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Title: Schuylkill Bridge High Street Philadelphia
Description: Scenic view of the uncovered Market Street Permanent Bridge commissioned by the Schuylkill Bridge Company and completed in 1805 after the designs of engineer Timothy Palmer. Depicts horse-drawn carriages, wagons, and pedestrians traversing the bridge, and ships and barges sailing on the Schuylkill River. In the foreground, a man works on his loaded sailing vessel. Contains inset of "The Bridge as it appears now covered." The bridge, covered later in 1805 after the designs of Owen Biddle and redesigned in 1850 by the Pennsylvania Railroad, was destroyed by fire in 1875., Retrospective conversion record: original entry, edited.
Creator: Birch, William Russell, 1755-1834
Date: [ca. 1820]
Location: Library Company of Philadelphia | Print Department Birch's views [Sn 43c/P.2276.75]

Title: Masonic Hall in Chesnut [sic] Street, Philadelphia 1810
Description: View, possibly from an architectural drawing, of the front facade of the hall, completed in 1811 purportedly after the designs of William Strickland, at Chestnut Street above Seventh Street. The hall, rebuilt in 1820 following a fire the previous year, was demolished in 1853., Possibly proof copy., Retrospective conversion record: original entry, edited.
Creator: Birch, William Russell, 1755-1834
Date: [1809]
Location: Library Company of Philadelphia | Print Department Birch's views [Sn 44a/P.8726]

Title: Caspar Wistar, M.D
Description: Bust-length portrait of the white Philadelphia physician, medical school professor, and a president of the Pennsylvania Anti-Slavery Society. Wistar is depicted seated at a desk, on top of which are a set of books. He holds a sheet of paper in his left hand. He is attired in a shirt with a ruffled collar, vest, and jacket., Gift of David Doret, 2004., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Description revised 2021., Access points revised 2021.
Creator: Neagle, John B., ca. 1796-1866, engraver
Date: [ca. 1820]
Location: Library Company of Philadelphia | Print Department portrait prints - W [P.2004.44.18]

Title: Bot of Mord. & Sam. N. Lewis, no. 135 South Front Street near the drawbridge, agents of the Philadelphia Lead Works Orders from any part of the United states promptly attended to
Description: Billhead containing a vignette captioned "Manufactured by Mord. Lewis & Co. and showing barrels of lead labeled "White Lead"; "Red Lead"; and "Mord. Lewis & Co., Philada." Mordecai and Samuel N. Lewis began operation of a white leads manufactory in 1819., Date inferred from establishment date of firm., Billed to Mr. C. Schrack on May 13, 1835 for "1 bbl Dry Lead" [mg?] 890-30/860 lbs @ 10, $86.00; porterage $.25: $86.25; [2/?] off for Cash, $1.72: $84.53., Inscribed below image: Mr. Lewis & Co. White Lead Philada., Contains hole punch upper center., Manuscript note on verso: M. & S.N. Lewis., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler., C. Schrack & Co. were Philadelphia varnish and color manufacturers and importers and dealers in printers’ materials.
Date: [ca. 1819]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Receipts [P.2011.10.139]

Title: Negre Manding
Description: Included in Chapter IX, "Mandings, Barra, Kollar, et Badibou," the engraving shows a Mandingo regent in the costume of his people. The Mandingos are a West African ethnic group; they live in the countries of Gambia, Guinea, Ivory Coast, and Senegal., Illustration in René Geoffroy de Villeneuve's L'Afrique, ou Histoire, moeurs, usages et coutumes des africains: Le Sénégal (Paris: Nepveu, libraire, passage des Panoramas, no. 26, 1814), vol. 3 p. 170., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
Date: [1814]
Location: Library Company of Philadelphia | Books & Other Texts | Rare U Afri R.G.V. 65954.D v 3 p 170, https://digital.librarycompany.org/islandora/object/Islandora%3A2930

Title: Kidnapping
Description: Engraving relates to an incident recounted by Torrey. In the middle of the night, five men forced their way into the room of a free black woman, who was pregnant and recently widowed. They dragged her out of the bed in which she was sleeping with her child, tied a noose around her neck, and then carried mother and child to a Maryland tavern, where they were bought by a slave-dealer and brought to Washington., Plate in Jesse Torrey's A Portraiture of Domestic Slavery, in the United States (Philadelphia: Published by the author. John Bioren, printer, 1817), p. 48., Fels Afro-Americana Image Project, Images from the Slave Trade.
Creator: Goodman & Piggot, engraver
Date: 1817
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1817 Tor 4875.O p 48, https://digital.librarycompany.org/islandora/object/Islandora%3A2723

Title: Vue de Ben dans le pays de Cayor près Gorée
Description: Engraving is set in the village of Ben in the Kingdom of Cayor (Senegal). Armed with swords, long spears, and other weapons, African slave-traders capture a mother and her three small children. In the background, two traders attack another village resident. The image includes villagers' cottages, and the central scene is framed by elements of the lush, hilly landscape., Double-page illustration in René Geoffroy de Villeneuve's L'Afrique, ou Histoire, meours, usages et coutumes des africains: Le Sénégal (Paris: Nepveu, libraire, passage des Panoramas, no. 26, 1814), vol. 3, p. 56., Fels Afro-Americana Image Project, Scenes from the Slave Trade.
Date: [1814]
Location: Library Company of Philadelphia | Books & Other Texts | Rare U Afri R.G.V. 65954.D v 3 p 56, https://digital.librarycompany.org/islandora/object/Islandora%3A2928

Title: Orfevre ou forgeron negre
Description: Included in Chapter XV, "Arts et Industrie," the engraving shows an African goldsmith (or blacksmith) working with his hammer and anvil., Illustration in René Geoffroy de Villeneuve's L'Afrique, ou Histoire, meours, usages et coutumes des africains: Le Sénégal (Paris: Nepveu, libraire, passage des Panoramas, no. 26, 1814), vol. 4, p. 178., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
Date: [1814]
Location: Library Company of Philadelphia | Books & Other Texts | Rare U Afri R.G.V. 65954.D v 4 p 178, https://digital.librarycompany.org/islandora/object/Islandora%3A2932

Title: Caspar Wistar, M.D Late professor of anatomy to the University of Pennsylvania and President of the American Philosophical Society &c. &c
Description: Bust-length portrait of the white Philadelphia physician, medical school professor, and president of the Pennsylvania Anti-Slavery Society. Wistar is depicted sitting in a chair and is attired in a shirt with a ruffled collar and double-breasted jacket., Printed below image: From the original picture in the possession of Mr. Wistar., Variant appears in the Analectic magazine (Philadelphia: 1818) vol. 12, p. 441. (LCP Per A 192, vol. 12)., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Description revised 2021., Access points revised 2021., Charles Goodman and Robert Piggot, Philadelphia engravers, worked as partners from 1817 to 1822.
Creator: C. Goodman & R. Piggot, engraver
Date: [ca. 1818]
Location: Library Company of Philadelphia | Print Department portrait prints - W [1885.F.33]

Title: Rev. Richard Allen, founder of the African Methodist Episcopal Church, in the United States of America, 1779
Description: Half-length portrait of the African American bishop, seated, and holding a book, possibly the Bible, in front of a curtain. He looks slightly to the left and points to an open page of the book with his right hand and clasps the upper edge of the other side of the book with his left hand. Allen is attired in a collared shirt, a vest, and a jacket. Allen was the first African American bishop as well as founder of the African Methodist Episcopal Church. He was born in Philadelphia and was enslaved by Benjamin Chew. He worked as a wood-cutter during his ordination. A full-length portrait of the white Quaker abolitionist and little person Benjamin Lay is on the verso. Lay is attired in a tricorn hat, a long shirt and jacket, britches, and boots. He holds a cane and book in his right hand., Manuscript note on border: "The curiosity of the portrait below is that it was made for the first Black Bishop in the UStates and perhaps the world! He is indeed a self created Bishop; nevertheless, as such he has now, in his 65 years, in 1824, probably created 100 ministers, by his ordination! He was born & bred in Philada. He was originally a slave of Benjn Chew's Esqre & learnd the trade of a Shoemaker; & like St. Paul, 'labored with his own hands,' while he ordained-", Title from item., Date form item., In John Fanning Watson's Extra-illustrated autograph manuscript of "Annals of Philadelphia", p. 276., Gift of John F Watson, June 1830., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1813
Location: Library Company of Philadelphia | Print Department Watson's Annals manuscript [Yi2 1069.F.276]

Title: [Klopstock]
Description: Illustrated trade card depicting a seated portrait of German poet Friedrich Gottlieb Klopstock. He holds a piece of paper in his left hand while looking right, away from the viewer., Title trimmed off., Title supplied by cataloger from duplicate in the collections of Tartu University Library., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Bolt, Johann Friedrich, 1769-1836, engraver
Date: 1813
Location: Library Company of Philadelphia | Print Department trade card - Misc [1975.F.652]

Title: View of Negroes washing for diamonds at Mandango on the River Jigitonhonha in Cerro do Frio, Brazil
Description: According to Mawe, Mandango was the "greatest of the diamond works," and employed "about a thousand negroes." (p. 219) Here, under the supervision of four overseers, numerous slaves work one next to another in a long line. Each slave is bent deep over his individual trough, and rakes through sediment in search of diamonds. As Mawe explained,"there is no particular regulation respecting the dress of the negroes: they work in the clothes most suitable to the nature of their employment, generally in a waistcoast and a pair of drawers, . . . . While washing they change their posture as often as they please, which is very necessary, as the work requires them to place their feet on the edges of the trough, and to stoop considerably." (p. 225), Frontispiece for John Mawe's Travels in the Interior of Brazil (London: Printed for Longman, Hurst, Rees, Orme, and Brown, Paternoster-Row, 1812)., Engraving is probably the work of J.G. Warnicke who completed another large plate showing a mining scene set in the bed of the River Jigitonhonha (p. 220)., Fels Afro-Americana Image Project, Work Scenes.
Date: [1812]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1812 Mawe 1555.Q frontispiece, https://digital.librarycompany.org/islandora/object/Islandora%3A2719

Title: Pirogues des Negres
Description: Included in Chapter IV, "Cayor" the engraving shows pirogues, or the boats of the Africans., Illustration in René Geoffroy de Villeneuve's L'Afrique, ou Histoire, moeurs, usages et coutumes des africains: Le Sénégal (Paris: Nepveu, libraire, passage des Panoramas, no. 26, 1814), vol. 3 p. 60., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
Date: [1814]
Location: Library Company of Philadelphia | Books & Other Texts | Rare U Afri R.G.V. 65954.D v 3 p 170, https://digital.librarycompany.org/islandora/object/Islandora%3A2929

Title: Thomas Clarkson, A.M
Description: Bust-length portrait of the white British deacon, abolitionist and author as a younger man, facing right. He is attired in a powdered wig, a shirt with a ruffled collar, and a jacket. Clarkson, a founder of the British Anti-Slavery Society, influential in the passage of the Slave Trade Act of 1807, wrote "The History of the Rise, Progress, and Accomplishment of the African Slave-Trade" (London, 1808) to promote further anti-slavery legislation., Originally part of a McAllister scrapbook of portraits., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Description revised 2021., Access points revised 2021., McAllister Collection, gift, 1886.
Creator: Maverick, Peter, 1780-1831, engraver
Date: [ca. 1820]
Location: Library Company of Philadelphia | Print Department Portrait prints - C [(1)5750.F.90b]

Title: Benjamin Lay
Description: Full-length portrait of the eccentric radical Quaker abolitionist, author, and hermit, his left hand slightly raised. He holds a cane and a book titled, "African Emancipation" in his other hand., Published as frontispiece in Roberts Vaux's Memoirs of the Lives of Benjamin Lay and Ralph Sandiford:...(Philadelphia: Solomon W. Conrad, 1815). (LCP Am 1815 Vaux, Log 1971.D)., Manuscript note below image: the Hermit - Nat: 1677. Ob: 1759. He was one of the first public advocates for the emancipation of the enslaved Africans. [Vide Memoirs of his life by R. Vaux.]. See page 124., Portrait of Rev. Richard Allen on recto. (LCP Yi 2, 1069.F. 276), From John Fanning Watson's Extra-illustrated Autograph Manuscript of "Annals of Philadelphia," p. 277. (LCP Yi 2, 1069).
Creator: Kneass, William, 1780-1840, engraver
Date: [ca. 1815]
Location: Library Company of Philadelphia | Print Department Print Portraits-L [Yi 2, 1069.F.276 (verso)]

Title: View of the Capitol of the United States after the conflagration in 1814
Description: Engraving is set in 1815 in Washington, DC, where a group of bound slaves passes in front of the burned-out Capitol building en route to Georgia. Two allegorical figures, one of whom represents Liberty, float on a smoke cloud above the building. The frontispiece relates to Torrey's musings as to whether "the Sovereign Father of all nations" permitted the burning of the Capitol as a "fiery, though salutary signal of his displeasure at the conduct of his Columbian children, in erecting and idolizing this splendid fabric as the temple of freedom, and at the same time oppressing with the yoke of captivity and toilsome bondage, twelve of fifteen hundred of their African brethren (by logical induction), making merchandise of their blood, and dragging their bodies with iron chains, even under its towering walls." Torrey then commented, "Yet it is a fact, that slaves are employed in rebuilding this sanctuary of liberty.", Frontispiece for Jesse Torrey's A Portraiture of Domestic Slavery, in the United States (Philadelphia: Published by the author. John Bioren, printer, 1817)., Fels Afro-Americana Image Project, Images from the Slave Trade.
Creator: Lawson, Alexander, 1773-1846, engraver
Date: 1817
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1817 Tor 4875.O frontispiece, https://digital.librarycompany.org/islandora/object/Islandora%3A2722

Title: [Justice and Britannia.]
Description: An allegorical figure representing Justice hovers over the figure of Britannia, who is seated on a throne with a slave kneeling and praying at her feet. Although the slave wears shackles around his wrists and ankles, it is unclear whether his chains have been broken or remain intact. Behind him, a mother and child gesture toward Britannia. Ostensible subject of the engraving is Britain's renounciation of slavery. It accompanies the following lines in Montgomery's poem: "Britannia, -- she who scathed the crest of Spain, / And won the trident sceptre of the main, / When to the raging wind, and ravening tide, / She gave the huge Armada's scatter'd pride, / Smit by the thunder-wielding hand that hurl'd / Her vengeance round the wave-encircled world; / -- She shared the gain, the glory, and the guilt, / By her were Slavery's island-altar's built, / And fed with human victims; -- till the cries / Of blood, demanding vengeance from the skies, / Pierced her proud heart, too long in vain assail'd; / But justice in one glorious hour prevail'd : / Straight from her limbs the tyrant's garb she tore, / Spotted with pestilence,and thick with gore; / O'er her own head with noble fury broke / The grinding fetters, and the galling yoke, / Then plunged them in th' abysses of the sea, / And cried to weeping Africa -- 'Be free!' (p. 19-20), Plate in James Montgomery's Abolition of the Slave Trade: A Poem, in Four Parts (London: Printed by T. Bensley, for R. Bower, the proprietor, 1814), p. 18., Fels Afro-Americana Image Project, Anti-Slavery Imagery.
Creator: Worthington, William Henry, ca. 1795-ca. 1839, engraver
Date: Dec. 1, 1809
Location: Library Company of Philadelphia | Books & Other Texts | Rare *Am 1814 Mon 13197.Q p 18, https://digital.librarycompany.org/islandora/object/Islandora%3A2720

Title: View of the Capitol of the United States after the conflagration in 1814
Description: Abolitionist allegorical book illustration juxtaposing a coffle of enslaved Black men and boys standing before the ruins of "a monument to liberty," the United States Capitol, following the British occupation of the city during the War of 1812. Author suggests that the destruction of the Capitol was a sign of divine displeasure to promote the abolition of slavery. In the foreground, two white men enslavers lead shackled men and boys pass the ruin. Two allegorical white female figures, one of Liberty, hover in the clouds above. Enslaved people were traded in Washington, D.C. and used in the reconstruction of the Capitol., Title from item., Frontispiece from Jessey Torrey, Jr.'s, A Portraiture of domestic slavery in the United States (1817)., Torrey was a Philadelphia physician, abolitionist, and author of tracts on morals and the diffusion of knowledge., Originally part of a McAllister scrapbook of views of the District of Columbia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Lawson, Alexander, 1773-1846, engraver
Date: 1817
Location: Library Company of Philadelphia | Print Department GC - Government Buildings - Washington, D.C. [5740.F.9b], http://www.lcpimages.org/afro-americana/F181.htm

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