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Title: H.W. Beecher
Description: Bust-length portrait of the prominent Brooklyn preacher and abolitionist. Beecher, attired in a white collared shirt, a black bowtie, and a black jacket, faces slightly right., Title from printed signature of sitter below image., Publication information supplied by Library of Congress' ALA Portrait Index (Washington, D.C.: Government Printing Office, 1906), p. 114., Published in Appleton's Annual cyclopedia (New York: D. Appleton & Co., 1887), vol. 12, p. 64., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1887]
Location: Library Company of Philadelphia | Print Department Portrait Prints-B [P.8911.166]

Title: [St. David's Church and cemetery, Wayne, Pennsylvania.]
Description: View depicting the Episcopal stone church (built 1715-1717) and surrounding cemetery on Valley Forge Road in Radnor and border of Wayne, Pa. Trees adorn the property lined by headstones., Title supplied by cataloger., Date supplied from original provenance copyrighted in 1890 and published in parts between 1891? and 1894?, Published in Historic churches of America; their romance and their history (Philadelphia : H.L. Everett, [1891?-1894?]), Part IV., Signed by artist in lower right., Includes remarque depicting a vignette view of "Gen'l Wayne's Monument" in lower left., Gift of David Doret.
Creator: Taylor, M.M, etcher
Date: [1890]
Location: Library Company of Philadelphia | Print Department *Doret and Mitchell Collection - Prints [P.2018.63.20]

Title: Mr. T.D. Rice As the original Jim Crow
Description: Full-length, caricatured portrait depicting T.D. Rice, known as the "father of American minstrelsy." Depicts Rice as his African American racist shyster character of "Jim Crow." He is portrayed with exaggerated features and mannerisms. He stands, attired in torn and worn clothing, in an exaggerated pose with his right hand on his hip as his left hand tips his hat. His attire includes a jacket, vest, collared shirt, pantaloons, stockings, and slip one shoes. He stands in a fenced in pasture with two cabins in the distant background. Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. Jim Crow (mid to late 19th century) was a Minstrel character representing enslaved/rural Black manhood as foolish, lazy, interested in shirking labor., Title from item., After the caricature illustration originally created around the 1820s, often reproduced on sheet music covers of the 19th century. See Hugh Honour's The Image of the Black in western art (Cambridge: Harvard University Press, 1989), part 2, vol. IV, p. 62-63., Description of Blackface minstrelsy and minstrel characters from Dorothy Berry, Descriptive Equity and Clarity around Blackface Minstrelsy in H(arvard) T(heater) C(ollection) Collections, 2021., Purchase 1992., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department portrait prints - Rice [P.9369]

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