the edge of a bench, and a tall weed near the mother's feet., Title from item., Date inferred from similar cartoon published in Harper's Bazar, March 4, 1871., Purchased with the Davida T. Deutsch African American History Fund., RVCDC, Description revised 2021., Access points revised 2021.
Date: 1871
Location: Library Company of Philadelphia | Print Department photos - 5 x 7 - unidentified - Events [P.2015.29]

Title: An unpleasantness in Swampoodle
Description: Photographic reproduction of a print drawn by Helen M. Colburn, daughter of New Jersey artist Rembrandt Lockwood, depicting an altercation in the post-Reconstruction African American and Irish northeast Washington, D.C. working-class neighborhood "Swampoodle." The figures are drawn with racist and caricatured features and mannerisms. In the center, an African American woman holds an ax up to another African American woman who stands with her hands at her hips, and with a look of surprise on her face. A third African American woman to the left of the woman with an ax attempts to reach for the weapon, while a fourth African American woman holds a switch and looks on with a stunned expression. Beside the stunned woman, a small African American boy stands in front of a fifth African American woman leaning over to pick up a rock. In the far left, an African American police officer is being led by an African American boy to the group of women. A shadowy depiction of a crowd of men, women, and children, some holding up brooms and sticks, is visible in the background. Scene also includes wash buckets, switches, and weeds on the ground near the central figure's feet. The central figures wear worn shirts and long skirts or dresses. The woman threatended wears the most worn cloths and rags on her feet. Three of the women wear kerchiefs and two wear aprons. Robinson, married to Washington U.S. Treasury clerk Rollinson Colburn, lived in the Capitol between circa 1870 and her death in 1912. In 1887 eight of her works, some purported to be based on her own eye-witness accounts during the 1870s, showing African American life in the city were published as a collectible series of photographs. Occassionally, Colburn described and signed her descriptions of the scenes on the versos of the photographs., Title printed on mount., Date from copy right statement printed on mount: Copyright 1887., Written in lower left of original print: Copyright 1887., Written in lower right of original print: Mrs. R. Colburn., Purchased with the Davida T. Deutsch African American History Fund., RVCDC, Description revised 2022., Access points revised 2022.
Date: 1887
Location: Library Company of Philadelphia | Print Department photos - 5 x 7 - unidentified - Events [P.2015.22 & P.2020.16.6]

Title: Angel of peace
Description: Caricature of New York mayor and Peace Democrat (i.e. Copperhead) Fernando Wood. Shows Wood with devil wings and horns, seated on a rock, with a snake labeled "Copperhead" wrapped around his ankle., Publisher's imprint with logo printed on verso., The Anthony firm, established in 1859, operated as a partnership from 501 Broadway between 1863 and 1871.
Creator: E. & H.T. Anthony (Firm)
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv - miscellaneous - Civil War - Anthony - Caricatures & cartoons [P.9758.7]

Title: Wanamaker's new building operation, Jan[uar]y. 6th, 1909
Description: Photographic reproduction of panoramic photograph showing view from east of construction site. Wanamaker Department Store, designed by Daniel H. Burnham & Co., opened in Philadelphia in 1911 as the world's largest retail merchandising building., Original signed and copyrighted by William H. Rau, 1909., Retrospective conversion record: original entry, edited.
Date: ca. 1910
Location: Library Company of Philadelphia | Print Department photo-Rau [P.8504.2]

Title: [Abraham Lincoln]
Description: Bust-length photographic reproduction of engraved portrait vignette of the 16th President of the United States and author of the Emancipation Proclamation of 1863. Lincoln, attired in a white collared shirt, a black bowtie, waistcoat, and jacket, looks right., Title supplied by cataloger., Accessioned 2001., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1872]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Lincoln [P.9881]

Title: [Photographic reproductions of the Cartoon Printing Co. series after the 1878 Harper’s Weekly "Blackville" series “The Twins”]
Description: Photographic reproductions of drawings based on a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Includes "No. 1 The Flirtation" showing the "Twins" meeting their suitors; "No. 2 The Introduction" showing the "Twins" being formally introduced to their suitors; "No. 3 The Courting" showing the "Twins" being courted together; "No. 4 The Proposal" showing the "Twins"suitors proposing to them in different manners; "No. 5 The Duel" showing the "Twins" suitors preparing to duel with guns; "No. 6. The Wedding" showing the "Twins" dual wedding; "No. 8 Return from the Honeymoon Tour" showing the "Twin" couples promenading in town; "No. 9 Coming Events" showing the town doctor and the husbands of the "Twins" racing down a dirt road on donkey back; and "No. 10 The Event Or Where '2 Pair is Better Than 4 of a Kind'"showing the arrival of the "Twins" twins., Title supplied by cataloger., Date from copyright statement on four of the original drawings in the series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on versos: McGreer Chicago., Series missing No. 7. The Wedding Feast., Name of publisher inscribed on four of the original drawings in the series (No. 2-3, 6, and 9)., Inscribed on two of the original drawings in the series (No. 2 and 8): Remodeled from sketch in Harpers Weekly or Reproduced from sketch in Harpers Weekly by the Cartoon Printing Co. Chicago., Inscribed on one of the original drawings in the series (No. 3): Reproduced from sketch by Sol Eytinge in Harpers Weekly by the Cartoon Printing Co. Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., John McGreer (1833-1905) was a dime museum painter, landscape artist, and cartoonist. He worked in Chicago after 1870 and was a partner in the novelty and satire printing firm Cartoon Printing Co., later Cartoon Publishing Co., by the early 1880s. In 1897, he patented statuettes of African American caricatures for use as cardholders. He resided in New York and was noted as a landscape artist at the time of his death in 1908., See Shawn Michelle Smith, Photography on the Color Line: W. E. B. DuBois, Race, and Visual Culture (Durham: Duke University Press, 2004), 82-86., RVCDC, Description revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.1-9]

Title: No. 1. The flirtation
Description: First scene based on a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows the African American twins greeting two African American men. They depart from the gate of their log cabin home, attired in polka dot dresses, aprons, and turned-up brimmed hats. They smile at the two African American men as they begin their walk. One twin lifts her handkerchief. One of the men is tall and thin and he tips his hat. The other is shorter and squat and has a hand on his chest. The men are attired in suits with striped pants that are hemmed high. The twins' log cabin home with their parent's seeing them off is visible in the left background. Background also includes the log cabin with "Dr. Black’s Office"; the town church; a "Dry Goods and Clothing” store; a "Saloon"; and a "Hotel.”, Title from item., Name of publisher from other photographs in series., Date from copyright statement on original drawing: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.1]

Title: No. 2 The introduction
Description: Second scene based on a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows the “twins,” side-by-side, curtseying to their two male suitors (one tall and one squat) who stand across the parlor. The tall one bows with his hat in hand. The suitors’ mother, portrayed with a face with many wrinkles and attired in a polka dot dress, stands between the pairs. The room is adorned with a table that holds a vase of flowers, an album, and a glass. Framed pictures, including a portrait, as well as a cuckoo clock adorn the walls near a window with a partially rolled-up window shade. The twins are attired in polka dot dresses and the men in suits., Title from item., Inscribed on original drawing: Remodeled from sketch in Harpers Weekly., Date from copyright statement in other photographs in series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on verso: McGreer Chicago., Name of publisher from other photographs in series., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.2]

Title: No. 3 The courting
Description: Third scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows the twins and their suitors, seated in an open room with a stove by a mantle. In the left, one twin sits face to face with her tall suitor. She looks down and raises her hand to her mouth. In the right, the other twin sits next to her suitor and smiles. The twin holds a fan to her face. A hat and coat hang on the wall above them. The twins' parents watch from a doorway in the left background. The twins are attired in polka dot dresses and the men in suits., Title from item., Inscribed on original drawing: Reproduced from sketch by Sol Eytinge from Harpers Weekly., Date from copyright statement in other photographs in series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on verso: McGreer Chicago., Name of publisher inscribed on original drawing., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.3]

Title: No. 4 The proposal
Description: Fourth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows the twins and their suitors, seated in an open room with a stove by a mantle. The tall suitor of the twin in the left kneels on the floor, his chair fallen behind him, and proposes to her as he holds her right hand. She covers her mouth with the other. The twin of the couple in the right sits on her suitor’s lap as he holds her. Her foot rests on his hat on the floor, and she holds a fan down on her legs. The parents of the twins, an older couple, stand, their mouths ajar, in an open entryway in the left background. Keepsakes and knick knacks adorn the mantle behind the stove. A coat and hat hang above the couple in the right. The twins are attired in polka dot dresses and the men in suits., Title from item., Date from copyright statement inscribed on original drawing: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on verso: McGreer Chicago., Name of publisher from other photographs in series., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.4]

Title: No. 5 The duel
Description: Fifth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows two African American men (i.e., the suitors of the twins), attired in suits, at the start of a duel in a pasture between two trees. The suitor with a squat figure is in the right and the tall suitor in the left. They point guns at each other and look aghast. An African American man (witness), attired in a ruffled suit and hat, stands behind the tree in the foreground and another, in shirtsleeves, kneels behind the tree in the background. “Dr. Black M.D.,” an older African American man, sits behind the standing observer with his medical bag, labeled “Dr. Black M.D.,” in one hand and a medicine bottle in the other. Figures representing the twins are visible in the distant left background near their log cabin., Title from item., Publication information from copyright statement in other reproduced drawings in series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of publisher from other reproduced drawings in series: Cartoon Printing Co., Name of artist stamped on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.5]

Title: No. 6 The wedding
Description: Sixth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Shows the twins getting married in the parlor in which they were introduced to their fiancés (see No. 2 The Introduction). The twins are attired in white wedding dresses and veils and their betrothed in formal suits. An older African American reverend stands in front of them and officiates. Their relatives, including an older woman, attired in a bonnet, and seated in a rocker and holding in her lap a boy, attired in a striped suit with ruffled collar, watch the nuptials from behind them. "Dr. Black" and other acquaintances watch from through a doorway. Framed pictures adorn the wall. A table with a cake and a decanter with glasses is visible behind the reverend., Title from item., Name of publisher inscribed on original drawing: Cartoon Printing Co. Chicago., Date from copyright statement in other photographs in series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.6]

Title: No. 8 Return from the honeymoon tour
Description: Eighth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Shows the twins and their husbands in fashion-forward attire promenading down the street of their small town. In the right, an older man in the stance of the minstrel character of Jim Crow, and an older woman attired in a bonnet, polka dot dress, and apron, and leaning on a tree laugh at the couples as they approach them. From a distance, "Dr. Black" watches them from astride his donkey. Townscape, including a storefront with signage reading “Groceries” and “Watchin Dun Hyar,” as well as a “Eatin House” and saloon is visible in the background. Figures are visible in the windows of the grocery store., Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. Jim Crow (mid to late 19th century) was a Minstrel character representing enslaved/rural Black manhood as foolish, lazy, interested in shirking labor., Title from item., Inscribed on original drawing: Reproduced from sketch in Harpers Weekly by the Cartoon Printing Co. Chicago., Date from copyright statement in other photographs in series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist from stamp on verso: McGreer Chicago., Description of Blackface minstrelsy and minstrel character from Dorothy Berry, Descriptive Equity and Clarity around Blackface Minstrelsy in H(arvard) T(heater) C(ollection) Collections, 2021., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.7]

Title: No. 9 Coming events
Description: Ninth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Shows "Dr. Black MD" on his donkey racing with the twins' husbands on their donkeys down a dirt road along a river. A raft sails on the river past a log cabin and a dwelling with smoke-spewing chimneys is visible in the background., Title from item., Name of publisher inscribed in original drawing., Date from copyright statement inscribed in original drawing: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist from stamp on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.8]

Title: No. 10 The event Or where "2 pair is better than 4 of a kind"
Description: Tenth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Shows the tall husband of one of the twins, twin babies in hand, arriving at the home of the other twin and her husband after the birth of their twins. In the right, the twin lies in bed under the covers as “Dr. Black” turns to the entryway and prepares to give her a spoonful of medicine. Near them is the bed-ridden twins' husband, seated and feeding one baby twin a bottle as the other rocks in a cradle. To his right, the “grandmother,” attired in a bonnet, glasses, polka dot dress, and apron raises her hands in excitement as she greets the arriving husband of the twin's sister. A stool, framed pictures, and a sideboard adorn the room., Title from item., Name of publisher from other photographs in series., Date from copyright statement inscribed in original drawing: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist from stamp on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.9]

Title: Go way white trash, dis chile dance yer blind
Description: Reproduction of a sketch by G. W. Leonard depicting an African American shoeshine boy dancing to the musical accompaniment of a white boy and girl, while a white boy mocks him in the background. The smiling African American boy, portrayed in racist caricature with exaggerated features, is in the center of the image. He is attired in a white, long-sleeved open neck shirt, baggy striped pants with suspenders, and a hat with turned up brims, his hands at his side, and mid step. To his right, stand a white boy playing a concertina and a white girl playing the violin. The boy is attired in a newsboy's cap, a jacket, and pants with patches at the knees. The girl is attired in a short-sleeved, calf-length, light-colored dress, with a sash draped over her right shoulder (the one on which she plays the violin). A shoeshine box marked (with the letter s's backwards), "t. Smith. Boss Shine, 5 cts.," rests near the feet of the trio of children. In the background, a white boy, attired in torn and worn clothes and with mop-like hair, appears in a clomping stance with his arms raised to his shoulders, his back leg bent at the knee, and his other leg kicked out. His hat lays on the ground near him., Date from copyright statement: Copyright 1877, by J. P. Soule., John P. Soule was a Boston photographer who also published stereographs and cartes de visite. He served in the Ancient and Honorable Artillery Company of Massachusetts at the end of the Civil War., Purchased with the Davida T. Deutsch African American History Fund and funds for the Visual Culture Program., RVCDC, Description revised 2021., Access points revised 2021.
Date: [1877]
Location: Library Company of Philadelphia | Print Department cdv - misc. - caricatures and cartoons - G [P.2015.63]

Title: The colored band
Description: Photographic reproduction of a print drawn by Helen M. Colburn, daughter of New Jersey artist Rembrandt Lockwood, depicting African American women and girl spectators reacting to a passing African American marching band. The figures are drawn with racist and caricatured features and mannerisms. Shows in the foreground, two girls and a younger and an older woman, running next to and toward the band, mimicking the band leader, and dancing. The girls and women are barefoot and wear shift dresses of either calf or ankle lengths. The older, running woman (in right) also wears a kerchief. The mimicking girl who stomps and raises her left arm in front of the band leader wears short-cropped hair and is attired in a dress with wornout sleeves (center). The young woman dancing (center) and the running girl (left) wear their hair full and wavy. In the center foreground, the band leader looks past the girl in front of him. He wears a mustache and is attired in a tall, round-top shako with plume and a uniform. The uniform has tassels at the shoulder and a decorative chest plate and pants with a vertical stripe on the outseam. He holds up a mace adorned with an eagle with his right hand. In the background, members of the marching band, attired in caps with plumes and uniforms, play tubas. A line of older African American boys and a girl walks ahead of the band. Two of the children look behind themselves toward the band, including a boy with a look of surprise. During the Civil War, African American brass bands were formed by white commanding officers to promote and increase recruitment of African American soldiers. Following the war, many of the ex-military musicians formed civilian bands associated with quasi-military drill teams, volunteer organizations, and social clubs., Robinson, married to Washington U.S. Treasury clerk Rollinson Colburn, lived in the Capitol between circa 1870 and her death in 1912. In 1887 eight of her works, some purported to be based on her own eye-witness accounts during the 1870s, showing African American life in the city were published as a collectible series of photographs. Occassionally, Colburn described and signed her descriptions of the scenes on the versos of the photographs., Title printed on mount., Date from copy right statement printed on mount: Copyright 1887., Written in lower left of original print: Copyright 1881. Mrs. R. Colburn, RVCDC, Description revised 2022., Access points revised 2022., Purchased with the 2019 Junto Fund.
Date: 1887
Location: Library Company of Philadelphia | Print Department photos - 5 x 7 - unidentified - Events [P.2020.16.1]

Title: Monday morning or the tender passion
Description: Photographic reproduction of a print drawn by Helen M. Colburn, daughter of New Jersey artist Rembrandt Lockwood, depicting an outdoor wash day. The figures are drawn with racist and caricatured features and mannerisms. Shows, in the background, in the right an African American woman bent over and with her hands in a wash tub. A basin and large ladle rest near the tub. Behind her, a sheet and stockings hang from a clothes line. In the left background, an African American woman, standing on the tops of her toes, pins a sheet to a clothesline. A wooden basket of laundry rests by her feet. A young African American girl with short hair peers at the woman hanging the wash from behind a hanging sheet. The women wear kerchiefs, shirtwaists with the sleeves rolled up, and long pleated skirts with aprons. Between the women, an African American man attired in a panama hat, a shirt, a cross tie, long jacket, and pants, stands, looking to the left and with his left hand on his hip, and holding a cane in his right hand. In the center foreground, two barefoot young African American boys face each other and dance. The boys are attired in long-sleeved blousy shirts and pants. One boy has his back to the viewer. The boy facing the viewer also wears a bucket hat. Robinson, married to Washington U.S. Treasury clerk Rollinson Colburn, lived in the Capitol between circa 1870 and her death in 1912. In 1887 eight of her works, some purported to based on her own eye-witness accounts during the 1870s, showing African American life in the city were published as a collectible series of photographs. Occassionally, Colburn described and signed her descriptions of the scenes on the versos of the photographs., Title printed on mount., Date from copy right statement printed on mount: Copyright 1887., Written in lower right of original print: Mrs. R. Colburn 1877., RVCDC, Description revised 2022., Access points revised 2022., Purchased with the 2019 Junto Fund.
Date: 1887
Location: Library Company of Philadelphia | Print Department photos - 5 x 7 - unidentified - Events [P.2020.16.2]

Title: The old and the new – “Nothin’ but niggers nohow.”
Description: Photographic reproduction of a print drawn by Helen M. Colburn, daughter of New Jersey artist Rembrandt Lockwood, depicting an older African American woman watching and "judging" a young African American couple walking in a park. The figures are drawn with racist and caricatured features and mannerisms. Shows, in the right, the older woman, attired in a kerchief, coat, shawl, long skirt, and holding a wooden cane, and with a squinted expression looking toward the back of a fashionably-attired couple in the left. The man of the couple to the right of the woman looks down and at his companion whose back is to the viewer. She is attired in a cap, a long winter wrap, and a skirt with a short train. The man wears an imperial mustache and is attired in a cap and a long winter coat. The man and women walk on a path lined with trees and birds peck at the ground. In the far left background, a woman and child attired in winter wear and walking on the path are visible. Robinson, married to Washington U.S. Treasury clerk Rollinson Colburn, lived in the Capitol between circa 1870 and her death in 1912. In 1887 eight of her works, some purported to based on her own eye-witness accounts during the 1870s, showing African American life in the city were published as a collectible series of photographs. Occassionally, Colburn described and signed her descriptions of the scenes on the versos of the photographs., Title printed on mount., Date from copy right statement printed on mount: Copyright 1887., Written in lower right of original print: Mrs. R. Colburn 1881., RVCDC, Description revised 2022., Access points revised 2022., Purchased with the 2019 Junto Fund.
Date: 1887
Location: Library Company of Philadelphia | Print Department photos - 5 x 7 - unidentified - Events [P.2020.16.3]

Title: Saturday evening
Description: Photographic reproduction of a print drawn by Helen M. Colburn, daughter of New Jersey artist Rembrandt Lockwood, depicting an African American family returning from a market trip. The figures are drawn with racist and caricatured features and mannerisms. Shows in the left, a bare-footed, young boy, attired in a long-sleeved shirt, breeches, and suspenders, striding next to and looking up at this mother who carries a watermelon on her head. She smokes a pipe and walks with her hands on her hips. She is attired in a bonnet that covers much of her face, shift dress, and apron. Behind her, in the center of the image, the father of the family walks next to a black dog and with two large cabbages tucked into his arms. He slightly frowns and is attired in a short-brimmed hat, long-sleeved shirt, vest and pants. In the right, is an older son, who looks at the viewer. He carries a large basket of produce over his left arm. He is attired in a wide-brimmed hat, long-sleeved shirt, long apron, and pants. In the background, a wooden fence and the tops of trees are visible. Image also shows a white woman, wearing her long, light-colored hair down on her shoulders, and attired in a wide-brimmed hat, and long-sleeved, narrow silhouette dress with an overskirt walking between the fence and the family. Robinson, married to Washington U.S. Treasury clerk Rollinson Colburn, lived in the Capitol between circa 1870 and her death in 1912. In 1887 eight of her works, some purported to be based on her own eye-witness accounts during the 1870s, showing African American life in the city were published as a collectible series of photographs. Occassionally, Colburn described and signed her descriptions of the scenes on the versos of the photographs., Title from item. Title printed on mount and written on original print., Date from copy right statement printed on mount: Copyright 1887., Written in lower right of original print: Mrs. R. Colburn., RVCDC, Description revised 2022., Access points revised 2022., Purchased with the 2019 Junto Fund.
Date: 1887
Location: Library Company of Philadelphia | Print Department photos - 5 x 7 - unidentified - Events [P.2020.16.4]

Title: Street cries
Description: Photographic reproduction of a print drawn by Helen M. Colburn, daughter of New Jersey artist Rembrandt Lockwood, depicting a group of African American men and boy peddlers at the corner of a city street. The figures are drawn with racist and caricatured features and mannerisms. In the center, a milk peddler stands and hawks with a trumpet in his left hand and a canteen of milk, ladle, and pitcher in his right hand. The man is attired in a wide-brimmed hat, shirtsleeves, pants, and a long apron. To the left, another African American man peddler pushes a large cart of junk wares and looks down at a young African American child running from a dog. The man wears a rumpled top hat, torn shirtsleeves, a vest, and patched pants. The child wears a smock dress and their hat has fallen by the feet of the milk peddler. In the right, a newspaper boy hawks the papers under his right arm. He is attired in a soft-brimmed hat, jacket, and pants. In the far right, a man attired in a hat, a shirt with turned-up collar, a long jacket, and striped pants, holds a bell and has his left leg stepped up on a box. Cityscape, a white woman street vendor at a table, and a horse-drawn cart are visible in the background. Robinson, married to Washington U.S. Treasury clerk Rollinson Colburn, lived in the Capitol between circa 1870 and her death in 1912. In 1887 eight of her works, some purported to be based on her own eye-witness accounts during the 1870s, showing African American life in the city were published as a collectible series of photographs. Occassionally, Colburn described and signed her descriptions of the scenes on the versos of the photographs., Title printed on mount., Date from copy right statement printed on mount: Copyright 1887., Written in lower right of original print: Mrs. R. Colburn 1870., RVCDC, Description revised 2022., Access points revised 2022., Purchased with the 2019 Junto Fund.
Date: 1887
Location: Library Company of Philadelphia | Print Department photos - 5 x 7 - unidentified - Events [P.2020.16.5]

Title: [Photographic reproduction of an allegorical view including Abraham Lincoln, a pavilion, and marching soldiers]
Description: Boudoir card depicting a photographic reproduction of an allegorical Civil War painting by Paul Philippoteaux, possibly a panel from one of his four versions of "The Gettysburg Cyclorama." Shows a figure resembling General George McClellan pointing to Lincoln, his hand on his chest and standing on the steps of a pavilion. A white and African American man stand next to Lincoln. The pavilion is comprised of a tent adorned with ornate shields and stone columns marked "Union" and "Liberty." Urns rest atop the columns. Smoke rises from them. A large statue of the figure of Liberty rises over the pavilion. Inside the pavilion, men in suits sit at a long table at which two other men, one in shirt sleeves, stand and sign documents. A crowd of men stand behind and beside the table. Near the "Liberty" column in the right, a white man breaks the shackles of a male slave as armed African Americans rush by. Troops of soldiers march around the pavilion in front of cheering men, women, and children, including blacksmiths near an anvil, flags, and a shield in the right foreground. In the left foreground, an older man holds the reigns of a rider less grey horse next to a man astride a black horse. In the left background, the U.S. Capitol is visible and in the right background ironclads sail on the ocean. French artist Paul Phillipoteaux was commissioned to create the Gettysburg Cyclorama painting in 1879. Depicting Pickett's charge, he created four versions, with the first completed in 1883 and displayed in Chicago. The second version was first shown in Boston in 1884, with the third and fourth versions shown in Philadelphia and New York in 1886. Two of the four versions are known to be extant (Chicago and Boston). Contemporary descriptions of the extant cyclorama paintings do not include the scene reproduced by Allen & Rowell, who also reproduced "The Gettysburg Cyclorama" as boudoir cards circa 1884., Date inferred from possible provenance and its year of display in Boston., Photographer's imprint printed on verso., Title supplied by cataloger., Purchased with funds for the Visual Culture Program (Junto 2015)
Creator: Allen & Rowell
Date: [ca. 1884]
Location: Library Company of Philadelphia | Print Department photo - Allen & Rowell [P.2017.83]

Title: Emancipation
Description: Reproduction of a George Gardner Fish allegorical painting celebrating the Emancipation Proclamation (1863) originally photographed by Boston photographer J. P. Soule. Depicts the white female figure Columbia holding out the Emancipation Proclamation and standing between a kneeling enslaved African American man and woman (attired in a head wrap). The bare-chested man holds up the pole of an American flag, while the woman drapes the flag around her naked body. Columbia, attired in a tiara and drapey gown, also holds a bunch of sprigs of laurel, as well as stands on a whip. A partial view of a wagon wheel is visible in the left background., Title from item., Artist and photographer from copy in the collections of the Library of Congress. LC copy "Entered according to Act of Congress, in the year 1863, by John Sowle [sic], in clerk's office of the District Court for the District of Massachusetts.", George Gardner Fish was a Nantucket portrait painter who specialized in pastels. He exhibited at the National Academy of Design between 1858 and 1863., John P. Soule was a Boston photographer who also published stereographs and cartes de visite. He served in the Ancient and Honorable Artillery Company of Massachusetts at the end of the Civil War., Purchased with the Davida T. Deutsch African American History Fund., Description revised 2021., Access points revised 2021.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv - misc. - Civil War - Genre & sentimental [P.2014.22]

Title: The straggler's last "sup."
Description: Reproduction of a drawing showing a Union infantryman staring into the bottom of an empty can he has raised into the air., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Created postfreeze.
Date: [ca. 1863]
Location: Library Company of Philadephia | Print Department cdv - miscellaneous - Civil War - Caricatures & cartoons [5780.F.53e]

Title: That intelligent contraband
Description: Reproduction of a racist satiric drawing showing an elderly African American, holding an umbrella, while seated next to a bundle of his belongings. An African American couple with their baby are visible in the background. During the Civil War, the U.S. government declared slaves contraband of war., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Created postfreeze.
Date: [ca. 1863]
Location: Library Company of Philadephia | Print Department cdv - miscellaneous - Civil War - Caricatures & cartoons [5780.F.52k]

Title: A bitter "draught"
Description: Photographic reproduction of a caricature satirizing the forced conscription of the poor and immigrant classes unable to pay for substitutes during the Civil War. Shows Abraham Lincoln, attired in a smock adorned with stars, feeding "Conscription" medicine from a bowl to a scrawny Irishman who has his mouth wide open. An advertisement for "Dr. Lincoln's Ready Relief Pills" adorns the wall behind them., Originally part of a McAllister scrapbook of materials related to Abraham Lincoln., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: J. Hall & Co.
Date: c1863
Location: Library Company of Philadelphia | Print Department cdv - misc. - Civil War - Hall Caricatures and cartoons [5792.F.13]

Title: [Abraham Lincoln caricature satirizing the draft]
Description: Photographic reproduction of a racist caricature satirizing the forced conscription of the poor and immigrant classes unable to pay for substitutes during the Civil War. Shows Abraham Lincoln feeding a bottle of the "Black Draft" to a haggard looking man who sits with his feet in a tub. The bottle of "Black Draft" contains figures of African Americans., Originally part of a McAllister scrapbook of materials related to Abraham Lincoln.
Date: ca. 1863
Location: Library Company of Philadelphia | Print Department cdv - miscellaneous - Civil War - Bispham - Caricatures and cartoon [5792.F.4g]

Title: Grinning for the presidency
Description: Photographic reproduction of a caricature satirizing the undesirability of the possible candidates for the presidential election of 1864. Shows George McClellan, John Fremont, Abraham Lincoln, and Benjamin F. Butler wearing horse collars on a stage in front of a grinning spectator. A broadside reading, "Great Match. Grinning through Horse Collar. The Ugliest to Win. Prize White House." adorns the stage., Originally part of a McAllister scrapbook of materials related to Abraham Lincoln., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Wood, William Horace
Date: c1864
Location: Library Company of Philadelphia | Print Department cdv - misc. - Civil War - Caricatures and cartoons [5792.F.97i]

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