Search results

Title: Eliza crosses the Ohio on the floating ice
Description: Engraving illustrates an episode from Chapter 7, "The Mother's Struggle." With her young son, Harry, in her arms, Eliza crosses the frozen Ohio River in search of freedom. In the background at the left, the slave-trader from whom she has fled stands on the river's edge. Next to him, two slaves lift their hands in a gesture of rejoicing., Illustration in Harriet Beecher Stowe's Uncle Tom's Cabin (London: John Cassell, Ludgate Hill, 1852), p. 16., Caption underneath the image reads: "The huge green fragment of ice on which she alighted pitched and creaked as her weight came on it, but she staid there not a moment. With wild cries and desperate energy she leaped to another and still another cake; -- stumbling -- leaping -- slipping -- springing upwards again! Her shoes are gone -- her stockings cut from her feet -- while blood marked every step." --Page 51., Fels Afro-Americana Image Project, Fugitives.
Creator: Green, W. T., fl. 1837-1872, engraver
Date: [1852]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1852 Sto 72726.O p 16., https://digital.librarycompany.org/islandora/object/Islandora%3A2788

Title: The marriage
Description: Engraving accompanies a fictional episode described in Letter XI, "The Marriage." Leaning over the staircase balustrade in the upper left, the story's narrator observes the scene taking place below, as does Cleopatra, an elderly slave, who watches from several steps down. In the center of the scene, mistress Rosalie forces the slaves Mima and Juniper to jump over a broomstick that stretches between two chairs. This is part of the forced marriage ceremony over which Rosalie presides. When the weeping Mima hesitates to jump, Rosalies boxes her ears with her slipper. In the background, another house-slave watches from behind a door., Plate in Emily C. Pearson's Cousin Franck's Household, or, Scenes in the Old Dominion (Boston: Upham, Ford, and Olmstead, 1853), p 168., Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Hayes, George H., engraver
Date: [1853]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1853 Pear 73222.O p 168, https://digital.librarycompany.org/islandora/object/Islandora%3A2793

Title: The whitewasher
Description: Illustration shows a familiar Philadelphia character: a black, female whitewasher. The woman is dressed in work-clothes and coarse shoes; her sleeves are rolled-up and the illustrator emphasizes her muscular forearms. According to the accompanying text, the bucket on the floor contains a mixture of lime and water, with a little salt and indigo to make it clear. In the course of her work, the whitewasher dips long-handled brushes (like those seen here) into the mixture and rubs it onto the walls for cleaning., Illustration in City characters, or, familiar scenes in town (Philadelphia: Geo. S. Appleton; New York: D. Appleton & Co., 1851), p. 12., Fels Afro-Americana Image Project, Work Scenes.
Date: [1851]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1851 Cit 68429.D p 12, https://digital.librarycompany.org/islandora/object/Islandora%3A2782

Title: The laundress
Description: Illustration shows a familiar Philadelphia character: a black laundress. She is neatly dressed in a long, flowing skirt; and her head is covered with an untied bonnet. "This woman," as the accompanying text explains, "is engaged by rich people to wash and iron clothes, which have been soiled by wearing." The text continues, "The woman in the picture looks as though she had just finished a hard day's work and was taking clothes home to the owners; she what a large basket she carries. It is full of articles of clothing neatly folded up; and this shows how much the woman has done in one day.", Illustration in City Characters, or, Familiar Scenes in Town (Philadelphia: Geo. S. Appleton; New York: D. Appleton & Co., 1851), p. 32., Fels Afro-Americana Image Project, Work Scenes.
Date: [1851]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1851 Cit 68429.D p 32, https://digital.librarycompany.org/islandora/object/Islandora%3A2783

Title: The rag-picker
Description: Illustration shows a familiar Philadelphia character: a black, male rag-picker. He wears a coarse, loose-fitting smock, trousers, and a cap. He carries a basket fastened to a stick over his shoulder and a hooked instrument in his hand. The accompanying text explains, "You see him with his hooked stick exploring heaps of rubbish, and carefully selecting whatever he finds which may be turned to good account, and storing all away in his basket.", Illustration in City characters, or, familiar scenes in town (Philadelphia: Geo. S. Appleton; New York: D. Appleton & Co., 1851), p. 80., Fels Afro-Americana Image Project, Work Scenes.
Date: [1851]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1851 Cit 68429.D p 80, https://digital.librarycompany.org/islandora/object/Islandora%3A2784

Title: The wood-sawyer
Description: Illustration shows a familiar Philadelphia character: a black wood-sawyer. As the text explains, "This is a hard occupation, followed generally by coloured people. They are old men, and have little ones to support, so that they have to work very hard." Shown in full profile, this mature wood-sawyer carries an axe in his hand and a "Horse" on his back. According to the text, when the wood-sawyer cuts his logs, he puts them on this "curious-four legged machine," which is "very strong, and made of oak or hickory wood." Holding the logs down with one knee, the wood-sawyer cuts off one piece at a time., Illustration in City characters, or, familiar scenes in town (Philadelphia: Geo. S. Appleton; New York: D. Appleton & Co., 1851), p. 96., Fels Afro-Americana Image Project, Work Scenes.
Date: [1851]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1851 Cit 68429.D p 96, https://digital.librarycompany.org/islandora/object/Islandora%3A2785

Title: Plantation scene -- coffee
Description: Illustration is set on a coffee plantation in either South American or the West Indies. Sitting in the shade of a palm tree, a planter watches several slaves at work. To the right, two women and a child pick coffee beans and place them in baskets. In the middle, three women carry full baskets up an incline and dump the beans on the ground. Two men rake and shovel them., Plate in William Blake's The History of Slavery and the Slave Trade, Ancient and Modern (Columbus, Ohio: Published and sold exclusively by subscription J. & H. Miller, 1858), p. 288., Fels Afro-Americana Image Project, Work Scenes.
Creator: Felch-Riches, engraver
Date: [1858]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1858 Blake 70419.O p 288, https://digital.librarycompany.org/islandora/object/Islandora%3A2803

Title: View of cotton plantation and gen [sic] in West Indies in 1764
Description: According to the title, the image is set in the West Indies in 1764. The lithograph accompanies a brief discussion of the history of cotton cultivation in the New World. The featured plantation is situated near the coast, and three ships (presumably trading vessels) are visible in the background. In the right foreground, a slave picks cotton from a plant and places it in a basket. Behind him, another slave carefully cleans the picked cotton. At the far left, a female slave operates an early cotton gin, and two men pack large sacks of finished cotton. Two full sacks of cotton occupy the left foreground; one bears the label "7 No. 120 / P.R.M.", Plate in the Report on the Agriculture and Geology of Mississippi (Philadelphia: Lippincott, Grambo, and Co. for E. Barksdale, State Printer, 1854), plate VIII, p. 140., Engraving is based upon a print executed by Prevost and published in the first volume of Diderot's Encylcopedia (Paris: 1762) under the title "Oeconomie Rustique, Culture et Arsonnage du Coton.", Fels Afro-Americana Image Project, Work Scenes.
Creator: Fuchs, F., lithographer
Date: [1854]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1854 Miss Sta 13287.O p 140, https://digital.librarycompany.org/islandora/object/Islandora%3A2798

Title: Douglass wird von Coven gezüchtigt
Description: Engraving accompanies a brief history of Frederick Douglass' early years (c. 1817-1838), and was included in the article, "Bilder aus dem Sklavenleben" (Pictures from Slave Life). Set in a plantation field, the scene shows Douglass on his hands and knees with his shirt hanging around his waist. Standing behind him, a slave-holder named Coven (Douglass' master from approximately 1833-34) beats his bare back with a stick. According to the text, Coven never let a week go by without whipping Douglass and his back never healed., Illustration in Weber's Volks-Kalendar (Leipzig: Verlag von J.J. Weber, [1853]), p. 143., Fels Afro-Americana Image Project, Punishment Scenes.
Date: [1853]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1853 Web 21101.O p 143, https://digital.librarycompany.org/islandora/object/Islandora%3A2796

Title: The mother's struggle
Description: Illustration shows the fictional character, Eliza, and her young son, Harry, as they flee from slavery in search of freedom. As Stowe wrote, "The frosty ground creaked beneath her feet, and she trembled at the sound; every quaking leaf and fluttering shadow sent the blood backward to her heart, and quickened her footsteps." (p. 74), Illustration in Harriet Beecher Stowe's Uncle Tom's Cabin (Boston: John P. Jewett and Company; Cleveland, Ohio: Jewett, Proctor, and Worthington, 1853), p. 73., Fels Afro-Americana Image Project, Fugitives.
Creator: Baker & Smith, engraver
Date: [1853]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1853 Stowe 12939.O p 73, https://digital.librarycompany.org/islandora/object/Islandora%3A2795

Title: [The freeman's defense]
Description: Engraving depicts an episode from chapter 17. Atop a rocky embankment, George and Phineas defend themselves, Eliza and Harry, and Jim Selden and his aged mother from an approaching group that includes Marks, Uncle Tom, and two constables., Illustration in the first German translation of Harriet Beecher Stowe's Uncle Tom's Cabin (Oheim Tom's Hütte) printed in America (Boston: John P. Jewett and Company; Cleveland, Ohio: Jewett, Proctor, and Worthington, 1853), p. 79., Fels Afro-Americana Image Project, Fugitives.
Creator: Baker & Smith, engraver
Date: [1853]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1853 Stow 71311.O p 79, https://digital.librarycompany.org/islandora/object/Islandora%3A2794

Title: Scipio hunted, "As men hunt a deer!"
Description: Equipped with dogs and rifles, a party of men surround Scipio, an escaped slave, who lies wounded on the ground. St. Clare intervenes, claiming Scipio as his prisoner in order to prevent the men from shooting him., Illustration in Harriet Beecher Stowe's Uncle Tom's Cabin (London: John Cassell, Ludgate Hill, 1852), p. 176., Caption underneath the image reads, "He fought the dogs right gallantly, and actually killed three of them with only his naked fists . . . . It was all I could do to keep the party from shooting him." --Page 200., Fels Afro-Americana Image Project, Fugitives.
Creator: Jackson, Mason, 1819-1903, engraver
Date: [1852]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1852 Sto 72726.O p 176, https://digital.librarycompany.org/islandora/object/Islandora%3A2790

Title: Gezo, King of Dahomey
Description: Portrait image of King Gezo [i.e. Gezu], who ruled the Kingdom of Dahomey (now part of southern Benin) from 1818-1858. Through the help of the slave-trade, Dahomey flourished during the 18th and 19th century, and is said to have reached its highpoint during Gezu's rule. In the lithograph, the king is shown with one of his attendants, who holds a parasol over his head. In Part II, "Abomey, its Court and its People," Forbes described King Gezo as "about forty-eight years of age, good-looking, with nothing of the negro feature, his complexion wanting several shades of being black; his appearance commanding, and his countenance intellectual, though stern in the extreme. That he is proud there can be no doubt, for he treads the earth as if it were honoured by its burden. Were it not for the slight cast in his eye, he would be a handsome man. Contrasted with the gaudy attire of his ministers, wives, and caboceers (of every hue, and laden with coral, gold, silver, and brass ornaments), the king was plainly dressed, in a loose robe of yellow silk slashed with satins stars and half-moons, Mandingo sandals, and a Spanish hat trimmed with gold lace; the only ornament being a small gold chain of European manufacture." (vol. 1, p. 76-77), Frontispiece for Frederick E. Forbes's Dahomey and the Dahomans: Being the Journey of Two Missions to the King of Dahomey, and his Residence at the Capital, in the Years 1849 and 1850 (London: Longman, Brown, Green, and Longmans, 1851), vol. 1., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
Creator: M.&N. Hanhart Chromo Lith, lithographers
Date: 1851
Location: Library Company of Philadelphia | Books & Other Texts | Rare U Afri Forbes 9727.D v 1 frontispiece, https://digital.librarycompany.org/islandora/object/Islandora%3A2905

Title: The reception of the "Ah-Haussoo-Noh-Beh" or "Queen's Mouths."
Description: Depiction of a ceremony featuring King Gezu's ambassadors ("Ah-Haussoo-Noh-Beh"), which Forbes witnessed during his travels in the Kingdom of Dahomey, now part of southern Benin. In Part II, "Abomey, its Court and its People," Forbes recalled seeing "a vast assembly of cabooceers and soldiers, with umbrellas of state, flat-topped, and ornamented like those of the Chinese, and banners of every hue and most varied devices. Besides the Dahoman standards, each of which was ornamented by a human skull, floated the national flags of France, England, Portugal, and Brazil, whilst evey cabooceer had his own particular pennon." (p. 73) "The square of the palace," Forbes continued, "was filled with armed people, seated on their hams, the polished barrels of their Danish muskets standing up like a forest. Under a thatched gateway [right] was the king, surrounded by his immediate wives; while on each side sat the amazons, all in uniform, armed, and accoutred; and in the centre of the square squatted the males. Hundreds of banners and umbrella enlivened the scene, and a constant firing from great guns and small arms increased the excitement." (p. 75), Plate in Frederick E. Forbes's Dahomey and the Dahomans: Being the Journey of Two Missions to the King of Dahomey, and his Residence at the Capital, in the Years 1849 and 1850 (London: Longman, Brown, Green, and Longmans, 1851), vol. 1, p. 74., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
Creator: M.&N. Hanhart Chromo Lith, lithographers
Date: 1851
Location: Library Company of Philadelphia | Books & Other Texts | Rare U Afri Forbes 9727.D v 1 p 74, https://digital.librarycompany.org/islandora/object/Islandora%3A2906

Title: Insurrection on board a slave ship
Description: Lithograph was copied from an engraving originally published in Carl Bernhard Wadstrom's Essay on Colonization (London: Printed for the author, by Darton and Harvey, Gracechurch-Street, 1794-95). As the title suggests, the lithograph shows an insurrection aboard a slave ship. From the vantage point of a raised barricade near the ship's stern, the crew fires upon (what looks to be) hundreds of slaves crowded upon the deck. A number of slaves jump overboard. A cloud of smoke hovers over the British vessel., Illustration in William Fox's A Brief History of the Wesleyan Missions on the Western Coast of Africa (London: Printed for the author, published by Aylott and Jones, 8, Paternoster-Row: sold also by John Mason, 66, Paternoster-Row, MDCCCLI [1851]), p. 116., Fels Afro-Americana Image Project, Scenes from the Slave Trade.
Creator: Walton, W. L., lithographer
Date: [1851]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1851 Fox 12623.O p 116, https://digital.librarycompany.org/islandora/object/Islandora%3A2786

Title: Inspection and sale of a Negro
Description: Scene is set in the town of Bangalang, near the modern city of Kambia in Sierra Leone. According to Théophile Conneau's narrative, the engraving shows the notorious slave-trader Jack Ormond as he inspects a slave for purchase. As Conneau explained, "As each negro was brought before him, Ormond examined the subject, without regard to sex, from head to foot. A careful manipulation of the chief muscles, joints, arm pits and groins was made, to assure soundness. The mouth, too, was inspected, and if a tooth was missing, it was noted as a defect liable to deduction. Eyes, voice, lungs, fingers and toes were not forgotten; so that when the negro passed from the Mongo's [i.e, "King of the River," Ormond's nickname] hands without censure, he might have been readily adopted as a good 'life' by an insurance company." (p. 94) To the left of the central pair, another European slave-trader (presumably the seller) sits on a crate, smoking a cigar as he watches the inspection. His book, the quill, and the ink-well suggest that he is prepared to record the day's transactions. To the right, another European trader converses with three African merchants, possibly members of the Mandingo tribe. The subject of their discussion may be the sale of goods in Africans' trunk., Illustrated plate in Théophile Conneau's Captain Canot; or, Twenty Years of an African Slaver (New York: D. Appleton and Company, 346 & 348 Broadway; London: 16 Little Britain, M.DCCC.LIV [1854]), p. 94., Fels Afro-Americana Image Project, Images from the Slave Trade.
Creator: Whitney, Jocelyn & Annin, engraver
Date: [1854]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1854 Can 10796.D p 94, https://digital.librarycompany.org/islandora/object/Islandora%3A2797

Title: The slave chain
Description: Engraving accompanies Part III ("Sojourn at Whydah") of Forbes's travel narratives. Whydah, now known as Ouidah, is a port-city in Benin that figured importantly in the 19th- century slave-trade. Set in front of a trading depot, the illustration shows a line of slaves who are chained together at the neck. Two European overseers crack their whips., Illustration in Frederick E. Forbes's Dahomey and the Dahomans: Being the Journey of Two Missions to the King of Dahomey, and his Residence at the Capital, in the Years 1849 and 1850 (London: Longman, Brown, Green, and Longmans, 1851), vol. 1, p. 100., Fels Afro-Americana Image Project, Scenes from the Slave Trade.
Date: [1851]
Location: Library Company of Philadelphia | Books & Other Texts | Rare U Afri Forbes 9727.D v 1 p 100, https://digital.librarycompany.org/islandora/object/Islandora%3A2907

Title: African slave trade
Description: Illustration is set on the eastern coast of Africa, most likely in Sierra Leone. In the center, a slave-trader inspects a slave for purchase. To the left of the pair, another European slave-trader (presumably the seller) sits on a crate, smoking a cigar as he observes the inspection process. His book, the quill, and the ink-well suggest that he is prepared to record the day's transactions. To the right, another European trader converses with three African merchants, possibly members of the Mandigo tribe. The subject of their discussion may be the sale of goods in the Africans' trunk. To the far right, an overseer with a raised whip marches behind a row of bound slaves who are headed toward a ship., Plate in William Blake's The History of Slavery and the Slave Trade, Ancient and Modern (Columbus, Ohio: Published and sold exclusively by subscription J. & H. Miller, 1858), p. 112., Fels Afro-Americana Image Project, Images of the Slave Trade.
Creator: Felch-Riches, engraver
Date: [1858]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1858 Blake 70419.O p 112, https://digital.librarycompany.org/islandora/object/Islandora%3A2802

Title: Scene in the hold of the "Blood-Stained Gloria." (Middle Passage)
Description: As the title suggests, the engraving shows the hold of the Gloria, a Brazilian slave-ship upon which the author travelled. In Chapter XV of his Revelations, Drake described the conditions on board: "our slaves," he wrote, "were crammed in hold, cabin, and peak, and packed like herrings, on the shelves, around our vessel's sides; and what was worse, gratings were kept down half the time." (p. 88-89) Continuing to describe the "horrors of this dreadful passage," he added, "The sick and dying were chained together. I saw pregnant women give birth to babes, whilst chained to corpses, which our drunken overseers had not removed. The blacks were literally jammed between decks, as if in a coffin; and a coffin that dreadful hold became, to nearly one-half of our cargo, before we reached Bahia." (p. 89) In the engraving, Ruiz, the ship's captain, has entered the hold with one of his mates. In addition to a lantern, the captain carries a large sword, while his mate carries a rifle. A cat-o'-ninetails can be seen on the floor., Fold-out plate in Richard Drake's Revelations of a Slave Smuggler: Being the Autobiography of Capt. Rich'd Drake, an African Trader for Fifty-Years from 1807 to 1857; during which Period He Was Concerned in the Transportation of Half a Million Blacks from African Coast to America (New York: Robert M. De Witt, publisher, [c1860]), p. 28., Fels Afro-Americana Image Project, Scenes from the Slave Trade.
Creator: Andrew & Filmer, engraver
Date: [c1860]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1860 Dra 72735.O p 28, https://digital.librarycompany.org/islandora/object/Islandora%3A2806

Title: Persecuted virtue
Description: Illustration accompanies a recollection made by George, a fugitive slave, in Chapter XI, "In Which Property Gets into an Improper State of Mind." In conversation with Mr. Wilson, George recalled how his sister was whipped by her owner for no other reason that wanting a decent Christian life. Correspondingly, the image captures the moment leading up to George's sister's whipping. Stripped to the waist, she waits on her knees as shabby looking white man ties her wrists to a post. In the center of the scene, a black overseer stands with a whip in his hand, talking with the master. Chains and shackles hang from the rear wall of the barn interior., Illustration in Harriet Beecher Stowe's Uncle Tom's Cabin (London: John Cassell, Ludgate Hill, 1852), p. 112., Caption underneath the image reads, "She was whipped, sir, for wanting to live a decent Christian life, such as your laws give no slave girl a right to live." --Page 95., Fels Afro-Americana Image Project, Punishment Scenes.
Date: [1852]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1852 Sto 72726.O p 112, https://digital.librarycompany.org/islandora/object/Islandora%3A2789

Title: Views of Liberia from "W.F. Lynch report of mission to Africa"
Description: Series of titled views of the Black emigrant country of Liberia (founded 1822) that accompanied a government report compiled by William F. Lynch, Commander, United States Navy following an exploratory excursion to the west coast of Africa. Depicts the stone mansion of Joseph Jenkins Roberts, the first president of Liberia (1847-1855); Episcopal Mission, near Cape Palmas, Mt. Vaughan, founded in 1834 under the auspices of the Maryland Colonization Society and the Domestic and Foreign Missionary Society of the Protestant Episcopal Church; Monrovia (i.e., Liberia) from Bushrod's Island; and Cape Palmas, a Liberian settlement. Views include lush landscapes, Black and white residents, sailing ships, and dwellings., Title from name of the publication., Artists include John H.B. Latrobe and William S. Seager., Printed below images: Senate executive documents, No. 1, 33rd Congress, 1st Session, Part III., Published in "W.F. Lynch report of mission to Africa," Senate Executive documents, 1st Session, 33rd Congress, part 3, vol. 1, doc. 1, p. 329-389., Latrobe, a Baltimore landscape painter, also served as President of the Maryland Colonization Society., Gift of David Doret, 2004., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Wagner & M'Guigan, a partnership between Philadelphia lithographers Thomas S. Wagner & James M'Guigan, was active 1846-1858.
Creator: Wagner & M'Guigan
Date: [1853]
Location: Library Company of Philadelphia | Print Department GC - Views - Foreign - Africa [P.2004.33.5a-d]

Title: Friend's Meeting House. Race Street, Philadelphia
Description: View showing the Race Street facade of the large brick building built circa 1856 to house the meeting, later known as Friends' Central Meeting (Hicksite) at the southwest corner of Fifteenth and Race Streets (1520 Race Street), extending to Cherry Street (1501 Cherry Street). A wrought-iron fence encloses the property and the date marker "1856" is visible near the roof of the building. Friends are visible entering and on the grounds of the meeting house. Also shows pedestrians on the sidewalk, a brick wall with trellis attached to the fencing, and a neighboring building. The building, the second meeting house for the Hicksites (separation in 1827), was built in response to the women's meeting's request for a larger and safer meeting space than the first Hicksite meetinghouse at Fifth and Cherry streets. The Race Street side of the building was used by the monthly meeting and the Cherry Street side by the Yearly Meeting. Race Street was the site of the Hicksite Philadelphia Yearly Meeting between 1857 and 1955., Published in Ezra Michener's A retrospect of early Quakerism. (Philadelphia: T. Elwood Zell, 1860), opp. p, 53. [Ao 10 16587.O], One of prints (P.9830.19) gift of Jay Snider., Philadelphia on Stone, POS 281
Creator: Queen, James Fuller, 1820 or 21-1886, artist
Date: [1860]
Location: Library Company of Philadelphia | Print Department BW - Churches & Meetinghouses - F [P.9507 and P.9830.19]

Title: Friend's Meeting House. (Side elevation)
Description: View showing the side elevation of the large brick building, Race Street Meeting House, built circa 1856 to house the meeting, later known as Friends' Central Meeting (Hicksite) at the southwest corner of Fifteenth and Race Streets (1520 Race Street), extending to Cherry Street (1501 Cherry Street). Friends enter the building and walk on the paths surrounding a lawn in the foreground. The building, the second meeting house for the Hicksites (separation in 1827), was built in response to the women's meeting's request for a larger and safer meeting space than the first Hicksite meetinghouse at Fifth and Cherry streets. The Race Street side of the building was used by the monthly meeting and the Cherry Street side by the Yearly Meeting. Race Street was the site of the Hicksite Philadelphia Yearly Meeting between 1857 and 1955., Not in Wainwright., Published in Ezra Michener's A retrospect of early Quakerism. (Philadelphia: T. Elwood Zell, 1860), opp. p. 28. [Ao 10 16587.O], Philadelphia on Stone, POS 281b
Creator: Queen, James Fuller, 1820 or 21-1886, artist
Date: [1860]
Location: Library Company of Philadelphia | Stack Stack Ao 10 16587.O, opp. p. 28

Title: Friend's Meeting House & School. Race St. East of 16th
Description: View showing two large brick buildings built circa 1856 and occupied by the Race Street Meeting House (center) and Friend's Central School (left) at the southwest corner of Fifteenth and Race Streets (1520 Race Street). Friends enter the meeting house and gather in front of the wrought iron fence lining the grounds. The meeting house, the second one for the Hicksites (separation in 1827), was built in response to the women's meeting's request for a larger and safer meeting space than the first Hicksite meetinghouse at Fifth and Cherry streets. The Race Street side of the building was used by the monthly meeting and the Cherry Street side by the Yearly Meeting. Race Street was the site of the Hicksite Philadelphia Yearly Meeting between 1857 and 1955. Friends’ Central School, established in 1845, was located at the southwest corner of Fifteenth and Race streets from 1857 to 1925., Published in Ezra Michener's A retrospect of early Quakerism. (Philadelphia: T. Elwood Zell, 1860), frontispiece. [Ao 10 16587.O]., One of prints (P.9830.18) gift of Jay Snider., Philadelphia on Stone, POS 281a
Creator: Queen, James Fuller, 1820 or 21-1886, artist
Date: [1860]
Location: Library Company of Philadelphia | Stack Stack Ao 10 16587.O, frontispiece and P.9830.18

Title: The Roxborough School House. Founded by William Levering, 1748, rebuilt 1795
Description: Exterior view of the small two-and-one-half story school house, renamed the "Levering Primary School" in 1847. Shows the side and front of the building also used as a public hall. A gated pathway and fence are visible next to the school house. A large tree stands in the front yard. The school was rebuilt again in 1857. William Levering (1705-1774) was a proprietor with large land holdings who not only built the first school in Roxborough, but the first smith shop and inn., Not in Wainwright., Published in Horatio Gate Jones's The Levering Family; or, a genealogical account of Wigard Levering and Gerhard Levering,....(Philadelphia: King & Baird, 1858), opp. p.26., pdcc00027, Philadelphia on Stone, Free Library of Philadelphia: Castner 27A:32
Date: [1858]
Location: Free Library of Philadelphia. | Print and Photograph Collection. FLP Castner 27A:32

Title: Wood & Perot. Wood, Miltenberger & Co. Ornamental iron works. 1136 Ridge Avenue, Philadelphia. 57 Camp Street, New Orleans Manufacturers of iron railings for cemetery enclosures, public squares, churches and private residences, iron verandahs, balconies, bank counters, stairs (in every variety), mausoleums or tombs, chairs, settees, tables, tree boxes, hitching posts, lamp posts, brackets, statuary and all other iron work of a decorative character. Drawings furnished to those who wish to make selections
Description: Advertisement containing two side-by-side views bordered on top by an ornate floral design. Depicts heavy street and pedestrian traffic showing the neighboring "Ridge Avenue" factory and the "Twelfth Street" foundry of the iron works. Ridge Avenue view shows the massive "Wood and Perot Ornamental and Iron Railing Factory Iron Works" at 1136 Ridge Avenue. Signage advertising "Manufacturers of decorative iron work," "verandahs," and "counters" adorns the building. On the roof, a large statue of Henry Clay stands, and an American flag flies from a tower. Workers load horse-drawn wagons stationed in front of the works as pedestrians mill past. Iron railings lean against the building, animal statuary is displayed on the sidewalk, and employees and patrons stand in doorways. In the street, a carriage travels in the direction of a stopped, packed "Ridge Avenue" omnibus receiving and discharging passengers. Across the street, near a tree, ladies in heavy capes and holding parasols promenade past a man pointing out the Clay statue to his male companion., Twelfth Street view shows the new iron foundry completed circa 1858 to the rear of the Ridge Avenue works on the 400 block of Twelfth Street. Two laborers steady a horse-drawn cart near the entry to the factory that is adorned with a tower flying a "Wood & Perot" flag. In the street, an omnibus is followed by a volunteer riding one of a two-horse team drawing a steam fire engine. Three boys follow and direct the engine. Across the street, a man, potentially a constable, prepares to open the call box attached to a telegraph pole as a family of five promenades down the block. Also shows the tops of the spires of the Church of Assumption (1133 Spring Garden Street) in the background. Wood & Perot, a partnership between Robert Wood and Elliston Perot, was active between 1857 and 1865., Published in Edwin T. Freedley's Philadelphia and its manufactures: a handbook exhibiting the development, variety, and statistics of the manufacturing industry in Philadelphia in 1857 (Philadelphia: Edward Young, 333 Walnut Street, 1859 [c1858]), opposite page 450., Philadelphia on Stone, POS 864.2, Historical Society of Pennsylvania: HC 108 .P5 F8 1859.
Date: [1859]
Location: Historical Society of Pennsylvania W469.2 [HSP HC 108 .P5 F8 1859]

Title: Five Points, 1827
Description: Chaotic street scene after the 1827 painting Five Points by George Catlin depicting the early 19th-century New York City lower income area east of City Hall. Shows several white and Black men and women, individually, as couples, and in groups at the crossroads of Orange, Anthony, and Cross Streets. The streets are lined with places of "entertainment," "lodgings," and grocery stores primarily selling liquor. Amongst the melee on the streets, a large brawl and several small fights occur, people are knocked over, "couples" of men and women stroll and engage in conversation, peddlers sell their goods, a white woman pumps water, and pigs roam free., Title from item., Inscribed lower right corner: For Valentine's Manual., Plate from D.T. Valentine. Manual of the corporation of the city of New York for 1855 (New York: New York Common Council, 1855) (LCP Am 1855 New Yor Com)., Original painting in the collections of the Metropolitan Museum of Art, bequest of Mrs. Screven Lorillard (Alice Whitney), from the collection of Mrs. J. Insley Blair, 2016., Gift of Mrs. S. Marguerite Brenner, 1984., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., McSpedon & Baker, the New York lithographic partnership of Thomas McSpedon and Charles W. Baker, primarily performed stationery work. Illustrative plates executed by the partnership are rare.
Date: [1855]
Location: Library Company of Philadelphia | Print Department GC - Views - New York - New York City [P.9057.8]

Title: Chorus -- sing, darkeys, sing
Description: Pro-slavery image set on Fairfield Plantation, a fictional plantation near Macon, Georgia. This scene of casual socializing shows a large "corn-shucking" or husking. A group of men, women, and childen sit around a large pile of corn husks. Laughing and talking with one another, they husk the corn and toss the ears aside. A man identified in the text as Uncle Cato sits on top of pile and leads the others in singing. Two white overseers, who, according to the text, provided the slaves with whiskey, stand near a tree in the background., Illustration in Robert Criswell's "Uncle Tom's Cabin" contrasted with Buckingham Hall, the planter's home; or, A fair view of both sides of the slavery question (New York: Printed and published by D. Fanshaw, No. 108 Nassau-street, 1852), p. 64., Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Whitney & Annin, engraver
Date: [1852]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 2 Wright 660 71441.O p 64, https://digital.librarycompany.org/islandora/object/Islandora%3A2652

Title: The festival
Description: Set at Buckingham Hall, a fictional plantation near Charleston, South Carolina, this pro-slavery image presents a scene of general merriment. In accordance with the wishes of their benevolent master, Col. Buckingham, the slaves celebrate a "holiday and festival." Jerry, the leader of the band, sits upon a hogshead and plays his fiddle. Next to him, others play banjos, bones, and other instruments for the entertainment of a group of dancers. Other slaves eat ("from a fatted calf"), drink ("something better than water"), and socialize. Col. Buckingham and his family enjoy the festivites from a raised platform in a tree to the right., Illustration in Robert Criswell's "Uncle Tom's Cabin" contrasted with Buckingham Hall, the planter's home; or, A fair view of both sides of the slavery question (New York: Printed and published by D. Fanshaw, No. 108 Nassau-street, 1852), p. 112., Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Whitney & Annin, engraver
Date: [1852]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 2 Wright 660 71441.O p 112, https://digital.librarycompany.org/islandora/object/Islandora%3A3139

Title: The successful manhunt
Description: Engraving portrays an episode described in Hildreth's fictional narrative. With blood- hounds in tow and "armed to the teeth," a party of mounted slave-hunters proceeds with two captured fugitives: the young man marching in front around whose neck a rope has been tied, and the older man, identified in the narrative as Wild Tom, who rides on horseback and whose arms are tied behind his back. In the center of the image, the lifeless body of Snapdragon, a Yankee overseer, is draped over a horse. He was killed by Wild Tom during the course of the man hunt., Plate in Richard Hildreth's Archy Moore, the White Slave; or Memoirs of a Fugitive (New York and Auburn: Miller, Orton & Mulligan, 1855), p. 290., Fels Afro-Americana Image Project, Fugitives.
Creator: Baker & Smith
Date: [1855]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1855 Hildr 72210.O p 290, https://digital.librarycompany.org/islandora/object/Islandora%3A2801

Title: "Old Joseph, the Patriarch"
Description: Engraving accompanies a fictional episode described in Letter IV, "The 'Purchases' -- Old Joseph." Episode takes place on Christmas Eve in the cabin of the coachman Rafe, the slave seated on the log near the fireplace to the extreme right. Rafe has learned that he will soon be sold, and thus separated from his wife, who sits to his right, and their young child, who rests on her lap. Other slaves cluster around the couple, trying to comfort them. Leaning on his walking stick, Old Joseph (described as "the beau ideal of a patriarch, at once humble, dignified and venerable") stands and faces the group, offering words of wisdom and consolation. Interior is furnished with a bench, a chest of drawers, a large chair, and stools of varying sizes. The men's discarded top hats are placed throughout the room, as are assorted utilitarian and domestic objects, such as pots and pans, an umbrella, and an axe. In the foreground, a book, quite possibly the Bible, rests on a stool., Frontispiece for Emily C. Pearson's Cousin Franck's Household, or, Scenes in the Old Dominion (Boston: Upham, Ford, and Olmstead, 1853)., Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Hedge, Franklin, b. ca. 1830, engraver
Date: [1853]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1853 Pear 73222.O frontispiece, https://digital.librarycompany.org/islandora/object/Islandora%3A2792

Title: Alfred Jenks & Son's machine works, Bridesburg
Description: Advertisement showing the busy industrial complex established circa 1819 by Alfred Jenks and enlarged in 1853 on the east side of Richmond Street between Franklin & Locust streets in Bridesburg. A horse-drawn flatbed truck enters the courtyard of the U-shaped complex containing several buildings that are surrounded by wood fencing. Within the yard, clusters of workers transport boxes and planks of wood by hand near an unhitched wagon surrounded by crates. A carriage with driver waits near a smaller building, landscaped with trees and attached to one of the large workshops. Outside the complex, a driver handles a four-horse team plodding to pull a truck loaded with two large machines as other factory workers transport planks, carry crates, mill about with their tools, drive a dray, and stand at a shed facing the street. Also shows two gentlemen talking to a worker in the middle of the roadway, a worker carrying a box near abandoned carts in an adjacent courtyard, and several working smokestacks on the roofs of the works., Illustration in Edwin T. Freedley's Philadelphia and its Manufactures (Philadelphia: Edward Young, 333 Walnut Street, 1858), opposite page 301., Philadelphia on Stone, POS 13.2, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Am 1858 Fre 67170.D., Historical Society of Pennsylvania:, Atwater Kent Museum: 40.79.3/2
Date: 1857
Location: Library Company of Philadelphia | Print Department W33.2 [Am 1858 Fre 67170.D.301a]

Title: Ethnographic tableau Specimens of various races of mankind
Description: Chart showing racist depictions of fifty-four, bust-length, portraits of men and one woman of different "races" from eight geographic regions to emphasize contrived differences in cranial characteristics. The “Geographical Distribution” includes I. Arctic, II. Asiatic, III. European, IV. African, V. American, VI. Polynesian, VII. Malayan, and VIII. Australian. With each region, six depictions of individuals of that race are shown, some facing forward and some in profile. Many of the individuals are depicted as racist stereotypes. Many are attired in hats, turbans, or headdresses custom to their country of origin. In the left, under the caption “Cranioscopic Examples,” nine different skulls in right profile are depicted. In the right, chart sections include “Mankind, Grouped Physiologically” and “Linguistic Distinctions.”, Title from item., Folded plate removed from Josiah C. Nott and George R. Gliddon's Indigenous races of the earth (Philadelphia: J.B. Lippincott & Co.; London: Trubner & Co., 1857) (LCP *Am 1857 Nott (1)2733.Q (Rush)). See "Explanations of the tableau" pages 618-638., Captions below images on recto: Artic: Eskimo, Tchucktchi, Koriak, Aleoutian, Aino, Samoyede. Asiatic: Kamtschadale, St. Laurent Islander, Tartar, Chinese, Kalmuck, Tuda. Euro[pean]: Finn, Icelander: Cuvier, Bulgarian, Greek, Caucasian. [Euro]Pean: Syrian, Arab, Fellah, Berber, Uzbek Tatar, Affghan (sic). African: Ababdee, Sahara Negro, Yeboo Negro, Mozambique Negro, Caffr, Hottentot. American: Kutchin Indian, Stone Indian, Ottoe Indian, Yucatan Indian, Boroa Indian, Fuegian. Polynesian: New Zealander, Samoa Islander, Tikopia Islander, Vanikoro Islander, Tana Islander, Viti Islander. Malayan: Malay, Javanese, Marianne Islander, Hindoo, Mintira, Negritto. Australian: North Australian, West, Australian, South Australian, Tasmanian, Tasmanians (Men, Women)., Bequest of Dr. James Rush, 1869., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Kramer, Peter, 1823-1907, artist
Date: 1857
Location: Library Company of Philadelphia | Print Department ***BW-Natural history [(1)2733.Q.1]

Title: Truey, the Griqua maid
Description: Portrait image of Truey (or Getrude), a young Griqua woman who had been captured by warriors loyal to the great Zulu chief Moselekatse. A maid, Griqua serves meat to Moselekatse's visitors., Plate in Sir William Harris's The wild sports of Southern Africa: Being a narrative of a hunting expedition from the Cape of Good Hope, through the territories of the Chief Moselekatse, to the Tropic of Capricorn (London: Henry G. Bohn, York Street, Covent Garden, 1852), p. 120., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
Date: [1852]
Location: Library Company of Philadelphia | Books & Other Texts | Rare U Afri Harris 14048.O p 120, https://digital.librarycompany.org/islandora/object/Islandora%3A2913

Title: Andries Africander, a mulatto Hottentot
Description: Portrait image of Andries Africander, a mulatto Hottentot (i.e. Khoikhoi), who served as Harris's driver during part of his travels. A pensioned private in the Cape Rifle Corps, Africander is shown here with his rifle. As Harris noted, and as the engraving suggests, he was missing both his right eye and his index finger. When Harris first made Africander's acquaintance, the latter had already made numerous trips into Moselekaste's country. He was also acquainted with the chief, and spoke a bit of English and Sichuana. He proved, however, to be an unfortunate addition to Harris's party. "A coward, a mutineer, and an inveterate liar," Harris wrote, " . . . Andries caused more mischief and trouble to us by his pernicious example and rebellious conduct when beyond the reach of the law, than can be well conceived by those who have never had the misfortunes to be exposed to the machinations of so dangerous a ruffian." (p. 10), Plate in Sir William Harris's The wild sports of Southern Africa: Being a narrative of a hunting expedition from the Cape of Good Hope, through the territories of the Chief Moselekatse, to the Tropic of Capricorn (London: Henry G. Bohn, York Street, Covent Garden, 1852), p. 8., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
Date: [1852]
Location: Library Company of Philadelphia | Books & Other Texts | Rare U Afri Harris 14048.O p 8, https://digital.librarycompany.org/islandora/object/Islandora%3A2912

Title: Wreck of the slave ship
Description: According to Hildreth's narrative, the plate shows a domestic slave ship that was caught in a storm while travelling down the Atlantic coast to Charleston. After the captain and crew fled in a jolly-boat, the slaves worked the pumps in the hopes of saving themselves. They were eventually rescued and brought to a jail in Norfolk, Virginia., Illustration in Richard Hildreth's The White Slave: or, Memoirs of a Fugitive (London: Ingram, Cooke, & Co., 227 Strand, MDCCCLII, 1852), p. 80., Fels Afro-Americana Image Project, Images from the Slave Trade.
Date: [1852]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1852 Hildr 70799.O p 80, https://digital.librarycompany.org/islandora/object/Islandora%3A2787

Title: The emigration
Description: Engraving accompanies Chapter VII ("A Variety of Incidents") in Thorpe's fictional narrative. It shows the protagonist, Mildmay, leading his slaves on a journey from North Carolina to Louisiana, where he had purchased a new plantation. Following Mildmay's example, the slaves discarded most of their possessions and took only what they could carry. According to the text, the procession included five large wagons, "which were filled with camp equipage, cooking utensils, sick or delicate women, and infant children." (p. 72), Illustration in Thomas Bangs Thorpe's The master's house; or, scenes descriptive of southern life (New York: J.C. Derby, 119 Nassau Street, 1855), p. 70., Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Whitney, Jocelyn & Annin, engraver
Date: [1855]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 2 Wright 2496a 71095.D p 70, https://digital.librarycompany.org/islandora/object/Islandora%3A2657

Title: Solomon Northup in his plantation suit
Description: Portrait of Solomon Northup, a free citizen of New York, who was kidnapped in Washington City in 1841 and sold into slavery. Northup is shown in a suit that he wore as a slave on a Louisiana cotton plantation., Frontispiece for Solomon Northup's Twelve Years a Slave: Narrative of Solomon Northup, a Citizen of New York, Kidnapped in Washington City in 1841, and Rescued in 1853, from a Cotton Plantation near the Red River, in Louisiana (Auburn: Derby and Miller; Buffalo: Derby, Orton and Mulligan; London: Sampson Low, Son & Company, 1853)., Fels Afro-Americana Image Project, Scenes from Slave Life.
Date: [1853]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1853 Nor 54079.D frontispiece, https://digital.librarycompany.org/islandora/object/Islandora%3A2791

Title: Slave market scene on the Kambia River, coast of Africa
Description: In the center of this busy, crowded scene, a European slave-trader examines the teeth of a male slave who is lying flat on the ground. Another European trader straddles the slave while negotiating with three African merchants. To the right, a well-dressed European merchant observes the inspection process. The open book near his elbow is most likely a ledger in which he will record his purchases. To the left of center, a European slave-trader brands a female slave while others wait their turn. With his back turned toward the viewer, an overseer in the left foreground watches the branding of the slaves. A large hatchet hangs from his belt, and he holds a metal instrument commonly used to restrain and punish slaves. In the left background, an African overseer whips a bound slave. A slave-ship at sea appears in the distant background., Fold-out frontispiece for Richard Drake's Revelations of a Slave Smuggler: Being the Autobiography of Capt. Rich'd Drake, an African Trader for Fifty-Years from 1807 to 1857; during which Period He Was Concerned in the Transportation of Half a Million Blacks from African Coast to America (New York: Robert M. De Witt, publisher, [c1860])., Wood engraving after the 1840 painting entitled "The Slave Trade" by Auguste-Francois Biard., Fels Afro-Americana Image Project, Scenes from the Slave Trade.
Creator: Andrew & Filmer, engraver
Date: [1840, c1860]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1860 Dra 72735.O frontispiece, https://digital.librarycompany.org/islandora/object/Islandora%3A2805

Title: Modes of punishing slaves
Description: Illustration is included in Chapter VI, "Domestic Slavery in Madagascar." According to Ellis, he often witnessed "some of the inevitable consequences of the system [i.e., domestic slavery] that were perhaps more revolting in their moral degradation than in the physical suffering inflicted." The girl on the right, for example, represented one such case. As Ellis wrote, "I saw one young girl who had a couple of boards fixed on her shoulders, each of them rather more than two feet long, and ten inches or a foot wide, fastened together by pieces of wood nailed on the under side. A piece had been cut out of each board in the middle, so that, when fixed together, they fitted close to her neck, and the poor girl, while wearing this instrument of punishment and disgrace, was working with the rest." (p. 147-48) The boy on the left represented another such case. Ellis recalled, "On another occasion I saw a boy, apparently about fifteen years of age, with a rough, heavy, iron collar on his naked neck. It seemed to be formed by a square bar of iron of about three quarter of an inch thick being bent round his neck, and the two ends then joined together. Yet he was working with a number of other boys and men employed in carrying fire-wood to the beach for shipping.", Illustration in William Ellis's Three Visits to Madagascar during the Years 1853 -- 1854 -- 1856 (London: John Murray, Albemarle Street, 1858), p. 148., As noted on the title page, the wood engravings are said to be after "photographs, etc.", Fels Afro-Americana Image Project, Punishment Scenes.
Date: [1858]
Location: Library Company of Philadelphia | Books & Other Texts | Rare U Afri Ellis 14699.O p 148, https://digital.librarycompany.org/islandora/object/Islandora%3A2904

Title: Scene in the slave pen at Washington
Description: Engraving portrays an episode described in Northup's narrative. After being kidnapped, Northup was held in Williams' slave pen in Washington City. There, he explained, he was beaten by James H. Burch, a well-known slave-dealer, and Radburn, his lackey. Burch is seen on the left, whipping Northup with a cat-o'-ninetails. ("The cat was a large rope of many strands -- the strands unraveled, and a knot tied at the extremity of each.") Describing the scene in his own words, Northup wrote, "As soon as these formidable whips appeared, I was seized by both of them, and roughly divested of my clothing. My feet, as has been stated, were fastened to the floor. Drawing me over the bench, face downwards, Radburn placed his heavy foot upon the fetters, between my wrists, holding them painfully to the floor. With the paddle, Burch commenced beating me." (p. 44), Illustration in Solomon Northup's Twelve Years a Slave: Narrative of Solomon Northup, a Citizen of New York, Kidnapped in Washington City in 1841, and Rescued in 1851, from a Cotton Plantation near the Red River, in Louisiana (Auburn and Buffalo [N.Y.]: Miller, Orton & Mulligan; London: Sampson Low, Son & Company, 1854), p. 44., Fels Afro-Americana Image Project, Punishment Scenes.
Creator: Orr, Nathaniel, engraver
Date: [1854]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1854 North 70438.O p 44, https://digital.librarycompany.org/islandora/object/Islandora%3A2799

Title: West Philadelphia Manufacturing Cos. starch & farina works Corner of Chestnut & Bridgewater Sts
Description: Advertisement showing the bustling industrial starch and farina works at the corner of Chestnut and Bridgewater Streets (ie. Chestnut and Thirtieth Streets) looking northeast toward the Schuylkill River. Laborers direct horse-drawn drays and wagons to and from factory buildings and railroad cars. Scene includes a man on horseback riding toward the factory buildings, a laborer standing in the foreground near the tracks, smoke rising from several chimneys in the complex, the Market Street Bridge crossing the Schuylkill River in the distance, and the outline of Philadelphia Gas Works gasholders immediately east of the bridge., Published in Edwin T. Freedley's Philadelphia and its manufactures: a handbook exhibiting the development, variety, and statistics of the manufacturing industry in Philadelphia in 1857 (Philadelphia: Edward Young, 333 Walnut Street, 1859 [c1858]), opposite page 460., Philadelphia on Stone, POS 826.2, Atwater Kent Museum: 88.98.74, Free Library of Philadelphia: 917.481 F87, Artist's study for print held in the collections of the Library of Congress. [DLC-PP-1997-105-Prints-StarchWorks]
Date: 1859
Location: Atwater Kent Museum | Print Department AKM AKM 88.98.74

Title: To the depot
Description: Plate from a children's moral instruction book showing a drayman sitting on top of bundles of goods, driving a horse-drawn dray away from the river toward a building, probably a custom house. Includes a partial view of a vessel docked at the wharf, the front facades of buildings facing the water, and a church spire in the distance. The number "56" has been drawn onto one of the bundles on the dray., Not in Wainwright., Published in City Sights for Country Eyes ([Philadelphia]: American Sunday School Union, [1856])., Accompanied by text titled "To the depot" moralizing that everyone must work together to make business for others, and that each contribution is equally important. Uses the example of farmers, mechanics, manufacturers and merchants who work together to distribute goods., Philadelphia on Stone, POS 757, Historical Society of Pennsylvania: Bd 61 K 8343.4, Free Library of Philadelphia: \\RBD\\ASSU\\V\\C498S\\FACSIM.\\
Creator: Kollner, Augustus, b. 1813
Date: [1856]
Location: Historical Society of Pennsylvania HSP Bd 61 K 8343.4

Title: The farm. A scene near Gray's Ferry, Philada. Co., Pa Design XXVII. pl. I
Description: Plate in architectural design book illustrating an Italianate mansion at the intersection of two roads in Gray's Ferry near Philadelphia. In the foreground, three boys fish in a stream that runs parallel to the property leading to the Schuylkill River in the background (left). An orchard occupies the land in front of the house, and farm land sprawls across the property behind the house. A team of two horses plows the farm land, and a sailboat is visible on the river in the distance., The lithography firm of Peter S. Duval operated as P.S. Duval & Co. from 1851-1857., Published in Samuel Sloan's The model architect. (Philadelphia: Published by E.S. Jones & Co. S.W. corner of Fourth & Race Sts., c1852), vol. II, plate I, design XXVII., Philadelphia on Stone, POS 243, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in *Am 1852 Sloan (2)1382.F, Free Library of Philadelphia: Philadelphiana - Farms
Creator: Sloan, Samuel, 1815-1884, artist
Date: [1852]
Location: Library Company of Philadelphia | Books & Other Texts | Rare W376 [*Am 1852 Sloan (2)1382.F.opp10]

Title: Front elevation Scale 16 feet to one inch ; Design XXIV. plate 108
Description: Plate in architectural design book illustrating the front facade of a symmetrical, Italian-style, suburban mansion on the edge of Rittenhouse Square built 1855-1857 for Joseph Harrison, Jr. after designs by Samuel Sloan., Published in Samuel Sloan's City and suburban architecture (Philadelphia: J.B. Lippincott & Co., 1867), plate 108, design XXIV for a suburban mansion., Philadelphia on Stone, POS 642, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: *Am 1867 Sloan 7883.F., Historical Society of Pennsylvania: Bb16 H32., Free Library of Philadelphia: 724.3 SL52C, Atwater Kent Museum: 40.14.103.2/16 and 45.23.17
Creator: Sloan, Samuel, 1815-1884, artist
Date: [1867]
Location: Library Company of Philadelphia | Books & Other Texts | Rare W310 [*Am 1867 Sloan 7883.F.108]

Title: [Aunt Judy's husband captured]
Description: Illustration accompanies the narrative, "Aunt Judy's Story: A Story from Real Life," by Matilda G. Thompson. According to the story, Aunt Judy's husband, John, was a Kentucky slave with a brutal master. Desperate to leave, and eager to regain contact with Judy, who lived on a different plantation, John managed to escape. He made it to the plantation of Judy's mistress, and hid there for more than a week before he was betrayed and captured by slave-hunters., Illustration in The child's anti-slavery book (Boston: American Tract Society, 28 Cornhill, Boston, 1859), p 104., Fels Afro-Americana Image Project, Resistance.
Date: [1859]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1859 Chil 65676.D p 104, https://digital.librarycompany.org/islandora/object/Islandora%3A2804

Title: Keystone Marble Works. S. F. Jacoby & Co., Market St. betw. 20th & 21st Philadelphia
Description: Advertisement containing a montage of 5 views of the marble works established in 1855 at 2025 Market Street. Views are separated by borders comprised of filigree, mantles, and sculpture. Upper view shows the exterior of the three-story L-shaped factory.The factory is adorned with a balcony lined with statues, the roof figure of William Penn, and signage. Marble works, predominately monuments, fill the courtyard across from laborers working with a pile of marble slabs near a horse-drawn cart. Also shows street and pedestrian traffic, including a horse-drawn dray parked near the sidewalk and a couple on horseback, a horse-drawn carriage, a horse-drawn cart, and a laborer pushing a hand-cart in the street. Lower views show the "Cutting Room"; "Saw Room"; "Polishing Room"; and "Show Room." Interior views include laborers at work cutting, polishing, and transporting by hand slabs of marble under the presence of factory managers. Views also show an elegantly-attired couple reviewing mantelpieces in the showroom. Most of the laborers toil at work tables lining the walls. Also contains a vignette depicting the Philadelphia coat of arms., Published in Colton's atlas of America, illustrating the physical and political geography of North and South America... Commercial edition with business cards of prominent houses in Philadelphia. (New York: J.H. Colton and Company, 1856), page 53 1/2. (HSP O 458)., Philadelphia on Stone, POS 421, LCP AR [Annual Report] 1981, pg. 51., Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Bc38 K44., Free Library of Philadelphia: Philadelphiana - Factories, etc.
Date: [1856]
Location: Library Company of Philadelphia | Print Department *W213 [P.8691]

Title: A freeholder's court
Description: Engraving portrays an episode described in Hildreth's fictional narrative. A court of five Carolina freeholders, selected "at hap-hazard," falsely convicted a slave named Billy for plundering the rice-fields of a neighboring plantation, and sentenced him to death. As Hildreth wrote, "the sentence was no sooner pronounced than preparations were made for its execution. An empty barrel was brought out, and placed under a tree that stood before the door. The poor fellow was mounted upon it; the halter was put about his neck, and fastened to a limb over his head. The judges had already become so drunk as to have lost all sense of judicial decorum. One of them kicked away the barrel, and the unhappy victim of Carolina justice dropped struggling into eternity." (p. 197), Frontispiece for Richard Hildreth's Archy Moore, the White Slave; or Memoirs of a Fugitive (New York and Auburn: Miller, Orton & Mulligan, 1855)., Fels Afro-Americana Image Project, Punishment Scenes.
Creator: Fox, Frederick E., engraver
Date: [1855]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1855 Hildr 72210.O frontispiece, https://digital.librarycompany.org/islandora/object/Islandora%3A2800

Title: Philadelphia as it is in 1852
Description: Red, blue and yellow flowering vines surround colored vignettes of Benjamin Franklin reading and the seal of Philadelphia. A solid gilt border encloses the vignettes., Title page in R.A. Smith's Philadelphia as it is, in 1852: being a correct guide to all the public buildings; literary, scientific, and benevolent institutions; and places of amusement; remarkable objects; manufactories; commercial warehouses; and wholesale and retail stores in Philadelphia and its vicinity. With illustrations, and a map of the city and environs (Philadelphia: Lindsay and Blakiston, 1852)., Not in Wainwright., Philadelphia on Stone, POSP 173
Date: [1852]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1852 Smith [68527.D.title page], Library Company of Philadelphia | Books & Other Texts | Rare Am 1852 Smith [(2) 10006.D.title page], Library Company of Philadelphia | Books & Other Texts | Rare Am 1852 Smith [(3) 10006.D.title page]

Title: Fine oysters From life, Phila
Description: Plate from children's moral instruction book showing two shabby oyster hucksters as they shout, "Here they go! Oys-te-ers! Prime fat Oys-te-ers!" and walk in the street beside a tattered wagon pulled by a skinny horse. Also includes a corner clothing store, and a dog following the hucksters in the street., Date supplied by cataloger., Published as illustration on page 17 in City Sights for Country Eyes ([Philadelphia]: American Sunday School Union, [1856])., Accompanied by text titled "Prime oysters" moralizing against taking "the wrong road" by hanging out in taverns and stables and not getting an education. Those who do end up sellng oysters., Philadelphia on Stone, POS 249, Historical Society of Pennsylvania: Bd 61 K 8343.17, Free Library of Philadelphia: \\RBD\\ASSU\\V\\C498S\\FACSIM.\\
Creator: Kollner, Augustus, b. 1813
Date: [1856]
Location: Historical Society of Pennsylvania HSP Bd 61 K 8343.17

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