Search results

Title: Fifteenth amendment. Bringing his crop to town
Description: Racist, vignetted view showing an African American man, attired in worn clothes, hauling a loaded cart pulled by a thin, horned cow. The man, attired in a wide-brimmed hat, jacket, and pants, rides the cow. His right hand holds the reigns of the yoke and his left hand holds up a stick in a striking motion. A pile of thatch fills the cart. A bag of cotton rests atop of the thatch. Townscape is visible in the background. View racistly satirizes African American civil rights and the right to vote granted to African American men in 1870 by the Fifteenth Amendment., Title and series number printed on verso., Name of photographer printed on verso., Photographer inferred to also be publisher., Date inferred from style of mount and active dates of photographer., Printed on mount: Charleston & Vicinity., Orange mount with rounded corners., Gift of David Long., RVCDC, Description revised 2022., Access points revised 2022., Jerome N. Wilson (1827-1897), a New-York born photographer, relocated his photography business to Savannah Georgia in 1865. He produced multiple genres of photographs, including cartes de visite and stereographs. His studio was enlarged and improved in 1871.
Creator: Wilson, J. N.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department stereo - misc. photo. - Wilson [P.2018.16.11]

Title: The darktown fire brigade - saved!
Description: Comic print using racist imagery to satirize African American men firefighters. Shows a brigade of eight African American firefighters during a rescue of an African American family from a burning wooden house. Flames and smoke extend from the right side of the roof of a two-story residence. In the center foreground, two firefighters, one not wearing a helmet, hold open a striped blanket. A woman attired in a white nightgown and holding her gown down with one hand and a fan with the other is midair and about to drop, feet first, into it. In the left, another firefighter runs out of the doorway of the building and with a woman over his shoulder. She wears a white cap and night gown. In the right, a fourth firefighter sprays water from a hose into the body of a man in a white nightshirt stuck in a hole in the roof. His head and chest poke through the hole and his legs project out through an upper floor window. The firefighter uses a hose that extends from a fire engine marked "Niagara."It is being pumped by four other firefighters in the right background. The firefighters stand on barrels and push the lever of the water pump on the engine. In the far right distance, another firefighter attends to a donkey. The firefighters are attired in red shirts, blue pants, and black boots. Four men wear helmets, one man wears a top hat, and two men are bare-headed. The men and women figures are portrayed with wide eyes and lips, and large feet. The rescued family members are bare foot. The Darktown series of over 100 prints was originally issued mid 1870s-1890s. Thomas Worth was the artist of several of the prints in the reported popular and profitable series. Joseph Koehler reissued the prints in the early 1900s., Title from item., Reprint of number from "Darktown" comics series originally published in 1884. Joseph Koehler purchased over 200 lithographic stones, including the "Darktown" series, from the Currier & Ives firm following its dissolution in 1907., Contains copyright statement: Copyright 1884, By Currier & Ives, N. Y.
Creator: Currier & Ives
Date: [ca. 1907]
Location: Library Company of Philadelphia | Print Department *GC - Genre - Darktown [P.2019.55.4]

Title: Negroes and religion. Disciplina et regula ordinis flagellantium [Discipline of the order of flagellants] The Episcopal Church at the South. To the General Convention of the Protestant Episcopal Church in the United States of America
Description: Copy photograph of an abolitionist satire containing a montage of scenes mocking the pro-slavery dioceses from the seceded Southern states absent from the General Convention of the Protestant Episcopal Church in New York in 1862. Probably related to an earlier pamphlet of the same title satirically "promoting" the policy that the church's African American communicants be treated as the South treats the enslaved people. A devilish figure with wings inscribed with the names of Confederate states, holding a "Testimonial" scroll under his arm, thumbs his nose and unlocks the door of the "House of Bishops" at the "General Convention." Figures pray at an altar near an animated preacher while stating, "We welcome our friends." A white man whips a bare-chested and bare-footed African American enslaved man, who kneels with his hands bound to a post. Two white women watch the events from the side of their dilapidated wooden house. During the Civil War, the Southern dioceses became the Protestant Episcopal Church in the Confederate States of America., Title from item., Date inferred from content., See related pamphlet Negroes and religion: The church at the South. Memorial to the general convention of the Protestant Episcopal Church in the United States of America. (United States : s.n., 1856?). (LCP Am 1856 Neg 18399.O.9)., Originally part of a McAllister Civil War scrapbook of humorous prints and photographs. McAllister Collection, gift, 1886 [5780.F.52h]. Purchase 1999 [P.9758.3]., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1862?]
Location: Library Company of Philadelphia | Print Department cdv - misc. - Civil War - Caricatures and cartoons [5780.F.52h; P.9758.3]

Title: Hofstetter Bros. Lithographers, stationers, printers, and blank book manufacturers. 508 & 510 Cherry Street, Philadelphia Manufacturing labels & brands a specialty. Checks. Bonds. Certificates. Diplomas. Show cards. Bill heads. Letter heads. Note heads. Statements. Box labels. Dry good labels. Portraits. Book illustrations. Blank books of every description made to order. Flat opening blank books a specialty
Description: Advertisements for the late 19th-century Philadelphia lithographic firm, originally established as a blank book manufactory ca. 1874 by bookbinders and brothers John and August Hofstetter. Name of the establishment ornamented with pictorial details, including a landscape view, a book, and artist's brushes. Prints contain a sentimental and comic scene. Sentimental scene shows a peasant girl, accompanied by a dog, walking through the woods and knitting. Comic scene shows a gentleman, near a lake, inspecting his rear covered in paint in front of a bench adorned with the sign "Paint." Also includes the promotion "Color Work a Specialty." Hofstetter & Bros. relocated to 508 -510 Cherry Street ca. 1892., Not in Wainwright., Philadelphia on Stone, POSA 39, Smithsonian Institution: NMAH Archives Center - Warshaw Collection – Lithography – Vertical Box 1 - Hofstetter - Peasant Girl, Smithsonian Institution: NMAH Archives Center - Warshaw Collection – Lithography – Vertical Box 1 - Hofstetter - Gentleman
Creator: Hofstetter Bros.
Date: [ca. 1892]
Location: Smithsonian Institution | NMAH Archives Center Warshaw Collection SI NMAH Archives Center - Warshaw Collection – Lithography – Vertical Box 1 - Hofstetter - Peasant Girl, Smithsonian Institution | NMAH Archives Center Warshaw Collection SI NMAH Archives Center - Warshaw Collection – Lithography – Vertical Box 1 - Hofstetter - Gentleman

Title: Intelligent contraband. 2d ed
Description: Racist photograph showing a seated African American man, attired in a gorilla mask, a coat, striped, patterned pants, socks, and shoes, facing right. Also included in the image is a patterned, tile floor., Title from manuscript note on mount., Date inferred from content., During the Civil War, the U.S government declared African American freedom seekers as "contraband of war.", Originally part of a McAllister scrapbook of humorous caricatures and photographs. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Created postfreeze., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv - miscellaneous - Civil War - Caricatures & cartoons [5780.F.51j]

Title: Photographing the baby
Description: Trade card after an 1870 Sol Eytinge Harper's Weekly illustration with white figures depicting a racist, caricaturized genre scene to promote the coach varnish firm Clarence Brooks & Co. Scene shows a white photographer taking the portrait of an African American toddler in hi studio. The African American figures are portrayed with caricatured and exagerrated features. In the right, the white photographer stands next to his camera and tripod. He holds a cloth in his right hand, at his side, and a yellow-colored, monkey-like string puppet in his raised left hand. He wears a beard and is attired in a long brown jacket and blue striped pants. Between him and his young sitter is a framed advertisement above maroon paneling on an olive-colored wall. The advertisement reads: "Clarence Brooks & Co., Fine Coach Varnishes, Cor. West & West 12th Sts." In the left, the African American girl sits stiffly on a plush, green arm chair. Her eyes are opened wide in a surprised expression. She wears a sleeveless pink dress with blue bows at the shoulders. Behind her, in the doorway, are two African American women. The younger woman, likely to be perceived as the girl's mother, peers around from the left of the doorway. She wears a stylish hat, white blouse, and red bow at her neck. An older woman, likely to be perceived as the girl's grandmother, stands in the right of the doorway. She wears a brown-colored bonnet with a large bow around her chin and a brown-colored dress and shawl. Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In the early 1880s the firm issued calendars illustrated with African American caricatures in genre scenes, often after Sol Eytinge Harper's Weekly illustrations., Title from item., Publication date inferred from dates of activity of publisher (1888-1892) as cited in Jay Last, The Color Explosion (Santa Ana: Hillcrest Press, 2005)., Purchased with funds for the Visual Culture Program (Junto 2015)., Housed with the Emily Phillips Advertising Card Collection., RVCDC, Description revised 2022., Access points revised 2022.
Creator: National Bank Note Co.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department trade card - Brooks [P.2016.17.1]

Title: The straggler's last "sup."
Description: Reproduction of a drawing showing a Union infantryman staring into the bottom of an empty can he has raised into the air., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Created postfreeze.
Date: [ca. 1863]
Location: Library Company of Philadephia | Print Department cdv - miscellaneous - Civil War - Caricatures & cartoons [5780.F.53e]

Title: That intelligent contraband
Description: Reproduction of a racist satiric drawing showing an elderly African American, holding an umbrella, while seated next to a bundle of his belongings. An African American couple with their baby are visible in the background. During the Civil War, the U.S. government declared slaves contraband of war., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Created postfreeze.
Date: [ca. 1863]
Location: Library Company of Philadephia | Print Department cdv - miscellaneous - Civil War - Caricatures & cartoons [5780.F.52k]

Title: "You brazen huzzy! You shall leave at this hour! And the least of your fault is the wasted flour."
Description: Genre scene from a comic stereograph series satirizing the exploits of an adulterous husband. Shows the lady of the house confronting the servant in the kitchen. The cook rolls pie dough on a table under which boxes of flour have fallen and spilled. The husband peers from around the corner. Scene also includes a calendar on the wall illustrated with the portrait of a bare-shouldered woman., Copyrighted by B. L. Singley., Additional places of publication printed on mount, including Louisville, Mo.; San Francisco; New York; and London., Warped pink mount with rounded corners., Title printed on mount., Gift of Jesse Randall., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Keystone View Company
Date: c1903
Location: Library Company of Philadelphia | Print Department stereos - Keystone View Company - Genre [P.2005.19.6]

Title: [Scenes 6, 7, and 10 from the stereograph comic set "Mr. and Mrs. Newlywed's new French cook"]
Description: Three genre scenes set in a well-decorated parlor from a comic stereograph series satirizing the exploits of an adulterous husband. Scene 6 shows the wife exclaiming "Hands! Hands" What does she mean!" as she discovers floured hand prints on the back of her husband's coat. Scene 7 shows the wife pointing to the shocked cook in the corner as her husband looks in dismay at the back of his stained coat that he has removed and exlaims "Good Heavens!" Scene 10 shows "And they lived happily ever after" as the husband embraces his wife from behind as she sits on a loveseat., Negative numbers: 7258; 7259; and 7262., Additional places of publication printed on mount, including Louisville, Mo.; San Francisco; New York; and London., Warped grey mount with rounded corners., Printed on mount: Works and Studios. Arlington, N.J. Westwood, N.J. Washington, D.C., Sun sculpture trademark printed on mount., Titles printed on mount., Titles printed on verso in six different languages, including French, German, and Spanish., Gift of Jesse Randall., Complete set reproduced in William C. Darrah's The world of stereographs (Gettysburg: William C. Darrah, 1977), p. 66-68., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Underwood & Underwood
Date: c1900
Location: Library Company of Philadelphia | Print Department stereos - Underwood & Underwood - Genre [P.2005.19.12-14]

Title: Raising colored infant - ry
Description: Racist satiric print comprised of a watercolor drawing and a photograph showing a white man in civilian clothes feeding an African American doll. The man, attired in a white shirt, a black bowtie, a gray vest, gray pants, and black shoes, sits on a wooden chair and holds a spoon to the doll, costumed in a white layette gown. A bowl labeled "Bounty" is set upon a wooden chair in the left. A photograph cut-out of a head, presumably of a white commander of an African American regiment, rests on the drawn body of the man., Title from manuscript note written on the recto., Date inferred from content., Originally part of a McAllister Civil War scrapbook of humorous views and photographs. McAllister Collection, gift, 1886., Created postfreeze., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department Drawings & Watercolors - unidentified - R [5780.F.5c]

Title: Apartments to let. Fort Lafayette
Description: Satiric carte de visite of a reproduction of a drawing of the New York island fort opposite Fort Hamilton used a a prison during the Civil War. Includes a boat of prisoners being rowed to the facility. The fort, completed circa 1818, was the first Northern location to receive prisoners of war in July 1861. Fort was razed in 1960., Copyright information partially legible., 5779.F.10c is unmounted carte de visite., Originally part of a McAllister scrapbook of Civil War Views, Events, & Places., Created postfreeze., Digitized by Alexander Street Press for Images of the American Civil War.
Date: c1863
Location: Library Company of Philadephia | Print Department cdv - miscellaneous - Civil War - Caricatures and cartoons [5779.F.6b & 10c]

Title: "Take care Gilmore you'll knock my brains out."
Description: Reproduction of a drawing mocking the Confederate military and Gen. Q.A. Gillmore's bombardment of Charleston, S.C. in August 1863. Shows a "450 lb" cannon ball, shot from a cannon on the bank of Morris Island, swiping past the backside of a Confederate officer. Also shows Fort Sumter in the background, Originally part of a McAllister scrapbook of humorous caricatures and photographs., Created postfreeze., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [ca. 1863]
Location: Library Company of Philadephia | Print Department cdv - Miscellaneous - Civil War - Caricatures & cartoons [5780.F.51e]

Title: Gen. Gilmore."I have no words, my voice is my gun."
Description: Reproduction of a satiric drawing criticizing Gen. Q.A. Gillmore's use of greek fire, i.e., an incendiary shell to bombard Charleston, S.C., a civilian center, in August 1863. Shows Gillmore addressing a soldier holding a protest banner near the cannon at the marsh battery, "Swamp Angel," on Morris Island. The banner reads "Protest of the use of Greek Fire. It is unchristian, uncivilized, and uncomfortable.", Originally part of a McAllister scrapbook of humorous caricatures and photographs., Created postfreeze., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [ca. 1863]
Location: Library Company of Philadephia | Print Department cdv - Miscellaneous - Civil War - Caricatures & cartoons [5780.F.51g]

Title: [Comic scene showing a Confederate officer fleeing from a U.S. cannonball]
Description: Reproduction of a drawing showing the officer, his hat flown off, trampling on a map marked "C.S.A." Also shows soldiers fleeing in the background., Title supplied by cataloguer., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Created postfreeze., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [ca. 1863]
Location: Library Company of Philadephia | Print Department cdv - miscellaneous - Civil War - Caricatures & cartoons [5780.F.53h]

Title: Young man - you should enlist What! - I? can't deu it, - I'm the skeeriest fellow you ever did see
Description: Reproduction of a comic drawing showing an Army recruiter confronting a thin man in gentleman's attire in front of a recruitment camp., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Created postfreeze.
Date: [ca. 1863]
Location: Library Company of Philadephia | Print Department cdv - miscellaneous - Civil War - Caricautres & cartoons [5780.F.51o]

Title: The ghost of an "old soger" in camp
Description: Reproduction of a satiric drawing alluding to the "old soger," General Winfield Scott, the retired first commander of the U.S. Army during the Civil War. Shows a huge smoking cigar bud, i.e., an "old soger," propped up in the middle of "Camp Scott." An officer looks on in disbelief., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Created postfreeze., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [ca. 1863]
Location: Library Company of Philadephia | Print Department cdv - miscellaneous - Civil War - Caricatures & cartoons [5780.F.52g]

Title: "Secesh" taking a moonlight stroll
Description: Reproduction of a satiric drawing showing an alligator in a marsh in the moonlight., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Created postfreeze., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [ca. 1863]
Location: Library Company of Philadephia | Print Department cdv - miscellaneous - Civil War - Caricatures & cartoons [5780.F.52n]

Title: Scraps illustrative of the History of Philadelphia. Vol. VI
Description: Scrapbook containing predominantly newspaper clippings dated 1845-1849 that pertain to the built environment, history, and political, social, and cultural climate of Philadelphia. Contents include editorials; anecdotal, current event, and sensational news articles; and columns reporting about local interest stories, government and politics, and city development and entertainments. Several pages of the scrapbook are dedicated to newspaper coverage of the 1848 court cases of the "Trial of Pratt, Pence, and McGowan for conspiracy to pass Stolen Money" and the Pierce Butler and Fanny Kemble divorce. Daily, monthly, and yearly weather reports for the months and years 1840, 1845, 1847, 1848, 1849 also form several pages of content. Several articles also describe local disasters, including the destruction of the Schuylkill Water Works reservoir (1848); the ice accident on the Schuylkill (January 1849); and major fires near Water Street Wharf (1839), at the Presbyterian Board of Education on the 800 block of Chestnut (1849), at the public school on Catherine Street (1849), and at the City Gas Works (1848)., Several articles report about city improvements, including the enlargement of Fairmount; the growth of the city as a whole and development of neighborhoods (Bridesburg, Spring Garden district, and Germantown, including the residence of artist C.G. Childs); new establishments on Chestnut and Market streets, including confectioner J. W. Parkinson (900 block Chestnut) as well as shops on the 700 block and 400 blocks, respectively; and the dedication and completion of new churches (Church of the Assumption, Logan Square Presbyterian, and St. Mark’s Church)., Anecdotal and local affairs pieces report about the city's municipal services and policies, social mores, and entertainments. Subjects include the city's purchase of Penn’s Treaty Ground for public use; the extension of gas lines to Moyamensing; the 1846 Triennial Parade of Firemen in commemoration of the First Volunteer Company of the City; a relief mission to famine-stricken Scotland (1846); omnibus etiquette, the demographics of Third and Chestnut streets; the gang Moyamensing "Killers"; the men’s fashion trend of winter shawls (1853); the Christmas holiday season; the Chinese collection at the Chinese Museum; performances at Walnut Street Theater; and the Tom Hyer and Yankee Sullivan Prize Fight of 1849., Other articles discuss politics and government, particularly the activities of the local Whig party, including elections and party meetings; the Mexican American War, including casualties and the "Illumination of April 16, 1847" in honor of General Taylor and Scott’s achievements; education, including Girard College and the semi-annual examination of Central High School; and local trades, including iron, lithography (P.S Duval, p. 34), dry goods; bankers and the 1846 and 1848 reports of the Philadelphia Board of Trade; and the management of the city's dog population in 1848 (p.52-3). Editorials discuss the 1848 cholera epidemic, including brandy as "cholera medicine"; a sociological "View of Chestnut Street" (1845); Philadelphia architecture; and the city's commercial superiority over New York, including the book trade. Scrapbook also contains price lists; "'poetry' cut from obituary notices in the 'Public Ledger' "; columns from the series “Philadelphia Sights from a Steeple. Written for the North American”; “Benevolent Institutions” (1849); and “Letters from Philadelphia. From the Boston Atlas (1838) and a small number of graphics. Series topics include Philadelphia Institution for the Instruction of the Blind, the Orphan’s Asylum the public squares and schools, Chestnut Street Stores, the book trade, and museums and galleries. Graphics include the illustrated article "Philadelphia As It Is" depicting a caricature of an omnibus driver and vignettes showing the Fairmount Water Works, the Farquhar Building, Blue Anchor Tavern, and "Kriss Kingle's [sic] Head Quarters" (advertisement for Parksinson's confectionary)., Several of the contents annotated with a date., Wood engraved periodical illustration "The Hall of Independence, as Arranged for the Reception of the Remains of the Late Hon. John Quincy Adams." pasted on front free end paper. Print includes amateur hand-colored details. Cut out printed “Philadelphia” pasted below the print., "Index to set in back part of vol. XI.", Photographic reproduction of Faden’s "Plan of the City and Environs" (1747) removed., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date: 1822-1862, bulk 1855-1856
Location: Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 6 [(6)2526.F]

Title: "Sew on your own buttons, I'm going for a ride."
Description: Genre scene satirizing the "new woman" and the role of women in the home. Shows the lady of the house dressed in bicycle garb with her bicycle at her side, telling her husband to do the sewing while she goes out for a ride. The husband is seated with their daughter next to him as his wife, who hovers above them, gives the order., Copyrighted by B. L. Singley., Title printed on mount., Publisher's imprint printed on mount., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See related: stereo - Keystone View Company - Portraits and genre [P.2003.21] and stereo - Keystone View Company - Portraits and genre [P.2017.3.3].
Creator: Keystone View Company
Date: c1899
Location: Library Company of Philadelphia | Print Department stereo - Keystone View Company - Portraits and genre [P.9897]

Title: The "new woman."
Description: Genre scene satirizing the "new woman" and the role of women in the home. Shows the lady of the house sitting at a table reading a newspaper as her husband stands in the kitchen dryng dishes. With a confused look, he peers at her from the other room. She is dressed in bicycle garb with her bicycle resting in the doorway nearby., Copyrighted by B. L. Singley., Title printed on mount., Publisher's imprint printed on mount., Printed text in six languages on verso: Die "moderne frau."; La 'donna nuova."; La femme nouvelle."; La Nueva Mufer."; Den "ny kvinde."; and Des "na kvinnan.", Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Erika Piola.
Creator: Keystone View Company
Date: c1899
Location: Library Company of Philadelphia | Print Department stereo - Keystone View Company - Portraits and genre [P.9964.2]

Title: " Sew on your own buttons, I'm going for a ride."
Description: Genre scene satirizing the "new woman" and the role of women in the home. Shows the lady of the house dressed in bloomers (bicycle garb), telling her husband to do the sewing while she goes out for a ride. The husband is seated with their daughter next to him as his wife, who hovers above them, gives the order with his shirt in her outstretched hand., Date from copyright statement: Copyright 1896 by B. L. Singley., Title printed on mount., Publisher's imprint printed on mount., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See related: stereo - Keystone View Company - Portraits and genre [P.2017.3.3] and stereo - Keystone View Company - Portraits and genre [P.9897]
Creator: Keystone View Company
Date: 1896
Location: Library Company of Philadelphia | Print Department stereo - Keystone View Company - Portraits and genre [P.2003.21]

Title: Trials of bachelorhood
Description: Comic genre scene showing a man having difficulty sewing his shirt. Two women peer over a clothes screen at the scene with grins on their faces. The room is messy with clothing and scraps strewn about. A guitar leans up against a table., Copyrighted by B. L. Singley., Title printed on mount., Publisher's imprint printed on mount., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: c1897
Location: Library Company of Philadelphia | Print Department stereo - Keystone View Company - Portraits and genre [P.2003.22]

Title: The "new man" on Blue Monday
Description: Genre scene satirizing the role of the "new man" in relation to the "new woman". Shows the lady of the house sitting with her feet propped and reading a newspaper as her husband washes and hangs the laundry nearby., Copyrighted by B. L. Singley., Title printed on mount., Publisher's imprint printed on mount., Printed text in six languages on verso: Es ift blauer Montag; L'"Uomo Nuovo" in Blue Monday.; Le "Nouvel homme" le lundi; El lúnes del "Nuevo Hombre"; Den "ny mand" på en blå Mandag; Den nykomne på blåmåndag., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: c1901
Location: Library Company of Philadelphia | Print Department stereo - Keystone View Company - Portraits and genre [P.2004.5.2]

Title: The new woman--wash day
Description: Genre scene satirizing the "new woman" and the role reversal of men and women in the home. Depicts a woman attired in bloomers and gloves (bicycle garb), with one foot propped on a chair as she smokes. Her husband bends over the wash tub and wrings an article of clothing as he does her laundry, some of which dries above their heads on a line. The woman's bicycle is propped near the door., Additional places of publication printed on mount include: London; Toronto-Canada; Ottawa-Kansas., Printed on mount: Works and studios. Arlington, N.J.; Littleton, N.H.; and Washington, D.C., Sun sculpture trademark printed on mount., Title printed on mount., Publisher's imprint printed on mount., Title also printed on verso in five additional languages., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Erika Piola.
Date: c1901
Location: Library Company of Philadelphia | Print Department stereo - Underwood & Underwood - Portraits & genre [P.9998]

Title: The new woman barber
Description: Genre photograph satirizing the "new woman" depicting a scantily clad female barber sitting with her legs crossed and holding a razor in mid-air as she prepares to shave the beard of her frightened male patron., Title printed on mount., Photographer's imprint printed on mount., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Rau, William Herman, 1855-1920
Date: c1897
Location: Library Company of Philadelphia | Print Department stereo - Rau - Portraits & genre [P.2008.9]

Title: Illustrations of Philadelphia
Description: Scrapbook containing newspaper clippings, prints, and manuscript notes, predominantly dated between 1856 and 1860, pertaining to the built environment, and social, cultural, economic, and political climate of Philadelphia. Subject matter includes the Sunday Dispatch newspaper column series “Indian Names”; reports on municipal services, including the fire department; population, trade, and crime statistics; mortality rates; real estate sales; descriptions of new building construction, including the Continental Hotel, Jayne Building (1856), new Bank of Pennsylvania (1856), churches, and storefronts on Arch, Market and Chestnut streets and in various wards, including the Twenty-Fourth and Fifteen, and near Rittenhouse Square; commentaries about city businesses and industries, including Harvey & Ford, turners in ivory and bone, Lacey & Phillips, saddler, markets, flour mills, sawing machines, omnibuses, joiner, and envelope and paper bag machinery, and the publishing trade. Other articles discuss fashion trends; the Schuylkill Rangers gang; “Street Nomenclature”; the early histories of Philadelphia, Germantown, Roxborough and Manayunk; benevolent and educational institutions and societies, including the Alms House, Philadelphia Orphan Society and the City Institute; food ways and manufacturing; the growth of Philadelphia; and a “Fistic”, i.e., fighting exhibition at Franklin Hall (1860). Also contains classifieds dated 1786; vignette wood engravings showing top hats, a stove, a plane, and a city fire plug; and satirical articles and illustrations, including African American characters, about the “Fine Arts”, i.e., street trades, fashion, the 1857 mayoral election, and improper use of a heating stove titled "A Picture of the Season.” Majority of graphics are wood and intaglio engravings, predominately advertisements showing storefronts., Graphics depict the Custom House; the Northern Home for Friendless Children; Mills B. Espy, pickels and fruits (109 S. Third.); the exteriors and interiors of Samuel Simes, store and family medicine laboratory (S.W. cor. Chestnut and Twelfth) and Wm. D. Rogers, coach manufactory (Sixth & Master); Loxley House (307 S. Second St.); Church of the Epiphany and Residence of Mr. Godey; Henry A. Bower (“N.E. cor. 6th and Green Sts.”); United States Hotel; Farmer’s and Mechanic’s Bank; Franklin Swimming Bath (68 N. Twelfth); Charles Ellis & Co., wholesale druggists (65 Chestnut.); Jones & Co., clothing store (200 Market); Baker & Williams, ranges & warm air furnaces (406 Market); "Schuylkill River, below Norristown, Pennsylvania"; Philadelphia Steam Marble Works (1700 block Chestnut); Continental Hotel; Consolidation Bank (331 N. Third St.); Union Saw & Tool Manufactory. Johnson & Conway, Office and Wareroom (Fourth & Cherry); and the Bulletin Building., Majority of contents annotated with a date by Poulson., Title page illustrated with a ca. 1856 lithographer's advertisement issued by Wagner & McGuigan. Depicts an allegorical, patriotic scene with the figure of Columbia, attired in a toga, American flag, and laurel wreath, and with a broken shackle under her foot as she stands on a pedestal., Verso of title page contains Poulson inscription: "The dates of the articles herein, are those of the Newspapers &c from they are cut." Inscription framed with cut out designed with ornamental pictorial details., Artists, engravers, printers, and publishers include D. C. Baxter, George T. Devereux, David Scattergood, and Joseph M. Wilson., "Index to set in back part of vol. XI.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Loxley House engraving (p. 14) accompanied by extensive manuscript note by Poulson.
Creator: Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date: 1786-1860, bulk 1856-1860
Location: Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 8 [(8)2526.F]

Title: Illustrations of Philadelphia
Description: Scrapbook containing newspaper clippings and graphics dated between 1858 and 1859 pertaining to the built environment, and social, cultural, economic, and political climate of Philadelphia. Subject matter includes overviews of Central High School, the schism between Orthodox and Hicksite Quakers, and the construction of the Continental Hotel; descriptions of Maelzel's Chess Automoton; reports of sold, new, forthcoming, and razed buildings, particularly on Arch, Chestnut, Walnut, and North Third streets; the development of Fairmount Park; police station and fire hose company demonstrations and events; reports on the state of local trades and manufacturing, including wool, buttons, and straw goods; descriptions of fancy balls of local clubs and organizations, including the Sons of Malta; passed city ordinances, including the forbiddance of market wagons standing on Market Street; church events and pew sales; estate, building, and personal library sales by noted auction house M. Thomas & Sons; public displays of art, including Thomas Sully's "Illustrations of Robinson Crusoe" at the Earle's Galleries; theatre engagements, particularly at Walnut Street Theatre; weather conditions and their effects on the citizenry; and local anecdotes, including scams. Also contains real estate, stock, and cattle market price lists; classified, commencement, benevolent institution, and "Balls and Parties" listings; an illustrated sheet music advertisement for "Philadelphia Passenger Rail Road Polka by Goldsmith"; a public notice against coal ashes thrown on side walks; Poulson's invitations to club meetings (Wistar Party and Franklin Lodge); and periodical illustrations, advertisements, and prints showing businesses, schools, household furnishings and implements, and social satires, predominately about women's fashion., Graphic materials include engravings, lithographs, trade cards and cameo stamps depicting A. Wiltberger, druggist (233 N. Second); Charles Adams, dry goods (Arch & Eighth); D. G. Wilson and J. G. Childs & Co., Philadelphia Plantation & Road Wagon Works (2612 N. Second); Edwin Greble, dealer in foreign and domestic marble (1700 block Chestnut Street); E. P. Moyer & Bros., harness and trunk makers; Gans Leberman & Co. (16 N. Third), wholesale clothing emporium; George Doll & Co., importers of fancy goods (14 N. Sixth); Jones, White & McCurdy Dental College (700 block Arch); Lightfoot, Shoemaker & Co., hats (415 Arch); Mount Vernon Hotel (117-119 N. Second); North, Chase & North, stoves, heaters and ranges (Second anf Mifflin); [Samuel] Simes, chemist (Twelfth and Chestnut); Schaffer & Roberts, fancy goods and notions (429 Market); Watson & Cox, wire manufactory (46 N. Front); Wm. A. Drown & Co., umbrella manufactory (246 Market); Wm. Colbert, Safety Envelope Manufactory (123 S. Fourth); William Warnock, dry goods (39 N. 8th St.); the Hope Hose & Steam Fire Engine Co. No. 2 of Philadelphia; "H. Sebald, Designer & Engraver on Wood"; Maas & Vogdes, fancy printers; [William] McRea, stationer, card engraver & printer; "Phalon’s Cocin or Cocoa-nut Oil"; and "Spalding’s liquid glue." Prints also depict vignette images of cooking ranges, stoves, a piano, and a window awning, and cartoons satirizing ladies crinolines and the political "Salt River.", Majority of contents annotated with a date by Poulson., Title page illustrated with a lithograph and wood engraving. Lithograph is a ca. 1856 lithographer's advertisement issued by Wagner & McGuigan after the work of lithographer Maurice Traubel and artist William Croome. Depicts an allegorical, patriotic scene with the figure of Columbia, attired in a toga, American flag, and laurel wreath, and with a broken shackle under her foot as she stands on a pedestal. Wood engraving shows "Independence Hall.", Verso of title page contains Poulson inscription: "The "Articles" in the book are taken from fugitive sources only; and the dates affixed to each are those of the newspapers &c from which they were procurred." Cut out designed with ornamental pictorial details frames inscription., "Index to set in back part of vol. XI.", Artists, engravers, printers, and publishers include J. H. Byram; George G. Evans; Familton & Chemin; F. Pilliner; David Scattergood; Robert Telfer; [Wellington?] Williams; and Van Ingen & Snyder., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date: 1858-1859
Location: Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 1 [(1)2526.F]

Title: Illustrations of Philadelphia. Vol. IX
Description: Scrapbook containing newspaper clippings, prints, and ephemera predominately dated 1857 and pertaining to the built environment, and social, cultural, and economic climate of Philadelphia. Majority of the contents are articles about city businesses and industries; public interest stories; editorials relating to public concerns and social mores; reports, lists, and statistics; and caricatures and cartoons. Several articles concern the new house numbering system; the chartering of Fairmount and Sedgeley parks; the Academy of Music (New Opera House), including the inaugural ball and first opera season; the temporary relocation of the Post Office; progress of Camden; volunteer fire companies, including the debate over the oldest instituted, new fire houses, and parades; fires on the 300 and 600 blocks of Chestnut (i.e., Peterson/Goodyear building and Melodion); transportation, including omnibus lines and the Camden and Atlantic, and Philadelphia and Baltimore Central railroads; and the new coinage of cents issued from the mint. Also contains numerous columns about building dedications, laying of cornerstones, and improvements and new construction to the city’s infrastructure, including Drown’s Umbrella Manufactory (86 Market); the silver plated ware establishment of John O. Mead (Ninth and Chestnut); the Butler house lot (800 block Chestnut); the hall of the "Colored Masons"; the Spring Garden district and Northwestern section of the city (Twelfth, Thirteenth, and Fifteenth wards); the Pennsylvania Bank building; First Welsh Presbyterian Church (1500 Lombard); the Penn Widow’s Asylum; Washington building (000 block S. Third); and the restaurant of John Campbell (500 block Chestnut)., Other articles describe the Library Company’s receipt of the ca. 1720 Peter Cooper painting of Philadelphia; culture, politics, and economy of the year 1856; local medical schools and hospitals, including Penn Medical University, Jefferson Medical College, Philadelphia small-pox hospital, and Eclectic Medical College; local industries and trades, including Wood & Perot's ornamental iron work establishment, Newell & Knight barrel making machinery and the oyster trade; and Moyamensing Prison. Anecdotal columns and editorials provide commentaries about Philadelphia Insurance companies; Aprils Fools Day; servants; tramps; the city’s “noisy spot” of Third and Chestnut; the lore of stage coaches; popular catch phrases, including those from the theater; the Molly Maquires; the public expense of public lamps and paupers; the importance of newspapers, including as a more perfect venue for advertising than storefront signage; the poor use of the language in classified advertisements; storefront and tavern signages (p.41-42); and the cricket mania. Also contains historical pieces about the University of Pennsylvania; Independence Square; Chew’s Mansion; Zion Lutheran Church; and the Chinese Museum; reports, lists and statistics detailing the crime and mortality rate, sales of stocks and real estate; the retail, cattle and produce markets, meteorology and weather, telegraph use for the year, the comparative health of manufacturing cities, and architectural improvements in progress; a column about how the 1785 city directories represented the population of the city from the series "Philadelphia As It Was"; and an illustrated article about shawls., Graphics, predominately caricatures and cartoons, include lithographs, engravings, and wood engravings. Majority of cartoons satirize the hoop skirt, including the Clara and Charles series. Other cartoons satirize German beer culture, patent medicine, P.T. Barnum, and the social mores of the upper classes. Caricatures, often racist, depict African Americans while at work, including a sweeper, cook, and painter. Prints also include advertisements, vignettes, and views. Advertisements depict the Union hotel (300 block Arch); Thornley & Chism, importers, jobbers and retailers of fancy & staple dry goods (N.E. cor. Spring Garden and Eighth); Lincoln, Wood & Nichols, manufacturers and importers of straw goods; and Fairbank’s patent platform scales. Vignettes depict a knife cleaning apparatus, Olmstead stove, and a piano. Views show a genre scene titled by Poulson "An ‘omnibus’ sleigh and a 'rung' "; the Academy of Music; Jefferson Medical college, Presbyterian Church; Central Presbyterian Church; and "The Performing Elephants" at the National Circus accompanied by the classified for the performance. Scrapbook also contains ephemera, including the "Deaf and Dumb Alphabet" chart inscribed "In use at Phila Institution 1857 as per report Jany 1858" ; a "Premium medal, Franklin Institute"; and two elaborately illustrated tickets to the Pennsylvania Horticultural Society., Majority of contents annotated by Poulson with dates and explicative manuscript notes., Title page trimmed and illustrated with a ca. 1856 lithographer's advertisement issued by Wagner & McGuigan after the work of lithographer Maurice Traubel and artist William Croome. Depicts an allegorical, patriotic scene with the figure of Columbia, attired in a toga, American flag, and laurel wreath, and with a broken shackle under her foot as she stands on a pedestal., Chart "Length of Squares East and West" pasted on verso of title page., Label inscribed "The "Articles" in the book are taken from fugitive sources only; and the dates affixed to each are those of the newspapers &c from which they were procured CAP" pasted on verso of front free end paper., "Index to set in back part of vol. XI.", Insert: “Report of the President of the Girard College to the committee on Instruction September 3, 1850, Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date: 1857-1858
Location: Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 9 [(9)2526.F]

Title: Illustrations of Philadelphia
Description: Scrapbook containing newspaper clippings, prints, drawings and manuscript notes, predominantly dated to the 1850s, pertaining to the history, the built environment, and social climate of Philadelphia. Subject matter includes clippings about Federalists, Leiper Railroad, beer brewing, historic private houses, and Patrick Lyon from the newspaper column series "Reminiscences of Philadelphia" (Christian Observer, 1856), "Philadelphia Peculiarities" (Philadelphia Sunday Mercury, 1856), and "Recollections from the Past" (authored by Poulson) and "To Readers and Anxious Inquirers" (Sunday Dispatch, 1856); articles about the early history of Germantown and Independence Hall, the origin of April Fools, a “Venerable document,” i.e., a 1747 indenture between the Library Company and librarian Robert Greenway, and the 1859 cholera epidemic at the Arch Street Prison; and newspaper advertisements for the Zoological Institute (48 S. Fifth St.), Page's Patent Safety Cab, and Colonel Chaffin, “The Celebrated Dwarf, at the Masonic Hall" (1845). Also contains an editorial about the poor quality of the Philadelphia Directory for 1865; a song sheet "Social Quoit Club" by Charles Alexander inscribed with a note about its provenance by Poulson on the verso; Poulson manuscripts about notable houses, including the Butler Mansion (Chestnut & Eighth Sts.), William Waln House (Chestnut & Seventh Sts.), and James Fisher mansion (Chestnut & Ninth Sts.); and prints, watercolors, and sketches, several created and signed by Poulson, predominantly showing Philadelphia residences, landmarks, and city and landscapes., Graphic materials include a Charles Magnus print after the Trumbull painting, "Declaration of Independence, July 4, 1776"; the captioned George Gilbert illustration "A View of the Grand Civic Arch... in Honor of Lafayette" (1824); a Le Met miniature portrait of Timothy Palmer; a James McClees photograph of the engraving "The Hour of Sunset, on the Fourth of July 1776" and Poulson watercolor and sketches (often with extensive manuscript captions) showing "Episcopal Academy," "A House on the North side of Chestnut Street, next to that on the N.E. corner of Eighth Street, lately occupied by Danl. W. Coxe, Esq. who deceased there June 3, 1852" (1857), "Sketch of the river Schuylkill at Fairmount. The wooden floating bridge and tavern &c by C. A. P. under the tuition of Jemmy Cox, the drawing master," "Jonathan Leedom’s Iron Store, no. 211 S. Front St. or now no. 343," "Sketch of the Emlen or [Benendye?] house Chestnut St. opposite the State house and next to Jacob Ridgway’s house on the east" (1858); and advertising vignettes and cameo stamps for businesses, including a segar store (Mulberry St.), G. S. Appleton, bookseller, publisher & importer of foreign books (148, i.e, 600 block Chestnut St.), W. C. Allen, broom & variety store, and a multi-manned press of “The Saturday Evening Post.” Other images include satiric women's fashion vignettes and a cut out caricature of an African American man advertising Sanford's Opera House., Majority of contents annotated with a date by Poulson., Title page illustrated with a ca. 1856 lithographer's advertisement issued by Wagner & McGuigan. Depicts an allegorical, patriotic scene with the figure of Columbia, attired in a toga, American flag, and laurel wreath, and with a broken shackle under her foot as she stands on a pedestal., Verso of title page contains Poulson inscription: "The "Articles" in the book are taken from fugitive sources only; and the dates affixed to each are those of the newspapers &c from which they were procured.", Back free end paper contains Poulson inscription: "The dates of the articles herein, are those of the Newspapers &c from they are cut.", "Index to set in back part of vol. XI.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date: ca. 1824-1864
Location: Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 2 [(2)2526.F]

Title: Illustrations of Philadelphia. Vol. X
Description: Scrapbook containing newspaper clippings and prints predominately dated 1858 and pertaining to the built environment, and social, cultural, economic, and political climate of Philadelphia. Majority of the contents are articles about city businesses, industries, and municipal services; public interest stories; editorials relating to public concerns and social mores; and reports, lists, and statistics. Subjects include the operation of the fire department, including the introduction and trials of steam fire engines, the discontinuation of fire bells, and the yearly report of the “Fire Detective”; the City Passenger Railroad, including its commencement, progress and improvements to the city, and the auction of former omnibus horses at Herkness’s Auction House; balls, parades, lectures, and other forms of entertainment, including the questionable protocols of the minor theatres, horse racing in Chestnut Hill, and the opera season at the Academy of Music; fashion, including histories of the red petticoat and crinolines, hoop skirts, and satires about style and cost; the prison system, including Eastern State Penitentiary and corruption; the Great Comet and Blizzard of 1858; the removal of the market sheds and increasing the value of properties on Market Street; the inauguration of the Schuylkill Navy; and the economic state of shad fishing and fisheries, the oyster trade, dairy owners, ice dealers, paper manufacturers, and dentists., Several articles also report about city construction, improvements, and renovations. Sites referenced include businesses on downtown Chestnut Street and in South and North Philadelphia (Bailey & Co., silverware; Levy & Cox, retail dry goods store; Caldwell & Co., jewelry; the Butler House Hotel; John McClure, stationery store; John Fuss, lager beer); Church of the Incarnation, and Pine Street Presbyterian and Tabernacle Methodist Episcopal churches; Hunting Park; and the new market house (Sixteenth and Market). Editorials address the institution of a city ordinance against public smoking; the daily inhabitants of the State House Square and Custom House steps; the plight and nuisances of city street beggars, fortune tellers, gamblers, and organ grinders; and the heavy use of opium by Americans. Additional articles discuss Christmas, including retail store windows adorned for the holiday; events and activities of local organizations, including the Washington Monument Association, American Systematic Beneficence Society, American Veterinary Association, and the Newsboys’ Aid Society; auctions by M. Thomas & Sons, including the Howard Tilden estate, the wine cellar of the late Joseph Gratz, and oil paintings sold below market value; the closing of the Jones Hotel; proposal by city commissioner James M. Leidy for the creation of ward maps to aid city development; histories of the 12 1/2 Society and Hurst Mansion; the exercise mania; lost and found advertisements; the “fogyism” and “favoritisim” of the Franklin Institution mechanical exhibitions; and views of historic landmarks and the Hope Hose Company by photographers James McClees (p. 57) and Walter Dinsmore (p. 102)., Reports, lists and statistics detail mortality and crime rates; the domestic, flour, produce, hay, cattle, and pork markets; the weather for the week, season, and year; real estate and stock sales; churches in the city; taxes; the public schools; fire companies; current town topics; and “Local” and “Noteworthy” events, fires, and railroad and steamboat accidents for the year. Also contains the “Annual Message of the Mayor” reporting on the state of the city and classifieds for patent medicines and entertainments, including fortune tellers, the National Circus, and balls and parties attended, according to Poulson, by “firemen, apprentices boys, new boys, gamblers and fancymen" who are the " ‘efficient beaus’ " of the factory girls, milliners, shop girls etc."… on the occasions.” Ephemera includes a “Ticket of Admission to ‘Franklin Hall’ " for the Heenan & Jones Sparring Exhibition., Scrapbook also contains graphics including an albumen print, engravings, wood engravings, trade cards and cameo stamps. Comic and advertising vignettes, caricatures, and advertisements predominate as genres. Comic vignettes include many satirizing the fashion of large hoop skirts. Other vignettes satirize the new police uniform, gentlemen’s collars, the Irish, and African Americans ("Baker-street beauties"). Non-satiric vignettes show predominately home furnishings and wares, including silver utensils and serving ware, boxes for papers and deeds, a wire dish cover, coffee pots and kettles, pudding moulds, perforated nursery lamps, serving platter, and a double oven cooking stove. Caricatures (some hand-colored) depict burglars (annotated by Poulson as “ ‘fair hits’ at…the inconsiderable folly of the ‘compassionate’”); "The City Inspector," i.e., a street rag picker; the crude manner of men “on the balconies in front of the ‘gentleman saloons’”; a ‘Schuylkill Ranger’ and “chocker’ gang member; “A Juvenile Party” annotated as "A fair hit at precosity [sic]"; Kris Kringle; and comparisons of country and city doctors, store-keepers, and belles., Advertisements include views of " 'Sharpless’ new store on the N.W. cor. of Chestnut and Eighth Street (Butler property)' "; Crystal Building, F.H. Smith, forte monnaie, pocket book, & dressing case manufacturer (Fourth and Chestnut); Barnes cough syrup establishment (333 Chestnut); Giovanni & Oliver, wholesale fruit store (248 Market); Bailey & Co., British sterling silver ware (819 Chestnut); Perry & Erety, booksellers, binders & stationers (Fourth and Race); Warnick & Leibrandt, Philadelphia Stove Works & Hollow-Ware Foundry (First Wharf above Noble Street); Girard House ( 800 block Chestnut); Henry O.B. Banks, paint and glass store (400 block Callowhill) French, Richards & Co., wholesale, drug, paint & glass warehouse (1000 block Market); M’Daniels & Fort, saddlery, hardware & coach trimmings (101 N. Third); Wright, Hunter & Co., plumbers and gas fitters (900 Walnut); Moore’s Porter & Ale Brewery (1300 block Fitzwater); Anspach, Jacoby & Co., dry goods (Third and Cherry); J. Thornley’s India Rubber Emporium (311 Chestnut); John C. Keller, stove manufacturer (Ridge Avenue and Willow Street); St. Lawrence Hotel (1000 block Chestnut); Merchant’s Hotel (000 block N. Fourth Street); Mansion House (1000 Market); and Weymer & Brothers, dealers in warm air furnaces, stoves, and ranges & c. (1000 block Coates). Graphics also depict a photographic reproduction of a daguerreotype of the moon, a hand-colored illustration showing lady’s "Winter Fashions," and an illustration of "Lalla Rookh, The Tight Rope Elephant" annotated “exhibited at ‘Dan Rice’s great show’ … 29th of March 1858.” Many of the advertisements include street and pedestrian traffic and merchandise displays., Majority of contents annotated by Poulson with dates and manuscript notes, particularly social commentaries., Title page illustrated with a ca. 1856 lithographer's advertisement issued by Wagner & McGuigan after the work of lithographer Maurice Traubel and artist William Croome. Depicts an allegorical, patriotic scene with the figure of Columbia, attired in a toga, American flag, and laurel wreath, and with a broken shackle under her foot as she stands on a pedestal., Front free end paper contains Poulson inscription: "The "Articles" in the book are taken from fugitive sources only; and the dates affixed to each are those of the newspapers &c from which they were procured CAP." Inscription framed with cut out containing filigree and an eagle. Clipped vignette of a pointed finger also pasted on page., "Index to set in back part of vol. XI.", Artists, engravers, printers, and publishers include Calvert & McClaine, Robert Crump, M’laughlin Bros, J.B. Neagle, E. Rogers, J. Spitall, and J.W. Steel., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date: 1857-1858
Location: Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 10 [(10)2526.F]

Title: [William H. Helfand miscellaneous popular medicine ephemera collection]
Description: Collection of ephemera primarily from the pharmaceutical and medical trades. Contains trade cards, business cards, illustrated envelopes, and small-format advertising fliers, calendars, circulars, and cards. Firms and businesses represented include Boston Chemical Company; C.I. Hood & Co.; H.H. Warner & Co.; Maltine Manufacturing Co.; The Newton Horse Remedy Co.; Smith, Kline & French; and Voigt Milling Co. Products advertised include Eskay's albumenized food; cough and kidney cures; balsams; liver pills; heaves and distemper cure; smelling salts; electro-silicon and crudoform liniment; and an obstetric calendar. Illustrations depict various subjects, including storefronts and factories, children, a horse-drawn sulky, a policeman, portraiture, genre and comic scenes, patent medicines, and patriotic and allegorical figures. An envelope containing a vignette of the New York state seal also included as part of the collection., Title supplied by cataloger., Various engravers and printers, including Holyoke Electro. Co.; Ketterlinus; and Rode & Brand Lith. Co., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand., Housed with William Helfand Graphic Popular Medicine Ephemera Collection.
Date: [ca. 1880-ca. 1898]
Location: Library Company of Philadelphia | Print Department Helfand Misc. Popular Medicine Ephemera Collection [P.2010.36]

Title: [Miscellaneous prints from the Joe Freedman collection of Philadelphia ephemera]
Description: Collection of miscellaneous prints, including promotional novelties, vignettes, views, proof sheet of banknotes, a photograph reproduction, and a postcard. Imagery depicts City Hall, Continental Hotel, Girard Fire Insurance Company, interior of Independence Hall, "Bird's Eye View from Lemon Hill" showing the Fairmount Water Works, Market Street and Delaware Avenue, the storefront of optician William Y. McAllister and Alex. R. Harper & Bro., watches (728 Chestnut), and vignettes showing miners at work, and a view of laborers at work in a stone quarry juxtaposed with a view of Native American persons. Also includes a 1777 German calendar illustration showing Philadelphia along the Delaware River (.193x); an 1804? lottery ticket for the African Church of St. Thomas (.190x); a ca. 1833 proof sheet of bank notes in German for The Western Bank of Philadelphia; a ca. 1830 textile sewn on paper and illustrated with a genre scene in front of the "House of Refuge, Philadelphia"; a pocket-size political print depicting Philadelphia mayor-elect Morton McMichael holding a fox by its tail to satirize his 1865 election win over Daniel M. Fox; and a 1919 calligraphic envelope (in color inks) addressed to Mrs. Sarah Zook, Temple University Hospital, Broad & Ontario Streets, Phila, Pa. Some prints also depict street and pedestrian traffic. Vignettes are possibly specimens for illustrations on certificates., Title supplied by cataloger., Artists, photographers, and publishers include C. G. Childs, W. N. Jennings, and The Rotograph Co., P.2013.87.190x and 193x in frames and housed separately in phase box., Description revised 2021., Access points revised 2021.
Date: [ca. 1830-ca. 1950, bulk ca. 1860-ca. 1890]
Location: Library Company of Philadelphia | Print Department Freedman Collection - Box 2 - Miscellaneous [P.2013.87.2; 185-195x], Library Company of Philadelphia | Print Department Freedman Collection - Lottery & Calendar Illustrations [P.2013.87.190x and 193x]

Title: [William H. Helfand graphic popular medicine ephemera collection]
Description: Collection of illustrated ephemera, primarily letterheads, billheads, receipts, and fliers, for pharmaceutical firms in the United States (predominantly New England, Mid-Atlantic, and Mid-West), and London issued between 1800 and 1940. Firms well represented include Frederick Stearns & Co.; Maltine Manufacturing Company; and Wm. R. Warner & Co. Materials also document The Altenheim Dispensary; C.A. Bartlett & Co.; Dr. Shoop Family Medicine Co.; Henry K. Wampole & Co; J. N. Harris & Co.; J. H. Schenck & Son; John C. Baker Co.; Johnson & Johnson; National Remedy Company; R. H. Steward Company, Inc.; and Upjohn Pill & Granule Co. Also contains advertisements, bags, calendars, envelopes, illustrations, label proofs, and show cards. Prominent firms represented include Antikamnia Chemical Company; A. Vogeler & Co. (later Charles A. Vogeler Co.); Charles E. Hires Company; Lehn & Fink; Lydia Pinkham; and Morse Yellow Dock Root Syrup Company. Other firms, businesses, and products include Arctic Soda Apparatus; Barker's Cheveux Tonique; Chamberlain's remedies; Dr. Peiro Oxygen treatment; George T. Brown & Co.; A. Gsell; Merchant's Gargling Ointment; Mrs. S. A. Allen's Improved Hair Restorer; T. Jacob's Oil; Tilden & Company; and Wright's Indian Vegetable Pills., Illustrations depict various subjects. The most numerous are views of pharmaceutical factories and storefronts, often including street and pedestrian traffic. Imagery also depicts pharmaceutical and soda apparatus; genre and satiric scenes; children and animals; portraiture; the devil and death; and figures in traditional Japanese costume. Collection also includes ca. 1800 trade card "The Front of Swinton’s Original [Anthony] Daffy’s Elixir Warehouse, Salisbury Square, Fleet Street London"(Advertisements); "The Grand Stand Baseball Game" advertising the laxative "Pluto Water" (Advertisements); a placard for Fowler & Wells Co. containing an image of a phrenological head and corresponding explanatory key (Miscellaneous); and a sheet of stamps advertising Daggett & Ramsdell's Ha-Kol headache remedy (Miscellaneous)., Title supplied by cataloger., Various engravers and printers, including J. Bonsor; Detroit Lith. Co.; Donaldson Brothers; Doty & Bergen; R. Gair; Major & Knapp Eng. Mfg. & Lith. Co.; The Meisenbach Co.; The Richmond Lith. Co.; A. W. Robinson; and Strobridge Lithographing Co., Majority of the letterheads, billheads, and receipts contain manuscript and typewritten notes. Subjects include solicitations, giveaways with purchases, receipt of testimonials, corrections of mailing lists from postmasters, price lists, and the potential cost to consumers of the stamping of proprietary medicines (1898)., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand., Digitized for AMD: Popular Medicine. Series I.
Date: [ca. 1800-1931, bulk 1870-1900]
Location: Library Company of Philadelphia | Print Department Helfand Graphic Popular Medicine Ephemera Collection [P.2010.37]

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