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Title: The first of May 1865 or gen'l moving day in Richmond Va
Description: Cartoon relishing the surrender of the Confederacy to the Union depicting a Southern general moving from his war damaged home which is to undergo a "Sheriff Sale" and to be let by "Lincoln & Co." Three white Southerners and two African American men, one who thumbs his nose, witness the General and a mover begin to load a "C.S.A." (i.e., Confederate States of America) cart. The cart, to be pulled by two dogs, is situated next to a "C.S.A Treasury" box of "Waste Paper" that is being urinated upon by another dog. The mover is burdened by several packages, many falling off his back, labeled with the names of Confederate states., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1865, by H. & W. Voight in the Clerk's Office of the District Court for the Southern District of New York., Accessioned 1979., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Kimmel and Forster was a 19th-century firm known more so for their engraving than their lithography.
Creator: Kimmell & Forster, lithographers
Date: 1865
Location: Library Company of Philadelphia | Print Department political cartoons - 1865-4W [P.2275.29]

Title: John Brown exhibiting his hangman
Description: Cartoon depicting the imaginary execution of former Confederate President Jefferson Davis with the ghost of John Brown as his executioner. Jefferson, holding a sour apple and attired in a women's dress and bonnet, swings imprisoned in a birdcage which hangs from a gallows. To the left of the cage Brown rises from a hole in the earth and points accusingly at Davis. In actuality Davis had no direct involvement with Brown's execution. Beneath the cage, African American men and women minstrel figures, portrayed in racist caricature, rejoice, dance, clap, and thumb their noses at Davis., Title from item., Date from copyright statement: Entered according to act of Congress in 1865 by G. Querner in the Clerk's Office of the Sup. Court D.C., Originally part of a McAllister scrapbook related to Jefferson Davis and the Confederacy. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1865
Location: Library Company of Philadelphia | Print Department Political Cartoon - 1865-16R [5795.F.b]

Title: Distinguished militia gen'l during an action
Description: Not in Reilly., Retrospective conversion record: original entry, with corrections., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Currier & Ives
Date: 1861
Location: Library Company of Philadelphia | Print Department Cartoons - 1861-50W [P.9314.1]

Title: Shadows of the times
Description: Series of three Civil War satires containing captioned vignettes utilizing shadow figures to cynically depict the threat of a European intervention; the prowess of the military; and the exploitation of war news. Plate 1 contains two scenes foreshadowing possible British, French, and Prussian invasions. Shows Queen Victoria, on the shore of Britain, accompanied by demons and restraining the British lion while she threatens Columbia, "I will sink your ships and burn your factories they are a perfect nuisance." Columbia, atop a globe flanked by warships, holding an American flag and shield, and with a man at her feet thumbing his nose at Britain, replies, "You don't say so!! Very glad to see you." Second scene shows Emperor Napoleon III, and probably, Prussian commander Otto Von Bismarck conversing in a parlor in front of framed paintings of Napoleon I in exile and Frederick the Great commanding his army. Bismark points to the Napoleon painting and comments "General. St. Helena is not forgotten." Plate 2 includes "Good Bye to the Lager" showing male civilians and a soldier at a saloon; the disorganized and distracted "Jeff. Davis' Body Guard"; soldiers chasing, bayoneting; and roasting pigs for "Pig duty in the Sacred Soil"; and "Rather moist" showing a military caravan crossing a river. Plate 3 includes "Somerset Polka (Quick Step)" depicting the death and chaos of a military battle; newsboys hawking the "Evening Bulletin. Capture of Fort Pulsing" to a crowd of eager pedestrians; a soldier, "One of the Chivalry in excitement," stretching from a nap; overweight and doddering soldiers "Going to play the Yankee Doodle down South"; an officer in a huff demanding "Why didn't you call when you saw me coming?" to a lieutenant who responds, "Senty. Beg pardon Sir, I thought you was an animal."; and infantrymen threatening a cow "Surrender or you are a dead Man.", Plate numbers printed upper right corner., Originally part of McAllister scrapbooks of Civil War materials and Civil War caricatures and photographs., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Kramer, Peter, 1823-1907, artist
Date: c1862
Location: Library Company of Philadelphia | Print Department political cartoons 1862-3 [(10)1540.F; 5780.F; 5780.F.32-34]

Title: Shadows of the times
Description: Series of three Civil War satires containing captioned vignettes utilizing shadow figures to cynically depict the threat of a European intervention; the prowess of the military; and the exploitation of war news. Plate 1 contains two scenes foreshadowing possible British, French, and Prussian invasions. Shows Queen Victoria, on the shore of Britain, accompanied by demons and restraining the British lion while she threatens Columbia, "I will sink your ships and burn your factories they are a perfect nuisance." Columbia, atop a globe flanked by warships, holding an American flag and shield, and with a man at her feet thumbing his nose at Britain, replies, "You don't say so!! Very glad to see you." Second scene shows Emperor Napoleon III, and probably, Prussian commander Otto Von Bismarck conversing in a parlor in front of framed paintings of Napoleon I in exile and Frederick the Great commanding his army. Bismark points to the Napoleon painting and comments "General. St. Helena is not forgotten." Plate 2 includes "Good Bye to the Lager" showing male civilians and a soldier at a saloon; the disorganized and distracted "Jeff. Davis' Body Guard"; soldiers chasing, bayoneting; and roasting pigs for "Pig duty in the Sacred Soil"; and "Rather moist" showing a military caravan crossing a river. Plate 3 includes "Somerset Polka (Quick Step)" depicting the death and chaos of a military battle; newsboys hawking the "Evening Bulletin. Capture of Fort Pulsing" to a crowd of eager pedestrians; a soldier, "One of the Chivalry in excitement," stretching from a nap; overweight and doddering soldiers "Going to play the Yankee Doodle down South"; an officer in a huff demanding "Why didn't you call when you saw me coming?" to a lieutenant who responds, "Senty. Beg pardon Sir, I thought you was an animal."; and infantrymen threatening a cow "Surrender or you are a dead Man.", Plate numbers printed upper right corner., Originally part of McAllister scrapbooks of Civil War materials and Civil War caricatures and photographs., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Kramer, Peter, 1823-1907, artist
Date: c1862
Location: Library Company of Philadelphia | Print Department political cartoons 1862-3 [(10)1540.F; 5780.F; 5780.F.32-34]

Title: Jeff . Davis in prison
Description: Anti-Davis cartoon invoking the travesties at Confederate war prisons to satirize the incarcerated former Confederate president as a pompous, sniveling ingrate. Shows Davis, attired in a suit, and his feet shackled, in his cell, in front of a table containing his modest meal and complaining to the prison doctor. He bemoans his being unaccustomed to such living and that "you must order some more healthy food, or I shall starve to death." The doctor responds it is "good healthy food, such as our soldiers are fed on" and that their recent achievements prove it is "tolerably healthy." In the left, an older African American man cook, portrayed in racist caricature, announces in the vernacular "Massa Jeff! de dinner is ready." Two Union soldiers retort and reply "It's unhealthy is it! You didn't think that a pint of cornmeal was unhealthy when we were at Andersonville." The other angrily remembers "Rotten sowbelly and mouldy hard tacks was considered 'healthy food' when I was in "Libby" and Belle Island., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1865 by Gibson & Co. in the Clerk's Office of the District Court of the United States for the Southern District of Ohio., Purchase 2008., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1865
Location: Library Company of Philadelphia | Print Department political cartoons - 1865-Jef [P.2008.5.1]

Title: Jeff . Davis in prison
Description: Anti-Davis cartoon invoking the travesties at Confederate war prisons to satirize the incarcerated former Confederate president as a pompous, sniveling ingrate. Shows Davis, attired in a suit, and his feet shackled, in his cell, in front of a table containing his modest meal and complaining to the prison doctor. He bemoans his being unaccustomed to such living and that "you must order some more healthy food, or I shall starve to death." The doctor responds it is "good healthy food, such as our soldiers are fed on" and that their recent achievements prove it is "tolerably healthy." In the left, an older African American man cook, portrayed in racist caricature, announces in the vernacular "Massa Jeff! de dinner is ready." Two Union soldiers retort and reply "It's unhealthy is it! You didn't think that a pint of cornmeal was unhealthy when we were at Andersonville." The other angrily remembers "Rotten sowbelly and mouldy hard tacks was considered 'healthy food' when I was in "Libby" and Belle Island., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1865 by Gibson & Co. in the Clerk's Office of the District Court of the United States for the Southern District of Ohio., Purchase 2008., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1865
Location: Library Company of Philadelphia | Print Department political cartoons - 1865-Jef [P.2008.5.1]

Title: Gallant capture of a ladys wardrobe by the brave troops of Florida
Description: Cartoon concerning the enforcement of the Confiscation Act of 1861 depicting the absurd seizure of a Florida woman's wardrobe to "pay the expenses of the troops." A military officer, possibly Union General Winfield Scott, and his troops, bayonets and swords raised, collect the belligerent, Confederate belle's hoop skirt as they trample an American flag. The lady demands the return of her clothes or threatens to go to Union-occupied Fort Pickens (visible behind her) and "man one of the big guns, and blow [the men] to pieces.", Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1861]
Location: Library Company of Philadelphia | Print Department political cartoons - 1861-41W [P.9091]

Title: The capture of an unprotected female, or the close up of the rebellion
Description: Cartoon satirizing the capture of the Confederate president Jefferson Davis by Union cavalry troops on May 10, 1865. Davis,disguised as a woman, is surrounded at gunpoint by jeering soldiers. Davis holds his hands in the air as one soldier pulls up his dress to reveal trousers below. Mrs. Davis, the lone female figure, begs the soldiers to leave her husband alone as they mockingly comment on his legs., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Cameron, John, artist
Date: 1865
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1864-31W [P.8978]

Title: The Freedman's Bureau! An agency to keep the negro in idleness at the expense of the white man. Twice vetoed by the president, and made a law by congress. Support Congress & you support the negro. Sustain the president & you protect the white man
Description: Racist campaign poster in support of Democratic candidate Heister Clymer published during the Pennsylvania gubernatorial election of 1866 attacking his Republican opponent James White Geary and the Republican Congress's support of the Freedmen's Bureau. Depicts an oversize figure of an African American free man, portrayed in racist caricature with grotesque features, lazing on his back under the quote in the vernacular, "Whar is de use for me to work as long as day make dese appropriations." The figure is surrounded by imagery, including scenes, quotes, and a table, condemning the legislature's financial support of African Americans. Scenes include a white man chopping wood as "the white man must work to keep his children and pay his taxes"; a white man farmer plowing his field for "in the sweat of thy face thou eat thy bread"; and a view of a building similar to the Capitol under the heading "Freedman's Bureau! Negro Estimate of Freedom!" The building is inscribed with divisive words and terms including: "Freedom and No Work"; "Goods to eat & drink. Uncle Sam will have to keep me"; "Idleness"; "White Women"; "Apathy" and a list of foods stereotyped as part of the African American diet. Also includes a table listing appropriations issued by Congress in support of the Freedman's Bureau; a quote indicating the inequity of Civil War veteran's bounties in favor of African Americans; and a statement disapproving of the cost of the Freedman's Bureau to the "Tax-payers of the Nation.", Originally part of a McAllister scrapbook. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Readex July 2013 update: This political cartoon is now housed in the Print Room; formerly Lib. Company. Afro-Americana, 3815., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1866]
Location: Library Company of Philadelphia | Print Department *political cartoons - 1866-6 [(6)5777.F.79]

Title: The meeting of the Friends. City Hall Park
Description: Cartoon portraying a distorted version of events surrounding New York Governor Horatio Seymour's "My Friend's" speech during the Draft Riots of 1863 when several African Americans were killed by working-class rioters. Portrays Seymour on the steps of City Hall in front of a riotous mob composed primarily of armed Irish-Americans who march past the building for "The Tribune," an anti-Seymour newspaper. Supporting Seymour from behind are a fool with a cap inscribed "Express" (i.e., a Pro-Seymour newspaper), and former Mayor Fernando Wood and Tammany boss Peter B. Sweeny, both "Copperhead" Democrats who advocated peaceful settlement with the South and who believed Republican philanthropy favored African Americans at the expense of working-class whites. Seymour placates the mob announcing that he is their friend and that he has ordered the President to stop the draft. At his feet is an African American with a noose around his neck. A white man holds the severed head of an African American man, and several more African Americans are seen hanging from trees in the background., Probably drawn by Henry L. Stephens., Title from item., Date inferred from content., Place of publication supplied by Reilly., Text printed below image: A friendly voice.—Governor, we want you to stay here. Horatio Seymour.—I am going to stay here, “My Friends.” Second Rioter.—Faith, and the Governor will stay by us. Horatio Seymour.—I am your “Friend,” and the “Friend” of your families. Third Rioter.—Arrah, Jemmy, and who said he cared about the “Dirty Nagurs”? Fourth Rioter.—How about the draft, Saymere? Governor.—I have ordered the President to stop the draft! Chorus.—Be Jabers, he’s a “Broth of a Boy.”, RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1863]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1863-12 [P.2275.11]

Title: "I say Billy, do you know why I'm doing this? Cause, I'm going to run for Congress soon!"
Description: Satire belittling the increasing rights of African Americans following the Emancipation Proclamation and depicting a white shoe shine boy shining the shoes of an African American man, portrayed as a racist caricature of a Black dandy. On the street corner, the white boy shines the shoes of the African American man, attired in a top hat with a decorative band, a white collared shirt, a black bowtie, a plaid waistcoat, a checked jacket, striped pants, and black shoes. The shoe shiner speaks to another white boy, who is barefoot and attired in torn and worn clothes, "I say Billy, do you know why I'm doing this? Cause, I'm going to run for Congress soon!" In the left, a carriage passes by., Title from item., Date of publication supplied by Weitenkampf., Lib. Company. Annual Report, 1972, p. 63., Purchase 1972., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Potomac, artist
Date: [1863?]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1863-13W [8033.F.3]

Title: How free ballot is protected!
Description: Racist cartoon accusing the Republican party of electoral fraud and obstructionism in the presidential election of 1864. Depicts a ballot office where an armed African American man, portrayed in racist caricature and attired in torn and worn clothing, prevents a disabled white Union soldier from voting for McClellan. In the left, the African American man holds a bayoneted rifle and says in the vernacular, "Hallo dar! You can't put in dat you copperhead traitor, nor any oder 'cept for Massa Lincoln!! [A copperhead refers to a Democrat who wanted peace with the South]. In the right, the Union veteran, attired in uniform, wears an eye patch and has an amputated left arm with an artificial limb and an amputated right leg. He leans on a crutch and holds a ballot reading "McClellan" in his right hand. He replies, "I am an American citizen and did not think I had fought and bled for this, alas my country!" In the background, election workers comment about the potential trouble and the need to ignore the situation., Title from item., Date inferred from content., Possible place of publication supplied by Reilly., RVCDC, Purchase 1960., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Baker was a New England etcher and lithographer who drew many Civil War caricatures.
Creator: Baker, Joseph E., approximately 1837-1914, artist
Date: [1864]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1864-35R [6395.F]

Title: Political caricature no.3. The abolition catastrophe, or the November smash-up
Description: Title from item., Date from copyright statement: Entered according to act of Congress in the year 1864 by Bromley & Co. New York in the Clerk's office of the District Court of the United States for the Southern District of New York., Text printed on recto: Single Copies sent pr. mail post paid 25 cts; 5 Copies $1.00; 50 express $9.00; 100 $16.00. Express charges paid by purchaser. Address: Bromley & Co., Box 4265 New York City. Write your address: Post Office, County and State plainly., Third in a series of four., McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Cartoon criticizing the Republican's self-destructive support of abolitionism during the presidential election of 1864 depicting the "Union" train of Democrats steaming toward the White House passing the wrecked Republican train. Candidate George McClellan engineers the smooth running Democratic train powered by "Democracy" and adorned with the flag "Constitution." Several of the passengers including Horatio Seymour praise McClellan as others mock the Republican Party's demise. The Republican train has crashed into several rocks symbolic of the war including "Abolitionism," "Confiscation," and "Emancipation." The crash ejects Abraham Lincoln. Several African Americans, who are depicted in racist caricature and speak in the vernacular, are crushed and maimed. Tossed and injured prominent Republican passengers include Edwin Stanton; Horace Greeley; Henry Ward Beecher who holds an African American baby; Charles Sumner; William Seward; John McKeon; Benjamin Butler and Thurlow Weed; many of whom pray for help. "John Bull," Emperor Maximilian of Mexico, and France's Napoleon III observe and comment on the crash's effect on the puppet empire of Mexico. Another observer, recently resigned Secretary Salmon P. Chase, expresses relief that he left the Republican train in the "nick of time."
Date: 1864
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1864-39R [5793.F.2]

Title: The dis-united states. Or the Southern Confederacy
Description: Cartoon mocking the inherent dissension within the newly formed Confederacy depicting the Confederate state leaders as conniving self-opportunists led by the Governor of the first state to secede, South Carolina's Francis Pickens. Pickens, armed with a whip and pistol, is astride the back of an enslaved African American man on all fours, and demands as a "file leader," obedience from Stephen R. Mallory of Florida, William Yancey of Alabama, Jefferson Davis of Mississippi, Joseph Brown of Georgia, and an unidentified white man from Louisiana. The Confederates seated upon representations of their state interests (a wrecked hull, bales of cotton, and a barrel of sugar) ignore Pickens and demand acquiescence to their different state needs including coastal control, control of profits from the sale of cotton, and increased bonds and duties as compensation for separating from the Union., Title from item., Date inferred from content., Date of publication supplied by Reilly., Purchase 1964., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Currier & Ives
Date: [1861]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1861-6R [6612.F]

Title: Practical illustration of the Virginia Constitution White man the bottom rail
Description: Cartoon promoting racist fears of the effects of equal rights for African Americans under Virginia's reconstructed constitution by portraying two captioned scenes where African Americans have power over white people. The first, a "Mixed School System," depicts a desegregated classroom in which a seated African American man teacher spanks a white boy as other students witness the punishment. The second scene, a "Negro Court and Jury," depicts an African American man attorney questioning a white woman witness in front of an integrated jury and audience including an African American spectator slumped over asleep in the front row of seats., Title from item., Date of publication inferred from content., Purchase 1969., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1868]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1868 Pra [7814.F]

Title: Scent to the legislature
Description: Racist cartoon expressing disdain for African Americans who were elected to office as a result of Reconstruction. Depicts a bust-length portrait of an African American man legislator, portrayed in racist caricature with grotesque features, attired in a white collared shirt, a plaid bowtie, a waistcoat, and a jacket, smiling. He is flanked by two white men legislators who hold their noses as though he had a bad "scent." Many African American legislators were targeted as the source of corruption in politics during the era., Title from item., Date of publication of 1868 is used as the content suggests that the passage of the Fourteenth Amendment has occurred. Weitenkampf suggests an earlier date of 1865 arguing that African Americans were elected to office during the early era of Reconstruction, Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1868?]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1868 Sce [5760.F.117]

Title: Republican platform, or the political montebank
Description: Cartoon critical of the inequity of the 1868 Republican platform's post-war monetary policy. Depicts pensioners and bond holders witnessing Republican presidential nominee General Ulysses S. Grant, attired in his military uniform and spurs, balancing himself on a plank using a baton inscribed "U.S. Treasury" from which gold pieces shoot out from the one end as greenbacks (paper money without gold backing) shoot out from the other. The gold falls in the direction of the smug, well-dressed, white men bond holders who gladly accept such reimbursement for their government bonds. The greenbacks land on the pensioners, which include a white disabled veteran with an amputated arm and leg and a white, widowed mother with a baby who bitterly question such a form of payment for their war services. The plank is supported by a kneeling Horace Greeley, the New York Tribune editor, and a kneeling African American man, portrayed in racist caricature and speaking in the vernacular, "you as got to carry dis chile on dat platform, Massa Grant, too." Greeley warns that "we must not let this Election go by default, so hurry up you stump speakers.", Title from item., Date from copyright statement: Entered according to act of Congress by John McDermott in the Clerk's Office of the District Court of the Southern District of New York., Purchase 1958., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1868
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1868-13W [6270.F]

Title: Fate of the radical party
Description: Cartoon predicting that the radical members of the Republican Party will be responsible for the party's defeat in the 1868 presidential election. Depicts a steaming locomotive in the shape of a bottle labeled "A Radical Cure - Lowell Bitters" in which Massachusetts representative Benjamin F. Butler is encased. The train heads toward the "Dutch Gap" being dug by incumbent Andrew Johnson holding a shovel of "Veto" dirt (reference to Johnson's numerous vetoes of radical reconstruction policies). Riding on and in the train are: Presidential nominee Ulysses S. Grant who smokes from the pipe-shaped train's smoke stack which is adorned with the head of an African American man, portrayed in racist caricature; Thaddeus Stevens as the engineer; and Vice-Presidential nominee Schuyler Colfax. On the tracks in the background, an African American man, portrayed in racist caricature, sits on a stool and writes atop the pedestal "Fame," and the "Constitutional Line" train proceeds to the White House "Depot.", Title from item., Date of publication supplied by Weitenkampf., Purchase 1979., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1868]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1868-14w [P.8503]

Title: The precarious situation
Description: Cartoon addressing the tenuous position of Republican presidential nominee General Ulysses S. Grant as the candidate of a party whose radicals support African American civil rights and Reconstruction under military rule. Depicts Grant holding up a knife inscribed "military despotism" as he straddles the "radical platform" rope that is stretched across the "Salt River" (i.e., political disaster). One end of the rope is tied to a rifle labeled "military reconstruction." The other end is held by "Negro supremacy" depicted as an African American man, portrayed in racist caricature, barefooted, and attired in torn and worn clothes, who sits upon the tombstone of "Southern Confederacy." He asks in the vernacular, "Whar you be Massa Grant if I lef' go, yah! yah!!" Grant replies, "I'll fight it out if it takes all summer.", Title from item., Date of publication supplied by Weitenkampf., Accessioned 1979., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1868]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1868-19aW [P.2275.3a]

Title: The precarious situation
Description: Cartoon addressing the tenuous position of Republican presidential nominee General Ulysses S. Grant as the candidate of a party whose radicals support African American civil rights and Reconstruction under military rule. Depicts Grant holding up a knife inscribed "military despotism" as he straddles the "radical platform" rope that is stretched across the "Salt River" (i.e., political disaster). One end of the rope is tied to a rifle labeled "military reconstruction." The other end is held by "Negro supremacy" depicted as an African American man, portrayed in racist caricature, barefooted, and attired in torn and worn clothes, who sits upon the tombstone of "Southern Confederacy." He asks in the vernacular, "Whar you be Massa Grant if I lef' go, yah! yah!!" Grant replies, "I'll fight it out if it takes all summer.", Title from item., Date of publication supplied by Weitenkampf., Accessioned 1979., RVCDC, Description revised 2021., Access points revised 2021.
Date: [1868]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1868-19bW [P.2275.3b]

Title: The great November contest. Patriotism vs bummerism
Description: Racist cartoon depicting the 1868 Presidential Election as a carriage race between the "patriotic" Democrats and the "bum" Republicans who support Reconstruction. Depicts the elegant Democratic carriage with the banner "This is a White Man's Government" pulled by the horses with the heads of Horatio Seymour and Francis P. Blair racing passed the stalled Republican wagon steered by the asses with the heads of nominees Ulysses Grant and Schuyler Colfax. In the Democrats' carriage are four allegorical figures: Liberty, depicted as a white woman holding the Constitution and a banner which reads "Our Glorious Union Distinct, like the Billows, One, Like the Sea' This is a White Man's Government!"; Navigation, depicted as a white woman holding a miniature ship; Agriculture, depicted as a white woman holding sheaves of wheat and a scythe; and Labor, represented by a bearded white man with a hammer and flywheel. The Republican wagon passengers include radical Thaddeus Stevens, the grim reaper, and an African American man and woman couple, portrayed in racist caricature and speaking in the vernacular. Massachusetts Republican representative Benjamin F. Butler tries to push the stalled wagon passed the bones of those who paid "The Price of Nigger Freedom" and the rocks of "Ruined Commerce," "Debt," and "Negro Supremacy.", In the background, a cheering crowd brandishing American flags near the U.S. Capitol await the winning Seymour and Blair while on the building's other side a group of African American men dance. In the left foreground, Henry Ward Beecher and Horace Greeley play a shellgame looking for Grant and an African American man and woman, attired in torn and worn clothes, discuss another man returning to his former enslaver. In the right foreground, an African American man sits behind a table labeled, "Pompey Smash, Salt River Line Ticket Agent" and sells tickets to "Salt River" (i.e., political disaster) to a white man with a bag labeled, "J.G.B. Boston Carpet Bagger." Behind them, two African American men and a drunken white man holding a bottle talk about the Republican wagon., Title from item., Date from copyright statement: Entered according to an Act of Congress in the year 1868 by Bromley & Co. in the Clerk's Office of the District Court of the U.S. for the southern District of New York., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1868
Location: Library Company of Philadelphia | Print Department *Political Cartoons - 1868-15 [5760.F.125]

Title: Jeff. Davis., the compromiser, in a tight place
Description: Cartoon expressing Northern exasperation with Jefferson Davis's attempt to negotiate for peace in 1865. Depicts Davis being slammed between the doors of the "United States Senate" by Uncle Sam and an armed Zouave soldier. Davis carrying on his back a bundle of "Compromise Goods. Latest Styles" begs the unsympathetic soldier to let him alone as Uncle Sam holding a noose declares that Davis has cheated him too often and deserves execution. In the left, an African American man, portrayed in racist caricature, holds a "Trinkets" box and says in the vernacular, "It pears to me, Massa Davis bring his goods to de wrong market dis time. All de better for cullored folks, Yah! Yah!", Title from item., Date of publication supplied by Weitenkampf., McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1865]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1865-1W [5795.F.a]

Title: Congressional surgery legislative quackery
Description: Cartoon addressing the defeated South's resistance to the pending post war amendments which would declare equal rights for African Americans. Depicts a doctor's office where the seated "Dr. North" counsels "Patient South," who stands before him with his arm in a sling. He proposes that after the removal of the South's legs the "Constitutional Amendment" peg leg, which rests on his desk, will support him well. The South states that he "Can't See it." In the left, a young African American person crouches on the floor beside the doctor's chair. Behind the desk stands a bookshelf labeled "Congressional Surgery, Legislative Quackery" where a skull and a bottle of "Black Draught" are displayed. Contains three lines of dialogue below the image., Title from item., Date of publication supplied by Weitenkampf., Date of publication suggested by Reilly is 1860 as the content suggests that the cartoon was published following the proposed Crittenden and Douglas Compromises., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1866?]
Location: Library Company of Philadelphia | Print Department political cartoons - 1866 - 10W [5760.F.115]

Title: Congressional surgery legislative quackery
Description: Cartoon addressing the defeated South's resistance to the pending post war amendments which would declare equal rights for African Americans. Depicts a doctor's office where the seated "Dr. North" counsels "Patient South," who stands before him with his arm in a sling. He proposes that after the removal of the South's legs the "Constitutional Amendment" peg leg, which rests on his desk, will support him well. The South states that he "Can't See it." In the left, a young African American person crouches on the floor beside the doctor's chair. Behind the desk stands a bookshelf labeled "Congressional Surgery, Legislative Quackery" where a skull and a bottle of "Black Draught" are displayed. Contains three lines of dialogue below the image., Title from item., Date of publication supplied by Weitenkampf., Date of publication suggested by Reilly is 1860 as the content suggests that the cartoon was published following the proposed Crittenden and Douglas Compromises., RVCDC, Accessioned 1981., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1866?]
Location: Library Company of Philadelphia | Print Department political cartoons - 1866 - 10aW [P.8698]

Title: Yankee volunteers marching into Dixie. "Yankee Doodle keep it up, Yankee Doodle Dandy."
Description: Shows a Union officer, sword raised in the air, leading a troop of men attired as the Yankee character Brother Jonathan. Civilians and officers on horseback watch as the "troop" passes. Also shows the Potomac River and Washington skyline, including the Capitol, in the background., Copyrighted by C.F. Morse., Retrospective conversion record: original entry, edited., Probably originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Bufford, John Henry, 1810-1870, lithographer
Date: c1862
Location: Library Company of Philadelphia | Print Department political cartoons - 1862-1 [P.9177.14]

Title: Why dont you take it?
Description: Cartoon promoting the existence of a Union stronghold to defend against a Confederate seizure of Washington, D.C. Depicts General Winfield Scott as the bulldog, "Old General U.S.," protecting the cut of meat, "Washington Prime Beef," from the snarling, retreating greyhound "Jeff" (Confederate President Jefferson Davis). Davis, wearing a Confederate flag and broad-brimmed hat, slinks back to his side where a bale of cotton and animal skull lie, a coiled snake hisses, and a palmetto tree stands. Scott sits guard in front of several money bags, a cannon, American flag, and barrels of beans, beef, and "Mess Pork.", Copyrighted by F.T.B. [Frank T. Beard?], Name of artist supplied by Weitenkampf., One of four variant designs that was also used on Civil War patriotic envelopes., Retrospective conversion record: original entry, edited., Originally part of a McAllister Civil War scrapbook of Sumter and Anderson, Scott, Brownlow., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Beard, Frank, 1842-1905, lithographer
Date: c1861
Location: Library Company of Philadelphia | Print Department political cartoons - 1861-26 [5794.F.c]

Title: A disloyal British "subject"
Description: Civil War cartoon satirizing the awkward foreign relations between the United States and Great Britain caused by the royal proclamation of neutrality in 1861. The Queen issued the proclamation, which recognized the seceded states as having belligerent rights, in response to the Union blockades of Southern ports and its effect on international maritime trade and privateering. Consequently, the United States feared that Great Britain had acknowledged the Confederacy as an independent government. Shows John Bull and "Pat" on a dock discussing the sailor's enlistment in the Navy. Bull, the royal proclamation under his arm, warns the American that should he enlist with "either of the Belligerents" he would not be protected by Britain if taken as a pirate. "Pat" responds he does not want his protection and that the "stars and stripes" for which he fights will protect him. In the background, an American flag waves near a dock house adorned with a Union recruitment poster and a broadside highlighting the major themes of the royal proclamation including "Strict Neutrality"; "Privateering"; and "Letters of Marque.", Date supplied by Weitenkampf., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of miscellaneous Civil War materials., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Currier & Ives
Date: [1862]
Location: Library Company of Philadelphia | Print Department political cartoons 1862-1W [5780.F.b]

Title: Offering a substitute. A scene in the office of the provost marshall
Description: Cartoon addressing the impropriety surrounding the purchase of substitute draftees during the Civil War. Depicts four wealthy gentlemen attempting to find substitutes in a draft office. To the right, near an "Avoid the Draft" notice, a gentleman offers a wad of cash to a possible substitute. The man dressed in working man's clothes informs him, "I'm looking for a substitute myself." In the center, two gentlemen, one holding several bills, the other overweight and bemoaning "I walk but one square I chafe," display for inspection their wretched, raggedly dressed substitutes to two Union officers, including a doctor. The physician accepts a "Lee veteran" despite his extreme thinness and missing teeth, while the second officer tells the portly man that he would prefer him to the substitute and that "one days march will take down his fat and a little tallow will remove the chafing." To the left, the fourth gentleman, crying into a handkerchief, tells an officer that he would rather "bleed for his wife" than for his "suffering country." In the background, bandaged and ailing men line up in front of the marshall., Retrospective conversion record: original entry, edited., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1862]
Location: Library Company of Philadelphia | Print Department political cartoons - 1862-15W [P.2275.17]

Title: Offering a substitute. A scene in the office of the provost marshall
Description: Cartoon addressing the impropriety surrounding the purchase of substitute draftees during the Civil War. Depicts four wealthy gentlemen attempting to find substitutes in a draft office. To the right, near an "Avoid the Draft" notice, a gentleman offers a wad of cash to a possible substitute. The man dressed in working man's clothes informs him, "I'm looking for a substitute myself." In the center, two gentlemen, one holding several bills, the other overweight and bemoaning "I walk but one square I chafe," display for inspection their wretched, raggedly dressed substitutes to two Union officers, including a doctor. The physician accepts a "Lee veteran" despite his extreme thinness and missing teeth, while the second officer tells the portly man that he would prefer him to the substitute and that "one days march will take down his fat and a little tallow will remove the chafing." To the left, the fourth gentleman, crying into a handkerchief, tells an officer that he would rather "bleed for his wife" than for his "suffering country." In the background, bandaged and ailing men line up in front of the marshall., Retrospective conversion record: original entry, edited., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1862]
Location: Library Company of Philadelphia | Print Department political cartoons - 1862-15W [P.2275.17]

Title: The national game. Three "outs" and one "run" Abraham winning the ball
Description: Cartoon influenced by the 1860 presidential candidates' position on the extension of slavery and comparing the results of the 1860 presidential election with a completed baseball game. In the right, Lincoln, the winner who represents the "Wide Awake Club," stands on “Home Base” and holds a rail-shaped bat labeled, "Equal Rights and Free Territory." He speaks in baseball terms to his competitors and declares "a good bat and strike a fair ball to make a clean score & home run." In the left is Constitutional Unionist John Bell of the "Union Club" with his "Fusion" bat who cries “foul.” Northern Democrat Stephen Douglas of the "Little Giant Club" with his "Non-Intervention" bat says, “I thought our fusion would be a short stop to his career.” Southern Democrat John C. Breckenridge of the "Disunion Club" carries his "Slavery Extension" bat and holds his nose with his left hand as he states that he “better leave for Kentucky…we are completely ‘skunk’d.’” In the center, a skunk lifts its tail and sprays., Probably drawn by Louis Maurer., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1860, by Currier & Ives, in the Clerk’s Office of the District Court for the Southern Distt of N.Y., Purchase 1967., Description revised 2021., Access points revised 2021., Retrospective conversion record: original entry, edited., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Currier & Ives
Date: c1860
Location: Library Company of Philadelphia | Print Department political cartoons - 1860-42 [7612.F]

Title: The capture of Jeff Davis His last official act "the adoption of a new rebel uniform." He attempts to "clear his skirts," but finds it "all up in Dixie"
Description: Cartoon satirizing the unusual circumstances of the capture of the Confederate president, detained by Union cavalry troops on May 10, 1865, while wearing his wife's overcoat and shawl as a disguise. Depicts Union soldiers on horseback riding through marshes and chasing down Davis, who flees on foot. The president wields a dagger and wears a woman's dress and cape as well as a "Blockade Runner" boot. Nearby, Mrs. Davis scolds the soldiers "not to provoke the President." In the background, a horse packing a sack of "Confederate Gold" gallops away ( an allusion to Jefferson's safeguarding of the remaining Confederate treasury)., Printed above the title: "Don't provoke the President, or he may hurt some of you!", Name of artist supplied by Weitenkampf., Retrospective conversion record; original entry, edited., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Giles, J. L., lithographer
Date: [1865]
Location: Library Company of Philadelphia | Print Department political cartoons - 1865-18W [6381.F]

Title: The last ditch of chivalry or, a president in petticoats
Description: Cartoon satirizing the unusual circumstances of the capture of Confederate President Jefferson Davis, detained by Union cavalry troops on May 10, 1865, while wearing his wife's overcoat and shawl as a disguise. Depicts Union soldiers chasing a fleeing Davis, who wears a bonnet and dress and carries a bag of gold (an allusion to Davis's safeguarding of the remaining Confederate treasury). The soldiers wave pistols and swords and harrass Davis about his surrender, the bounty on his head, his ineffectual disguise, and his having reached his "last ditch." Davis responds that he thought that their government was "more magnanimous than to hunt down women and children." In the background, Davis's wife warns the soldiers "Look out you Yankees, if you make him mad he will hurt some of you.", Retrospective conversion record: original entry, edited., Digitized by Alexander Street Press for Images of the American Civil War.
Date: c1865
Location: Library Company of Philadelphia | Print Department political cartoons - 1865-32W [6384.F]

Title: The battle of Bull's Run
Description: Pro-Confederate cartoon containing eighteen numbered figures and scenes to satirize the mayhem at the Battle of Bull Run in July 1861. Figures include: (1) Beauregard's (2) Jefferson Davis's and (3) Johnston's Confederate Headquarters; (4) Maryland Elzy's Battiry [sic]; (5) Union General Irvin McDowell; (6) Union General Daniel Tyler; (7) the Bull's Run; (8) New York Fire Zouaves; (9) New York 12th Regiment; (10) Union Sherman's Battiry [sic]; (11) Congressman Alfred Ely; (12) barricade for Members of Congress; (13) civilian spectators Lovejoy & Co. and (14) ladies as sputatiers; (15) Biddle, Brown & Co., members of Congress; (16) Union Blenker's Brigade; (17) Senator Wilson; (18) and the U.S. Dragoon. Depicts in the foreground: the Zouaves driving a bull that holds the American flag in its tail and is labeled, "Expenses for 100 Mill., Bad Business, Property, but no Security" in front of the retreating General Tyler and the New York regiment. The troops flee on the road to Washington past Union soldiers who lay dying and lamenting their foolishness near a "fat left-tenant" stating "God Save the Union" and Senator Wilson. Wilson refuses the pleas of a wounded soldier as he has "a wife and children to care for." In the background, Confederate troops march over a hill and mock the Union's abolitionist stance and lack of ammunition; Sherman's Battiry [sic] loads a cannon; Congressmen seek shelter behind a barricade of "U.S." wagons; civilian spectators Brown & Company flee by carriage as they deny aid to a white man who hollers, "you are more unmerciful then the overseer"; Congressman Ely, captured by the Confederates, offers a monetary bribe in exchange for his "liberty"; and the Union's Blenker's Brigade march into the battle in front of their retreating fellow soldiers General Irvin McDowell and the "U.S. Dragoon" who gallop "Home, Sweet, Home." Contains a key to depicted figures below the image., Title from item., Date inferred from content., Retrospective conversion record: original entry, edited., Accessioned 1979., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1861]
Location: Library Company of Philadelphia | Print Department political cartoons - 1861-42W [P.2275.11a]

Title: Why don't you take it?
Description: Cartoon promoting the existence of a Union stronghold to defend against a Confederate seizure of Washington, D.C. Depicts General Winfield Scott as the bulldog, "Old General U.S.," protecting the cut of meat, "Washington Prime Beef," from the snarling, retreating greyhound "Jeff" (Confederate President Jefferson Davis). Davis, wearing a Confederate flag and broad-brimmed hat, slinks back to his side where a bale of cotton lies and a palmetto tree stands. Scott sits guard in front of several money bags, a cannon, and barrels of corn, flour, and "Mess Beef.", Per Weitenkampf, one of four variant designs after original by cartoonist Frank T. Beard that was also used on Civil War patriotic envelopes., Contains manuscript note lower right corner: Ballard Vale 1861., Contains manuscript note on verso: VA Ballard Vale May 1861., Retrospective conversion record: original entry, edited., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1861]
Location: Library Company of Philadelphia | Print Department political cartoons - 1861-54W [P.2275.15]

Title: The man that blocks up the highway
Description: Cartoon satirizing President Andrew Johnson and his reconstruction policies as sympathetic to Southerners and an obstruction to Radical Republican policies and African American civil rights. Depicts Johnson with jackass ears standing at a road block labeled "veto" and greeting pardoned former Confederates, including an unrepentant white man counterfeiter and two white men ruffians. The ruffians brag about the murder of major-generals, curse the Yankees, and threaten an overthrow of the North and nullification of civil rights after the re-establishment of a Southern presence in the Congress. As Johnson welcomes the Southerners, he orders Secretary of State William Seward, attired as a servant, to pass around whiskey, belittles the barred "Radical Republicans," and boasts about his veto power. Behind the "veto" barricade, carriages driven by Republicans and labeled "Freedman's Bu[reau]," "Civil Rights," and "[Recon]struction," including one attended by an African American man portrayed in racist caricature, stand idle (an allusion to Johnson's vetoes of the Civil Rights Act of 1866 and the renewal of the Freedman's Bureau). The drivers compare Johnson with Marc Anthony who was "blowing before the People about his great love for the Constitution while conspiring with Caesar for the overthrow of the Republic." In the right, near crates of "Southern Appointments" and "Southern Pardons," John Bull and French dictator Napoleon III stand. Napoleon praises Johnson, proclaiming him "Emperor Americane." Also includes, a shack adorned with the sign "Andy Johnson Tribune of the People" in the background., Title from item., Date inferred from content., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1866]
Location: Library Company of Philadelphia | Print Department political cartoons - 1866-5W [5760.F.111]

Title: Abraham's dream! "Coming events cast their shadows before."
Description: Cartoon lampooning Lincoln's belief in prophetic dreams and fear of losing the presidential election of 1864. Above the dreaming, sleeping body of Lincoln, Democratic candidate George McClellan arrives at the White House. He witnesses Liberty, depicted as a white woman, hurling the decapitated head of an African American man, portrayed in racist caricature, at a fleeing Lincoln as he states, "This don't remind me of any joke!!" Lincoln is attired in a plaid Scotsman's cap and cape, an allusion to his disguise in response to an assassination threat before his first inauguration, and carries an inscribed scroll, "To whom it may concern," a reference to his written edict that he would only receive, not seek, offers of peace from the Confederacy., Title from item., Date from copyright statement: Entered according to act of Congress, A.D. 1864, by Currier & Ives, in the Clerk's Office of the District Court of the United States, for the Southern District of New York., Probably drawn by Louis Maurer., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Currier & Ives
Date: 1864
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1864-41 [6374.F]

Title: Oh! Massa Jeff. dis sesesh fever will kill de nigger
Description: Cartoon depicting the ill effect of secession on enslaved people. In the dwelling of the enslaved African American men, Jefferson Davis, attired in a broad-brim hat and with the Union flag hanging from his pocket, checks the pulse of an emaciated, bedridden African American man with "Bond Plasters" on his chest. An angst-ridden enslaved African American man stands behind the bed and weeps as he holds a bottle of medicine. On the wall behind him are three posters advertising various medicines: "Dr. Jeffy's Celebrated Bond Plasters ...," "The Great Southern Remedies," "Dr. Jeffy's Celebrated Lettres du Marque A Radical Remedy for all Constitutional Afflictions.", Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1861 in the Clerks Office of the District Court of the Southern District of Ohio., Purchase 1961., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1861-22W [6449.F]

Title: An Au-Gust Convention
Description: Cartoon satirizing the National Union Convention, which met in Philadelphia in August of 1866, in an attempt to support President Andrew Johnson and his Reconstruction policies and elect a new Congress. Muzzled dogs, each representing a state, walk down a path towards a dog house labeled, “Wigwam,” which was the name of the structure in Philadelphia that was quickly erected for the convention. Outside the house, two guard dogs, representing Johnson supporters Edgar Cowen and James Rood Doolittle, each hold cats in their mouths, representing the two notorious Peace Democrats, or Copperheads, Clement Vallandigham and Fernando Wood, who were barred from the convention. At the head of the parade, the Massachusetts and South Carolina dogs march together, representing General Darius Nash Couch and Governor James Lawrence Oliver, the representatives from those states, respectively. These two men entered the Convention arm-in-arm to demonstrate the possibility for national reconciliation. The South Carolina dog, however, also has its genitals muzzled, as it was the first state to secede from the Union at the beginning of the war. In the left is a small, muzzled dog with a brush and bucket, labeled “N.Y. Times,” tied to its tail that represents Henry Raymond, co-founder of the New York Times and pro-Johnson Republican Congressman. Raymond organized the convention and was removed from his position as Chairman of the Republican National Committee because of it. In the left background, shows the White House with a Confederate flag, with “My Policy,” flying and a dead dog lying on the ground representing Johnson. Radical and moderate Republicans in Congress believed that his treatment of the Southern states under his Reconstruction plan was too lenient., Retrospective conversion record: original entry, edited.
Date: [1866]
Location: Library Company of Philadelphia | PRINT political cartoons - 1866-11 [5760.F.113]

Title: The True peace commissioners
Description: Cartoon depicting an angered response of Democrats in support of war to what many considered to be false Confederate peace overtures and to the push for reconciliation with the South advanced by the Peace Democrats in 1864. In the center, Confederate general Robert E. Lee and president Jefferson Davis stand back-to-back trying to ward off an attack by Union officers (from left to right) Philip H. Sheridan, Ulysses S. Grant, David G. Farragut, and William T. Sherman. Sheridan points his sword at Lee, saying, "You commenced the war by taking up arms against the Government and you can have peace only on the condition of your laying them down again." Grant, also holding a sword, insists, "I demand your unconditional surrender, and intend to fight on this line until that is accomplished." Lee tries to placate them, "Cant think of surrendering Gentlemen but allow me through the Chicago platform to propose an armistice and a suspension of hostilities . . . " The 1864 Democratic national convention in Chicago advocated "a cessation of hostilities with a view to an ultimate convention of the states, or other peaceable means" to restore the Union. Davis, unarmed with his hands up, agrees, " . . . if we can get out of this tight place by an armistice, it will enable us to recruit up and get supplies to carry on the war four years longer." Farragut threatens with a harpoon, snarling, "Armistice! and suspension of hostilities'.--Tell that to the Marines, but sailors dont understand that hail from a sinking enemy." Sherman, with raised sword, informs Davis, "We dont want your negores or anything you have; but we do want and will have a just obedience to the laws of the United States.", Title from item., Date inferred from content., Probably drawn by John Cameron., Retrospective conversion record: original entry edited.
Date: [1864]
Location: Library Company of Philadelphia | Print Department political cartoons - 1864-6 [P.2275.5]

Title: The destruction of Pharaoh and his host. Moses is safe; let Pharaoh sink and where he goes he'll get his drink "The Lord delivered the people."
Description: Cartoon analogizing the victory of 1866 Radical Republican Pennsylvania gubernatorial candidate John W. Geary with the Biblical story of Moses's passage of the Red Sea (Exodus) to signify the election result as a moral and political conquest over the Conservative Republicans who supported the policies of President Andrew Johnson. Shows Johnson as "Pharaoh," riding a chariot labeled "My Policy." His crown has been knocked off his head, and the sea rushes around the horse-drawn chariot. Conservative Republicans, including William Seward, are washed away around him. In the distance, "the people" trek across the land of "Pennsylvania" holding a "Geary and Victory" flag., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia.
Creator: Magee, John L.
Date: [ca. 1866]
Location: Library Company of Philadelphia | Print Department political cartoons - 1866 Des [(2) 1322.F.20]

Title: [ Montage of caricatures satirizing Southern Democrats]
Description: Includes six captioned vignettes critically satirizing Southern democrats, copperheads, Jefferson Davis, and Andrew Johnson. Shows Democrats represented as an overseer forcing "Black Republicans" depicted as fleeing enslaved African American men, women, and children to vote their "Ticket in the South"; white men soldiers loading a cannon representing "General Grant giving the Rebel Copperhead Democrats some more grape"; Jefferson Davis fleeing in his "wife's petticoats"; "Johnson on a "Bender," after the Impeachment Trials; a skull and cross bones to symbolize that "Copperheads and Rebel Democrats are Poison"; and Johnson attired in torn and worn clothes and carrying a sack on his back as he is "Travelling for Tennessee." Several of caricatures also used as Civil War envelope designs., Title supplied by cataloger., Date inferred from content., Created postfreeze., Originally part of a McAllister scrapbook of Civil War miscellanies. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1868]
Location: Library Company of Philadelphia | Print Department political cartoons [ca. 1868] - Mon [(2)5786.F.176a]

Title: The peninsular campaign
Description: Civil War cartoon referencing George B. McClellan's failed 1862 peninsular campaign to criticize his cautious military performance as commander-in-chief of the U.S. Army and his relationship with financier August Belmont and lawyer Samuel M.L. Barlow, New York Democratic Party leaders with Southern ties. Shows McClellan holding a shovel and sitting backwards on a mule that displays a flag marked "Strategy" on its tails and that Belmont and Barlow desperately try to move past human bones and away from Richmond. He advises the men to "coax" the animal because he does not believe in force and to keep his mule's head to the rear or his plans for "conquering the Rebellion will never be developed." Belmont, with several hats layered on his head and Barlow, a paper printed "Harrisons Landing July 7, 1862" in his pocket, "hold fast" and discuss Belmont's European ties and a letter written by Barlow on McClellan's behalf for the president that will be signed and sent following the general's "change of base.", Originally part of a McAllister scrapbook of materials related to George McClellan and Abraham Lincoln., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1862]
Location: Library Company of Philadelphia | Print Department political cartoons - 1862 Pen [5793.F.7b]

Title: The two platforms
Description: Racist poster attacking radical Republican support of African American suffrage by comparing the platforms of Democratic candidate and white supremacist Heister Clymer and radical Republican candidate John White Geary during the 1866 Pennsylvania gubernatorial election. Depicts the side-by-side bust portraits of a white man titled "Clymer's Platform is for the White Man" and an African American man, portrayed in racist caricature with grotesque features, titled "Geary's Platform is for the Negro." Contains three lines of text above the image which reference the other "Radical" Republican candidates who support "Negro Suffrage" and two lines below which declares "Read the Platforms. Congress says, the Negro must be allowed to vote, or the states be punished.", Title from item., Date of publication supplied by Reilly., RVCDC, Purchase 1998., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1866]
Location: Library Company of Philadelphia | Print Department *Political Cartoons - 1866-8 [9387.F]

Title: The Salt River gazette---extra, Wednesday, Oct. 9, 1867 The Great Negro Party--born, 1856--died Oct. 8, 1867
Description: Cartoon publicizing the death of the "Great Negro Party" (i.e., Republican Party) as a result of the defeat of several Republican candidates to Democrats in the Philadelphia local elections of 1867. Depicts a series of racist captioned vignettes and caricatures. Includes the head of an African American man above a coffin inscribed with the life and death dates of the party (1856-Oct. 8, 1867); “a Scene at the Broad St. League House” depicting a white man minister forced to perform an interracial marriage between a white woman and an African American man; and a scene entitled "The Work of Congress repudiated by the People" showing an African American man lounging and watching white men labor to pay their taxes. Also includes an African American man dandy commenting in the vernacular on his making electors sick "dis time"; and a scene titled "Statue to be erected in front of the Union League House" showing the sculpture of an older African American woman on a ragged horse. The African American dandy caricature originally appeared as an illustration titled "S.S. Sanford in One of his Great Delineations of Ethiopian Character" in "Our Day," an 1860 circular that advertised his Sanford Opera House. The statue caricature originally appeared in the "Original Comicalities" section of the June 1854 edition of "Graham's Magazine" and was titled "Woolly Equestrian Statue of the late Mrs. Joyce Heth." Mrs. Heth, an early attraction of P.T. Barnum from 1835 until 1836, claimed that she was over 100 years old and a nanny to George Washington., Title from item., Date inferred from content., Originally part of McAllister scrapbooks of views of Philadelphia and Pennsylvania views and political miscellany. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1867]
Location: Library Company of Philadelphia | Print Department political cartoons - 1867-1W [5759.F; (2)1322.F.77]

Title: Emancipation
Description: Emancipation print depicting a series of scenes contrasting African American life during and after slavery. Central scene portrays the interior of a free person's home where several generations of the family socialize around a "Union" stove as the mother cooks. Below this scene is a portrait of Lincoln and above it a depiction of Thomas Crawford's statue of freedom, as well as the hell hound Cerberus fleeing Liberty. Scenes to the right display the horrors of slavery including the flogging, branding, selling, and capturing of enslaved people. Scenes to the left display the forthcoming results of freedom including the exterior of a free person's cottage, African American children attending public school, and African Americans receiving payment for their work., Title from item., Date from copyright statement: Entered according to Act of Congress, in the year 1865, by J.W. Umpehent, in the Clerk's Office of the District Court of the United States, for the Eastern District of Pennsylvania., Originally published in Harper's weekly, January 24, 1863., McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Nast was a cartoonist and illustrator most known for his work for the 19th-century periodical "Harper's Weekly."
Creator: Nast, Thomas, 1840-1902, artist
Date: 1865
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1865-3R [5792.F]

Title: Emancipation: the past and the future
Description: Emancipation print contrasting African American life during and after slavery. Central scene portrays the interior of a free person’s home where several generations of the family socialize around a "Union" stove as the mother cooks. The horrors of slavery are depicted through scenes of the flogging, branding, selling, and capturing of enslaved people. The forthcoming results of freedom are depicted through scenes of the exterior of a free person’s cottage, African American children attending public school, and African Americans receiving payment for their work. Also depicted are: a baby angel freeing the shackles of a kneeling enslaved man as the angel, who has the year 1863 above his head, is held by Father Time; Thomas Crawford’s statue of freedom; and the hellhound Cerberus fleeing liberty., Title from item., Originally published in Harper's weekly, January 24, 1863., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Nast was a cartoonist and illustrator most known for his work for the 19th-century periodical "Harper's Weekly."
Creator: Nast, Thomas, 1840-1902, artist
Date: 1865
Location: Library Company of Philadelphia | Print Department *Political Cartoons - 1865-3 variant [(10)1540.F]

Title: The past and the future
Description: Emancipation print contrasting African American life during and after slavery. Central scene portrays the interior of a free person's home where several generations of the family socialize around a "Union" stove as the mother cooks. The horrors of slavery are depicted through scenes of the flogging, branding, selling, and capturing of enslaved people. The forthcoming results of freedom are depicted through scenes of the exterior of a free person's cottage, African American children attending public school, and African Americans receiving payment for their work. Also depicted are: a baby angel freeing the shackles of a kneeling enslaved man as the angel is held under the year 1863 by Father Time; Thomas Crawford's statue of freedom; and the hellhound Cerberus fleeing liberty. The Great Central or Sanitary Fair of 1864 was organized by the Philadelphia division of the United States Sanitary Commission to raise money for their soldier relief organization. Although emancipation was a popular theme of the fair, African Americans were excluded from the exhibition., Title from item., Date inferred from content., Inscribed: Price [Fif?]ty Cents., Originally published in "Harper's weekly," January 24, 1863., LCP exhibition catalogue: African American Miscellany, p. 22., Accessioned 1987., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Nast, Thomas, 1840-1902, artist
Date: [1864]
Location: Library Company of Philadelphia | Print Department *Political Cartoons - 1865-3a variant [P.9177.30]

Title: Southern tombstones
Description: Photographic reproduction of an anti-Confederate political cartoon showing a dilapidated graveyard of tombstones and a mausoleum inscribed with vitriolic epitaphs for predominately prominent military figures from the Confederate States. The fictionalized deceased include Generals P.G.T. Beauregard, Braxton Bragg, John B. Floyd, Robert E. Lee, Leonidas Polk and Henry A. Wise in addition to Vice-President Alexander Stephens. Within the cemetery, an African American man with a bayonet peers out from behind a tombstone near a debris-strewn path marked "secession, mob rule, and nullification." Plantations burn in the background., Title from item., Date inferred from content., Publisher's imprint printed on verso., Originally part of a McAllister scrapbook of humorous caricatures and photographs. McAllister Collection, gift, 1886., Created postfreeze., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv - McAllister & Brother - Caricatures & cartoons [5780.F.52o]

Title: A distinguished arrival Negro soldier - "Hi dar! Show dis ole lady a room - one wid a closet to put dis yar skelle in tum in!"
Description: Cartoon satirizing the imprisonment at Fort Monroe, Va. of Confederate president Jefferson Davis, detained by Union cavalry troops on May 10, 1865, while wearing his wife's overcoat and shawl as a disguise. Shows an African American soldier escorting Davis to a cell door at the "Hotel De Monroe." In front of the door a noose hangs. Davis, attired in a bonnet, shawl, and overcoat, holds a money bag labeled "JD. CSA" (an allusion to Davis's confiscation of the remaining Confederate treasury). The soldier holds a bayonet to which a skirt hoop is attached and speaks in the vernacular "Hi dar! Show dis ole lady a room..." In the background, a smiling sun, an African American soldier, and a ship sailing the bay are visible. Davis was imprisoned at Fort Monroe between 1865 and 1867., Title from item., Date from copyright statement: Ent'd according to act of Congress, in the year 1865, by J. Chapman in the Clerk's Office of the District Court, for the Southern District of New York., Purchase 2004., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1865
Location: Library Company of Philadelphia | Print Department cdv - misc. - Civil War - Caricatures and cartoons [P.2004.6.2]

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