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Title: Blood hounds attacking a black family in the woods
Description: Engraving is after a drawing by Rainsford, the former Captain of Britain's Third West-India Regiment. The setting is St. Domingo (Haiti) in 1803. As Rainsford explains in his text, as the French occupiers lost power and control, they reverted to increasingly barbarous measures, and unleashed vicious blood hounds on black residents., Plate in Marcus Rainsford's Historical Account of the Black Empire of Hayti: comprehending a view of the principal transactions in the revolution of Saint Domingo; with its antient and modern state (London: Albion press printed: published by James Cundee, Ivy-Lane, Paternoster-Row; and sold by C. Chapple, Pall Mall, 1805), p. 338., Fels Afro-Americana Image Project, Resistance.
Creator: Barlow, J., engraver
Date: [1805]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1805 Rains 1416.Q p 338, https://digital.librarycompany.org/islandora/object/Islandora%3A2707

Title: [African climbing palm tree]
Description: Included in Chapter III, the engraving accompanies Winterbottom's discussion of the uses of the palm tree in Sierra Leone. Using an elliptical hoop, a man climbs a palm tree to procure wine. On the ground, another man points at him, and a mother walks with two small children. "To procure the palm wine," Winterbottom explained, "requires no small degree of agility and address." Describing this process in detail, he wrote, "As the trunk of the tree is too rough to allow the hands and knees to be applied in climbing to its summit, the natives use a kind of hoop of an elliptical form, made of bamboo, and open at one side. The person about to ascend, first passes the hoop round the stem of the tree, including himself also, he then fastens the hoop by twisting its two ends into a kind of knot. The hands are applied to the sides of the hoop, while the feet are firmly pressed against the tree, and the lower part of the back supported by the opposite end of the hoop. In order to advance, the person thus prepared draws his body a little forwards, keeping his feet steady, and at the same moment slips the hoop a little higher up the tree, after which he advances a step or two with his feet. In this manner he alternately raises the hoop and his feet, and thus advancing, he gains at length the upper part of the stem, just below where the branches are thrown off. Here, at the height of 50 or 60 feet, with no other support than the pressure of his feet against the tree, and of his back against the hoop, he sits with perfect composure. In a small bag hung round his neck or arm he carries an anger to bore the tree, and a gourd or calibash to receive the wine. A hole is bored, about half an inch deep, below the crown of the tree, and into this is inserted a leaf rolled up like a funnel, the other end of it being put into the mouth of a calibash capable of containing several quarts, which is filled in the course of a single night. . . . When the palm wine has been drawn off, the hole is carefully filled up with mud, to prevent insects from depositing their eggs in it, the larvae of which would destroy the tree." (p. 61-62), Plate in Thomas Winterbottom's An Account of the Native Africans in the Neighborhood of Sierra Leone; to which is Added, an Account of the Present State of Medicine Among Them (London: Printed by C. Whittingham, Dean Street; and sold by John Hatchard, 199, Piccadilly, and J. Mawman, Poultry, 1803), vol. 1, p. 60., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography
Date: 1803
Location: Library Company of Philadelphia | Books & Other Texts | Rare U Afr Winte 3027.O v 1 p 60, https://digital.librarycompany.org/islandora/object/Islandora%3A2937

Title: Vue de la montagne de Cabende, prise au nord, et Enterrement du mafoue, Andris Poucouta, macaye
Description: The engraving shows the funeral of a well-known man who died during Grandpré's stay in the area. The image is accompanied by Grandpré's description of the event, an approximate translation of which reads as follows: "The engraving show will give a precise idea of these funerals. The coffin that carried him was at least 20 feet long by 14 feet high and 8 feet thick. It was surmouted by a small head which represented the dead man. They took a year to bury and mourn him . . . Such was its weight that no one would have been able to take him to his tomb, over one league from his house. Over 500 boys were on these ropes at a time; everything brok several times and it was an incredibe task to take him to his interment spot. The wheels, of one single piece of wood, got stuck in the ground, so they had to use something for a path. It didn't move without difficulty, and the axles broke often." (p. 152-53), Fold-out plate in L. de Grandpré's Voyage à la côte occidentale d'Afrique: fait les années 1786 et 1787; contenant la description des moeurs, usages, lois, gouvernement et commerce des États du Congo, fréquentés par les Européens, et un précis de la traite des Noirs, ainsi qu'elle avait lieu avant la Révolution française; suivi d'un voyage fait au cap de Bonne-Espérance, contenant la description militaire de cette colonie (Paris: Dentu, imprimeur-libraire, Palais du Tribunat, galeries des bois, no. 240, an IX --., 1801), vol. 1, p. 152., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
Creator: Michel, engraver
Date: [1801]
Location: Library Company of Philadelphia | Books & Other Texts | Rare U Afri Gran 10198.D v 1 p 152, https://digital.librarycompany.org/islandora/object/Islandora%3A2911

Title: Vue de la montagne de Cabende prise au midi, et deuil du masouc, Andris Poucouta, macaye
Description: The engraving shows the funeral of a well-known man who died during Grandpré's stay in the area. The image is accompanied by Grandpré's description of the event, an approximate translation of which reads as follows: "The black Congolese bury their dead, but mourn them a long time before burying them; since the funeral is the day the mourning period comes to an end, it is consecrated to rejoicing. Therefore, the burial of a Congolese man is not a somber affair, and everyone rejoices . . . .The dead man is placed on a bed of honor, and placed in the middle of a large courtyard, under a tent which contains his finest objects . . . ." (p. 141-44), Fold-out plate in L. de Grandpré's Voyage à la côte occidentale d'Afrique: fait les années 1786 et 1787; contenant la description des moeurs, usages, lois, gouvernement et commerce des États du Congo, fréquentés par les Européens, et un précis de la traite des Noirs, ainsi qu'elle avait lieu avant la Révolution française; suivi d'un voyage fait au cap de Bonne-Espérance, contenant la description militaire de cette colonie (Paris: Dentu, imprimeur-libraire, Palais du Tribunat, galeries des bois, no. 240, an IX --., 1801), vol. 1, p. 142., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
Creator: Michel, engraver
Date: [1801]
Location: Library Company of Philadelphia | Books & Other Texts | Rare U Afri Gran 10198.D v 1 p 142, https://digital.librarycompany.org/islandora/object/Islandora%3A2910

Title: Princesse née de Malembe
Description: Portrait image of a Malembe princess. The image is accompanied by a description of Malembe women's dress, an approximate translation of which reads as follows: "The dress of the women is less grand; they do not wear bonnets . . . and their drawers never touch the ground, but they cover themselves with a great quantities of . . . glass beads whose color differs from those worn by Europeans. . . . They cover their neck with a small scarf, as seen in the engraving, and like the men, they are very fond of coral red." (p. 74-75), Fold-out plate in L. de Grandpré's Voyage à la côte occidentale d'Afrique: fait les années 1786 et 1787; contenant la description des moeurs, usages, lois, gouvernement et commerce des États du Congo, fréquentés par les Européens, et un précis de la traite des Noirs, ainsi qu'elle avait lieu avant la Révolution française; suivi d'un voyage fait au cap de Bonne-Espérance, contenant la description militaire de cette colonie (Paris: Dentu, imprimeur-libraire, Palais du Tribunat, galeries des bois, no. 240, an IX --., 1801), vol. 1, p. 74., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
Creator: Godfroi, engraver
Date: [1801]
Location: Library Company of Philadelphia | Books & Other Texts | Rare U Afri Gran 10198.D v 1 p 74, https://digital.librarycompany.org/islandora/object/Islandora%3A2909

Title: Noir au bois Mayombe
Description: The image is set in the interior of Angola; it shows African slave-traders and the slaves they have captured from the Mayombe forest. Armed with rifles and swords, the traders lead the slaves to the coast, where they will be sold. The slave in the foreground wears a forked branch around his neck. It is secured in the back by an iron pin, which, as the text explains, threatens to choke him. A trader holds the other end of the branch, thus directing the slave along the narrow path. To the right, another slave is bound with ropes and escorted by two traders. Behind them, a trader leads a female slave by the hand., Fold-out plate in L. de Grandpré's Voyage à côte occidentale d'Afrique: fait dans les années 1786 et 1787 . . . (Paris: Dentu, imprimeur-libraire, Palais du Tribunat, Galeries de Bois, no. 240, an IX., 1801), vol. 2, p. 48., Fels Afro-Americana Image Project, Scenes from the Slave Trade.
Creator: Michel, engraver
Date: [1801]
Location: Library Company of Philadelphia | Books & Other Texts | Rare U Afri Grand 10198.D v 2 p 48, https://digital.librarycompany.org/islandora/object/Islandora%3A2908

Title: Les Maures poursuivant les Nègres pour les faires Esclaves
Description: Riding on horseback and armed with swords, Moorish slave-catchers raid a village in search of slaves. As the village burns in the background, a slave-catcher pursues a fleeing man., Plate 31 in Jean Baptiste Léonard Durand's Atlas pour servir au Voyage du Sénégal (Paris: Dentu, 1807)., Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Demonchy, engraver
Date: [1807]
Location: Library Company of Philadelphia | Books & Other Texts | Rare *U Afri Dur 13032.Q plate 31, https://digital.librarycompany.org/islandora/object/Islandora%3A2903

Title: The mode of training blood hounds in St. Domingo and of exercising them by Chasseurs
Description: Featuring a model of a black man and a Spanish Chasseur in typical dress, the engraving helps shows how Spanish colonizers in St. Domingo trained blood-hounds to track and kill runaway slaves. As Rainsford explained, "With respect to the dogs their general mode of rearing was latterly in the following manner. From the time of their being taken from the dam, they were confined in a sort of kennel, or cage, where they were but sparingly fed upon small quantities of the blood of different animals. As they approached maturity, their keepers procured a figure roughly formed as a negro in wicker work, in the body of which were contained the blood and entails of beasts. This was exhibited before an upper part of the cage, and the food occasionally exposed as a temptation, which attracted the attention of the dogs to it as a source of the food they wanted. This was repeated often, so that the animals with rodoubled ferocity struggled against their confinement while in proportion to their impatience the figure was brought nearer, though yet out of their reach, and their food decreased, till at the last extremity of desperation, the keeper resigned the figure, well charged with the nauseous food before described, to their wishes. While they gorged themselves with the dreadful met, he and his colleagues caressed and encouraged them. By these means the whites ingratiated themselves so much with the animals, as to produce an effect directly opposite to that perceivable in them towards the black figure; . . . ." (p. 426-27)., Plate in Marcus Rainsford's Historical Account of the Black Empire of Hayti: comprehending a view of the principal transactions in the revolution of Saint Domingo; with its antient and modern state (London: Albion press printed: published by James Cundee, Ivy-Lane, Paternoster-Row; and sold by C. Chapple, Pall Mall, 1805), p. 422., Fels Afro-Americana Image Project, Resistance.
Creator: Barlow, J., engraver
Date: 1805
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1805 Rains 1416.Q p 422, https://digital.librarycompany.org/islandora/object/Islandora%3A2708

Title: [Frontispiece for the Curious Adventures of Captain Stedman]
Description: Image relates to an episode that Captain John Stedman witnessed during his travels in Surinam, and went on to describe in his text, Narrative, of a five year's expedition against the revolted Negroes of Surinam, in Guiana, on the wild coast of South America; from the year 1772 to 1777 (London: Printed for J. Johnson, St. Paul's Church Yard, & J. Edwards, Pall Mall, 1796). In the corresponding passage, Stedman described how a beautiful Samboe girl of about eighteen was tied by both arms to a tree limb and flagellated by two overseers in such a manner that "she was from her neck to her ancles [sic] literally dyed over with blood." When Stedman arrived on the scene, the girl had already received 200 lashes, and he begged one of the overseers to let her down. At this point, the overseer explained that, in order to prevent strangers from interfering with his government, he had made an unalterable rule to double any slave's punishment when a stranger tried to intervene on his or her behalf. To Stedman's utter dismay, the girl thus received another 200 lashes. Stedman's own 1796 text included an illustration of this terrible episode: an engraving done by William Blake after one of Stedman's drawings. Like Blake's engraving, the 1809 aquatint shows the two black overseers who carried out the girl's punishment, the planter who presumably ordered it, and the slave girl herself. The aquatint, however, differs substantially in style, composition, and interpretation., Folded frontispiece for the Curious Adventures of Captain Stedman, during an expedition to Surinam in 1773 (London: Printed for Thomas Tegg [1809])., Fels Afro-Americana Image Project, Punishment Scenes.
Date: [1809]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1809 Cur 68448.D frontispiece, https://digital.librarycompany.org/islandora/object/Islandora%3A2718

Title: "Am I not a man, and a brother?"
Description: Profile view of a half-kneeling slave figure facing right. His ankles and wrists are shackled and chained; his hands are clenched together and raised in an imploratory manner. The sparse background suggests a plantation setting., Title page vignette in Thomas Branagan's Penitential Tyrant (New York: Printed and sold by Samuel Wood, 1807)., Images in this work derived from oral testimony given before the British Parliament's Select Committee Appointed to Take the Examination of Witnesses Respecting the African Slave Trade originally published as An Abstract of the Evidence Delivered Before a Select Committee of the House of Commons in the Years 1790, and 1791; the Part of Petitioners for the Abolition of the Slave-Trade (London: printed by James Phillips, 1791). Images also issued in a number of other printed works including Remarks on the Methods of Procuring Slaves with a Short Account of Their Treatment in the West Indies (London: printd by and for Darton and Harvey, no. 66 Gracechurch Street, MDCCXCIII [1793]): Sclaven-Handel (Philadelphia: Gedruckt fur Tobias Hirte, bey Samuel Saur, 1794); Der Neue Hoch Deutsche Americanische Calender auf das Jahr 1797 (Baltimore: Samuel Saur, 1796); Injured Humanity: Being a Representation of What the Unhappy Children of Africa Endure from Those Who Call Themselves Christian... (New York: printed and sold by Samuel Wood, no. 362, Pearl Street, between 1805 and 1808); and The Mirror of Misery, or Tyranny Exposed (New York: printed and sold by Samuel Wood, 1807) and later editions issued in 1811 and 1814., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [1807]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1807 Bra 2721.D title page vignette, https://digital.librarycompany.org/islandora/object/Islandora%3A2717

Title: The manner in which slaves are placed to be flogged
Description: A slaveowner stands to the left and watches as a partially clothed male slave flogs a naked male slave who lies face down on the ground. The arms and legs of the slave being flogged are fastened to pegs in the ground., Illustration in Thomas Branagan's Penitential Tyrant (New York: Printed and sold by Samuel Wood, 1807), p. 272., Engraving attributed to Alexander Anderson., Images in this work derived from oral testimony given before the British Parliament's Select Committee Appointed to Take the Examination of Witnesses Respecting the African Slave Trade originally published as An Abstract of the Evidence Delivered Before a Select Committee of the House of Commons in the Years 1790, and 1791; on the Part of the Petitioners for the Abolition of the Slave-Trade (London: printed by James Phillips, 1791). Images also issued in a number of other printed works including Remarks on Methods of Procuring Slaves with a Short Account Their Treatment in the West-Indies (London: printed by and for Darton and Harvey, no. 66 Gracechurch Street, MDCCXCIII [1793]); Sclaven-Handel (Philadelphia: Gedruckt fur Tobias Hirte, bey Samuel Saur, 1794); Der Neue Hoch Deutsche Americanische Calender auf das Jahr 1797 (Baltimore: Samuel Saur, 1796); Injured Humanity: Being a Representation of What the Unhappy Children of Africa Endure from Those Who Call Themselves Christians... (New York; printed and sold by Samuel Wood, no. 362, Pearl Street, between 1805 and 1808); and The Mirror of Misery, or Tyranny Exposed (New York: printed and sold by Samuel Wood, 1807) and later editions issued in 1811 and 1814., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Creator: Anderson, Alexander, 1775-1870, engraver
Date: [1807]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1807 Bra 2721.D p 272, https://digital.librarycompany.org/islandora/object/Islandora%3A2714

Title: The husband and wife, after being sold to different purchasers, violently separated, probably never to see each other more
Description: Image depicts a slaveowner who moves to whip three partially clothed slave figures, a husband, a wife, and their small child. The husband and wife cling to each other as their child stands to the right. In the background, another slaveowner raises his whip toward four slaves who march in a line in front of him., Illustration in Thomas Branagan's Penitential Tyrant (New York: Printed and sold by Samuel Wood, 1807), p. 267., Engraving attributed to Alexander Anderson., Images in this work derived from oral testimony given before the British Parliament's Select Committee Appointed to Take the Examination of Witnesses Respecting the African Slave Trade originally published as An Abstract of the Evidence Delivered Before a Select Committee of the House of Commons in the Years 1790 and 1791; on the part of the petitioners for the abolition of the slave-trade (London: printed by James Phillips, 1791). Images also issued in a number of other printed works including Remarks on the Methods of Procuring Slaves with a Short Account of Their Treatment in the West-Indies (London: printed by and for Darton and Harvey, no. 66 Gracechurch Street, MDCCXCIII [1793]); Der Neue Hoch Deutsche Americanische Calender auf das jahr 1797 (Baltimore: Samuel Saur, 1796); Injured Humanity: Being a Representation of What the Unhappy Children of Africa Endure from Those Who Call Themselves Christians... (New York: printed and sold by Samuel Wood, no. 362 Pearl Street, (between 1805 and 1808); and The Mirror of Misery, or, Tyranny Exposed (New York: printed and sold by Samuel Wood, 1807) and later editions issued in 1811 and 1814., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Creator: Anderson, Alexander, 1775-1870, engraver
Date: [1807]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1807 Bra 2721.D. p 267, https://digital.librarycompany.org/islandora/object/Islandora%3A2710

Title: [Log-yokes used by the Mandingoes to restrain slaves.]
Description: Top half of the image shows two male slaves who are joined together by a log-yoke that fits around their necks and rests on their shoulders. Bottom half shows a slave in a log-yoke that takes the form of an inverted V and hangs from his neck by a piece of rope., Illustration in Thomas Branagan's Penitential Tyrant (New York: Printed and sold by Samuel Wood, 1807) p. 268., Engraving attributed to Alexander Anderson., Accompanied by the following text: "The manner of yoking the slaves by the Mandingoes, or African slave merchants, who usually march annually in eight or ten parties, from the river Gambia to Bambarra; each party having from one hundred to one hundred and fifty slaves. The Log-Yokes are made of the roots of trees, so heavy as to make it extremely difficult for the persons who wear them to walk, much more to escape or run away. Where the roads lie through woods, the captives are made to travel several hundred miles with logs hung from their necks, as described in the plates.", Images in this work derived from oral testimony given before the British Parliament's Select Committee Appointed to Take the Examination of Witnesses Respecting the African Slave Trade originally published as An Abstract of the Evidence Delivered Before a Select Committee of the House of Commons in the Years 1790, and 1791; on the part of the petitioners for the abolition of the slave-trade (London: printed by James Phillips, 1791). Images also issued in a number of other printed works including Remarks on the Methods of Procuring Slaves with a Short Account of Their Treatment in the West-Indies (London: printed by and for Darton and Harvey, no. 66 Gracechurch-Street, MDCCXCIII [1793]); Sclaven-Handel (Philadelphia: Gedruckt fur Tobias Hirte, bey Samuel Saur, 1794); Der Neue Hoch Deutsche Americanische Calender auf das jahr 1797 (Baltimore: Samuel Saur, 1796); Injured Humanity: Being a Representation of What the Unhappy Children of Africa Endure from Those Who Call Themselves Christians... (New York: printed and sold by Samuel Wood, no. 362, Pearl Street, between 1805 and 1808); and The Mirror of Misery, or, Tyranny Exposed (New York: printed and sold by Samuel Wood, 1807) and later edtions issued in 1811 and 1814., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Creator: Anderson, Alexander, 1775-1870, engraver
Date: [1807]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1807 Bra 2721.D p 268, https://digital.librarycompany.org/islandora/object/Islandora%3A2711

Title: [Slave at work with head-frame]
Description: Three-quarter, right profile view of a male slave in a plantation setting. Image shows him at work with a hoe, and draws attention to the accoutrements he is forced to wear: the ankle spurs, the head-frame and mouth-piece, and the heavy weight that is suspended from a chain around his waist. A second slave works in the distant background., Illustration in Thomas Branagan's Penitential Tyrant (New York: Printed and sold by Samuel Wood, 1807) p. 269., Engraving attributed to Alexander Anderson., Accompanied by the following text: "A representation of a slave at work cruelly accoutred, with a Head-frame and Mouth-piece to prevent his eating -- with Boots and Spurs round his legs, and half a hundred weight chained to his body to prevent his absconding.", Images in this work derived from oral testimony given before the British Parliament's Select Committee Appointed to Take the Examination of Witnesses Respecting the African Slave Trade originally published as An Abstract of the Evidence Delivered Before a Select Committee of the House of Commons in the Years 1790, and 1791; on the Part of Petitioners for the Abolition of the Slave Trade (London: printed by James Phillips, 1791). Images also issued in a number of other printed works including Remarks on the Methods of Procuring Slaves with a Short Account of Their Treatment in the West-Indies (London: printed by and for Darton and Harvey, no. 66 Gracechurch Street, MDCCXCIII [1793]); Sclaven-Handel (Philadelphia: Gedruckt fur Tobias Hirte, bey Samuel Saur, 1794]); Der Neue Hoch Deutsche Americanische Calender suf das jahr 1797 (Baltimore: Samuel Saur, 1796); Injured Humanity: Being a Representation of What the Unhappy Children of Africa Endure from Those Who Call Themselves Christians... (New York: printed and sold by Samuel Wood, no 362 Pearl Street, between 1805 and 1808); and The Mirror of Misery, or Tyranny Exposed (New York: printed and sold by Samuel Wood, 1807) and later editions issued in 1811 and 1814., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Creator: Anderson, Alexander, 1775-1870, engraver
Date: [1807]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1807 Bra 2721.D p 269, https://digital.librarycompany.org/islandora/object/Islandora%3A2712

Title: [Head-frame and mouth-piece used to restrain slaves]
Description: From left to right, the top half of the illustration includes profile and frontal views of a male slave wearing a head-frame and mouth-piece, and a collar with long spokes and barbs that is referred to as a necklace in the text. In the upper-right quadrant of the illustration, the letter A denotes the location of the flat iron, a portion of the mouth-piece that is shown in greater detail in the bottom half of the image (to the left). A depiction of shackles and a left-hand view of the head-frame are also included., Illustration in Thomas Branagan's Penitential Tyrant (New York: Printed and sold by Samuel Wood, 1807), p. 270-71., Engraving attributed to Alexander Anderson., Accompanied by the following descriptive text: "A front and profile view of an African's head, with the mouth-piece and necklace, the hooks around which are placed to prevent an escape when pursued in the woods, and to hinder them from laying down the head to procure rest. -- At A is a flat iron which goes into the mouth, and so effectually keeps down the tongue, that nothing can be swallowed, not even the saliva, a passage for which is made through holes in the mouth-plate. An enlarged view of the mouth-piece, which, when worn, becomes so heated, as frequently to bring off the skin along with it.", Images in this work derived from oral testimony given before the British Parliament's Select Committee Appointed to Take the Examination of Witnesses Respecting the African Slave Trade originally published as An Abstract of the Evidence Delivered Before a Select Committee of the House of Commons in the Years 1790, and 1791; on the Part of the Petitioners for the Abolition of the Slave-Trade (London: printed by James Phillips, 1791). Images also issued in a number of other printed works including Remarks on the Methods of Procuring Slaves with a Short Account of Their Treatment in the West-Indies (London: printed by and for Darton and Harvey, no. 66 Gracechurch Street, MDCCXCIII [1793]; Sclaven-Handel (Philadelphia: Gedruckt fur Tobias Hirte, bey Samuel Saur, 1794); Der Neue Hoch Deutsche Americanische Calender auf das Jahr 1797 (Baltimore: Samuel Saur, 1796); Injured Humanity: Being a Representation of What the Unhappy Children of Africa Endure from Those Who Call Themselved Christians... (New York: printed and sold by Samuel Wood, no. 362, Pearl Street, between 1805 and 1808); and The Mirror of Misery, or Tyranny Exposed (New York: printed and sold by Samuel Wood, 1807) and later editions issued in 1811 and 1814., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Creator: Anderson, Alexander, 1775-1870, engraver
Date: [1807]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1807 Bra 2721.D p 270-71, https://digital.librarycompany.org/islandora/object/Islandora%3A2713

Title: Another method of fixing the poor victims on a ladder to be flogged, which is also occasionally laid flat on the ground for severer punishment
Description: A slaveowner stands to the right and watches as a partially clothed male slave flogs the backside of a naked male slave who leans on a ladder that is propped against a tree., Illustration in Thomas Branagan's Penitential Tyrant (New York: Printed and sold by Samuel Wood, 1807], p. 273., Engraving attributed to Alexander Anderson., Images in this work derived from oral testimony given before the British Parliament's Select Committee Appointed to Take the Examination of Witnesses Respecting the African Slave Trade originally published as An Abstract of the Evidence Delivered Before a Select Committee of the House of Commons in the Years 1790, and 1791; on the Part o the Petitioners for the Abolition of the Slave-Trade (London: printed by James Phillips, 1791). Images also issued in a number of other printed works including Remarks on the Methods of Procuring Slaves with a Short Account of Their Treatment in the West-Indies (London: printed by and for Darton and Harvey, no. 66 Gracechurch Street, MDCCXCIII [1793]); Sclaven-Handel (Philadelphia: Gedruckt fur Tobias Hirte, bey Samuel Saur, 1794); Der Neue Hoch Deutsche Americanische Calender auf das Jahr 1797 (Baltimore: Samuel Saur, 1796); Injured Humanity: Being a Representation of What the Unhappy Children of Africa Endure from Those Who Call Themselves Christians... (New York: printed and sold by Samuel Wood, no. 362 Pear Street between 1805 and 1808); and The Mirror of Misery, or Tyranny Exposed (New York: printed and sold by Samuel Wood, 1807) and later editions issued in 1811 and 1814., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Creator: Anderson, Alexander, 1775-1870, engraver
Date: [1807]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1807 Bra 2721.D p 273, https://digital.librarycompany.org/islandora/object/Islandora%3A2715

Title: When slaves are purchased by the planters; they are generally marked on the breast with a red hot iron
Description: A slaveowner uses a hot iron to brand a male slave's breast. Two other male slaves wait to be branded as well. A ship is visible in the background, possibly suggesting that the three had been purchased immediately beforehand., Illustration in Thomas Branagan's Penitential Tyrant (New York: Printed and sold by Samuel Wood, 1807), p. 274., Engraving attributed to Alexander Anderson., Images in this work derived from oral testimony given before the British Parliament's Select Committee Appointed to Take the Examination of Witnesses Respecting the African Slave Trade originally published as An Abstract of the Evidence Delivered Before a Select Committee of the House of Commons in the Years 1790, and 1791; on the Part of Petitioners for the Abolition of the Slave-Trade (London: printed by James Phillips, 1791). Images also issued in a number of other printed works including Remarks on the Methods of Procuring Slaves with a Short Account of Their Treatment in the West-Indies (London: printed by and for Darton and Harvey, no. 66 Gracechurch Street MDCCXCIII (1793); Sclaven-Handel (Philadelphia: Gedruckt fur Tobias Hirte, bey Samuel Saur, 1794); Der Neue Hoch Deutsche Americanische Calender auf das Jahr 1797 (Balitmore: Samuel Saur 1796); Injured Humanity: Being a Representation of What the Unhappy Children of Africa Endure from Those Who Call Themselves Christians... (New York: printed and sold by Samuel Wood, no. 362, Pearl Street, between 1805 and 1808); and The Mirror of Misery, or, Tyranny Exposed (New York: printed and sold by Samuel Wood, 1807) and later editions issued in 1811 and 1814., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Creator: Anderson, Alexander, 1775-1870, engraver
Date: [1807]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1807 Bra 2721.D p 274, https://digital.librarycompany.org/islandora/object/Islandora%3A2716

Title: [Rise and progress of abolition ; Instruments of bondage and torture]
Description: Abolitionist book illustration depicting a diagram of the author's "four classes of the forerunners and adjunctors" in the history of the abolition of the Transatlantic slave trade containing the names, religious and social groups, and events significant in the movement before 1787., Abolitionist book illustration depicting instruments used in the Transatlantic slave trade including handcuffs, ankle shackles, thumb screws, and a speculum orise which was used to force feed enslaved people., Title supplied by cataloger., Uncut plates from Thomas Clarkson's, The History of the Rise, Progress, & Accomplishment of the Abolition of the African Slave-Trade, by the British Parliament. Vol. I (Philadelphia: James P. Parke, 1808). (LCP Am 1808 Clar, 1934.D)., Originally part of a McAllister scrapbook of Civil War portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Kneass, William, 1780-1840, engraver
Date: 1808
Location: Library Company of Philadelphia | Print Department *GC - Slavery [5755.F.17]

Title: [Plan and sections of a slave ship]
Description: Abolitionist book illustration used to illustrate the inhumane transit conditions for enslaved people during the midddle passage across the Atlantic. Depicts aerial, horizontal, and vertical cross sections of the multi-decked ship tightly packed with prostrate enslaved figures. The proportional diagram, based on the dimensions of the English slave ship, "Brooke," and space calculations, based on a report to the House of Commons in London in 1798, contains fewer figures than the number of humans routinely transported on the actual ship., Title from earlier plate in C.B. Wadstrom's An Essay on Colonization (London: C.B. Waldstrom, 1794). (LCP *U Afr Wads, 728.Q)., Plate from Thomas Clarkson's The History of the Rise, Progress, & Accomplishment of the Abolition of the African Slave-Trade, by the British Parliament. Vol. II (Philadelphia: James P. Parke, 1808). (LCP Am 1808 Clar, 1934.D)., Originally part of a McAllister scrapbook of Civil War portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Kneass, William, 1780-1840, engraver
Date: [1808]
Location: Library Company of Philadelphia | Print Department *GC-Slavery [5755.F.11]

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