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Title: Alois Senefelder. Inventor of lithography
Description: Book illustration containing a portrait of Senefelder in a slightly draped oval frame bordered by scenes, pictorial details and vignettes representative of the lithographic trade. Frame contains a plate marked "1800" to represent the year of the invention of lithography. Pictorial details of lithographer's tools including a pen, ink pot, etching needle, straight edge, compass, sponge, brush, palette, and ink roller flank the upper edges of the frame. Scenes of a lithographic printer rolling ink on a stone on a hand press (left) and a lithographic artist using a hand rest to draw a portrait on stone from a sketch at his drawing table (right) adorn the lower edges. Scenes also include stones stored in a library of shelves and resting against the hand press as well as the artist's portfolio laying against his drawing table. Vignette shows a steam powered lithographic press framed as the base of the pedestal of the portrait. Duval & Hunter, the partnership between P.S. Duval's son Stephen C. Duval and Thomas Hunter operated 1869-1874., Published in J. Luther Ringwalt's The American encyclopaedia of printing (Philadelphia: Meniman & Ringwalt, 1871), opp. p. 280., Not in Wainwright., Philadelphia on Stone, POSP 8
Creator: Duval & Hunter
Date: [1871]
Location: Library Company of Philadelphia | Books & Other Texts | Rare *Am 1871 Rin 3210.Q.280a (Sower)

Title: Uncle Peter putting the chickens in the window
Description: Egraving accompanies a fictional episode described in Chapter XIV, "Isabel's Winter." It features Uncle Peter, a former slave of the late Mr. Courtenay, an extremely kind master, whose family fell into dire poverty after his death. Although Uncle Peter has a new master, his ongoing affection for the members of the Courtenay family, who were struggling to feed themselves during a long winter, led him to secretly deposit two chickens inside their window., Illustration in Charles Peterson's The Cabin and Parlor: or, Slaves and Masters (Philadelphia: T.B. Peterson. Stereotyped by George Charles. Printed by King & Baird, c1852), p. 158., Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Beeler, Charles H., engraver
Date: [1878]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 2 Wright 1878a 10231.D p 158, https://digital.librarycompany.org/islandora/object/Islandora%3A2655

Title: Scene in a Lynchburg tobacco factory
Description: Illustration is included in Chapter LXI, "A Visit to Lynchburg in Virginia," and corresponds with the following passage, which clearly aims to present the tobacco factories in a positive, and even romantic light: "It [Lynchburg] has thirty-five tobacco factories, employing great numbers of negroes, men, women, and children. These negroes earn good wages, work faithfully, and turn out vast quantities of the black, ugly compound known as "plug," which has enslaved so many thousands, and promoted such a sublime disregard for the proprieties in the matter of expectoration. . . . In the maufacturies the negro is the same cheery, capricious being that one finds him in the cotton or sugar-cane fields; he sings quaintly over his toil, and seems entirely devoid of the sullen ambition which many of our Northern factory laborers exhibit. The men and women working around the tables in the basements of the Lynchburg tobacco establishments croon eccentric hymns in concert all day long; and their little children, laboring before they are hardly large enough to go alon, join in the refrains." (p. 556) Correspondingly, the engraving shows four small children stripping tobacco leaves alongside the adults., Illustration in Edward King's The Great South (Hartford, Conn.: American Publishing Company, 1875), p. 557., Fels Afro-Americana Image Project, Work Scenes.
Date: [1875]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1875 King 3379.Q p 557, https://digital.librarycompany.org/islandora/object/Islandora%3A2828

Title: Making salt, at Saltville, Virginia
Description: Illustration included in Chapter LXIII, "Among the Mountains -- From Bristol to Lynchburg." It shows two black men working in the salt works in Saltsville, Virginia. In the accompaying text, King wrote the following of the two subjects: "The stout negroes working over the boiling salt were both delighted and amazed when their pictures appeared in the artist's [James Wells Champney's] sketch-book; they had never seen 'no such writin' befo'.'" (p. 571), Illustration in Edward King's The Great South (Hartford, Conn.: American Publishing Company, 1875), p. 571., Fels Afro-Americana Image Project, Work Scenes.
Date: [1875]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1875 King 3379.Q p 571, https://digital.librarycompany.org/islandora/object/Islandora%3A2829

Title: Twenty-eight fugitives escaping from the eastern shore of Maryland
Description: Engraving depicts a group of twenty-eight fugitive slaves who successfully escaped in 1857., Illustration in William Still's Underground Rail Road: a record of facts, authentic narratives, letters, &c. (Philadelphia: Porter & Coates, 1872), p. 102., Fels Afro-Americana Image Project, Resistance.
Creator: Osler, Wilbur, engraver
Date: [1872]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1872 Still 19214.O p 102, https://digital.librarycompany.org/islandora/object/Islandora%3A2822

Title: A narrow escape
Description: Image depicts an event that occurred in Virginia in 1858. Having learned of his master's plan to sell him, Alfred, the slave shown in the foreground, runs away from a slave trader and a constable named William Noble, both of whom appear in the background., Illustration in William Still's Underground Rail Road: a record of facts, authentic narratives, letters, &c. (Philadelphia: Porter & Coates, 1872), p. 453., Fels Afro-Americana Image Project, Resistance.
Creator: Foy, engraver
Date: [1872]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1872 Still 19214.O p 453, https://digital.librarycompany.org/islandora/object/Islandora%3A2826

Title: "The auctioneer's young man"
Description: This portrait is included in Chapter X, "A Visit to Houston," where it accompanies the section "Types from Negro-Life." The engraving depicts the auctioneer's "young man," a black man carrying a bell and a flag that reads "AUCTION SALE." Describing him and other Houston "types", King wrote: "The street life is interesting; the negro on his dray, racing good-humoredly with his fellows; the ragged urchin with his saucy face and his bundle of magnolia-blossoms; and the auctioneer's "young man," with his mammoth bell and brazen voice, are all interesting types, which, as the reader will observe, the genial and careful artist has faithfully reproduced." (p. 116), Illustration in Edward King's The great South: a record of journeys in Louisiana, Texas, the Indian territory, Missouri, Arkansas, Mississippi, Alabama, Georgia, Florida, South Carolina, North Carolina, Kentucky, Tennessee, Virginia, West Virginia, and Maryland (Hartford, CT: American Publishing Company, 1875), p. 116., Fels Afro-Americana Image Project, Scenes from Daily Life.
Creator: King, engraver
Date: [1875]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1875 King 3379.Q p 116, https://digital.librarycompany.org/islandora/object/Islandora%3A2827

Title: The "West Point," the second locomotive built in the United States for actual service
Description: Ilustration shows the "West Point" during its first excursion trip or "trial of speed." The train was conducted by Stephen Lee Alison, who is shown with a African American assistant. Behind them, an African American man rides on the "barrier car," which consists of six bales of cotton strapped down by hoop-irons. (Such cars helped protect passengers from steam and hot water.) The next car is occupied by a "well-known colored band of Charleston" (p. 28), while the final car carries white passengers., Fold-out illustration in William H. Brown's The History of the First Locomotives in America: Together with other Valuable and Interesting Information from Original Documents, and the Testimony of Living Witnesses (Philadelphia: Barclay & Co., Publishers, No. 21 North Seventh Street, c1877), p. 28., Caption below the illustration reads: "The 'West Point' was built at the West Point Foundry Works, in New York City, for the South Carolina Railroad, forwarded to Charleston by ship Lafayette, and after several experimental trials, in February, 1831, made the first excursion trip, as above, on Saturday afternoon, March 5, 1831. (See extract from Charleston Courier.), Fels Afro-Americana Image Project, Work Scenes.
Date: [c1877]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1877 Bro S20245.O p 28, https://digital.librarycompany.org/islandora/object/Islandora%3A2830

Title: Franklin Institute, Seventh Street between Chestnut and Market, Philadelphia
Description: Book illustration, possibly from a business directory, showing the science and technology institute building built 1825-27 after the designs of John Haviland. A man stands on the steps leading to the entrance. The building served as the Franklin Institute from 1827 to 1933., Not in Wainwright., Contains advertisements for Philadelphia businesses Leibrandt & McDowell Stove Co. (123 N. 2nd), and Orr, Painter & Co. distributor of Reading Stove Works (64 & 66 N. 2nd) on verso. Orr advertisement includes a vignette depicting a stove., Philadelphia on Stone, POSP 83, Historical Society of Pennsylvania: Ba 43 An 791
Date: [ca. 1880]
Location: Historical Society of Pennsylvania HSP Ba 43 An 791

Title: [Outdoor group]
Description: Set on a plantation, this outdoor scene of casual socializing aims to portray everyday slave life. Six slaves and a young white woman are loosely arranged in seated and standing positions, with the white woman occupying a central place in the image. Although one slave (front left) holds a pitchfork and another (front right) is positioned next to a small shovel and an over-turned bucket, the slaves appear to be at rest., Title page vignette in Charles Peterson's The Cabin and Parlor: or, Slaves and Masters (Philadelphia: T.B. Peterson. Stereotyped by George Charles. Printed by King & Baird, c1852)., Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Beeler, Charles H., engraver
Date: [1878]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 2 Wright 1878a 10231.D title page vignette, https://digital.librarycompany.org/islandora/object/Islandora%3A2656

Title: The holiday dance
Description: Set on a plantation, this merry scene portrays a harvest dance. A man and a woman dance bare-foot to the music of a fiddler, who is perched high upon a stool. Others look on. A young man kneels in the foreground, his straw hat and hoe lying on the ground. In the background, two stocky, resolute-looking white women observe the festivities. Both wear kerchiefs, the ties of which, in one case, resemble devil's horns., Plate at the front of Charles Peterson's The Cabin and Parlor: or, Slaves and Masters (Philadelphia: T.B. Peterson. Stereotyped by George Charles. Printed by King & Baird, c1852), np., Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Beeler, Charles H., engraver
Date: [1878]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 2 Wright 1878a 10231.D np, https://digital.librarycompany.org/islandora/object/Islandora%3A2654

Title: Desperate conflict in a barn
Description: Engraving depicts an incident that is said to have occurred in a barn in Terrytown, Maryland in 1853. In search of freedom, four Virginia slaves, Robert Jackson, Craven Matterson, and the latter's two brothers escaped and travelled north. In Maryland, they were discovered by a man who saw them hiding in a thicket. According to the accompanying narrative, the man, who "talked like a Quaker," urged them to go to his barn for protection. The man, however, betrayed them, and a group of authorities arrived soon thereafter. A struggle ensued, during the course of which Jackson and Craven were shot, as well as the man who betrayed them., Illustration in William Still's Underground Rail Road: a record of facts, authentic narratives, letters, &c. (Philadelphia: Porter & Coates, 1872), p. 50., Fels Afro-Americana Image Project, Resistance.
Date: [1872]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1872 Still 19214.O p 50, https://digital.librarycompany.org/islandora/object/Islandora%3A2821

Title: A bold stroke for freedom
Description: Engraving depicts an incident that is said to have occurred near the Maryland state line on December 25, 1855. As the accompanying narrative suggests, six slaves from Virginia's Loudoun and Fauquier counties (Barnaby Grigby, his wife, Mary Elizabeth Grigby, Frank Wanzer, Emily Foster, and two others) had taken their master's horses and carriage, and were on their way to freedom. Near the Cheat River in Maryland, they were attacked by "six white men and a boy," who demanded their passes, and then ordered their surrender. The fugitives retaliated, and the four travelling in the carriage made a successful escape. Two others on horseback were assumed to have been captured., Illustration in William Still's Underground Rail Road: a record of facts, authentic narratives, letters, &c. (Philadelphia: Porter & Coates, 1872), p. 124., Fels Afro-Americana Image Project, Resistance.
Creator: Reed, C. H., engraver
Date: [1872]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1872 Still 19214.O p 124, https://digital.librarycompany.org/islandora/object/Islandora%3A2823

Title: The Christiana tragedy
Description: Depicts an incident that is said to have occurred in Christiana in Lancaster county, Pennsylvania in September 1851. A party of slave-hunters, emboldened by the passage of the Fugitive Slave Law, attempted to capture a number of black men as fugitive slaves. The slave-hunters tried to enter the home of a suspected fugitive, but they were denied access and shots were fired. In response, a group of approximately thirty to fifty blacks congregated to defend themselves and their neighbor. Fierce fighting ensued, and lives were lost., Illustration in William Still's Underground Rail Road: a record of facts, authentic narratives, letters, &c. (Philadelphia: Porter & Coates, 1872), p. 350., Fels Afro-Americana Image Project, Resistance.
Date: [1872]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1872 Still 19214.O p 350, https://digital.librarycompany.org/islandora/object/Islandora%3A2824

Title: Living in a cave
Description: Engraving shows Harry Grimes, a fugitive slave from North Carolina. During his 1857 escape, Grimes lived in the woods, taking shelter in a cave and a hollowed out poplar tree. Here, he builds a fire with some charcoal that he found., Illustration in William Still's Underground Rail Road: a record of facts, authentic narratives, letters, &c. (Philadelphia: Porter & Coates, 1872), p. 425., Fels Afro-Americana Image Project, Resistance.
Creator: Bensell, Edmund Birckhead, b. 1842, engraver
Date: [1872]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1872 Still 19214.O p 425, https://digital.librarycompany.org/islandora/object/Islandora%3A2825

Title: Religious dancing of the Blacks, termed "shouting"
Description: Illustration accompanies Chapter XXXIII, "The Religion of the Blacks, with Anecdotes Illustrating the Same." It is set in a Baptist church, and shows a type of dance called "shouting." According to Stearns, shouting usually took place just before a congregation broke up, when "the spirit [was] upon them." He included a lengthy description of shouting, which reads as follows: "A ring of singers is formed in an open space in the room, and they, without holding on to each others' hands, walk slowly around and around in a circle, the back of the foremost one coming close to the front side of the succeeding brother or sister. They then utter a kind of melodious chant, which gradually increases in strength, and in noise, until it fairly shakes the house, and it can be heard for a long distance. . . . The dancers usually bend their bodies into an angle of about forty-five degrees, and thus bent, march around, accompanying their steps, every second or so, with a quick, jerking motion, or jump, which I can compare to nothing else than the brisk jumping of a frog, . . . The performers also accompany the jerking of their bodies with a corresponding clapping of their hands, and motion of their arms. . . . Occasionally, one of the most zealous of the sisters, throws herself up so as to nearly touch the ceiling over their heads, and then falls down helplessly into the eager arms of some stout brother, who springs forward with alacrity to receive her." (p. 371-72), Plate in Charles Stearns's The Black Man of the South, and the Rebels: or, the Characteristics of the Former, and the Recent Outrages of the Latter (New York: For sale by American News Co., 1872), p. 370., Fels Afro-Americana Image Project, Scenes from Daily Life.
Creator: Bricher & Conant, engraver
Date: [1872]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1872 Stearns 19952.D p 370, https://digital.librarycompany.org/islandora/object/Islandora%3A2820

Title: William H. Seward Likeness from an approved photograph from life
Description: Three-quarter length, right profile portrait of the abolitionist politician, Secretary of State under Lincoln, New York senator and governor. Seward, attired in a white collared shirt, a black bowtie, waistcoat, jacket, and pants, sits near a table covered with stacked papers, books, and an inkwell with pens. In the background is a column and drapery., Title from printed signature of sitter below image., Entered according to act of Congress AD 1873 by Johnson, Wilson & Co. in the office of the Librarian of Congress at Washington., Appears in Evert Duyckinck’s Portrait gallery of eminent men and women of Europe and America (New York, 1873), vol. 2, opp. p. 461., Chappel painted a majority of the portraits published as engravings in biographer Evert Duyckick's, "Portrait Galleries," of the 1860s and 1870s. He often copied the subjects' faces from photographic portraits and placed them on generic bodies in more decorative surroundings than the original photograph., Originally part of a McAllister scrapbook. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1873
Location: Library Company of Philadelphia | Print Department Portrait Prints - S [(1)5750.F.234a]

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