Signature of Corresponding Secretary inscribed on recto: S.B. Fales., Inscribed on recto of 5778.F.8c: Organized May 27th 1861 - finally closed Dec. 1st 1865 - torn down Jany 3, 1866 - 1,025,000 meals furnished to soldiers, sailors, freedmen & c. SBF, Inscribed on recto of P.2006.1: John Mcallister Jr. with regards of Samuel B. Fales. Organized May 27th 1861 - finally closed Dec. 1st 1865 - torn down Jany 3, 1866 - 1,025,000 meals furnished to soldiers, sailors, freedmen & c. SBF, Created postfreeze., Originally part of a McAllister scrapbook of materials related to the Cooper Shop and Union Volunteer Saloons and Hospitals., Exterior view showing heavy street activity in front of the saloon and hospital of the volunteer relief agency located near the Navy Yard at Swanson and Washington Avenues. A Philadelphia, Wilmington & Baltimore Railroad train arrives on the grounds, soldiers line up to enter the saloon, fire company wagons being used as ambulances pass in the streets; and a crowd of men and women stand near a policeman. Contains the names of committee officers and members below the image. Situated at the transportation hub between the North and the South on land leased en gratis from the Philadelphia, Wilmington & Baltimore Railroad, the agency provided meals, hospital care, washing, sleeping, and writing facilities to military personnel, refugees, and freedmen. It served over 800,000 men, 1,025,000 meals before closing.
Creator
Adrian & Probasco, engraver., creator, Schell, Francis H., 1834-1909, delineator., creator
Date
[ca. 1862]
Location
Library Company of Philadelphia Print Dept. Ph Pr - 11x14 - Associations [5778.F.8c; 9a; 30b; P.2006.1.27]
Create postfreeze., Originally part of a McAllister scrapbook of Civil War Views, Places & Events., Trimmed., Busy scene showing numerous activities occurring simultaneously at a military camp. At the center, generals make strategic plans under a canopy made from an American flag while soldiers drill on horseback, with cannons, and in lines around the officers near rows of tents. Also shows African American men and a child approaching a Zouave, soldiers rounding up horses, an infantryman leaning on a cannon, and soldiers standing on the grounds.
Date
[ca. 1863]
Location
Library Company of Philadelphia Print Dept. GC - Civil War - Miltary Camps [5779.F.90f]
Panoramic view looking east past the Schuylkill River from the estate of Judge Richard Peters (Belmont) in West Fairmount Park. In the foreground, a family, including a man with a telescope enjoys the vista, cows graze in the pasture, and a locomotive travels through the covered Columbia Railroad Bridge. In the background, cityscape, including Girard College, Fairmount Water Works, the Wire Suspension Bridge, and several church steeples are visible., Part of title and name of artist, engraver and publisher from duplicate in collection [**Ph Pr - Views, P.9431.1], Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Madelyn Wolke, Lucianne Reichert, and Clifford A. Mohwinkel Jr., Trimmed.
Creator
Serz, John, engraver
Date
[ca. 1865]
Location
Library Company of Philadelphia | Print Department albums - Serz [P.9773.21]
Busy scene showing numerous activities occurring simultaneously at a military camp. In the center, Union Generals look at a map while sitting and standing under a canopy made from an American flag. In the background, soldiers drill on horseback, with cannons, and in lines near rows of tents. In the left, two barefooted African American men and a child approach a Zouave. A white man soldier stands with a rifle and looks on while another white man soldier leans upon a cannon., Title from item., Date inferred from content., Create postfreeze., Originally part of a McAllister scrapbook of Civil War Views, Places & Events. McAllister Collection, gift, 1886., Trimmed., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[ca. 1863]
Location
Library Company of Philadelphia | Print Department GC - Civil War - Military Camps [5779.F.90f]
Civil War scene from Union General William Tecumseh Sherman's notorious campaign across Georgia in 1864 and 1865 depicting the depredation and destruction of countryside near the Atlantic coast. Amidst smoke, Sherman sits on his horse, looks through a scope, and scouts the horizon. Around him, white men Union soldiers and an African American man dismantle railroad tracks, and further down the line a railroad car has been set on fire. Newly free African Americans leave on foot and by raft. In the right, an African American family of a mother, father, son, and grandfather, attired in worn and torn cloths, carry bundles as they travel over the dismantled railroad tracks. The mother holds her son’s one hand while he uses the other to rub his eyes. The father rests his hand on the back of the grandfather. Behind them, two Union soldiers cut down a telegraph pole. In the background, Union soldiers round up cattle, burn homesteads and a bridge, and fire upon retreating Confederate soldiers. In the lower margin is a portrait of Sherman., Title from item., Plate signed by Darley lower right corner., Manuscript note on verso: Acc. No. 0479; Gift Minnie Owen., See Nancy Finlay's Inventing the American past: the art of F.O.C. Darley (New York: New York Public Library, 1999), p. 28 and opp. p. 32., Accessioned 2000., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Ritchie, a New York painter and prolific engraver of portraits and genre scenes, produced many engravings after the works of the premier illustrator of the 19th century and native Philadelphian, F.O.C. Darley.
Creator
Ritchie, Alexander Hay, 1822-1895, engraver
Date
c1868
Location
Library Company of Philadelphia | Print Department **GC-Civil War [P.9854]
Print after the design of painter Henry Brueckner of Washington's arrival by barge to New York (the nation's capital) for his inauguration depicting a large crowd welcoming the newly-elected president. Shows Washington, at the head of the barge, raising his hat to New York Governor George Clinton standing within a heavily decorated "Welcome" canopy on the wharf. Clinton stands next to his wife, daughters, and white men envoys, all finely attired. On the heavily-decorated barge, containing a red canopy, Washington is surrounded by white men envoys and oarsmen. The envoys are finely attired and the oarsmen wear matching tan suits and black caps adorned with ribbons. The ribbons contain the names of the U.S. states. Throngs of men, women, and child spectators stand along the wharf and upon sailing vessels on the river. Spectators include an African American man cheering with his hat in the air (right); white women in gowns; a white sailor hanging from a rope ladder attached to a ship (right); and an Indigenous man, woman, and baby seated in a canoe by the barge (center right). The man claps and the woman holds the baby in a cradleboard to her chest., Title from item., Place of publication and date from copyright statement: Entered according to Act of Congress A.D. 1867 by John C. McRae, in the Clerk's Office of the U.S. District Court for the Southern District of New York., Name of artist and engraver from earlier state in collections of the Library of Congress., See also Scottish American Journal, April 21, 1866, p. 5 and Vermont Chronicle, May 19, 1866, p. 3 for articles that describe the engraving as representing "Washington after the proclamation of peace with Great Britain." Articles also note that McRae was occupied on the work for nine years., Gift of David Doret, 1994., In poor condition. Stained and tears., Cataloged 2021.
Creator
McRae, John C., engraver
Date
1867
Location
Library Company of Philadelphia | Print Department ***GC - Washington [P.9472]
Print depicting a white Union soldier reading the Emancipation Proclamation to families of enslaved African Americans in a cabin. The families are depicted with anxious and solemn mannerisms. Family members surround the officer near a dining table and hearth. An older boy holds a torch providing the officer with light. The father watches over the soldier's shoulder. Other figures, including a "young woman with two children, the house servant of her [enslaver], not belonging to the cabin but happened to be in on the occasion" pray, cheer, and cling to their mothers. Interior also includes a side of bacon hanging next to a ladder, a drying line with cotton balls handing from it above the hearth, and a cradle. Contains portrait of Abraham Lincoln below the image. The Emancipation Proclamation, effective January 1, 1863, granted African Americans not only their right to freedom but the right to join the Union Army., Title from item., Date from copyright statement., After painting by Henry Walker Herrick exhibited at the National Academy of Design in New York in 1865. Exhibited by "possessor" Lucius Stebbins., Publisher and copyright holder Stebbins published complementary pamphlet "Emancipation Proclamation of January 1st, 1864 [sic]" that included "Description of the Engraving." Description: Old man at the right with folded hands, Grand-father; Old lady at the left with cane in hand, Grand-mother; man leaning on ladder, the father; woman with child in her arms, the mother; lad swinging his hat, oldest son; one holding torch, second son; little girl, oldest daughter; infant in the arms of its mother. Young woman with two children, the house servant of her master, not belonging to the cabin but happened to be in on the occasion. Party reading, Union Soldier. The internal view of the Cabin is true to nature. The stone chimney, garret, ladder, side of bacon, rough cradle, piece of sugar cane and cotton balls, &c, all combine to give a correct idea of the slaves' home. Lincoln Financial Foundation copy of pamphlet accessible at Internet Archive., Lib. Company. Annual report, 1993, p. 44., LCP exhibition catalogue: An African American Miscellany p. 22., Purchase 1993., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Lucius Stebbins (1810-1901), born in Massachussets, worked in Hartford, Connecticut, in the businesses of map coloring and subscription book publishing (American Publishing Company).
Creator
Watts, James W., -1895, engraver
Date
1864
Location
Library Company of Philadelphia | Print Department **GC-Emancipation [P.9429]
Exterior view depicting the 142-feet-high Sparks’ Shot Tower built by Thomas Sparks and John Bishop in 1808 at 129-131 Carpenter Street, Philadelphia. Includes partial views of adjacent two-story buildings. Pedestrians walk along the sidewalks. A man drives a two-horse cart down the street. Four generations of Sparks operated the Tower until 1903 when it was sold to the United Lead Company. The City of Philadelphia bought the site in 1913., Title from item., Date inferred from content., Gift of David Doret.
Creator
John A. Lowell & Co.
Date
[ca. 1870]
Location
Library Company of Philadelphia | Print Department Doret and Mitchell Collection – Prints [P.2019.64.35]
Advertisement showing an exterior view of the New Excursion House, opened in 1869, and beachfront in Atlantic City, N.J. Shows guests, sitting, standing, and looking out from the three-story resort hotel with a watch tower and covered porches. In front and near the hotel, men and women walk on the grounds, a man rides on a horse, and several horse-drawn carriages travel. In the left, a Camden and Atlantic Railroad Co. train stops at the hotel. In the foreground, waves crash on the shore as bathers wade into the water using two safety lines mounted between masts on the beach and in the ocean. Captain William Tell Street patented his Life Line for Sea Bathing safety device in 1868., Title from item., Date inferred from content., Text printed on recto below image: This house is situated within forty feet of the surf, constructed expressly for the accommodation of excursionists, and containing everything necessary for their comfort and amusement. Carncross & Dixey’s Brass Band and Orchestra has been engaged for the season, free of charge to excursion parties. Although the bathing is perfectly safe at this point, yet, to insure confidence, Street’s Safety Apparatus has been erected on the grounds. Excursion trains run directly to the house as represented.
Date
[ca. 1870]
Location
Library Company of Philadelphia | Print Department **Doret and Mitchell Collection – Prints [P.2019.64.46]
Interior of a Union hospital depicting women nurses attending to wounded soldiers. In the center, a white man soldier lies in bed while three white women nurses, attired in head kerchieves, long-sleeved dresses, and sashes that reads, "Union," help adjust his pillow, kneel and pour a glass of water from a pitcher, and carry a tray. In the right background is a row of beds with two wounded soldiers. In the left, a white man soldier, attired in a uniform with a sash that reads, "Union," walks into the hospital carrying his coat. In the left and right, wooden chairs hold back curtains decorated with stars from the American flag. A framed portrait of a white man and a coat hangs on the wall. Also shows, in the center foreground, a basket of flasks laying on the floor., Title from item., Publication information and date from copyright statement: Entered according to Act of Congress A.D. 1865 by W.S. Williams & Co. in the Clerk's Office of the District Court of the United States for the District of Connecticut., Gift of David Doret.
Date
1865
Location
Library Company of Philadelphia | Print Department *Doret and Mitchell Collection – Prints [P.2019.64.43]
Copyrighted by R. A. Dimmick., Originally part of a McAllister scrapbook., Print commemorating the Emancipation Proclamation. Contains a portrait of Lincoln surounded by American flags and the American eagle; six vignettes within an ornamental border depicting the horror of Southern slavery and the industriousness of the free North; an allegorical scene contrasting the war savaged Confederacy with the proseprous Union; and the text of the proclamation
Creator
Roberts, William, b. ca. 1829, engraver., creator, Dimmick, R. A., copyright holder., creator
Date
c1864.
Location
Library Company of Philadelphia Print Dept. GC - Emancipation [5792.F.27]
Gameboard containing a serpent-like figure comprised of 135 spaces surrounded by captioned vignettes also used on Civil War envelopes. Pro-Union designs advance the player and anti-secession designs retard the player. Vignettes depict portraits of prominent war figures; views of forts, soldiers, and preparations for battle; Union and Confederate flags; allegorical figures; and satiric and racist depictions of Confederates. Includes President Abraham Lincoln; Confederate President Jefferson Davis, Gen. Winfield Scott, Maj-Gen. George B. McClellan, Comm. S.F. Dupont, Confederate Gen. Beauregard; bombardment of Fort Sumter; Philadelphia Navy Yard; liberty; Columbia; and Confederate soldiers on retreat; riding a enslaved African American man, and protected by bales of cotton. "Directions" to play the game printed in the lower left corner. Flags and shields adorn the borders., Title from item., Originally part of a McAllister scrapbook of materials related to George McClellan. McAllister Collection, gift, 1886., Reproduced in Erika Piola, "For the millions: Civil War stationery for women and children in the McAllister Collection at the Library Company of Philadelphia," The Ephemera journal 13 (2010), [39]., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[1862]
Location
Library Company of Philadelphia | Print Department **GC - Games [5793.F.44]
Advertisement containing an exterior view of the storefront flanked by patriotic vignettes. Vignettes show the figure of liberty and a sailor, with a woman at his feet, holding an American flag. Also includes interior scenes of employees dying and brushing clothes., Originally part of a McAllister scrapbook of Civil War miscellanies.
Date
[ca. 1863]
Location
Library Company of Philadelphia | Print Department Ph Pr - 8 x 10 - Advertisements - C [(2)5786.F.162a]
Illustrated trade card depicting a bench surrounded by a flowering bush., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1870]
Location
Library Company of Philadelphia | Print Department trade card - Macdowell [P.2006.20.7]
Illustrated trade card depicting a seated angel of Death as an old man with an hourglass and scythe, a female angel standing behind a gavel and block, and a man draped in robes holding a scroll above a small vignette of a prison within a clock dial. Also shows an eagle and a scene of salvation represented by a prisoner in the likeness of Jesus being saved by a fatherly figure in front of a holy building surmounted by a large cross., Includes printed text on top, bottom and in two side panels signed by Wm. Bigler; Wm. M. Heister, Secy. of Commonwealth; Wm. F. Packer, Gov. of Pennsylvania; Eli Slifer, Secy' of the Commonwealth; A.G. Curtin, Gov. of Penn'a; and John M. Sullivan, Dep. Sec. of the Commonwealth., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1861]
Location
Library Company of Philadelphia | Print Department trade card - Mullen [(6)1322.F.24b]
Series of illustrated trade cards depicting patriotic imagery, including eagles, stars, and a laurel wreath. William W. Harding was the proprietor of the Philadelphia Inquirer ca. 1859-1889 and publisher, stereotyper, and salesman of photograph albums and bibles., Advertising text printed on versos: Harding's editions of the family & pulpit bibles also arranged for photographic portraits. William W. Harding, 326 Chestnut St., Philadelphia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1865]
Location
Library Company of Philadelphia | Print Department trade card - Harding [P.9600.17 & P.9786]
Advertisement depicting the manufactory complex at 140 Oxford Street built between 1858 and 1868 in Kensington. Also shows light street and pedestrian traffic, including a horse-drawn omnibus. The business was established by William Hogg, Sr. in 1832. William Hogg, Jr. assumed sole operation in 1850., Probably engraved by John Serz., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Madelyn Wolke, Lucianne Reichert, and Clifford A. Mohwinkel Jr.
Date
[ca. 1870]
Location
Library Company of Philadelphia | Print Department albums - Serz [P.9773.78c]
Advertisement depicting the manufactory and laboratory complex. Also shows crates lining the sidewalks and street and pedestrian traffic, including a horse-drawn wagon hauling crates and departing the complex. Bazin served as the lab director for perfumer Eugene Roussel from circa 1840 to circa 1849 when he assumed proprietorship of the business. Bazin continued to use Roussel’s name until circa 1853. The Bazin family owned the business until 1884., Probably engraved by John Serz., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Madelyn Wolke, Lucianne Reichert, and Clifford A. Mohwinkel Jr.
Date
[ca. 1870]
Location
Library Company of Philadelphia | Print Department albums - Serz [P.9773.76a]
Advertisement depicting the manufactory complex at 1225 North Fifth Street (Canal Street between Thompson and Girard avenues). complex included a slaughterhouse, drying rooms, pulling shop, and office and sales room. A horse-drawn dray loaded with goods departs from the exit way between two sections of buildings that contain a flag and working smokestack. Also shows a worker in a doorway and a few pedestrians., Probably engraved by John Serz., Name of business misspelled in title: Canaran., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Madelyn Wolke, Lucianne Reichert, and Clifford A. Mohwinkel Jr.
Date
[ca. 1870]
Location
Library Company of Philadelphia | Print Department albums - Serz [P.9773.76b]
Advertisement depicting the multi-story storefront for cabinetmakers Allen & Bro. (Joseph and James C.) erected in 1860 at 1209 Chestnut Street. Also shows pedestrians looking at furniture visible in the large display windows. The building contained salesrooms on the lower floors and upholstery and finishing rooms on the upper ones. Allen & Bro. was originally established by William Allen in 1836. The business specialized in custom orders and exhibited at the Centennial Exhibition of 1876., Probably engraved by John Serz., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Madelyn Wolke, Lucianne Reichert, and Clifford A. Mohwinkel Jr., Variant wood engraving published in I. L. Vansant, ed., The royal road to wealth (Philadelphia: Samuel Loag, (1869?)], opp. p. 43.
Date
[ca. 1870]
Location
Library Company of Philadelphia | Print Department albums - Serz [P.9773.76c]
Advertisement for the calico printers showing a sepulchral monument composed of three mourning female figures attired in Roman garb beside a casket. The business, established in 1836 in the Falls of Schuylkill by William Simpson, was renamed William Simpson & Sons from "The Washington Print Works" in 1869. In 1877, the firm was incorporated as Eddystone Manufacturing Company., Date from copyright statement: Entered according to Act of Congress A.D. 1869 by W. Simpson & Sons in the Clerk's Office of the District of the East. District of Penna., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Madelyn Wolke, Lucianne Reichert, and Clifford A. Mohwinkel Jr.
Date
1869
Location
Library Company of Philadelphia | Print Department albums - Serz [P.9773.9e]
Advertisement depicting the factory and office at 1204 Frankford Avenue. Coaches line the street in front of the establishment and pedestrians walk on the sidewalk. Beckhaus was originally established as Beckhaus, Allgaier, and Petry in 1853. Beckhaus assumed sole operation about 1869., Probably engraved by John Serz., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Madelyn Wolke, Lucianne Reichert, and Clifford A. Mohwinkel Jr.
Date
[ca. 1870]
Location
Library Company of Philadelphia | Print Department albums - Serz [P.9773.76d]
Henry & Fisher, the partnership between William Henry and Lewis C. Fisher, was active ca. 1862 until becoming a spice factory ca. 1867., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1865]
Location
Library Company of Philadelphia | Print Department trade card - Henry [5786.F.9L]
Allegorical print showing the Greek philosopher Diogenes resting his lamp on an oval framed portrait of Abraham Lincoln, sixteenth president of the United States. Lincoln, attired in a white collared shirt, a black bowtie, waistcoat, and jacket, faces slightly right. Also includes a view of the U.S. Capitol with its original dome designed by Charles Bulfinch., Title from item., Date inferred from content., Originally part of a McAllister scrapbook of materials related to Abraham Lincoln. McAllister Collection, gift, 1886., Created postfreeze., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Hall, Henry Bryan, 1808-1884, engraver
Date
[1865]
Location
Library Company of Philadelphia | Print Department *portrait prints - L [5792.F.82]
Advertisement depicting the one-block deep manufactory and "retail sales rooms" adorned in signage. Signs advertise "bread and crackers" for export and "All Kinds of Crackers, Soda Biscuits, Sugar Biscuit, Cakes &c &c. Pilot and Navy Bread." Barrels are visible in upper freight windows and pedestrians walk on the sidewalk. During the Centennial Exhibition of 1876, the company, renamed Walter G. Wilson & Co., introduced animal crackers to America. The building was razed by fire in 1879., Probably engraved by John Serz., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Madelyn Wolke, Lucianne Reichert, and Clifford A. Mohwinkel Jr.
Date
[ca. 1870]
Location
Library Company of Philadelphia | Print Department albums - Serz [P.9773.79b]
Advertisement depicting the manufactory at 20 South Delaware Avenue. Freight ramps are visible, and vessels sail on the Delaware River in the foreground. Edward P. and son Daniel Baugh formed Baugh & Sons in 1855 in Chester County. The plant relocated to Philadelphia in 1860. Daniel assumed operations of the business with branches in Baltimore and Norfolk, Va. in 1888., Probably engraved by John Serz., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Madelyn Wolke, Lucianne Reichert, and Clifford A. Mohwinkel Jr.
Date
[ca. 1870]
Location
Library Company of Philadelphia | Print Department albums - Serz [P.9773.79a]
Advertisement depicting the "front view" and "rear view" of the four-story storefront of the liquor business originally established in 1793 by Philip Wager. Barrels are visible in the first floor and rear of the establishment. Signage adorns the buildings. Also includes pedestrian traffic, a laborer, and partial views of the adjoining businesses. William R. White and J. Henry Hentz, Jr. assumed the business in 1849 and erected the 222 building in 1860. The business operated from the location until 1918., Probably engraved by John Serz., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Madelyn Wolke, Lucianne Reichert, and Clifford A. Mohwinkel Jr.
Date
[ca. 1870]
Location
Library Company of Philadelphia | Print Department albums - Serz [P.9773.96a]
Illustrated trade card depicting Liberty draped in a star sash and skirt with a laurel wreath on her head. She raises her left arm and holds the American flag with her right hand., Gilt-stamped title., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1862]
Location
Library Company of Philadelphia | Print Department trade card - Auner's [(2)5786.F.117a]
Illustrated trade card promoting J.J. Fullerton's restaurant depicting small vignettes of a bird and a turtle., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1862]
Location
Library Company of Philadelphia | Print Department trade card - Fullerton [(2)5786.F.194j]
Bust-length portrait of the Massachusetts senator, abolitionist, reformer, and civil rights advocate. Sumner, attired in a white collared shirt, a patterned bowtie, a black waistcoat and jacket, faces slightly right. Sumner, a leading radical Republican during Reconstruction, was the author of the Civil Rights Act of 1875., Title from printed signature of sitter below image., Date from variant published as frontispiece in C. Edward Lester's Life and public services of Charles Sumner (New York: United States Publishing Company, 1874). (LCP Am 1874 Les, 19880.0)., Gift of Bruce Pearson, 2013., Includes tissue paper overlay., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Robin, Augustus, engraver
Date
[ca. 1874]
Location
Library Company of Philadelphia | Print Department portrait prints-S [P.2013.58.13]
Exterior view of the multi-story storefront at 333 Market Street of the dry goods store originally established in 1832 as Siegers & Vogel. Patrons stand in the doorway of the building, while pedestrians converse and a white man and woman couple passes by on the sidewalk in front of the entrance. Laborers load and unload horse-drawn drays stationed nearby across from street traffic, including a Pennsylvania Central R.R. Depot street car, a racing Adams Express Co. wagon transporting crates, and an African American delivery man pushing a handcart carrying boxes. Also shows partial views of adjacent buildings. Jacob Riegel operated Jacob Riegel & Co. from 1866 until his death in 1880. The establishment, considered one of the most prominent dry goods firms in the country, went into decline as Riegle, Scott, & Co. following the death of Riegle and was bought out by John Wanamaker in 1886., Title from item., Accompanied by complementary trade card [P.2008.34.22]., Reproduced in online LCP exhibition Mirror of a City., Purchase 2008., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Sartain, Samuel, 1830-1906, engraver
Date
[ca. 1867]
Location
Library Company of Philadelphia | Print Department *Ph Pr - Businesses - R [P.2008.34.21], http://www.librarycompany.org/mirrorofacity/section6.htm
Engraving depicts an episode from Chapter XIV, "How the Flight Ended." Here, the fictional characters Maum Guinea, Rose, and Hyperion, fugitive slaves hiding in a cavern, are discovered by a party of whites that includes a colonel and a judge., Illustration in Metta Victoria Fuller Victor's Maum Guinea, and her plantation "children" (London: Beadle and Company,44 Paternoster Row; New York: Beadle and Company, 141 William Street, 1861), p. 206., Fels Afro-Americana Image Project, Resistance.
Creator
N. Orr & Co., engraver
Date
[1861]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1861 Victo 70421.O p 206, https://digital.librarycompany.org/islandora/object/Islandora%3A2807
Bitter anti-slavery print depicting a group of slaves about to whip their white overseer, who has been bound to a tree on the plantation grounds. Before the overseer, the male slave holding the whipping lash boldly pulls up his sleeve as the slave next to him takes off his hat in a mock gesture of respect. Smiling men, women, and children of all ages stand, sit, and lean on a fence, surrounding the overseer in anticipation of his whipping., Illustration in New York Illustrated News, November 28, 1863, p. 73., Also published as a loose print by the African American press, Robert and Thomas Hamilton, possibly the first black press to publish separate prints., Fels Afro-Americana Image Project, Resistance.
Date
[1863]
Location
Library Company of Philadelphia | Books & Other Texts | Rare **Per D 8.5 1571.F Nov 28 1863 p 73, https://digital.librarycompany.org/islandora/object/Islandora%3A2863
Image is accompanied by a verse, which begins as follows: "B Stands for Bloodhound. On merciless fangs / The slaveholder feels that his "property" hangs, /." With his arms extended over his head, an escaped slave falls to his knees. Behind him, a bloodhound bites at his shoulders and claws his thigh; two other dogs surround him., Illustration in Abel C. Thomas's Gospel of Slavery (New York: Published by T.W. Strong, 1864), n.p., Fels Afro-Americana Image Project, Fugitives.
Date
[1864]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1864 Thoma 50969.D vignette B, https://digital.librarycompany.org/islandora/object/Islandora%3A2814
Image is accompanied by a verse, which begins as follows: "F Stands for Fugitives hasting from wrath, / And furies are hot on their dangerous path. /." A group of four fugitive slaves, including a mother and child, hide in a thicket, hoping to avoid the bloodhounds who trail them. To the left, in the distant background, an American flag waves., Illustration in Abel C. Thomas's Gospel of Slavery (New York: Published by T.W. Strong, 1864), n.p., Fels Afro-Americana Image Project, Fugitives.
Date
[1864]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1864 Thoma 50969.D vignette F, https://digital.librarycompany.org/islandora/object/Islandora%3A2815
Image is accompanied by a verse, which begins as follows: "K Stands for Kidnapper. Whoso receives / What others have stolen, is leagu'd with the thieves. /." In this night-time scene, a bearded kidnapper uses one knee to pin a fugitive slave to the ground in a face-down position. With a dagger between his teeth, the kidnapper leans over the slave, and bends his left arm behind his back. Handcuffs lie on the ground next to him., Illustration in Abel C. Thomas's Gospel of Slavery (New York: Published by T.W. Strong, 1864), n.p., Fels Afro-Americana Image Project, Fugitives.
Date
[1864]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1864 Thoma 50969.D vignette K, https://digital.librarycompany.org/islandora/object/Islandora%3A2816
Three engravings accompanying the article "A Typical Negro." The text identifies them as "portraits" of Gordon, a fugitive Mississippi slave who joined the Union army in Baton Rouge. According to the unnamed author, the engravings were taken from photographs by McPherson and Oliver. The engraving on the left bears the title "Gordon as he entered our lines." It shows Gordon sitting on a stool with his hands folded on his lap and one leg crossed over the other. His clothing is frayed and tattered, and he wears no shoes. As the author explains, Gordon "entered our lines, with clothes torn and covered with mud and dirt from his long race through the swamps and bayous, chased as he had been for days and nights by his master with several neighbors and a pack of blood-hounds; . . . ." The middle engraving is titled "Gordon under medical inspection." Here, Gordon is seated on a stool with his bare back facing the viewer. The image offers a detailed view of the wounds and scars that cover his back. As the author commented, the engraving "shows him as he underwent the surgical examinations previous to being mustered into the service -- his back furrowed and scarred with the traces of a whipping administered on Christmas day." The portrait on the right is titled "Gordon in his uniform as a U.S. soldier." It shows Gordon in full military uniform, with all of his gear and his musket. This engraving, the author notes, "represents him in United States uniform, bearing the musket and prepared for duty.", Illustration in Harper's Weekly, vol. 7, no. 340 (July 4, 1863), p 429., Fels Afro-Americana Image Project, Fugitives.
Date
[July 1863]
Location
Library Company of Philadelphia | Books & Other Texts | Rare **Per H 1529.F v 7 n 340 July 4 1863 p 429, https://digital.librarycompany.org/islandora/object/Islandora%3A2877
Illustration accompanies part five, "Domestic Amusements in the Slave States." Trailed by a pack of bloodhounds and several mounted authorities armed with rifles, a slave family tries to make their escape. To the right, on the bank of a river, two authorities aim their rifles at a drowning slave, who is approached by a group of white men in a boat., Illustration in the Suppressed Book about Slavery! (New York: Carleton, 1864), p. 336., Fels Afro-Americana Image Project, Fugitives.
Creator
Van Ingen & Snyder, engraver
Date
[1864]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1864 Suppr 15191.D p 336, https://digital.librarycompany.org/islandora/object/Islandora%3A2813
Illustration accompanies part five, "Domestic Amusements in the Slave States." It shows a family of runaway slaves as they try to defend themselves from a pack of bloodhounds. Behind them, two slavehunters aim their rifes at father, mother, and child., Illustration in the Suppressed Book about Slavery! (New York: Carleton, 1864), p. 288., Fels Afro-Americana Image Project, Fugitives.
Creator
Van Ingen & Snyder, engraver
Date
[1864]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1864 Suppr 15191.D p 288, https://digital.librarycompany.org/islandora/object/Islandora%3A2812
Image depicts a scene on board the schooner S.J. Waring. The ship's steward William Tillman [i.e., Billy Tilghman], "the brave and daring negro," armed with a hatchet, defends himself and his wife from three men identified as the "Pirate Prize Master, Lieutenant, and Mate," who stand in his doorway. Having learned of their secret plot to sell him and his wife into slavery, Tillman murders them., Vignette on the broadside advertisement for The Rebel Pirate's Fatal Prize (Philadelphia: Reichner & Co., 1862)., Accompanied by the caption: "Back sirs! She is my wife, she is no slave! Seize her at your peril.", Fels Afro-Americana Image Project, Resistance.
Date
[1862]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1862 Und (2) 5786.F 46e broadside vignette, https://digital.librarycompany.org/islandora/object/Islandora%3A2809
Commemorative print after the historical painting by New York portrait painter Francis Bicknell Carpenter based on Lincoln's account of the event, and individual portrait studies of the President and the cabinet secretaries. Depicts Lincoln, a draft of the emancipation proclamation in his hand, seated at the head of a long table covered by papers, books, and maps, surrounded by his Cabinet officers in the Cabinet Room. Officers include Edward M. Stanton, Salmon P. Chase, Gideon Welles, Caleb Smith, William H. Seward, Montgomery Blair, and Edward Bates. Contains the names of the sitters below the image. Carpenter resided and completed the painting in the White House between February and July 1864 and wrote about the experience in his 1866 memoir "Six Months at the White House.", Title from item., Date inferred from content., Original painting in the collections of the U.S. Capitol, Washington, DC., Accessioned 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Ritchie, Alexander Hay, 1822-1895, engraver
Date
[ca. 1864]
Location
Library Company of Philadelphia | Print Department **GC - Emancipation [P.2002.1]
Engraving accompanies Chapter XVIII of Livingstone's travel narratives; it portrays an incident that he witnessed in the village of his friend Mbame. As Livingstone explained, " . . . [a] slave party, a long line of manacled men, women, and children, came wending their way round the hill and into the valley, on the side which the village stood. The black drivers, armed with muskets, and bedecked with various articles of finery, marched jauntily in the front, middle, and rear of the line; some of them blowing exultant notes out of long tin horns." (p. 356) Livingstone noted, however, that the black drivers fled as soon as they saw him and his fellow Englishmen. Livingstone and his party thus freed the captives (who were most likely Manganja). "It was more difficult to cut the men adrift," he wrote, "as each had his neck in the fork of a stout stick, six or seven feet long, and kept in by an iron rod, which was riveted at both end across the throat. With a saw, . . . one by one the men were sawn out into freedom." (p. 356-57), Plate in David Livingstone's Narrative of an Expedition to the Zambesi and its Tributaries: and of the Discovery of the Lakes Shirwa and Nyassa, 1858-1864 (London: John Murray, 1865), p. 356., Fels Afro-Americana Image Project, Scenes from the Slave Trade.
Creator
Whymper, Josiah Wood, 1813-1903, engraver
Date
[1865]
Location
Library Company of Philadelphia | Books & Other Texts | Rare U Afri Livin 16307.O p 356, https://digital.librarycompany.org/islandora/object/Islandora%3A2925
Engraving accompanies Chapter XXIV of Livingstone's travel narrative. It shows four women working in the Ngabi district: one carries a basket on her head, while three others (including one woman with a child on her back) till the soil with hoes."The only instrument of husbandry here," Livingstone noted, "is the short-handled hoe; and about Tette the labour of tilling the soil, as represented in the woodcut, is performed entirely by female slaves." (p. 499), Illustration in David Livingstone's Narrative of an Expedition to the Zambesi and its Tributaries: and of the Discovery of the Lakes Shirwa and Nyassa, 1858-1864 (London: John Murray, 1865), p. 499., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
Date
[1865]
Location
Library Company of Philadelphia | Books & Other Texts | Rare U Afri Livin 16307.O p 499, https://digital.librarycompany.org/islandora/object/Islandora%3A2926
According to the accompanying commentary (p. 69), these scenes show the Buena Vista plantation in Clarke County, Alabama. As the text suggests, "The four sketches in the centre [i.e., sowing, ploughing, hoeing, and picking] show the principal operations of the cotton culture; and around figure other scenes appropriate to a cotton plantation." Moving clockwise from the upper right, the outer scenes are titled: the cotton gin, the planter and his overseer, prayer meeting, Saturday evening dance, plantation graveyard, the call to labor, and the cotton press. The text describes these scenes as follows: "The cotton-gin; the picturesque cotton-press, to whose long lever the mules are harnessed to create the power which compresses the ginned staple into bales; the morning call, performed upon a cow-horn; the owner and his overseer, figure here; as well as the weekly distribution of rations; the dance which closes the week's labor, and the plantation burying-ground. Here the defunct negroes are buried, a rail-fence being raised above the graves to keep off marauding hogs, calves, etc.", Double-page illustration in Harper's Weekly, vol. XI, no. 527 (February 2, 1867), p. 72., Fels Afro-Americana Image Project, Scenes from Slave Life.
Date
[February 1867]
Location
Library Company of Philadelphia | Books & Other Texts | Rare **Per H 1529.F v XI n 527 February 2 1867 p 72, https://digital.librarycompany.org/islandora/object/Islandora%3A2879
Advertisement depicting a woman shopkeeper showing a hat to a woman and two girls near a hat display., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia.
Date
[ca. 1863]
Location
Library Company of Philadelphia | Print Department Ph Pr - 8 x 10 - Advertisements - L [(7)1322.F.471x]
Bust-length portrait of the prominent African American abolitionist facing slightly right. Douglass wears a mustache and greying hair and is attired in a white collared shirt, a black waistcoat, and a black jacket., Title from printed signature of sitter below image., Published in Harriet Beecher Stowe's Men of our times; or leading patriots of the day (Hartford: Hartford Pub. Co., 1868), pl. 12. (LCP Am 1868 Sto, 17904.O)., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Ritchie, Alexander Hay, 1822-1895, engraver
Date
[1868]
Location
Library Company of Philadelphia | Print Department Portrait Prints - D [P.8911.273]
Bust-length portrait of the Massachusetts governor, abolitionist legislator, and Civil War Major General. Butler, attired in military uniform, faces slightly left. Butler, while commander of Fort Monroe, Virginia declared freedom seekers as "contraband of war," providing the impetus for Congress to enact the Confiscation Act of 1861., Title from item., Date based on presented age of the sitter., Printed below image: Your obedient servant, Benj. F. Butler., During the Civil War, the U.S. government declared African American freedom seekers as "contraband of war.", Putnam operated his own publishing business between 1857 and 1867., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Perine, George Edward, 1837-1885, engraver
Date
[ca. 1865]
Location
Library Company of Philadelphia | Print Department Portrait Prints-B [P.8911.63]
Bust-length portrait of the Massachusetts governor, abolitionist legislator, and Civil War Major General. Butler, attired in military uniform, faces slightly right. Probably published in one of several editions by various publishers between 1862 and 1882 of John S.C. Abbott's The History of Civil War in America...(LCP Am 1864 Abbo, (2)15996.O). Butler, while commander of Fort Monroe, Virginia, declared freedom seekers as "contraband of war," providing the impetus for Congress to enact the Confiscation Act of 1861., Title from item., LCP book plate differs., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Perine, George Edward, 1837-1885, engraver
Date
[ca. 1872]
Location
Library Company of Philadelphia | Print Department Portrait Prints-B [P.8911.104]
Bust-length portrait of the abolitionist, publisher, and author. Garrison, attired in spectacles, a white collared shirt, a black bowtie, waistcoat, and jacket, sits slightly facing right., Title from printed signature of sitter below image., Date based on the active dates of engraver., Gift of Dr. Milton and Joan Wohl, 1991., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Smith worked in Boston as an engraver in the 1850s and 1860s.
Creator
Smith, Henry Wright, 1828-, engraver
Date
[ca. 1860]
Location
Library Company of Philadelphia | Print Department Portrait prints-G [P.9363.58]
Bust-length portrait of the president and author of the Emancipation Proclamation of 1863. Lincoln, attired in a white collared shirt, a black bowtie, a black waistcoat with a pocket watch chain, and a black jacket, faces right., Title from item., Dated based on the presented age of the sitter., Purchase 1997., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Sartain, son of prominent Philadelphia engraver John Sartain, engraved a series of popular sentimental Civil War prints from around 1864 to 1868.
Creator
Sartain, William, 1843-1924, engraver
Date
[ca. 1864]
Location
Library Company of Philadelphia | Print Department *portrait prints - Lincoln [P.9557.1]