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- Title
- William D. Rogers & Co. Carriage Manufactory, Philadelphia
- Description
- View showing the manufactory and warerooms of the premier carriage business built in 1857 and 1860 at 1009 and 1011 Chestnut Street. Several smokestacks adorn the buildings, carriages on display line the street, and pedestrians walk on the sidewalk. Rogers established his manufactory in 1846 and in 1870 partnered with Joseph Moore, Jr. to form William D. Rogers & Co., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Madelyn Wolke, Lucianne Reichert, and Clifford A. Mohwinkel Jr., Variant published in Charles Robson, Manufactories & manufacturers of Pennsylvania (Philadelphia: Galaxy Publishing Co., 1875).
- Creator
- H.B Hall & Sons, engraver
- Date
- [ca. 1875]
- Location
- Library Company of Philadelphia | Print Department albums - Serz [P.9773.23a]
- Title
- [Glorification of the American Union]
- Description
- Allegorical print glorifying life and liberty in post-Civil War America depicting the figure Columbia, depicted as a white woman, atop a tall pyramid-shaped pedestal. Flanked by George Washington and Abraham Lincoln, the latter holding the "Proclamation of Emancipation," she raises her hand toward emancipated enslaved men and women to her right who acknowledge her with raised shackled hands, a knelt position, and a tipped hat. Newly arrived European immigrants are gathered to her left. Abolitionist Henry Ward Beecher stands among the enslaved men, women, and children who have been emancipated, and revolutionary and diplomat Carl Schurz stands before the immigrants. The freed persons embrace each other, break free from shackles, and brandish instruments of free labor as behind them the Capitol, a large American flag, and apparitions of colonial soldiers stand vigil. The immigrants, depicted in their native attire, look to Schurz as they carry their belongings ashore. More ships continue to arrive in the background., Title from copy print at the Calvert Gallery, Washington, D.C., Printer's proof., Manuscript note on recto: Aun myn goeden arrend J. Bollens; J. B. Michiels., After a painting by Belgian historical painter Ferdinand Willem Pauwels, exhibited in 1867 at the Kunstschule in Weimar and possibly at the 1876 Centennial Exhibition in Philadelphia under the title, "The New Republic.", See Hugh Honour's The Image of the Black in western art (Cambridge: Harvard University Press, 1989) Part 2, Vol. IV, p.248-249., Purchase 1999., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Michiels, Jean-Baptiste P., 1821-1890, engraver
- Date
- [ca. 1873]
- Location
- Library Company of Philadelphia | Print Department **GC-Emancipation [P.9672]
- Title
- A Chinese laundry in Philadelphia
- Description
- Interior view of a Chinese owned and operated laundry in Philadelphia. In the center, shows the owner of the business attired in a top hat, white collared shirt, bowtie, suit jacket, waistcoat, and pants. He sits in a wooden chair with his legs crossed and smoking a cigarette as he supervises the workers. The four Chinese men laundry workers wear queue hairstyles and are attired in tunics, pants, and slip-on, cloth shoes. In the left, two men stand behind the counter and iron, one of whom spits water from his mouth onto the laundry. In the right, the man stands facing the viewer with his hand on top of his head while a man irons from another countertop. Steam rises up from the irons. There is a storage closet with the door partially open revealing shelves with folded laundry. More stacks of folded laundry sit on the countertops. In the right foreground, there are five irons warming on a heater and two baskets of laundry. A clock hangs on the wall., Title from item., Date and publication information from original source., Published in the June 3, 1876 issue of the Graphic, a British weekly illustrated newspaper., Text description of the engraving from the Graphic, p. 542: A Chinese Laundry in Philadelphia. Though not nearly so numerous as in California, where their presence has recently excited extreme hostility among the white working classes, the Chinese are to be found, though few and far between, in the Eastern States. There are several Chinese laundries in Philadelphia, and as they have only been recently introduced from California, they are almost as much objects of interest to Philadelphians as to foreigners. Our artist came across the laundry shown in our engraving unexpectedly. As soon as the Chinamen perceived him sketching it through the window, they rushed out and shouted after him, whereupon he made off, thinking it prudent to avoid a scene. The Celestial in European dress is the "boss," or master, who owns several laundries, and who attends to the customers and business arrangements. The manner of damping the clothes preparatory to ironing is peculiar, the operator fills his mouth with water, and squirts it over the linen., Gift of Linda Kimiko August., RVCDC
- Date
- June 3, 1876
- Location
- Library Company of Philadelphia | Print Department Ph Pr - 8x10 - Businesses - Chinese Laundry [P.2023.27.1]
- Title
- [View of the Centennial Machinery Hall with people from all nations]
- Description
- Block-printed wallpaper depicting an exterior view of Machinery Hall designed by Henry Pettit and Joseph M. Wilson for the Centennial Exhibition of 1876, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art in West Fairmount Park, Philadelphia. Horse-drawn carriages bring visitors to and from the Hall. A large crowd of spectators walk on the grounds. In the foreground, people from various nationalities and ethnicities are represented including Native Americans attired in feather headdresses; two men, including a Black man, attired in fez hats; two Chinese men, one carrying a fan, attired in conical hats and robes; two Arab men in white headdresses and robes; and a Scottish man attired in a kilt. Other spectators include a man attired in a sailor’s uniform, men and women couples, and young boys., Title supplied by cataloger., Date inferred from content., Gift of David Doret., RVCDC
- Date
- [ca. 1876]
- Location
- Library Company of Philadelphia | Print Department ***Doret and Mitchell Collection – Prints [P.2022.62.3.49]
- Title
- Opening of Spring novelties. Mahlon Bryan & Co., tailors, Nos. 9 & 11 South Eleventh Street, Philadelphia
- Description
- Illustrated trade card depicting a waterfall, butterfly and scroll inscribed with the title. Mahlon Bryan & Co. was a partnership between tailor Mahlon Bryan and cutter Dagobert M. Rattay, Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
- Date
- [ca. 1875]
- Location
- Library Company of Philadelphia | Print Department trade card - Mahlon [1975.F.639]
- Title
- Washington. Printed by S. H. Greene & Sons. Riverpoint, R.I. Coffin, Altemus & Co. Sole agents
- Description
- Textile label for the textile print works founded in 1828 by Simon H. Greene and Edward Pike. Depicts Washington, in uniform, holding a sheet of paper, and standing next to his horse near a river. Label also contains corner details of fasces and United States shields framed in garland. The firm, renamed S. H. Greene & Sons in 1865, were nationally known for their "Washington" line of printed textiles., Stamped on recto: 41 2, Copyrighted in Washington, D.C., Inscribed on verso: Cora cora Ott. Samuel Sassemon., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
- Date
- c1871
- Location
- Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Labels [P.2011.10.99]
- Title
- [Figure sitting in flowering tree]
- Description
- Illustrated trade card die cut and shaped into a circle depicting a naked figure sitting on a flowering tree branch. A flowering vine encircles the image and forms a border., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department trade card - Misc [1975.F.897]
- Title
- [Pottery]
- Description
- Illustrated trade card depicting an array of ornately designed pottery, including a tall urn, plates, vases, and trays., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department trade card - Misc [1975.F.1039]
- Title
- Specialties in curtains and furniture , Walraven, 1105 Chestnut Street
- Description
- Illustrated trade card depicting boats and sailing vessels on a rough, choppy sea., Advertising text printed on verso promotes I.E. Walraven's "spring novelties" and "imported goods"., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department trade card - Walraven [1975.F.1002]
- Title
- A. Smith, fashionable boot and shoe maker, No. 348 Girard Av., Phila An assortment of ladies', gents', misses' and youths' boots and shoes constantly on hand. Repairing neatly done
- Description
- Illustrated trade card depicting a cowboy boot and a ladies ankle boot., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Alan Smith., Digitized.
- Date
- [ca. 1875]
- Location
- Library Company of Philadelphia | Print Department trade card - Smith [P.9387.4]
- Title
- For the world of sufferers. For warding off disease. For securing good health. To enjoy cheerful spirits, health, and happiness. Take Simmons Liver Regulator
- Description
- Illustrated trade card depicting a Roman soldier protecting a mother and child and is equipped with a galea or helmet, a sword labeled "regulator" and a shield labeled "Simmons Liver Regulator". He lifts his sword to slay snakes labeled "dypepsia," "fever," "biliousness," and "heartburn". Simmons Liver Regulator was manufactured by J.H. Zeilin & Company., Advertising text printed on verso promotes Simmons Liver Regulator as purely vegetable and a safe family medicine and includes testimonials., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department trade card - Simmons [1975.F.853]
- Title
- [Gumpert Bros., cigar manufacturers, 1341 Chestnut Street, Philadelphia, Pa.]
- Description
- Advertisement depicting the factory during the Centennial Exhibition of 1876 adorned with several signs, including ones illustrated with allegorical figures and patriotic imagery. Passersby look at displays of boxes in the window near pedestrians walking on the sidewalk. In the street, a man on horseback, and a horse-drawn carriage and omnibus travel. Also shows partial views of adjacent buildings. Gumpert Bros, originally W.H. Grumpert, was established in 1856. The firm name changed to Gumpert Bros in 1866 and the business removed from the site in 1879., Probably engraved by John Serz., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Madelyn Wolke, Lucianne Reichert, and Clifford A. Mohwinkel Jr.
- Date
- [1876]
- Location
- Library Company of Philadelphia | Print Department albums - Serz [P.9773.76e]
- Title
- Henderson & Brother, 1906 Sansom St., Philadelphia Thos. Henderson, 1906 Sansom Street. Wm. Henderson, 2120 Sansom Street. Heavy hauling of all kinds promptly attended to
- Description
- Illustrated trade card depicting hauling and hoisting equipment in a wagon hitched to a horse. Image surrounded by decorative border including chain links., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
- Date
- [ca. 1875]
- Location
- Library Company of Philadelphia | Print Department trade card - Henderson [P.2006.20.59]
- Title
- Uncle Peter putting the chickens in the window
- Description
- Egraving accompanies a fictional episode described in Chapter XIV, "Isabel's Winter." It features Uncle Peter, a former slave of the late Mr. Courtenay, an extremely kind master, whose family fell into dire poverty after his death. Although Uncle Peter has a new master, his ongoing affection for the members of the Courtenay family, who were struggling to feed themselves during a long winter, led him to secretly deposit two chickens inside their window., Illustration in Charles Peterson's The Cabin and Parlor: or, Slaves and Masters (Philadelphia: T.B. Peterson. Stereotyped by George Charles. Printed by King & Baird, c1852), p. 158., Fels Afro-Americana Image Project, Scenes from Slave Life.
- Creator
- Beeler, Charles H., engraver
- Date
- [1878]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare 2 Wright 1878a 10231.D p 158, https://digital.librarycompany.org/islandora/object/Islandora%3A2655
- Title
- Scene in a Lynchburg tobacco factory
- Description
- Illustration is included in Chapter LXI, "A Visit to Lynchburg in Virginia," and corresponds with the following passage, which clearly aims to present the tobacco factories in a positive, and even romantic light: "It [Lynchburg] has thirty-five tobacco factories, employing great numbers of negroes, men, women, and children. These negroes earn good wages, work faithfully, and turn out vast quantities of the black, ugly compound known as "plug," which has enslaved so many thousands, and promoted such a sublime disregard for the proprieties in the matter of expectoration. . . . In the maufacturies the negro is the same cheery, capricious being that one finds him in the cotton or sugar-cane fields; he sings quaintly over his toil, and seems entirely devoid of the sullen ambition which many of our Northern factory laborers exhibit. The men and women working around the tables in the basements of the Lynchburg tobacco establishments croon eccentric hymns in concert all day long; and their little children, laboring before they are hardly large enough to go alon, join in the refrains." (p. 556) Correspondingly, the engraving shows four small children stripping tobacco leaves alongside the adults., Illustration in Edward King's The Great South (Hartford, Conn.: American Publishing Company, 1875), p. 557., Fels Afro-Americana Image Project, Work Scenes.
- Date
- [1875]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1875 King 3379.Q p 557, https://digital.librarycompany.org/islandora/object/Islandora%3A2828
- Title
- Making salt, at Saltville, Virginia
- Description
- Illustration included in Chapter LXIII, "Among the Mountains -- From Bristol to Lynchburg." It shows two black men working in the salt works in Saltsville, Virginia. In the accompaying text, King wrote the following of the two subjects: "The stout negroes working over the boiling salt were both delighted and amazed when their pictures appeared in the artist's [James Wells Champney's] sketch-book; they had never seen 'no such writin' befo'.'" (p. 571), Illustration in Edward King's The Great South (Hartford, Conn.: American Publishing Company, 1875), p. 571., Fels Afro-Americana Image Project, Work Scenes.
- Date
- [1875]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1875 King 3379.Q p 571, https://digital.librarycompany.org/islandora/object/Islandora%3A2829
- Title
- Twenty-eight fugitives escaping from the eastern shore of Maryland
- Description
- Engraving depicts a group of twenty-eight fugitive slaves who successfully escaped in 1857., Illustration in William Still's Underground Rail Road: a record of facts, authentic narratives, letters, &c. (Philadelphia: Porter & Coates, 1872), p. 102., Fels Afro-Americana Image Project, Resistance.
- Creator
- Osler, Wilbur, engraver
- Date
- [1872]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1872 Still 19214.O p 102, https://digital.librarycompany.org/islandora/object/Islandora%3A2822
- Title
- A narrow escape
- Description
- Image depicts an event that occurred in Virginia in 1858. Having learned of his master's plan to sell him, Alfred, the slave shown in the foreground, runs away from a slave trader and a constable named William Noble, both of whom appear in the background., Illustration in William Still's Underground Rail Road: a record of facts, authentic narratives, letters, &c. (Philadelphia: Porter & Coates, 1872), p. 453., Fels Afro-Americana Image Project, Resistance.
- Creator
- Foy, engraver
- Date
- [1872]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1872 Still 19214.O p 453, https://digital.librarycompany.org/islandora/object/Islandora%3A2826
- Title
- The United States Centennial International Exhibition
- Description
- Share certificate issued by the Centennial Board of Finance containing a series of historical and allegorical vignettes, scenes, and figures. Vignettes depict a view on a coastline showing a white man, attired in colonial dress, reaping with a sickle beside a white man driving a plow in front of a steer-drawn conestoga wagon, a moving train, and sailing ships; the signing of the Declaration of Independence; and a scene depicting a Native American man, attired in pants and moccasins with a feather in his hair and a quiver of arrows on his back, covering his face from the sight of a dilapidated windmill near rows of industrial buildings spewing smoke. Along the sides figures include: tradesmen; laborers; soldiers; frontiersmen; inventors, including Benjamin Franklin; Native Americans; and an African American man reading. In the top center, allegorical figures of Liberty, Art, and Peace, portrayed as white women, accept offerings from representations of people from across the world, including African women; a woman attired in a turban, a person with a parrot on their shoulder, and an Asian man with a queue. Also contains: busts of George Washington and Ulysses S. Grant; an eagle holding an American flag; views of the State House and Capitol; and the printed seal of the Centennial Board of Finance. The Centennial Exhibition of 1876 celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title from item., P.2002.67.77 issued to Margaret R. Bringhurst for one share on October 20, 1875. Signed by Fred. Fraley, Treasurer; and John Welsh, President., 5788.F.10 issued to Mary Norris Logan for one share on November 10, 1876. Signed by Fred. Fraley, Treasurer; and John Welsh, President., Printed on recto: Shares $10. Each. Capital $10,000,000., P.2002.67.66 poor condition., Gift of Helen Beitler, 2002 [P.2002.67.66]., Originally part of a McAllister scrapbook of Centennial and Columbian Exposition views [5758.F.10. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- United States, Bureau of Engraving and Printing
- Date
- [ca. 1872]
- Location
- Library Company of Philadelphia | Print Department *Philadelphia certificates - Centennial [P.2002.67.77], Library Company of Philadelphia | Print Department **Philadelphia certificates - Centennial [5758.F.10]
- Title
- "The auctioneer's young man"
- Description
- This portrait is included in Chapter X, "A Visit to Houston," where it accompanies the section "Types from Negro-Life." The engraving depicts the auctioneer's "young man," a black man carrying a bell and a flag that reads "AUCTION SALE." Describing him and other Houston "types", King wrote: "The street life is interesting; the negro on his dray, racing good-humoredly with his fellows; the ragged urchin with his saucy face and his bundle of magnolia-blossoms; and the auctioneer's "young man," with his mammoth bell and brazen voice, are all interesting types, which, as the reader will observe, the genial and careful artist has faithfully reproduced." (p. 116), Illustration in Edward King's The great South: a record of journeys in Louisiana, Texas, the Indian territory, Missouri, Arkansas, Mississippi, Alabama, Georgia, Florida, South Carolina, North Carolina, Kentucky, Tennessee, Virginia, West Virginia, and Maryland (Hartford, CT: American Publishing Company, 1875), p. 116., Fels Afro-Americana Image Project, Scenes from Daily Life.
- Creator
- King, engraver
- Date
- [1875]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1875 King 3379.Q p 116, https://digital.librarycompany.org/islandora/object/Islandora%3A2827
- Title
- The "West Point," the second locomotive built in the United States for actual service
- Description
- Ilustration shows the "West Point" during its first excursion trip or "trial of speed." The train was conducted by Stephen Lee Alison, who is shown with a African American assistant. Behind them, an African American man rides on the "barrier car," which consists of six bales of cotton strapped down by hoop-irons. (Such cars helped protect passengers from steam and hot water.) The next car is occupied by a "well-known colored band of Charleston" (p. 28), while the final car carries white passengers., Fold-out illustration in William H. Brown's The History of the First Locomotives in America: Together with other Valuable and Interesting Information from Original Documents, and the Testimony of Living Witnesses (Philadelphia: Barclay & Co., Publishers, No. 21 North Seventh Street, c1877), p. 28., Caption below the illustration reads: "The 'West Point' was built at the West Point Foundry Works, in New York City, for the South Carolina Railroad, forwarded to Charleston by ship Lafayette, and after several experimental trials, in February, 1831, made the first excursion trip, as above, on Saturday afternoon, March 5, 1831. (See extract from Charleston Courier.), Fels Afro-Americana Image Project, Work Scenes.
- Date
- [c1877]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1877 Bro S20245.O p 28, https://digital.librarycompany.org/islandora/object/Islandora%3A2830
- Title
- Frederick Douglass
- Description
- Bust-length portrait of the prominent African American abolitionist, probably after the portrait photograph taken by Rochester, New York photographer John Howe Kent in 1882. Douglass, wearing a full beard and grey hair and attired in a white collared shirt, a black bowtie, waistcoat, and jacket, faces right in a three-quarter pose., Title from printed signature of sitter below image., Printed below image: With sentiments of highest regard, Very truly yours, Frederick Douglass., Gift of Frances Kean, 1993., Description revised 2023., Access points revised 2021., See John Stauffer et al., Picturing Frederick Douglass: An illustrated biography of the nineteenth's century most photgraphed man (New York: Liveright Publishing Corporation, 2016), p. 190, Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Ritchie, Alexander Hay, 1822-1895, engraver
- Date
- [ca. 1882]
- Location
- Library Company of Philadelphia | Print Department Portrait Prints - D [P.9409]
- Title
- Wm. G. Brownlow
- Description
- Half-length portrait of the Tennessee journalist, itinerant preacher, and politician. Brownlow, attired in a white collared shirt, a black bowtie, waistcoat, and jacket, grasps his lapel with his left hand. Brownlow, although an advocate of slavery, actively opposed Southern secession and was subsequently exiled from the Confederacy during the Civil War., Title from item., Printed signature of sitter below image., Published in The American portrait gallery. (New York: J.C. Buttre, 1877), vol. II, pl. 11. (LCP Uz 1t, 6584.Q)., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Buttre, John Chester, 1821-1893, engraver
- Date
- [1877]
- Location
- Library Company of Philadelphia | Print Department Portrait Prints-B [P.8911.119]
- Title
- Wm. Lloyd Garrison
- Description
- Half-length portrait of the abolitionist, publisher, and author, as an older man. Garrison, attired in spectacles, a white collared shirt, a black bowtie, waistcoat, and jacket, faces right., Title from printed signature of sitter below image., Date inferred from presented age of sitter., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Stuart, Frederick T., 1837-1913, engraver
- Date
- [ca. 1870]
- Location
- Library Company of Philadelphia | Print Department Portrait Prints-G [P.8911.387]
- Title
- Wendell Phillips
- Description
- Bust-length portrait of the radical Massachusetts abolitionist, orator, women's rights and labor advocate. Phillips, attired in a white collared shirt, a black bowtie, waistcoat, and jacket, sits in left profile. Phillips, a Garrisonian, served on the Executive Committee of the American Anti-Slavery Society, argued the Constitution was a pro-slavery document to be nullified, and advocated for Black equality following the Civil War., Title from printed signature of sitter below image., Date inferred from presented age of sitter., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Stuart, Frederick T., 1837-1913, engraver
- Date
- [ca. 1870]
- Location
- Library Company of Philadelphia | Print Department Portrait Prints-P [P.8911.768]
- Title
- Charles Sumner
- Description
- Bust-length portrait of the Massachusetts senator, abolitionist, reformer, and civil rights advocate. Sumner, attired in a white collared shirt, a patterned bowtie, a black waistcoat and jacket, faces slightly right., Title from item., Printed signature of sitter below image., Published in American portrait gallery (New York: J.C. Buttre, 1877), vol. 1, pl. 33. (LCP Uz 1t, 6584.Q), Accesssioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Robin, Augustus, engraver
- Date
- [1877]
- Location
- Library Company of Philadelphia | Print Department Portrait Prints-S [P.8911.926]
- Title
- B.F. Wade
- Description
- Half-length portrait of the aged abolitionist Senator from Ohio, as an older man. Wade, attired in a white collared shirt, a black bowtie, waistcoat, and jacket, faces slightly right. Wade fought for the repeal of the Fugitive Slave Act, was a partisan of the 14th Amendment, and was a supporter of the Freedman's Bureau and numerous civil rights bills., Title from printed signature of sitter below image., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Sartain, Samuel, 1830-1906, engraver
- Date
- [ca. 1878]
- Location
- Library Company of Philadelphia | Print Department Portrait Prints-W [P.8911.1021]
- Title
- H.B. Stowe
- Description
- Three-quarter length, left profile portrait of the abolitionist and author of "Uncle Tom's Cabin." Stowe, wearing her hair in ringlet curls with a headband and attired in a long-sleeved, dark-colored dress with a shawl, holds a pencil in her hands, which rest on an open book in her lap., Title from printed signature of sitter below image., Date from copyright statement: Entered according to act of Congress AD 1872 by Johnson, Fry & Co., in the office of the Librarian of Congress at Washington., Published in Evert Duyckinck's Portrait gallery of eminent men and women in Europe and America:... (New York: Johnson, Wilson, & Co, 1872-1874), vol. 2, p. 434. (LCP Uz 1,4915.Q), Originally part of a McAllister Scrapbook of portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Chappel painted a majority of the portraits published as engravings in biographer Evert Duyckinck's, "Portrait Galleries," of the 1860s and 1870s. He often copied the subject's faces from photographic portraits and placed them on generic bodies in more decorative surroundings than the original photograph.
- Date
- 1872
- Location
- Library Company of Philadelphia | Print Department Portrait Prints-S [(1)5750.F.235b]
- Title
- Henry Ward Beecher
- Description
- Three-quarter length portrait in right profile of the Brooklyn preacher and abolitionist. Beecher, attired in a white collared shirt, a black bowtie, waistcoat, jacket, and pants, sits with his hands folded on his lap. Beside him is a table with an inkstand and books. A distant view of the New York harbor is visible in the background., Title from printed signature of sitter below image., Date from copyright statement: Entered according to act of Congress AD 1874 by Johnson, Wilson & Co. in the office of the Librarian of Congress at Washington., Published in Evert Duyckinck's Portrait gallery of eminent men and women of Europe and America... (New York: Johnson, Wilson, & Co., 1872-1874), vol.2, opp. p. 61. (LCP Uz1 4915.Q), Originally part of a McAllister scrapbook of Civil War views. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- 1874
- Location
- Library Company of Philadelphia | Print Department Portrait Prints-B [(1)5750.F.211b]
- Title
- Bishops of the A.M.E. Church
- Description
- Commemorative print commissioned by the African Methodist Episcopal Church, in commemoration of the nation's centennial and the church's 160th anniversary. Contains a central portrait of First Bishop Richard Allen surrounded by portraits of ten church bishops and six titled vignettes depicting important events, sites, and symbols in the history of the church. Bishops portrayed are: Morris Brown; William Paul Quinn; Daniel A. Payne; Jabez A. Campbell; Thomas M.D. Ward; John M. Brown; James A. Shorter; Alexander W. Wayman; Willis Nazrey; and Edward Waters. Vignettes depict: Wilberforce University, one of the first African American colleges in the United States founded in Ohio in 1856; an image of the "Old Chart", the Bible; interior scene of a young African American preacher, possibly Richard Allen, before his small congregation near a hearth and anvil from the "Early days of African Methodism"; exterior view of the "Payne Institute," Bishop Payne's log cabin school for African Americans in South Carolina declared illegal by the state in 1835; a marinescape with a group of people welcoming the "First missionaries to Port-Au-Prince Hayti, Rev. Scipio Beans and Richard Robinson, 1824"; and an 1876 exterior view of the "Book Depository A.M.E. Church" in Philadelphia., Title from item., Date from copyright statement: Copyright John H.W. Burley, Washington, D.C. 1876., Framed., Lib. Company. Annual report, 1996, p. 36., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Gift of Roger Stoddard in honor of Edwin Wolf 2nd, 1996.
- Date
- 1876
- Location
- Library Company of Philadelphia | Print Department Framed graphics [P.9508]
- Title
- Henry Ward Beecher
- Description
- Full-length portrait after the painting by New York historical painter, Alonzo Chappel, of the prominent Brooklyn preacher and abolitionist. Beecher, attired in a white collared shirt, a black bowtie, jacket, pants, and shoes, sits on a chaise lounge with his legs crossed holding an open book. His left hand touching his face as though he is deep in thought. More books rest on the chaise lounge and on a side table in the right., Title from printed signature of sitter below image., Date from copyright statement: Entered according to act of Congress AD 1871 by Johnson, Fry & Co. in the office of the Librarian of Congress at Washington., Possibly published in a later edition of Evert Duyckinck's National portrait gallery of eminent Americans (New York: Johnson, Fry, & Co., [1861-1864])., Chappel painted a majority of the portraits published as engravings in biographer Evert Duyckinck's, "Portrait Galleries," of the 1860s and 1870s. He often copied the subjects' faces from photographic portraits and placed them on generic bodies that he situated in more decorative surroundings than the original photograph., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- 1871
- Location
- Library Company of Philadelphia | Print Department Portrait Prints-B [P.8911.167]
- Title
- "Raising the liberty pole" Dedicated to the American people. Commemorative of 1776. The centenary of independence
- Description
- Print after painting by New York historical painter and Art Union exhibitor, Frederick Augustus Chapman, commemorating the Declaration of Independence. Depicts the raising of a liberty pole in a colonial town square. Image contains a group of men, including an African American man, raising the pole as around them revelers rejoice; a tavern sign with a portrait of King George III is pulled down; the Sons of Liberty rally; volunteers for "War, Liberty, and Rights" are recruited; a white man loyalist turns away in disgust; and a white woman raises her baby in celebration as other women solemnly look on. Liberty poles, symbols and meeting places of the radical group, Sons of Liberty, first appeared in 1766 following the repeal of the Stamp Act., Title from item., Date from copyright statement: Copyrighted 1875. By John C. McRae; New York., Gift of Mrs. Francis P. Garvan, 1978., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- McRae, John C., engraver
- Date
- 1875
- Location
- Library Company of Philadelphia | Print Department **GC-American Revolution [8384.F.13]
- Title
- [Charles F. Haseltine trade cards]
- Description
- Series of illustrated trade cards and announcements for Charles F. Haseltine's art receptions and gallery at 1516 Chestnut Street in Philadelphia. Illustrations show a rowboat and sailboat on a body of water depicted from the interior of a building. Plants sit on a ledge and on the ground near a rectangular window in the foreground. Also depicts bust portraits of Albrecht Dürer and Leonardo Da Vinci; robed figures holding art symbols, including a protractor, art palette, paint brushes, and canvases; and a winged figure manipulating a four-horse chariot pulling the mythological figure Mars, also known as the Roman god of war., Title supplied by cataloger., One print [1975.F.423] printed on light blue paper., Invitations to view Charles F. Haseltine's art collections for the 1879-1880 season printed on verso. One print [1975.F.423] lists artists of artwork in his collections by nationality (i.e., French, Italian, German, Flemish, American) in columns on verso., Printers and engravers include John A. Lowell & Co. (Boston) and Jeremiah Rea (Philadelphia)., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
- Date
- 1879
- Location
- Library Company of Philadelphia | Print Department trade card - Haseltine [1975.F.408a & 1975.F.423]
- Title
- [Sharpless & Sons trade cards]
- Description
- Series of illustrated trade cards depicting women in a variety of settings, including a woman sitting on the beach with a parasol and fan; a woman attired in gypsy-inspired clothing kneeling next to an urn; the bust of a woman wearing a large plumed hat superimposed onto a painting palette; and another bust portrait of a woman wearing a hat. Also shows men in hunting gear with rifles and dogs; clowns balancing on the hardware of a clock; a couple on the beach stopped in front of an enormous hermit crab, birds and guitar; a chef wielding a large knife with his hand around the throat of a large duck; a couple standing inside of a large lantern; men working on a large paper lantern that hangs from a tree branch; a couple being transported in a covered gondola; and a table containing wine, fruit, bread and dishes superimposed onto a painting palette., Title supplied by cataloger., Printers and engravers include D. Hutinet (Paris), Bognard (Paris) and John A. Lowell & Co. (Boston)., Advertising text printed on versos: Sharpless & Sons, importers, jobbers & retailers of dry goods, 801, 803, 805 & 807 Chestnut Street, Philadelphia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department trade card - Sharpless [1975.F.760; 1975.F.762; 1975.F.766-768; 1975.F.780; 1975.F.794; 1975.F.812; 1975.F.814; 1975.F.825; 1975.F.838-840]
- Title
- [J.E. Caldwell & Co. trade cards]
- Description
- Series of illustrated trade cards for the Philadelphia jewelry firm J.E. Caldwell & Co. Illustrations depict scantily-clad boys standing on the heads of various animals, including an alligator, a donkey, and a camel. The boys wear or carry native items or clothing from various parts of the world, including a dark-skinned boy wearing large hoops in his hears, a gold anklet, and shield-like object on his back; a boy wearing a bandana around his head with a two-tined pitchfork over his shoulder; and a boy wearing a long kaffiyeh with a rifle strapped to his back. Another illustration depicts man seated at a table etching designs into a an urn or vase., Title supplied by cataloger., Printers and engravers include the Engraving Department of Caldwell & Co. and J.B. Lippincott & Co., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
- Date
- [ca. 1870-1880]
- Location
- Library Company of Philadelphia | Print Department trade card - Caldwell [1975.F.127; 1975.F.130; 1975.F.132; 1975.F.222]
- Title
- Works of P. & F. Corbin. New Britain Conn. U.S.A
- Description
- Trade card showing the factory complex of the hardware manufactory established in 1849 as Doen, Corbin & Company. Also shows operating smoke stacks and street and pedestrian traffic, including horse-drawn carts. Townscape is visible in the background. The firm operated as P. & F. Corbin Corporation between 1854 and 1880., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Reproduced in John B. Comstock, History of the house of P. & F. Corbin, MCMIV... (Buffalo: Matthews-Northrup Works, 1904)., Forms part of Scrapbook of Ephemera [8608.F].
- Creator
- Van Slyck & Co.
- Date
- [ca. 1877]
- Location
- Library Company of Philadelphia | Print Department albums - Scrapbook [8608.F.17b]
- Title
- [Germania Fire Insurance Company of New York]
- Description
- Illustrated trade card depicting a portrait of a little girl wearing a wide-brimmed hat., Text, including list of twenty-one directors, printed on verso: Organized 1859. Germania Fire Insurance Company, of New York, office, No. 175 Broadway., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department trade card - Germania [1975.F.347]
- Title
- [Outdoor group]
- Description
- Set on a plantation, this outdoor scene of casual socializing aims to portray everyday slave life. Six slaves and a young white woman are loosely arranged in seated and standing positions, with the white woman occupying a central place in the image. Although one slave (front left) holds a pitchfork and another (front right) is positioned next to a small shovel and an over-turned bucket, the slaves appear to be at rest., Title page vignette in Charles Peterson's The Cabin and Parlor: or, Slaves and Masters (Philadelphia: T.B. Peterson. Stereotyped by George Charles. Printed by King & Baird, c1852)., Fels Afro-Americana Image Project, Scenes from Slave Life.
- Creator
- Beeler, Charles H., engraver
- Date
- [1878]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare 2 Wright 1878a 10231.D title page vignette, https://digital.librarycompany.org/islandora/object/Islandora%3A2656
- Title
- The holiday dance
- Description
- Set on a plantation, this merry scene portrays a harvest dance. A man and a woman dance bare-foot to the music of a fiddler, who is perched high upon a stool. Others look on. A young man kneels in the foreground, his straw hat and hoe lying on the ground. In the background, two stocky, resolute-looking white women observe the festivities. Both wear kerchiefs, the ties of which, in one case, resemble devil's horns., Plate at the front of Charles Peterson's The Cabin and Parlor: or, Slaves and Masters (Philadelphia: T.B. Peterson. Stereotyped by George Charles. Printed by King & Baird, c1852), np., Fels Afro-Americana Image Project, Scenes from Slave Life.
- Creator
- Beeler, Charles H., engraver
- Date
- [1878]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare 2 Wright 1878a 10231.D np, https://digital.librarycompany.org/islandora/object/Islandora%3A2654
- Title
- Desperate conflict in a barn
- Description
- Engraving depicts an incident that is said to have occurred in a barn in Terrytown, Maryland in 1853. In search of freedom, four Virginia slaves, Robert Jackson, Craven Matterson, and the latter's two brothers escaped and travelled north. In Maryland, they were discovered by a man who saw them hiding in a thicket. According to the accompanying narrative, the man, who "talked like a Quaker," urged them to go to his barn for protection. The man, however, betrayed them, and a group of authorities arrived soon thereafter. A struggle ensued, during the course of which Jackson and Craven were shot, as well as the man who betrayed them., Illustration in William Still's Underground Rail Road: a record of facts, authentic narratives, letters, &c. (Philadelphia: Porter & Coates, 1872), p. 50., Fels Afro-Americana Image Project, Resistance.
- Date
- [1872]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1872 Still 19214.O p 50, https://digital.librarycompany.org/islandora/object/Islandora%3A2821
- Title
- A bold stroke for freedom
- Description
- Engraving depicts an incident that is said to have occurred near the Maryland state line on December 25, 1855. As the accompanying narrative suggests, six slaves from Virginia's Loudoun and Fauquier counties (Barnaby Grigby, his wife, Mary Elizabeth Grigby, Frank Wanzer, Emily Foster, and two others) had taken their master's horses and carriage, and were on their way to freedom. Near the Cheat River in Maryland, they were attacked by "six white men and a boy," who demanded their passes, and then ordered their surrender. The fugitives retaliated, and the four travelling in the carriage made a successful escape. Two others on horseback were assumed to have been captured., Illustration in William Still's Underground Rail Road: a record of facts, authentic narratives, letters, &c. (Philadelphia: Porter & Coates, 1872), p. 124., Fels Afro-Americana Image Project, Resistance.
- Creator
- Reed, C. H., engraver
- Date
- [1872]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1872 Still 19214.O p 124, https://digital.librarycompany.org/islandora/object/Islandora%3A2823
- Title
- The Christiana tragedy
- Description
- Depicts an incident that is said to have occurred in Christiana in Lancaster county, Pennsylvania in September 1851. A party of slave-hunters, emboldened by the passage of the Fugitive Slave Law, attempted to capture a number of black men as fugitive slaves. The slave-hunters tried to enter the home of a suspected fugitive, but they were denied access and shots were fired. In response, a group of approximately thirty to fifty blacks congregated to defend themselves and their neighbor. Fierce fighting ensued, and lives were lost., Illustration in William Still's Underground Rail Road: a record of facts, authentic narratives, letters, &c. (Philadelphia: Porter & Coates, 1872), p. 350., Fels Afro-Americana Image Project, Resistance.
- Date
- [1872]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1872 Still 19214.O p 350, https://digital.librarycompany.org/islandora/object/Islandora%3A2824
- Title
- Living in a cave
- Description
- Engraving shows Harry Grimes, a fugitive slave from North Carolina. During his 1857 escape, Grimes lived in the woods, taking shelter in a cave and a hollowed out poplar tree. Here, he builds a fire with some charcoal that he found., Illustration in William Still's Underground Rail Road: a record of facts, authentic narratives, letters, &c. (Philadelphia: Porter & Coates, 1872), p. 425., Fels Afro-Americana Image Project, Resistance.
- Creator
- Bensell, Edmund Birckhead, b. 1842, engraver
- Date
- [1872]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1872 Still 19214.O p 425, https://digital.librarycompany.org/islandora/object/Islandora%3A2825
- Title
- Religious dancing of the Blacks, termed "shouting"
- Description
- Illustration accompanies Chapter XXXIII, "The Religion of the Blacks, with Anecdotes Illustrating the Same." It is set in a Baptist church, and shows a type of dance called "shouting." According to Stearns, shouting usually took place just before a congregation broke up, when "the spirit [was] upon them." He included a lengthy description of shouting, which reads as follows: "A ring of singers is formed in an open space in the room, and they, without holding on to each others' hands, walk slowly around and around in a circle, the back of the foremost one coming close to the front side of the succeeding brother or sister. They then utter a kind of melodious chant, which gradually increases in strength, and in noise, until it fairly shakes the house, and it can be heard for a long distance. . . . The dancers usually bend their bodies into an angle of about forty-five degrees, and thus bent, march around, accompanying their steps, every second or so, with a quick, jerking motion, or jump, which I can compare to nothing else than the brisk jumping of a frog, . . . The performers also accompany the jerking of their bodies with a corresponding clapping of their hands, and motion of their arms. . . . Occasionally, one of the most zealous of the sisters, throws herself up so as to nearly touch the ceiling over their heads, and then falls down helplessly into the eager arms of some stout brother, who springs forward with alacrity to receive her." (p. 371-72), Plate in Charles Stearns's The Black Man of the South, and the Rebels: or, the Characteristics of the Former, and the Recent Outrages of the Latter (New York: For sale by American News Co., 1872), p. 370., Fels Afro-Americana Image Project, Scenes from Daily Life.
- Creator
- Bricher & Conant, engraver
- Date
- [1872]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1872 Stearns 19952.D p 370, https://digital.librarycompany.org/islandora/object/Islandora%3A2820
- Title
- [William Y. McAllister trade cards]
- Description
- Series of illustrated trade cards for optician William Y. McAllister's shop at 728 Chestnut Street in Philadelphia. Illustrations depict idyllic landscape views of a forest, a stream, a cottage and ruins by a lake and anthropomorphic frogs, a stork, and an owl looking through telescopes and binoculars, reading and fishing., Title supplied by cataloger., Calendar for 1881 printed on verso of one print [1975.F.614]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department trade card - McAllister [1975.F.610-614]
- Title
- Haseltine Galleries
- Description
- Illustrated trade card depicting a landscape view of a creek in the woods., Invitation printed on verso: Yourself and ladies are invited by Mr. Charles F. Haseltine to a private view of his new collection of paintings, at his galleries, 1516 Chestnut St., on Thursday evening, October 7th, 1880, from 7 1/2 to 11 o'clock., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
- Date
- 1880
- Location
- Library Company of Philadelphia | Print Department trade card - Haseltine [1975.F.405]
- Title
- [Academy of Music trade cards]
- Description
- Series of illustrated trade cards promoting performances and events at the Academy of Music. Illustrations depict men and women dressed in costumes and dancing and celebrating Carnival, including a joker disembarking from a gondola; a little girl sitting in a lily pad; fairies; angels; jokers; butterflies; flowers; bust portraits of unknown actors in the Humpty-Dumpty show surrounding a vignette of a horse-drawn cart carrying "humpty-dumpty"; portraits of Mr. and Mrs. Jay Rial flanked by dogs; and L.H. Stockwell as lawyer Marks and his trained donkey Jerry. The Academy of Music was designed by architects Napoleon LeBrun and Gustav Runge. Building constructed 1855-1857 at the southwest corner of Broad and Locust Streets. Served as home of Philadelphia Orchestra from 1900-2000., Title supplied by cataloger., Printers and engravers include Bailey, Banks & Biddle, The Courier Lith. Co., Reen Lith. Co., H.A. Thomas, and Maerz Lith. Co., One of prints [1975.F.1] die cut in shape of keystone., Several of the prints contain promotional text printed on the recto and/or verso. Performances and events promoted include the Reception of the Bi-Centennial Mystic Tableau Association; Grand Cannstatter Carneval; Cannstatter Bal Masque; Maennerchor Carneval Mardi Gras; the Fairy Juvenile Troupe's Little Red Riding Hood; German Comic Opera starring Mme. Marie Geistinger.; Humpty-Dumpty (performance); and The Jay Rial Uncle Tom's Cabin Co., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., One print [P.2011.45.24] gift of David Doret., Digitized.
- Date
- 1879-1882
- Location
- Library Company of Philadelphia | Print Department trade card - Academy of Music [1975.F.1; 1975.F.5; 1975.F.7; 1975.F.11; 1975.F.17; 1975.F.20; 1975.F.23-24; 1975.F.26; 1975.F.738; P.2011.45.24]
- Title
- William H. Seward Likeness from an approved photograph from life
- Description
- Three-quarter length, right profile portrait of the abolitionist politician, Secretary of State under Lincoln, New York senator and governor. Seward, attired in a white collared shirt, a black bowtie, waistcoat, jacket, and pants, sits near a table covered with stacked papers, books, and an inkwell with pens. In the background is a column and drapery., Title from printed signature of sitter below image., Entered according to act of Congress AD 1873 by Johnson, Wilson & Co. in the office of the Librarian of Congress at Washington., Appears in Evert Duyckinck’s Portrait gallery of eminent men and women of Europe and America (New York, 1873), vol. 2, opp. p. 461., Chappel painted a majority of the portraits published as engravings in biographer Evert Duyckick's, "Portrait Galleries," of the 1860s and 1870s. He often copied the subjects' faces from photographic portraits and placed them on generic bodies in more decorative surroundings than the original photograph., Originally part of a McAllister scrapbook. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- 1873
- Location
- Library Company of Philadelphia | Print Department Portrait Prints - S [(1)5750.F.234a]
- Title
- Chief-Justice Chase. Portrait of the dead Chief Justice
- Description
- Bust-length portrait of the abolition leader, Ohio Senator, statesman, Lincoln's Secretary of the Treasury, and Chief Justice of the Supreme Court. Chase, wearing a beard and attired in a white collared shirt, a black bowtie, and a black jacket, faces slightly right. Includes accompanying obituary., Title from item., Published in The Daily graphic, May 1873., Originally part of a McAllister scrapbook of portraits. McAllister, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [1873]
- Location
- Library Company of Philadelphia | Print Department portrait prints - Chase [(1)5750.F.79c]
- Title
- [Unidentified trade cards]
- Description
- Series of illustrated trade cards depicting scenes of Japanese life showing men and women attired in traditional garb; a Merry Christmas and Happy New Year greeting with a vase of flowers and bamboo; a profile of a woman's face encircled by a flower border and a bird; a female figure attired in robes and a Roman helmet in the clouds holding a mirror showing a child's reflection; sailing vessels on the water; a horseshoe; and flowers., Title supplied by cataloger., Printers and engravers include Bufford (Boston) and Continental Bank Note Co. (New York)., Advertising text printed on versos promotes the gents' shoe department of an unidentified store; fancy furs and cloaks; porcelaines, bronzes, clocks and leather goods; and "all of the ordinary grades at the lowest prices"., Two prints contain calendars for 1880, one for 1879 and one print with sixth months of a calendar for an unidentified year printed on versos., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department trade card - Unidentified [1975.F.198; 1975.F.215; 1975.F.218; 1975.F.306; 1975.F.483; 1975.F.919; 1975.F.1033; 1975.F.1040; P.9111.12]