Album of 12 photographic views showing the West Philadelphia estate of Philadelphia banker and collector Clarence Howard Clark at 4200 Locust Street. Images depict the front gate to the residence, the residence, green house and garden, and pond with fountain. Also depicts members of Clark's family posed at the residence, on the grounds, in a goat carriage, and in a boat on the pond. Views also include an African American servant posed near an entrance, gardeners at the greenhouse, wooded areas, paths, and lawn chairs.
Album containing eight pencil sketched, titled views of prominent sites at Fairmount Park. Includes Belmont Mansion from the East; Mount Pleasant; Tom Moore's Cottage above Columbia Bridge; Belmont Mansion from the West; Gen. Grant's Headquarters; the Elevator, (i.e. observatory) at Lemon Hill; Penna. R.R. Bridge (i.e., Connecting Railway Bridge); and Rockland Landing from Columbia Bridge., Drawing of Mount Pleasant depicts an exterior view of the Mount Pleasant Mansion built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. View shows the front entrance with a large tree in the left. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Red leather binding stamped S. Lewis Jones., Purchase 2004., Description revised 2021., Access points revised 2021.
Date
[1884]
Location
Library Company of Philadelphia | Print Department albums [P.2004.32]
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[1878]
Location
Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.44]
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[1878]
Location
Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.44]
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[1878]
Location
Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.44]
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[1878]
Location
Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.44]
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[1878]
Location
Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.44]
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[1878]
Location
Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.44]
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[1878]
Location
Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.44]
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[1878]
Location
Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.44]
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[1878]
Location
Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.44]
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[1878]
Location
Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.44]
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[1878]
Location
Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.44]
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[1878]
Location
Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.44]
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[1878]
Location
Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.44]
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[1878]
Location
Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.44]
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[1878]
Location
Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.44]
Album containing 37 lithographic illustrations documenting the Philadelphia brewing complex on Thirty-second Street between Jefferson, Master and Thompson Streets, including exterior and interior views of individual buildings within the complex and detailed scenes of laborers operating equipment, transporting the finished product to and from railroad stations, and loading it onto ships. Shows exterior and interior views of the office building on Master Street; exterior views of the brew house and milling department, machine repair shop and fermenting houses; interior views of refrigerating machines, the first and second floors of the brew house, fermenting room, beer storage, cooper shops, racking room, wash house, shipping department, boiler house, pump room, electric light machines, machine repair shop, the ale and porter brewery and bottling house; and modes of transport including a refrigerating car, delivery wagon and locomotive. Other plates depict out-of-state depots and offices in Washington D.C.; Norfolk and Richmond, Virginia; Jacksonville, Florida; and Trenton, Sea Isle City, and Atlantic City, New Jersey and commemorative illustrations of the company's first-place winnings at the Centennial Exhibition in 1876 and Paris Exposition in 1878., The partnership of Bergner & Engel was formed in 1870 at the brewery of Bergner (erected 1857-1858) following the dissolution of the partnership of brewers Wolf & Engel. Construction of new buildings and additions and the purchase of new equipment for the Brewerytown complex took place in the 1870s. At this time, Bergner & Engel was one of the largest breweries in the country and had an international reputation. Bergner & Engel ceased operations during prohibition., Title from cover., Bound in a fine diagonal-ribbed maroon cloth, black and gilt stamped, with the company's trademark phoenix on the front board., Plates signed A.M.J. Mueller., Not in Wainwright., Philadelphia on Stone, POSP 15
Creator
Mueller, A. M. J., artist
Date
[ca. 1890]
Location
Library Company of Philadelphia | Print Department albums [67310.D]
Album containing 26 lithographic illustrations documenting the Philadelphia brewing complex at the northwest corner of Thirty-first and Jefferson Streets, including exterior and interior views of individual buildings within the complex and detailed scenes of laborers operating equipment and transporting the finished product to and from railroad stations. Shows exterior and interior views of the office building, boiler house, stable, and malt house; exterior views only of pitching house, pitching yard, and shipping department; interior views of private offices, beer stube, refrigerating machines and engine room, brew house, fermenting room, beer storage, racking room, wash house, and kiln house; and modes of transport including a delivery wagon loaded with barrels of beer approaching the F.A. Poth depot at Trenton, New Jersey. Includes a "bottled by" list on the last page with names and addresses next to two F.A. Poth bottles of beer. Under the list: "100,836 barrels were sold between January 1, 1890 and January 1, 1891.", Established in 1865 by Frederick August Poth at the northeast corner of Third and Green Streets, and moved to Thirty-first and Jefferson Streets in 1871. Incorporated in 1877, and later renamed F.A. Poth & Sons, Incorporated., Title from cover., Bound in a fine diagonal-ribbed blue cloth, black and gilt stamped, with the company's logo on the front board., Plates signed A.M.J. Mueller., Not in Wainwright., Philadelphia on Stone, POSP 225
Creator
Mueller, A. M. J., artist
Date
[ca. 1891]
Location
Library Company of Philadelphia | Print Department albums [67309.D]
Album containing photographs of railroad bridges and stations along the B&O Railroad's Philadelphia Division linking Baltimore and Philadelphia taken on a trip made by a small group of B&O Railroad employees who surveyed the line in March 1891. Under the supervision of Division Engineer Maintenance-of-Way William A. Pratt and Foreman of Bridges and Buildings George W. Andrews, the group set out from Baltimore riding on a hand cart to inspect and photograph 78 bridges and culverts spanning rivers, creek, runs, and roads in Maryland, Delaware and Pennsylvania; and 37 of the nearly 70 stations along the line. Images depict a variety of common railroad bridges including through truss bridges, deck truss bridges, deck plate girder bridges, pony plate girder bridges and stone arch culverts as well as images of two major bridges crossing the Susquehanna River near Havre de Grace and the Brandywine River in Wilmington. Album also documents a variety of types of small railroad stations as well as three urban railroad stations designed by Philadelphia architect Frank Furness: the Philadelphia Terminal at 24th and Chestnuts Streets, and the Water Street and Delaware Avenue Stations in Wilmington., LCP AR [Annual Report] 2001, pg. 58-9.
Date
March, 1891
Location
Library Company of Philadelphia | Print Department albums [P.9945]
Album of 12 photographic views showing the West Philadelphia estate of Philadelphia banker and collector Clarence Howard Clark at 4200 Locust Street. Images depict the front gate to the residence, the residence, green house and garden, and pond with fountain. Also depicts members of Clark's family posed at the residence, on the grounds, in a goat carriage, and in a boat on the pond. Views also include an African American servant posed near an entrance, gardeners at the greenhouse, wooded areas, paths, and lawn chairs., Photographer's imprint from blind stamp on mounts., Title from brown morocco binding, plate on front cover., Bookplate of The Divinity School of the Protestant Episcopal Church pasted inside front cover. Typed Gift of Clarence Clark Zantzinger (1925)., Retrospective conversion record: original entry, edited., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., LCP AR [Annual Report] 1990, p. 54., Housed in phase box., Clarence Howard Clark, banker, book collector, philanthropist, horticulturalist, and prominent land developer of West Philadelphia resided in Chesnutwold from about the 1860s. The property was originally built by Samuel K. Hopkins Jr. for banker Nathaniel Borrodail Browne after 1851. Altered during the 1880s, including an addition, the estate grounds were open to the public by 1895 when Clark donated some of his other land holdings for an adjacent public park (i.e., Clark Park). Following Clark's death, Chestnutwold was presumed to be given to the city as a public park, but instead was purchased in 1917 by The Divinity School of the Protestant Episcopal Church. Clark was married to Amie Hampton Westcott (d. 1870) and later Marie Motley Davis with whom he had three sons, including Philadelphia mayor Joseph S. Clark.
Creator
Newell, Robert, 1822-1897, photographer
Date
ca. 1870
Location
Library Company of Philadelphia | Print Department albums [P.9291]
Album page containing a drawing of a rose bud. The rose bud is depicted on a stem with a number of leaves and thorns., Probably by educator and anti-slavery activist Ada Howell Hinton, daughter of Frederick Augustus Hinton, barber, perfumer, abolitionist, and prominent member of the Philadelphia African American elite community., RVCDC, Description revised in 2022., Access points revised in 2022.
Date
[ca. 1840]
Location
Library Company of Philadelphia | Print Department Mary Anne Dickerson album [13860.Q.69]
Album page containing a drawing of a stem of fuchsia with four flowers copied after a figure in a plate from James Andrews' Lessons in Flower Painting. A Series...(London: Charles Tilt, Fleet Street; John Menzies, Edinburgh; Thomas Wardle, Philadelphia [1836]), pl. 11. (LCP Am 1836 And, 13878.Q). The fuchsia is depicted with the blue petals, red sepals, and pink stamens of the flowers facing down. Image is also composed with the bud of a flower at the end of the stem that has multiple green leaves., Title and date from item., LCP exhibit catalogue: African American Miscellany p.45., RVCDC, Description revised 2022., Access points revised 2022., Douglass, was an artist, educator, community activist, and prominent Quaker member of the Philadelphia African American elite community. Mary Anne Dickerson was her pupil.
Creator
Douglass, S. M. (Sarah Mapps), 1806-1882, artist
Date
[July 15, 1846]
Location
Library Company of Philadelphia | Print Department Mary Anne Dickerson album [13860.Q.75]
Album page containing an unattributed drawing of a purple lily above a four-line poem about friendship. Lily is depicted with green leaves., Title supplied by cataloguer., Date from item., Includes four-line poem: "The crown imperial, lillies of all kinds,/The Flower-de-luce being one. Of these I lack/To make you garlands of, and my sweet friend/To strew thee o'er and o'er., RVCDC, Description revised 2022., Access points revised 2022.
Date
1839
Location
Library Company of Philadelphia | Print Department Mary Anne Dickerson album [13860.Q.26]
Photograph album compiled by Philadelphia photographer Robert Newell containing views by the photographer and his peers, including F. De. B. Richards. Images depict major city landmarks and views of Fairmount Park, including benevolent, educational and financial institutions, historic sites, residences, churches and meetinghouses, bridges, and hotels and taverns. Sites documented include Broad Street (Civil War) Hospital; Foster Home (Twenty-Fourth and Poplar); Germantown Academy; the former bookstore and printing office of William Young (200-204 Chestnut); Landing Avenue during alterations (East bank of Schuylkill); Pennsylvania Academy of the Fine Arts (old and new); Carpenters Hall; Independence Hall; Academy of Music; Merchants' Exchange; Girard, Farmers', Mechanics', Pennsylvania, and Fourth National banks; Bartram's, Keene, and Rittenhouse mansions; Woodford residence (Fairmount Park); Washington's residence (Germantown); Womrath property, "where the first 4th of July" was celebrated" (4216 Frankford); Oldest house in Lansdown" (West Fairmount Park); Old Farm house (Broad and Oxford); St. Judes Episcopal church; Fairmount Water Works, and boat houses and ice houses along the Schuylkill; Cedar Hill, Laurel Hill and Woodlands cemeteries; Columbia, Old Callowhill Street, Girard Avenue, and New York Connecting Railroad bridges; Continental, Valley Green, Maple Spring, Markley's and Cole's hotels; and "Punch Bowl" (2100 Broad), "Abbey" (Hunting Park and Wissahickon Aves), Old Buck? (Lancaster Pike) and Old Grey's Ferry taverns.
Albums of predominantly nature prints of leaves produced by inking both sides of the specimen, placing it between a folded sheet of paper, and pulling the sheet through a printing press. Sheets contain one to several specimens (a few numbered) and several are annotated with the date of printing, inscriptions, and identifications of specimens. Some sheets contain manuscript notes about the provenance of and how the specimens were dried or inked, the condition of the leaves, their medicinal uses, and descriptions of the plants from which they came. Inscriptions of note include "Engraven by the Greatest and Best engraver in the Universe"(v. 1, p. 2); "... leaves dried and press'd in my Heap of News-Papers for 7 or 8 years" (v. 1, p. 43); "Done July 18th 1742, when I impress'd 6 or 8 sheets more for my Frd's Kent, Bard, Pratt, Browne, Shoemaker, &" (v. 1, p. 74); "These were done in my new Press which Joseph Watkins made & now brought Home 2nd of May 1734" (v. 1, p. 94); "Done July 1st 1744 with L' & Vel't B'll"(v. 1, p. 95) and "From Jno. Bartram 18th Augst. 1734. The most excellent remedy for the bite of a Rattlesnake - Sysimachia Quadrafolia - 1st 7br 1734 - "An Indian specific for fevers and aguas [sic] and a substitute for tea [I think Green]" - "From Peter Sonmans (who brought it from Albany). Done 31st Augst. 1734. A famous Snake weed" - "Mem the other Side I sent to Peter Collinson, June 1735" (v.2, p. 58).
Album of photographs predominantly showing the grounds of the Philadelphia Zoo in Fairmount Park, in West Philadelphia. Contains views of the Victorian-style gatehouse after the designs of Frank Furness; "The Dying Lioness" statue after the design of Wilhelm Wolff casted in 1875 at the entrance courtyard; lions, tigers, a jaguar and a zebra walking, standing, and grazing in their caged areas; an elephant, camel, lama, mountain goat, and caribou in fenced yards; buffalo grazing on a pasture; and Solitude, the country retreat of John Penn built in 1785 on the grounds of the zoo (miscaptioned as "Wm Penn's House, Fairmount Park"). Images include zoo keepers, visitors, gates, fencing, "Admission Today" signage, and partial views of other buildings on the zoo grounds. Also contains portrait photographs of a man and woman, probably Josie and Emil, and sculler "Andrew C. Craig, Undine Boat Club" on the Schuylkill River. Craig view also includes cityscape and trees along the riverbank in the background. The Philadelphia Zoo, the first in the nation, opened in 1874.
Photographs of ten views of the Naval Parade on the Delaware River during the Peace Jubilee on October 25, 1898. The ships depicted are the Tug Philadelphia; Japanese cruiser Kasagi; Texas; Topeka; Columbia; Mayflower; Marblehead; New Orleans; Gloucester; and the Transports Panther and Olivette. The Japanese cruiser Kasagi is depicted with two engine stacks, lines of nautical and national flags, and Japanese flags flying on the masts. Crew men are visible walking and standing on the deck and on the staircase on the side of the ship. Philadelphia honored the end of the Spanish-American War with the Peace Jubilee celebration from October 25-28, 1898. In addition to war ships, the naval procession included yachts, steamers, tugs, barges, and rowboats. The last warship in the line was the Kasagi, recently built at William Cramp & Sons’ shipyard in Philadelphia. Captain Kashiwabara, with the Japanese officers and crew, lined the deck in full dress., Title supplied by cataloger., Date from manuscript note on verso., Gift of Ann L. Wood.
Creator
Butler, Walter L., photographer
Date
October 25, 1898
Location
Library Company of Philadelphia | Print Department albums [P.2016.32.13-22]
Photograph album commissioned by antiquarian Ferdinand Dreer containing twenty salted paper prints depicting nineteenth century Germantown landmarks. Views include prominent and historic residences, businesses, a school, and a church, predominately on Germantown Avenue. Images accompanied by numbered annotations of brief notes about the history of, significance of, and persons associated with the buildings., Photographs depict the Germantown Mennonite Church (6121 Germantown Avenue) and Samuel Keyser residence (6133 Germantown Avenue); Germantown Academy (110 School House Lane); Cliveden (6401 Germantown Avenue); Congress Hall boarding house (6100 block Germantown Avenue); Leonard Nutz residence (5329 West Penn Street); John Fanning Watson residence (Price Street); Thomas Godfrey Farm (Limekiln Pike at Church Lane); Samuel Morris residence (5442 Germantown Avenue); Roberts Mill (Church Lane at Wingohocking Street); John Smith residence, i.e., Daniel Keyser residence, near the old turnpike toll gate (5800 block Germantown Avenue); Michael Keyser, i.e., John Knorr residence (6100-6106 Germantown Avenue); John Johnson residence used as an Underground Railroad station (6306 Germantown Avenue); Parson Rodney House, i.e., Macknett's Tavern (5900 block Germantown Avenue); Benjamin Engle residence (5938 Germantown Avenue); Christopher Sower residence (5300 Germantown Avenue); Pugh residence, i.e., James De La Plaine residence (5521-5523 Germantown Avenue); Bank of Germantown (5275-5277 Germantown Avenue); Rock House (East Penn Street) ; Michael Billmeyer residence (6505-6507 Germantown Avenue); and Washington Tavern (6200 block Germantown Avenue). Also contains a lithograph portrait of John Kelpius, a founder of Germantown, printed by P.S. Duval & Sons., Paper binding., Title page inscribed: Pictorial views of house & places in Germantown in 1850. Taken for F.J. Dreer., The Johnson House was built 1765-1768 by master builder Jacob Knor at 6306 Germantown Avenue, Philadelphia, PA. John Johnson resided in the house during the Battle of Germantown. The dwelling sustained damage including a hole in the parlor door caused by a cannon ball and a chipped corner. It served as a station on the Underground Railroad. The Johnson family owned the house until 1908. The Woman's Club of Germantown purchased the house in 1917, and in 1980, gifted the house and its contents to the Germantown Mennonite Historic Trust to operate as a house museum. In 2002, the deed of ownership was transferred to the Johnson House Historic Site, Inc., Cliveden is the colonial residence built 1763-1767 by master carpenter Jacob Knor for Philadelphia attorney Benjamin Chew at 6401 Germantown Avenue. It was the site of the turning point in the Battle of Germantown in 1777. The Chew family enslaved people of African descent in the city of Philadelphia and in Germantown during the 18th and 19th centuries. The estate was the Chew family residence until 1972 when it was acquired by the National Trust for Historic Preservation., Fifteen of images duplicated in F. De B. Richards Photograph Collection., Duplicate album with variant annotations entitled "Houses & Places in Germantown in 1859 illustrated by John F. Watson" in the collections of the Germantown Historical Society, Gift of Mrs. Charles Willing, 1972., Description revised 2022., Access points revised 2022.
Creator
Richards, F. De B. (Frederick De Bourg), photographer
Date
1859
Location
Library Company of Philadelphia | Print Department Richards album [66037.D]
Albums of predominantly nature prints of leaves produced by inking both sides of the specimen, placing it between a folded sheet of paper, and pulling the sheet through a printing press. Sheets contain one to several specimens (a few numbered) and several are annotated with the date of printing, inscriptions, and identifications of specimens. Some sheets contain manuscript notes about the provenance of and how the specimens were dried or inked, the condition of the leaves, their medicinal uses, and descriptions of the plants from which they came. Inscriptions of note include "Engraven by the Greatest and Best engraver in the Universe"(v. 1, p. 2); "... leaves dried and press'd in my Heap of News-Papers for 7 or 8 years" (v. 1, p. 43); "Done July 18th 1742, when I impress'd 6 or 8 sheets more for my Frd's Kent, Bard, Pratt, Browne, Shoemaker, &" (v. 1, p. 74); "These were done in my new Press which Joseph Watkins made & now brought Home 2nd of May 1734" (v. 1, p. 94); "Done July 1st 1744 with L' & Vel't B'll"(v. 1, p. 95); Nov. 23rd 1738 A Leaf of Rhubarb and withered. Somewhat hurt by the Frost (v. 1, p.128) and "From Jno. Bartram 18th Augst. 1734. The most excellent remedy for the bite of a Rattlesnake - Sysimachia Quadrafolia - 1st 7br 1734 - "An Indian specific for fevers and aguas [sic] and a substitute for tea [I think Green]" - "From Peter Sonmans (who brought it from Albany). Done 31st Augst. 1734. A famous Snake weed" - "Mem the other Side I sent to Peter Collinson, June 1735" (v.2, p. 58)., Botanical specimens represented in album include wormwood, hollyhock, althea, marsh mallow, lavender, moss, creeper, quince, plantain, service, sage, tansey, mulberry, a sarabacca, rattlesnake weed, gooseberries, hemp, laurel, pawpaw, mustard, bind weed, wild grape, water plantain, wild betony, teasel, pineapple, Indian Fluxwort, "parsimon," arrowhead, oak of Cappadocia, squash, cattail grass, Goat's-Rue, sanicle, yam, maidenhair, tobacco, cat mint, saffron, caterpillar, marygold, horse radish, sun flower, gelder rose, may heart, St. John's-Wort, wild Angelica, marjoram, silk cotton, buck wheat, potato, burdock, rattle snake golden rod, mulleins, and Carolina Bean. Album also contains printed images of feathers, pieces of fabric, and a twenty-four line poem written in pencil and signed by "A Botanist" and dated 1855 (v. 1, p. 106). Provenances of the specimens include John Bartam, Stephen Benezet, "Spring Garden," John Holland, E. Woolley, G. Gray, "R.R.'s Ginseng Hill," Peter Sonmans, and Esther Banks., Title supplied by cataloger., Some sheets contain watermark: Pro Patria., Gift of Mrs. Joseph Breintnall in 1746., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Volume 1 (P.2011.7.1) reformatted and arranged in two cases of folders numbered (1-10) and (21-34)., Index to inscriptions held at repository., Described in Edwin Wolf and Marie Elena Korey, eds., Quarter of a Millennium (Philadelphia: The Library Company of Philadelphia, 1981), entry 11., Described in Philadelphia: Three Centuries of American Art (Philadelphia: Philadelphia Museum of Art, 1976) #29., Joseph Breintnall (d. 1746), scrivener, public servant, author, poet, and colleague of Benjamin Franklin, was also an amateur scientist who experimented with solar heat and botany. A founder and secretary of the Library Company of Philadelphia, he engaged in the study of botany through Peter Collinson, the library's London book agent. Between circa 1731 and circa 1744, he created hundreds of leaf prints as records of botanical specimens he gathered himself and from networks. Breintnall also most likely used his experience with leaf printing to assist Franklin in the creation of a metal cast of a leaf impression used to print currency incapable to be counterfeited.
Creator
Breintnall, Joseph, d. 1746
Date
[ca. 1731-ca. 1744]
Location
Library Company of Philadelphia | Print Department *albums (flat) [P.2011.7.1 & 2]
Photograph album compiled by Philadelphia photographer Robert Newell containing views by the photographer and his peers, including F. De. B. Richards. Images depict major city landmarks and views of Fairmount Park, including benevolent, educational and financial institutions, historic sites, residences, churches and meetinghouses, bridges, and hotels and taverns. Sites documented include Broad Street (Civil War) Hospital; Foster Home (Twenty-Fourth and Poplar); Germantown Academy; the former bookstore and printing office of William Young (200-204 Chestnut); Landing Avenue during alterations (East bank of Schuylkill); Pennsylvania Academy of the Fine Arts (old and new); Carpenters Hall; Independence Hall; Academy of Music; Merchants' Exchange; Girard, Farmers', Mechanics', Pennsylvania, and Fourth National banks; Bartram's, Keene, and Rittenhouse mansions; Woodford residence (Fairmount Park); Washington's residence (Germantown); Womrath property, "where the first 4th of July" was celebrated" (4216 Frankford); Oldest house in Lansdown" (West Fairmount Park); Old Farm house (Broad and Oxford); St. Judes Episcopal church; Fairmount Water Works, and boat houses and ice houses along the Schuylkill; Cedar Hill, Laurel Hill and Woodlands cemeteries; Columbia, Old Callowhill Street, Girard Avenue, and New York Connecting Railroad bridges; Continental, Valley Green, Maple Spring, Markley's and Cole's hotels; and "Punch Bowl" (2100 Broad), "Abbey" (Hunting Park and Wissahickon Aves), Old Buck? (Lancaster Pike) and Old Grey's Ferry taverns., Images also include neighboring and tenant businesses, including Charles Oakford & Sons, hats, Continental Hotel (29a), John C. Clark & Sons, stationers and printers, L. S. Boyer & Co., coal, and a "Shaving and Hair Cutting Emporium," on 228-232 South Third (29b), and a real estate office, 524 Arch (45b); street vendors (74b); and broadsides displayed on buildings and walls (49b & 79b). Several of the Fairmount views also show visitors, patrons to refreshment saloons, and park guards. Scrapbook also contains a small number of photographic reproductions of engravings, including one of Masonic Hall (700 block Chestnut) and images reproduced in R. Newell & Son's "Old Landmark" series (1876), including Old Swede's Church, Friends Almshouse, and Robert Morris Hotel., Title supplied by cataloger., Some of the contents identified by inscriptions on album pages. Inscriptions annotated and corrected in different hand., Texts from R. Newell & Son's "Old Landmark" series tipped in between album pages., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Images from album reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006)., Album reformatted for conservation. Housed in two phase boxes, including binding and index., Robert Newell, the prominent Philadelphia commercial photographer operated a studio from circa 1855 to 1900. His firm, which originally specialized in portraiture, later focused on "Artistic Business and Landscape Photographs" and was reorganized as R. Newell & Son circa 1872. In 1876, the studio (Robert and Henry Newell) issued a series of six viewbooks under the title "Old Landmarks & Relics of Philadelphia." Newell also produced series of stereographs during the 1860s depicting commercial streets, the volunteer fire companies, and views of Fairmount Park and local cemeteries, as well as invented acid proof photographic ware in the 1870s.
Creator
Newell, Robert, 1822-1897
Date
ca. 1860-ca. 1900
Location
Library Company of Philadelphia | Print Department *albums (flat) [P.9062]
Album of photographs predominantly showing the grounds of the Philadelphia Zoo in Fairmount Park, in West Philadelphia. Contains views of the Victorian-style gatehouse after the designs of Frank Furness; "The Dying Lioness" statue after the design of Wilhelm Wolff casted in 1875 at the entrance courtyard; lions, tigers, a jaguar and a zebra walking, standing, and grazing in their caged areas; an elephant, camel, lama, mountain goat, and caribou in fenced yards; buffalo grazing on a pasture; and Solitude, the country retreat of John Penn built in 1785 on the grounds of the zoo (miscaptioned as "Wm Penn's House, Fairmount Park"). Images include zoo keepers, visitors, gates, fencing, "Admission Today" signage, and partial views of other buildings on the zoo grounds. Also contains portrait photographs of a man and woman, probably Josie and Emil, and sculler "Andrew C. Craig, Undine Boat Club" on the Schuylkill River. Craig view also includes cityscape and trees along the riverbank in the background. The Philadelphia Zoo, the first in the nation, opened in 1874., Calligraphed on cover: Photographs., Contains pasted label on front page: Merry Christmas and a Happy New Year to Uncle Joe from Josie & Emil., Contains pasted label on back cover: Ward's Souvenir Album. Made in Light Gray and Dark Gray Leaves. This book is no. 141., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box.
Date
1902
Location
Library Company of Philadelphia | Print Department albums [8193.F]
The Albert Newsam Papers holds correspondence and documents sent to, written by, and about the artist. Some of the material relates to the Gallaudet Monument Association, which was organized to collect funds from the deaf community nationwide to raise a monument to Thomas H. Gallaudet (1787-1851) on the grounds of the American Asylum for the Education and Instruction of the Deaf and Dumb (now the American School for the Deaf) in Hartford, Connecticut. Newsam designed the monument, and was vice president for fundraising in Pennsylvania, New Jersey, Delaware, and Maryland. The collection also holds a circa 1835 folio album, titled “Principles of Perspective,” which is thought to be in Newsam's hand and functioned as his workbook on the subject., Letters from Albert Newsam to John A. McAllister are in the Library Company's John A. McAllister Papers (McA MSS 001); in those letters, Newsam writes accounts of his life at the Living Home and the work he is pursuing while there. The Library Company's Print Department holds several portrait prints by Newsam., On deposit at the Historical Society of Pennsylvania, 1300 Locust Street, Philadelphia, PA 19107. For service, please contact the Historical Society at 215-732-6200 or http://www.hsp.org., Albert Newsam (1809-1864), was a deaf artist who was born in Steubenville, Ohio, and orphaned at an early age. Through devious means he was taken to Philadelphia where, by good fortune, he was admitted in 1820 to the recently established Pennsylvania Institution for the Deaf and Dumb. Newsam had exhibited great talent as an artist while young man, and became an apprentice with Philadelphia lithographer Col. Cephas G. Childs (1793-1871) in 1827, after which he became the principal artist with the noted printer Peter S. Duval (1804 or 05-1886). A master copyist, portraitist, and chromiste, Newsam is generally credited with helping to elevate the art of lithography in the United States. His career ended suddenly in 1859 when he suffered a stroke that affected his vision and coordination; he spent his final years at Dr. John A. Brown's Living Home for the Sick and Well, near Wilmington, Delaware, a situation arranged for him and funded by a committee of friends that included John A. McAllister.
Creator
McAllister, John A. (John Allister), 1822-1896, collector
Date
1861
Location
Library Company of Philadelphia | MSS McA MSS 003, https://digital.librarycompany.org/islandora/object/Islandora%3A64707#page/1/mode/1up
Album of photographs documenting the Philadelphia, Middle, and Pittsburgh divisions of the Pennsylvania Railroad, incorporated in 1846. The consolidated company sought to build a trunk route from Philadelphia to Pittsburgh through the Allegheny mountains in order to compete with the Erie Canal for freight traffic. In 1854, rail passage through the Alleghenies via the "Horse Shoe Curve" was achieved and spurred the establishment and growth of the several towns depicted along the route.
Bound volume of portraits primarily delineated by Max Rosenthal showing prominent Philadelphians, and historical and military figures, including members of the Continental Congress, clergyman, legislators, government officials, physicians, military officers, artists, and authors. Contains full-length, half-length, bust-length, and profile portraits, with some containing backgrounds and props. Also includes the front page of a September 1885 edition of "Paper and Press" containing a portrait and biography of Philadelphia publisher Henry Carey Baird and an article about printed blanks.
Album of photographs, predominately half stereographs, of landscape views of Philadelphia and Bucks County. Images include views of Frankford Creek, Tohickon Creek, Wissahickon Creek, Tacony Creek, Pleasantville, Crescentville, Germantown, Fairmount Park near the water works, and winter scenery. Also contains photographs of Stenton, Woodlands Cemetery, the Desilverwood Estate (Holmesburg), the Burd family monuments at St. Stephen's Church (Philadelphia), the city garden of Joseph R. Evans (329 Pine Street), Atlantic City, and Richmond, Va. Images include trees, creek banks, rocks, waterfalls, dams, bridges, mills, and farm land. Many also include posed figures, including a man, probably one of Moran's artist brothers Edward or Thomas, painting in a ravine and scenes titled "Student at Work"; "Autumn in the Woods - burning leaves"; and "Sit up Sir" showing a man with a dog.
Album containing amateurly-cut, primarily bust-length silhouettes of men and women. Majority include caricatured or non-descript features. Small number of the prints depict full-length silhouettes, including a man holding an eye glass, a man holding a book near a table, and a man holding a filled basket. Also includes a silhouette of a tall male figure and squat female figure and corresponding pencil sketch. Many silhouettes also include hair adornments and other fashion details.
Album of snapshots showing the Logan family residence Loudoun erected for Thomas Armat (photographer's great grandfather) in 1800 at 4650 Germantown Avenue and Stenton, the Logan family country seat at 4601 North Eighteenth Street in Germantown.
Album of genre scenes depicting European life in the country. Several contain children and animals, who are often in rural and buccolic settings. Includes plate 19 showing a Gypsy boy, with a monkey on his shoulder, and accompanied by two dogs walking past a farm; plate 20 showing a figurine peddler dropping his wares when frightened by a mother dog protecting her pups at a rustic family homestead; plate 3 depicting a woman, a rifle over her shoulder, guiding the horse of a Zouave soldier away from his fellow troops; plate 2 depicting a woman, with a book, possibly a Bible under her arm, walking with two boys past two men working in their garden; plate 5 showing a family in a canoe fishing with a net; plate 6 showing young hunters stealing the game of their napping companion; plate 7 depicting a young farm girl asleep near a picnic basket and a dog while her elders build hay huts in the background; plate 8 depicting a gypsy violinist with his dog near a stone wall and under the gaze of a barefoot peasant boy and girl; plate 9 showing a girl wading near an unhappy duck family in a river below a mountain range accompanied by a young male companion seated on the shore; plate 10 showing two young farm women attending to rabbits in the doorway of a hutch; plate 11 showing a peasant woman, carrying a bundle of wheat, and with a girl on a dirt road who watch a man, with a specimen box, seated near his net and holding a snake; plate 12 showing a wife in traditional costume leading a mule carrying her peasant husband and their child and a large bundle; plate 13 showing a father and his two young girls ice fishing with their dog and a picnic basket; plate 14 showing two girls gathering fire wood near a frozen river and with their dog; and plate 14 showing a girl making a floral wreath near another girl petting a dog attended by a boy on a hillside below a castle-like structure., Also includes plate 16 showing a toddler boy in a gown and socks walking to his mother seated next to his father in their rustic home; plate 17 depicting an older peasant boy and young woman attempting to wake a peasant girl sleeping on a hay bale in a farm field; an unnumbered plate showing an older boy disrobing for a swim beside a dog and a younger boy leaning on a pier near the ocean; and plate 4 showing a girl standing near a boy petting a dog laying near a tree on which a hunter's bag, rifle, and cap hang., Inscribed on front free endpaper: Maggie A. Fleming, June 1850., Title stamped on front cover., Green morrocco binding., Plate numbers printed in upper right corner of all, except one print. Bound out of order., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Forms part of Helen Beitler Graphic Ephemera Collection., Gift of Helen Beitler and the estate of Helen Beitler.
Date
[ca. 1850]
Location
Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - album [9475.F]
Photograph album belonging to Philadelphia amateur photographer John C. Browne. Contains landscape and architectural views of the Delaware Valley and Central Pennsylvania, informal portraits of family and friends, and canal boat excursions of the Photographic Society of Philadelphia, including over the Pennsylvania Canal to Harrisburg (1879) and Morris Canal (1880). Images depict "Bartram's house, Gray's Ferry"; Cobbs Creek, including the Old Powder House; Wissahickon; Jay Cooke's Ogontz estate; Mill Creek (Lower Merion Township); the Philadelphia Zoo monkey house; Chelten Hills; Laurel Hill; Delaware Water Gap, including G. W. Childs arbor, Kittany House, Promontory, Lovers Leap, Young's Peak, and Mt. Minsi; falls, creeks, and Dingman's Ferry in Pike County, Pa.; sites along the Juniata Division of Pennsylvania Canal, including mill races, iron furnaces, Pennsylvania Rail Road bridges, and canal locks at or near Bridgeport, Dauphin, and Rockville; and sites along the Morris Canal, including canal boat planes and hoisting tower, Hopatcong Lake, Little Falls, and Passaic Falls., Other images show the English Cottage on the Centennial grounds (1877); strung hunted game and fish; landscape views of Sea Bright and Belvidere, N.J. and the Delaware near Torresdale; a posed "sweethearts" scene "On the Pennypack" (1878); and a group portrait of the Photographic Society (Samuel F. Corlies, Charles Pancoast, Charles Barrington, Samuel Sartain, Joseph William Bates, W. S. Vaux, Dr. Carl Seiler, Thomas H. McCollin, Thomas B. Craig) with cameras and fishing equipment during the Morris Canal excursion. Other portrait views include Mr. and Mrs. S. Fisher Corlies, Mamie Lloyd, Sallie Bacon, Jesse S. Graves, Alice E. Browne, Susie Hacker, Samuel Fox, and Charles Palmer. Some photographs show a photographer using his camera and several of the canal excursion views include the canal boats "Zuleika" (Pennsylvania Canal) and "Katie Kellogg" and her mule team "Tom & Baby" (Morris Canal)., Front free end paper signed John C. Browne., Photographs identified by inscriptions below images. Majority are date and some annotated "Washed Emulsion.", Red cloth binding, with gilt, and stamped on cover: Album., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., An article by Browne, "The Waterfalls of Pike County, Pa.," describing a trip to photograph natural scenery in Pike County appears in Philadelphia Photographer, Vol. XIII, no. 151 (July 1876), pages 208-211., LCP AR [Annual Reports] 1989 p. 33-34., Browne was a founder of the Photographic Society of Philadelphia.
Creator
Browne, John C. (John Coates), 1838-1918, photographer
Date
1877-1880
Location
Library Company of Philadelphia | Print Department albums [P.9317]
Photograph album belonging to Philadelphia amateur photographer John C. Browne. Contains informal portraits of family friends and views of excursions and landmarks in Bethlehem and Nazareth, Pa.; Wilmington, De.; Belividere and Burlington, N.J.; and the Philadelphia area. Images depict the Pennock-Miller family Delaware County mansion Forest Hill, including the library, "Mrs. Pennock's [ceramic] Collection," greenhouse, and Sarah Pennock Miller with her son Caspar on a mule; Old Moravian Boarding School, Moravian Sisters House, Protestant Episcopal Church, and "Old Oil Mill" (Bethlehem); Old Swedes Church (Wilmington); and an old Moravian brewery, buildings, and Whitfield House (Nazareth). Other photographs depict Haines Spring house; "Andersons" at Belvidere; a family picnic at Pierson's Ravine (Belvidere); the Wissahickon; [Fairmount?] "Park guard house"; portraits of a family dog and posed portraits of Mary (Mame) Steele, including one showing the extreme length of her tresses, and Ettie Lewis, Anna, May, Katie and Bessie Shippen attired in costume. Some views include fellow amateur photographer architect George W. Hewitt. One Bethlehem view also shows D. & A. Luckenbach mill., Front free end paper signed John C. Browne., Photographs identified by inscriptions below images. Some annotated "Dry (albumen)" or "Dry.", Green cloth binding, with gilt, and stamped on cover: Album., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Two photographs of "Pennocks House" removed prior to acquisition by repository., Eight inserted loose prints in envelopes removed and housed separately in John C. Browne Collection., LCP AR [Annual Reports] 1989 p. 33-34., Inventory available at repository.
Creator
Browne, John C. (John Coates), 1838-1918, photographer
Date
ca. 1873-ca. 1877
Location
Library Company of Philadelphia | Print Department albums [P.9316]
Bound volume of portraits primarily delineated by Max Rosenthal showing prominent Philadelphians, and historical and military figures, including members of the Continental Congress, clergyman, legislators, government officials, physicians, military officers, artists, and authors. Contains full-length, half-length, bust-length, and profile portraits, with some containing backgrounds and props. Also includes the front page of a September 1885 edition of "Paper and Press" containing a portrait and biography of Philadelphia publisher Henry Carey Baird and an article about printed blanks., Sitters include Daniel Agnew; William Allen; Richard Bache; Phineas Bond; Thomas Cadwalader; Stephen Decatur; William Ellery, Elizabeth Graeme Fergusson; Miers Fisher; Nicholas Gilman; Ann Diggs Graeme; Thomas Graeme; Joseph Hemphill; Thomas Hopkinson; Jare Ingersoll (1722-1801); Jared Ingersoll (1749-1822); Joel Jones; Moses and Samson Levy; Brockholst Livingston; James Mease; Rev. Henry Morton; William Plumstead; Samuel Powell; Charles B.J.F. de Saint-Memin; Edward Shippen; Edward, James, Matthew, and William Tilghman;George Walton, George M. and Thomas I. Wharton; William Whipple; and Jasper Yeates., Title from stamp on spine., Manuscript index of sitters (1-100) date stamped September 11, 1883 pasted in front of volume., Majority of lithographs signed: MR., Some prints include facsimile signature of sitter., Some sitters identified by manuscript notes., Two of the engravings after daguerreotypes by McClees & Germon., Engravers, lithographers, and printers include Max and L. N. Rosenthal, John Sartain, Henry S. Wagner, and Robert Whitechurch., Max Rosenthal was a skilled lithographer, mezzotint engraver, and painter who delineated the majority of the chromolithographs for the firm he operated with his brothers Louis N., Morris (i.e., Maurice), and Simon Rosenthal in Philadelphia from 1851 to circa 1872. Rosenthal continued to work as an artist and lithographer until 1910., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Index of sitters available at repository.
Date
[ca. 1855-ca. 1885]
Location
Library Company of Philadelphia | Print Department albums [Uz 3 10536.Q]
Album of photographs, predominately half stereographs, of landscape views of Philadelphia and Bucks County. Images include views of Frankford Creek, Tohickon Creek, Wissahickon Creek, Tacony Creek, Pleasantville, Crescentville, Germantown, Fairmount Park near the water works, and winter scenery. Also contains photographs of Stenton, Woodlands Cemetery, the Desilverwood Estate (Holmesburg), the Burd family monuments at St. Stephen's Church (Philadelphia), the city garden of Joseph R. Evans (329 Pine Street), Atlantic City, and Richmond, Va. Images include trees, creek banks, rocks, waterfalls, dams, bridges, mills, and farm land. Many also include posed figures, including a man, probably one of Moran's artist brothers Edward or Thomas, painting in a ravine and scenes titled "Student at Work"; "Autumn in the Woods - burning leaves"; and "Sit up Sir" showing a man with a dog., Title from inscription on spine., Spine stamped in gilt: Photographs., Blue morocco binding., Photographs arranged four to a page, numbered, and identified by captions inscribed below the images., Letter from Ferdinand J. Dreer to [George W. Childs?], March 12, 1861 pasted on verso of front cover. Letter begins "Accept from your friend a few photographs & stereoscope views... of the work of a young native artist" and explains they were not sent for "their intrinsic value, but as beautiful studies and highly artistic.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box., Gift of Ruth Molloy.
Creator
Moran, John, 1831-1903, photographer
Date
1860-1861
Location
Library Company of Philadelphia | Print Department albums [P.9265]
Bound volume of portrait plates issued between circa 1804 and 1831 from various publications, including "Mechanics Magazine"; "New British Lady's Magazine"; and the compilation "Boxiana or Sketches of Antient [sic] and Modern Pugilism" (London: George Virtue, 1829). Portraits depict prominent and celebrity European figures, predominantly from Great Britain, including clergymen, legislators, entertainers, scientists and inventors, royalty and pugilists. Plates include full-length, half-length, and bust-length portraiture, with some containing backgrounds, props, or ornate borders. Portraits of religious figures predominantly published by London publishers F. Westley and Westley & Davis and arranged in alphabetical order by sitter's name. Portraits of legislators, celebrity and other prominent figures predominantly published by London publishers Fisher Son & Co. and J. Robins & Co. and arranged in alphabetical order by sitter's name. Portraits of pugilists predominantly published by G. Smeeten and Sherwood, Jones & Co. and most arranged in alphabetical order by sitter's name. Volume also includes a title page and views titled "The John Bull Fighters Splendid Silver Cup" and "A Sparring Match at the Fives Court" from the Pierce Egan's "Boxiana" series originally published in parts in 1813 and later as volumes between 1818 and 1828., Sitters include reverends George Burder (Senior Secretary of the London Missionary Society), William Milne (Late Missionary to the Chinese), David Stuart (Theological Tutor of the Irish Evangelical), and Robert Vaughan; physician Carl Linnaeus; inventor Sir Richard Arkwright; Queen Caroline; statesman John Wilson Croker; authors Madame De Genlis, Madame De Stael, and Hannah More; (Victoria Mary Louisa) Duchess of Kent; George I, II, III, and IV; performers Josephine Girardelli and Anna Maria Tree; architect Peter Nicholson; Whig politician Thomas Spring Rice; and chemist William Hyde Wollaston. Sitters also include pugilists Peter Crawley; Dick Curtis; Josh Hudson; Tom Owen; Ned Painter; Dutch Sam (i.e., Samuel Elias); Ned Turner; and expatriate, African American pugilists Bill Richmond and Tom Molyneux (portraits on the same page)., Portraits of Bill Richmond and Tom Molyneux show the men in bust-length. Richmond looks slight to the right. He has curly hair and is attired in a patterned shirt with a ruffled collar and a jacket. Molyneux is shown in right profile. He has curly hair and is attired in a shirt with a ruffled collar and a jacket., Title from stamp on spine., Inscribed on front free end paper: R. B. bind as arranged., Pages numbered in ink in upper left corner., Inscribed on verso of portrait of ‘His Most Gracious Majesty, George Augustus-Frederick The Fourth” (p. 110): On Celebrated Englishmen, Various artists and engravers, including George Cruikshank; Isaac Robert Cruikshank; Fenner, Sears & Co.; W. T. Fry; W. Hollins; Thomas Lawrence; R. Page; W. T. Page; George Parker; Sherwood, Jones & Co.; J. R. Wildman; and J. W. Wright., Publishers include Knight & Lacey; George Smeeton; F. Westley; Westley & Davis; T. Williams; and Williams & Smith., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Accessioned 1882., Description revised 2021., Access points revised 2021.
Date
[ca. 1804-ca. 1831]
Location
Library Company of Philadelphia | Print Department albums [Uz 3 51278.O]
Bound volume of portrait plates issued between circa 1804 and 1831 from various publications, including "Mechanics Magazine"; "New British Lady's Magazine"; and the compilation "Boxiana or Sketches of Antient [sic] and Modern Pugilism" (London: George Virtue, 1829). Portraits depict prominent and celebrity European figures, predominantly from Great Britain, including clergymen, legislators, entertainers, scientists and inventors, royalty and pugilists. Plates include full-length, half-length, and bust-length portraiture, with some containing backgrounds, props, or ornate borders. Portraits of religious figures predominantly published by London publishers F. Westley and Westley & Davis and arranged in alphabetical order by sitter's name. Portraits of legislators, celebrity and other prominent figures predominantly published by London publishers Fisher Son & Co. and J. Robins & Co. and arranged in alphabetical order by sitter's name. Portraits of pugilists predominantly published by G. Smeeten and Sherwood, Jones & Co. and most arranged in alphabetical order by sitter's name. Volume also includes a title page and views titled "The John Bull Fighters Splendid Silver Cup" and "A Sparring Match at the Fives Court" from the Pierce Egan's "Boxiana" series originally published in parts in 1813 and later as volumes between 1818 and 1828., Sitters include reverends George Burder (Senior Secretary of the London Missionary Society), William Milne (Late Missionary to the Chinese), David Stuart (Theological Tutor of the Irish Evangelical), and Robert Vaughan; physician Carl Linnaeus; inventor Sir Richard Arkwright; Queen Caroline; statesman John Wilson Croker; authors Madame De Genlis, Madame De Stael, and Hannah More; (Victoria Mary Louisa) Duchess of Kent; George I, II, III, and IV; performers Josephine Girardelli and Anna Maria Tree; architect Peter Nicholson; Whig politician Thomas Spring Rice; and chemist William Hyde Wollaston. Sitters also include pugilists Peter Crawley; Dick Curtis; Josh Hudson; Tom Owen; Ned Painter; Dutch Sam (i.e., Samuel Elias); Ned Turner; and expatriate, African American pugilists Bill Richmond and Tom Molyneux (portraits on the same page)., Portraits of Bill Richmond and Tom Molyneux show the men in bust-length. Richmond looks slight to the right. He has curly hair and is attired in a patterned shirt with a ruffled collar and a jacket. Molyneux is shown in right profile. He has curly hair and is attired in a shirt with a ruffled collar and a jacket., Title from stamp on spine., Inscribed on front free end paper: R. B. bind as arranged., Pages numbered in ink in upper left corner., Inscribed on verso of portrait of ‘His Most Gracious Majesty, George Augustus-Frederick The Fourth” (p. 110): On Celebrated Englishmen, Various artists and engravers, including George Cruikshank; Isaac Robert Cruikshank; Fenner, Sears & Co.; W. T. Fry; W. Hollins; Thomas Lawrence; R. Page; W. T. Page; George Parker; Sherwood, Jones & Co.; J. R. Wildman; and J. W. Wright., Publishers include Knight & Lacey; George Smeeton; F. Westley; Westley & Davis; T. Williams; and Williams & Smith., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Accessioned 1882., Description revised 2021., Access points revised 2021.
Date
[ca. 1804-ca. 1831]
Location
Library Company of Philadelphia | Print Department albums [Uz 3 51278.O]
Sample album containing half stereographic prints by the commissioned photographic company of the Centennial Exhibition of 1876. Contains images of the exhibition that celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art. Photographs depict the installation of exhibits; exhibition grounds including bird's eye views, scenes in Lansdowne Valley and along exhibition avenues, rail lines, fountains, statuary, and outdoor horticultural displays; interiors and exteriors of exhibition buildings, including Agricultural Hall, Horticultural Hall, Main Exhibition Building, Memorial Hall, the United States Government Building, states' buildings, the Women's Pavilion and the portico of the building of the Centennial Photographic Co.; views of special exhibits and dioramas, including Hunter's Camp, the first locomotive, and "The Dying Elk"; displays showing the wares, products, or cultural artifacts of specific companies and countries, including Peruvian mummies; and displays of art particularly of Italian statuary. Many of the exterior views and some of the interior include fair visitors and personnel., Exhibitors depicted include American Book Association; American Steamship Co.; American Watch Co.; Clinton Wire Cloth Company; Farmers Friend Manufacturing Co.; J. F. Tyrell & Co.; J. & P. Coats; Kingsford Starch Co.; Mason's Blacking; Midnight Yarn Co.; Mrs. Maxwell (taxidermy); Pacific Guano Co.; Shomacker Piano Mftg. Co.; and Singer Sewing Machine., Architects of the main buildings include Herman Schwartzmann, Henry Pettit, Joseph M. Wilson, and James H. Windrim. Architects of the states buildings include George A. Frederick, Carl Pfeiffer, E. L. Rice, Jr., Croff & Camp, and Heard & Sons., Brown leather and maroon cloth binding with gilt., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Album disbound and reformatted for conservation., Over 200 duplicate images held in the Raymond Holstein Stereograph Collection. See Holstein stereo - Centennial Photographic Company., Catalogue of the Centennial Photographic Company's Views of the International Exhibition, 1876. LCP Rare Books Am1876Cen (51856.D.10)., Ongoing series of articles about photographing the exhibition by John L. Gihon, a photographer employed by the Company, appeared in Philadelphia Photographer throughout 1877 under the title "Rambling Remarks Resumed.", Original photographs by the Centennial Photographic Company appeared as the frontispieces for Philadelphia Photographer in March, April, July and November 1877. P.8965.70f showing the statue "Cupid" illustrated the November 1877 issue., LCP AR [Annual Report] 1983 p.42-43., The Centennial Photographic Company was granted exclusive rights to photograph the Centennial Exhibition in Philadelphia in 1876. Company officers included President William Notman, a prominent Canadian photographer; Vice President and Proprietor Washington Irving Adams, representative of the Scovill Manufacturing Company which supplied equipment for large-scale production to the company; Superintendent & Treasurer and Proprietor Edward L. Wilson, publisher of Philadelphia Photographer; and Art Superintendent John Arthur Fraser, Notman's partner in the Toronto photographic firm of Notman & Fraser. Employing over 400 men and women, the Company produced over 3,000 views of the exhibition, and portraits of officials and exhibitors.
Creator
Centennial Photographic Co.
Date
c1876
Location
Library Company of Philadelphia | Print Department *albums (flat) [P.8965]
Album of snapshots showing the Logan family residence Loudoun erected for Thomas Armat (photographer's great grandfather) in 1800 at 4650 Germantown Avenue and Stenton, the Logan family country seat at 4601 North Eighteenth Street in Germantown. Contains interior views of Loudoun depicting the parlor and a bedroom. Also includes views of the Stenton grounds showing a wood pile, a hay stack, and rafts of lumber floating down a creek, possibly Wingohocking and portraiture, including an image of the photographer at her camera outside of the Stenton residence. Furniture and interior decoration includes arm chairs, settes, tables, framed paintings, chandeliers, fireplaces, sculpted busts, desks, mantlepieces, lamps, framed photographs, and plates. Also contains a portrait of her brother Albanus Charles; a group portrait, including the photographer, Albanus, and a woman identified as C. Dallett in front of George Logan's barn at Stenton; and an exterior view of a large stone residence captioned "Sammy [Gilles?]," possibly a tenant house on the Stenton property., Title supplied by cataloger., Leather binding, front cover stamped: Photographs., Photographer's imprint stamped on verso of tipped in photographs., Some tipped in photographs contain manuscript notes on verso. One photograph contains manuscript note on recto and verso. Recto: Room in L[oudoun] Return. Verso: The table 100 years old here is by this bed & a antique desk by fireplace., Insert: Folded fabric bookmark., Label for "Ward's Dark Leaf Albums" pasted on back cover advertising the size, style, and price for their "two styles of binding": Art Cloth and Seal Grain. Prices range from 25 cents to $2.50 for 3 1/4 x 4 1/2 to 10 x 12 inches., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See also loose prints of Loudoun and Stenton by Logan (photo - 5x7 - [P.9276.82-93])., Maria Dickinson Logan, daughter of Anna Armat (1820-1895) and great great granddaughter of James Logan Gustavus Logan (1674-1751), resided, photographed, and worked to preserve the Logan family Germantown estates Loudoun and Stenton. At her death in 1939, Logan, a Colonial Dame, bequeathed several pieces of family furniture to Stenton (under the stewardship of the National Society of Colonial Dames since the early 20th century) as well as her residence, Loudoun, to the city of Philadelphia for use as a historic house.
Creator
Logan, Maria Dickinson, 1857-1939, photographer
Date
ca. 1900
Location
Library Company of Philadelphia | Print Department albums [P.9276.81]
Album containing 27 photographs showing the grounds and residence of the estate in Radnor Township, later Wayne, Pa. Includes No. 1 the Wayne Pennsylvania Rail Road station; No. 2 "mansion as seen from the S.W."; No. 3 the "north side of Mansion"; No. 4 "Entire northern side of Mansion"; No. 5 "Full front view taken from the South, and as fronting on "The Pike," i.e, Lancaster Pike; No. 6 "Main Entrance and Vestibule, taken from the interior"; No. 7 "Scenery and Grounds, and Summer House, east of Dwelling"; No. 8 and No. 9 "South view" and North view of "late residence," known formerly as the 'Old Maule Manor House'"; No. 10 'View from the S.S.W. showing Lawn, Flower Garden, etc.; No. 11 "Partial view of the old and principal Barn and Implement House"; No. 12 "South View of the Main Barn and Granary, Stables for pleasure horses, and coach house"; No. 13 "Meadow north of the Pike"; No. 14 "Principal Spring and Dairy Houses"; No. 15 the public, lecture and library hall "'Wayne Hall' as seen from the S.W."; No. 16 "Modernized dwelling, formerly known as the "Old Barber Farm House"; No. 17 "Spring House," etc. belonging to the Barber Farm"; No. 18 "Cottage at the extreme eastern boundary of the 'Louella Farm' "; No. 19 "View from the N.W. of the old 'Jno. Richards Manor House,' built in 1792"; No. 20 "Northern view of the Sheep Houses, Fold, etc."; No. 21 "Two cottages "built on a hill," south of the Pike, on line with the Mansion"; No. 22 "The New Reservoir, (covered), with scenery to the East" at Wayne and Bloomingdale avenues; No. 23 "Meadow south of the Pike"; No. 24 "Wheel House"; No. 25 "The Riding horse 'Frank'"; No. 26 horse 'Billy Button' "; and No. 27 'Elizabeth' our favorite, a thorough-bred Guernsey cow." Views also show the cottage of Jane Kissick (widow of Center Square Water Works engineer John Kissick) attached to the Wayne train station; members of the Askin family, and their grounds keepers., Brown leather binding, grained., Contains lithographed title page and Table of "Contents" with a numbered and explanatory list of the photographs. Photographs listed as No. 1 - No. 27., Insert: Loose albumen print showing an oblique view of the mansion. Members of the Askin family sit on the porch. The landscaped estate lawn is partially visible in the foreground., Album pages contain lithographed decorative borders, tinted with one stone., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., LCP AR [Annual Report] 2002, p. 62., Variant copies held in the collections of William L. Clements Library, University of Michigan, Ann Arbor, Michigan and the University of Delware Special Collections., Housed in red-clothed clamshell box., Louella, the estate of successful Philadelphia real estate broker and banker J. Henry Askin, was built in 1867 on hundreds of acres of land along the Lancaster Pike and the Pennsylvania Railroad in Wayne, Pa. The residence contained eighty rooms, was powered with gas retorts, and received water from a reservoir erected on a neighboring hill. The estate also sustained a green house; conservatory; farm; a public lecture hall, library, and place of worship; as well as landscaped lawns and flower gardens. In 1880, Askin sold the property to Philadelphia editor George Childs and banker Anthony J. Drexel for development into the Wayne Estates. The Louella residence was later used as a summer resort hotel, school for girls, and apartments.
Creator
Gutekunst, Frederick, 1831-1917, photographer
Date
ca. 1875
Location
Library Company of Philadelphia | Print Department *albums (flat) [P.2002.20]
