Trimmed vignette showing a caricature of a young African American girl, possibly a satirical personification of the popular mid-19th century song of the same title. Depicts the girl, attired in a baby doll dress, her hair in short coils, and the fingers of one hand in her mouth as, in the other, she holds the string of a rolling pull toy horse visible behind her. Published in 1852 and composed by S. M. Grannis with lyrics by Caroline Atherton Mason, "Do they Miss Me at Home" was written in the voice of a homesick girl away at school. The song remained popular through the Civil War when translated to the voice of soldiers. Bufford, later J. H. Bufford's sons, issued trade cards 1870-1875 containing images portraying racial and ethnic stereotypes, as well as personfications of popular 19th-century songs, ballads, and poems., Copyrighted, Bufford, Boston., Date inferred from style of copyright statement., Gift of Wendy Woloson.
Date
[ca. 1870]
Location
Library Company of Philadelphia | Print Department GC - Genre [113487.D]
Contains printed gilt frame around image., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Civil War views, places, & events., View of the Washington D.C. camp showing a troop of soldiers drilling in a clearing between tents. Also shows soldiers on guard.
Creator
Rosenthal, L. N. (Louis N.), creator
Date
[1861]
Location
Library Company of Philadelphia Print Dept. *GC - Civil War - Military Camps - B [5779.F.5]
View of one of the first cavalry campaigns of the war showing the troop, swords raised, charging past a Confederate under the aim of two Union soldiers in front of his confiscated cannon. Also includes fallen Confederate soldiers, including one being trampled, laying in the foreground., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Civil War views, places & events.
Creator
Magee, John L.
Date
c1861
Location
Library Company of Philadelphia | Print Department *GC - Civil War - Campaigns & battles - Tompkins Charge [5779.F.46]
Not in Reilly., Retrospective conversion record: original entry, with corrections., Digitized by Alexander Street Press for Images of the American Civil War.
Date
[1865]
Location
Library Company of Philadelphia | Print Department Cartoons 1865-22 [P.2275.30]
Print depicting the Emancipation Proclamation for both African Americans and whites including equal opportunity to education. Depicts Lincoln raising his right hand and holding the "Emancipation Proclamation" in his left hand in the center between a poor white family and an enslaved African American family. Both families, attired in torn and worn clothing, stand and kneel as they hold their clasped hands up toward Lincoln, who treads upon broke shackles and a serpent. A "Spelling Book" lies on the ground near them. In the background, Union soldiers stop a white man enslaver from whipping a shackled and enslaved African American woman and children enter "Public School, No. 1." From the roof of the school waves a flag inscribed "Education to all Classes." Contains text from the Proclamation above the image, "and by virtue of the power and for the purpose of the aforesaid, I do order and declare that all persons held as slaves, within designated States and parts of States are, and henceforward shall be free!", Title from item., Date from copyright statement: Entered according to the act of Congress A.D. 1865 by J.L. Magee in the Clerk's Office of the District Court of the Eastern District of Pennsylvania., Magee, a lithographer, painter, and cartoonist, established his own firm in Philadelphia in 1850., LCP exhibition catalogue: Negro History, p. 77., Accessioned 1999., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1865
Location
Library Company of Philadelphia | Print Department GC - Emancipation [P.9702]
News print showing the farm at Jones Lane in South Philadelphia of the Philadelphia family murdered by their farmhand Anton Probst on April 7, 1866. The victims included Christopher Dearing, aged 38 years; his wife, Julia Dearing, aged 45 years; their son, John Dearing, aged 8 years; their son, Thomas Dearing, aged 6 years; their daughter, Anna Dearing, aged 4 years; their daughter, Emily Dearing, aged 2 years; family friend Elizabeth Dolan, aged 25 years; and fieldhand Cornelius Cary, aged 17 years. Depicts (left to right) "1. The Haystack" where the headless body of the first murdered, field hand Cary, was hidden; "2. The Dwelling" Probst ransacked for money and in which he shaved, changed, napped, and ate after the murder; "3. The Stable" where Probst fed the animals before his departure; and "4. The Barn" where the family was lured one by one, killed, and discovered by neighbors a few days later. Individuals walk the property, including spectators and police, and a cow stands across from two policemen in a field tilled for planting in the foreground. Also shows barren trees, carts, wagons, and other farm equipment. Probst, a German immigrant and swindler, was a disgruntled former farmhand of the Dearings who murdered the family by hammer and ax for revenge and money. He was convicted in May 1866 and executed the following month at Moyamensing Prison for the largest murder in Philadelphia at that time., Not in Wainwright., pdcp00022, Manuscript note on verso: In the ‘neck’ Philada a farm close to the Delaware River., Key to buildings depicted printed below the image., Philadelphia on Stone, Free Library of Philadelphia: Philadelphiana - Farms
Date
[1866]
Location
Free Library of Philadelphia. | Print and Photograph Collection. FLP Philadelphiana - Farms
View showing the original building, later named Parrish Hall, of the college founded by Hicksite Quakers in 1860 and opened in 1869. In the foreground, a dirt road runs past the college. Parrish Hall, named for first president Edward Parrish, contained a library, geological museum, classrooms, a chemical laboratory, parlors, dining-room, kitchen, and student rooms. The cornerstone was laid 1866 and the building completed after the designs of Addison Hutton., Not in Wainwright., pdcc00028, Philadelphia on Stone, POSP 247, Free Library of Philadelphia: Castner 27A:41
Creator
Moran, Thomas, 1837-1926, artist
Date
[ca. 1869]
Location
Free Library of Philadelphia. | Print and Photograph Collection. FLP Castner 27A:41
View showing the villa-like estate of merchant Edwin S. Richards. Shrubery and trees landscape the grounds in front of the residence. In the background, behind a picket fence, a stone building and gazebo stand next to other buildings., Not in Wainwright., Gift of David Doret., Philadelphia on Stone, POS 614
Date
[ca. 1865]
Location
Library Company of Philadelphia | Print Department BW - Residences - P [P.2003.37.2]
News print showing the Philadelphia family murdered by their farmhand Anton Probst at their farm at Jones Lane in South Philadelphia on April 7, 1866. Probst, his face partially covered by the wall above the passageway, drags the body of one of the boys through it to the crib. The goateed murderer drags the boy by his feet, face up, from the pile of corpses laying on the hay covered floor. To the left of the image, Mrs. Dearing lays face down and covered by the bodies of her older children, who lay face up and with slit throats. Her hand is outstretched and resting on the baby, whose throat is also slit. To the right, in front of a barrel below a window, Mr. Dearing lays face up, a slit in his throat, his face covered by hay, and next to family friend Miss Dolan. She lays face down, her arms outstretched and her cross visible from beneath her body. Also shows, a pitchfork and ax propped against the wall in the background across from an opening to another section of the barn where cows stand in stalls. The murdered farmhand, Cary, is not depicted. Probst, a German immigrant and swindler, was a disgruntled former farmhand of the Dearings who murdered the family by hammer and ax for revenge and money. He was convicted in May 1866 and executed the following month at Moyamensing Prison for the largest murder in Philadelphia at that time., Not in Wainwright., Philadelphia on Stone, POS 361, Historical Society of Pennsylvania: Bb 892 D 285
Date
[1866]
Location
Historical Society of Pennsylvania HSP Bb 892 D 285
Print containing an exterior view and three titled interior views of the saloon and hospital of the volunteer relief agency located near the Navy Yard at Swanson and Washington Avenues. Exterior view shows heavy street activity. A Philadelphia, Wilmington & Baltimore Railroad train stops on the grounds in front of a cheering crowd of spectators. Hundreds of soldiers line up to enter and depart the "Hot Coffee and Refreshment" and "Water" stand and "Dining Saloon Free for Volunteers"; officers direct foot traffic onto the train; and other soldiers enter the adjacent "Post Office" and are greeted by women in front of a row of adjoining row homes. Also shows the O.K. House in the background, the fence of "W. Thorn Lehigh & Schuylkill Coal Yard, and an American flag marked "Union for Ever" adorning the saloon. Interior views, framed by filigree, shows a line of soldiers at, and others waiting for a row of wash basins at the "Washing Department"; the "Interior of the Dining Saloon Free for Union Volunteers" where soldiers wait in line for food, eat standing up at tables, and are served by female volunteers; and civilian spectators watching the men volunteers of the "Cooking Department" attend cauldrons atop ovens and carry baskets of food and large coffee pots. and freedmen., Also contains facsimile signatures of saloon supporters and a vignette portrait of General Winfield Scott below the image. Portrait framed by a laurel wreath held in the beak of an eagle surrounded by American flags, a fasces, cannons, and a banner reading "Respectfully dedicated by the Committee to Winfield Scott General in Chief of the U.S.A." Situated at the transportation hub between the North and the South on land leased en gratis from the Philadelphia, Wilmington & Baltimore Railroad, the agency provided meals, hospital care, washing, sleeping, and writing facilities to military personnel, refugees, and freedmen. It served over 800,000 men, 1,025,000 meals before closing., First state., Philadelphia on Stone, Library of Congress: PGA - Boell--Volunteer refreshment saloon... (C size) [P&P], Historical Society of Pennsylvania: Bc 32 V 58c
Creator
Boell, William
Date
c1861
Location
Library of Congress | Prints and Photographs Division LOC PGA - Boell--Volunteer refreshment saloon... (C size) [P&P]
Shows hundreds of members, their faces copied from photographs, of the German-American shooting club posed on the grounds of the club park, Schützen Park, east of Indian Queen Lane in East Falls. The massive crowd of prominent men, many holding rifles, sits, stands, reclines on rocks, lift their hat in celebration, greet one another, and attend to their hunting dogs. At the center of the group, a man wears a sash and holds the banner of the club. Five different types of hunting dogs are depicted in the foreground. Also shows the banquet hall and members taking target practice in the background. The Philadelphia Schützenverein was founded in 1864., Inscribed on recto: 1869., Not in Wainwright., "J" in artist's name reversed on print., Philadelphia on Stone, POS 595, Historical Society of Pennsylvania: Bc 03 PH 533
Creator
C. P. & A. J. Tholey, artist
Date
[1869]
Location
Historical Society of Pennsylvania HSP Bc 03 PH 533
Advertisement containing vignettes showing male and female gym patrons participating in physical activities and the use of exercise equipment. Equipment includes parallel bars, pummel horse, pull-up bars, ropes, weights, and peg poles. Activities include shooting, fencing, boxing, gymnastics, and weightlifting. Exercise poles incorporated into the image as pictorial elements separating the vignettes. Also contains text advertising the hours of the establishment; the skills of its instructors; separate classes and drawing rooms for the different sexes; and the benefits of exercise for the "proper development of strength, health, mind and the cure of chronic affections" and the importance to ladies to produce "strength, health, beauty and grace.", Philadelphia on Stone, POS 567, See related tradecards for Hillebrand & Lewis, including one printed by Stein & Jones. [P.9349.147a and 8608.F.5b].
Date
[ca. 1863]
Location
Library Company of Philadelphia | Print Department *BW - Advertisements - H [P.8729.16]
Advertisement for the Rialto House tavern and restaurant north of the Fairmount Waterworks on the east bank of the Schuylkill River. Shows several activities occurring around and at the three-story tavern with cupola. Tavern patrons stand on the porch, balconies, and cupola as horse-drawn street cars travel past the establishment. In the foreground, visitors wait at a boat landing under an elegant shelter and in front of a ferry boat about to dock. Also shows scullers and men in rowboats, including one fishing, on the river. A boat house, probably Quaker City, is visible in the left distant background. The tavern served lager beer, fried catfish, and mint juleps., Philadelphia on Stone, POS 647, Historical Society of Pennsylvania: Bb 32 R 235
Date
[ca. 1868]
Location
Historical Society of Pennsylvania HSP Bb 32 R 235
View showing the new mill house on the mound dam at the Fairmount Water Works on the Schuylkill River. Also shows a partial view of the old mill house and a visitor at the top of the stairs leading to the interior of the new building. The new mill house, built between 1859 and 1862 after the designs of Philadelphia engineer Henry P.M. Birkinbine, housed the engines that replaced the water wheels that previously powered the waterworks. The waterworks, originally built between 1812 and 1822 after the designs of Frederick Graff, were altered and expanded after the designs of Henry P.M. Birkinbine and Frederick Graff, Jr., Printed upper right corner: Pl. 1., Philadelphia on Stone, POS 503, Historical Society of Pennsylvania: Print Collection - small - Water Works, Box 73, Folder 8
Date
1861
Location
Historical Society of Pennsylvania HSP Print Collection - small - Water Works, Box 73, Folder 8
View showing a rendering of the monument, surrounded by trees and bushes, to be erected in honor of German natural scientist Alexander von Humboldt in East Fairmount Park. Monument composed of a bust of Humboldt resting on a column pedestal adorned with lion-mouthed fountains and two cherubs holding a globe marked "Cosmos" (representing Humboldt's 5-volume work about his knowledge of the earth). A stone canopy with benches protects the monument under and near which a lady and two gentlemen stand. Also shows a short level of stairs leading to the monument. The cornerstone of the monument, commissioned by German societies, was laid facing the entrance to Girard Avenue Bridge during a celebration of the centennial of the birth of Humboldt on September 13, 1869. The completed monument, including a full-length sculpture by Frederick Drake, was unveiled on July 4, 1876 during the Centennial Exhibition., Not in Wainwright., Philadelphia on Stone, POS 366, Historical Society of Pennsylvania: Bb 632 H 881, Collins & Autenrieth, were German-born Philadelphia architects who worked on several projects for the German immigrant community of Philadelphia.
Date
[ca. 1869]
Location
Historical Society of Pennsylvania HSP Bb 632 H 881
View showing the original store of Frederick Brown, chemist, druggist, and patent medicine dealer at 441 Chestnut Street. The three-story building contains large display windows. A wagon loaded with goods rests near the side of the building and two pedestrians pass crates lining the sidewalk. Men greet each other at the doorway of the storefront., Not in Wainwright., pdcp00016, Title supplied by cataloguer., Philadelphia on Stone, Free Library of Philadelphia: Philadelphiana – Streets – Chestnut - 4th-5th
Date
[ca. 1868]
Location
Free Library of Philadelphia. | Print and Picture Collection. FLP FLP Philadelphiana - Streets - Chestnut - 4th-5th
View showing the new five-story building of Frederick Brown, chemist, druggist, and patent medicine dealer at 441 Chestnut Street. Men greet each other at the doorway. Pedestrians walk on the sidewalk and omnibuses and wagons travel in the street., Not in Wainwright., Title supplied by cataloguer, pdcp00017, Probably printed by Helfensteiu & Lewis., Philadelphia on Stone, Free Library of Philadelphia: Philadelphiana – Streets – Chestnut - 4th-5th
Date
[ca. 1868]
Location
Free Library of Philadelphia. | Print and Picture Collection. FLP FLP Philadelphiana - Streets - Chestnut - 4th-5th
Originally part of a McAllister scrapbook of Civil War miscellanies., Theatrical poster for the illustrated lecture by Civil War veteran and battlefield guide, William David Holtzworth, who toured throughout the United States decribing the Battle of Gettysburg. Contains a montage of scenes of military life including preparations for battle, wagon train caravans, drills, charges, removal of the dead, reconnaissance, and a soldier reading a letter from home by the campfire. Also contains an inset of a portrait of Holtzworth.
Date
[ca. 1866]
Location
Library Company of Philadelphia Print Dept. **GC - Civil War - Campaigns & battles [(2)5786.F.150a]
Published in The Knapsack, October 24, 1865. [*Per K 9.7 5776.F.25], Originally part of a McAllister scrapbook of Civil War miscellanies., Floor plan showing the layout of departments at the exhibition organized to raise funds for the home for destitute and wounded Civil War veterans. Display sponsors include the Fire Department, First Presbyterian Church, "Women's Mission" and the Penn Relief Association as well as local neighborhoods, towns, and counties including West Philadelphia, Germantown, Montgomery County, Chester County, Bethlehem, and Jenkintown. Displays include fancy goods, china, photographs & albums, books, canned fruit and confectionery, hardware, sewing machines, dolls, silhouettes, and silver. Exhibition also provided a table for the fair periodical "The Knapsack," a fruit stand, donation table, refreshment saloon, smoking saloon, and ladies dressing room.
Creator
Bourquin, F. (Frederick), b. 1808 lithographer., creator
Date
[1865]
Location
Library Company of Philadelphia Print Dept. *BW - Theatres & halls - A (2)5786.F.106a]
Date of publication supplied by Wainwright., Select link below for a digital image., Lower left corner missing., Advertisement with ornate border containing a series of vignettes displaying several types of wagons, coaches, and carts produced by the manufactory. Vignettes are captioned with details of the products uses and surround a central view of the exterior of the busy "Simons, Coleman & Co. National Wagon Works" factory and office at No. 1109 North Front Street. Vignettes depict: African American plantation workers transporting sugar cane to a barge by a "cane cart"; laborers and settlers hauling materials out West by "road wagon" and "catamaran"; an ambush of U.S. Army soldiers, baggage wagon, and ambulance by Native Americans; and a busy Philadelphia port scene with a disinterested constable overseeing the wharf congested with carts and wagons as docked Henry Simons's factory ships ready for departure. Also contains an allegorical scene with a Northern factory worker and his Southern patron extending each other their hands before the shadowy figure of a factory agent; a large American eagle clutching the American flag; promotional text; and a listing of the factory's several business locations and names of agents. The city's high quality blacksmithship and large local lumber supply made Philadelphia the primary national and international manufacturer of wagons immediately following the Civil War.
Satire belittling the increasing rights of African Americans following the Emancipation Proclamation and depicting a white shoe shine boy shining the shoes of an African American man, portrayed as a racist caricature of a Black dandy. On the street corner, the white boy shines the shoes of the African American man, attired in a top hat with a decorative band, a white collared shirt, a black bowtie, a plaid waistcoat, a checked jacket, striped pants, and black shoes. The shoe shiner speaks to another white boy, who is barefoot and attired in torn and worn clothes, "I say Billy, do you know why I'm doing this? Cause, I'm going to run for Congress soon!" In the left, a carriage passes by., Title from item., Date of publication supplied by Weitenkampf., Lib. Company. Annual Report, 1972, p. 63., Purchase 1972., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Potomac, artist
Date
[1863?]
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1863-13W [8033.F.3]
Racist cartoon accusing the Republican party of electoral fraud and obstructionism in the presidential election of 1864. Depicts a ballot office where an armed African American man, portrayed in racist caricature and attired in torn and worn clothing, prevents a disabled white Union soldier from voting for McClellan. In the left, the African American man holds a bayoneted rifle and says in the vernacular, "Hallo dar! You can't put in dat you copperhead traitor, nor any oder 'cept for Massa Lincoln!! [A copperhead refers to a Democrat who wanted peace with the South]. In the right, the Union veteran, attired in uniform, wears an eye patch and has an amputated left arm with an artificial limb and an amputated right leg. He leans on a crutch and holds a ballot reading "McClellan" in his right hand. He replies, "I am an American citizen and did not think I had fought and bled for this, alas my country!" In the background, election workers comment about the potential trouble and the need to ignore the situation., Title from item., Date inferred from content., Possible place of publication supplied by Reilly., RVCDC, Purchase 1960., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Baker was a New England etcher and lithographer who drew many Civil War caricatures.
Creator
Baker, Joseph E., approximately 1837-1914, artist
Date
[1864]
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1864-35R [6395.F]
Title from item., Date from copyright statement: Entered according to act of Congress in the year 1864 by Bromley & Co. New York in the Clerk's office of the District Court of the United States for the Southern District of New York., Text printed on recto: Single Copies sent pr. mail post paid 25 cts; 5 Copies $1.00; 50 express $9.00; 100 $16.00. Express charges paid by purchaser. Address: Bromley & Co., Box 4265 New York City. Write your address: Post Office, County and State plainly., Third in a series of four., McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Cartoon criticizing the Republican's self-destructive support of abolitionism during the presidential election of 1864 depicting the "Union" train of Democrats steaming toward the White House passing the wrecked Republican train. Candidate George McClellan engineers the smooth running Democratic train powered by "Democracy" and adorned with the flag "Constitution." Several of the passengers including Horatio Seymour praise McClellan as others mock the Republican Party's demise. The Republican train has crashed into several rocks symbolic of the war including "Abolitionism," "Confiscation," and "Emancipation." The crash ejects Abraham Lincoln. Several African Americans, who are depicted in racist caricature and speak in the vernacular, are crushed and maimed. Tossed and injured prominent Republican passengers include Edwin Stanton; Horace Greeley; Henry Ward Beecher who holds an African American baby; Charles Sumner; William Seward; John McKeon; Benjamin Butler and Thurlow Weed; many of whom pray for help. "John Bull," Emperor Maximilian of Mexico, and France's Napoleon III observe and comment on the crash's effect on the puppet empire of Mexico. Another observer, recently resigned Secretary Salmon P. Chase, expresses relief that he left the Republican train in the "nick of time."
Date
1864
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1864-39R [5793.F.2]
Cartoon depicting the ill effect of secession on enslaved people. In the dwelling of the enslaved African American men, Jefferson Davis, attired in a broad-brim hat and with the Union flag hanging from his pocket, checks the pulse of an emaciated, bedridden African American man with "Bond Plasters" on his chest. An angst-ridden enslaved African American man stands behind the bed and weeps as he holds a bottle of medicine. On the wall behind him are three posters advertising various medicines: "Dr. Jeffy's Celebrated Bond Plasters ...," "The Great Southern Remedies," "Dr. Jeffy's Celebrated Lettres du Marque A Radical Remedy for all Constitutional Afflictions.", Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1861 in the Clerks Office of the District Court of the Southern District of Ohio., Purchase 1961., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1861-22W [6449.F]
Cartoon mocking the inherent dissension within the newly formed Confederacy depicting the Confederate state leaders as conniving self-opportunists led by the Governor of the first state to secede, South Carolina's Francis Pickens. Pickens, armed with a whip and pistol, is astride the back of an enslaved African American man on all fours, and demands as a "file leader," obedience from Stephen R. Mallory of Florida, William Yancey of Alabama, Jefferson Davis of Mississippi, Joseph Brown of Georgia, and an unidentified white man from Louisiana. The Confederates seated upon representations of their state interests (a wrecked hull, bales of cotton, and a barrel of sugar) ignore Pickens and demand acquiescence to their different state needs including coastal control, control of profits from the sale of cotton, and increased bonds and duties as compensation for separating from the Union., Title from item., Date inferred from content., Date of publication supplied by Reilly., Purchase 1964., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Currier & Ives
Date
[1861]
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1861-6R [6612.F]
Racist cartoon expressing disdain for African Americans who were elected to office as a result of Reconstruction. Depicts a bust-length portrait of an African American man legislator, portrayed in racist caricature with grotesque features, attired in a white collared shirt, a plaid bowtie, a waistcoat, and a jacket, smiling. He is flanked by two white men legislators who hold their noses as though he had a bad "scent." Many African American legislators were targeted as the source of corruption in politics during the era., Title from item., Date of publication of 1868 is used as the content suggests that the passage of the Fourteenth Amendment has occurred. Weitenkampf suggests an earlier date of 1865 arguing that African Americans were elected to office during the early era of Reconstruction, Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[1868?]
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1868 Sce [5760.F.117]
Cartoon critical of the inequity of the 1868 Republican platform's post-war monetary policy. Depicts pensioners and bond holders witnessing Republican presidential nominee General Ulysses S. Grant, attired in his military uniform and spurs, balancing himself on a plank using a baton inscribed "U.S. Treasury" from which gold pieces shoot out from the one end as greenbacks (paper money without gold backing) shoot out from the other. The gold falls in the direction of the smug, well-dressed, white men bond holders who gladly accept such reimbursement for their government bonds. The greenbacks land on the pensioners, which include a white disabled veteran with an amputated arm and leg and a white, widowed mother with a baby who bitterly question such a form of payment for their war services. The plank is supported by a kneeling Horace Greeley, the New York Tribune editor, and a kneeling African American man, portrayed in racist caricature and speaking in the vernacular, "you as got to carry dis chile on dat platform, Massa Grant, too." Greeley warns that "we must not let this Election go by default, so hurry up you stump speakers.", Title from item., Date from copyright statement: Entered according to act of Congress by John McDermott in the Clerk's Office of the District Court of the Southern District of New York., Purchase 1958., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1868
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1868-13W [6270.F]
Cartoon predicting that the radical members of the Republican Party will be responsible for the party's defeat in the 1868 presidential election. Depicts a steaming locomotive in the shape of a bottle labeled "A Radical Cure - Lowell Bitters" in which Massachusetts representative Benjamin F. Butler is encased. The train heads toward the "Dutch Gap" being dug by incumbent Andrew Johnson holding a shovel of "Veto" dirt (reference to Johnson's numerous vetoes of radical reconstruction policies). Riding on and in the train are: Presidential nominee Ulysses S. Grant who smokes from the pipe-shaped train's smoke stack which is adorned with the head of an African American man, portrayed in racist caricature; Thaddeus Stevens as the engineer; and Vice-Presidential nominee Schuyler Colfax. On the tracks in the background, an African American man, portrayed in racist caricature, sits on a stool and writes atop the pedestal "Fame," and the "Constitutional Line" train proceeds to the White House "Depot.", Title from item., Date of publication supplied by Weitenkampf., Purchase 1979., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[1868]
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1868-14w [P.8503]
Cartoon addressing the tenuous position of Republican presidential nominee General Ulysses S. Grant as the candidate of a party whose radicals support African American civil rights and Reconstruction under military rule. Depicts Grant holding up a knife inscribed "military despotism" as he straddles the "radical platform" rope that is stretched across the "Salt River" (i.e., political disaster). One end of the rope is tied to a rifle labeled "military reconstruction." The other end is held by "Negro supremacy" depicted as an African American man, portrayed in racist caricature, barefooted, and attired in torn and worn clothes, who sits upon the tombstone of "Southern Confederacy." He asks in the vernacular, "Whar you be Massa Grant if I lef' go, yah! yah!!" Grant replies, "I'll fight it out if it takes all summer.", Title from item., Date of publication supplied by Weitenkampf., Accessioned 1979., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[1868]
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1868-19aW [P.2275.3a]
Cartoon addressing the tenuous position of Republican presidential nominee General Ulysses S. Grant as the candidate of a party whose radicals support African American civil rights and Reconstruction under military rule. Depicts Grant holding up a knife inscribed "military despotism" as he straddles the "radical platform" rope that is stretched across the "Salt River" (i.e., political disaster). One end of the rope is tied to a rifle labeled "military reconstruction." The other end is held by "Negro supremacy" depicted as an African American man, portrayed in racist caricature, barefooted, and attired in torn and worn clothes, who sits upon the tombstone of "Southern Confederacy." He asks in the vernacular, "Whar you be Massa Grant if I lef' go, yah! yah!!" Grant replies, "I'll fight it out if it takes all summer.", Title from item., Date of publication supplied by Weitenkampf., Accessioned 1979., RVCDC, Description revised 2021., Access points revised 2021.
Date
[1868]
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1868-19bW [P.2275.3b]
Satire of 1872 Liberal Republican presidential nominee Horace Greeley's attempt to court the African American vote despite his condemnation of civil rights policies under Reconstruction. Depicts Greeley with former Confederate President Jefferson Davis hovering behind him holding shackles and a whip (a reference to Greeley's partial payment of Davis' prison bond). Greeley asks the two African American men if they will vote for him, "Of course Sam and Ceasar, you’ll vote for me your old friend Horace Greely?" The men reply that they will vote for Ulysses Grant. "No Mr. Greely we can’t vote for you, for behind you we see Jeff Davis and behind him is the old lash and bondage." "We vote, as all true hearted colored men will vote; for Mr. Lincoln’s friend General Grant who conquered the rebellion & secured our freedom.", Title from item., Date from copyright statement: Entered according to act of Congress in the year 1872 by Currier & Ives in the Office of the Librarian of Congress at Washington., Accessioned 1979., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., John Cameron was a Scottish lithographer who worked for several years with the renowned New York lithographic firm Currier and Ives.
Creator
Cameron, John, approximately 1828-, lithographer
Date
1872
Location
Library Company of Philadelphia | Print Department political cartoons - 1872 - 6W [P.2275.2]
Racist cartoon depicting the 1868 Presidential Election as a carriage race between the "patriotic" Democrats and the "bum" Republicans who support Reconstruction. Depicts the elegant Democratic carriage with the banner "This is a White Man's Government" pulled by the horses with the heads of Horatio Seymour and Francis P. Blair racing passed the stalled Republican wagon steered by the asses with the heads of nominees Ulysses Grant and Schuyler Colfax. In the Democrats' carriage are four allegorical figures: Liberty, depicted as a white woman holding the Constitution and a banner which reads "Our Glorious Union Distinct, like the Billows, One, Like the Sea' This is a White Man's Government!"; Navigation, depicted as a white woman holding a miniature ship; Agriculture, depicted as a white woman holding sheaves of wheat and a scythe; and Labor, represented by a bearded white man with a hammer and flywheel. The Republican wagon passengers include radical Thaddeus Stevens, the grim reaper, and an African American man and woman couple, portrayed in racist caricature and speaking in the vernacular. Massachusetts Republican representative Benjamin F. Butler tries to push the stalled wagon passed the bones of those who paid "The Price of Nigger Freedom" and the rocks of "Ruined Commerce," "Debt," and "Negro Supremacy.", In the background, a cheering crowd brandishing American flags near the U.S. Capitol await the winning Seymour and Blair while on the building's other side a group of African American men dance. In the left foreground, Henry Ward Beecher and Horace Greeley play a shellgame looking for Grant and an African American man and woman, attired in torn and worn clothes, discuss another man returning to his former enslaver. In the right foreground, an African American man sits behind a table labeled, "Pompey Smash, Salt River Line Ticket Agent" and sells tickets to "Salt River" (i.e., political disaster) to a white man with a bag labeled, "J.G.B. Boston Carpet Bagger." Behind them, two African American men and a drunken white man holding a bottle talk about the Republican wagon., Title from item., Date from copyright statement: Entered according to an Act of Congress in the year 1868 by Bromley & Co. in the Clerk's Office of the District Court of the U.S. for the southern District of New York., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1868
Location
Library Company of Philadelphia | Print Department *Political Cartoons - 1868-15 [5760.F.125]
Cartoon expressing Northern exasperation with Jefferson Davis's attempt to negotiate for peace in 1865. Depicts Davis being slammed between the doors of the "United States Senate" by Uncle Sam and an armed Zouave soldier. Davis carrying on his back a bundle of "Compromise Goods. Latest Styles" begs the unsympathetic soldier to let him alone as Uncle Sam holding a noose declares that Davis has cheated him too often and deserves execution. In the left, an African American man, portrayed in racist caricature, holds a "Trinkets" box and says in the vernacular, "It pears to me, Massa Davis bring his goods to de wrong market dis time. All de better for cullored folks, Yah! Yah!", Title from item., Date of publication supplied by Weitenkampf., McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[1865]
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1865-1W [5795.F.a]
Cartoon addressing the defeated South's resistance to the pending post war amendments which would declare equal rights for African Americans. Depicts a doctor's office where the seated "Dr. North" counsels "Patient South," who stands before him with his arm in a sling. He proposes that after the removal of the South's legs the "Constitutional Amendment" peg leg, which rests on his desk, will support him well. The South states that he "Can't See it." In the left, a young African American person crouches on the floor beside the doctor's chair. Behind the desk stands a bookshelf labeled "Congressional Surgery, Legislative Quackery" where a skull and a bottle of "Black Draught" are displayed. Contains three lines of dialogue below the image., Title from item., Date of publication supplied by Weitenkampf., Date of publication suggested by Reilly is 1860 as the content suggests that the cartoon was published following the proposed Crittenden and Douglas Compromises., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[1866?]
Location
Library Company of Philadelphia | Print Department political cartoons - 1866 - 10W [5760.F.115]
Cartoon addressing the defeated South's resistance to the pending post war amendments which would declare equal rights for African Americans. Depicts a doctor's office where the seated "Dr. North" counsels "Patient South," who stands before him with his arm in a sling. He proposes that after the removal of the South's legs the "Constitutional Amendment" peg leg, which rests on his desk, will support him well. The South states that he "Can't See it." In the left, a young African American person crouches on the floor beside the doctor's chair. Behind the desk stands a bookshelf labeled "Congressional Surgery, Legislative Quackery" where a skull and a bottle of "Black Draught" are displayed. Contains three lines of dialogue below the image., Title from item., Date of publication supplied by Weitenkampf., Date of publication suggested by Reilly is 1860 as the content suggests that the cartoon was published following the proposed Crittenden and Douglas Compromises., RVCDC, Accessioned 1981., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[1866?]
Location
Library Company of Philadelphia | Print Department political cartoons - 1866 - 10aW [P.8698]
Fire company certificate containing vignettes depicting fire fighters extinguishing a blaze at the Union League of Philadelphia (burned September 7, 1866); the Good Will fire station; and a horse-drawn fire engine. Fire fighting equipment including a fire hat, a ladder, an axe, and other tools are drawn bundled together to form decorative elements on both sides. Pictorial elements are divided by a twisting fire hose. A company ambulance resting upon two intertwining American flags appears above the text., Not in Wainwright., Issued to William H. Urian on October 12, 1868. Signed by Lewis B. Heins, president, and John M'Cullough, secretary., Philadelphia on Stone, POS 319, Gift of Maxwell Whiteman., Free Library of Philadelphia: Philadelphiana - Fire Companies. FLP copy tinted with two stones.
Creator
Queen, James Fuller, 1820 or 21-1886, artist
Date
ca. 1867
Location
Library Company of Philadelphia | Print Department *Philadelphia certificates - Fires and fire fighting [6526.F]
Fire company honorary membership certificate containing vignettes depicting fire fighters racing a steam engine and hose carriage past Independence Hall; an exterior view of the Columbia Hose Co. station at Cherry Street above Seventh Street; and volunteers fighting a blaze with hoses, a steam engine, and ladder at the French & Richards drugstore at the N.W. corner of 10th and Market streets (October 3, 1865). Station view also shows the station dog, hose carriage, and pedestrian traffic, including a couple looking at a storefront display window of a neighboring building. Fire fighting equipment including a trumpet, ax, ladder, hose and belt are drawn bundled together to form side borders and decorative elements above the vignettes. Also contains, above the images, the company institution date "1806," American eagle and shield, the Roman numeral for 8, i.e., VIII; and the company motto "The Public Benefit Is Our Desire.", Issued to Charles Flowers "admitted to membership" March 4th, 1850 and "honor conferred" December 5th, 1866. Signed G.W. Taylor, President; William R. Fraley, Secretary., Company seal pasted on recto., Philadelphia on Stone, POS 146, Retrospective conversion record: original entry, edited., Free Library of Philadelphia: Philadelphiana - Fire Companies
Creator
Queen, James Fuller, 1820 or 21-1886, artist
Date
[ca. 1865]
Location
Library Company of Philadelphia | Print Department *W46 [6531.F]
Landscape view showing the Wissahickon Creek. Trees and rocks line the creek banks., Not in Wainwright., Philadelphia on Stone, POS 849, Retrospective conversion record: original entry, edited.
Creator
Moran, Thomas, 1837-1926, artist
Date
1869
Location
Library Company of Philadelphia | Print Department *BW - Parks & Squares [8065.F.2]
Landscape view showing the Wissahickon Creek. Trees and rocks line the creek banks and a stone bridge is visible in the background., Attributed to Thomas Moran., Title supplied by catalgouer., Not in Wainwright., Philadelphia on Stone, POS 848, Retrospective conversion record: original entry, edited.
Creator
Moran, Thomas, 1837-1926, artist
Date
[1869]
Location
Library Company of Philadelphia | Print Department *BW - Parks & Squares [8065.F.3]
Cartoon promoting the existence of a Union stronghold to defend against a Confederate seizure of Washington, D.C. Depicts General Winfield Scott as the bulldog, "Old General U.S.," protecting the cut of meat, "Washington Prime Beef," from the snarling, retreating greyhound "Jeff" (Confederate President Jefferson Davis). Davis, wearing a Confederate flag and broad-brimmed hat, slinks back to his side where a bale of cotton and animal skull lie, a coiled snake hisses, and a palmetto tree stands. Scott sits guard in front of several money bags, a cannon, American flag, and barrels of beans, beef, and "Mess Pork.", Copyrighted by F.T.B. [Frank T. Beard?], Name of artist supplied by Weitenkampf., One of four variant designs that was also used on Civil War patriotic envelopes., Retrospective conversion record: original entry, edited., Originally part of a McAllister Civil War scrapbook of Sumter and Anderson, Scott, Brownlow., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
Beard, Frank, 1842-1905, lithographer
Date
c1861
Location
Library Company of Philadelphia | Print Department political cartoons - 1861-26 [5794.F.c]
Civil War cartoon satirizing the awkward foreign relations between the United States and Great Britain caused by the royal proclamation of neutrality in 1861. The Queen issued the proclamation, which recognized the seceded states as having belligerent rights, in response to the Union blockades of Southern ports and its effect on international maritime trade and privateering. Consequently, the United States feared that Great Britain had acknowledged the Confederacy as an independent government. Shows John Bull and "Pat" on a dock discussing the sailor's enlistment in the Navy. Bull, the royal proclamation under his arm, warns the American that should he enlist with "either of the Belligerents" he would not be protected by Britain if taken as a pirate. "Pat" responds he does not want his protection and that the "stars and stripes" for which he fights will protect him. In the background, an American flag waves near a dock house adorned with a Union recruitment poster and a broadside highlighting the major themes of the royal proclamation including "Strict Neutrality"; "Privateering"; and "Letters of Marque.", Date supplied by Weitenkampf., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of miscellaneous Civil War materials., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
Currier & Ives
Date
[1862]
Location
Library Company of Philadelphia | Print Department political cartoons 1862-1W [5780.F.b]
Cartoon addressing the impropriety surrounding the purchase of substitute draftees during the Civil War. Depicts four wealthy gentlemen attempting to find substitutes in a draft office. To the right, near an "Avoid the Draft" notice, a gentleman offers a wad of cash to a possible substitute. The man dressed in working man's clothes informs him, "I'm looking for a substitute myself." In the center, two gentlemen, one holding several bills, the other overweight and bemoaning "I walk but one square I chafe," display for inspection their wretched, raggedly dressed substitutes to two Union officers, including a doctor. The physician accepts a "Lee veteran" despite his extreme thinness and missing teeth, while the second officer tells the portly man that he would prefer him to the substitute and that "one days march will take down his fat and a little tallow will remove the chafing." To the left, the fourth gentleman, crying into a handkerchief, tells an officer that he would rather "bleed for his wife" than for his "suffering country." In the background, bandaged and ailing men line up in front of the marshall., Retrospective conversion record: original entry, edited., Digitized by Alexander Street Press for Images of the American Civil War.
Date
[1862]
Location
Library Company of Philadelphia | Print Department political cartoons - 1862-15W [P.2275.17]
Cartoon addressing the impropriety surrounding the purchase of substitute draftees during the Civil War. Depicts four wealthy gentlemen attempting to find substitutes in a draft office. To the right, near an "Avoid the Draft" notice, a gentleman offers a wad of cash to a possible substitute. The man dressed in working man's clothes informs him, "I'm looking for a substitute myself." In the center, two gentlemen, one holding several bills, the other overweight and bemoaning "I walk but one square I chafe," display for inspection their wretched, raggedly dressed substitutes to two Union officers, including a doctor. The physician accepts a "Lee veteran" despite his extreme thinness and missing teeth, while the second officer tells the portly man that he would prefer him to the substitute and that "one days march will take down his fat and a little tallow will remove the chafing." To the left, the fourth gentleman, crying into a handkerchief, tells an officer that he would rather "bleed for his wife" than for his "suffering country." In the background, bandaged and ailing men line up in front of the marshall., Retrospective conversion record: original entry, edited., Digitized by Alexander Street Press for Images of the American Civil War.
Date
[1862]
Location
Library Company of Philadelphia | Print Department political cartoons - 1862-15W [P.2275.17]
Cartoon influenced by the 1860 presidential candidates' position on the extension of slavery and comparing the results of the 1860 presidential election with a completed baseball game. In the right, Lincoln, the winner who represents the "Wide Awake Club," stands on “Home Base” and holds a rail-shaped bat labeled, "Equal Rights and Free Territory." He speaks in baseball terms to his competitors and declares "a good bat and strike a fair ball to make a clean score & home run." In the left is Constitutional Unionist John Bell of the "Union Club" with his "Fusion" bat who cries “foul.” Northern Democrat Stephen Douglas of the "Little Giant Club" with his "Non-Intervention" bat says, “I thought our fusion would be a short stop to his career.” Southern Democrat John C. Breckenridge of the "Disunion Club" carries his "Slavery Extension" bat and holds his nose with his left hand as he states that he “better leave for Kentucky…we are completely ‘skunk’d.’” In the center, a skunk lifts its tail and sprays., Probably drawn by Louis Maurer., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1860, by Currier & Ives, in the Clerk’s Office of the District Court for the Southern Distt of N.Y., Purchase 1967., Description revised 2021., Access points revised 2021., Retrospective conversion record: original entry, edited., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Currier & Ives
Date
c1860
Location
Library Company of Philadelphia | Print Department political cartoons - 1860-42 [7612.F]
Cartoon satirizing the unusual circumstances of the capture of the Confederate president, detained by Union cavalry troops on May 10, 1865, while wearing his wife's overcoat and shawl as a disguise. Depicts Union soldiers on horseback riding through marshes and chasing down Davis, who flees on foot. The president wields a dagger and wears a woman's dress and cape as well as a "Blockade Runner" boot. Nearby, Mrs. Davis scolds the soldiers "not to provoke the President." In the background, a horse packing a sack of "Confederate Gold" gallops away ( an allusion to Jefferson's safeguarding of the remaining Confederate treasury)., Printed above the title: "Don't provoke the President, or he may hurt some of you!", Name of artist supplied by Weitenkampf., Retrospective conversion record; original entry, edited., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
Giles, J. L., lithographer
Date
[1865]
Location
Library Company of Philadelphia | Print Department political cartoons - 1865-18W [6381.F]
Cartoon satirizing the unusual circumstances of the capture of Confederate President Jefferson Davis, detained by Union cavalry troops on May 10, 1865, while wearing his wife's overcoat and shawl as a disguise. Depicts Union soldiers chasing a fleeing Davis, who wears a bonnet and dress and carries a bag of gold (an allusion to Davis's safeguarding of the remaining Confederate treasury). The soldiers wave pistols and swords and harrass Davis about his surrender, the bounty on his head, his ineffectual disguise, and his having reached his "last ditch." Davis responds that he thought that their government was "more magnanimous than to hunt down women and children." In the background, Davis's wife warns the soldiers "Look out you Yankees, if you make him mad he will hurt some of you.", Retrospective conversion record: original entry, edited., Digitized by Alexander Street Press for Images of the American Civil War.
Date
c1865
Location
Library Company of Philadelphia | Print Department political cartoons - 1865-32W [6384.F]
Pro-Confederate cartoon containing eighteen numbered figures and scenes to satirize the mayhem at the Battle of Bull Run in July 1861. Figures include: (1) Beauregard's (2) Jefferson Davis's and (3) Johnston's Confederate Headquarters; (4) Maryland Elzy's Battiry [sic]; (5) Union General Irvin McDowell; (6) Union General Daniel Tyler; (7) the Bull's Run; (8) New York Fire Zouaves; (9) New York 12th Regiment; (10) Union Sherman's Battiry [sic]; (11) Congressman Alfred Ely; (12) barricade for Members of Congress; (13) civilian spectators Lovejoy & Co. and (14) ladies as sputatiers; (15) Biddle, Brown & Co., members of Congress; (16) Union Blenker's Brigade; (17) Senator Wilson; (18) and the U.S. Dragoon. Depicts in the foreground: the Zouaves driving a bull that holds the American flag in its tail and is labeled, "Expenses for 100 Mill., Bad Business, Property, but no Security" in front of the retreating General Tyler and the New York regiment. The troops flee on the road to Washington past Union soldiers who lay dying and lamenting their foolishness near a "fat left-tenant" stating "God Save the Union" and Senator Wilson. Wilson refuses the pleas of a wounded soldier as he has "a wife and children to care for." In the background, Confederate troops march over a hill and mock the Union's abolitionist stance and lack of ammunition; Sherman's Battiry [sic] loads a cannon; Congressmen seek shelter behind a barricade of "U.S." wagons; civilian spectators Brown & Company flee by carriage as they deny aid to a white man who hollers, "you are more unmerciful then the overseer"; Congressman Ely, captured by the Confederates, offers a monetary bribe in exchange for his "liberty"; and the Union's Blenker's Brigade march into the battle in front of their retreating fellow soldiers General Irvin McDowell and the "U.S. Dragoon" who gallop "Home, Sweet, Home." Contains a key to depicted figures below the image., Title from item., Date inferred from content., Retrospective conversion record: original entry, edited., Accessioned 1979., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[1861]
Location
Library Company of Philadelphia | Print Department political cartoons - 1861-42W [P.2275.11a]
Cartoon promoting the existence of a Union stronghold to defend against a Confederate seizure of Washington, D.C. Depicts General Winfield Scott as the bulldog, "Old General U.S.," protecting the cut of meat, "Washington Prime Beef," from the snarling, retreating greyhound "Jeff" (Confederate President Jefferson Davis). Davis, wearing a Confederate flag and broad-brimmed hat, slinks back to his side where a bale of cotton lies and a palmetto tree stands. Scott sits guard in front of several money bags, a cannon, and barrels of corn, flour, and "Mess Beef.", Per Weitenkampf, one of four variant designs after original by cartoonist Frank T. Beard that was also used on Civil War patriotic envelopes., Contains manuscript note lower right corner: Ballard Vale 1861., Contains manuscript note on verso: VA Ballard Vale May 1861., Retrospective conversion record: original entry, edited., Digitized by Alexander Street Press for Images of the American Civil War.
Date
[1861]
Location
Library Company of Philadelphia | Print Department political cartoons - 1861-54W [P.2275.15]
Cartoon satirizing President Andrew Johnson and his reconstruction policies as sympathetic to Southerners and an obstruction to Radical Republican policies and African American civil rights. Depicts Johnson with jackass ears standing at a road block labeled "veto" and greeting pardoned former Confederates, including an unrepentant white man counterfeiter and two white men ruffians. The ruffians brag about the murder of major-generals, curse the Yankees, and threaten an overthrow of the North and nullification of civil rights after the re-establishment of a Southern presence in the Congress. As Johnson welcomes the Southerners, he orders Secretary of State William Seward, attired as a servant, to pass around whiskey, belittles the barred "Radical Republicans," and boasts about his veto power. Behind the "veto" barricade, carriages driven by Republicans and labeled "Freedman's Bu[reau]," "Civil Rights," and "[Recon]struction," including one attended by an African American man portrayed in racist caricature, stand idle (an allusion to Johnson's vetoes of the Civil Rights Act of 1866 and the renewal of the Freedman's Bureau). The drivers compare Johnson with Marc Anthony who was "blowing before the People about his great love for the Constitution while conspiring with Caesar for the overthrow of the Republic." In the right, near crates of "Southern Appointments" and "Southern Pardons," John Bull and French dictator Napoleon III stand. Napoleon praises Johnson, proclaiming him "Emperor Americane." Also includes, a shack adorned with the sign "Andy Johnson Tribune of the People" in the background., Title from item., Date inferred from content., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[1866]
Location
Library Company of Philadelphia | Print Department political cartoons - 1866-5W [5760.F.111]
View showing the luxury hotel completed in 1860 after the designs of John McArthur, Jr. at the corner of Ninth and Chestnut streets. Also shows street and pedestrian traffic including horse-drawn carriages, men on horseback, and a strolling family. The hotel was demolished in 1924., Originally part of a McAllister scrapbook of views of Philadelphia., Retrospective conversion record: original entry, edited., Variant of (6)1322.F.69c., Philadelphia on Stone, POS 158
Creator
Bufford, John Henry, 1810-1870
Date
[ca. 1864]
Location
Library Company of Philadelphia | Print Department BW - Hotels [(8)1322.F.49h]
![Illustrated description of the Battle of Gettysburg. By Holtzworth. [graphic] / Peck.](https://digital.librarycompany.org/sites/default/files/islandora_default_thumbs/replace_icons/prints_icon.png){kind=icon}