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Title: [Schuylkill Boat Song sheet music cover illustration]. [graphic].
Description: Location: Schuylkill River near the Columbia Avenue railroad bridge., Sheet music: Schuylkill Boat Song / Poetry by Thomas Dunn English M.D., music composed and dedicated to the Atlantic Barge Club by P. Blanchor. (Philadelphia: Osbourne's Music Saloon, 30, South Fourth Street, ca. 1842)., Sheet music cover. LCP Print Department copy image only., Wainwright retrospective conversion project., Select link below to view a digital image.
Creator: Weaver, Matthias S., 1815 or 16-1847. Atlantic Barge Club of Philadelphia, dedicatee., creator
Date: ca. 1842.
Location: http://www.lcpgraphics.org/wainwright/W331.htm, Library Company of Philadelphia Print Dept. W331 [P.2165] and sheet music [9913.F]

Title: Harm oneons Carolina melodies arranged for the piano forte
Description: Sheet music cover showing the minstrel group, the Harmoneons, in Blackface as a musical group playing in a tropical setting. The four men and one man dressed as a woman are seated and play instruments, including a triangle, fiddle, banjo, tambourine, and clappers. The men are attired in button-down, yellow striped shirts and white pants, and the woman in a short-sleeved, red and white dress. Palm trees, a mountain side, and ocean are visible in the background. The entertainers' and their characters' names are printed below the image: Js. Power as Toney; M. S. Pike as Fanny; L. V. N. Crosby as Pomp; F. Lynch as Gumbo; and Jno. Power as Sambo. The Harmoneons, founded by Crosby and originally managed by J. Simmons Davis, were one of the earliest minstrel troupes in the United States and were active into the 1860s., Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes., Title from item., Date from copyright statement: Entered according to act of Congress in the year 1845 by C. Bradlee & Co. in the clerk's office of the District Cou[rt]., Title list of scores printed on recto., Facsimile signature of minstrel L. V. N. Crosby printed on recto. LCP copy contains partial signature., Gift of Michael Zinman, 2009., Description of Blackface minstrelsy from Dorothy Berry, Descriptive Equity and Clarity around Blackface Minstrelsy in H(arvard) T(heater) C(ollection) Collections, 2021., Lower corners missing., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Sharp, William, 1803-1875, artist
Date: 1845
Location: Library Company of Philadelphia | Print Department GC - Entertainment - H [P.2009.25]

Title: [Schuylkill Boat Song sheet music cover illustration]
Description: View showing two sculling barges on the Schuylkill River near Peter's Island and the Columbia Railroad Bridge. The barges contain crews of eight and a coxswain. A boat house lines the shore of the island and a train is seen exiting the bridge. The Columbia Railroad Bridge, one of the oldest railroad bridges in the United States, was completed in 1834 after the designs of John C. Trautwine for the Reading Railroad Company. The bridge spanned over the Schuylkill River below Belmont Mansion in Fairmount Park., Name of artist attributed by Wainwright., Title supplied by cataloguer, Poulson inscription on recto: Peter's Island R.R. Bridge., Illustration from sheet music cover: Schuylkill Boat Song, Poetry by Thomas Dunn English M.D. Music composed and dedicated to the Atlantic Barge Club by P. Blanchor. (Philadelphia: Osbourne's Music Saloon, 30, South Fourth Street, ca. 1842). [Sheet Music Collection 9913.F], Philadelphia on Stone, POS 682, Trimmed sheet music cover. LCP Print Department copy image only., Library Company of Philadelphia: P.2165 and Sheet Music Collection 9913.F, Atwater Kent Museum: 49.29.1 with music., Wainwright retrospective conversion project, edited.
Creator: Weaver, Matthias S., 1815 or 16-1847, artist
Date: [ca. 1842]
Location: Library Company of Philadelphia | Print Department W331 [P.2165], Library Company of Philadelphia | RARE BOOK sheet music collection [9913.F]

Title: The fugitive's song
Description: Backed by a large tree, a fugitive slave representing Frederick Douglass runs away from a river-bank, and heads in the direction of New England (as evidenced by the sign in the background right). The party in pursuit of him, two mounted figures and a pack of dogs, can be seen on the other side of the river in the distant background. The fugitive slave (Douglass) wears unsoiled white pants, a neat striped shirt, and no shoes; he carries a bundle on a stick., Sheet music cover for J. Hutchinson (lyrics) and J.M. White's (music), The Fugitive's Song (Boston: Published by Henry Prentiss, 33 Court St., 1845)., Dedication underneath the image reads: "Words / composed and respectfully dedicated, in token of confidential esteem to / Frederick Douglass / a Graduate from the / "Peculiar Institution" / For his fearless advocacy, signal ability and wonderful success in behalf of / his brothers in bonds. / (and to the fugitives from slavery in the ) / Free States & Canadas. / by their friend / Jesse Hutchinson Junr.", Fels Afro-Americana Image Project, Fugitives.
Creator: Bouvé, Ephraim W., 1817-1897, designer
Date: [1845]
Location: Library Company of Philadelphia | Books & Other Texts | Rare *Sheet Music Fugitive 8214.F, https://digital.librarycompany.org/islandora/object/Islandora%3A2891

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