Not in Wainwright., Trade card depicting "Le Petit Chaperon Rouge." Shows a girl attired in a red frock and bonnet holding a basket with a "patissier" and windmill standing in the background. Also contains several lines of French text explicating the story of "Chaperon Rouge." The Leonhardt lithographic studio was renamed following the partnership between Leonhardt and his son Arno circa 1874 and the firm remained in operation until the early 20th century., Philadelphia on Stone, POSA 99, Smithsonian Institution: NMAH Archives Center – Warshaw Collection - Lithography - Vertical Box 2 - Leonhardt - Le Petit
Creator
Theo. Leonhardt & Son
Date
[ca. 1880]
Location
Smithsonian Institution | Archives Center Warshaw Collection SI NMAH Archives Center – Warshaw Collection - Lithography - Vertical Box 2 - Leonhardt - Le Petit
Not in Wainwright., Trade card depicting similarly-featured portraits of a tabby cat and mustached, bushy white- haired man as side by side pages of an open book. Cat wears a blue collar offset by a blue bookmark ribbon extending from the book edge. Advertising text on verso reads "We will furnish you One Thousand French Art Chromo Cards in complete sets, assorted from 10-20 designs which you may select from our price list, for Ten Dollars net. 500 cards assorted as above for $6.00 net. (The retail price of the cards is 12-15 cents per set.)" The Leonhardt lithographic studio was renamed following the partnership between Leonhardt and his son Arno circa 1874 and the firm remained in operation until the early 20th century., Philadelphia on Stone, POSA 100, Smithsonian Institution: NMAH Archives Center – Warshaw Collection - Lithography - Vertical Box 2 - Leonhardt - Cat
Creator
Theo. Leonhardt & Son
Date
[ca. 1880]
Location
Smithsonian Institution | Archives Center Warshaw Collection SI NMAH Archives Center – Warshaw Collection - Lithography - Vertical Box 2 - Leonhardt - Cat
Racist advertisement designed as a postcard to promote Carncross' Minstrels performers the Dockstaders, and the A. Vogeler & Co. patent medicine St. Jacobs Oil. Includes graphic details and vignettes depicting caricatured African Americans in a cancellation mark, stamp, and as postal workers. The cancellation mark (upper left) depicts the right, bust profile of a black man, possibly an allusion to a man in black face. The stamp (upper right) depicts the left, bust profile of a black man, possibly an allusion to a man in black face. In the lower left corner, an African American mail carrier, a mail bag around his shoulder, empties a "U.S.B.M." mailbox attached to a post. His back is to the viewer. In the lower right, an African American mail carrier, a mail bag filled with mail around his shoulder, and holding letters in his hand is depicted in mid stride. The unrelated Charles Dockstader and Lewis, i.e., Lew Dockstader (George Alfred Clapp) partnered in 1878. They joined John L Carncross' Minstrels in Philadelphia in 1880. The Dockstaders continued to perform with Carncross' until 1883 and the illness of Charles ending the partnership. In 1882, the men also performed with George Thatcher's Minstrel's (Philadelphia)and Haverly's Minstrels (St. Louis, Mo.). Lew remained with Carncross until 1886 and the creation of Dockstader's Minstrels., Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes., Title from item., Date inferred from content., Printed on verso: Miss Information:-- Most worthy of estimation: After long and serious consideration on the reputation that you have in the nation. I have taken a serious inclination to remove my habitation, to a close situation, in order that I may pay a visitation for the sake of conversation. If this should meet with your approbation, I remain ever yours, without simulation. Ado Ration. P. S.---I thus give affirmation without qualifications that St. Jacobs Oil is the best application in the wide creation., Description of Blackface minstrelsy from Dorothy Berry, Descriptive Equity and Clarity around Blackface Minstrelsy in H(arvard) T(heater) C(ollection) Collections, 2021., Housed with the Ellen Phillips Advertising Card Collection., Purchased with funds for the Visual Culture Program (Junto 2015)., RVCDC, Access points revised 2022., Description revised 2022.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade cards - Dockstader [P.2017.6]
Trade card illustration of two white men seated on donkeys advertising a vaudeville production of Uncle Tom's Cabin. Both of the men are portraying the character Marks from the novel. They are attired in top hats and jackets with coattails. They both carry umbrellas under their arms. Palm trees are visible in the background of the scene., Title from item., Advertising text on recto: Two Marks & donkey "Jennie.", Advertising text on verso: Double in quantity, quality and [illegible]. [illegible] Smith's Boston Double Uncle Tom's Cabin Co., at the Ladies' and Children's Matinee and Evening Performances, at Union Hall, for two nights only. Friday & Saturday May 12 & 13, Grand Saturday Matinee. 30 famous performers. 10 comedians. 15 South Carolina Jubilee Singers. 2 Funny Topsys. 2 Marks, the Eccentric Lawyers. 2 Educated and Trick Donkeys. Pack of imported Bloodhounds. Topsy No. 1 - Miss Daisy Markoe, in her great songs, dances, banjo and xylophone solos. Topsy No. 2 - Miss Josie Sutherland, in her beautiful skip-rope and plantation dances. Grand Ice Scene - Eliza and child escape [illegible] blood hounds. They don't catch her but go for the two Marks, the two laywers. Exciting scenes between dogs and lawyers. Great Jubilee and Plantation Scenes, with old-time songs. The two Marks enter on Donkeys , and then there's lots of fun. Beautiful and Grand Closing. Eva in the [illegible], with tableau, "Gates Ajar. All to be seen with Smith's Double Uncle Tom's Cabin, thus eclipsing all other companies in the world. General Admission, 25, 35 & 50 cts. [illegible] & 35 Cts. Reserved seats on sale at Waldron & Curtis' Drug Store., Gift of David Doret.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Smith [P.2017.95.159]
Racist, trade card specimen depicting a caricature an African American woman dancing. Shows the woman portrayed with exaggerated features and attired in a red hat decorated with flowers, gold bracelets, a dress composed of a yellow, blue, and white pattern with a red and black sash and flowers at the waist, orange stockings, and yellow shoes. She holds her skirt up with her hands and lifts her right leg up in a dance step., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. 24 [P.2017.95.235]
Trade card promoting Fisher and Fairbanks' patent medicine Fairbanks' Rock Cordials and depicting a racist caricature of an African American man chef in the galley of ship. Shows the man portrayed with exaggerated features and attired in a white chef's hat; a white shirt with the sleeves rolled up to his elbows; a red vest with gold buttons; a white apron; blue pants; and black shoes. He stands holding a spoon in his right hand and with his left hand holds a bowl that is filled with an unidentifiable pink food over a barrel that is being used as a table. He smiles and looks to a blond-haired white girl in the right attired in a pink hat; a black choker; a red dress; a white pinafore; white stockings with red stripes; and black shoes. She carries a doll costumed in a matching outfit and leans to look at the chef mixing. In the foreground on the floor are a pan, a pot with a bowl on top of it, and a spoon. In the background is a stove with a steaming kettle on it and a large chain. In the right, there is a barrel and next to it is a doorway through which we can see a sailor attired in a brimmed hat, a blue jacket, and pants. He stands on the side of the ship and looks through a telescope at the water., Title from item., Date deduced from history of the advertised business., Gift of David Doret.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Fairbanks [P.2017.95.62]
Racist trade card promoting Kendall Manufacturing Co.’s Soapine and depicting caricatures and ethnic stereotypes of people helping Liberty wash laundry. Shows Liberty in the center personified as a white woman with blonde hair tied up in a bun attired in a blue cap with a white star and a white sleeveless dress with a red belt that has an American flag crest. She stands behind a wooden wash tub labeled “Kendall MFG Co.” that sits on top of six boxes labeled with the letter K. She spreads both of her arms out to the seven people around her. In the left, a white man with blond hair and mustache (possibly German,) holds a pipe in his mouth and is attired in a blue tunic, brown pants, and black shoes. He bends over as he carries a large box labeled “universal soap” on his back. A white Scottish man with blonde hair, attired in a blue cap with a yellow feather, a green shirt with a red sash, and a red kilt, helps a white man with black hair and mustache (possibly French) attired in a blue uniform with gold epaulettes and black shoes, carry a large straw basket filled with white laundry to the wash tub. In the right, caricatures of an African American man in a white sleeveless top, a Native American man attired with a feather headdress and blue pants with a bundle of arrows on his back, and a Chinese man with his hair styled in a queue attired in a blue tunic, brown pants, and blue, slip-on, cloth shoes, carry an oversize wash board labeled “French Laundry Soap.” In the center foreground, a white man with blonde hair and attired in a blue shirt, brown pants, blue socks, and black shoes, has fallen down on the ground. Beside him is a broken white pipe, and a small black cat runs away. Henry L. Kendall (1805-1883) founded a soap manufactory in Providence, R.I. in 1827. The Kendall Manufacturing Co. was incorporated in 1860. The Company continued to manufacture soap into the mid-20th century., Title from item., Place of publication inferred from place of operation of the advertised business., Date deduced from history of the advertised business., Gift of David Doret.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Kendall [P.2017.95.96]
Trade card for the Philadelphia stove manufacturer showing an African American house cook showing off the households's new "Iron King" stove to a baker delivering pies. The woman in kerchief, shawl, checkered dress and apron points to the stove and states "No more of your pies. The Missus has one of dem Iron King Stove -Shure Baker" to the baker in a baker's hat, smock, apron, and holding a square basket of pies. A kettle, frying pan, pot, and dutch oven rest on the burners of the stove that is marked "Chas. Noble & Co., Philada." Scene also shows a partial view of the baker's delivery wagon (advertising pastry and bread) outside of the open kitchen door. Founded as Abbott & Lawrence in 1851, later renamed Abbott & Noble in 1858, the stove manufactory was reestablished as Charles Noble & Co. in 1870., Advertising text of distributor on verso: Giersh, Senseman & Co., Manufacturers of Tinware, and Dealers in Stoves, Tinware, &c. An Examination of Our Stock Solicited. Sign: Big Coffee Pot. Agents for sale of the Improved Iron King Cool Salem, N.C., Printed on recto: Centennial Award 1876 Philada., Purchased with funds from the Walter J. Miller Trust for the Visual Culture Program.
Date
[ca. 1876]
Location
Library Company of Philadelphia | Print Department trade card - Noble [P.2014.16.1]
Illustrated trade card depicting a business card displaying the title, surrounded by a garland of flowers. Includes a seated cherub figure in the lower right corner and a bust statue in the lower left corner., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Busche [P.9802.6]
Tradecard showing the three buildings comprising the Philip J. Lauber liquor and restaurant business at 24-26 South Fifth Street. The buildings, adorned with signage, include left to right: "Ph. Lauber Beer & Ale"; "Ph. Lauber Importer of Wines"; and "Ph. Lauber Restaurant" (partial view). Image also shows heavy street and pedestrian traffic. Men congregate at the doorway of the wine shop at which a horse-drawn cart loaded with wine barrels departs. A carriage, horse-drawn dray, men on horseback, and pedestrians travel in the street. Lauber added a restaurant to his business on Fifth Street circa 1877., Not in Wainwright., Title contains pictorial details. Includes cherubs eating grapes and drinking bottles of wine on a mantelpiece surrounded by vinery and greenery., pdcc00008, Philadelphia on Stone, POSP 172, Free Library of Philadelphia: Castner 26:9
Date
[ca. 1880]
Location
Free Library of Philadelphia. | Print and Photograph Collection. FLP Castner 26:9
Tradecard illustrated with scrolls, filigree, a banner and a cherub drawing on a pad. William H. Lehman & Mahlon Bolton Jr., purchased the print shop of Jacob Haehnlen in 1873 and remained at the site until 1882 when the business relocated, following a fire, to 715 Arch Street. The firm was active until 1920., Not in Wainwright., Philadelphia on Stone, POSA 55
Creator
Lehman & Bolton
Date
[ca. 1878]
Location
Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.153g]
Tradecard for the Philadelphia lithography firm depicting a cameo portrait of a young lady. A bud vase with flower, and a mantle cloth, border the portrait. Thomas Sinclair & Son operated as a partnership 1870-1889., Not in Wainwright., Philadelphia on Stone, POSA 105, Historical Society of Pennsylvania: Tradecard Collection - S - Sinclair
Creator
T. Sinclair & Son
Date
[ca. 1880]
Location
Historical Society of Pennsylvania HSP Tradecard Collection - S - Sinclair
Trade card for lithographers Burk & M'Fetridge depicting a young boy and girl fishing in a body of water near a small cottage. They pull in a net, in which a cupid-like figure is caught with an arrow under his right arm. A sailboat, adorned with a wreath and a red cloth, is docked nearby. Fish from a previous catch lie in the sand next to a picnic basket., Not in Wainwright., Philadelphia on Stone, POSA 12, In 1877, William M. Burk and John R. M'Fetridge purchased the Inquirer Printing Office at 304 Chestnut Street from William W. Harding. The firm of Burk & McFetridge Co. succeeded Burk & McFetridge in 1893, when the company was chartered.
Creator
Burk & McFetridge
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department Trade cards - B [P.9111.15]
Illustrated trade card depicting a cherub seated on and shaded by large leaves. Includes wheat and butterflies., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Coughlin [P.9111.4]
Illustrated trade card depicting two cobblers in a shop, one seated and working on a shoe, while the other man shows the sole of a boot to a well-dressed male customer. Patrick Cox moved his shoe business to Rochester, New York in 1871, which in 1876 became P. Cox & Bro. when his brother J.D. Cox became a partner. The style changed to P. Cox Shoe Manufacturing Co. in 1881., Distributor's stamp on recto: Nash?, 220 Sixth Avenue, cor. 15th Street, New York., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Cox [1975.F.204]
Illustrated trade card depicting a man shaving in a bedroom in front of a bureau and a mirror with Dobbins' Electric Soap. Also shows a pair of pants hanging on the wall and a partial view of a bed. I.L. Cragin & Co. was formed in 1869 by Isaiah L. Cragin, his son Charles I. Cragin, and a Mr. Westcott and succeeded by Dobbins Soap M'f'g Co. ca. 1890., Contains a quote from Shakespeare's "As You Like It" and advertising text printed on verso: "And then, the lover; sighing like furnace, with a woeful ballad made to his mistress' eye-brow; (continued on card No. 4)." The purchase by you of seven bars of Dobbins' Electric Soap, at one time, of any grocer, will secure for you gratis, this set of seven beautiful cards. Grocers certificate must by sent to us, as no grocers have the cards. If not above being taught by a man, use Dobbins' electric soap next wash day. No wash boiler, no rubbing board, no house full of steam, no trouble, no ill-temper. It will positively not injure the finest fabris, has been before the public for 15 years, on its own merits as the best soap in the world, and its sale doubles each year. Ask your grocer for it. I. L. Cragin & Co., 116 South 4th Street, Philadelphia, Chas. Shields' Sons, 20 & 22 Gold St., N.Y., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Cragin [P.9875]
Illustrated trade card, possibly designed as an insert for the firm's photograph marriage certificates, depicting red roses tied together with a red ribbon. Founded as Kephart, Crider & Co. in 1866, the publishing business changed its name to Crider & Brother when S.L. Kephart left the firm. The publishing house sold their marriage certificates throughout the United States and internationally. The "orange blossom" certificate was copyrighted by David Crider in 1882., Date inferred from the copyright date of the "orange blossom" certificate., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of David Doret., Uncolored state held in the Helen Beitler Graphic Ephemera Collection - Trade cards & Blotters [P.2011.10.13]., Digitized., See *GC - Certificates - Marriage [P.2007.36.1].
Date
[ca. 1882]
Location
Library Company of Philadelphia | Print Department trade card - Crider [P.2005.24.1]
Series of illustrated trade cards for Conrad Brothers' men's clothing store depicting sprigs of various flowers. Conrad Brothers was a partnership between J. Fletcher and Benson W. Conrad., Advertising text printed on rectos promotes the shop as a "celluloid collar and cuff agency" and as a place for "Christmas presents in men's furnishing goods"., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1875]
Location
Library Company of Philadelphia | Print Department trade card - Conrad [1975.F.157a; 1975.F.159; 1975.F.163; 1975.F.165; 1975.F.180; 1975.F.188; 1975.F.191; 1975.F.216]
Illustrated trade card depicting the name of the business printed on a card inset into pink roses. Consterdine won a bronze medal from the Pennsylvania State Agricultural Society for his ivorytype photographs in 1881., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Consterdine [P.9728.5]
Illustrated trade card depicting a man wearing a conductor's cap asleep on a train with his mouth open and his head in his left hand. A suitcase with the name of the business superimposed onto the side sits on the floor next to him., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Conway [P.9651.5]
Illustrated trade card depicting a newsboy, with a bag of newspapers slung over his shoulder and a paper advertising "new" soap in his left hand, standing and leaning against a wall on the sidewalk. A dog sits at his feet. A broadside for Colgate & Co.'s "New" soap hangs on the wall behind him. William Colgate founded the company as William Colgate & Company in New York City in 1806. Upon his death in 1857, the style changed to Colgate & Company., Advertising text printed on verso: To our patrons. Thanking you for your favorable reception of our "new" soap, we beg you again to ask your special attention to its peculiar and substantial advantages in the matter of economy, when used (as it always should be) according to directions printed on the wrappers. To meet the requirements of all classes of buyers as to the size cake they may specially prefer, we put up the "New" soap in 9 oz. and 16 oz. cakes, the prices of which vary proportionately. Soliciting your continued patronage, we remain, respectfully, Colgate & Co., 53 and 55 John Street, New York. Established 1806., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Colgate [1975.F.179]
Series of illustrated trade cards depicting children, cats, cherubs, and ornately attired couples. Also shows a Japanese woman dressed in traditional garb playing a shamisen; a man painting on canvas as his female companion watches; three women shooting with bows and arrows at a heart-shaped target; two women reading a letter as a male admirer watches unnoticed; and men and women gathered around a drinking fountain., Title supplied by cataloger., One print [1975.F.284] printed by J.H. Bufford's Sons, Boston and six prints signed J. Bognard, Paris., One print [1975.F.279] contains advertising text printed on verso: Darlington, Runk & Co., importers and retailers of silks, dress-goods, mourning-goods, hosiery, gloves, india shawls, laces &c. Nos. 1126 and 1128 Chestnut Street, Philadelphia., Ten prints contains image titles, including "Dos a dos," "Fi dono!" "La gourmandisi," "La cholere," "La paresse," "Brouillés," "La rencontre," "Pardonne-moi," "L'orgueil," and "La promenade"., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Darlington [1975.F.146; 1975.F.225-227; 1975.F.240; 1975.F.245-246; 1975.F.248-249; 1975.F.251; 1975.F.254-255; 1975.F.258-259; 1975.F.261-262; 1975.F.265-266; 1975.F.268-269; 1975.F.277; 1975.F.279; 1975.F.284]
Illustrated trade card depicting a portrait of a woman grasping the branch of a flowering tree with her right hand. Includes a vignette on verso of a piano. Brothers David and John Decker began prducing pianos in New York in 1865., Contains advertising text printed on verso: Decker Brothers, grand, upright & square pianos. Incomparable in workmanship, matchless in tone, artistic in design, unequalled in durability, moderate in price. 33 Union Square, New York. W. G. Fischer, 1210 Chestnut Sts., Philadelphia, Pa., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Decker [P.9577.15]
Series of illustrated trade cards depicting birds, nests, butterflies, and flowers., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Defoney's [1975.F.247; 1975.F.275-276]
Series of illustrated trade cards depicting couples, including one on their wedding day and another under an umbrella in the rain., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - De Morat [P.9753.1-4]
Illustrated trade card depicting a silk worm on a mulberry leaf, a butterfly, cocoons, and two spools of thread., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Cutter [1975.F.118]
Series of whimsical illustrated trade cards depicting a male figure attired in a red, white, and blue scarf standing on a tree branch, reading a book as an ink stand with a feather falls from the tree and another male figure wearing a hat and ruffled collar standing on a reed, holding a hoop through which a frog leaps. Imagery also includes birds, frogs, a scythe, and an hourglass. Henry Dalley, Sr. began manufacturing "Dalley's magical pain extractor" in New York in 1839. Cornelius V. Clickener & Co. assumed control of the product name after Dalley's death in 1852. Henry Dalley, Jr. eventually regained control of his father's product in 1865, about five years after the dissolution of C.V. Clickener & Co., Includes advertising text promoting "the ten reasons" to use Dalley's magical pain extractor printed on versos., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Dalley's [1975.F.288-289]
Illustrated trade card depicting two clowns performing, one walking on stilts, the other balancing on his nose a long stick topped by a bowl. Thomas S. Dando operated from 307 Walnut Street until 1885. By 1886, Dando Printing and Publishing Co. succeeded Thomas S. Dando & Co. in the building formerly occupied by Drexel & Co. at 34 South Third Street., Contains advertising text printed on verso: Thos. S. Dando, steam-power printer, No. 307 Walnut Street, Philadelphia. Steamship, railroad and mercantile printing. Headings, cards, intricate ruling and fine work a specialty., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Dando [P.9820]
Illustrated trade card depicting roses wrapped in partially rolled up paper containing the title., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1875]
Location
Library Company of Philadelphia | Print Department trade card - Cohen [P.9730.3]
Series of illustrated trade cards promoting confectioners Croft, Wilbur & Co. and depicting children performing a variety of activities, including two white girls playing tug-of-war over a wrapped piece of candy; and boys and girls eating sweets, including a white boy eating a candy stick while holding his dog on a leash. Also shows flowers; a courting white boy and girl couple sitting on a log; two white boy clowns dancing, playing a drum, and strutting a homemade pitchfork; and a man in Colonial attire popping out of a large cracker or bon-bon and dumping candy to white woman who catches it in her skirt. Racist card depicting an African American boy, portrayed in caricature, and a white girl on a candy stick seesaw. In the left, shows the white girl attired in a large, white bonnet; a yellow dress with red polka dots; a blue and white checked smock; orange stockings; and brown shoes, sitting on a red and white striped candy stick. In the right, the barefooted African American boy, attired in an orange shirt and gray pants, sits on the other side of the candy see saw. The fulcrum is a piece of chocolate. Founded in Philadelphia in 1865 by Samuel Croft and Henry Oscar Wilbur, Croft, Wilbur & Co. divided into H.O. Wilbur & Sons and Croft and Allen in 1884., Title supplied by cataloger., Four prints printed by E. Ketterlinus & Co., Includes two prints [1975.F.120 and 1974.F.141] with advertising text printed on versos., Gift of Emily Phillips, 1883., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Croft [1975.F.120; 1975.F.141; 1975.F.145; 1975.F.168; 1975.F.176; 1975.F.178; 1975.F.182a; 1975.F.196; 1975.F.210]
Series of illustrated trade cards for the millinery and fancy goods business of I.S. Custer, Son & Co. at 39, 41, & 43 North Eighth Street in Philadelphia. Illustrations depict a boy hanging from a tree branch by his shirt after attempting to steal apples from a fenced-in yard with a sign reading "Keep off". A boy with a basket full of apples stands below him and watches from the ground. Also shows a girl wearing a bonnet with a red, white and blue ribbon and resting her head on her hands in a field with flowers and a butterfly. Includes two cherub-like figures, one representing "Septembre" running from a rabbit with his rifle and hunting bag, and the other, "Octobre," wearing a robe and a laurel wreath on his head and spilling wine from a goblet., Title supplied by cataloger., One print [1975.F.207] die cut and shaped in an art or painting palette with advertising text for goods available within Departments A through H printed on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Custer [1975.F.149; 1975.F.199-200; 1975.F.207]
Trade card with ornate lettering, shading, and filigree. Ernest A. Wright established his firm in 1872 at 1032 Chestnut Street, and later relocated to 1108 Chestnut Street ca. 1891., Not in Wainwright., Philadelphia on Stone, POSA 17, American Antiquarian Society: Graphic Arts Ephemera Late Trade Print 0093
Creator
Wright, E.A
Date
[ca. 1891]
Location
American Antiquarian Society AAS Graphic Arts Ephemera Late Trade Print 0093
Series of illustrated trade cards for Etienne Burthey's Philadelphia confectionery at 324 South Third Street. Eight prints illustrate the French folksong, "Marlbrough s'en va-t-en guerre". Views show the Duke of Marlborough leaving for war; Marlborough with another man carrying his sabre; Marlborough's wife looking through a telescope from a stone tower; two men with the deceased Marlborough's helmet; his wife's worried page carrying a letter; and his wife seated, with the page crying into a handkerchief nearby, after receiving news of Marlborough's death; and two men carrying his coffin. Additional illustrations depict men and women playing lawn tennis and archery; a group of children performing a variety of activities, including playing with a train, performing magic tricks, and training a dog; naked cherubs in the snow and on a swing; flowers; birds; bees; and butterflies. Burthey's confectionery business occupied 324 South Third Street from 1877 to 1881., Printers and engravers include A. Ponsot (Paris, France), Stafford (Frankford, Pa.), and Thomas S. Dando & Co. (Philadelphia, Pa.), Includes series of five prints by Thomas S. Dando & Co. with advertising text printed on versos: F. Burthey, manufacturer of all sorts of chocolates, bonbons, Parisian style, 324 South Third St., Philadelphia. Prints also contain titles on rectos, including "Royal lawn tennis," "Le petit mencanicien," "Le petit magicien," "Le chien d'education," and "Tir a l'arc.", Includes series of eight prints printed by Ponsot, Paris with imprint, "E. Burthey, maison Francaise de chocolat et confiserie, 324 South Third St., Philadelphia" and various titles in French on rectos including, "Marlborough s'en va-t-en guerre," "L'un portrait son grand sabre," "Madame monte à sa tour," "L'autre portrait son casque," "Elle voit venir son page," "Monsieur Marlborough est mort," "Chacun s'en fut chez soi," and "J' l'ai vu porter en terre.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Burthey [1975.F.37; 1975.F.39; 1975.F.41-44; 1975.F.46; 1975.F.48; 1975.F.64-65; 1975.F.70; 1975.F.74; 1975.F.77; 1975.F.84; 1975.F.96; 1975.F.98-99; 1975.F.101-104; 1975.F.108; 1975.F.115]
Series of illustrated trade cards depicting nails and spikes that form a border around the business name. Bulkley & Noblit founded the Tioga Rolling Mill at Seventeenth and Clearfield Streets in 1873., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Margaret Robinson., Digitized.
Date
[ca. 1875]
Location
Library Company of Philadelphia | Print Department trade card - Bulkley & Noblit [P.9349.315; P.9349.358]
Series of illustrated trade cards for S. & H. Buckley, manufacturers and retailers of boots and shoes, at 127 North Eighth Street in Philadelphia. Illustrations include an old woman snooping on two young lovers; a boy and a girl walking arm in arm; and a bird perched on a nest feeding its young., Title supplied by cataloger., Printers and engravers include A. Haury., Advertising text on verso of one print [P.9728.11] promotes Buckley's line of wedding slippers., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Buckley [1975.F.69; P.9728.11; P.9802.9]
Series of illustrated trade cards depicting a bird flying with a flower clasped in its beak. A business card containing the title is attached to the rose., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Bunn's [1975.F.105; 1975.F.109]
Illustrated trade card depicting a vignette of a foot., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Burdict [P.2006.20.21]
Illustrated trade card depicting two boys, a squirrel, and a duck singing. One boy holds sheet music and the other boy plays a violin., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1875]
Location
Library Company of Philadelphia | Print Department trade card - Burdsall's [1975.F.95]
Illustrated trade card depicting an ornate jug and bowl and three birds surrounded by a decorative border. Martindale & Johnston operated their grocery and wine and spirits' shop from Tenth and Market Streets between 1869 and 1883, before the style changed to Thomas Martindale & Co., Contains a price list of a few specialties, mostly of various wines, printed on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - California [P.9755]
Illustrated stock trade card depicting a business card for Isaac Cassere's suit, cloak, and fur business inset into a bunch of flowers., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Casseres [1975.F.119]
Series of illustrated trade cards depicting exterior views of exhibition buildings and grounds constructed for the Centennial Fair in West Fairmount Park in Philadelphia, including Machinery Hall, Main Exhibition Building, Horticultural Hall, Agricultural Hall, and Memorial Hall. Buildings designed by Henry Pettit, Joseph M. Wilson, Henry J. Schwarzmann and James H. Windrim. The Cenntenial, held in 1876, celebrated America’s one-hundredth anniversary of independence and showcased the strengths of the country’s industry, manufactures, agriculture, and art., Title supplied by cataloger., Advertising text printed on versos: Thos. Carstairs, fire and marine insurance broker, Harper's Agency, No. 329 Walnut Street., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1876]
Location
Library Company of Philadelphia | Print Department trade card - Carstairs [1975.F.121; 1975.F.138; 1975.F.142; 1975.F.148; 1975.F.184]
Illustrated trade card depicting a doctor checking the pulse of a sick man seated in an armchair and attired in a dressing gown and cap. A large bottle of medicine sits on a table next to the doctor., Advertising text printed on verso promotes Dr. Browning's C. & C. cordial for colds, asthmatic coughs, bronchitis croup, and for the relief of consumptives. Also promotes Dr. Browning's tonic and alternative, which "purifies the blood, enriches the blood, [and] improves the appetite." Also informs patrons of Browning's impending move from 1117 Arch Street to 1321 Arch Street after January 1st, 1881., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
1880
Location
Library Company of Philadelphia | Print Department trade card - Browning's [1975.F.75]
Illustrated trade card depicting a dog with a ball under its paw. E.M. Bruce & Co. relocated from 1308 Walnut Street to 18 North Seventh Street in Philadelphia in 1879., Manuscript note on verso: Samuel Gray, age -- 73 yrs., 2 mos., 12 days., Advertising text printed on verso: If you think of purchasing an organ, be sure to send for a catalogue and price list of the "Estey" first. These instruments are thoroughly reliable, have a world-wide reputation, and the prices are as low as any first-class organ can be made. E.M. Bruce & Co., 18 N. Seventh Street, Philadelphia.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William Helfand., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Bruce [P.9651.2]
Series of illustrated trade cards depicting business cards inset into flowers with bumblebees., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Bryan [1975.F.55 and 1975.F.112]
Illustrated trade card depicting a boy sitting on a rock near a body of water playing with a model sailboat. Bush & Co. was operated by John V. and Van Camp Bush., Manuscript note on verso: Chester., Contains advertising text printed on verso: Always buy Bush & Co's improved borax soap, because it is made of the purest and best materials. It is the best laundry soap--making your clothes clean and sweet, with very little labor. It works equally well in hard or soft, or in salt water. It is a splendid luxury for the toilet or bath; wonderful in its beneficial action on the skin, equaling the imported castile soap. It is remarkably good for washing the head, cleansing the scalp and rendering the hair soft and glossy. It is the most economical, being sold at a reasonable price, and one cake will do as much work as two cakes of the ordinary, so-called cheap soaps. Ask your grocer for Bush & Co.'s borax soap and take no other., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Bush [P.9651.3]
Series of illustrated trade cards depicting a sprig of flowers, birds perched on flowering tree branches, and ducks and ducklings in a pond., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Cadmus [1975.F.72a; 1975.F.173-174]
Series of trade cards containing depictions of Centennial buildings to advertise the Philadelphia lithographic establishment's Centennial views and the prominent printing press company. Buildings depicted include the Main Building, Agricultural Hall, Horticultural Hall, and Machinery Hall. Also contains promotional text on verso reading "All visitors should procure one as a memento of the Great International Exhibition" at Toudy & Co. or "Care R. Hoe & Co., Machinery Hall, Centennial Grounds.", Not in Wainwright., Philadelphia on Stone, POSA 120 a-e. POSA 120a: Main Building. POSA 102b: Machinery Hall, International Exhibition. POSA 120c: Agricultural Hall, International Exhibition. POSA 120d: Main Building, International Exhibition. POSA 120e: Horticultural Hall, International Exhibition., American Antiquarian Society: Graphic Arts Ephemera Late Trade Print 0074; 0128; 0129; 0130; 0131
Creator
H.J. Toudy & Co.
Date
[1876]
Location
American Antiquarian Society AAS Graphic Arts Ephemera Late Trade Print 0074; 0128; 0129; 0130; 0131
Series of illustrated trade cards depicting anthropomorphic frogs, fairy-like figures, and a bee wearing large collars around their necks and wrists as they fly, dance, play the banjo, and sit near the pond. The Celluloid Manufacturing Company was established in 1872 in Newark, New Jersey., Includes advertising text printed on versos: Celluloid. (Water-proof linen.) Collars, cuffs and shirt bosoms. Elastic, linen finish, durable. When soiled, rub with soap or water (hot or cold), used freely with a stiff brush. Advice to wearers. Always slip the necktie under the roll of the turn down collar. Do not attempt to straighten the fold. The goods give better satisfaction if the separable sleeve button and collar button is used. Twist a small rubber elastic, or chamois washer around the post of sleeve button, to prevent rattling of button. To remove yellow stains which may come from long wearing, use sapolio soap, or salertus water, or celluline. Goods for sale by all dealers., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1875]
Location
Library Company of Philadelphia | Print Department trade card - Celluloid [1975.F.177; 1975.F.219; 1975.F.737]
