The Model body-guard. : All the young men, in the city, are invited to assist in forming a body-guard for President Lincoln, and the following basis will be adopted and rigidly adhered to throughout the war; The company shall be entirely composed of colon
Title
The Model body-guard All the young men, in the city, are invited to assist in forming a body-guard for President Lincoln, and the following basis will be adopted and rigidly adhered to throughout the war; The company shall be entirely composed of colonels, who shall draw pay and rations in advance. Every man shall have a commission, two servants and white kids. Each man shall be mounted in a covered buggy, drawn by two white stallions. Under the seat of each buggy shall be a cupboard, containing cold chicken, pounded ice, champagne and cold chicken a la member of Congress and military officers at Bull Run. ... The duty of the company shall be to take observations of battles, and on no acount [sic] shall it be allowed to approach nearer than ten miles to the seat of war
Description
Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Date
[1861?]
Location
Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1861 Model (2)5786.F.182a (McAllister)
Jeffie Davis the belle of Richmond.
Title
Jeffie Davis the belle of Richmond
Description
Caricatures of Jefferson Davis., At head of title: Price 10 cts., Copyright 1865 by J.S. Harley., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
Harley, Joseph S.
Date
[1865]
Location
Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1865 Harley 5795.F.13b (McAllister)
Supposed items of tax bill. : Which, it is thought, have been suppressed by the censor of the press, on account of being regarded as "contraband." Smoking a 3 ct. cigar 6 cts.; other Havanas in proportion. Smoking a meershaum-pipe, 8 cents; if colored, 18
Title
Supposed items of tax bill Which, it is thought, have been suppressed by the censor of the press, on account of being regarded as "contraband." Smoking a 3 ct. cigar 6 cts.; other Havanas in proportion. Smoking a meershaum-pipe, 8 cents; if colored, 18 cents. For every quid of tobacco, 3 cents; if begged from a friend, 6 cents. Dinners at the Continental 5 1/2 cents; at a Chestnut street saloon, 18 cents. Picking one's teeth, in private, 3 cents; in front of the Girard House, 10 cents. ... Ordinary cursing and swearing to pay 5 cents an oath, and swearing to be measured by a cursometer to be furnished by the Secretary of the Treasury
Description
Copyright 1863 by Benjamin Hyde., Printed area, including ornamental border, measures 24.1 x 8.7 cm., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Date
[1863]
Location
Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1863 Supposed 5755.F.21b (McAllister)
New Ethiopian Serenaders now performing at Washington. : The Black Republican Opera Troop, now occupying the White House, respectfully inform the public that they have, at great expense to the nation, engaged the celebrated clown and acrobat, Abe Linkum,
Title
New Ethiopian Serenaders now performing at Washington The Black Republican Opera Troop, now occupying the White House, respectfully inform the public that they have, at great expense to the nation, engaged the celebrated clown and acrobat, Abe Linkum, This artiste, so famous for his fete (a joke) between Harrisburg and Washington in March, is the source of much interest, though not a man of much principle. (another joke.) By permission of Gen. Beauregard he will in a few days conclude his entertainment with a flying leap from the dome of the Capitol to the Illinois State House. W.H. Seward, manager
Description
Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Date
[1861]
Location
Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1861 New Eth 5793.F.22c (McAllister)
Gen. Dix's proclamation : Know all men by these presents: that I, John L. Dix, (no relation to the rebel "Dixie") knowing that the feeling excited in the breasts of our brave Union army by the combination of colors known as red, white and red, are by no m
Title
Gen. Dix's proclamation Know all men by these presents: that I, John L. Dix, (no relation to the rebel "Dixie") knowing that the feeling excited in the breasts of our brave Union army by the combination of colors known as red, white and red, are by no means agreeable, do hereby, by virtue of the authority vested in me, by His Majesty Abraham 1st, require and command all police officers of the city of Baltimore in the pay of His Majesty's government to suppress and cause to disappear all substances, whether in the heavens above, or in the earth beneath, or in the waters under the earth, bearing the said combination of rebel colors. ... Done at the Baltimore Bastile, this 4th day of September, the 1st year of Abraham's glorious and peaceful reign
Description
Broadside attacking the Lincoln administration; Gen. John A. Dix took charge of the Baltimore District in Aug. 1861., Printed area, including ornamental border, measures 18.3 x 12.1 cm., The illustration is a humorous "upside-down" reversible image of a man's head., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
Dix, John L.
Date
[1861]
Location
Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1861 Dix 5795.F.175 (McAllister)
Jeff. Davis The last ditch. : "Bless my stars if dere aint Massa Jeff Davis in de las' ditch at last.
Title
Jeff. Davis The last ditch "Bless my stars if dere aint Massa Jeff Davis in de las' ditch at last
Description
Caricature of Jefferson Davis., Printed area, including border, measures 20.9 x 11.3 cm., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Date
[1865?]
Location
Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1865 Jeff 5795.F.13a (McAllister)
Old Lincoln and his fellows, is the abolitionist's government!
Title
Old Lincoln and his fellows, is the abolitionist's government!
Description
Broadside attacking the Lincoln administration., Caption title., Printed area, including double-rule border, measures 18.2 x 9.9 cm., The illustration is a humorous "upside-down" reversible image of a man's head., Library Company copy 5792.F.77 (McAllister) printed on blue paper; originally part of a McAllister scrapbook., Library Company copy 5795.F.81a (McAllister) printed on green paper; originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Date
[between 1861 and 1865]
Location
Library Company of Philadelphia | Books & Other Texts | Rare CIN=HAP; OID=HAP sm # Am 1861 Old Linc 5792.F.77 (McAllister), Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1861 Old Linc 5795.F.81a (McAllister)
Old Lincoln and his fellows, is the abolitionist's government!
Title
Old Lincoln and his fellows, is the abolitionist's government!
Description
Broadside attacking the Lincoln administration., Caption title., Printed area, including double-rule border, measures 18.2 x 9.9 cm., The illustration is a humorous "upside-down" reversible image of a man's head., Library Company copy 5792.F.77 (McAllister) printed on blue paper; originally part of a McAllister scrapbook., Library Company copy 5795.F.81a (McAllister) printed on green paper; originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Date
[between 1861 and 1865]
Location
Library Company of Philadelphia | Books & Other Texts | Rare CIN=HAP; OID=HAP sm # Am 1861 Old Linc 5792.F.77 (McAllister), Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1861 Old Linc 5795.F.81a (McAllister)
Invalid Brigade. : "Hey Jim along, Jim along Josey," we are the boys, can't come up to time. Rally 46ers. "Glory Halleluja!" Your country calls!! Let 'er call!!! Get your certificate and join the glorious brigade of Gen. Debility, comprising a portion of
Title
Invalid Brigade "Hey Jim along, Jim along Josey," we are the boys, can't come up to time. Rally 46ers. "Glory Halleluja!" Your country calls!! Let 'er call!!! Get your certificate and join the glorious brigade of Gen. Debility, comprising a portion of a pleasant major general's command!
Description
Printed on yellow paper., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Date
[between 1861 and 1865]
Location
Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1861 Invalid (2)5786.F.66b (McAllister)
Died, near the South-Side Rail Road, on Sunday, April 9th, 1865, the Southern Confederacy, aged four years. : Conceived in sin, born in iniquity, nurtured by tyranny, died of a chronic attack of punch. Abraham Lincoln, attending physician. U.S. Grant, und
Title
Died, near the South-Side Rail Road, on Sunday, April 9th, 1865, the Southern Confederacy, aged four years Conceived in sin, born in iniquity, nurtured by tyranny, died of a chronic attack of punch. Abraham Lincoln, attending physician. U.S. Grant, undertaker. Jaff Davis, chief mourner
Description
"Epitaph."--ten-line poem printed in two columns at foot; first line: Gentle stranger, drop a tear., Printed on white card stock; printed area, including ornamental border, measures 15.2 x 19.2., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Date
[1865]
Location
Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1865 Died 5795.F.88b (McAllister)
Home squad. Company A. Supplies. : Each member is required to equip himself with the articles enumerated, as follows: and to be ready in marching order when Jeff Davis crosses the Wire Bridge. ... N.B.--Each private that cannot pack the above things in hi
Title
Home squad. Company A. Supplies Each member is required to equip himself with the articles enumerated, as follows: and to be ready in marching order when Jeff Davis crosses the Wire Bridge. ... N.B.--Each private that cannot pack the above things in his knapsack, will be obliged to furnish himself with a coal heaver's wheelbarrow, and to gather huckleberries on the road. Each article must be examined by the Pennsylvania State and Philadelphia City, Mouldy Provision, Hidey Coffee, Gill Net Blanket, and Pine Shaving Soled Shoe Committee. Headquarters, at the Feather Foundry, 4th of July and Plum Streets. By order of [blank]
Description
Facetious list of equipment and supplies required by Pennsylvania recruits., The illustration shows four comic figures., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Date
[1861?]
Location
Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1861 Home 5786.F.65a (McAllister)
Attention! The volunteer's manual, just published, : contains full instructions for the recruit, in the schools of the soldier and squad, with over one hundred illustrations ... By Lt. Col. D.W.C. Baxter, of the National Guard. 12mo. size. Convenient for
Title
Attention! The volunteer's manual, just published contains full instructions for the recruit, in the schools of the soldier and squad, with over one hundred illustrations ... By Lt. Col. D.W.C. Baxter, of the National Guard. 12mo. size. Convenient for the pocket. ... It is approved of officially. Agents wanted in every town, village and hamlet. Retail price, 25 cents per copy; or, bound in flexible cloth, 38 cents. Mailed anywhere, free of postage, on receipt of 25 cents. For sale everywhere
Description
De Witt Clinton Baxter's The volunteers manual was issued by King & Baird in 1861., On verso: Independent rangers! Company arrangement. The following articles are to be carried in knapsack or bundle. 1 Bible. 2 pair kid gloves. 6 standing collars (choakers,) one on. 2 pairs patent leather boots. 1 catechism. 2 white vests. 2 white neckcloths. 4 pairs silk hose. 2 pairs parlor slippers, (worked. 1 India rubber blanket, (John Thornley, 311 Chestnut Street.) 1 smoking cap. 1 meerschaum. 2 boxes best Habana. 1 morning wrapper. 1 Volunteer's manual, King & Baird's edition. 2 pair black pants. 2 blue coats, (brass buttons.) 1 colored servant. 1 "very" large pocket book. 4 bottles of Glenn's (not George's) hair oil. 6 cakes of Glenn's (not George's) scented soap. 6 white shirts, (ruffled bosoms,) one on. 1 rat terrier, (black and tan. 1 tooth brush. 6 tooth picks, ("Take your choice for $1." 1 pair of spectacles, gold. 2 blue silk umbrellas, (sleepers.) The piano forte, (Chickering's,) will be furnished by the government. Divine service every morning at 10 o'clock. Officiating chaplain, Rev. F.A. Degan. N.B.--If the knapsack will not hold the wardrobe, each member is expected to hire a wagon. By order of [blank], The illustration on the recto shows a proper soldier; the illustration on the verso shows a cartoon of a soldier armed with several knives and swords., Library Company copy dated in MS.: May 1861., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
King & Baird
Date
[1861]
Location
Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1861 King (2)5786.F.53b (McAllister)
Plates from "Sketches supposed to have been intended for Fanny Kemble's journal"
Title
[Plates from "Sketches supposed to have been intended for Fanny Kemble's journal"]
Description
Series of eight prints satirizing journal entries published in 1835 that were written 1832-1833 by the British-born actress during her American tour. Includes citations to the lampooned "Journal" entries from the two-volume Philadelphia edition published by Carey, Lea & Blanchard in 1835. Plates 1 and 2 depict scenes from her sea voyage. The first shows her "embroidering one of [her] old nightcaps" in "sea sickness" surrounded by a "Bible Cover," Dante's "Opera," a journal page, and a basin as she is a "Dear Good Little Me" and an "Angel." The second shows Kemble being served dinner by a caricatured African American servant as she is "lying on [her] back" surrounded by "[her] dinner followed [her] thither" above quotes comparing her appetite to "Danaides' tale of credilable [sic] memory" and her being as fat as an "overstuffed pin cushion." The African American figure is portrayed with exagerrated features.[Plate 3?] satirizes a poem "To bed - to sleep - To sleep -perchance to be bitten!" she wrote about the onslaught of insects at night in her New York hotel room. Shows Kemble aghast as she raises her blanket inscribed with the names of New York newspapers in her attempt to get into a bed swarmed by bed bugs, ants, and mosquitoes. [Plate 4?] caricaturizes her actor father, Charles Kemble, as a stumbling drunk "who a little elated made me sing to him" while muttering "To be or not to be that is the q-q-qu-question" in a parlor near his consternate daughter beside a piano above her quote about his "gallant, graceful, courteous, deportment.", [Plate 5?] shows a small-framed "interesting youth" delivering "a nosegay as big as himself" to Ms. Kemble who reflects "How they do rejoice my spirit." [Plate 6?] depicts the death scene from a December 1832 performance of Romeo & Juliet when the prop dagger was misplaced and Kemble improvised 'Why were the devil is your dagger.." as she rummages the body of the prostrate Romeo in front of the Capulet mausoleum. [Plate] 7 " A Funny Idea of My Father's" shows another caricature of Charles Kemble as a drunk satirizing her entry about a playful moment during a walk past kegs on Market Street in Philadelphia when her father joked 'How I do wish I had a gimlet. What fun it would be to pierce every one..." An illusion of a gimlet floats in front of her father as she cowers behind him beside the kegs. [Plate] 8 mocks the horsemanship of Kemble who criticized Americans' abilities and wrote of an impromptu jaunt on a cart horse in Lockport, NY Niagara where she 'got upon the amazed quadruped and took a gallop..' Shows she and her mount in a barnyard being chased by a dog and trampling ducks as she exclaims "Go it, old fellow" in front of her "father and good old D." in the background., Title supplied by cataloger., Published as Sketches supposed to have been intended for Fanny Kemble's journal (New York: Endicott, 1835). [LCP *Am 1835 7196.F]., Four of the eight prints contain plate numbers: 1, 2, 7, and 8., [Plate 5?] inscribed: G.H.B. [P.2006.17.3], Gift of Michael Zinman, 2006., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Access points revised 2021., Description revised 2021.
Date
[ca. 1835]
Location
Library Company of Philadelphia | Print Department GC - Kemble [P.2006.17.1-8]
Philadelphia taste displayed. Or, bon-ton below stairs.
Title
Philadelphia taste displayed. Or, bon-ton below stairs
Description
Satiric scene showing high society, i.e., "bon-ton" in a Philadelphia oyster cellar. A "gentleman" descends the stairwell to the swankly decorated cellar where a motley gathering of men drink, smoke, gossip, and suck oysters. An African American bartender serves drinks from decanters in the left of the image. The bar is adorned with a notice reading "City Privilege still without license." Another African American attends the oyster bar. Plates, crackers, salt, and vinegars line the edge. In the right of the image, a sick-faced patron wobbles and spills his drink next to a tall clock with a decorated face and the inscription "Music has charms." Possibly, the cellar at 806 Market Street operated by African American proprietor James Prosser from about 1830., Inscribed on verso: Said Wm Van [?] of the Walnut/ Chestnut? St. Theatre., Philadelphia on Stone, POS 598, Historical Society of Pennsylvania: Bb 38 O 97, LCP exhibit catalogue: Made in America #40., Jackson, Joseph, Encyclopedia of Philadelphia, p. 386-387
Creator
Akin, James, ca. 1773-1846, artist
Date
[ca. 1830]
Location
Historical Society of Pennsylvania HSP Bb 38 O 97
African American dandy
Title
[Satiric stereograph showing an African American dandy receiving a shoe shine from a white shoe shine boy]
Description
Stereograph, possibly published in London, depicting a scene satirizing race relations in America. Shows the dandy standing and with one foot on the boy's shoe shine box in front of a back drop depicted as a wall adorned with broadsides referencing abolition, slavery, and emancipation. The dandy is attired in striped and checkered pants, a jacket with tails, a ruffled shirt, and top hat. He holds a walking stick under one arm and a cigarette in his other hand. The boy kneels and shines the dandy's shoes with his shining supplies and tools by his box. Broadsides include a "playbill" reading "Adelphi. Tonight The White Slave. Octoroon Farce" and an advertisement for "Fast Clipper. Clyde. For New Orleans." Other posts read "No Slavery. Freedom" and "Great Meeting. Negro Emancipation. Poor Slaves.", Place of publication and date inferred from image content containing a reference to the "Octoroon" at the "Adelphi." Adelphi is a London theater where The Octoroon was performed 1861-1862., Grey mount with square corners., Purchased with the Davida T. Deutsch African American History Fund., See similar visual trope "I say Billy, do you know why I'm doing this? Cause, I'm going to run for Congress soon!" [Political cartoons - 1863-13W, 8033.F.3]
Date
[ca. 1862]
Location
Library Company of Philadelphia | Print Department stereo - unid. photo - Genre - African [P.2014.29]
Clarence Brooks & Co., manufacturers of fine coach varnishes, cor. West & West 12th Sts., New York.
Title
Clarence Brooks & Co., manufacturers of fine coach varnishes, cor. West & West 12th Sts., New York "ceticism my belobed bredren. It am something beautiful frinstance it am light and airy - like de bean."
Description
Trade card employing an African American Oscar Wilde caricature. Wilde toured the United States in 1882. The Wilde figure, wearing long hair and attired in blue knee breeches with red bows, a red jacket with tails, black socks, and gold slippers lectures to an audience of well-attired African American men and women. He stands at a table adorned with a piece of paper, a candle in a bottle, and a water glass containing a sunflower. To his left, an older frowning man sits with an umbrella between his knees on the stage, while in the first row, two women (one wearing a sunflower on her hat) swoon in front of a lanky man, standing, and looking moonfaced. Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In 1881 the firm issued a calendar illustrated with African American caricatures in genre scenes., Publication date inferred from image content., Purchased with the Davida T. Deutsch African American History Fund.
Date
[ca. 1882]
Location
Library Company of Philadelphia | Print Department trade card - Brooks [P.2014.35]
Near a fire. Say! Just hold this while I fetch another section, will you. (Likely?)
Title
Near a fire. Say! Just hold this while I fetch another section, will you. (Likely?)
Description
One of a series of satires mocking the ineptitude of Philadelphia volunteer firefighters. Shows a volunteer, in full uniform, offering a flowing fire hose to an unsuspecting gentleman on a street corner. The gentleman whose hands are occupied with a cigar and a cane looks aghast at the firefighter. A woman watches the scene from the window of her dwelling. Additional streetscape, including a storefront, is visible in the background, Philadelphia on Stone., POS 253b, Retrospective conversion record: original entry, edited., Harrison & Weightman was a partnership between Henry G. Harrison and William N. Weightman., Variant of P.8970.12., Free Library of Philadelphia: Philadelphiana - The Fireman (Cartoons)
Date
c1858
Location
Library Company of Philadelphia | Print Department *BW - Fires and Firefighting [P.8970.13]
At a fire. What boys may expect when they get in firemen's way.
Title
At a fire. What boys may expect when they get in firemen's way
Description
One of a series of satires mocking the ineptitude of Philadelphia volunteer firefighters. Shows a volunteer, in full uniform, spraying a boy bystander in the face, instead of a crumbling, burning building, with a fire hose. Fire house is attached to a hand-pumper visible in the background. Also shows fire debris, a hose attached to a hydrant, other fire fighters attending the fire engine, and the storefront of "F. Adams.", Philadelphia on Stone, POS 253d, Harrison & Weightman was a partnership between Henry G. Harrison and William N. Weightman., Variant of P.8970.11., Free Library of Philadelphia: Philadelphiana - The Fireman (Cartoons)
Date
c1858
Location
Library Company of Philadelphia | Print Department *BW - Fires and Firefighting [P.8970.14]
Cartes de visite satirizing the Civil War revenue systems [graphic].
Title
Cartes de visite satirizing the Civil War revenue systems
Description
Series of eleven satiric pieces with verse by sketch artist George D. Brewerton critical of the revenue systems instituted during the Civil War, particularly paper money. Satires depict montages and layouts of banknotes, coinage, and revenue stamps to mock the Revenue Act of 1862, which instituted revenue stamps, the National Banking Acts of 1863 and 1864, which promoted a national banking system; and the dubious value of Union and Confederate banknotes. Titles include The Almighty Dollar; A Chas[t]e Attempt; Modern Curiosities; A Public Nuisance; Our Bleeding Country's Infernal Revenue Stamps; The Southern Cross; Uncle Abe's Last Joke; and Very Hard Cash. Some montages also include portraits or caricatures of Abraham Lincoln, Jefferson Davis, and U.S. Treasury Secretary Salmon P. Chase., Includes one unmounted carte de viste., Originally part of McAllister scrapbooks of materials related to Abraham Lincoln and humorous caricatures and photographs., Created postfreeze., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
Brewerton, George Douglas, 1820-1901
Date
c1864
Location
Library Company of Philadelphia | Print Department cdv - miscellaneous - Civil War - Caricatures & cartoons - Brewerton [P.2282.47; 5780.F. 54a & c-e; 56q & s; 5792.F.1b; 4h & i; 5795.F.97g]
Beauties of the draft [graphic].
Title
Beauties of the draft
Description
Series of six scenes satirizing the inequities and consequences of the Civil War draft. Shows a man bribing a Doctor to declare him as "too delicate" for the draft; a mother having a "last go" at a liquor bottle in front of her departing son; a soldier trying to talk a drunkard into enlisting; a soldier trying to move a stubborn mule; a man forced over by a gushing casket of lager to "avoid the draft"; and an enlisted man kissing his girl in front of a recruiting office as 'No substitute wanted.', Created postfreeze., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Turner was a New York daguerreian and photographer., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
Turner, A. A. (Austin Augustus), ca. 1831-1866
Date
c1863
Location
Library Company of Philadelphia | Print Department cdv - miscellaneous - Civil War - Caricatures & cartoons [5780.F.51i; l-n, & p]
Don't get the clothes too blue!
Title
Don't get the clothes too blue!
Description
Genre scene satirizing the "new woman" and the role of women in the home. Shows the lady of the house dressed in bicycle garb with her bicycle at her side pointing her finger and instructing her husband on how to do the laundry. The husband stands in front of the wash tub, article of clothing in hand, with dirty laundry piled in the baby's cradle next to him., Title printed on mount., Photographer's imprint printed on verso., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Erika Piola., Kilburn, successor to stereograph publisher Kilburn Brothers in 1877, broadened the firm's portfolio from White Mountain scenery to include genre and comic subjects and international views.
Creator
Kilburn, B. W. (Benjamin West), 1827-1909
Date
c1897
Location
Library Company of Philadelphia | Print Department stereo - Kilburn - Portraits and genre [P.2003.32.3]
[Incomplete series of genre stereographs satirizing the New Woman]
Title
[Incomplete series of genre stereographs satirizing the New Woman]
Description
Includes "Yes, Mr. Caught a-tarter! The time is coming when--," "No longer be the poor down-trodden--," "Oppressed," "Weak and helpless being now she is." Scenes depict a stern-looking woman scolding and attacking a cowering, man, presumably her husband, in their living room. Scenes include overturned chairs and broken flower pots and vases on the floor., Title supplied by cataloger., Additional places of publication printed on mounts include: London; Toronto-Canada; Ottawa-Kansas., Printed on mounts: Works and studios. Arlington, N.J.; Littleton, N.H.; and Washington, D.C., Sun sculpture trademark printed on mounts., Copyrighted by Strohmeyer & Wyman., Titles printed on mounts., Publisher's imprint printed on mounts., Titles also printed on versos in five other languages., Buff curved mounts with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
c1900
Location
Library Company of Philadelphia | Print Department stereo - Underwood & Underwood - Portraits & genre [P.9964.3-6]
The new woman--wash day.
Title
The new woman--wash day
Description
Genre scene satirizing the "new woman" and the role reversal of men and women in the home. Depicts a woman attired in bloomers and gloves (bicycle garb), with one foot propped on a chair as she smokes. Her husband bends over the wash tub and wrings an article of clothing as he does her laundry, some of which dries above their heads on a line. The woman's bicycle is propped near the door., Additional places of publication printed on mount include: London; Toronto-Canada; Ottawa-Kansas., Printed on mount: Works and studios. Arlington, N.J.; Littleton, N.H.; and Washington, D.C., Sun sculpture trademark printed on mount., Copyrighted by Strohmeyer & Wyman., Title printed on mount., Publisher's imprint printed on mount., Title also printed on verso in five additional languages., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Erika Piola.
Date
c1897
Location
Library Company of Philadelphia | Print Department stereo - Underwood & Underwood - Portraits & genre [P.2004.5.1]
What is home without a husband?
Title
What is home without a husband?
Description
Faded genre scene satirizing the "new woman" and the role reversal of men and women in the home. Shows the woman of the house, shawl draped over her arm, who has just entered the room from outside. Her husband sits on a stool doing housework near the fireplace. Their pet cat sits on the floor near his feet., Copyright 1889 by Littleton View Co., Title printed on mount below image., Publisher's imprint printed on mount., Distributor's imprint printed on mount: Sold only by Underwood & Underwood, Baltimore, Md., Ottawa, Kan., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Erika Piola.
Creator
Littleton View Co.
Date
c1889
Location
Library Company of Philadelphia | Print Department stereo - Miscellaneous - Littleton View Co. [P.2003.32.1]
"Have dinner at one dear."
Title
"Have dinner at one dear."
Description
Genre scene satirizing the "new woman" and the role of women in the home. Shows the lady of the house dressed in bloomers (bicycle garb) with her back to her children who play with toys on the floor. With her bicycle by her side, she tells her husband, who is washing clothes, to have dinner ready by one., Copyrighted 1897 by William H. Rau on negative., Additional places of publication printed on mount, including Chicago; Hamburg, Germany, and Milan, Italy., Title on negative., Distributor's imprint printed on mount., Buff curved mount with rounded corners., Griffith & Griffith, established in Philadelphia in 1896, expanded in 1908 to included offices in St. Louis and Liverpool. The non-Philadelphia offices were relocated in 1910., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Erika Piola.
Creator
Rau, William Herman, 1855-1920, photographer
Date
c1897
Location
Library Company of Philadelphia | Print Department stereo - Rau - Portraits & genre [P.2003.32.2]
McCarthy's wake.
Title
McCarthy's wake
Description
Series of titled satirical, anti-Irish genre scenes include, "A bully good fellow was he," "May he rest in peace," "The free for all," and "McCarthy comes back to life". Images depict a group of men, women, and children sitting around a coffin at a wake where the alcohol is flowing. As the adults continue to drink a fight breaks out, then proceeds to McCarthy's resurrection. Religious art work hangs on the walls., Copyrighted 1897 on negative by William H. Rau., Additional places of publication printed on mount, including Chicago; London; Hamburg, Ger.; and Milan, Italy., Title supplied by cataloger., Photographer's imprint printed on mount., Distributor's imprint printed on mount., Buff curved mount with rounded corners., Griffith & Griffith, established in Philadelphia in 1896, expanded in 1908 to included offices in St. Louis and Liverpool. The non-Philadelphia offices were relocated in 1910., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Rau, William Herman, 1855-1920
Date
c1897
Location
Library Company of Philadelphia | Print Department stereo - Rau - Portraits & genre [P.9913.1-4]
I'm a masher
Title
I'm a masher
Description
Set of five collecting cards depicting African Americans, portrayed in racist caricature with grotesque facial features, to satirize womanizing, courtship, marriage, and fatherhood. Includes (1) "I'm a Masher" showing a dapperly-dressed African American man, attired in a derby hat, a red bow tie with yellow polka dots, a yellow waistcoat, a blue jacket, and a watch fob, holding up a swagger stick, as well as cigarette that he smokes; (2) "I've Made a Mash" showing the "masher" in a close embrace with a stylishly-dressed African American woman, attired in a red dress with black polka dots, gold drop earrings, and yellow gloves; (3) "I'm Married" showing the couple on promenade with the woman, attired in a red dress with a yellow bow, a yellow and red hat, and white gloves, and the man, smoking a cigarette, and attired in a green bowler hat, a red ascot with shiny cravat pin, a blue jacket with a yellow flower boutonniere, a matching yellow with gray striped waistcoat and pants, and red gloves; (4) 'Home Sweet Home" showing the man, attired in a white collared shirt and blue-striped pants, seated with a look of anguish and surrounded by his six small children; (5) "Dady's [sic] Dead" showing the children as older and dancing around their father's grave adorned with a headstone inscribed "To the Memory of the Masher." Masher was a later 19th-century slang term for a womanizer, known for garish clothes and a vulgar manner., Copyrighted., Series no. printed in upper right corner., Purchased with funds from the Albert M. Greenfield Foundation., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Chicago Picture Co, a Chicago publishing firm of advertising card and novelties, was active circa 1881-circa 1883.
Creator
Chicago Picture Co.
Date
[ca. 1882]
Location
Library Company of Philadelphia | Print Department GC - Genre [P.2012.25.1-5]
"De breddren and sisters will now relate dere experience."
Title
"De breddren and sisters will now relate dere experience."
Description
Set of five collecting cards depicting African Americans, portrayed in racist caricature with grotesque facial features and speaking in the vernacular, satirizing African American church life. Includes (1) "De Breddren and Sisters Will Now Relate Dere Experience" showing a white-haired African American minister at his pulpit before a small congregation of mostly African American women, attired in kerchiefs, and seated in pews; (2) Sister Hannibal. - "Oh Breddren and Sisters, Ise an Awful Sinner" showing Sister Hannibal standing up and confessing among the other congregants; (3) Sister Snowball. - "Yes, Breddren and Sisters, Dats So, I Kin Testify Dat Sister Hannibal is an Awful Sinner. I knows It" showing Sister Snowball standing, her hands clasped across her stomach, while Sister Hannibal, sits and frowns, and the minister rests his hand on his head; (4) "Sister Snowball, You Am a Liar" showing the "sisters" fighting among the other parishioners, who are in various states of commotion; (5) "De Congregation Am Dismissed" showing white men police officers escorting the congregation out of the church, including an unconscious Sister Hannibal in a handcart. Images also show the church interior and exterior, including windows, steps, and a tree., Title from item., Date of publication inferred from date of copyright, Series no. printed in upper left corner., Purchased with funds from the Albert M. Greenfield Foundation., RVCDC, Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Sammis & Latham was a New York publishing firm active in 1882 that issued comic card sets and juvenile novelty items.
Creator
Sammis & Latham
Date
1882
Location
Library Company of Philadelphia | Print Department GC - Genre [P.2012.24.1-5]
Brother Gardner addresses the Lime Kiln Club on the virtues of Dixon's Stove Polish
Title
Brother Gardner addresses the Lime Kiln Club on the virtues of Dixon's Stove Polish
Description
Racist, satiric trade card promoting Joseph Dixon Crucible Company's stove polish and depicting a caricature of an African American man presenting Dixon’s Stove Polish to the African American men members of the Lime Kiln Club. Shows Brother Gardner, the white-haired, African American man, in the left with spectacles on his forehead and attired in a white collared shirt with a red bowtie, an orange jacket with a sunflower on the lapel, red and white checked pants, and black shoes. He stands holding a blue box of Dixon’s in his left hand and a gavel in his right hand. In the left is a wooden table with a blue pitcher and a top hat on top of it and a sign that reads, “Dixon’s Carburet of Iron Stove Polish.” Brother Gardner addresses the men in the vernacular, who are identified by number with the key of their names on the verso of the card. In the right, the man, attired in a striped white collared shirt, a red tie, a white and blue striped jacket, yellow and red striped pants, and black shoes, sits on a wooden chair and examines a blue box of Dixon’s in his hands. Beside him another man, balding with tufts of white hair on the sides of his head and a white beard and attired in a red jacket and blue striped pants, kneels down and carries a brush in his right hand. Behind them two men sit on chairs and an additional nine men stand and listen to Brother Gardner. In the background, the wall reads, “Lime Kiln Club, Paradise Hall.” A horseshoe and framed prints that read “Beautify your homes” and “Rules of the Lime Kiln Club” hang on the wall. In the center is a large, black stove., The African American "Lime Kiln Club" caricatures originally were devised by Charles Bertrand Lewis (i.e., M. Quad) in the Detroit Free Press. The Joseph Dixon Crucible Company, established by Joseph Dixon in Salem, Mass. in 1827, produced graphite pencils, crucibles and stove polish, and relocated to Jersey City, N.J. in 1847. In 1868, the firm name changed from Joseph Dixon & Co. to the Jos. Dixon Crucible Co. In 1870 the firm won a trademark case against a Philadelphia competitor selling J.C. Dixon Stove Polish., Title from item., Date from copyright statement: Copyright 1886., Advertising text printed on verso: The Lime Kiln Club, Brother Gardner in the Chair. “Dis Club hab ebery reason to be proud of de Stove Committee. We has tried all de other stove polishes. We has been stunk out wid so-called peperahuns and seen de piping rust to pieces, till de stove-pipe wus a tumbled down disgrace to de good name of de Lime Kiln Club. De honah of dis occashun belongs to Brudder Shindig, who has made a name for hisself, by introducing Dixon’s Big cake of Stove Polish, and has covered hisself wid shine. Stand up, Brudder Shindig, and let us gaze upon your countenance. Now, my frens, let us draw a lesson from dis: Seek and find out for yerselves, and when you’s got a good ting stick to it, so dat, like DIXON’S STOVE POLISH, you may not only be a use to de community in which yer libes, but a shining example for de rest of mankind. “De club owes a vote of thanks to de Stove Committee, an’ to Brudder Shindig in particular, an’ extend de heartfelt thanks of de Lime Kiln Club to DIXONS for de valuable addition to de comfits of dis life through their CARBURET OF IRON STOVE POLISH. Wid one drawback, Brudder Shindig—you orer haf found dis outen befo’ for de DIXON’S STOVE POLISH has bin in de market SINCE 1827,--58 YEARS.” (Signed) No. 1. Bro. Gardner, 2. Old Man Jenkins, 3. Bro. Shindig, 4. Give-A-Dam Jones, 6. Sundown Davis, No. 7. Accordingly Davis, 8. Stepoff Johnson, 9. Trustee Pullback, 10. Sickles Smith, 11. Sir Isaac Walpole, 12. Layback Jones, Committee., Advertising text printed on verso: Fifty-eight years in market! The oldest, the best, the neatest, the quickest. Ask your dealer for Dixon's Stove Polish. Jos. Dixon Crucible Co., Jersey City, N.J. Illustration showing a box of "Dixon's Prepared Carburet of Iron (Trademark) For Polishing Stoves, Grates, Ranges, and Every Kind of Cast and Sheet Iron work.", Purchased with funds from the Walter J. Miller Trust for the Visual Culture Program., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1886
Location
Library Company of Philadelphia | Print Department *trade card - J [P.2012.54.2]
"I'm a farder"
Title
"I'm a farder"
Description
Set of four collecting cards depicting racist caricatures of African Americans to satirize fatherhood and the question of paternity. Titles are in the vernacular. Includes "I'm a Farder" showing a dapperly-dressed African American man, attired in a white collared shirt, a red tie, a gray waistcoat, a blue jacket, and blue-and-white striped pants. He talks to his "Aunty," an African American woman, attired in a red and yellow head kerchief, hoop earrings, a green and red shawl, a red dress, and a white apron, and holding her hands to her chest; "Aunty Says Der Am Two" showing the man with a sheepish look and his hands in his pockets while "Aunty" smiles; "And Dat One Am kinder White" showing the man aghast and standing straight up as "Aunty" holds out her hands in a near gesture of comfort; and "If Dat Chile Dont Change Color Der'l Be Trouble in Dis Yer Fam'ly" showing the man forlorn, hands in pockets, and looking down at this two infants being held by "Aunty" in her lap, while she sits in a chair under a placard reading "Bless Our Home." The baby in the left has a dark skin tone, and the baby in the right has a light skin tone., Copyrighted., Title from item., Date inferred from content., Purchase 2012., RVCDC, Description revised 2021., Access points revised 2021., Purchased with funds from the Albert M. Greenfield Foundation., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department GC - Genre [P.2012.23.1-4]
The Confederacy in petticoats [graphic].
Title
The last of the chevaliers. (End of the play.) Jeff. "I thought your government was more magnanimous than to hunt down women and children."
Description
Comic collecting card satirizing the unusual circumstances of the capture of Confederate President Jefferson Davis, detained by Union cavalry troops on May 10, 1865, while wearing his wife's overcoat and shawl as a disguise. Depicts a full-length view of Davis, attired in a shawl, a hoop skirt with a patch, and boots with spurs. A bonnet is tied around his neck, the edge of his skirt cage is visible, and he holds up a dagger in his right hand. A disembodied hand with a gun is pointed at him from the left., Date from copyright statement: Entered according to Act of Congress in the year 1865 by L. Prang & Co., in the Clerk’s Office, of the district court of Mass.
Date
1865
Location
Library Company of Philadelphia | Print Department GC - Civil War - Davis [P.2017.22.3]
Running to a fire. A colision [sic].
Title
Runn ing to a fire. A colision [sic]
Description
One of a series of satires mocking the ineptitude of Philadelphia volunteer firefighters. Shows the rushing volunteer jostling the stand of a female fruit peddler at a street corner. She looks in annoyance over her tipped fruit baskets and spilt bottle of refreshment as the firefighter rushes past, blowing the rallying trumpet call. Storefronts, including a drugstore, and a street lamp are visible in the background., Philadelphia on Stone, POS 253a, Retrospective conversion record: original entry, edited., Harrison & Weightman was a partnership between Henry G. Harrison and William N. Weightman., Free Library of Philadelphia: Philadelphiana - The Fireman (Cartoons)
Date
c1858
Location
Library Company of Philadelphia | Print Department *BW - Fires and Fire Fighting [P.8970.10]
Near a fire. Say! Just hold this while I fetch another section, will you. (Likely?)
Title
Near a fire. Say! Just hold this while I fetch another section, will you. (Likely?)
Description
One of a series of satires mocking the ineptitude of Philadelphia volunteer firefighters. Shows a volunteer, in full uniform, offering a flowing fire hose to an unsuspecting gentleman on a street corner. The gentleman whose hands are occupied with a cigar and a cane looks aghast at the firefighter. A woman watches the scene from the window of her dwelling. Additional streetscape, including a storefront, is visible in the background., Philadelphia on Stone., POS 253c, Retrospective conversion record: original entry, edited., Harrison & Weightman was a partnership between Henry G. Harrison and William N. Weightman., Variant of P.8970.13., Free Library of Philadelphia: Philadelphiana - The Fireman (Cartoons)
Date
c1858
Location
Library Company of Philadelphia | Print Department *BW - Fires and Firefighting [P.8970.12]
At a fire. What boys may expect when they get in firemen's way.
Title
At a fire. What boys may expect when they get in firemen's way
Description
One of a series of satires mocking the ineptitude of Philadelphia volunteer firefighters. Shows a volunteer, in full uniform, spraying a boy bystander in the face, instead of a crumbling, burning building, with a fire hose. The fire hose is attached to a hand-pumper visible in the background. Also shows fire debris, a hose attached to a hydrant, other fire fighters attending the fire engine, and the storefront of "F. Adams.", Philadelphia on Stone, POS 253d, Retrospective conversion record: original entry, edited., Harrison & Weightman was a partnership between Henry G. Harrison and William N. Weightman., Variant of P.8970.14., Free Library of Philadelphia: Philadelphiana - The Fireman (Cartoons)
Date
c1858
Location
Library Company of Philadelphia | Print Department *BW - Fires and Firefighting [P.8970.11]
Near a fire. An awkward attachment.
Title
Near a fire. An awkward attachment
Description
One of a series of satires mocking the ineptitude of Philadelphia volunteer firefighters. Shows the volunteer in full uniform catching a male pedestrian in the hook of his ladder as he rushes past the gentleman on the sidewalk. The man shirks backward, his hat falling off, as the hook tugs at his coat collar. Streetscape, including the storefront of a stove business, is visible in the background. Also shows a fire hose sprung with leaks laying in the street., Philadelphia on Stone, POS 253b, Retrospective conversion record: original entry, edited., Harrison & Weightman was a partnership between Henry G. Harrison and William N. Weightman., Free Library of Philadelphia: Philadelphiana - The Fireman (Cartoons)
Date
c1858
Location
Library Company of Philadelphia | Print Department *BW - Fires and Firefighting [P.8970.9]
Free negroes in the North
Title
Free negroes in the North
Description
Caustic and racist satire depicting African American life in the North as depraved, destitute, and corrupt. On "Lovely Lane," at the dilapidated house of prostitution - "Praise the Lord Bare Bones Colored Men Home" - Union soldiers and African American prostitutes carouse, fight, and are rousted by the police. A white man wearing a cross, possibly a caricature of Reverend Henry Ward Beecher, hands a "Tract on Slavery" to an older African American man beggar who sits beneath a notice of an abolitionist talk. Two African American grave diggers display and accept money for their exhumed corpse from a white man physician with the medical newspaper, "Boston Lancet," in his pocket., Inscribed upper left corner: 26., Issued as plate 26 in Sketches from the Civil War in North America (London [i.e., Baltimore]: [the author], 1863-1864), a series of pro-Confederacy cartoons drawn and published by Baltimore cartoonist Adalbert John Volck under the pseudonym V. Blada. The "first issue" of 10 prints (numbered 1, 2, 5, 6, 7, 12, 15, 16, 21, 24), with imprint "London, 1863" were printed as etchings. The remaining 20 prints (numbered 4, 8, 9-11, 14, 17-20, 23, 25-27, 29, 30, 32, 33, 40, 45) headed "Second and third issues of V. Blada's war sketches" and dated "London, July 30, 1864" were printed as lithographs., Title and publication information from series at Brown University Library., Research file about artist available at repository., RVCDC, Accessioned 1935., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Volck, Adalbert John, 1828-1912, artist
Date
[1864]
Location
Library Company of Philadelphia | Print Department Volck - Sketches - Volck 26 [2990.F.17]
A line shot - the recoil. [graphic] / Thos. Worth.
Title
A line shot - the recoil
Description
Comic print using racist stereotypes to satirize the gunmanship of African Americans. Shows an older African American couple, portrayed in racist caricature with exaggerated features and mannerisms, in the aftermath of the husband firing a shot in their backyard. Shows, in the left, the husband, attired in blue coat tails and striped pants, jumping a fence, his gun powder horn flying above his head, and his rifle and hunter's hat lying on the ground behind him. He is accompanied by his dogs, a bony brown dog climbing over the fence with him, and a pit-bull like dog who holds his owner's torn pants seat in his jaws as he prepares to follow him. In the right, his wife, attired in a yellow bonnet, a blue top, a red skirt, and white pantaloons, topples over in a wicker basket of laundry. Her shoes fly off her feet. The clothesline pole lands on her head as her bare-footed legs are knocked into the air. Pieces of clothing, including a gunshot white shirt with clothes pins at the shoulders fly about her. A log house with a chimney and a dog house are visible in the background. The Darktown series of over 100 prints was issued mid 1870s-1890s. Thomas Worth was the artist of several of the prints in the reported popular and profitable series., Title printed below image., Issued as part of the "Darktown" comics series., Date from copyright statement: Copyright 1881 By Currier & Ives, N. Y., Gift of David Maxey, 2015., RVCDC, Description revised 2021., Access points revised 2021.
Creator
Currier & Ives
Date
1881
Location
Library Company of Philadelphia | Print Department *GC - Genre - Line [P.2015.52.1]
[Photographic reproductions of the Cartoon Printing Co. series after the 1878 Harper’s Weekly "Blackville" series “The Twins”] [graphic]/ McGreer.
Title
[Photographic reproductions of the Cartoon Printing Co. series after the 1878 Harper’s Weekly "Blackville" series “The Twins”]
Description
Photographic reproductions of drawings based on a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Includes "No. 1 The Flirtation" showing the "Twins" meeting their suitors; "No. 2 The Introduction" showing the "Twins" being formally introduced to their suitors; "No. 3 The Courting" showing the "Twins" being courted together; "No. 4 The Proposal" showing the "Twins"suitors proposing to them in different manners; "No. 5 The Duel" showing the "Twins" suitors preparing to duel with guns; "No. 6. The Wedding" showing the "Twins" dual wedding; "No. 8 Return from the Honeymoon Tour" showing the "Twin" couples promenading in town; "No. 9 Coming Events" showing the town doctor and the husbands of the "Twins" racing down a dirt road on donkey back; and "No. 10 The Event Or Where '2 Pair is Better Than 4 of a Kind'"showing the arrival of the "Twins" twins., Title supplied by cataloger., Date from copyright statement on four of the original drawings in the series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on versos: McGreer Chicago., Series missing No. 7. The Wedding Feast., Name of publisher inscribed on four of the original drawings in the series (No. 2-3, 6, and 9)., Inscribed on two of the original drawings in the series (No. 2 and 8): Remodeled from sketch in Harpers Weekly or Reproduced from sketch in Harpers Weekly by the Cartoon Printing Co. Chicago., Inscribed on one of the original drawings in the series (No. 3): Reproduced from sketch by Sol Eytinge in Harpers Weekly by the Cartoon Printing Co. Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., John McGreer (1833-1905) was a dime museum painter, landscape artist, and cartoonist. He worked in Chicago after 1870 and was a partner in the novelty and satire printing firm Cartoon Printing Co., later Cartoon Publishing Co., by the early 1880s. In 1897, he patented statuettes of African American caricatures for use as cardholders. He resided in New York and was noted as a landscape artist at the time of his death in 1908., See Shawn Michelle Smith, Photography on the Color Line: W. E. B. DuBois, Race, and Visual Culture (Durham: Duke University Press, 2004), 82-86., RVCDC, Description revised 2022., Access points revised 2022.
Creator
McGreer, John, 1839-1908
Date
1881
Location
Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.1-9]
No. 1. The flirtation [graphic] / McGreer.
Title
No. 1. The flirtation
Description
First scene based on a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows the African American twins greeting two African American men. They depart from the gate of their log cabin home, attired in polka dot dresses, aprons, and turned-up brimmed hats. They smile at the two African American men as they begin their walk. One twin lifts her handkerchief. One of the men is tall and thin and he tips his hat. The other is shorter and squat and has a hand on his chest. The men are attired in suits with striped pants that are hemmed high. The twins' log cabin home with their parent's seeing them off is visible in the left background. Background also includes the log cabin with "Dr. Black’s Office"; the town church; a "Dry Goods and Clothing” store; a "Saloon"; and a "Hotel.”, Title from item., Name of publisher from other photographs in series., Date from copyright statement on original drawing: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator
McGreer, John, 1839-1908
Date
1881
Location
Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.1]
No. 2 The introduction [graphic] / McGreer.
Title
No. 2 The introduction
Description
Second scene based on a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows the “twins,” side-by-side, curtseying to their two male suitors (one tall and one squat) who stand across the parlor. The tall one bows with his hat in hand. The suitors’ mother, portrayed with a face with many wrinkles and attired in a polka dot dress, stands between the pairs. The room is adorned with a table that holds a vase of flowers, an album, and a glass. Framed pictures, including a portrait, as well as a cuckoo clock adorn the walls near a window with a partially rolled-up window shade. The twins are attired in polka dot dresses and the men in suits., Title from item., Inscribed on original drawing: Remodeled from sketch in Harpers Weekly., Date from copyright statement in other photographs in series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on verso: McGreer Chicago., Name of publisher from other photographs in series., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator
McGreer, John, 1839-1908
Date
1881
Location
Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.2]
No. 3 The courting [graphic] / McGreer.
Title
No. 3 The courting
Description
Third scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows the twins and their suitors, seated in an open room with a stove by a mantle. In the left, one twin sits face to face with her tall suitor. She looks down and raises her hand to her mouth. In the right, the other twin sits next to her suitor and smiles. The twin holds a fan to her face. A hat and coat hang on the wall above them. The twins' parents watch from a doorway in the left background. The twins are attired in polka dot dresses and the men in suits., Title from item., Inscribed on original drawing: Reproduced from sketch by Sol Eytinge from Harpers Weekly., Date from copyright statement in other photographs in series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on verso: McGreer Chicago., Name of publisher inscribed on original drawing., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator
McGreer, John, 1839-1908
Date
1881
Location
Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.3]
No. 4 The proposal [graphic] / McGreer.
Title
No. 4 The proposal
Description
Fourth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows the twins and their suitors, seated in an open room with a stove by a mantle. The tall suitor of the twin in the left kneels on the floor, his chair fallen behind him, and proposes to her as he holds her right hand. She covers her mouth with the other. The twin of the couple in the right sits on her suitor’s lap as he holds her. Her foot rests on his hat on the floor, and she holds a fan down on her legs. The parents of the twins, an older couple, stand, their mouths ajar, in an open entryway in the left background. Keepsakes and knick knacks adorn the mantle behind the stove. A coat and hat hang above the couple in the right. The twins are attired in polka dot dresses and the men in suits., Title from item., Date from copyright statement inscribed on original drawing: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on verso: McGreer Chicago., Name of publisher from other photographs in series., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator
McGreer, John, 1839-1908
Date
1881
Location
Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.4]
No. 5 The duel [graphic] / McGreer.
Title
No. 5 The duel
Description
Fifth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows two African American men (i.e., the suitors of the twins), attired in suits, at the start of a duel in a pasture between two trees. The suitor with a squat figure is in the right and the tall suitor in the left. They point guns at each other and look aghast. An African American man (witness), attired in a ruffled suit and hat, stands behind the tree in the foreground and another, in shirtsleeves, kneels behind the tree in the background. “Dr. Black M.D.,” an older African American man, sits behind the standing observer with his medical bag, labeled “Dr. Black M.D.,” in one hand and a medicine bottle in the other. Figures representing the twins are visible in the distant left background near their log cabin., Title from item., Publication information from copyright statement in other reproduced drawings in series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of publisher from other reproduced drawings in series: Cartoon Printing Co., Name of artist stamped on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator
McGreer, John, 1839-1908
Date
1881
Location
Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.5]
No. 6 The wedding [graphic] / McGreer.
Title
No. 6 The wedding
Description
Sixth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Shows the twins getting married in the parlor in which they were introduced to their fiancés (see No. 2 The Introduction). The twins are attired in white wedding dresses and veils and their betrothed in formal suits. An older African American reverend stands in front of them and officiates. Their relatives, including an older woman, attired in a bonnet, and seated in a rocker and holding in her lap a boy, attired in a striped suit with ruffled collar, watch the nuptials from behind them. "Dr. Black" and other acquaintances watch from through a doorway. Framed pictures adorn the wall. A table with a cake and a decanter with glasses is visible behind the reverend., Title from item., Name of publisher inscribed on original drawing: Cartoon Printing Co. Chicago., Date from copyright statement in other photographs in series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator
McGreer, John, 1839-1908
Date
1881
Location
Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.6]
No. 8 Return from the honeymoon tour [graphic] / McGreer.
Title
No. 8 Return from the honeymoon tour
Description
Eighth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Shows the twins and their husbands in fashion-forward attire promenading down the street of their small town. In the right, an older man in the stance of the minstrel character of Jim Crow, and an older woman attired in a bonnet, polka dot dress, and apron, and leaning on a tree laugh at the couples as they approach them. From a distance, "Dr. Black" watches them from astride his donkey. Townscape, including a storefront with signage reading “Groceries” and “Watchin Dun Hyar,” as well as a “Eatin House” and saloon is visible in the background. Figures are visible in the windows of the grocery store., Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. Jim Crow (mid to late 19th century) was a Minstrel character representing enslaved/rural Black manhood as foolish, lazy, interested in shirking labor., Title from item., Inscribed on original drawing: Reproduced from sketch in Harpers Weekly by the Cartoon Printing Co. Chicago., Date from copyright statement in other photographs in series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist from stamp on verso: McGreer Chicago., Description of Blackface minstrelsy and minstrel character from Dorothy Berry, Descriptive Equity and Clarity around Blackface Minstrelsy in H(arvard) T(heater) C(ollection) Collections, 2021., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator
McGreer, John, 1839-1908
Date
1881
Location
Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.7]
No. 9 Coming events [graphic] / McGreer.
Title
No. 9 Coming events
Description
Ninth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Shows "Dr. Black MD" on his donkey racing with the twins' husbands on their donkeys down a dirt road along a river. A raft sails on the river past a log cabin and a dwelling with smoke-spewing chimneys is visible in the background., Title from item., Name of publisher inscribed in original drawing., Date from copyright statement inscribed in original drawing: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist from stamp on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator
McGreer, John, 1839-1908
Date
1881
Location
Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.8]
No. 10 The event Or where "2 pair is better than 4 of a kind" [graphic] / McGreer.
Title
No. 10 The event Or where "2 pair is better than 4 of a kind"
Description
Tenth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Shows the tall husband of one of the twins, twin babies in hand, arriving at the home of the other twin and her husband after the birth of their twins. In the right, the twin lies in bed under the covers as “Dr. Black” turns to the entryway and prepares to give her a spoonful of medicine. Near them is the bed-ridden twins' husband, seated and feeding one baby twin a bottle as the other rocks in a cradle. To his right, the “grandmother,” attired in a bonnet, glasses, polka dot dress, and apron raises her hands in excitement as she greets the arriving husband of the twin's sister. A stool, framed pictures, and a sideboard adorn the room., Title from item., Name of publisher from other photographs in series., Date from copyright statement inscribed in original drawing: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist from stamp on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator
McGreer, John, 1839-1908
Date
1881
Location
Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.9]
Adams Tampico Chewing gum. Each wrapper has a different Picture and joke, from "The Judge." [graphic] / H Mitchell.
Title
Adams Tampico Chewing gum. Each wrapper has a different Picture and joke, from "The Judge."
Description
Gum wrapper for Adams & Co. depicting a cartoon originally published in the satiric magazine "The Judge" and showing two African American men (Mister Johnson and Brother Snow) portrayed in racist caricature conversing in the vernacular on a dirt path after church services. The man in the left has a beard and is attired in a long overcoat, pants, and a top hat. He holds a "prayer" book and umbrella under his left arm and gestures to the other gentleman with his right arm. The gentleman in the right has a beard, wears glasses, and is attired in an over coat, striped pants, and top hat. He holds an umbrella as a walking stick in his left hand and carries a book under his right arm. He looks toward the gesturing man. Part of a wooden fence and skyscape are also visible. The Brooklyn gum manufacturer Adams & Co. operated circa 1871-1899. In 1899 Adams merged with six other chewing gum companies to form American Chicle Company., Title from item., Date inferred from content reproduced from The Judge., Caption: A Miracle. "What wuz de tex' dis mornin', Mister Johnson? I wuz too late."/"It wuz about de meracles, Brother Snow. Whar de Lor' fed seven people on five t'ousand baskets of fish."/ "I don't see any meracle about dat."/"Oh, de meracle am, dey all didn't bust.", Purchased with the Davida T. Deutsch African American History Fund., RVCDC, Description revised 2021., Access points revised 2021.
Date
[ca. 1885]
Location
Library Company of Philadelphia | Print Department *ephemera - Packaging - A [113538.D]
Enlistment of Sickles brigade [graphic].
Title
Enlistment of Sickles brigade
Description
Caustic satire depicting the enlistment by notorious New York Congressman Colonel Daniel Sickles of recruits from offices near New York's crime-ridden Five Points area. The congested scene depicts several men, including African American men, clustered on a city street near a liquor store. In the left, Sickles, unwigged, stands above the crowd, and holds out Bibles in each hand. In the right above the crowd, "Mrs. Higby," wife of a New York clergyman, hands out pipes to the men (an allusion to Sickles's men being given pipes and Bibles for enlisting). A sign near Sickles reads "The Capital in danger. Sickles Brigade to the Rescue!!" A sign near Mrs. Higby reads "Pipes for the noble saviors of their country by Mrs. Higby." The "enlisting" men wear torn, worn, and patched uniforms or street clothes and hold picket signs, guns, and clubs. Within the crowd, a pit bull terrier and a white boy watch the melee, which includes a white man, attired in a uniform and a "Colonel Sickles Brigade" cap, offering an African American man a medal, who scratches his head, next to another African American man, attired in uniform and portrayed in racist caricature, and seated on a barrel. A few years before the war in 1859, Sickles gained notoriety for murdering Philip Barton Key II for having an affair with his wife Teresa Bagioli. He was acquitted based on the first successful use of the insanity defense in the U.S., Inscribed upper left corner: 6., Issued as plate 6 in Sketches from the Civil War in North America (London [i.e., Baltimore]: [the author], 1863-1864), a series of pro-Confederacy cartoons drawn and published by Baltimore cartoonist Adalbert John Volck under the pseudonym V. Blada. The "first issue" of 10 prints (numbered 1, 2, 5, 6, 7, 12, 15, 16, 21, 24), with imprint "London, 1863" were printed as etchings. The remaining 20 prints (numbered 4, 8, 9-11, 14, 17-20, 23, 25-27, 29, 30, 32, 33, 40, 45) headed "Second and third issues of V. Blada's war sketches" and dated "London, July 30, 1864" were printed as lithographs., Tile and publication information from series at Brown University Library., Research file about artist available at repository., Accessioned 1935., RVCDC, Description revised 2021., Access points revised 2021.
Creator
Volck, Adalbert John, 1828-1912, artist
Date
[1863]
Location
Library Company of Philadelphia | Print Department Volck - Sketches - Volck 6 [2990.F.23]
[Series of Clarence E. Brooks & Co. Fine Coach Varnishes, cor. West & West 12th St. N.Y. racist 1880 calendar illustrations after the "Blackville" series] [graphic].
Title
[Series of Clarence E. Brooks & Co. Fine Coach Varnishes, cor. West & West 12th St. N.Y. racist 1880 calendar illustrations after the "Blackville" series]
Description
Series of twelve captioned illustrations from the Clarence Brooks & Co. Fine Coach Varnishes 1880 calendar portraying scenes after the racist “Blackville” series drawn by Sol Eytinge for “Harper’s Weekly” in the 1870s and depicting caricatures satirizing the social mores, customs, and daily lives of African Americans of all classes. The figures are portrayed with exaggerated features and mannerisms. The attire of the figures includes long-sleeved dresses, shirtwaists and skirts, smocks, shirt, pants, jackets, and caps, and hats. Some of the attire depicted, particularly for younger figures, is worn and/or tattered. Includes scenes from the Eytinge Blackville series within a series - “the twins” (March, May, September illustrations). Scenes are titled (sometimes with text in the vernacular) and depict “The First Ulster in Blackville” (January) of a winter scene showing African American children, attired in shirts, pants, or skirts and hats or bonnets, paused from a snowball fight as an African American man in a blue ulster (an overcoat with hood), holding a cane, and smoking walks between them; “Christmas Dinner Done!” (February) showing an older African American man, attired in an overcoat, pants, and hat, and African American boy, attired in a shirt, pants, and a hat with a scarf tied around his head and chin, in a field, and watching a rabbit run away from a trap held by the boy; “Love in Blackville. The Wooing of the Twins” (March) showing African American women twins, each being courted by an African American man within an open room that has a stove and mantle as their older African American parents “watch” from a doorway;, "April-Fools Day-An Aggravated Case (April) showing an older African American woman, with an upset expression, standing in front of a row of cabins and near a basket of cabbages on a town block, and holding a dead rat within a cabbage as she is watched by two snickering African American boys, the practical jokers, standing within the opening to an alley; "The Great Social Event at Blackville. The Wed"ding of the Twins" (May) showing two African American women twin brides and their grooms within a parlor, near a table of food, being married by a reverend in front of friends and family of all ages; "The Coaching Season in Blackville._ The Grand Start" (June) showing an African American driver pulling at the reins of an unruly four-mule team coach of which African American passengers of all ages sit in and on the cab as African American towns folk wave from a line of cabins in the background and an African American boy and dog run past the wheel of the vehicle; "The 'Fourth' in Blackville" (July) showing a fenced paddock in which an African American boy holds an American flag in one hand and a gun in the other by a group of African American children and a woman who run, cover their eyes, jump the fence, and shield each other under the sight of an African American man in the window of an adjacent cabin; “Hi Abe Come Under De Brellar! Does Your Want to Sunstruck Yerself! De Fremoniter’s Gone Up Moren a Foot!” (August) showing a group of African American children of different ages, under a torn umbrella held by the tallest child, a girl, and approaching a young African American boy, “Abe,” within a fenced yard with a pond and patches of greenery and across from a cabin in which an African American man and woman, stand and sit in the doorway;, “After Doing Paris and the Rest of Europe, The Bridal Party Return to Blackville" (September) showing “the twins” on promenade with their husbands and an African American women caregiver holding their two babies as they walk on a dirt path lined by African American townsfolks of all ages who stare and also include an older woman who laughs behind a tree; "Who Struck De Futest?” (October) showing an older African American man, seated outside a cabin, and holding up a switch to two African American boys, in worn clothing, standing within the yard, near a broken object, and across from an African American girl in the cabin doorway and three boys seated and looking over a fence lining the property in the background; The “Small Breeds” Thanksgiving-Return of the First-Born from College 'Bress His Heart! Don’t he look edgecated?' ”(November) showing a young African American man portrayed in disheveled attire and manner as though drunk entering the door to his family, including a grandmother figure and a child in a high chair, at dinner around a cloth-covered table; and “No Small Breed Per Yer Uncle Abe Dis Chris'mas! Ain’t He a Cherub?” (December) showing “Uncle Abe,” an African American man holding a large, plucked turkey (with head and feet) near his chest and on a table surrounded by older women and child-aged family members who stand near a chest of drawers, a stool, and two windows with curtains visible in the background. Exterior scenes also often include a dog or cat, or a cabin or cabins, the latter marked “Clarence Brooks & Co. Fine Coach Varnishes. Cor. West & West 12th St. N.Y.” in the background; as well as fencing, groves of trees, and dirt paths. Interior scenes often include a dining table, chairs, displays of food and household items, such as a candlestick and framed prints advertising Clarence Brooks & Co. April-Fools Day image includes a cobble-stone street., Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In the early 1880s the firm issued calendars illustrated with African American caricatures in genre scenes, often after Sol Eytinge Harper’s Weekly illustrations., Title supplied by cataloger., Publication information inferred from image content and similar material issued by Clarence Brooks & Co. during the early 1880s., Two of the series contains ornamented borders (P.2022.8.2 & 4)., All of the prints inscribed in pencil on the verso with the name of a month, some abbreviated, between January and December., Image for “The First Ulster in Blackville” (P.2022.8.1) originally published in Harpers Weekly, March 18, 1876., Image for “Love in Blackville. The Wooing of the Twins” (P.2022.8.3) originally published in Harpers Weekly, May 11, 1878., Image for The Great Social Event at Blackville. The Wedding of the Twins (P.2022.8.5) originally published in Harpers Weekly, July 13, 1878., Image for “The Coaching Season in Blackville._ The Grand Start” (P.2022.8.6) originally published in Harpers Weekly, September 28, 1878., Image for “The ‘Fourth’ in Blackville” (P.2022.8.7) originally published in Harpers Weekly, July 14, 1877., Image for “After Doing Paris and the Rest of Europe, The Bridal Party Return to Blackville” (P.2022.8.9) originally published in Harpers Weekly, October 26, 1878., Image for “Who Struck de Futest” (P.2022.8.10) originally published in Harpers Weekly, June 13, 1874., Image for “No Small Breed fer yer Uncle Abe….” (P.2022.8.12) originally published in Harpers Weekly, January 1, 1876., Purchased with funds for the Visual Culture Program., RVCDC
Date
[1879]
Location
Library Company of Philadelphia | Print Department *ephemera - calendars - C [P.2022.8.1-12]

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