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Title: [William H. Helfand miscellaneous popular medicine ephemera collection]
Description: Collection of ephemera primarily from the pharmaceutical and medical trades. Contains trade cards, business cards, illustrated envelopes, and small-format advertising fliers, calendars, circulars, and cards. Firms and businesses represented include Boston Chemical Company; C.I. Hood & Co.; H.H. Warner & Co.; Maltine Manufacturing Co.; The Newton Horse Remedy Co.; Smith, Kline & French; and Voigt Milling Co. Products advertised include Eskay's albumenized food; cough and kidney cures; balsams; liver pills; heaves and distemper cure; smelling salts; electro-silicon and crudoform liniment; and an obstetric calendar. Illustrations depict various subjects, including storefronts and factories, children, a horse-drawn sulky, a policeman, portraiture, genre and comic scenes, patent medicines, and patriotic and allegorical figures. An envelope containing a vignette of the New York state seal also included as part of the collection., Title supplied by cataloger., Various engravers and printers, including Holyoke Electro. Co.; Ketterlinus; and Rode & Brand Lith. Co., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand., Housed with William Helfand Graphic Popular Medicine Ephemera Collection.
Date: [ca. 1880-ca. 1898]
Location: Library Company of Philadelphia | Print Department Helfand Misc. Popular Medicine Ephemera Collection [P.2010.36]

Title: Scrapbook with periodical illustrations, comic valentines, and patent medicine advertisements
Description: Eccentrically-arranged scrapbook predominantly containing newspaper clippings, patent medicine almanac advertisements, and comic valentines. Also contains scraps, trade cards, and labels. Clippings, many published in the sensational periodicals “National Police Gazette” and “Days' Doings” primarily depict illustrations of murders and violence, crimes and punishments, human curiosities, animal attacks, human peril, women in distress, evocative theatrical performances, acts of daring, cross dressing and comic scenes in silhouette.

Title: [Scrapbook of prints and clippings]
Description: Scrapbook containing primarily clipped book and periodical illustrations, as well as newspaper clippings from the 1820s to circa 1840. Illustrations predominantly depict portraits of prominent figures, including Capt. Nicholas Biddle and Gen. Anthony Wayne; landscapes, including Fairmount Water Works, Paris, and Italy; European dwellings; and genre, sentimental, and allegorical scenes, including depictions of children with animals, scenes of courtship, amusement, and solemnity; literary allusions; and a "Hen Humming Bird with her Nest of Eggs." Clippings, a number from the National Gazette, contain poems, parables, obituaries, biographical sketches, and literary references. Other topics include advice to save costs from the hardship of winter in Philadelphia, including lessening wages for servants and purchasing less butter at market; the importance of medical testimony; and a positive review of the recitation of a George A. Boker poem of war by Smith. Scrapbook also contains a silhouette of a soldier on horseback and tipped-in printed works, including the program for the wedding of Queen Victoria in 1840; ca. 1887 trade cards for the Au Bon Marche Paris department store; the 1857 illustrated songsheet "Come Whoam To thi Childer An Me"; and an 1845 newspaper clipping of an excerpt of "The Diary of a Young Mother" by Lady Willoughby, Title supplied by cataloger., Pasted on first page: Illustrated title page of edition of "Ladies Album. Published by R. De Silver, No. 110 Walnut Street, Philadelphia. Illustration shows a young man playing a trumpet near a young woman reading, with her dog, along a riverbank., Manuscript notes in blue ink on first page: Rebecca D. Smith; The Injured and Persecuted One., Few pages contain paste marks from removed items., Various artists, including T. Birch, John Trumbull, F. Nash, C. Fielding, W. Brockedon, Strickland, J. C., T. Doughty; B. K. Fox, W. G. Wall, W. D. Fellows, and Richd. R. Smith., Various engravers, including P. Kearny, J. Warr, Jr., Edwin, C. G. Childs, Leney, Fairman & Childs, Tiebout, Porlier, G.B. Ellis, W. Woodruff, J. Lybrand, Peter Maverick, J. Hill, and Langton., Various printers and publishers, including Edwd. Parker, William Allen, F. Kearny, and Testu & Massin., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Binding in poor condition.
Creator: Smith, Mary Rebecca Darby
Date: [ca. 1784-ca. 1887]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 4-Alcove 2 [Is 6 1536.Q, vol. 2]

Title: [Scrapbook with periodical illustrations, comic valentines, and patent medicine advertisements]
Description: Eccentrically-arranged scrapbook predominantly containing newspaper clippings, patent medicine almanac advertisements, and comic valentines. Also contains scraps, trade cards, and labels. Clippings, many published in the sensational periodicals “National Police Gazette” and “Days’ Doings” primarily depict illustrations of murders and violence, crimes and punishments, human curiosities, animal attacks, human peril, women in distress, gender non-conforming people, evocative theatrical performances, acts of daring, and comic scenes in silhouette. Illustrations include H. P. Peer's 1879 jump from the Niagara Falls bridge and a fight between the elephant "Bolivar" and a camel in Van Amburgh's menagerie. Patent medicine advertisements primarily promote the products of Barker’s Horse, Cattle, and Poultry Powder; C. I. Hood’s Sarsaparilla; Dr. Morse’s Indian Root Pill; and E. S. Well's Rough on Rats. Valentines satirize various professions and gender and ethnic stereotypes, including a cook, music teacher, machinist, hatter, seamstress, “French nurse –(from Ireland),” “novel reader,” “prudish young woman,” and “an old bore.”, Also contains some sentimental and genre imagery, including mothers and children, children playing, and pets; landscape and cityscape illustrations; racist caricatures of African Americans; Tobin trade cards depicting comical views of baseball players (p. 21); an advertisement for The Electric Era/ German Electric Belt Agency (Brooklyn, N.Y.); Dalziel Brother illustrations of scenes from popular Charles Dickens novels like “Nicholas Nickleby”; chromoxylograph illustration from Aunt Matilda series “The Little Deserter” (McLoughlin Bros., ca. 1869); illustrated children's book covers; and a finely-designed chromolithographic advertisement depicting allegorical figures, flowers, and produce to promote gardens (Lowell, Mass.)., Title supplied by cataloger., Small number of pages contain hand-coloring., Also originally included tucked-in partial editions of N.Y. newspapers issued in 1890. Issues housed in mylar and with scrapbook., Scrap depicting two racing horses and their jockeys pasted on back cover., Housed in phase box., Purchase 2012., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1869-ca. 1890, bulk 1880-1890]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.2012.42]

Title: Clarence Brooks & Co., manufacturers of fine coach varnishes, cor. West & West 12th Sts., New York "ceticism my belobed bredren. It am something beautiful frinstance it am light and airy - like de bean."
Description: Trade card employing an African American Oscar Wilde caricature. Wilde toured the United States in 1882. The Wilde figure, wearing long hair and attired in blue knee breeches with red bows, a red jacket with tails, black socks, and gold slippers lectures to an audience of well-attired African American men and women. He stands at a table adorned with a piece of paper, a candle in a bottle, and a water glass containing a sunflower. To his left, an older frowning man sits with an umbrella between his knees on the stage, while in the first row, two women (one wearing a sunflower on her hat) swoon in front of a lanky man, standing, and looking moonfaced. Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In 1881 the firm issued a calendar illustrated with African American caricatures in genre scenes., Publication date inferred from image content., Purchased with the Davida T. Deutsch African American History Fund.
Date: [ca. 1882]
Location: Library Company of Philadelphia | Print Department trade card - Brooks [P.2014.35]

Title: Portuondo, manufacturers of Cuban hand made cigars, 1342 Chestnut St., Philadelphia
Description: Illustrated, embossed trade card depicting a red-breasted black bird. Jose M. Portuondo (i.e., Joseph M. Portuondo) operated a cigar shop from 1342 Chestnut Street until his death in 1882. His son Juan F. Portuondo succeeded him at this location until the late 1880s., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Portuondo [1975.F.685]

Title: The best flour inside View of the famous Washburn, Crosby Co. flour mills and St. Anthony Falls, Minneapolis, Minn
Description: Illustrated, metamorphic trade card depicting a windmill with panels that open to show bags and a barrel of "Superlative" and "Gold Medal" flour in the foreground and in the background, a bird's eye view of the Washburn-Crosby Co.'s flour mill complex, including "Mill C Elevator", adjacent to the St. Anthony Falls in Minneapolis, Minnesota. Also shows a train crossing the Mississippi River near the falls on the curved Stone Arch Bridge, which was built in 1883 by railroad tycoon James J. Hill for his Great Northern Railway. Cadwallader C. Washburn's business began as the Minneapolis Milling Company at the St. Anthony Falls site ca. 1856. John Crosby entered the partnership in 1877. Consolidated into General Mills in 1928 with twenty-six other national mills., Advertising text printed on verso promotes the "Superlative" and "Gold Medal" brands of flour produced by the Washburn-Crosby Co. of Minneapolis, Minnesota., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department trade card - Washburn [P.9993.2]

Title: [Fold & find 18 changes metamorphic trade card promoting Water Lily Soap]
Description: Metamorphic trade card containing six bust-length portraits of three men and three woman with changeable upper and lower facial features. Female portraits depict a young, middle age, and older woman. The younger women wear hats and coats with collars. The older woman scowls and wears a bonnet and collared shirtwaist. Male portraits depict an older man, young gentleman, and gypsy figure. The older man is depicted bald-headed with a beard, in an undershirt, and frowning; the gentleman wears a top hat, cravat, and suit; and the gypsy figure is portrayed with a smirk, earring, and a Phrygian shaped red cap. Also contains several lines of advertising text, including "All my clothes are Lily white, Water Lily Soap maded them bright"; Water Lily Soap moves dirt & smell"; and "Alas I'm troubled, blue and sad, All other Soap but Water Lily's bad.", Title supplied by cataloger., Name of distributor printed on recto and verso: Joseph I. Keefe, General Agent. 35 South 2nd Street. Philadelphia, Pa., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Trade cards & Blotters [P.2011.10.34x]

Title: What Senator Jones said about Noix de Coco
Description: Illustrated metamorphic trade card and caricature includes two images with paragraphs of text describing each scene. When the card is folded, Senator Jones frowns and is unhappy that his wife did not use Noix de Coco and pushes away the baked goods to her surprise. When the card is opened, a smiling and happy Senator Jones holds a knife in preparation to cut the cake his wife made with Noix de Coco, which she happily displays for him to see. Satirizes Florida Senator Charles William Jones, who abandoned his position ca. 1885 because of mental illness. Warner & Merritt began importing fruit in Philadelphia ca. 1869 and were one of the largest firms importing West Indian fruit in the country by the time of their insolvency in 1884., Advertising text printed on verso promotes Noix de Coco as "the best desiccated cocoanut in the world" and safe for dyspeptics and invalids. Includes a trade mark image depicting three monkeys carrying a large bean. Manufactured only by Warner & Merritt, 50, 52, 54 N. Delaware Ave., Philadelphia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized., Gift of David Doret.
Date: [ca. 1884]
Location: Library Company of Philadelphia | Print Department trade card - Noix [P.2010.25]

Title: Northwood Cemetery entrance. The beauty and adaptibility of the grounds are unsurpassed by any cemetery in the country Northwood Cemetery, near York Road and Haines St., Oak Lane Station, N.P.R.R. Office: 217 South Sixth Street. A. Austin, general manager
Description: Illustrated trade card depicting trees flanking Northwood Cemetery's entrance gate near Fifteenth and Haines Streets in Philadelphia. Headstones are visible in the distance., Advertising text printed on verso: Northwood Cemetery. Lots for sale as low as $25.00. Terms on a $25.00 lot: $1.00 to be paid at time of purchase; $1.00 per month thereafter, with the privilege to bury at any time after $10.00 are paid on said lot. Larger lots in same proportion. For further information, address by postal card or letter to B.F. Wilson, 1511 Stiles St., Philadelphia., Address for B.F. Wilson annotated on verso. Printed "1228 Citron Street" and crossed out., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department trade card - Northwood [P.2004.36.4]

Title: John W. Steen, 1209 Market St
Description: Illustrated trade card depicting flowers surrounding the Z-shaped banner inscribed with the title., Calendar for 1882 printed on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: 1882
Location: Library Company of Philadelphia | Print Department trade card - Steen [1975.F.826]

Title: The secret out at last. Why Mrs. Brown has such a perfect figure. Adjustable duplex corset. Made only by the Bortree M'f'g Co., Jackson, Mich. Office & salesroom 15 and 17 Mercer St. New York
Description: Illustrated metamorphic trade card depicting two women standing outside of a bedroom, one peeping through the keyhole of the closed door. The open flap shows a woman, "Mrs. Brown," attired in a corset and undergarments looking at her relflection in a mirror. The Bortree Company started to produce the duplex corset in 1875., Contains advertising text printed on verso: Adjustable duplex corset. The best corset in the world. Perfect in shape, and the most comfortable and durable corset known. Double bone, double steel, double seams. Warranted not to rip. Ask for it! See that the word "Duplex" is stamped on every corset. Made only by the Bortree M'f'g Co., Jackson, Mich. Office & salesroom 15 and 17 Mercer St. New York., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Duplex [P.2002.36]

Title: [Wm. Gunzer trade cards]
Description: Series of illustrated trade cards for Wm. Gunzer, practical hair cutter, 34 North Broad Street, opposite Masonic Hall in Philadelphia. Illustrations depict flowers; children playing on the beach and in the ocean; comic scenes showing men, women and children ice skating, rowing a boat, playing on a swingset, and playing baseball; and portraits of old men and women dangling items to lure various animals, including a dog, an owl, a monkey, a rabbit, a cat, and a parakeet., Title supplied by cataloger., Four prints [1975.F.366, 370, 374 & 376] copyrighted 1881 by M.F. Tobin, N.Y., Printers and engravers include Lloyd & Porter (Philadelphia) and M.F. Tobin (New York)., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1881]
Location: Library Company of Philadelphia | Print Department trade card - Gunzer [1975.F.353; 1975.F.357 & 358; 1975.F.363; 1975.F.366; 1975.F.370; 1975.F.374; 1975.F.376; 1975.F.388; 1975.F.390-397]

Title: The beginning and the end of life (hold the picture 1 foot away for life and 20 feet for death.) Presented by William Deering & Co. Chicago, Ill. Grain & grass machinery
Description: Illustrated trade card and metamorphic picture depicting two girls playing with their pet dog and toys, strategically placed so that when viewed from afar, the scene forms the shadows of a human skull. William Deering became the sole owner of a reaper company in 1879 in Plano, Illinois and subsequently moved the business to Chicago, Illinois in 1880. The business was incorporated as William Deering & Company in 1883., Advertising text printed on verso promotes various harvesting and mowing machines manufactured by William Deering & Co., including the Junior Deering, the Standard Deering, the Deering Mower, Deering Giant Mower, the Warrior Mower, and the Deering Light Reaper. Informs readers that "the skull duggery practiced by some manufacturers of harvesting machinery, in palming off cheap machines on unsuspecting farmers, finds no favor in the Deering factory.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department *trade card - Deering [P.9631.5]

Title: [Cooper & Conard trade cards]
Description: Series of illustrated trade cards depicting children performing a variety of activities, including posing for portraits in fancy clothing and decorative fans with pets; sifting flour while dressed in oversized chef's clothing with a celluloid collar as a chef's hat; and jumping rope and playing leapfrog. Also depicts a landscape view of Valley Green Bridge (built 1832, enlarged 1915) spanning Wissahickon Creek in Fairmount Park and two women, one in full dress and glaring at the other scantily-clad woman, walking on the sidewalk on a windy day., Title supplied by cataloger., Printers and photographers include Frederick Gutekunst and Thomas Sinclair., Two prints [1975.F.209 and 1975.F.214] contain the imprint, "Sinclair's 1st prize series," and are copyrighted 1881 by Geo. M. Hayes., One print [P.9798.5] includes advertising text and a list of available dry goods printed on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: ca. 1885
Location: Library Company of Philadelphia | Print Department trade card - Cooper [1975.F.154 & 155; 1975.F.203; 1975.F.209; 1975.F.214; P.9798.5]

Title: "It's easy to dye with Diamond Dyes"
Description: Humorous illustrated trade card depicting a little girl seated on the floor proudly holding up and displaying a kitten and a doll she dipped into a bowl of Diamond Dyes. Her mother watches the scene with panic as the kitten and doll drip red dye everywhere., Contains advertising text promoting Diamond Dyes' three new colors (fast stocking black, turkey red for cotton, and brown for cotton) and advertisements for Wells, Richardson & Co. (Burlington, Vt.) and J.R. Ames, druggist, Ogdensburgh, N.Y. printed on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Diamond [P.9988.1]

Title: Buckingham's dye for the whiskers
Description: Illustrated metamorphic trade card depicting a before and after bust portrait of a man with a long beard. With the foldout closed, the man frowns through a white beard. With the foldout open, the man smiles through his dyed brown beard., Contains advertising text for R.P. Hall & Co.'s "Buckingham's Dye" and "Vegetable Sicilian Hair Renewer"., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Buckingham's [1975.F.56]

Title: Wherefore art thou Romeo? (Romeo & Juliet.) Coe and Co., notions, trimmings, furnishing goods and dressmaking, 222 W. Main St., Norristown, Pa. G.H. Coe. J.C. Kulp
Description: Illustrated trade card and caricature depicting a lampoon of the balcony scene from William Shakespeare's "Romeo and Juliet," except Juliet is much larger than Romeo and cannot see him even though he is immediately below her., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of John H. Serembus., Digitized.
Date: c1883
Location: Library Company of Philadelphia | Print Department trade card - Coe [P.2005.30.1]

Title: Auburn water, 1005 Walnut St., Philad'a
Description: Illustrated trade card depicting a landscape view of people boating on a body of water near a rocky, tree-covered shoreline., Advertising text printed on inside pages/verso, including testimonials by Dr. Willard Parker and S. Dana Hayes attesting to the purity of the water. Includes a list of gentlemen who use and recommend the product., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Auburn [P.2006.20.1]

Title: "Study & follow nature." O.S. Fowler
Description: Illustrated trade card depicting the bust portrait of phrenologist Orson Squire Fowler with a long white beard and hair., Text entitled "A boss' head" printed on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Fowler [(a) 78315.O]

Title: What makes these children look so queer? Why do they awkward all appear? The reason is, they are arrayed in clothing that is badly made Awkward no more these boys appear. No longer look these children queer. And do you ask the reason why?-Their clothing now is fitted by, Strawbridge & Clothier
Description: Metamorphic tradecard designed with a turn-down flap to depict a before and after scene. Before scene shows three boys attired in ugly patterned and oversized or too tight clothing. After scene shows boys attired in elegant, smartly patterned suits., Advertising text printed on verso: Strawbridge & Clothier, 801, 803, 805, 807 & 809 Market Street, Philadelphia. Invite attention to their large Stock of Boys' clothing. This Stock is gotten up with great care and is all sold on the basis of our uniformly low prices., Purchased with funds from the Walter J. Miller Trust for the Visual Culture Program., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Strawbridge [P.2012.34]

Title: Brother Gardner addresses the Lime Kiln Club on the virtues of Dixon's Stove Polish
Description: Racist, satiric trade card promoting Joseph Dixon Crucible Company's stove polish and depicting a caricature of an African American man presenting Dixon’s Stove Polish to the African American men members of the Lime Kiln Club. Shows Brother Gardner, the white-haired, African American man, in the left with spectacles on his forehead and attired in a white collared shirt with a red bowtie, an orange jacket with a sunflower on the lapel, red and white checked pants, and black shoes. He stands holding a blue box of Dixon’s in his left hand and a gavel in his right hand. In the left is a wooden table with a blue pitcher and a top hat on top of it and a sign that reads, “Dixon’s Carburet of Iron Stove Polish.” Brother Gardner addresses the men in the vernacular, who are identified by number with the key of their names on the verso of the card. In the right, the man, attired in a striped white collared shirt, a red tie, a white and blue striped jacket, yellow and red striped pants, and black shoes, sits on a wooden chair and examines a blue box of Dixon’s in his hands. Beside him another man, balding with tufts of white hair on the sides of his head and a white beard and attired in a red jacket and blue striped pants, kneels down and carries a brush in his right hand. Behind them two men sit on chairs and an additional nine men stand and listen to Brother Gardner. In the background, the wall reads, “Lime Kiln Club, Paradise Hall.” A horseshoe and framed prints that read “Beautify your homes” and “Rules of the Lime Kiln Club” hang on the wall. In the center is a large, black stove., The African American "Lime Kiln Club" caricatures originally were devised by Charles Bertrand Lewis (i.e., M. Quad) in the Detroit Free Press. The Joseph Dixon Crucible Company, established by Joseph Dixon in Salem, Mass. in 1827, produced graphite pencils, crucibles and stove polish, and relocated to Jersey City, N.J. in 1847. In 1868, the firm name changed from Joseph Dixon & Co. to the Jos. Dixon Crucible Co. In 1870 the firm won a trademark case against a Philadelphia competitor selling J.C. Dixon Stove Polish., Title from item., Date from copyright statement: Copyright 1886., Advertising text printed on verso: The Lime Kiln Club, Brother Gardner in the Chair. “Dis Club hab ebery reason to be proud of de Stove Committee. We has tried all de other stove polishes. We has been stunk out wid so-called peperahuns and seen de piping rust to pieces, till de stove-pipe wus a tumbled down disgrace to de good name of de Lime Kiln Club. De honah of dis occashun belongs to Brudder Shindig, who has made a name for hisself, by introducing Dixon’s Big cake of Stove Polish, and has covered hisself wid shine. Stand up, Brudder Shindig, and let us gaze upon your countenance. Now, my frens, let us draw a lesson from dis: Seek and find out for yerselves, and when you’s got a good ting stick to it, so dat, like DIXON’S STOVE POLISH, you may not only be a use to de community in which yer libes, but a shining example for de rest of mankind. “De club owes a vote of thanks to de Stove Committee, an’ to Brudder Shindig in particular, an’ extend de heartfelt thanks of de Lime Kiln Club to DIXONS for de valuable addition to de comfits of dis life through their CARBURET OF IRON STOVE POLISH. Wid one drawback, Brudder Shindig—you orer haf found dis outen befo’ for de DIXON’S STOVE POLISH has bin in de market SINCE 1827,--58 YEARS.” (Signed) No. 1. Bro. Gardner, 2. Old Man Jenkins, 3. Bro. Shindig, 4. Give-A-Dam Jones, 6. Sundown Davis, No. 7. Accordingly Davis, 8. Stepoff Johnson, 9. Trustee Pullback, 10. Sickles Smith, 11. Sir Isaac Walpole, 12. Layback Jones, Committee., Advertising text printed on verso: Fifty-eight years in market! The oldest, the best, the neatest, the quickest. Ask your dealer for Dixon's Stove Polish. Jos. Dixon Crucible Co., Jersey City, N.J. Illustration showing a box of "Dixon's Prepared Carburet of Iron (Trademark) For Polishing Stoves, Grates, Ranges, and Every Kind of Cast and Sheet Iron work.", Purchased with funds from the Walter J. Miller Trust for the Visual Culture Program., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1886
Location: Library Company of Philadelphia | Print Department *trade card - J [P.2012.54.2]

Title: Gantz, Jones & Co.'s sea foam
Description: Series of trade cards containing captioned scenes in silhouette and profile, including racist imagery, that promote and portray the use of the New York firm's baking powder in cooking. "The First Lesson in Cooking" shows a matron-like figure (in the right) holding out a can of "Sea Foam" baking powder to three young woman standing in a row (in the left). The older woman is attired in a long-sleeved dress with a tiered skirt and bustle, spectacles, and an adornment in her hair. The young women wear long-sleeved dresses with tiered skirts and bustles and hair ornaments that resemble pointed caps. The woman closest to the matron also holds a parasol in her right hand and the woman in the far left also wears a long braid that runs down her back. The women look at and lean toward the baking powder can with interest. "Mine is the Best" shows a woman home cook and a professional male cook facing off. In the right, the man, holds his right hand in a fist, and points behind himself to a table on which a can of "Sea Foam" and a bowl rest. In the left, the woman points at him with her left hand and with her right hand points behind herself at a table on which a bowl and two canisters rest. The man wears a mustache, baker's hat, long smock, and pants. The woman wears a long-sleeved dress with an apron. "Missus, We'll Nebber Use Any Odder!" shows an African American man, portrayed with exaggerated features, and holding an extra-large "Sea Foam" can, walking toward a stove at which a woman is kneeled and placing something in the oven. A pot and tea kettle rest atop of the stove across from the stove pipe. The woman wears her hair down and is attired in a long-sleeved dress with ruffles at the bodice and a skirt with bustle., Gantz, Jones, & Co. was originally established as a chemical business in 1849 by Thomas Andrews. George W. Gantz joined the firm in 1853. About 1869 Andrews retired and in 1877 Walter H. Gantz and F. B. Jones joined the business as partners. In 1884 the firm's New York warehouse was heavily damaged by fire and in 1890 the partnership dissolved. Following the 1856 patent of the first modern baking powder, several later 19th-century chemical firms, including Gantz, Jones & Co. attempted to capitalize on the new, very profitable baking powder industry. Baking powder significantly lessened leaving times for baking and cooking, and multiple companies began to market either cream of tartar or alum based powders that required no combining at home. The "Baking Powder Wars" mired in propaganda about the pure and safe properties of various firms' products ended in the early 20th century with alum baking powder companies Clabber Girl and Calumet dominating the American industry., Title from items., Date inferred from attire of figures portrayed and format of advertisements., Advertising text printed on verso of P.2018.6.3.1, "The First Lesson in Cooking": It is a first-class article, and will do more than it claims to do, and never fails to do its work well. Good health makes labor of all kinds easier and prolongs life. Sea foam is warranted to make better, lighter, healthier, sweeter, more toothsome and more [in italics] digestive [in italics] and nutritious bread, biscuits, cakes, puddings, etc., than can be made in any other way. Those who use it say: "We prefer it over all others." "It is A No. 1." "Gives universal satisfaction.", Advertising text printed on verso of P.2018.6.3.2,"Mine is the Best": SEA FOAM BAKING POWDER IS PERFECTLY PURE. Those who have used it once will never use any other. The BEST in the WHOLE WIDE WORLD. Without an equal. It is the perfection of science in cookery. Your cookery will be always good. You will always have a good cook. It makes every cook a good one. Your bread will never be sour. Light, well-raised bread, biscuits, and cakes digest easily and conduce to good health., Advertising text printed on verso of P.2018.6.3.3, "Missus, We'll Nebber Use any Odder!": Bread is always good. Cannot be beaten. Champion Yeast Powder of America. Every body likes it. Sells like hot cakes. The best customers ask for it. It is A No. 1. The ladies never get tired of telling each other about it. All first-class stores keep it. Gantz's Sea Foam is perfectly pure. Without an equal [in italics]. It is an entirely new invention. Never fails to make light bread. To avoid dyspepsia, use Sea Foam. One can is worth three of any other., Captions printed in all capitals., RVCDC, Description revised 2022., Access points revised 2022.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Gantz, Jones & Co. [P.2018.6.3.1-3]

Title: The Universal clothes wringer
Description: Metamorphic trade card promoting the American Wringer Company's Universal Wringer. Depicts a racist "before and after" scene with and without the product. The before scene shows an African American laundress "Dinah" wringing clothes by hand over a tub. She states in vernacular speech that "de wringing am awful." A white woman chastises her to "look at these torn clothes." She holds up a square shaped cloth with tears. A clock is visible in the background. The women are shown as bust-length. Dinah wears a kerchief, an open collared shirt, and her sleeves are rolled up. The after scene shows a smiling "Dinah," wringing laundry with a "Universal" clothes wringer under the happy gaze of her employer. The women reach a hand out to one another. Dinah wears a high ruffled collar shirtwaist with a bow at her neck, long sleeves, an apron, and kerchief. A clock rests on a sideboard in the background. The American Wringer Company was established about 1861 and operated until at least the early 20th century. The company often provided a clock as a premium to purchase their laundry equipment., Title from item., Date inferred from attire of figures depicted., Text printed on recto: Oh mistis de wringing am awful, always tear de clothes 'spect dat I neber get through. What Dinah, six o'clock and not done yet! And look at these torn clothes. "What Dinah! Finished washing so soon! Why it's only three o'clock." "Hi golly! Mistis, been done dese two hours dis chile hab no more trouble, since you done got dis wringer. Neber tear de clothes neder., Advertising text printed on verso: The Universal Wringer has the following points of superiority. 1. Rolls of solid white rubber. 2. Rowell's double cog-wheels. 3. Two independent pressure screws. 4. Double cogs at both ends of each roll. 5. Folding apron or clothes guide. 6. Rocking springs of wood and rubber., Distributor's name on verso: J. Russell & Co., Dealers in hardware, carpenters' and machinists' tools, 23 Dwight and 23 Race Streets, Holyoke, Mass., Gift of David Doret., Library Company holds a duplicate copy with a variant distributor [113420.D].
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection -American [P.2017.95.6]

Title: Use Merrick's thread. "Gully this cotton beats 'em all!"
Description: Racist trade card promoting Merrick thread and depicting a domestic scene of an older African American man sewing. Shows the man, in a cabin setting, seated atop a stool, his feet slightly turned in, and mending the seat of a pair of blue pants. The man holds th epants in his left hand and pulls a needle and thread through a patch on the pants in his right. The thread comes from a large spool beside the man which is marked with "Merrick Thread Co. Best Six Cord 8" logo. Behind the man is a window with a sill. Plants line the window sill. A candelabrum rests on a shelf attached to the wall below the window. The man is attired in a red button-down shirt, blue suspenders, brown pants, and brown shoes. Merrick Thread Co. was founded in 1865 by Timothy Merrick, Austin Merrick, and Origen Hall in Mansfield, Connecticut. After its founding, the company established mills in Holyoke, Massachusetts. In 1898, the company merged with thirteen other independent thread and yarn manufacturers to form the American Thread Company., Title from item., Date inferred from content and genre of print., Several lines of advertising text printed on verso. Verso is defaced and text is illegible., Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Merrick [P.2017.95.122]

Title: Photographing the baby
Description: Trade card after an 1870 Sol Eytinge Harper's Weekly illustration with white figures depicting a racist, caricaturized genre scene to promote the coach varnish firm Clarence Brooks & Co. Scene shows a white photographer taking the portrait of an African American toddler in hi studio. The African American figures are portrayed with caricatured and exagerrated features. In the right, the white photographer stands next to his camera and tripod. He holds a cloth in his right hand, at his side, and a yellow-colored, monkey-like string puppet in his raised left hand. He wears a beard and is attired in a long brown jacket and blue striped pants. Between him and his young sitter is a framed advertisement above maroon paneling on an olive-colored wall. The advertisement reads: "Clarence Brooks & Co., Fine Coach Varnishes, Cor. West & West 12th Sts." In the left, the African American girl sits stiffly on a plush, green arm chair. Her eyes are opened wide in a surprised expression. She wears a sleeveless pink dress with blue bows at the shoulders. Behind her, in the doorway, are two African American women. The younger woman, likely to be perceived as the girl's mother, peers around from the left of the doorway. She wears a stylish hat, white blouse, and red bow at her neck. An older woman, likely to be perceived as the girl's grandmother, stands in the right of the doorway. She wears a brown-colored bonnet with a large bow around her chin and a brown-colored dress and shawl. Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In the early 1880s the firm issued calendars illustrated with African American caricatures in genre scenes, often after Sol Eytinge Harper's Weekly illustrations., Title from item., Publication date inferred from dates of activity of publisher (1888-1892) as cited in Jay Last, The Color Explosion (Santa Ana: Hillcrest Press, 2005)., Purchased with funds for the Visual Culture Program (Junto 2015)., Housed with the Emily Phillips Advertising Card Collection., RVCDC, Description revised 2022., Access points revised 2022.
Creator: National Bank Note Co.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department trade card - Brooks [P.2016.17.1]

Title: M. H. Traubel, lithographer, 146 So. Eighth St., Philadelphia Whatsoever a man soweth that shall he also reap
Description: Proofs of tradecards for the Philadelphia lithographer active ca. 1849-ca. 1880s. Shows cherubic figures sowing seeds and reaping sheaths of wheat. Also contains flying birds and vinery details. Prints contain variant script designs. Traubel operated from 146 South Eighth street beginning in 1881., Not in Wainwright., Philadelphia on Stone, POSA 119, Library of Congress: Papers of Horace and Anne Montgomerie Traubel, Family Papers, Box 22
Creator: Traubel, M. H. (Morris H.), 1820-1897
Date: [ca. 1881]
Location: Library of Congress | Manuscript Division LOC Papers of Horace and Anne Montgomerie Traubel, Family Papers, Box 22

Title: [Sunshine Publishing Company, 423 Chestnut Street, basement Philadelphia Bank.]
Description: Illustrated trade card depicting a boy and girl standing in their undergarments under a large umbrella. They stand on a rock in a pond with foliage and water lilies in the background., Title supplied by cataloger., Advertising text printed on verso provides bearer with a discount and lists various books and prices available by Sunshine Publishing Company., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Sunshine [P.9749]

Title: A. Ripka & Bro., dealers in artists' materials, oil and water colors, drawing and painting materials, and all kinds of fancy articles for decorating. No. 1525 Chestnut Street, Philadelphia A. Ripka, late of Ripka & Co., G. Ripka. Winsor and Newton's, Dr. Fr. Schoenfelds & Co. Janentzky & Weber, and F.W. Devee & Co.'s oil colors, canvas, academy boards, oil sketching paper. Mathematical instruments engineers, and draughtsmen's supplies, drawing and tracing papers, pastels & crayons, chromo photographic materials, convex glasses
Description: A. Ripka & Bro., the partnership between Adolph and Gustave Ripka, operated from 1525 Chestnut Street in Philadelphia beginning ca. 1886., Subtitles enclosed within decorative borders., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1886]
Location: Library Company of Philadelphia | Print Department trade card - Ripka [P.2006.20.9]

Title: [Frederick A. Rex & Co. trade cards]
Description: Series of illustrated trade cards promoting coffee manufacturer Frederick A. Rex & Co. and depicting a fox leaping to grab grapes in its mouth from a vine running along the top of a tall stone wall. Racist trade card titled "An absorbing subject" and depicting a caricature an African American man lying on top of a barrel and drinking from it with a straw. Shows the barefooted man, portrayed with exaggerated features, and attired in a straw hat, a striped shirt with the sleeves rolled up to the elbows, and patched and torn pants. He lies straddling on top of a wooden barrel and rests his head in his hands. He closes his eyes as he drinks from a straw through a hole in the barrel. The barrel has a label pasted on it and is marked “XXX.” In the foreground, a painter’s palette leans against the front of the barrel. Frederick A. Rex (1850-1916) founded the Frederick A. Rex Company in the 1880s which manufactured coffee and tea. The firm had an office in Philadelphia and a mill in Camden, N.J., Title supplied by cataloger., One print [P.9651.20] copyrighted 1881 by Geo. M. Hayes., One print [P.9651.20] contains advertising text printed on verso promoting "Peerless Coffee," the finest coffee sold, roasted and packed by Fred'k A. Rex & Co., 39 North Front St., Philadelphia, with mills in Camden, New Jersey., Purchase 1999, 2001., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1881]
Location: Library Company of Philadelphia | Print Department trade card - Rex [P.9651.20 & P.9984.2]

Title: James M. Vance & Co., importers & jobbers of hardware, cutlery & tools, builders' and housekeepers' hardware, 324 and 326 Market, Philadelphia H. Vance Peters, Edmund L. Wunder, Richard M. Conarroe, Est. William C. Peters
Description: Illegible manuscript note on recto below street address., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Vance [P.2002.67.8]

Title: [Universal Fashion Co. trade cards]
Description: Series of illustrated trade cards depicting a boy in a sailor outfit seated on a rope ladder and a blue banner inscribed "Universal Fashion Co." superimposed onto reeds., Title supplied by cataloger., One print [1975.F.886] contains a calendar for 1882 printed on verso., One print [P.9111.7] contains advertising text printed on verso promoting W.M. Kilbourne & Son's books, stationery, toys, albums, etc., the Liberty, New York distributor of the Universal Fashion Co.'s "perfect-fitting patterns"., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1882]
Location: Library Company of Philadelphia | Print Department trade card - Universal [1975.F.886 & P.9111.7]

Title: D. W. Bard, daily messenger from Reading to Philadelphia, attends to shopping and business of all kinds. Reading offices, 312 & 618 Penn St., Philadelphia office, 716 filbert St
Description: Trade card containing a scene of spectators, including a well-dressed couple, watching skullers on a river., Title stamped on recto., Manuscript note on verso: I could not find the [nun's veiling?] anywhere. I looked in all the principle stores. D.W. Bard., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Trade cards & Blotters [P.2011.10.7]

Title: The Chestnut Hill Stock Farm, Chestnut Hill, Pa. Breeders and importers of hackneys and thoroughbreds, hunters, high action pairs, dog-cart horses, ladies cobs, and childrens ponies Hackney and thoroughbred stallions in the stud. Hunters schooled. Horses boarded
Description: Trade card containing a vignette showing a hunter on horseback after clearing a fence and accompanied by hounds., Printed above title: Proprietor, Mitchell Harrison, Lock Box 1630, Phila. Address All Communications to the Farm. Manager, W. Fred. Presgrave, Chestnut Hill, Phila., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Trade cards & Blotters [P.2011.10.9]

Title: Kaufman's, 25 N. Eighth St., Philad'a
Description: Series of illustrated trade cards and bookmarks depicting fans, flowers, and butterflies., Advertising text printed on versos: A full line of gloves, black and colored fringes, gimps and ornaments, buttons, etc. Laces of all descriptions, Hamburg edgings, corsets, fancy goods, &c. No. 25 North Eighth Street, M. Kaufman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1883]
Location: Library Company of Philadelphia | Print Department trade card - Kaufman [1975.F.467 & 468; 1975.F.471]

Title: Pettijohn's breakfast food by the American Cereal Co., address Chicago, U.S.A Everybody can eat it. All the wheat but the overcoat. A delicious and perfect food. Wheat is the natural food of man. "Bear" in mind our trademark. Hold this card up to the light
Description: Thin illustrated trade card depicting a container of Pettijohn's breakfast food. An inverted color container and brown bear printed on verso is visible on recto when held up to the light. The American Cereal Company formed from the merger of several oatmeal millers in 1891., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler., Digitized.
Date: [ca. 1895]
Location: Library Company of Philadelphia | Print Department trade card - Pettijohn's [P.9993.3]

Title: Use ideal cut plug
Description: Illustrated trade card depicting an informal portrait of a woman sitting and lounging in a rocking chair with her hands behind her head and her legs crossed., Advertising text printed on verso: Notice. Coupons for pipes will hereafter be found in every package of ideal cut plug and will received instead of the labels. To secure free a handsome brier pipe send twenty-four coupons to Arthur Hagen & Co., 63 North Front St., Philadelphia, Pa. W.B. Tunstall, 43 South Holliday Street, Baltimore, Md. S.W. Venable Tobacco Co., Petersburg, Va. Ideal is the cleanest and best chew or smoke., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department trade card - Ideal [P.9983.4]

Title: Dreka, 1121 Chestnut St., Philadelphia
Description: Illustrated trade card depicting a fly and flowers in front of a framed landscape view of a sea and mountains., Contains calendar for 1882 printed on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: 1882
Location: Library Company of Philadelphia | Print Department trade card - Dreka [1975.F.244]

Title: Main Exhibition Building, International Exhibition, Philadelphia U.S. America, May 10th to November 10th 1876
Description: Illustrated trade card depicting the Main Exhibition Building designed by Henry Pettit and Joseph M. Wilson. View shows crowds of visitor traffic by foot and carriage in the foreground. View surrounded by decorative border of stars and a patriotic vignette of an eagle surmounting various flags and a shield labeled "Centennial". The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Advertising text printed on verso: Newspapers. All the Philadelphia morning, evening and Sunday papers, also the New York, and other select papers on exhibition and sale for the people at the U.S. Centennial grounds, buildings, and vicinity every day for the last six years and now at the Centennial "newspaper" office, on Elm Avenue, near Belmont Avenue. Annual re-opening, May 10th. American and European, the young peoples', the picture paper and the magazine. In English, French, German and other type. Stationery, postals, flags, pictures and souvenirs. History and guides of city, Fairmount Park, national games, sports, regattas, &c. Centennial, Philadelphia, 1883. H.M. Hatch, agent., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: 1883
Location: Library Company of Philadelphia | Print Department trade card - Hatch [5758.F.14d]

Title: Candy at Hayward's. We sell the very finest qualities of Philadelphia candies, at very low prices. We have the prettiest candy department in this city. 305 and 307 Washington Street
Description: Illustrated trade card depicting a large butterfly and flowers., Title from advertising text printed on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Hayward's [P.9588.3]

Title: [J.C. Finn & Son trade cards]
Description: Series of trade cards for J.C. Finn & Sons paper hanging store at Tenth and Walnut Streets in Philadelphia depicting a girl applying adhesive to wallpaper strips and sloppily hanging them on the wall and flowering vines bordering a framed landscape view of a watermill., One print [1975.F.307] copyrighted by Chas. W. Frost 1881., One print [1975.F.308] contains advertising text promoting "French tapestry papers" and "special designs for ceiling ornamentation" printed on verso., Printers and engravers include Farmer, Livermore & Co., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: ca. 1881
Location: Library Company of Philadelphia | Print Department trade card - Finn [1975.F.307 & 308]

Title: Time's footsteps for 1881. C. Goodall & Son, London
Description: Illustrated trade card for London board game and playing card publisher C. Goodall & Son depicting a man on bended knee, handing a woman a freshly-picked flower., Calendar for 1881 printed on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: 1881
Location: Library Company of Philadelphia | Print Department trade card - Goodall [1975.F.368]

Title: [Rosenbaum & Co. trade cards]
Description: Series of illustrated trade cards for Rosenbaum & Co.'s fancy goods store (previously Fleischner & Co., also known as "Fleischner's old stand") at 208 North Eighth Street in Philadelphia. Filigree and silhouette figures of boys, girls, and cherubs form borders around the titles. Also includes a holiday greeting card with an illustration of two women bundled in winter clothing walking and holding hands., Title supplied by cataloger., One print [1975.F.740] lists products offered by Rosenbaum & Co. printed on verso in two columns., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1881]
Location: Library Company of Philadelphia | Print Department trade card - Rosenbaum [1975.F.730-734; 1975.F.736 & 1975.F.740]

Title: Rumford Yeast Powder, best & cheapest, every package warranted. Manufactured according to the formula of Prof. E.N. Horsford of Cambridge, Mass. by the Rumford Chemical Works, Providence, R.I
Description: Illustrated trade card depicting a bust portrait of a young girl with curly hair wearing a pink cap and a beaded necklace that spells "Rumford Yeast Powder". Rumford Chemical Works was established in 1854 by George F. Wilson and Eben N. Horsford., Distributor's imprint printed on verso: Bought of John Nagle, grocer, Twelfth and Pine Streets., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Rumford [1975.F.723]

Title: American brass bedsteads, all sizes and a variety of designs. John J. DeZouche & Co., S.E. corner Thirteenth and Chestnut Streets, Philadelphia
Description: Brass forms a horizontal border along the top and bottom of the card. Card resembles a brass bedstead with vertical gilt lines extending the length of the card between the metal., Contains text printed on verso: By bending the brass up on the ends of card, you will have a miniature brass bestead. Bend carefully, and only once., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - DeZouche [1975.F.1017]

Title: Conlen's, 712 Passyunk Avenue, furniture and carpets. (over) Puzzle card
Description: Illustrated puzzle trade card depicting a bucolic country scene with a cottage surrounded by a picket fence. The puzzle requires the viewer to find partially hidden figures including a man mounted on a horse, birds, elephants, and people walking, to name a few., Advertising text printed on verso: Conlen's, 712 Passyunk Ave. Cash or credit. Terms on furniture and carpets made to suit purchasers. Bed room suits from $15.00 to $150.00. Parlor suits from $20.00 to $250.00. Carpets from 25 c to $1.25 per yard. Everything in the way of household and wearing apparel sold on the same easy terms. Conlen'sm 712 Passyunk Ave. Open every evening., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department trade card - Conlen's [P.9940]

Title: The Camden & Atlantic Railroad. The short and popular route to Atlantic City Pocket time card-season of 1882. Depots in Philadelphia foot of Vine-Street and Shackamaxon Street
Description: Illustrated trade card depicting a vignette of a well-dressed family on the beach, including the father wearing a top hat and cane and the mother holding a yellow parasol. Two girls play near the waves while their parents look on. Vignette inset into a larger scene depicing a sailboat in the ocean, a lighthouse, and seashells lining the shore in the foreground. The Camden & Atlantic Railroad began regular service between Camden and Atlantic City, New Jersey in 1855. The railroad was taken over by the West Jersey & Seashore Railroad in 1883., Contains a condensed timetable ("summer arrangement") for trains traveling between Atlantic City and Philadelphia printed on verso. Includes times for the South Atlantic City Branch and the locations of ticket offices in Philadelphia, Germantown, and Camden, New Jersey., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: 1882
Location: Library Company of Philadelphia | Print Department trade card - Camden [1975.F.25]

Title: [Carter Medicine Co. trade cards]
Description: Series of illustrated trade cards depicting a large frog towering over a small, frightened child and a little girl pointing and instructing her ailing grandfather to take Carter's back ache plasters., Title supplied by cataloger., Advertising text printed on versos for products made and sold by Carter Medicine Co., including "Carter's little nerve pills" and "smart weed and belladonna back ache pilasters"., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Carter [1975.F.131; 1975.F.134]

Title: [J. & P. Coat's thread trade cards]
Description: Series of trade cards promoting J.&. P. Coats thread and depicting men, women and children performing a variety of activities with the thread, including a white girl swinging on a tree swing; a white man fishing in a stream while a white woman watches; and several white children pretending to be a horse team. Includes a large frog on a riverbank. "So do my sisters and my cousins and my aunts!" depicts an older white woman carrying packages. "Gulliver and the Lilliputians" based on Jonathan Swift's "Gulliver's Travels" shows an oversized Gulliver being tied down with thread by the Lilliputians. "That's the kind! Bring me some more" depicts an older white woman inspecting different colored spools of thread in a box held up by a white boy. "Ef dis don't fetch you nothing will" depicts an African American man and woman, portrayed in racist caricature, trying to tame a donkey. In the left, the woman, attired in a white bonnet with a red ribbon, a red shirt, a blue scarf, a yellow shirt, a white apron, and gray shoes, uses thread from an enormous J. & P. Coats spool to pull on the bridle on the donkey, who pulls back with its mouth open. Behind the donkey, the man stands, attired in a brown, brimmed hat, a red shirt, blue plaid pants, and blue shoes, who holds a rope in his left hand and scratches his head with his left hand. "We never fade!" depicts an African American boy, portrayed in racist caricature, sitting on an oversized spool of thread in a field. Shows the boy seated and with his legs straddling a giant spool of black thread. He says “we never fade!!” and points his finger at the sun, which has a face and a concerned expression with a downward turned mouth. The boy is barefoot and attired in a white collared shirt with the sleeves rolled up to the elbows; a multi-colored tie and belt; and red pants rolled up to the knees. In the foreground, two black crows look at the thread. A house is visible in the right background., Brothers James Coats, Jr. (1803-1845) and Peter Coats (1808-1890) established the firm J.&P. Coats, a thread manufactory. Their brother Thomas Coats (1809-1883) joined the firm soon after. By 1840, three quarters of the British company’s business was with the United States. In 1896, the firm merged with thread manufacturer Clark & Co. and formed J. & P. Coats, Ltd. In 2015, the firm was renamed, “Coats Group.”, Title supplied by cataloger., Five prints printed by E. Ketterlinus & Co., Ten prints contain advertising text printed on versos, including promotions for J. & P. Coat's best six cord, soft finish spool cotton; a table of needle and thread numbers; a calendar for 1880; and a description of "Gulliver and the Lilliputians" illustration (on recto of print 1975.F.220)., Gift of Emily Phillips, 1883. Purchase 1999. Purchase 2001., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Coats [1975.F.123; 1975.F.126; 1975.F.133; 1975.F.150; 1975.F.157; 1975.F.193; 1975.F.195; 1975.F.220; 69211.D; P.9743; P.9984.4]

Title: [Clark's mile end spool cotton trade cards]
Description: Series of illustrated trade cards for John Clark Jr. & Co.'s mile end spool cotton products numbered 24, 30, and 60. Illustrations depict circus performers or acrobats; an artist tethered and hanging from a large spool of cotton as he paints "Clarks mile end" on the side of a cliff overlooking the ocean; a boy attired in robes navigating a chariot pulled by two white horses; a backyard view of a dog stealing the bone of a much larger dog that is restrained by a thread from a large spool of cotton; and flowers., Title supplied by cataloger., Three prints [1975.F.137, 1975.F.139, 1975.F.143] contain advertising text printed on versos., Three prints printed by Forbes Co. (Boston) and two prints printed by Donaldson Brothers (New York)., Four prints [1975.F.140, 1975.F.144, 1975.F.166, 1975.F.170] contain six-month calendars on versos, with the imprint for Thomas Russell & Co., sole agents, New York., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Clark's mile end [1975.F.137; 1975.F.139-140; 1975.F.143-144; 1975.F.166; 1975.F.170]

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