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- Title
- Colossal hand and torch "Liberty"
- Description
- View of Bartholdi's Electric Light or Liberty Enlightening the World hand and torch statue on display near the lake. A group of men, including an African American man in the foreground, stand near the kiosk and two white men stand on the balcony of the torch. The Women's Pavilion designed by Hermann J. Schwarzmann and Horticultural Hall designed by James H. Windrim are partially visible in the background. Money raised at the fair, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art, helped to pay for the completion of the statue and pedestal., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Stamped on mount: Grade 2., White curved mount with rounded corners., Purchase 1989., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Centennial Photographic Co.
- Date
- 1876
- Location
- Library Company of Philadelphia | Print Department stereo - Centennial Photographic Co. [P.9260.45]
- Title
- Colossal hand and torch "Liberty"
- Description
- View of Bartholdi's Electric Light or Liberty Enlightening the World hand and torch statue on display near the lake. A group of men, including an African American man in the foreground, stand near the kiosk and two white men stand on the balcony of the torch. The Women's Pavilion designed by Hermann J. Schwarzmann and Horticultural Hall designed by James H. Windrim are partially visible in the background. Money raised at the fair, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art, helped to pay for the completion of the statue and pedestal., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Stamped on mount: Grade 2., White curved mount with rounded corners., Purchase 1989., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Centennial Photographic Co.
- Date
- 1876
- Location
- Library Company of Philadelphia | Print Department stereo - Centennial Photographic Co. [P.9260.45]
- Title
- International Live Stock Exhibition, Philad'a, 1876
- Description
- Series of views depicting thoroughbred horses at the International Live Stock Exhibition on the Centennial grounds in 1876 include, "Graphic," owned by W.T. Cook of Foxborough, Massachusetts, "Bismark," owned by F.G. Wolbert of Jersey City, New Jersey, and two thoroughbred stallions from Canada. Also shows a view of the "Herefords" shed and three herefords (a type of cattle bred for market) on view during the livestock display at the Centennial Exhibition of 1876 in Philadelphia. The cattle display was held under the auspices of the Department of Agriculture from September 21st until October 4th. An African American man holds the bridle of one of the steer on display before the shed., Title printed on mounts., Publisher's imprint printed on mounts., Printed labels and manuscript notes on versos of four stereographs [P.9915.3-6] provide names of owners, horses, and statistics. Owners and horses illegible on two because of damage to labels., Yellow mounts with rounded corners., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Four of the images gift of Helen Beitler, 2001 [P.9915.3-6], One of the images gift of Robert M. Vogel, 1984 [P.9047.66]
- Date
- 1876
- Location
- Library Company of Philadelphia | Print Department stereo - Hovey - Exhibitions [P.9047.66; P.9915.3-6]
- Title
- George's Hill
- Description
- View of the bandstand, built in 1872, on George's Hill near Fifty-Second Street in West Fairmount Park. Also shows a flag pole and three horse-drawn coaches with passengers parked in the foreground. Two African American men, possibly carriage drivers, stand nearby. The hill was given to the city by siblings Jesse and Rebecca George in 1868., Title from manuscript note on mount., Photographer's imprint obscured by photograph pasted on mount., Stamped on verso: Copyrighted Kiralfy Bros., Philadelphia, 1876., Pink curved mount with rounded corners., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James, 1990., Digitized.
- Creator
- R. Newell & Son, photographer
- Date
- 1876
- Location
- Library Company of Philadelphia | Print Department stereo - Newell - Parks [P.9299.83]
- Title
- East front of Main Building
- Description
- Oblique view of the east front of the Main Building on the grounds of the Centennial Exhibition of 1876 designed by Henry Pettit and Joseph M. Wilson. In the foreground, a white man rests his right foot on a box as he has his shoes polished by an African American man, who kneels on the ground. Two white men browse through a box of goods that an African American man peddler, attired in a white hat and apron, carries on a strap around his shoulders. Two other white men stand to the right and look at the viewer. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title and photographer's imprint on mount., Orange mount with rounded corners., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel, 1984., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., George Barker was a prolific New York stereographer in the 1860s whose gallery catered to the tourist trade in Niagara Falls.
- Creator
- Barker, George, 1844-1894
- Date
- [ca. 1876]
- Location
- Library Company of Philadelphia | Print Department stereo - Barker - Centennial [P.9047.69]
- Title
- East front of Main Building
- Description
- Oblique view of the east front of the Main Building on the grounds of the Centennial Exhibition of 1876 designed by Henry Pettit and Joseph M. Wilson. In the foreground, a white man rests his right foot on a box as he has his shoes polished by an African American man, who kneels on the ground. Two white men browse through a box of goods that an African American man peddler, attired in a white hat and apron, carries on a strap around his shoulders. Two other white men stand to the right and look at the viewer. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title and photographer's imprint on mount., Orange mount with rounded corners., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel, 1984., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., George Barker was a prolific New York stereographer in the 1860s whose gallery catered to the tourist trade in Niagara Falls.
- Creator
- Barker, George, 1844-1894
- Date
- [ca. 1876]
- Location
- Library Company of Philadelphia | Print Department stereo - Barker - Centennial [P.9047.69]
- Title
- Cotton field
- Description
- Depicts African American women and children picking and collecting cotton in the field. In the center, an African American woman, attired in a short-sleeved dress, stands facing left with a bag slung over her shoulder. In the left, a child looks at the viewer, and an African American woman, attired in a dress with the sleeves rolled to the elbows and an apron, holds cotton in her hands in front of a large basket filled with cotton. In the right, a young girl holds a large basket filled with cotton on her head. Two more women and a child look at the viewer. In the background is a house and trees., Contains paper label on verso printed by Jas. L. Gow, including photographer's imprint and advertisement: A large stock of Views of Negro Groups, Cabins, Teams, Cotton Fields, and Plants, etc. kept constantly on hand. Also, Florida, Georgia, and South Carolina Views., Yellow mount with rounded corners., Advertised in The Philadelphia photographer, March 1875, p. 96., Purchase 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., James A. Palmer (1825-1896) was an Irish American photographer who produced thousands of stereographs about life in Aiken, South Carolina and Georgia, specializing in photographs of the African American community.
- Creator
- Palmer, J. A., photographer
- Date
- [ca. 1875]
- Location
- Library Company of Philadelphia | Print Department stereo - miscellaneous photographer - Palmer [P.2002.4.6]
- Title
- Cotton field
- Description
- Depicts African American men, women, and children picking and collecting cotton in the field. In the center, an African American man, attired in a long-sleeved shirt that is open at the chest, holds a handful of cotton that he puts in a bag strapped across his chest as he looks at the viewer. In front of him is a basket full of cotton. In the left, an African American woman, attired in a head kerchief, a plaid, long-sleeved dress, and a dark-colored apron, stands and looks at the viewer. To the left, two people are bent over at the waist picking cotton. Two children and two women stand in the field and look at the viewer. In the background is a house and trees., Yellow mount with rounded corners., Contains paper label on verso printed by Jas. L. Gow, including photographer's imprint and advertisement: A large Stock of Views of Negro Groups, Cabins, Teams, Cotton Fields, and Plants, etc. kept constantly on hand. Also, Florida, Georgia, and South Carolina Views., Advertised in The Philadelphia photographer, March 1875, p. 96. [LCP Per P 81]., Purchase 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., James A. Palmer (1825-1896) was an Irish American photographer who produced thousands of stereographs about life in Aiken, South Carolina and Georgia, specializing in photographs of the African American community.
- Creator
- Palmer, J. A., photographer
- Date
- [ca. 1875]
- Location
- Library Company of Philadelphia | Print Department stereo - miscellaneous photographer - Palmer [P.2002.4.5]
- Title
- Col. R. S. Strader horses - Bulletsville Boone Co Ky
- Description
- View showing five horses, including Burlington and Draco, under the inspection of two men standing near a dog, in front of a stable in Bulletsville, KY. Shows Draco, grandson of the great trotter Alexander's Abdallah, attached to a manned sulky and the other horses controlled by groomsmen, including an African American man. Two white women and two young, white boys stand near the men., Yellow mount with rounded corners., Photographer's imprint printed on mount., Title from manuscript note on mount., Manuscript note on mount: Burlington Draco - in sulky., Manuscript note on verso: Burlington/ 1870 by Wyatt's Abdallah son of Alexander Abdallah; dau a mare by Yankee Boy. Draco/ 1853 by Perkin's Young [Morril?]; dam the dam of Danville Boy & Draco 2nd., Gift of Helen Beitler, 2002., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Schreiber & Sons specialized in photography of domestic animals and photographed almost every noted horse in North America during the latter nineteenth century.
- Creator
- Schreiber & Sons, photographer
- Date
- [ca. 1872]
- Location
- Library Company of Philadelphia | Print Department stereo - Schreiber & Sons - Animals [P.2002.67.37]
- Title
- [Diorama of a scene from the American Revolution displayed at the 27th Annual Exhibition of the Pennsylvania State Agricultural Society, held in the Main Building, Fairmount Park, Phila., 1880]
- Description
- Shows the diorama displayed at the annual exhibition of the Pennsylvania State Agricultural Society in 1880 showing British troops during the Revolutionary War marching in formation past a residence adorned with a banner inscribed, "Don't Tread on Me." The family stands outside of the house, and an African American woman domestic stands in the front doorway., Title supplied by cataloger., Text printed on mount: 27th Annual Exhibition of the Penna State. Agricultural Society, held in the Main Building, Fairmount Park, Phila., 1880., Publisher's imprint printed on mount., Yellow mount with rounded corners., Gift of Francis James Dallett, 1994., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- E.F. Hovey, pub., 813 Arch St
- Location
- Library Company of Philadelphia | Print Department stereos - Hovey - Exhibitions [P.9461.2]
- Title
- View in old park
- Description
- View looking north from the south garden, adorned with trees and benches, at the Fairmount Water Works on the Schuylkill River. In the left, an African American, attired in a bowler hat, a white shirt, a dark-colored waistcoat, and pants, possibly a groundskeeper, stands with a broom. Two park guards stand and converse in front of the Diana statue at the base of the promenade leading to the inclined walkway on Reservoir Hill. Another man walks down the promenade toward the guards. In the foreground, a man, attired in a bowler hat, a white shirt, and dark-colored pants, stands leaning his left arm on a tree with his back to the viewer. The waterworks, originally built between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff, were altered and expanded until 1872. The south garden was laid out in the 1830s., Attributed to James Cremer., Title from manuscript note on verso., Orange mount with rounded corners., Accessioned 1989., Description revised 2021., Access points revised 2021., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Creator
- Cremer, James, 1821-1893
- Date
- [ca. 1875]
- Location
- Library Company of Philadelphia | Print Department stereo - Cremer - Public Utilities [P.9260.51]
- Title
- [Pine grove, West Fairmount Park, Philadelphia, Pa.]
- Description
- View from a grove of pine trees in West Fairmount Park looking northeast toward the Schuylkill River. In the right foreground, two African American men park guards, attired in caps and uniformed suits, stand in a field divided with wooden fences. In the distant background, the New York Connecting Railway Bridge is visible., Possibly by R. Newell & Son., Title supplied by cataloger., Orange mount with rounded corners., Manuscript note written on verso: "Pine Grove.", Retrospective conversion record: original entry, edited., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Jane Carson James, 1990.
- Date
- [ca. 1875]
- Location
- Library Company of Philadelphia | Print Department stereo - unidentified - Parks [P.9299.44]
- Title
- Wissahickon
- Description
- View showing the Wissahickon Creek hostelry, Old Log Cabin Hotel, reconstructed out of the log cabin built during William Henry Harrison's 1840 presidential campaign, operated by Tommy Llewellyn. The hotel containing a dining room, drinking room, and ladies saloon, also displayed wildlife as a novelty attraction. A white woman and an African American man with a horse stand in front of the hotel. The creek is visible in the foreground. The hotel was razed in 1872., Title from manuscript note on mount., Inscribed in negative: 76., Orange mount with rounded corners., Reissue of a circa 1870 view entitled "Old Log Cabin" by R. Newell & Son of Philadelphia from the series "Stereoscopic views. Fairmount Park views.", Retrospective conversion record: original entry, edited., Gift of Jane Carson James, 1990., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Creator
- R. Newell & Son
- Date
- [ca. 1875]
- Location
- Library Company of Philadelphia | Print Department stereo - Newell - Hotels [P.9299.50]
- Title
- Indian Rock Hotel
- Description
- Exterior, oblique view depicting the roadhouse hotel opened in 1848 by Reuben Sands north of Rex Avenue Bridge near Indian Rock in the Wissahickon Valley. Shows the two-story building with a covered veranda. Two white men stand leaning against the columns on the veranda, while another man stands on the ground. A white woman with a young girl stand behind the bannisters on the second-story veranda. An African American man, attired in an apron, stands in the left on a staircase beside the house. The hotel was sold to the Fairmount Park Commission in 1872 and Sands opened a second Indian Rock Hotel at a nearby location., Pale pink mount with rounded corners., Paper label on verso listing over sixty Fairmount Park stereoscopic views published by the firm., Retrospective conversion record: original entry, edited., Reproduced in Joseph D. Bicknell's The Wissahickon in History, Song, and Story written for the City History Society of Philadelphia and read at the meeting of October 10, 1906 (Philadelphia, 1908), p. 18., Purchase 1989., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Newell and Son, a partnership between Robert and his son Henry, was active from around 1870 until 1897 and the death of the elder Newell.
- Creator
- R. Newell & Son
- Date
- [ca. 1872]
- Location
- Library Company of Philadelphia | Print Department stereos - Newell - Hotels [P.9260.69]
- Title
- The Centennial - George's Hill from Elm Avenue
- Description
- View from the Centennial Exhibition of 1876 depicting an African American man standing next to an occupied horse-drawn passenger cart decorated with flags and posters in front of George's Hill in Fairmount Park. The observation tower upon the hill, and several sheds, pavilions, and tents are seen in the background., Title and photographer's imprint on mount., Number 1017 in a series of views entitled: The Centennial., Manuscript note on verso: No. 21., Manuscript note on verso: Isaac Sterns Burlington, VT., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel, 1984., George Barker was a prolific New York stereographer in the 1860s whose gallery catered to the tourist trade in Niagara Falls.
- Creator
- Barker, George, photographer
- Date
- [ca. 1876]
- Location
- Library Company of Philadelphia | Print Department stereo - Barker [P.9047.20]
- Title
- Lincoln Monument, Phila. Park
- Description
- View showing the Lincoln Monument at the entrance (Kelly and Lemon Hill Drives) of Fairmount Park surrounded by men who stand and look at the viewer, including white men spectators and three men guards, one possibly African American, attired in caps with insignia pinned to their lapels, and holding swords. In the right, two white men sit within a horse-drawn carriage. Sculpted by Randolph Rogers, Abraham Lincoln is depicted seated with a quill in his hand after just signing the Emancipation Proclamation. The statue rests upon a pedestal adorned with sculpted garland, bronze eagles, and the City of Philadelphia's Coat of Arms. The granite base is adorned with four panels inscribed with a dedication to and quotes from Lincoln of which two are visible. Unveiled in September 1871, the monument was commissioned by the Lincoln Monument Association, one of the first such associations formed in the country to raise funds for a city monument in memory of Lincoln. City Park Hotel is seen in the background., Manuscript note written on verso: K. Duefor? Oct. 21, 1871., Photographer's imprint stamped on verso., Distributor's label on verso: E. Borhek & Son, Opticians, No. 628 Chestnut St., Monument described in Fairmount Park Association's Sculpture of a City: Philadelphia's treasures in bronze and stone (New York: Walker Publishing Company, 1974) p. 46-52. (LCP Print Room Uy 8, 3208.F)., Monument described in Penny Balkin Bach's Public art in Philadelphia. (Philadelphia: Temple University Press, 1992) p. 49-50, 198. (LCP Print Room Is 4, 9379.Q)., Purchase 1989., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Creator
- R. Newell & Co., photographer
- Date
- [ca. 1871]
- Location
- Library Company of Philadelphia | Print Department stereo - Newell - Monuments and statues [P.9260.68]
- Title
- Children's goat carriage. American scenery. Central Park N.Y
- Description
- View of an open air children's goat carriage steered by an African American man coach driver in New York City's Central Park. The driver, attired in a white collared shirt, a black bowtie, a dark-collared suit, and a brimmed hat, holds the reins to two white goats with horns. Riding as passengers in the carriage are two white girls, attired in fine hats and coats. In the right background, a white woman and two children sit on a bench., Title from item., One of a series of copy issues entitled: American Scenery., Gift of Saul Koltnow, 1984., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Date
- [ca. 1874]
- Location
- Library Company of Philadelphia | Print Department stereographs - unidentified - Non-Philadelphia-New York [P.9022.23]
- Title
- A group of natives, Chipigana. Tropical Scenery. Darien Expedition
- Description
- Stereoview depicting a group of Panamanian Black men and boys posed in front of huts and next to their half-made canoes. View from T.O. Selfridge's 1870-1871 naval expedition of the Isthmus of Darien. Authorized by the U.S. Government, Selfridge explored and surveyed the area as a possible route for a ship canal in Panama. He was accompanied by photographer T.H. O'Sullivan in 1870 and Philadelphia photographer John Moran in 1871., Title from item., Publication information supplied by Darrah., Manuscript note on verso: Bessie J. Smith., J.F. Jarvis was the largest manufacturer of stereoviews in Washington D.C. during the late 19th century. He published his own trade list and numerous views of government surveys., Gift of Eleanor Smith, 1977., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Jarvis, J. F. (John Fillis), 1849-1931
- Date
- [1870 or 1871]
- Location
- Library Company of Philadelphia | Print Department stereos - Darien Expedition [66653.D.10]
- Title
- International live stock exhibition, Philad'a., 1876
- Description
- View of the "Herefords" shed and three herefords (a type of cattle bred for market) on view during the livestock display at the Centennial Exhibition of 1876 in Philadelphia. The cattle display was held under the auspices of the Department of Agriculture from September 21st until October 4th. A number of men stand around the shed and near the cattle and look at the viewer. An African American man holds the bridle of one of the steer on display before the shed., Title printed on mount., Date from copyright statement: Copyright 1876 by E.F. Hovey, publisher, 1113 Chestnut St. Phila., Gift of Robert M. Vogel, 1984 [P.9047.66]., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- 1876
- Location
- Library Company of Philadelphia | Print Department stereos - Hovey [P.9047.66]
- Title
- Future rulers of Florida U.S.A
- Description
- Racist scene showing an African American family of a mother, father, and four children seated on the porch to a wooden dwelling. In the left, the mother breastfeeds her youngest child, a baby. She is seated next to her three older, but young children. The father sits to the right on the other side of the children who sit and stand. He has his arm behind the next to youngest child. The mother is attired in a kerchief, plain shirtwaist, and long, plain skirt. The father wears a vest, shirt sleeves, pants, and work boots. The children are attired in worn shirts and the oldest also in worn pants., Title printed on negative., Yellow mount with curved corners., Date inferred from format of stereograph., Gift of Ivan Jurin., RVCDC, Description revised 2022., Access points revised 2022.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department stereo - unid. photo - Portraits & Genre [P.2019.2.2]
- Title
- [Mount Pleasant mansion, Fairmount Park, Philadelphia.]
- Description
- Exterior view of the front of Mount Pleasant Mansion (i.e. Arnold Mansion) main house built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. View shows wildflowers in bloom on the front lawn and benches lining the front walk. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Date inferred from type of mount., Orange mount with rounded corners., Series title printed on mount., Title supplied by cataloger., Title printed on mount erroneously identifies site as Washington's Headquarters - Fairmount Park., Gift of Raymond Holstein, 2011., Description revised 2021., Access points revised 2021.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department Holstein stereo - Fairmount Park [P.2011.47.1013]
- Title
- Customer. "Rather cool weather Pete, for a close crop like that." Pete. "Can't help it Boss---the proprietor says long hairs gits in de wittles."
- Description
- Reproduction of a drawing of a racist, comic scene showing an African American waiter serving a bearded, white man seated at a restaurant table. The African American waiter is depicted with exaggerated features, including an oblong-shaped head. He wears a black suit, a white shirt with a high collar, and an apron around his waist. The waiter stands beside the table that is covered in a tablecloth. He rests his left hand on it and holds a bowl of soup on a saucer in his right. The customer, attired in a tuxedo, rests his left arm near a pitcher, glass, napkin and condiment display on the table. In the background, a bald man, sits and eats at a nearby table. Paneling adorns the walls of the restaurant on which the morphed shadow of the waiter is visible., Title printed on negative., Yellow mount with curved corners., Date inferred from attire of depicted figures., Gift of David Long., RVCDC, Description revised 2022., Access points revised 2022.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department stereo - unid. photo - Portraits & Genre [P.2018.16.8]
- Title
- Uncle Jimmie, Beaufort, S.C
- Description
- Stereograph depicting “Uncle Jimmie,” an older African American man knitting the corner edge of a mesh fishing net extended out in front of him from a pole on the porch of a wood cabin. Shows the man, with receding, short, cropped hair, seated, and in profile. He wears a white, long-sleeve, button-down shirt; dark-colored pants; and work shoes. The man, possibly Gullah, uses a flat rule and needle on the edge of the net. Behind the man, in the background, an open door to an entryway with an open window is visible. A vertical beam is also visible in the left of the image. Knitting fish net was and is one of a number of Gullah traditions (customs developed by enslaved Africans living along the Atlantic coast of South Carolina) practiced in Beaufort, S.C., Title from manuscript note on verso., Date inferred from active dates of Wilson & Havens partnership., Orange mount with rounded corners., Description reviewed 2022., Access points revised 2022.
- Creator
- Wilson & Havens, photographer
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department stereo - misc. photographer - Wilson & Havens [P.2020.38]
- Title
- Diorama - Washington at Yorktown
- Description
- View of the diorama with mannequin figures and a painted backdrop exhibited during the Centennial Exhibition of 1876 recreating a scene from the Battle at Yorktown in October 1781. Shows troops marching and parading before officers, including Washington, on horseback. An African American man stands beside a horse, who is possibly a portrayal of Washington's enslaved valet William Lee. The diorama by Colonel F. Lienard was displayed within a skating rink at Twenty-Third and Chestnut Streets. Figures of Generals Lafayette and Rochambeau were also portrayed., Title from item., Publisher's imprint printed on verso., Buff mount with rounded corners., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., See "Washington at Yorktown," Philadelphia inquirer, December 13, 1875., See related print [Philadelphia roller skating rink, Twenty-third and Chestnut Streets, Philadelphia] (trade card - Philadelphia [P.9839])., Purchase 2001.
- Creator
- Centennial Photographic Co.
- Date
- Centennial Photographic Company
- Location
- Library Company of Philadelphia | Print Department stereo - Centennial Photographic Company [P.9982.2]
- Title
- [Stereograph showing the office of the Grand Union Hotel advertising Maine druggists J.H. Irish & Co. on verso]
- Description
- Interior view of the office of the Grand Union Hotel in Saratoga Springs, N.Y. showing two employees at the front desk. An African American man, attired in a suit, stands and leans his left elbow on the desk. A white man, attired in a suit, stands behind the desk with a large book opened in front of him. Architectural details of the large space include columns draped in flower garlands, a tiled floor, and a large clock hanging above the desk. Built originally as Gideon Putnam's tavern and boarding house in 1802, the hotel formed through many expansions and additions. The name of the hotel as it appears on the stereograph was adopted in 1869. Demolished 1852-1853., Title supplied by cataloger., Yellow mount with rounded corners., Advertisement printed on verso printed by Wm. Miller Co., 57 Cedar, N.Y.: J.H. Irish & Co., druggists and apothecaries, dealers in drugs, medicines, chemicals, fancy and toilet articles, school books, stationery, periodicals, etc., Gorham, Maine. Physicians' prescriptions carefully compounded., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand., Description revised 2021., Access points revised 2021.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department *Helfand Patent Medicine Trade Card Collection - Pharmacists - I [P.9828.6186]